hope people realize that it’s impossible to be normal about foundation. you’ve got soaking wet buff lee pace, a man who has two holograms each with their own custom mental trauma, a 20,000 year old genderfluid robot with impeccable taste AND trauma, a daughter who’s older than her mother, and three men who are the same man ruling an empire, one of which btw is lee pace. and he is naked. watch this show.
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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Tim, looking around the darkened corridor: "You think it's a good idea to be breaking into random places right now?"
Jason said nothing, fumbling in his pockets.
Dick: "You live here, don't you?" Which gets everyone's attention laser-focused.
Jason just cast him a look, getting the door open.
Steph entered first, smacking into something that falls over. "Jeez." She complained, stumbling backward until Cass steadied her by the shoulders. "Sorry, that's my bad."
Duke turned on the lights in one motion, making everyone blink and wince.
"Get off me." Damian snapped, and Dick carefully let him go, letting him limp angrily into a chair. He frowned, scrutinizing the place. "You live here? Why would anyone--"
"Guys." Dick rubbed his eyes over the mask, cutting off Damian and Jason’s sharp answer. "First aid kit?" Dick asked Jason tiredly.
Jason nodded, moving to get it and heard Damian ask "What?" in response to a patented glare he must be getting.
Tim had made a beeline for the kitchen. "Dude, why do you have a singular set of dishes? And why are there just guns in this cabinet?"
Jason scoffed, handing Dick the kit. "Didn't realize I was running a fucking bed and breakfast."
"There's guns in this cabinet too!" Tim shook his head, opening and closing two more. "Oh good, just large knives in this one."
At Tim's raised eyebrows, Jason went into the kitchen and shooed Cass down the counter she was perched on, grabbing the paper plates he kept in a drawer and shoving them into Tim's chest.
Glancing at the way Steph was rubbing her neck, slouched at the table, Jason grabbed two ice packs, sliding one her way and throwing the other to Damian.
Duke, taking a book off Jason's meticulously organized shelf: "Why do you have seven copies of Pride and Prejudice? Did you keep forgetting you bought it, or--?"
Jason, storming over to put the book back. "Stop."
Dick looked up from the wound he was stitching. "Are they different at at all?"
"Are they in different languages?" Steph asked.
"Did you barter them for food? Because your fridge is fucking empty." Tim reported.
Jason groaned, realizing that they weren't going to drop it. "One has a different introduction and one is the zombies version. And yes, the rest are the same, now could you all stop touching stuff?"
"Why do you have five copies of the same book?"
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