#mutual's masterpost | Explore Tumblr Posts and Blogs

foolishlovers · 5 months

Text

MUTUAL PINING FIC RECS: Below you'll find a list of Good Omens fics in which Aziraphale and Crowley are pining for each other.

You can request more fic recs here.

you play with my feelings (right from the start) by PenroseSun (G, 3k)

There were three things of which Crowley was absolutely certain: 1. Aziraphale, being an angel, was required to be kind and loving towards all things, even when those things were flawed or sinful or fallen. 2. Notwithstanding that obligatory kindness, Aziraphale would never, and could never truly love a demon, in any meaningful sense. 3. Despite this, Crowley was desperately, hopelessly, in love with him.

For To Quench My Thirst by apliddell (G, 6k)

After moving to Sussex with Aziraphale, Crowley is trying so hard to be satisfied with friendship and the suddenly beautiful life he already has.

Slow by write_away (T, 9k)

It started like this: A boy with the ability to warp reality met an angel and a demon and he made assumptions. You might say it started like this: An angel and a demon found a marriage contract hung on the wall of the angel's bookshop. They didn't question it. It also could have started like this: Once upon a time, the angel told the demon he went too fast. The demon took it to heart. Aziraphale and Crowley find themselves somehow married. Crowley fears going too fast. Aziraphale forges ahead. Neither know how to ask questions of each other.

got a pretty face, pretty boyfriend too by KissMyAsthma, leukozyna (T, 9k)

Aziraphale and Crowley are next-door neighbours. They’ve been attracted to each other since they met. The only thing keeping them apart is a thin wall between their bedrooms and Atticus and Freddie, Aziraphale’s and Crowley’s respective life partners… or are they? A human AU glued together by misunderstandings and wet food.

speed limits (and how to break them) by darcylindbergh (E, 13k)

There is a trick people do with a mint candy and a bottle of cola which results in a small eruption, and something very like it, for much higher stakes than a laugh in a car park, is about to take place in Aziraphale’s back room. Or: what happens when you finally unscrew the cap on a six thousand years of repression, and drop in Valentine’s Day.

Something We Were Withholding Made Us Weak by triedunture (M, 17k)

"Yes, exactly. Retire." Aziraphale reaches for the last remaining tartlet brimming with summer berries. "Somewhere along the south coast, perhaps." Or: Crowley and Aziraphale learn to move in tandem.

32 Questions That Lead To Love by ffonippop (E, 32k)

”First formulated in 1997, [32] questions to fall in love is a study by psychologist Dr. Arthur Aron which took place at Stony Brook University, New York. The aim? Speeding up the creation of intimacy between two strangers.” The Cosmopolitan Okay, fine. Crowley was 32-Questions-That-Lead-To-Love-ing Aziraphale. Sue him. He had no expectations, all right? Just, an innocent curiosity.

Flowers From The Grave Of Our Friendship by WaitingToBeBroken (E, 50k)

Crowley is very good at temptation, not so good with what comes afterwards. Aziraphale knows demons don't love so he is happy to take anything Crowley would give him. Both of them are too blind to realize the thing they want is right in front of them.

Fledging by FeralTuxedo (M, 53k)

Cool Dad was at the school gate again. Clambering out of his ridiculous sports car like a great big spider, all black denim and designer sunglasses. What a prat. He made his way towards the entrance, followed by his equally lanky son. All the mums' eyes were on him. Which was fine. At least they weren't staring at Aziraphale for a change. Cool Dad high-fived his son goodbye, because of course he did, then sauntered back to his car. Making it look so bloody easy. Aziraphale Fell is much too young to be looking after eleven-year old Pepper. He barely has his life together as it is, with his minimum-wage job and a half-baked dream of trading rare books for a living. And as if adopting a recently bereaved pre-teen isn’t enough, there are some rather more adult problems to navigate: playground politics, the shadows of his own childhood, and the growing question of how Crowley, the only other dad at the school gate, feels about him. A human AU/kid fic.

Style and Substance by Cabernet_Woebegone (E, 89k)

“But y’know, if my boss finds out I’m helping you even a little, they’re gonna throw me out on my ass.” “Yes, I understand it is a bit of a conflict of interest for you… Is there something I can offer you in return? Something you would like?” Aziraphale questioned hopefully. You, Crowley thought loudly as he took a second sip. I want to know if you moan when you kiss the same way you do when you try something delicious. I want to know if your lips taste like Zinfandel. “Yes, actually.” Aziraphale is having difficulty running his restaurant, and it isn't helping that he believes the place across the street is trying to sabotage him. To his surprise, chef Crowley comes to him on friendly terms. Together they come up with an arrangement that could benefit them both.

On Espionage and Prophecy (or How to Accidentally, but Wholly, Fall in Love With a Soho Bookseller) by RockSaltAndRoll (E, 133k)

1941 is the London Blitz and the year that MI5 really comes into its own with the now infamous ‘double cross’ system. The service keep tabs on suspects, root out enemy agents and try to turn them into doubles. Anthony J Crowley is fucking great at this job. He can be sneaky, underhanded and damn ruthless but also charming and kind. It’s what makes him good at turning. Aziraphale is just a regular Soho bookseller who loves his shop and books and good food and wine when he’s approached by a woman claiming to be MI5, wanting to recruit him for espionage. The poor man is too trusting and gets the shock of his life when he’s approached by a charming but dangerous-looking man also claiming to be MI5. Crowley recruits Aziraphale to double cross a double crosser and Aziraphale takes to espionage like a duck to water. Danger, hijinks, and sex ensue.

Old Vines by sevdrag (E, 189k)

A.Z. Fell, one of the most respected names in wine and food blogging, has been sent on assignment with his assistant Warlock Dowling to spend six months in California Wine Country. Under direction (by his boss, Gabriel) to use this experience to double his blog followers and write a novel, Aziraphale is both excited and anxious about the opportunity. Anthony J. Crowley is the owner and viticulturalist of Ecdyses, a winery that unexpectedly fell into his lap eleven years ago when he hit rock bottom. He may be in debt, yeah, but he’s paying off his loans — and despite pressure from his lenders and their team of inspectors, Crowley has found a kind of contentment tending his little corner of terroir and producing extraordinary wine. Crowley’s old vines are the heart of his vineyard, and he’s never let anyone in. Crowley finds Aziraphale intriguing; Aziraphale finds Crowley enthralling. Turns out a famous wine expert and an experienced viticulturalist can still learn things from each other. The summer of 2019 unfolds.

#support is so appreciated <3 #just hoping someone might find a new favourite!!#i think i may have material for another 2-3 mutual pining posts ngl it's one of my favourite tropes #also i know i know i've recommended old vines a thousand times but it really is THAT fic for me. do yourself a favour and read it pls!!#good omens #good omens fic rec #go fic recs #good omens fanfic #good omens fic #aziracrow fanfic #aziracrow #crowley x aziraphale #aziraphale x crowley #good omens human au #ineffable husbands #ineffable spouses #foolish recs #go fic masterpost

215 notes · View notes

spinjitsuburst · 3 months

Note

ramble about ur favs i wanna hear abt ur thoughts -zaptrap

HAN’S INFODUMPING ABOUT JAY... START!!!!

so like sgdkdhdkdhd I say Jay and Lloyd are my “favorites” but honestly it’s so hard to pick favorites out of this skittles squad like I love EVERY character for a variety of different reasons. I was going to also infodump about Lloyd but then I started talking about Prime Empire and then this post got. Long. So. it's just Jay I may infodump about Lloyd another day especially since I'm very Conduit Brained Rn but yea yea!

this is long so i'm putting most of it under the cut so y'all don't kill me for making a huge long post

I considered putting Zane and Sora on here as well since I’d also consider them my “favs” but like this is already gonna be. A lot of. Infodumping (also i typed THIS part before I even started and decided not to yell about Lloyd because this already got long enough). Maybe I’ll make a separate post for those two hmm hmm much to consider but for now MY (technically) FAVORITE NINJAGO CHARACTER: JAY WALKER

THE SPARKPLUG WHO INVADED MY BRAIN LIKE A PARASITE

so hey his name is a pun this makes me laugh ridiculously hard every time I remember he is named. After a misdemeanor HSKSHDKFH

Jay is such an interesting case of a character for me because I started out the show not liking him. Which is. Stares at my entire account I think my feelings have changed somewhat

Jay starts out as an asshole I don’t think anyone can disagree with me there (although honestly they’re all assholes in early ninjago they bullied a ten year old and left him dangling several feet off the ground) but over the course of the show you can see him start developing into a much more interesting character. He goes from being so insecure he's faking everything about himself to someone who knows who he is and is so genuine about it

now yea we could argue about whether his character was too uwu-ified post-season 10 but this is the FUN HAN POST SO WE'RE NOT GONNA TALK ABOUT THAT the point is you can SEE the growth that Jay has gone through and I am going to show you that growth through what I call

✨ The Skybound to Prime Empire Effect ✨

I AM SO PASSIONATE ABOUT THE IDEA THAT PRIME EMPIRE WAS WRITTEN TO BE A DIRECT PARALLEL OF SKYBOUND AND WAS CENTERED ON SHOWING HOW THE NINJA ESPECIALLY JAY HAVE GROWN THROUGHOUT THE SEASON

when season 12 rolls around we are at the point in Jay's development where he is CONFIDENT in who he is. He's a fun-loving jokester with the power of lightning and the drive to help people whenever he can. He uses jokes and humor to help alleviate tension and get people through whatever's happening. And when on his own what does he do?

BECOME AN ENTERTAINER BABEY

i like to think jay's club in prime empire was a safe haven for anyone stuck in the game who figured out hey. we Can't Leave and felt freaked about it. Also Jay would generally try and spread the word that hey something ISN'T RIGHT HERE which would lead people to want to stay with him

(totally plugging my friend's fic but this kind of thing is explored in would you like to enter prime empire by @finn-m-corvex y'all should check it out cool cool)

also the prime empire shorts which i watched all of in the midst of typing this video cuz i love them go watch them please please please jay was publically fighting the red visors which I imagine may have raised some red flags for some players

THIS SOMEHOW TURNED INTO PRIME EMPIRE INFODUMPING LMAO ANYWAYS Jay's confident! He becomes an entertainer because it's who he knows he is! And it's something that will get people hyped and having fun, which is very in-character for Jay to do! He uses those kinds of things to mask the Bad Things going on and get people remembering what's good

I've talked about this sort of thing before but that's Jay's whole philosophy as early as season 9! Which is a DIRECT contrast to how he views it in season 6, as Nadakhan puts it scarily accurately

"You make jokes to mask the fact that you're afraid"

(i was gonna grab a screenshot for that like i did with the hunted scene but netflix has bloCKED THE ABILITY TO TAKE SCREENSHOTS THE WAY I USED TO and i don't have them already and i'm too lazy to grab them from elsewhere so alas trust me he says it)

making jokes to hide your fear and using humor to remind yourself of what's good and coping with the bad are two VERY different outlooks on it

so I think this outlook is what drives him to make this glamrock persona in the first place - this is a bad situation, one he's in with other civilians, and what better way to keep him and themself safe until the others get there than throwing a big performance at a safe place!

also it's just so gender okay I want to look like Superstar Rockin' Jay so badly

it's also interesting to see his outlook on his parents change over time! In season six he finds out Ed and Edna aren't his birth parents and feels upset about it, not understanding why his birth parents would've abandoned him. In season twelve, that outlook changing is EXACTLY why Jay's able to get through to Unagami

"I was abandoned by my parents, too!... I never understood why, and I never had the chance to even ask. But I always hoped there was a good reason. What if there's a reason?"

(again curse you netflix i wanted SCREENSHOTS whatever whatever)

It's this scene that gets Unagami to calm down long enough for Milton Dyer to get there, and presumably is what stops him from just. Flattening him and Jay like a pancake.

to piggyback off of this i absolutely adore how Unagami and Jay consider each other adopted brothers in that one book I still haven't read and I hope he's in Dragons Rising at some point Unagami is my favorite "villain" (no longer a villain) in the whole show he deserves more screentime

like this is where i found out about this and it's plagued my mind ever since. i need to read. this book just for them

SO YEA OKAY Prime Empire is "Who is Jay as a Person Post-Skybound" to me also it opens up so many fascinating things about Jay. I rest my case

so backpedaling a little bit. JAY CARES SO MUCH ABOUT HIS PARENTS GUYS IT'S SO SOFT AND I'M sobs

like yea the first episode with Ed and Edna in it has Jay avoiding them like the plague but this gets explained very easily when you remember he was bullied for his home life before he became a ninja. It makes a lot more sense why he wouldn't want them around his new friends, assuming they'd react the same way. Also how was he supposed to know literally all the rest of the groups parents were either dead, presumed dead, or had a toxic relationship with their kid lmao

(Cole calling his mom kills me. Cole's mom is dead. I know they probably just didn't think that far ahead when writing the dialogue but it's so funny mans pretended to call his dead mom to get on Jay for not appreciating his parents iconic behavior)

anyways literally every episode Ed and Edna are central to (except like the one in skybound) Jay stops at nothing to protect his parents and it means the absolute world to me he's so much like them!! They raised an inventive little nerd and he will stop at nothing to make sure they're safe and it's. It's SO IMPORTANT TO ME OKAY

ALSO this is an excuse to clip my favorite piece of dialogue possibly in the entire show. Except Netflix won't let me now. So you just get the text dialogue

Jay's just fallen from the sky with a messed up eye and is incredibly distraught that all his friends are captured. And his dad just. The woRLD IS FALLING APART AND HE'S EATIN' SOUP-

Ed i love you

anyways

anways anyways this just turned into me rambling about prime empire and then Ed and Edna and a lot of disjointed other stuff but thank you for this opportunity i was going to also ramble about lloyd but i put this post in a word count and

yea i think that's enough for a tumblr post anyways! If anyone wants any like. More logically thought out and direct thoughts about characters feel free to send me asks this was fun thank u @zaptrap for this opportunity to scream about jay

#help this was. my brain is so not intact today so if this makes absolutely 0 sense i understand #i did end up watching some prime empire stuff during my ramblings and guys. the ending of that season still makes me cry #this is fully prime empire propaganda btw i need to like. talk about the season more because despite what my skybound posting would lead #y'all to believe THIS IS THE ACTUAL SEASON THAT LIVES IN MY HEAD AT ALL TIMES MOST OF MY MUTUALS ARE JUST MORE SKYBOUND BRAINED #AND IT RUBS OFF ON ME EASILY #but no prime empire is the fucking best #if i talk about jay long enough it WILL just turn into prime empire #also after I wrapped up this post i continued thinking more jay thoughts but this post is already long enough #like how jay is actually SO incredibly self-sacrificing and how he cares so much about helping people #also wow i didn't even mention his powers in that whole ramble. rare for me.#one day i wanna do!! a powers masterpost. like how i view all the ninja's elemental powers #but thats another day's project i am. So Eepy #anyways hope y'all appreciated this #also thank u serp for sending this ask which allowed me to Scream into the Void about jay walker #category 11 han moment fr #ninjago #lego ninjago #jay #jay walker #unagami #edna #ed #i have no idea if ANY of this is coherent btw #prime empire #skybound #hunted #quest for the lost powers #ask #spinjitsu screams

57 notes · View notes

raayllum · 2 years

Text

Cube Hostage Exchange Theory :: End of Days

Because I like nothing more than to organize things accordingly and my brain needs something to focus on for the final few days before the season drops and we get answers to a lot of questions (or at least, a lot of the questions this theory has attempted to answer over the past two years) I thought, “Hey Dragons, why not do your best to compile and breakdown literally every single piece of evidence there is for Cube Hostage Exchange Theory, just in case you’re right and want something to fondly look back on?”

(And also because I know I won’t have the same motivation to make this post if I’m wrong, but making this post sounds like fun for one last hurrah for myself and the little CHET posse this theory has, somehow, fondly amassed).

So here it is.

My end of days, final presentation of Cube Hostage Exchange Theory (otherwise nicknamed as CHET), all that it encompasses, and all that it could inspire, what’s been added to it over time, and why I think it has a decent shot at being what happens in the S4 finale. As well as a little indulgent walk down history / memory lane for me because I started posting about it two years ago, and I do what I want.

What is CHET?

A theory that proposes the S4 finale / current climax with Claudia, Aaravos and co. will threaten Rayla’s life in order for Callum to hand over the Key of Aaravos, thus allowing him to fully break free of his prison and putting the world at risk as a result, specifically in holding her hostage.

I first posted about it on September 21st, 2020 (a couple weeks after Through The Moon graphic novel got released) as just an idea and then made a proper theory post about a month later on October 26th, 2020.

It is my little bonbon and I think it is very neat. As you can see, it was an exceeding simple plot structure modelled to be a finale or final 3 episode prediction (4x07-4x09) for the end of the season, with very little speculation of what would happen in the build up to it besides 1) Callum having to learn about Aaravos in order to know what he was risking and 2) Callum and Rayla getting a chance to hash out some of their emotional baggage even if they hadn’t wholly resolved it.

The original theory post itself touched on some concepts that will be repeated down below, such as the idea that the hostage exchange would ideally 1) not be Rayla and Callum’s first reunion, 2) the series’ intrinsic concept of Exchange, 3) why failure is necessary for Rayla but not a punishment, 4) how her lack of self worth manifests, and perhaps most importantly, 5) how Callum is always instrumental in breaking her cycles.

The theory has since grown to encompass many others as well as a plethora of evidence I stumbled upon, first accidentally and then with a more purposefully keen eye, in terms of foreshadowing, set up, and parallel / cyclical episode structures that TDP loves to utilize and has utilized before. Again, more on that at the bottom.

What made me first think of it?

Simply put, it just seemed the most straight forward route that would also yield the biggest dramatic consequences for character and for story. Post-TTM Rayla was racing right towards Aaravos without even knowing, Callum has something called a Key, Aaravos wants to escape his prison. Thus, it would give Callum a clear hand in how the plot would move forward and fit with some of the more dubious choices he’d made before. I also liked the way it could conceivably offer up a pathway for Rayla and Callum’s emotional arcs; for Rayla, it’d be an unexpected hammer to her own perception of her self and her self worth, for Callum to throw it all on the line even after she’d hurt him so terribly much; for Callum, it would give him space to be angry with Rayla but also room for a good old “Fuck everything else, I just want you to be okay” when it comes to like, offering us a strong reconciliation within the limited emotional time frame of a TV show.

Why Should Rayla Get Saved?

Rayla left in TTM because she thought Callum could handle losing her in ways she couldn’t handle losing him. This fundamentally comes down to Rayla’s self sacrificial tendencies veering into self-destructive behaviour (leaving at all) and her justifications for it being that she isn’t “good enough” to be worth fighting for / loving the way she loves others, as well as deeper issues of survivor’s guilt and possibly not feeling like she quite deserves to live and be loved.

Although I don’t subscribe to the “Rayla left out of pride” lens at all, even under it, Rayla needing to be saved seems like the most logical conclusion, otherwise how is she supposed to learn that she can’t do everything herself?

Rayla can’t succeed in her quest to stop Viren or to fully protect Callum, lest she think what she did in TTM is “ultimately fine” just because it worked in protecting him successfully. She also can’t single handedly stop the villains only halfway through the show. Therefore, Rayla has to fail, and likely has to fail at protecting Callum by the finale specifically, as that was her worst fear. Since she went to all this effort to protect him, the biggest form of failure would be if he ends up in danger at one point because of her. However, that’s precisely why it has to happen - and why it would also hammer that point in further if he’s also saving her while he does it.

Why Can’t Rayla Just Save Callum?

More recently there’s been an upswing in theories regarding Rayla being Callum’s guiding light out of his “path of darkness” (Callum’s promo quote) given the way the moon halos her head upon entry, her name meaning, her associations with Truth and the Moon arcanum over Aaravos’ starry deception. It is also more in line with what I thought S4 might be like pre-TTM’s release, with Callum getting in way over his head with something magical and Rayla having to help (alongside Ezran possibly) pull him back from the brink.

The light and dark motif now running more prominently throughout both their arcs is also, funnily enough, something I noticed and wrote a meta about close to five months ago back in June, which you can read the full thing here. It was something I had always appreciated about Callum and Rayla’s framing with one another throughout S1 and particularly S2 with Rayla representing the light. It was something I only started to think more on when I began to compile parallels between Aaravos and Rayla, including their names (“between light and dark” and “ray of light” respectively).

Thus, I do think Rayla will save Callum emotionally/mentally from Aaravos in some manner at some point in the season, as that’s in line with how she keeps Callum out of his head in S1-S3. However, the other half of that pattern is Callum saving her physically, and that’s why I think the light and darkness motif feeds nicely into what I’ve also penned as the Mutual Salvation Theory originally in August 7th, 2022, before we even knew Rayla would be returning at all.

The question then becomes: well, what is he going to save her from? To a certain degree it’s herself, as laid out in this interview with Devon Giehl (TDP’s head writer) and Michal Schick (a staff writer) regarding Rayla’s letter:

She wants to stay because she’s in love with Callum, she wants to leave because she’s in love with Callum. And I think that’s just kinda like - Rayla’s version of love is, at this point in her life, always gonna hurt someone, including herself. Badly.

The clearest way for this to manifest is for each of them to get a chance to reaffirm their love for one another and choose each other. Due to the symbolism baked into the trailer and the season promo, it seems pretty clear that at the very least, Rayla will be guiding Callum away from darkness at one point in the season. Thus, what’s left is for him to save her in an equally thematically and plot-driven way - thus proving her previous beliefs wrong, reaffirming his love for her, and pushing the plot along.

This dual “I save you, you save me” plot line is an add-on to broader CHET, as that would provide Callum’s turn of things. Additionally, I think Rayla saving Callum in “guiding light” way may happen before the finale, with the finale then focusing on him saving her, for one main reason:

The Moon Arcanum

Given that the season will inevitably talk about Callum reconnecting with Rayla and the foreshadowing in previous seasons that the Moon arcanum will be the next one he connects to, it seems like S4 is the most natural place for it. This is only reaffirmed by Callum likely being tempted by Aaravos, a great deceiver, as well as the way he’s obsessed with secrets and denying parts of himself / his feelings already in 4x01, and Rayla representing the Truth, the way she always has been.

If we go along that route, then there’s the question of what would compel Callum to connect to the Moon arcanum, especially if he’s off chasing dark magic somewhat this season. Again, given the thematic and symbolic set up already in store, it will likely be him admitting out loud to himself that he loves Rayla, and always will, thus allowing him to fully see past Aaravos’ deceptions (as far as temptation goes).

However, I do not think, though, that such a triumphant note can be where the season ends. After all, we know this era of the Dragon Prince’s world is known as the Return of Aaravos, and that the Startouch elf must be broken free of his prison by the end of the season. Thus, our heroes have to fail, and I think it needs to go one step further than just failing to stop Aaravos from getting out, but of actively helping him - even if it’s against their will.

So what would that look like, and why do I think it has to be the transfer of the Cube for Rayla?

The Cube

Paraphrasing posts I’ve made before but:

1) Without the cube being called the Key of Aaravos, it being the key to Aaravos’ prison would feel like it came out of nowhere. However, because of such a specific name, it is many people’s default assumptions and that feels purposeful. After all, if they wanted one or the other kind of associations, they could have said Hand or Eye of Aaravos, or Key of mystical sounding name here, but they specifically chose to put those associations together. The show loves to be cryptic and straightforward all at once, with warnings like “Draw your last breath” (3x07) being instructions to literally draw a breathing rune

2) One of the reasons I think the cube is related to Aaravos’ prison is precisely because it was entrusted to Callum by Harrow, the two characters most concerned thematically with the theme of Freedom through both their speeches, actions (Callum shattering the primal stone to free Zym, Callum ending Rayla’s cycles) and most notably his arcanum of the Sky. So you have Callum, who is tethered to the theme of Freedom, with a Key in his possession, Aaravos having some idea of how to get himself out of his prison if his machinations / guidance of Claudia and Viren are any clue, and Aaravos, who wants to be free of his mirror prison more than anything.

Larger meta post here as well as some very cool similarities the Key could have to the Egyptian myth of Thoth, god of knowledge, presenting a Key of Life to Osiris, god of the underworld.

3) The Key has been associated specifically with Rayla and her relationship to Callum above anyone else since the beginning of the series. Their first real bonding moment is her agreeing to go get it from the Banther Lodge, she risks her life to do so, and is routinely the other character (sometimes swapped in or sharing that role with Bait) that Callum discusses the cube with. Then there’s also the fact that ties into one of Callum’s consistent aspects of seeing worth in things Rayla doesn’t: appreciating Xadia’s magical nature with fresh eyes (1x05), seeing worth in the Cube (1x04, 1x05), and indeed, Rayla herself (1x05, 3x04). Rayla’s language surrounding the key is also very interesting, but we’ll talk about more of that in the next point, which is:

4) Back in early December 2021, I made a post documenting what I’d noticed of the consistent way the Cube was referred to as a game piece or Aaravos playing a game. (Just for frame of reference, this was almost precisely 6-7 months prior to Aaravos holding Viren like a game piece in the SDCC intro trailer).

Also keep in mind that Viren asks Aaravos once, and only once, if he’s playing a game. The rest of this coding is done through Rayla alone as a character: “It’s a toy. It’s piece from a children’s game,” “It’s a glow toy” and then “Are you practicing magic or are you losing a game?” which now seems like very overt S4 foreshadowing.

This also played into what I had noticed in terms of the likelihood of games and tests being intertwined, as they often are in mythic stories or folktales, and this statement from Aaravos felt like something that had to come back in some way (and already has for Claudia as a character, circa end of 3x09).

Playing a game (particularly chess) against Death or the devil for your soul is common and fit neatly together. The marketing for S4 has only reaffirmed this with lines like “They’re not games. They’re tests” from Soren’s short story.

Aaravos has offered a test of love to one pawn, in Claudia, first tasking her with reviving her father, and now stretching it further to see what she’s willing to do to keep Viren alive. Viren, who was already dead, just as Rayla comes from a culture in which she is already dead and seen as a Ghost. It doesn’t feel like a stretch to presume Aaravos will give Callum his own Test of Love to either pass or fail, and given that Claudia’s have all related to Aaravos’ main priority of getting out of his mirror, Callum’s likely will too. Especially since it seems like Claudia’s motivations for helping Aaravos may change drastically in S4... but more on that later.

What Does CHET Provide Narratively?

Arc 1 of TDP was largely concerned with “How can we fix our parents’ mistakes?” However, as the world grows more complicated and characters more complex as a result, it is likely Arc 2 will ask, “How can we fix our own mistakes?” This requires mistakes to be made, of course: for Rayla, the continual fallout of her leaving, and for Callum, inadvertently helping Aaravos successfully escape his mirror - and then more so by choice (or under coercion, depending on definition).

This ties into the way Callum often breaks Rayla’s cycles that she’s trapped in whether through her choices, circumstances, or both. By shattering the primal stone, he frees Rayla from her literal and metaphorical chain of her binding. He inspires Rayla to break the cycle in 2x07 and then does his one dark magic spell to break the chains that Rayla’s swords cannot. He breaks the literally circular pendant from Rayla (and Ethari), weighed now with grief and remembrance, in order to see her free to make her own choices.

Which is to say that Rayla is repeating all four of her parents’ most damaging behaviours and cycles, has likely come back with the intention of protecting Callum (with little to no regard to her own well being) and still believing in the idea that she has a price to pay in order to be happy, and all these damaging beliefs need to be broken. If Rayla is going to save Callum from making the full mistakes of his predecessor, in some ways, isn’t it only right that he saves her right back and does the same?

After all, let’s talk about

Paying the Price

This line from 4x01 immediately stood out to me in a major way for a few reasons: 1) this is the first time Callum has ever directly referenced paying the price in such a manner; Ezran (1 time), Rayla (multiple times), Viren (1 time), Harrow (multiple times), and Claudia (1 time) are previously the only characters to do so and Claudia’s is the one comedic exception to how the phrase is usually delivered. 2) It is also the phrase used in the season synopsis, directly asking the question of, “But where did this enigmatic Startouch elf come from? What does he want? And what price will our heroes have to pay to stop him?”

We know, of course, that they won’t stop him. We know then, that ultimately, there is a price they are not willing to pay to stop him. We know, thanks to the series extreme dedication to emphasizing agency, that they rarely let characters off the hook when it comes to making hard choices, for ex: it would’ve been so comparatively easy for Harrow to not know what Viren planned to do ahead of time to the egg and for him to find out after the fact, but instead we see that Harrow knew and approved of Viren ultimately murdering a child.

If Callum has the cube (or whatever Aaravos needs from him) just tricked/ conned out of him, it removes what would ultimately be the hardest choice he’d have to make. If it’s taken from him forcefully, he’s failed yes and made a bad choice, but again, removes the actual hand over from the equation. When has TDP ever not forced a character to make a hard decision, after all? To choose the harder path and be aware of it, or to pick a different path and convince themselves it’s the right one? Why would Callum and everyone else suddenly be let off the hook now?

And while it’s supplementary material, so we can take it with a grain of salt, but this also ties into how Callum’s Devotional and Liberty (highest) attributes are described in his Tales of Xadia bio:

“I value those close to me more than anyone or anything” and “I’m beholden to my inner circle, not some silly kingdom” respectively

This also ties back to the perpetual trolley problem, if you will, that TDP returns to time and time again, with situations only getting worse and escalating when the dignity of an innocent or one life is disrespected and tossed over for “the greater good,” particularly without their consent.

Even after her growing bonds with Ezran and 2.5 seasons of character development, we see Rayla consider her choice to spare Marcos to be a mistake (circa 3x03 with Ethari):

R: I failed them. It was my fault we were discovered.

This is particularly true given that Rayla’s original failure was when she was on a mission to a kill a prince and king of Katolis, and she takes on a similar literal and metaphorical mission in TTM as well: killing / leaving one prince of Katolis (symbolically) by taking a piece of his heart (“My heart for Xadia”) just like the Magma Titan while setting out to actually kill a king of Katolis (Viren) that we know she will ultimately fail in.

Which is to say that the “You saved her life and risked us all” is an interesting concept the series has returned to, most particularly in Callum’s foil relationship with Viren. Their primary difference is contrasted starkly back-to-back in 1x02, when Viren offers up guards’ lives in exchange for Harrow’s but hesitates to offer up his own, whereas Callum offers up his own for Ezran’s without hesitation. Ergo, Viren offering up other people’s lives is decidedly shadier because he takes time to come around to offering up his own. But we already know Callum would die and bend his morals for Rayla.

Could he really bring himself to go through with his plan? What if he didn’t succeed? What if he compromised his beliefs and it all ended up being for nothing? […] But her blade bounced off with a clang, sparks flying. She reeled back and tried again. Nothing happened. She was in trouble. He inched towards Claudia’s [spellbook]. (S2 novelization of 2x07)

So him exchanging the cube would not be risking anything of anyone he’s not prepared to risk of himself, creating a messy but understandable justification, and it’d validate the hell out of Rayla’s own ‘original sin’ in sparing Marcos. Life and living is about more than just numbers and survival - and saving her, weighing her life against the world’s and picking her anyway, is not only a classic hero dilemma, but something that would carry a particular amount of weight in the series as is.

This also ties back into the series’ intrinsic concept of exchange, including but not limited to:

Killing Harrow and wanting to kill Ezran in exchange for Avizandum and Zym’s believed murders

Viren’s plan to exchange one soul for another’s with Harrow in 1x02 that was originally Claudia’s idea

Callum trying to take Ezran’s place to save his little brother in 1x02

Dark magic as an entire principle, exchanging the life of magical creatures for power or agency

Soren killing one king to protect another (3x09)

The entire goal of taking Zym back to his mother in the first place, in hopes that they can deliver a baby dragon in exchange for peace

So why not have that thematically continue through Rayla’s life being exchanged for the cube and exchanged for war?

But this is all more abstract narrative and thematic stuff with some cyclical analysis and nods towards characterization and arcs. Now it’s time to get to the real meat of the theory, which is:

Parallel Episode Structures

So TDP likes to do this thing, with Callum and Rayla’s arcs in particular, but also with the show as a whole, where they will repeat episode / character conflicts while steadily changing the circumstances and raising the stakes in order to reveal character and spur character / plot development. And they do this especially with plot structure.

Examples of what I mean: In 1x03, Callum chooses staying with Ezran over saving his father, and Rayla chooses the egg and princes and fights Runaan as a result. Both of them, unknowingly at the time, lose their adoptive fathers that night. Then, 2x03 and 3x03 each deal with the fallout of those respective choices they made, processing grief and regret over their losses.

Or, to get even more specific, I’ll offer up what I call the “Rayla saves a dragon quartet” in which Rayla wants to do something brave but dangerous / self-sacrificing in order to protect a dragon, Callum has reservations, and their dynamic steadily evolves to the point that he goes from worrying but not being able to do anything to jumping right after her. AKA 1x03 on the rooftops, 2x07 in the rain, 3x08 with the Dragon Queen, and 3x09 with Zym.

Or to get even more specific, I’ll offer up the “Rayla is trying to hide her own pain, Callum tries to get her to open up three times with her nastily rebuffing him each time, then she has a breakdown in the face of his unconditional love, and something bad happens to Zym as a result of them being distracted.” Am I talking about 1x06, or 3x04?

Which is to say, if CHET goes along with the “Callum goes too far and does something reckless / dangerous in relation to Aaravos, Rayla pays the consequence and gets taken hostage, Callum / the boys come to save her, he gets her out in a way she has understandable issues with, and ends with a note of ‘I hope it was worth it to you, putting everyone’s lives in danger,’” it will be a perfect inverse of 1x04. And we know 1x04 was written with an endgame in mind, given the mention of the cube being in the game room, as well as Callum saying things like, “You wait here, one minute, two minutes - however long it takes, I’ll go find a key.”

After all, much like they could have had Callum resolve to do dark magic in 2x07 without harkening back to his crush on Claudia to foreshadow his growing feelings for Rayla, there were infinite ways to write 1x04 that did not have Rayla being the one to find and risk her life for the cube. They could have easily had Callum or even Ezran stumble upon it, grab it, and have Rayla get caught looking for it or just not moving stealthily enough around the room when Amaya catches her. They could’ve had the boys go into the Lodge together with Rayla hanging back (as they’re human and wouldn’t have raised any eyebrows), but she can’t exactly leave without them, but no. The show chose this very specific plot structure, and we’ve yet to see it entirely repeat in full. And with 4x01 paralleling 1x01 very closely (Soren letting slip the king is in trouble, Callum wanting to help, king and high mage discussing Moonshadow assassins on balconies), and with 4x02 possibly paralleling Rayla’s return with callbacks to 1x02, I think this future repetition of 1x04 is only getting more and more likely.

Then you also have the ways that, if Callum transfers the cube - something magical and powerful, something he’s fixated on - and ‘sacrifices’ it for Rayla, it’s another perfect inversion to how he shattered the primal stone to save Zym in 1x09, thus unleashing a storm onto the world but for good reasons, and for a peaceful purpose. Again, if we look at Zym as one piece of the exchange for peace, then unleashing Aaravos in another terrible sort of metaphorical ‘storm’ is the perfect inversion that an even greater era of war and conflict is on the way.

The show has had smaller 1x09 parallels - Callum trusting Ezran rather than doubting him (3x07); Rayla almost going off the cliff to save Zym before she actually does so in 3x09; and in terms of Callum sacrificing the primal stone is a good example of how he’s let go of some of his 1x04 fuelled fixation for the time being. But they’ve also shown Callum repeat his old mistakes when he goes out into the storm in 2x04, in which he says, “I put us both in danger. I could’ve gotten Zym killed” yet “Worst of all, when we were right there in the centre of the storm - I thought I wanted this badly enough but in the end, I didn’t have the guts.” He still considers the worst part of the experience to be his lack of a magical connection.

Then there’s the way that post-TTM has lined up well with 2x07, episode wise. Again from a structural standpoint: Rayla feels compelled to do something, Callum wants to help her, she goes off alone, he hangs back with Ezran feeling helpless and frustrated before he ultimately goes after her, bending/breaking his morals and engaging with Dark Magic to do so. The big differences is that Rayla has gone from saying it’s okay if he can’t come with her to telling him not to, and that rather than resolve to find her on his own, Rayla has returned to him first. But up until her return, the structure was intact, so I’ll be curious to see if the second part of the episode comes true too. Possibly - in an alternative way - with Callum doing dark magic in general, or with him specifically handing over the cube.

If you are interested more in how TTM parallels 2x07 itself specifically, setting up a reconciliation plot structure for Rayllum in S4 reminiscent of 2x08-2x09, check out this larger meta here.

Orpheus and Eurydice Motif

So we know that Rayla and Callum are going to get separated thanks to this screencap from the trailer with two main options:

1) it’s a fakeout and they’re reunited shortly afterwards, finally reconciling, or 2) it’s not a fakeout, and part of the finale, 4x09, “Escape from Umber Tor” following the fallout of 4x08 “Rex Igneous” is about getting her back. Given that Aaravos has been compared to Lucifer and that “Umber Tor” means Shadow Tower, if Rayla was taken to a shadowy place high on a mountain or deep below the ground... It’s a pretty good Underworld allegory, and the show has given this to Rayllum before in which Rayla travels to their version of the Underworld, her Orpheus - a magically inclined artist per the mythos - goes after her, and unlike in the myth, he manages to successfully save her. Sort of. Since, as we know, the end of TTM still results in a tragic separation for our two lovers.

This is also similar structure wise to Rayla facing certain death in 3x09 by tackling Viren off the Pinnacle, Callum jumping after her, and his love for her unlocking new magical power so he can save her. Again, this meta of Callum and Rayla as Orpheus and Eurydice goes into greater detail, but I think it’s interesting it’s a pretty specific pattern we’ve seen happen two times, and now the question is if we’ll see it happen as a third. Especially since as the musical Hadestown paints it so eloquently

TTM has just been the mythic structure fulfilled both happily and tragically, with Rayla choosing — in many ways — both metaphorically and literally, in risk taking to go back to the Underworld. Callum is then reaching a double crossroads. Does he follow her down into hell, again? And in other ways, this is arguably the first time he’s being tested. For so much of s1-s3, and even in TTM, saving Rayla was a no brainer. Whatever chance he had, Callum had zero hesitation, zero misgivings. In his heart and in his mind, he had no reason not to.

Now, thanks to TTM, there is a seed of doubt. And just like with Orpheus cutting a deal with Hades out of love to get his wife back, Aaravos may cut a similar deal with Callum as his own Test of Love.

[ORPHEUS, spoken] Mr. Hermes? [HERMES, spoken] Yes? [ORPHEUS] It's not a trick? [HERMES, spoken] No, it's a test

Speaking of which, let’s finally talk about Aaravos’ hand in all this - as well as foil relationships and contrasts with Viren and Claudia.

Pawns and Kings

Once S3 wrapped up, I figured that Rayla and Claudia’s foil relationship would be amped up further, now that they had nearly matching white hair, and I always thought that Rayla’s paranoid and restless behaviour would return in a significant way prior to TTM. Now they’ve both destroyed their lives for Viren - Claudia to save him, Rayla to kill him - in the two year timeskip and are dealing with the fallout of those decisions.

While the Viren-Callum parallels going into S4 are massive, and are undeniably the biggest foil relationship this season, I think ultimately the conclusions on their arcs will be regarding their differences, given lines that Viren has said of, “We must be ready to sacrifice, even the things we love,” while if Callum picks Rayla over the world, he will be steadfastly and repeatedly rejecting that in his arc, while Viren may catch up too late that he has unintentionally sacrificed Claudia for his goals.

I went into more detail on it here a few weeks ago, but now that we have confirmation from a few reviews of the first four episodes of season four, it seems I was right to think that Viren is getting an atonement arc, regretting what he’s done and specifically what Claudia has done for him as a result of it. This would perfectly parallel the sort of Rayla arc also needs to have, of realizing the full weight and why of her previous mistakes and realizing she was wrong. After all, she and Viren are both “already dead” - metaphorically and literally, respectively.

Meanwhile, Callum and Claudia have been set up to have mirrored arcs as well, as they get pulled deeper and deeper into Aaravos’ machinations as his two latest pawns. We will presumably see him manipulate both of them this season in order for them to help get the pieces in place to release him from his mirror. Claudia and Callum have, in their relationships with Viren and Rayla, already had parallel Tests of Love in 3x09 - saving their loved one from the brink of death in a powerful display of magic - and are set up to have parallel Tests of Love regarding lies and forgiveness in S4.

However, where I think this season will end up seeing Claudia and Viren split from one another - her angry that he “doesn’t understand or appreciate” all she’s done for him thanks to his re-evaluation that maybe he should stay dead, his life not worth the toll it’s taken on the world and her (and that he’s right this time) - that leads the way for the finale’s Test of Love to be Callum and Rayla in so many ways, as Callum saves Rayla from being “already dead” - and he’s right to do so, even if it’s still a hard choice.

This would allow Viren and Rayla to be strangely ideologically aligned, Viren in a positive way for his arc, Rayla in a negative way in her arc, in believing that when Callum shows up that

More meta on Rayla and Viren’s parallels here, as well as Rayla as Aaravos’ inverse to Callum’s Viren.

Furthermore, this scenario gives all the characters place to work from in future seasons: Claudia can fall deeper into villainy now truly unhinged thanks to being “abandoned” by her father and as Aaravos’ next future pawn to discard (almost a la Ozai and Azula in ATLA, as Claudia has been compared to Azula by co-creator Aaron Ehasz in the past), Viren must work with the heroes who have no reason to trust him but to who he can provide infinitely valuable information, Aaravos keeps him alive in a “reap what you sow” esque punishment, Rayla can possibly start looking for her parents properly and will have a new kind of self worth, and Callum has a goal to reclaim the cube, help Rayla, develop his Moon arcanum magic, and defeat Aaravos once and for all.

Since, after all, Callum is the King that Aaravos needs to get out; the final pawn in this stage of manipulations.

Checkmate

More than a game of strategy, Chess is a game of sacrifice. I’ve played for most of my life and typically, games come down to making sure you sacrifice the right pieces (pawns) in order to protect your more important pieces, particularly your Queen and of course, your King. Aaravos’ relations to chess have been repeated over and over again, as well as Checkmate referring to him winning the game and getting out of his mirror by the end of the season which again, we know is happening this season.

If you are interested in reading more about TDP’s chess symbolism, check out this meta in which I break it down for the main cast of characters. Terry is not included as we didn’t know he’d be in the season before I wrote it, and as we still know very little about him, I’m not sure where I’d place him (although maybe as a Rook or Bishop or something).

Moreover, one of the most important rules in a chess game is that if a pawn reaches the other end of the board, you can swap it in for one of your more important taken pieces (which will almost always be your Queen if you’ve lost her).

And again, the chess metaphor works particularly well because in a game of strategy and sacrifice, Aaravos has to find the thing the heroes aren’t willing to sacrifice; the price they’re not willing to pay. Per the chess metaphor and characteristics of the pieces, although I considered other options as I went along, Rayla fits the characteristics / placement of the Queen piece the best and Callum as the King piece.

It is for all these narrative reasons and more that I think it is very likely that, if not taken hostage directly, Rayla will at the very least be what’s used to coerce Callum into having an almost equal hand in freeing Aaravos as Claudia (also giving her some wiggle room to potentially come back from, if she does it out of spite or if she thinks if she ignores Viren’s wishes and ‘fixes’ the problem he’ll change his mind, like she thought she could with Soren in 2x08/9 in some ways).

After all, if the emotional payoff of TTM isn’t going to be Callum looking for her, there still has to be a counter-balance / reason behind her absence. What better reason could there be than “I lost her once. I’m not going to lose her again” with his grief in the two year absence providing his emotional, plot driven justification as Callum does everything he possibly can to get her back?

Now, onto my favourite part: the foreshadowing.

The section is what I call the “this feels like direct setup” with some repeats of what we’ve seen before as well. The next section will be about generational stuff including parents, character designs, cycles, etc. The third section is stuff I think is possibly less likely foreshadowing, but I like it, so I hope it is, called “Be foreshadowing, do it for me.” Hope you enjoy!

Misc. Foreshadowing #1: Heavily Likely

Who the hell is Aaravos saying his “My return to this world is inevitable” and why Rayla is a real candidate to be who it is being delivered to.

Callum rejecting the cube in 2x08 when Harrow reminds him that he’s free VS Callum handing over the cube in 4x09 because Rayla isn’t

They said that, sometimes, we make sacrifices so that the ones we love don’t have to. It’s part of protecting them—part of protecting you. Taking on hard choices and going to dark places is an act of love.

Generational Parallels

If Callum is rageful against Viren, that cements the other half of the Viren-Avizandum intro parallel, as that is a moment in which Avizandum is not only separated from his child, but hunted due to taking away the love of King Harrow’s life, Queen Sarai. Just as Rayla is repeating Runaan’s cycles (down to her one silver shoulder pad design that is a smaller version of his), it would not surprise me if Callum began to repeat Harrow’s. If you want the in depth version of this theory, check out this tag here, but I think the screencaps speak decently well enough for themselves, don’t you?

Rayla and Runaan’s parallels are also particularly important as due to his stubbornness and duty, Runaan was taken captive by Claudia to be used by Viren specifically in regards to the mirror, and Sarai ultimately died saving Viren’s life.

There are also Callum’s parallels to Runaan to consider (down to the hostage situation in Bloodmoon Huntress) as well as Rayla’s parallels to Harrow.

Misc. Foreshadowing #2: Please be foreshadowing, do it for me

Rebuttals

Don’t have a lot of interest in discussing negatives, however as the theory gained a lot of traction in the past 3 or so months, there were some issues people had with it, namely: doesn’t it reduce Rayla to a damsel in distress, isn’t it predictable, and why would Rayla forgive Callum for this in the end, all of which I’ve laid out ‘rebuttals’ to over time. If you have for some reason made it all the way down here in this post while still having reservations, one of these metas may remedy them for you - or maybe not! Either way, I think they’re an interesting read.

Rayla is not a damsel in distress

Predictable

Why would Rayla be okay with this in the end?

Other Misc Thoughts

Romeo and Juliet comparisons (thanks, Viren’s VA)

The Way Rayla Has Always Been Set Up as Both Callum’s Salvation and Destruction

Rayllum’s parallels to Aaravos’ “Patience” story (which relates to their overall dynamic I think)

Callum and Rayla always liking/loving each other “too much” than is good for them / Callum as an Icarus figure (boy with wings who flies too close to the literal or proverbial sun)

Why the cube can’t just be positive / Why Rayla’s absence can’t just be positive

TTM / S4′s ATLA Comparisons and Parallels

TDP and Tarot: Rayllum as the Lovers and Aaravos as the Devil

Adam and Eve Comparisons

Alternatives

So let’s just say I’m wrong and all of this foreshadowing, meta, etc. has been for nothing? Cool! I had a good time writing it, theorizing with other people, writing my own fics, and immensely enjoyed reading other people’s fics regarding the theory as well. I have donned my clown wig before with far less reason to and with far less fun as a result, so I’ll have no regrets if that ends up being the case here.

However, and this is what I’ve always come back to in terms of wracking my brain and narrative for this theory is that even with less than one day to release, I have never seen an alternative theory that actually answers all the questions this one has set out to, namely:

What is the Cube?

How do Callum and Rayla ultimately reconcile?

How does Aaravos get out of his mirror?

At least, not all at once, and not in a way that offers up tangible arcs for characters past-S4 either, or in arcs that feel feel a little bit less effective. Now, if Callum loses the Key just out of his own foolishness, that means the finale arc is just a mad dash to try to get it back, which the team will ultimately fail at, but that almost feels like too big of a punishment for something he was so heavily manipulated into (I think he’d have more guilt over that than if he’d made an actual Choice under coercion, y’know?). If the key isn’t crucial to getting out, then why highlight it so much this season? If Callum’s finale arc is just about resisting temptation, than how does that lead to Aaravos getting out — isn’t that too positive a note to end on, and a bit too repetitious of 2x08 if it’s that simple, arguably? And again, it feels like this season has to start addressing the dark side of Rayla’s self sacrificial tendencies and start edging towards fixing them (ergo her realizing she has worth) since it was all those issues compounded that made her leave in the first place?

So perhaps our closing note is to say that, although it’s not as though there are no real alternatives to CHET, there are none out there that currently find answers for what to do with all the pieces on the board and how to achieve the outcome we know S4 is spiralling out to, and that is why for all these reasons, I am very hopeful and excited that I may be right going into S4, for each and every reason provided above.

Happy last day of hiatus, thank you for reading, and I hope you enjoyed!

96 notes · View notes