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dresshistorynerd · 7 months

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I've seen a post you've reblogged and added to, among many things about women showing nipples. Can you recommend any ref material (articles, videos, etc.) are share your knowledge about this? Cause I'm curious about that, as nowadays going out in a shirt without a bra makes you indecent, while in like 90s it was okayish? I wonder how it was in previous centuries.

There is a really cool academic paper about bare breast dresses in 17th century England specifically. I think anyone can read it by creating a free account.

Abby Cox also has a good video about the cleavage during the past 500 years in which she goes through also the nip slip phenomena.

I don't have other sources that specifically focus on this subject, though many sources about specific decades touch on it, but I do have my primary source image collection, so I can sum up the history of the bare nipple.

So my findings from primary source images (I could be wrong and maybe I just haven't found earlier examples) is that the Venetians were the first ones to show the nipple for courtly fashion. At the same time in other places in Europe they sported the early Elizabethan no-boob style that completely covered and flattened the chest. In the other corners of Italy the necklines were also low but less extreme. Venetian kirtle necklines dropped extremely low as early as 1560s and they combined extremely sheer, basically see-through partlets with their kirtle. First example below is a 1565-70 portrait of a Venetian lady with the nipples just barely covered waiting slip into view with a movement of arm. There was an even more extreme version of this with the kirtle being literally underboob style, still with a sheer doublet. Though I believe this was not quite for the respectable ladies, since I have only seen it depicted on high class courtesans. They were not exactly respectable ladies, but they did have quite good social position. The second example is a 1570s depiction of a courtesan, which is revealed by the horned hairstyle. By the end of the century this underbust style with only see through fabric covering breasts, had become respectable. In the last example it's shown on the wife of the Venetian doge in 1597.

Around the same time, at the very end of 1500s, the extremely low cut bodice fashion enters rest of Europe. The low cut style was present in the bodices of all classes, but the nipple was really only an aristocrat thing. The lower classes would cover their breasts with a partlet, that was not sheer. Bare breast was ironically from our perspective a show of innocence, youthful beauty and virtue, and to pull off the style with respect, you also had to embody those ideals. Lower class women were considered inherently vulgar and lacking virtue, so a nipple in their case was seen as indecent. Bare boobs were also a sort of status symbol, since the upper class would hire wet nurses to breastfeed their children so they could show of their youthful boobs.

Covering partlets and bodices were still also used in the first decade of 1600s by nobles and the nip slip was mostly reserved for the courtly events. The first image below is an early example of English extremely low neckline that certainly couldn't contain boobs even with a bit of movement from 1597. The 1610s started around 5 decades of fashion that showed the whole boob. The first three were the most extreme. Here's some highlights: The second image is from 1619.

Here the first, very much showing nipples, from c. 1630. The second from 1632.

The neckline would slowly and slightly rise during the next decades, but nip slips were still expected. Here's an example from 1649 and then from 1650-55. In 1660s the neckline would get still slightly higher and by 1870s it was in a not very slippable hight. The necklines would stay low for the next century, though mostly not in boob showing territory, but we'll get there. But I will say that covering the neckline in casual context was expected. Boobs were mostly for fancy occasions. It was considered vain to show off your boobs when the occasion didn't call for it and covering up during the day was necessary for a respectable lady. You wouldn't want to have tan in your milk-white skin like a poor, and also they didn't have sun screen so burning was a reasonable concern.

1720s to 1740s saw necklines that went to the nip slip territory, though they didn't go quite as low as 100 years earlier. The nipple was present in the French courtly fashion especially and rouging your nipples to enhance them was popular. Émilie Du Châtelet (1706-1749), who was an accomplished physicist and made contributions to Newtonian mechanics, was known in the French court to show off her boobies. An icon. Here she is in 1748. Here's another example from this era from 1728.

The Rococo neckline never got high, but in the middle of the century it was less low till 1770s when it plunged into new lows. In 1770s the fashion reached a saturation point, when everything was the most. This included boobs. The most boob visible. There was a change in the attitudes though. The visible boob was not a scandal, but it was risque, instead of sing of innocent and did cause offense in certain circles. I think it's because of the French revolution values gaining momentum. I talked about this in length in another post, mostly in context of masculinity, but till that point femininity and masculinity had been mostly reserved for the aristocracy. Gender performance was mostly performance of wealth. The revolutionaries constructed new masculinity and femininity, which laid the groundwork for the modern gender, in opposition to the aristocracy and their decadence. The new femininity was decent, moral and motherly, an early version of the Victorian angel of the house. The boob was present in the revolutionary imagery, but in an abstract presentation. I can't say for sure, but I think bare breasts became indecent because it was specifically fashion of the indecent French aristocracy.

Here's example somewhere from the decade and another from 1778. The neckline stayed quite low for the 1780s, but rose to cover the boobs for the 1790s.

The nipple didn't stay hidden for long but made a quick comeback in the Regency evening fashion. It was somewhat scandalous by this point, and the nipple and sheer fabrics of the Regency fashion gained much scorn and satire. The styles that were in the high danger nip slip territory and those that allowed the nipple to show through fabric, were still quite popular. The sleeves had been mid length for two centuries, but in 1790s they had made a split between evening and day wear. The evening sleeves were tiny, just covering the shoulder. Showing that would have been a little too much. Like a bare boob? A risque choice but fine. A shoulder? Straight to the horny jail. (I'm joking they did have sheer sleeves and sometimes portraits with exposed shoulder.) But long sleeves became the standard part of the day wear. Getting sun was still not acceptable for the same reasonable and unreasonable reasons. Day dresses did also usually have higher necklines or were at least worn with a chemisette to cover the neckline. Fine Indian muslin was a huge trend. It was extremely sheer and used in multiple layers to build up some cover. There were claims that a gust of wind would render the ladies practically naked, though because they were wearing their underclothing including a shift, which certainly wasn't made from the very expensive muslin, I'm guessing this was an exaggeration. Especially though in the first decade, short underboob stays were fairly popular, so combined with a muslin, nipples were seen. Here's an early 1798 example of exactly that. The short stays did disappear eventually, but in 1810s the extremely small bodices did provide nip slip opportunities, as seen in this 1811 fashion plate.

Victorian moralizing did fully kill the nip slip, though at least they were gender neutral about it. The male nipple was just as offensive to them. In 1890s, when bodybuilding became a big thing, bodybuilder men were arrested for public indecency for not wearing a shirt.

#there was also the new femininity aspect to regency nipple which had to do with breastfeeding becoming fashionable among upper class #it's about the whole motherly thing that came with the french revolution #i can't remember the book i read it from so i didn't go into it because i couldn't remember the details lol #but it did definitely have an effect to the fashion and to the perception of nipple #historical fashion #fashion history #history #dress history #fashion #answers #painting #fashion plate #renaissance fashion #elizabethan fashion #rococo fashion #baroque fashion #regency fashion #will tumblr prove itself to be again more prudish than elizabethans and label my post as mature content?#remains to be seen

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dollfromtheattic · 10 months

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🌸 🦢 𝓡𝓸𝓼𝓮𝓽𝓽𝓪 𝓢𝔀𝓪𝓷 - 𝓢𝓹𝓻𝓲𝓷𝓰 𝓢𝓸𝓷𝓪𝓽𝓪 🦢 🌸

#lolita fashion #classic lolita #egl fashion #egl community #royalcore #princess #princesscore #rococo #taobao lolita #chinese lolita #chinese lolita fashion #my post #fairycore #regency #jfashion #japanese fashion

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jirai-princess-annabelle · 3 months

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#my post #mister rococo #girly #girly girl #girly bedroom #hime #himedere #relatable #i love cute stuff #i need cute stuff in my life #i want to make things look cute too

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humornaut · 1 year

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Sunny and Home and Basil (and Sweetheart?!)

Hey all! I've been thinking a lot about how home is represented in Omori, and especially about how Sunny thinks about home and imagines it. Omori Spoilers Ahead!

So to start this off, it has been noted quite a lot that Sunny associates the concept of home with Basil. The main thing that people point out to support this is the fact that before Memory Lane and right after the fight with Basil, it's Basil that is waiting for Sunny in front of his house to welcome him home, but there is so much more to look at when it comes to this concept.

For starters, the theme music for Basil's house in both the real world and Headspace is entitled "A Home for Flowers", but there are some very specific flowers that Basil's house is a home for. Within Headspace, it is a home for tulips, which is the flower associated with Sunny, courtesy of Basil. The other two flower versions of this are Sunflower and Daisy. Sunflower plays during the Birthday Memory of Memory Lane, and Daisy plays in Basil's Meadow after the true Something battle. Finally, the Empty version of this theme is what plays at Basil's house in the real world. Basil's home is also a home for Sunny, within Sunny's head. The Empty version shows that in the present day, Basil's home doesn't really provide any respite for either Sunny or Basil, because metaphorically, neither of them have been "home" since the Incident.

However, I'd also like to put forward that there's another big thing within Headspace that tells us a lot about how Sunny views the concept of "home".

Sweetheart's Castle

Sweetheart's Castle is a very interesting area of the game that the player spends a lot of time in. In fact, it can tell us a lot about how Sunny feels about the concept of "home" if you pay attention to the little details it gives us. For now, I would like to set aside the fact that the castle is associated with Sweetheart to talk about what happens in the castle itself.

To me, the castle is very clearly based off of Basil's house, or more specifically, the things that happen during this part of the game take a lot of inspiration from the memory of Basil's birthday.

To start out, there are four tasks that the player must complete while inside the castle. The first is assisting with preparing a strawberry cake, which is a clear parallel to the Birthday Memory, since it implies that Sunny was involved with the making of Basil's cake in the first place. The castle is also filled with many other strawberry cakes that Sunny/Omori associate with different smells, and bring the player to different areas of headspace. Check out my other analysis on Sunny's relationship with food and cooking for more details!

Within Sweetheart's bedroom, the player has to destroy a statue of Spaceboy, to be replaced with a statue of Sweetheart. In addition, Sweetheart's bedroom contains a bed that the player can rest at to heal, much like a picnic. To me, this very much relates to how Basil's bed is the only one that Sunny notes is comfortable, other than his own. It also is reminiscent of how Basil's birthday party in the Photo Album appears to have ended in a sleepover. The bedroom is also filled with different kinds of snacks and sodas, and this is also the area where you can get the Teapot weapon for Hero, and learn the Teatime skill.

Next, you have to go to the Royal Library to assist with the guest list. While I don't think the group had to think too hard at all about who was invited to Basil's birthday party, since it's pretty much just the friend group, there are some interesting things about this area. Sweetheart's Castle's purpose within Headspace is to cover up the Lost Library, so the fact that a library was included at all is interesting, considering the connotations. Within this area, you can find the Interesting Book for the "Fascinating Literature" side quest, a poetry book, and the Book charm, which can increase experience gain. To me, this relates back to Basil's love of reading, which he shared with Sunny.

Finally, you go to the Royal Ballroom to assist with preparing the Sprout Mole Choir to sing at the wedding. You might be able to say that this area is reminiscent of Basil's love of listening to Sunny and Mari practice their music, after all, it was Basil and Hero that moved all of the stools into the practice room to listen to the two. This room also contains a Sprout Mole that you can slow dance with to restore the party's Health and Juice. No matter if you dance with them with Aubrey or one of the boys, they will always say, "That was so much fun... Ah... What is this feeling? My heart is racing so fast... Thanks, hehe...". Just a little interesting thing for Sunny's mind to include in this area, specifically with the small plant creature that enjoys tofu.

The associations don't end there. There is also the Royal Gallery, which contains a bunch of art. Though we don't get to see it much in the real world, Headspace Kel notes that Basil does enjoy art, along with reading, flowers, and photography. The player can even become art in this area, by standing on a podium. You can once again do this with any character selected, so this could very much reference that Basil prefers to take pictures of his friends, since he is afraid of losing them.

Then you have the Royal Theater, where there are 11 different movies that the party could watch, which absolutely could represent how Sunny and Basil would have sleepovers where they would watch movies, or more generally represent the group watching movies as part of Basil's party. The castle also has a large garden, which is something that Sunny's mind also associates with Basil.

But What About Sweetheart?

I won't go into too much detail about what Sweetheart represents, as there is a very good post about it already, but to paraphrase what's important, Spaceboy and Sweetheart both represent aspects of Sunny, and his relationship with himself/Omori. Some people try and say it represents how Sunny really feels about how a relationship with Aubrey would go, but I think this concept is a little bit of a stretch. As far as we're concerned here, Sweetheart represents Sunny's broken idea of love following the incident, as well as his inability to even conceptualize what loving himself even means following what happened to Mari.

That being said, there is a character within Sweetheart's castle that does appear to represent someone other than Sunny...

Look at this dude, with his stupid dumb teal hair, pink hairclip and overalls. Wait

After finishing up the primary quest line in Sweetheart's Castle, you have the ability to meet a character by the name of Rococo. Rococo has some interesting similarities with Basil's story. He doesn't really have his own people due to his original planet being destroyed, in the same way that Basil doesn't really have his own family outside of his grandmother. He was taken in by Sweetheart and her family in a way that is similar to Basil being accepted into the friend group, and more specifically, how he appears to have spent a lot of time at Sunny and Mari's house. He'll paint pictures of Omori's party, in the same way that Basil in the real world would take photos of his friends, but not a lot of himself.

He sleeps on a futon with sheets made of the finest materials with a self-heating and cooling option. Seeing as Sunny recognizes Basil's bed as comfortable, this could be seen as a reference to Sunny sleeping on Basil's bed during sleepovers, while Basil himself slept on a rollout futon.

The fact that he has been sealed away from Sweetheart's castle reflects both how Headspace itself is filled with things that Basil loves while Basil is kept away from it by spending most of the game sealed away in Black Space or restricted to a picnic blanket, and how Sunny has physically shut out Basil in the real world for four years, keeping the two apart. Rococo is also depicted as being very lonely after being sealed away for so long, even growing desperate when the party tries to leave before he can tell his story, in a manner that resembles how Basil behaves during the real world segments of the game.

If you want to take the connections between Sweetheart & Rococo and Sunny & Basil literally, Rococo even says this:

Obviously, you don't have to take everything literally here if you don't believe there is any kind of romantic connection at all between Sunny and Basil, but this backstory does kind of parallel the way that the past is told in Omori. For instance, after meeting Sweetheart, Rococo has a gap in his memory of a few years leading up to he and Sweetheart falling in love and moving into the castle. Meanwhile, we know almost nothing about Sunny or Basil or anyone else in the group during the period of time between when Basil joined the friend group and when Basil started taking pictures for the photo album. Within the photo album, there are many things that imply that Sunny and Basil became closer throughout that final year than they were before, even if Basil already considered Sunny his best friend from the first picture. The falling out between Sweetheart and Rococo is more metaphorical than literal, as the thing that caused Sunny to lock Basil away both in his mind and in real life was the fact that he was a reminder of a past that Sunny desperately wanted to forget, not that Sunny was becoming more popular and receiving fan mail and requests from suitors, though you could see Rococo as representing the real Basil that was locked out and the suitors and popularity as representing the new friends that Sunny created within Headspace.

The Castle as Home

So how does this all line up with how Sunny sees "home"?

Below the castle is a little area with an NPC by the name of "The Keeper of the Castle".

The Keeper tells us that the castle takes the shape of one's deepest desires. "A place to return to. Somewhere to call home." In a way, since Sweetheart represents an aspect of Sunny, we could say that part of Sunny desires his home to be represented by this castle.

The Keeper also tells us that it knows that Sweetheart will soon leave, and it will need to look for a new owner. If you are playing the Hikikomori route, Omori will become the new owner of the castle. However, Omori/Sunny has rejected the real world in this route. He has rejected reconciling with his friends, ending the delusion, and he has rejected his special connection with Basil, with Basil's photo album no longer referring to the two as best friends, and instead referring to the friend group as a whole as Basil's best friends.

To that end, once Omori becomes the castle's new owner, all reminders of the reasons that Basil is associated with home are erased. All of the strawberry cakes, the art, the books, the garden, and Rococo himself are erased, leaving behind the "Boring Room", where all Omori/Sunny can do is sit, surrounded by pictures of a past that no longer exists, which is emblematic of how Sunny's own house must feel after those four years inside without his friends and his only family being a busy mother.

This is the hikikomori route's twisted version of Sunny "finding his way back home." No Basil, no Mewo, no Mari, and definitely no violin or Memory Lane. Only reminders of Sunny's broken family that he is confronted with every day, with all of the reminders of his friend group and especially Basil ripped away and forgotten. And this is how you get the "Welcome Home" achievement.

Hope you enjoyed!

#omori #omori analysis #sunnflower #omori sunflower #sunflower omori #kind of #i guess #sweetheart #omori sunny #omori basil #rococo #sweetheart's castle #omori spoilers #hikikomori route #keeper of the castle #rococo says he would do literally anything for sweetheart #omocat says that basil would do literally anything for sunny #thats real interesting #anyway if headspace still exists post true ending you just know that sunnys mind is moving himself and basil into that castle

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pixiemoonmagic · 3 months

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Kissing Her in the Garden 💋💞💐🌷🪻🏳️‍🌈

(2/14/2024)

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sssalome · 1 year

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chiesa di santa maria della vittoria, roma / ottobre 2021

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lauragabrielle · 10 months

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François Boucher - Allegory of Music (1764) details

#details #art #francois boucher #rococo #girly blog #pink #aesthetic #art aesthetic #renaissance #pink renaissance #aphrodite aesthetic #thelauragabrielle #lauragabrielle #the laura gabrielle #laura gabrielle #my post

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meowyjean · 6 months

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marauders as architecture styles

remus as renaissance - neeerrddd; probably wished the great classics saw him and hoped they were proud of him; values silent independent reading time; gets excited over the golden ratio and symmetry and columns

james as post-modern - if you gave a child a paper and crayons and told them to make buildings but they forgot what you asked of them halfway through and just made whatever; let's stop repressing our feelings u guys; life's motto is have fun!

peter as mid-century modern - it ain't that deep bro; unassuming; "you don't need to do all that" (secretly wishes he could do all that); a repressed catholic virgin if you will; banging taste in furniture, shit taste in structures = don't judge a book by its cover

sirius as baroque - (i am biased and i love them); let's make a statement on every surface imaginable; let's put all our efforts and money to the pursuit of being pretty; oh and add gold. everywhere.

regulus as victorian - combination of dark and mysterious and the desire to be ornate; you would think he'd be gothic, but he just wants to sit on the plush seat in the library of his home, surrounded by unnecessary amounts of ornate moulding and picture frames

pandora as art nouveau - the fluid era not the geometrical one; bespoke everything; fun, fresh, flirty, frivolous; bonus points on her matching the art style of the era too (pandora fanart in an art nouveau style would be so)

mary as islamic - you can't keep your eyes off her; the intricate geometric AND symmetrical patterns, the lofty AND pointed arches; oh you feel hot in the courtyard? we'll put water there babes it isn't that serious

lily as neoclassical - whatever you can do, i can do better; "wake up babes, be so fucking fr"; it girl all-day every day; oh that was your style but she added to it and made it completely her own? yeah, sorry babes, she won, it's hers now

barty as high gothic - as in over the top, go big or go home, i want it so high, oh shit too high i need to add buttresses, "yo what if we put glass in thick ass walls and get risky with them and maybe even have fun with them while we're at it" high gothic

evan as industrial - sleek, lofty, no bullshit; i'm so confident in myself that you can look through me; wdym you're scared of this new construction material? look at me fucking bending it and making tall ass structures bitch

marlene as deconstructivism - nuh uh; fuck it, fuck you, fuck everything, fuck the police; thanks for letting me read the rules, now i'll be breaking them (and look good doing it)

dorcas as art deco - a cultural reset; get you a girl who is elegant AND artful; no one does dark and sophisticated quite like she does; plus she's fun and ornate too? she is the coolest girl to ever walk the campus

thank you for coming to my ted talk

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