the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Danny no longer has a haunt. So… he decides to find another one. And while he technically has a whole world (other dimensions aren’t an option because he’s going to stay near where Jazz’s grave is, damn it) there’s only a couple of other places with enough ambient ectoplasm to sustain him. Nanda Parbat, Tokyo, and Gotham.
Nanda Parbat had a weird old musty immortal that kept trying to summon him and exchange power for the ability to “take a worthy body and rain as much destruction” as he’d like. As if Danny would need a body to bring the world to its knees.
Tokyo… it’s too far from Jazz’s grave. He could ask Wulf or even open his own portal but when Danny tried it out, Tokyo was too peaceful. Obviously there’s crime, but nothing… nothing big like Danny’s used to.
Danny ends up picking Gotham, even if the sewer zombies and the weird group of rich fruit loops with an adoption problem creeps him out. So, he destroys the portal, packs up his parents’ house and sells it, and hauls ass to the cesspool calling his name. His family’s stuff is stored respectfully in a vault located on the deepest parts of his personal haunt in the Infinite Realms.
And honestly, he’s doing better. Sure, he’s got a shitty apartment near another revenant’s almost-haunt and he feels like he’s drowning all of the time, but Danny isn’t in danger of turning into Dan, he’s catching up on royal paperwork, and he’s got like a job as a barista. In his own coffee shop that paid for using his parent’s money (who, despite their hazardous everything, made a crap ton of money off of their more normal inventions).
Gotham’s got some pretty interesting local gangs, most of which respected the sanctity of Danny’s cafe. Sure, they tried blowing it up and tried extorting money from him in the form of “protection costs” but after three months of failure, they gave up.
(Really, the local gangs gave up when they saw him take three shotgun shells to the chest and continued to work.) (They didn’t know it never hit him. Intangibility is extremely useful.)
The Rogues, on the other hand, just gave Danny flashbacks. Their gimmicks are different, sure, but after years of Box Ghost, Skuller, Lunch Lady, etc., Danny’s more than done with costumed villains. They don’t bother him either. Some of the reason is probably due to Harley and Ivy, who had walked into the cafe and (because they were bruised and scratched up from a fight) triggered Danny’s mother hen tendencies. They were promptly fed and watered and caffeinated and their hyenas were also similarly taken care of. They declared the cafe under their protection and that was that.
Red Hood stops by, and begins to interrogate him. But when Danny met his… helmet eyes? The crime lord paused, paid for his coffee, and sat in a corner table of the cafe for the rest of the day.
And he kept coming back?
But Danny figures it’s because Hood was a revenant and people who had come close to death tends to feel more comfortable around him.
(Considering this is Gotham where people almost die every other day? Yeah, he’s pretty much friends with everyone. Or at least, less likely to get shot.)
(Hood does stay because of the King’s presence and the Pit calming itself, but also Danny’s hot and he’s got a sleeper build and Hood definitely did not imagine himself in the place of the heavy box he saw Danny lift effortlessly onto a table. No.)
But of course, the peace couldn’t last forever. But by then, Danny was so antsy, he welcomed the trouble with open arms.
It starts with a clown. Danny knows who he is. He knows who Danny is.
So, Danny has no idea why the clown thought it would be a good idea to aggravate the owner of Gotham’s official neutral grounds. See, Clovkwork? Danny’s learned how to gauge his own political importance!
“HAHAHAHAHA! COME OUT, DANNY-BOY! LET ME TELL YOU A JOKE!”
Danny comes out and grabs a chair, and with a flat expression, says, “you’re not funny and I hate clowns.”
And then he swings and slams the chair into the Joker’s face. Over and over again until Danny’s sure the clown won’t get back up. The thing about Gotham’s outdoor chairs is that they’re mad out of steel and are bolted down to the ground to prevent undedicated thieves (dedicated thieves can and will steal the bolted down steel chairs). The Joker’s hired muscle just watched this scrawny twenty-something year old yank the steel chair and take some of the fucking ground and the bolts with it and beat the fuck out of their boss who is the literal Joker.
They surrender on the spot and is taken to jail. Danny just smiles at the officers who come by and since he’s got pretty privilege and they don’t want to mess with the guy who, again, owns one of Gotham’s official neutral ground and also beat up Joker without breaking a sweat, the officers just lets him go with a warning.
And then the bats comes, and wow, Danny’s playing mentor to a formally dead person again!
But before that, the Red Hood asks for an autograph on the Gotham Gazette article with a picture of a tired Danny standing over Joker’s prone body. Then Hood stammers through asking Danny out (which Danny said yes to because he’s tired, not blind, and Hood is built like a brick house and HOT).
Batman interrogates him. Danny, who can tell that this man needs therapy and is Sad TM, tells Bats that Danny’s died before and that’s why he’s like this. He also calls Batman a furry, but like in a nice way. And then he kicks Batman out with a coffee and a file on Nanda Parbat.
Now, Danny’s got a date to prepare for and he realizes that maybe this is what Jazz wanted for him- to be happy and mostly safe and happy. (Or, happier, he thinks. It’s been a long time since he’s been truly happy, but this might be a good start)
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