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#please someone i’m begging
sky-neverending · 11 months
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I want to hug Jack Wolfe so bad LOOK AT HIM
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LOOK AT HIM LOOK AT HIM
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I LOVE HIM SO MUCH OMFG ANSJSJSJSJSJSJSJJSJSJSJSJSJSHSJSJ
thank you.
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ewwww-what · 1 month
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Nobody is as excited about the preview as I am. I have paragraphs.
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portraitofalonelydyke · 3 months
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ok I’m not a meta writer or an easter egg hunter but I’ve been waiting for someone else to talk about this structure that the good omens title leads to because it’s driving me bananas
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when it first pans up, it looks closed off like there’s walls around the pillars
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but the next time we see it we can see the four pillars and a domed roof
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and i know it’s not a perfect match to the shape of the structure, but it’s pretty darn close to the bookshop layout
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and the domed roof that we don’t really get to see in the show is very clear in concept art
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and uh what could the bright white light in the middle of the structure that the figures are walking towards be?
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anyway all this to say this concept image makes me really nervous
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bobsyourdylan · 7 months
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Okay, so – a few thoughts on Izzy’s death. I’m sure other people have also laid this out, but I haven’t stumbled across it yet, so this is partially for me to get my thoughts organized. For the record, I love Izzy – he fascinated me (in a horrified sort of way) in season 1, and then he grew on me significantly in season 2. What a weird little guy. But also – I’m fine with them killing him off, and also with how they did it, because I think it makes sense for the story. But I know that a lot of people are super upset about his death, and also about the way he died. So, a few semi-coherent thoughts on that: 
Why not a sacrifice play?
This writer’s room is so self-aware, so deliberate about engaging with tropes – there is no possible way that they sat around breaking the story of Izzy’s death and no one said “woah, wouldn’t it be symbolic and gut-wrenching if he sacrificed himself for Ed? Or Stede?” No way. So why didn’t they go that route? 
Izzy’s arc in season 2 has been all about becoming his own man, separate from Ed/Blackbeard. Like – that’s what he’s worked towards, this whole season. That is his growth. It would be insulting to take that away from him at the last minute, and make his death purely about Ed and Stede.
Listen, I love a sacrifice arc as much as the next person. But Izzy’s life isn’t about sacrifice anymore – that’s the whole point of his season 2 arc. He has spent decades sacrificing both himself and Ed to the altar of Blackbeard. No more. 
It also means that Ed and Stede’s mourning doesn’t have to be tinged with the guilt of “he sacrificed himself to save me/my partner.” They can mourn Izzy purely for himself, because he is worth mourning. This, I would argue, is the send-off that Izzy’s character deserves.
Izzy’s death wasn’t accidental on Ricky’s part – it wasn’t a stray bullet.
We see from the scene when the crew is locked up in Spanish Jackie’s that Ricky recognizes Izzy. We know from their conversation that, for Ricky, Izzy is the epitome of piracy – Izzy, not Blackbeard, is the legend.
The thing is – Ed and Stede are both in the scene where Izzy dies (I’m not sure if you can see Stede on screen, but the bts photos show Rhys’ position, on what would be the far right of the shot). Arguably, Stede would have been the easier shot – Ricky wouldn’t have had to complete a full 180-degree turn before he could pull the trigger. So why doesn’t he go for Stede, who abandoned him to the tender mercies of Spanish Jackie in the first place? Or Blackbeard, arguably the greatest/most famous pirate alive, with the possible exception of Zheng, who he’s already targeted? Sure, you could argue that he’d going for Ed here… but I don’t think he is. The shot’s too low to be accidentally aimed for Izzy – it would hit Ed’s knee or something, probably. I think that yes, it’s a panicked shot, not well-aimed at all. But if it’s aimed at anyone, I think it has to be Izzy. And at the very least, the symbolism of it is very much not accidental.
For probably the first time since they created Blackbeard, Izzy isn’t just a stand-in for Ed. His significance is his own in this scene – in all of his interactions with Ricky. He’s not targeted because he’s Blackbeard’s first mate (why go for the first mate when you could go for Blackbeard?). He’s targeted because he’s Izzy Hands – because he is significant, powerful, famous, respected in and of himself.
And more than that – this is an arc about the end of piracy. And Izzy Hands is piracy – the show has been telling us from the beginning that piracy is a mixed bag, full of the good and the bad, and Izzy represents that  – represents both the toxic, violent side of piracy, and the side of piracy that he grows into, that he explains to Ricky – piracy as family, home, belonging. Izzy dies, and it hurts, because not only is he a great character, but he represents in one person all of the complicated, hilarious, heartbreakin, violent, loving aspects of piracy – and of the show. But it is so, so important that Izzy dies as himself – not as a symbol or shield of Ed, or Stede, or Blackbeard. Not even as a symbol of piracy, but instead as the active embodiment of piracy – as something/someone who grows, changes, ends. Not as static or passive, but as better than when we first met him, as transformed as Buttons in his own way. 
Izzy’s death sets up a possible revenge arc:
We know that everything in this show ties back to the main relationship between Ed and Stede. Izzy’s death is, I think, significant on its own, for him as a character – but it is also, by necessity, significant to Ed and Stede’s relationship. Namely – it sets up an interesting conflict for season 3 re: a potential revenge arc for Ed. 
Now, clearly they’ve carefully ended season 2 on a relatively high note in case we don’t get a season 3. But we know they’re gonna be terrible at running an inn, and we know there’s unfinished business with Ricky. Ed’s current strategy of dealing with everything that’s happened seems to be “I don’t want to be a pirate, get me out of here” – which, while fair enough, won’t last, because that’s the nature of unfinished business. So, at some point, Ed and Stede are going to need to confront Ricky again. And, if the writers decide to lean into the revenge arc, I’d say the odds are pretty high that, when Ed lays eyes on Ricky again, we get a flashback to Izzy’s death. 
And this sets us up for a pivotal, and necessary, moment in Ed’s character arc: when confronted with pain, loss, negative emotion in general – can Ed deal with it without losing himself? Ed needs a balance between the Kraken, Blackbeard, and Edward, and we see at the end of season 1 and beginning of season 2 how challenging that balance is for him to find, especially when confronted with loss or pain. We can see Ed working towards that balance when he’s interacting with Low – Low’s taunts don’t push Ed to violence, but instead get to Stede. But comparatively, Izzy’s loss is a much greater blow, and at some point, Ed is going to need to confront that.
Plus – we know the writing team are thinking of Izzy’s death at least partially in terms of the mentor/mentee arc, which often confronts the question of revenge – after the mentor’s death, the mentee is required to choose on their own how to go on, what kind of person they want to be. And this often requires a confrontation with both the mentor’s loss and a decision about how far they want to take their desire for revenge.
Why not a cooler death?
Okay — I get this criticism. I do. Izzy is an amazing fighter, we all love that about him. And you can keep most of the above symbolism and still have him die fighting two dozen British soldiers. 
But — again — we are back to the root of this show: Ed and Stede. 
Izzy has two deaths this season: one in the premiere, one in the finale. The first is Stede’s fantasy. Cool swordfight, and Stede triumphs, obviously — but the premise of the fight is that Izzy’s a great swordsman and Stede bests him because now Stede’s a great pirate. This is Stede’s ideal pirate fantasy. 
But Izzy’s actual death is not like this. It is messy and inelegant and painful and no one gets any glory from it at all and Ed is crying with Izzy dying in his arms, and Stede wants to help, goes for bandages, but he doesn’t know what to do and it’s not enough anyways — And this is not a fantasy anymore. This is piracy, and this is the piracy that Ed wants to escape. And it’s important that Stede sees this, sees what Ed is done with. 
And it’s also important that Stede tries to save Izzy. Izzy isn’t just a symbolic barrier between Stede and Ed anymore, to be sacrificed to Stede’s reunion fantasy. He’s his own person, with his own death, and Izzy has grown, yes, but so has Stede.
And by using Izzy’s death to make this point, we both get Stede learning the reality of piracy and growing beyond his fantasy, and the glorious fantasy fight kiss i love you reunion between Ed and Stede (if Ed and Stede had reunited by fighting off dozens of British soldiers, but Izzy had died doing the same, the dissonance would have messed with both the death and the reunion, because we the audience wouldn’t be able to distinguish between the fantasy and reality worlds). And getting both of these is the premise of the show — fantasy and reality both. 
And sure — you can be mad that the show used Izzy in this way. But that is the show’s premise — everything is in service of the protagonists and their relationship. This is not a surprise— it’s been openly talked about since day 1. 
You don’t have to like what the writers did. You don’t have to agree that it was the correct choice. But they have proven to us, time and time again over the last year, that they are self-aware and careful with this show that they know we love so much. So we absolutely owe it, to them and to ourselves, to ask why they made a choice that not everyone may agree with. What is the payoff? Why did they decide to do this thing that they knew would upset fans? Because we know it’s not that they hate us. So what is it? You don’t have to agree that the payoff is worth it. But do the writers, and the show, and yourself the favor of recognizing that there is a payoff here.
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antaripirate · 11 months
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Kell and Lila, to Holland, at any given moment:
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disaster trio disaster trio disaster trio
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mimidiann · 1 year
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cubbiekins · 11 months
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I want more Brucie Wayne Content. I can’t get enough of the man embarrassing the shit out of himself. It’s addicting.
But I also want to see Brucie breaking character when he’s in a room with a reporter.
I want to see Bruce literally dumping himself on a love seat and Jason just passes him an unlit cigarette (ehem), which Tim (yes, Tim) lights up with his random ass lighter. Then I want to read the reporter slowly losing their goddamn minds. Because,
“This can’t be Brucie Wayne! He’s the Prince of Gotham!”
“Aren’t they suppose to be the happy, pleasant family that donates money that seems to never end?”
To which I want Bruce to respond with,
“I am the Prince of Gotham. But remember, Joker is the Clown Prince of crime in Gotham. If he’s Crime, then I have to be the Prince of something too, don’t I?”
Then his kids all surrounding him are just snickering to each other.
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scribblekinqq · 5 months
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a collection of my silly drawings of the fontaine trio. (cuz i’ve been going crazy)
inspirations for the last doodle page came from lyney & freminet’s voice lines abt each other
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eye-dazzler · 5 months
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(NSFW ! Minors DNI)
Okay, so we all love a little Sublander, right? Except I don’t like it in the “sweet mommy dom” way— I wanna see more desperate, uncontrollably rough Sublander.
Fucking you with everything he’s got, holding you so tight it hurts because he’s scared you’re going to leave. Whimpering and begging for approval, begging for praise, begging to come inside of you. Burying his face in your neck and taking in your scent, damn near snapping the headboard in half from the death grip he’s got on it.
He’d try to be gentle, he’d try to be good, but he can’t help it. Even during his little bursts of submissiveness, he’s still Homelander. He’s still rough and impatient and needy.
He wouldn’t stop after coming inside of you, though. He wouldn’t dare stop until he knew you were satisfied, until you told him how good of a job he’d done. He thrives off of praise, off of being loved and adored— especially by you. For a raging narcissist, he’s so eager to please if it means getting just an inkling of praise.
He’d apologize when he was done, too. Apologize for being rough, for not being a good boy and being gentle when you asked. Can you blame him, though? Controlling all that super strength is difficult enough, and you make it ten times harder.
Anyways, moral of the story is that I love rough, needy subs and Homelander fits the bill perfectly. 🫶🏻
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ol-fl3a-bag · 1 year
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I couldn’t get this out of my head
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I think I need a fanfiction where Jaskier is like 30 and an established professor (traveling bard career didnt pan out as planned. He’s an excellent teacher but does still travel some) at Oxenfurt and meets a fresh out of Kaer Morhen 17ish year old Geralt.
And baby Geralt sees this very attractive older man who is nice to him and buys him a drink. Discovers he’s a bard with no self defense training, and takes it upon himself to make sure this very kind very pretty human doesn’t die. Jaskier thinks it’s adorable that Geralt follows him around like a lost puppy. (Young Henry Cavil levels of adorable here)
Young Gerlat who hasn’t had all his hope and sense of being a hero kicked out of him yet having Jaskier “I will stab you if you insult my Witcher” the Bard as a travel companion within months of leaving the keep.
Young Geralt actually openly loving the professor’s songs.
Jaskier practicing lectures he’s planning on Geralt as they travel and Geralt gets the best education as a result.
Jaskier holding Geralt as he cries after not being able to save a child for the first time.
Jaskier being the one with the power that naturally comes with being older and more experienced.
Geralt being a big puppy dog and eagerly trying to get Jaskier’s approval and being very helpful and talking more as a result.
The two idiots falling in love and Jaskier being conflicted about it at first because “you’re just a kid!” “Jaskier, I’m 29.” “A BABY!!”
Geralt having “toss a coin” to help his reputation from day fucking 1.
Jaskier being there to help Geralt deal with the mess that was Renfri in a way that DOESNT result in “Butcher of Blavakin” happening.
Jaskier being Geralt’s first love
Geralt spending his winters trying to figure out how to give Jaskier immortality only to discover he’s already immortal because “wait, you don’t look 60.” “Well you don’t look 50 either! I moisturize. Back off!”
Geralt thinking Jaskier is the most brilliant man he’s ever met when they first meet instead of thinking he’s an idiot.
Jaskier helping Geralt grieve his brothers after the attack. Helping him grieve when he lost his first Roach. Teaching him healthy coping mechanisms and emotion management.
EMOTIONALLY STABLE GERALT
@0dde11eth
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laecrowa · 6 months
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me sitting here absolutely DESTROYED that i’ve read every single Blue eye samurai fic on this app and on a03 and there isn’t even anything on wattpad yet 😭😭😭😭
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annot8 · 2 months
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The Paragon
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devilsrecreation · 1 month
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My brain: Hey, you think you took enough pics to make a Kenge appreciation post?
Me: ….N A H
KENGE APPRECIATION PART 3
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Or as I like to call it…Kenge showing his PTSD from bullying
See that fifth pic, kids? That is called “lashing out due to trauma”
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Someone come comfort me 😭⛈️
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ikustamay · 5 months
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Okay, but style in this
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