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#i shipped them when i was reading it for the first time and finding out other ppl did too fueled me and i will NOT shut up about them
yayakoishii · 12 hours
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Sober (Pt. 2) | Sanji x Reader
Fandom: One Piece
Pairing: Vinsmoke Sanji x GN! Reader
Word Count: 1.8k
Genre/Tags: Angst, Happy Ending, Sanji being dumb
Summary: You had waited for Sanji to confess to you when he was sober. Except...
A/n: I don't usually write sequels but I felt like it and then it became unexpectedly angsty?? It's still a pretty happy ending imo, so I hope you like this continuation ♡
To new readers, this is a part 2 to my oneshot that I've linked below. You could read this one without reading that, but it won't make as much sense.
Part 1
also available on ao3!
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He didn't do it.
The morning after, Sanji woke up with a terrible headache and vague hazy memories from the night before. It was only when he was serving breakfast to everyone and saw you that he remembered the… conversation you two had had. But then he dismissed it, realising it was only a dream. He had drank too much, fallen asleep and dreamt of you. Yeah, that must have been it.
Thinking so, he smiled at you as usual and mooned over Nami and Robin as always, not noticing your hopeful smile turn into a disappointed one.
Every time you popped into the kitchen or tried to strike up a conversation with Sanji after that, the dream would pop up in his mind and he ended up stammering his way out. A few days in, you realised he was avoiding you and started reciprocating by not going out of your way to talk to him either.
Sanji missed you. He didn't realise what the problem was because he wasn't being that weird. Okay, so maybe he was too flustered from his dream where you had held him so close and he had kissed you (he could still feel the phantom warmth of your breath on his mouth, the wet press of your lips on his cheek) and it was difficult to talk to you about anything without feeling the urge to do that with you. Maybe he had shut down one conversation too many but now you were avoiding him back and he didn't know how to fix it.
He couldn't just tell you about that dream he had had. You would slap him and be disgusted and freak out. Even the thought of that sunk his heart. He could tolerate being just a crewmate to you for the rest of your lives, but he couldn't tolerate the thought of you hating him forever. But without talking about the dream, he couldn't explain himself either.
A week passed like that, the two of you awkward and clumsy around each other. Everyone else noticed and Nami had tried to talk to both you and Sanji about it but neither of you let her know anything. They were all confused and Luffy just wanted you both to go back to being your usual selves because it was weird even for him. Of course, no one had the gall to say it to your faces, and Nami had stopped Luffy from saying it when he tried.
Fortunately, a new island appeared and the usual straw hat cycle of finding a city in trouble and accidentally saving them played its hand. The resulting party had you downing a few bottles of wine, although Sanji knew how much you hated the taste of alcohol.
"Why would I drink that?" Your face had scrunched up the first time Sanji had questioned you about it. "It doesn't taste good to me at all. I'd rather drink the juice you make for me, Sanji."
There was no one on the ship who praised Sanji's cooking as much as you did. You didn't hesitate to compliment his food every single day and while Sanji was very secure in his cooking ability, it was still validating to hear how much you loved his food anyway.
This past week you hadn't complimented him even once. You had never gone this long without doing it so Sanji knew you had to be really upset with him. He had to try and fix this as soon as he could.
Even during the party, his head was full of thoughts of you. When he looked out for you, he found you slumped over a table, empty wine bottles lying all around you. Without thinking, Sanji made his way over and cleared away the bottles so that you wouldn't accidentally break one and hurt yourself. You stayed silent as you watched him.
"Do you want to go back to the Sunny, my dear?" Sanji looked at you finally, trying to exude his usual self. You shot him a glare and pouted, your cheeks puffing up in what was unmistakably anger.
"Go away," you hissed at him. Sanji had to blink away the thought of how much you resembled a cat in that moment. "I don' like lyin' liars who lie to me."
Sanji had expected you to be angry at him but that statement confused him. He had avoided you, yes, but he could not remember lying to you. You were not one to lie so perhaps there had been a misunderstanding between you two?
"Which lie are you talking about, (y/n)-chan?" He asked carefully. You froze and shot him another glare. Even angry, you looked cute.
"Which lie?" You sounded outraged. "How many lies have you told me, huh?!"
"Wh– that's not what I meant!" Sanji tried to calm you down but you stood up abruptly and started walking back to the Sunny. The chef was stunned for a second. You never just up and leave. He had really badly fucked this up. So of course he had to run after you. Sanji caught up to you halfway, skidding to a halt in your path so you couldn't move. "Wait! I really don't know what lie you're talking about, my love, but I'm sorry for it. I will do whatever it takes to beg for your forgiveness and then try my best to make the lie a reality."
You stopped glaring and shot him a heartbroken look instead. Sanji felt like someone had stabbed him in the heart. Why did you look like that over… him?
"That's what it was supposed to be," you said quietly. The two of you were quite a way away from the din of the party so Sanji could make out the words. He was getting more confused but he had to be patient and hear you out. He couldn't fix his mistake if he didn't know what he had done. "You said that if this was real… you wanted to hold me. You said you would tell me how much I mean to you. That you would kiss me and tell me how much you love me. So why haven't you, Sanji? Do you not feel those things anymore? Or was it all a lie?"
Sanji froze. That was… that was the dream he had had! How did you know– Oh. Oh he had been so stupid. It hadn't been a dream at all. It had been real. And he had fucked it all up by avoiding you after all of that.
"Maybe I was the one who was an idiot for thinking you could possibly like me," you were crying now, tears running down your cheeks. Sanji's heart hurt at the sight; he had wanted to be the reason for your smile and laughter, not for your tears. He had hurt you, the person most precious to him. You suddenly grabbed his collar and pushed him into the tree and he just let you, mind too jumbled up to say anything. "I'm a fool. God, I was so stupidly happy that night, I couldn't sleep. I thought all my dreams had come true. I thought we would be in love. I thought I could finally wake you up with a kiss and tell you how much I loved you too before we fell asleep. I thought I would make you your favourite dish for your birthday and, and go do one of those love compatibility readings at the fortune telling shop for fun! I thought, I thought of so many things I wanted to do with you and you… Sanji, you never came. You never told me those words you had said when you were drunk."
He wanted all of that too. Sanji wanted to do all those things you had said and even more.
Your tightened fists loosened as you breathed heavily, still crying. Even like this, you were still the most beautiful person he had ever seen. If Sanji had had any doubts before this, then they had no place in his heart any longer. All of him, mind, body and soul, was yours. He could not let you go on with this misunderstanding any longer.
"Guess they were wrong," you chuckled wetly, stepping back. "A drunk man's words aren't his truest thoughts after all. They are just his–"
"They are," Sanji said roughly, stepping back into your bubble. You didn't look up at him, just stared down at your feet, still crying silently. "I'm sorry. I'm sorry for taking all this time, my love, when you deserved to be told everyday that I'm but a fool for your attention. I was in the wrong, thinking that night had been a mere dream when my imagination cannot even begin to dream up the warmth you possess. I'm sorry and I will spend the rest of my life earning your forgiveness, if only you would find it within yourself to give me one more chance."
Your eyes looked hopeless, and you just smiled weakly at him.
"Hasn't it been enough, Sanji?" Your voice wavered. "Don't play with my heart anymore. I love you too much to survive another–"
Sanji pulled you into a tight hug, his arms surrounding you completely. Although you were still mad at him, your body automatically relaxed at the familiar comforting scent of him. "I don't have the words to even begin to apologise for what I have done. But I swear to you, love, I will make up for my mistake in every action from now on. I will leave no doubt in your mind of the fact that I'm madly, stupidly, disgustingly deeply in love with you. So much that my own heart isn't enough to hold all that love."
"You're like a dream, Sanji," you said quietly into his ear, heart racing yet mind calm. "A dream that you can't quite remember when morning comes. A dream that the more you try to grasp it, the more it slips from you. But even if you're a dream like that, I want to believe in that dream. I'm stupid enough to want to get my heart hurt again because it has chosen you and refuses to choose any other. So you better show me that my heart made the right decision."
"I will," he promised, pressing you harder into him. You were clinging onto him just as hard, but your tears had finally stopped.
"I don't like lying liars who lie, Sanji," you repeated your words from before. The chef smiled to himself. "You better keep your word this time."
Sanji hummed and let you go only to cup your cheeks in the palm of his hands. You looked at him, still a mess from crying and drinking. You were starting to look sleepy but Sanji felt like you had blown all his sleep away.
"When I'm sober," you paused to give a tiny yawn that had Sanji's heart clenching from how adorable it was, "you better be next to me."
Sanji smiled and picked you up bridal style. You curled into him and fell asleep in two seconds, barely catching his soft reply.
"I'll be there."
°•❀•°
All likes, comments and reblogs are appreciated! ♡
★ Taglist:
@phantasmagoricalzenith | @secretlife028 | @100520s | @toertchen | @suga-tofu | @theluckyplaces | @luvfzw | @katiemrty | @writingmysanity | @akaashi-todorki | @yuninha2004
+ @vespidphoenix | @cobainlover | @blue-chup | @yourboyhack (tagging because you seemed interested in pt. 2; sorry if it's a bother!)
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finnydraws · 2 days
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Bowline (B.B/Reader)
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Pairing: Bradley "Rooster" Bradshaw/Reader (slight jake/reader)
a/n: big shout out to @vivwritesfics who helped me with figuring out the plot in my head and finding a name for Jakes soulmate, I probably wouldn't have gotten back into writing fan fiction with them
Word count; 2574 (!!)
description: Bowline knot: a fixed knot used to tie a square sail to the bow of a ship to keep the sail from being taken by the wind.
Nobody said having a soulmate was easy
genre(s) Soulmate au, angst, slight hurt/comfort, rebound dating
warnings: implied age gap (rooster is canonically 38, reader can be read as anyone 20-25) implied sexual content, rebound dating, cheating, canon character death 
Bradley doesn’t remember when his string finally attached to another person. He remembers being a kid and asking his mom why it was short, hanging limp from his ring finger and so close to him he could see the end, but no soulmate. She would always console him, tell him the universe was just taking its time on his special someone. His mother didn’t like to talk about her own string however, at least not after his father died. If he asked her though, she would regale him with stories of her short time living with her soulmate, how when they first met Nick had attempted to tie the string into a heart but failed so miserably Carole spent the first two hours of knowing him trying to unknot it through her laughs. She would never tell him how when she looked down to see the frayed end of her string her heart almost stopped in the grocery store. All Bradley remembered was looking down some time in his teens, and suddenly having a person on the other end of it, suddenly having a person fated to love him. When he entered the naval academy he hated that string. Hated how he was so scared of leaving whoever was on the other end like his mother, forever staring at that damn torn string and mourning a person they might have ripped from them too soon. Learning to fly only made him hate it more. He was too cautious, too distracted by the tug on that damned tug to fly properly at first. His first deployment was the worst, the string getting pulled so taut that he thought it might cut his finger. His flying got better after that deployment but his thoughts about soulmates were only solidified.
He hated soulmates.
This wasn’t fair. Why is he being forced to love someone he's never met? Why is he fated to think about how every time he gets in an aircraft, he could hurt them as bad as his mother was? Bradley probably spent days of his life trying to untie that cursed string.
You never had that apprehension, from the moment you were born the string stretched into the unknown, moved, was alive. You grew up experimenting with that poor little red string, trying to see how tightly you could pull it, how far you could run before you felt even a smidge of movement. In middle school, when the first boy showed you any interest, you demanded he show you his string before you would date him. And when you saw no red on his finger, you told him you didn't want to waste anyone's’ time when you weren’t destined to be together. Your string only pulled tighter on your finger after that day. To you your soulmate wasn’t the same burden Bradley saw you as. His existence being a gift for you to unwrap when the universe felt you deserving. So, you decided to do whatever you could to make yourself ‘worthy’ of your soulmate. Going to the naval academy straight out of high school and entering the United States navy as an aircrewman mechanical officer and spending any and all time you could doing anything to help those around you. Tutoring, volunteering, anything you could to learn more about people. Anything you could to bring you closer to him.
It was always interesting when you felt the string fluctuate between tightening and going lax on your finger, every deployment forcing you to think of where in the world your soulmate could be. When stationed in a country besides your own you wondered if that string would even loosen. On the deck of the ships you've been on would it tighten as you spent months on the sea?
Some deployments were weirder than others, you would swear up and down that the whole time you were on the ship your string would stay loose enough to slip from your finger if you wanted to. You never tried. On those deployments you tried to pay extra attention to who was on the ship with you, you tried to see if you followed the string if you could find him more than once only to come up empty. This surprised you at first, it's a finite space, surely someone would have the other end, would the vast sea hide the string? Pull it underwater and out of your view, even if it hadn’t on any of your other deployments? But no, every time you would leave the ship alone, not having noticed the string tightening as the pilots took off. Not wanting to think your soulmate was avoiding you.
But he was. The second he discovered you were his soulmate, Bradley informed any friends he could trust to understand his stance on soulmates and created a system. He had a look out at all times, someone there to warn him you were near, or distract you long enough for him to make a quick get-away. His whole system crashed when he arrived back on deck after the uranium mission, everyone was too busy celebrating his and Petes survival for anyone to notice your eyes zeroing in on the red string on his hand. At first, you’re ecstatic to finally have the missing piece to your puzzle, the giant keyring finally producing the key to your lock.
It's only then you notice him actively avoiding you. You count at least five times before the ship docks back in San Diego
The first is immediately after you find out he’s your soulmate. He catches your eye and slinks off in the dispersing crowd, removing his helmet at some point to blend in a little better with the other sailors and pilots.
The second is later that night, you approach him on the way to eat and get cut off by Jake, who insists on standing so Bradley is just out of your line of sight no matter how many times you try to side step him. You don't pay attention to a word he says, you don't respond either, but the heartbroken look you don the second you realize Bradley has slipped from your grasp nearly makes Jake give up on his quest then and there.
You almost catch him the third time, running into him by accident as he leaves the shower talking with a sailor you can’t remember the name of. He pretends not to hear you calling out for his attention. Pretends like you're not calling out for ‘the man with the mustache’ since you don’t know his name. The sailor he's speaking with questions him on it but Bradley excuses it as having not heard you.
By the fourth time you try and get his attention you've nearly given up. You learned his name and callsign from an aviator on deck not aware of his plan on avoiding you his whole life. Bob feels terrible for you when you inform him what’s going on between you and his friend, and readily gives you the information, making a mental note to chew Rooster out for hurting an innocent person, for never explaining himself. You approach Bradley when he’s just barely sat for dinner, expecting him to stay seated at least, but nope! The second you call his name He stands and leaves. What hurt the most was the sad looks his friends give you as you stand at the end of the table, doing your best to keep your bearings and not cry in front of the dining hall.
The last time you count him ignoring you it’s about an hour later, when he catches you crying and trying to pry the string off your finger, begging whatever higher power to give you a soulmate who would love you back. Begging for answers to what you did so wrong to deserve this.
He doesn't comfort you.
After that night you stop counting. You stop trying to speak to him, just stare at the string and hate it, hate who's on the other side. It isn’t until several months after the deployment you see him again, out at the hard deck flirting with a girl in a skirt that hugs all the right places, in a shirt that makes her chest pop. Rooster isn’t looking at her eyes. The brandy in your hand is downed quickly while you ignore the sting of a drink meant to be sipped. You really try to hate her for the way she was able to get so close to your soulmate. Closer than you’ve ever been.
It could have been the alcohol, or the heartbreak that spurred you to find a rebound, you aren’t quite sure. All you could think was finding someone to dull your pain, to be your firsts, to hurt him like he hurt you. Your brain, ever the genius, lands on Jake. Before you can change your mind, you steel your nerves, bee line for the all-American man, and pull him out to the beach by his wrist. He seems to be just as drunk as you feel because as soon as you stop his hands are on your hips, and he's asking, “what can I do for such a pretty girl?” he practically purrs in your ear as his hands start to wonder at your sides.
You aren't expecting your own quiet voice to respond with “take me to bed pretty boy, make me forget.” you lay your own shaking hands against his biceps leaning into his chest and hold on tightly, afraid if you pull away even a little bit you’ll lose him too. Jake is all too happy to agree, pulling you to his truck and taking your firsts, the entire time you try not to think about Bradley, or the red string on your finger shackling you to him forever.
This dance with jake goes on for months, the two of you do on a date that ends at the hard deck, you hang onto him all night while you steadily get more drunk (if this bothers rooster he doesn't show it) and when you feel that the two of you are drunk enough you beg him to take you home and sleep with you. The whole time he does you try not to think about how badly you wish it was your soulmate sleeping with you. After about 4 months of this the pain of Bradley not wanting you starts to fade enough that you can start joking with the pilots at the hard deck, you’re more comfortable staying sober in the presence of Bradley, more comfortable thinking of Jake as your boyfriend. You make some great friends during this time; Bob and you get along so well that you begin Friday night movie nights. With Jake and you beginning to rebuild your opinions on love. You’re happy with him for about a year before he meets Rosie.
There’s nothing off with your relationship with Jakes after he first meets her, he takes a little longer to answer your texts, sure, but then again, he always took forever to answer. He doesn't invite you out to the hard deck as much but then again you don’t always have to be with your boyfriend. You actually don't notice anything is off until Bob calls you from the hard deck and asks you nicely to join him for a drink. It’s when you arrive that you notice something off, hanging off Jakes’ arm is the perfect, glowing woman. The two of them seem so perfect together that you already know why Bob called you over. You appreciate him for uncovering the truth for you, but this appreciation doesn’t fix the sharp pain in your heart at seeing the happy new couple.
You barely even hear the shout of your name as you swiftly walk out the doors of the Hard deck and onto the beach, you barely notice that it's Bradley running after you and not Bob. When you do notice him, you anger starts to simmer in your stomach and you turn on your heel to face him “What, Bradley. What could you possibly want from me now.” you bark at him, not waiting for his response. “YOU’RE the one who didn't want ME, remember? I tried to get to know you, I tried to be it for you. And you didn’t want it. And now I'm trying to be alone just like you wanted and yet, here you are!” By this point the anger in your stomach is boiling over, spilling into your soul and slowly infecting it. You let out a loud, drawn-out groan “It's not FAIR, what have I done! What did I do to you?” The yelling is hurting your head, you thought you ran out of tears to cry over Bradley years ago but here they are, threatening to spill over. “Why don't you love me? I'm supposed to be yours…” your voice breaks, and so does the dam. Tears flow from you freely now and you drop to your knees sobbing.
“It's not you.” he softly promises to you “When-” Bradley takes a deep breath before beginning again “when my dad died, it broke my mom. She couldn't truly be happy without him, no matter what we did.” Bradley begins to silently toy with the red string as he speaks to you softly, like a wounded animal he risks spooking off. “At first, I didn't have to worry about leaving anybody behind, I didn't have a soulmate, so I always planned on flying. But then I looked down one day and there it was, going all the way to you.” The word vomit from Bradley isn’t seeming to stop, he explains everything to you, from how his mom felt after the death of his dad to the fear he felt when he first started flying. How if he flew too far the string would tighten and all he could think about was putting this faceless person through the same thing his mother went through. The entire time he’s tying a knot in the string, untying it, and retying the same knot.
“This is a bowline knot.” he states after being silent for a moment “Mav taught me it. Sailors used to use it to keep the wind from blowing the sail away. I'm not very good at it.” he laughs softly and begins to wipe the drying tears off your face “I'm not good at relationships either. But I'm willing to try. I want to try not to get blown away in the wind.” he inches closer, peering into your eyes. “Will you let me try? Will you let me make it up to you?” you can’t muster up the strength to speak, instead nodding your head. Bradley leans in, just a little further softly kissing you while cupping your cheeks. It's not what you thought kissing your soulmate for the first time would be like, there were no fireworks or life changing revelations. It wasn’t overly Passionate, like you would never get this chance again, you weren't used to the feel of his mustache yet. It was just a kiss, an awkward kiss, but it held so much promise, promise to stick around, to work it out. It was like he was trying to communicate all the emotions he didn't know how to articulate to you. So much that you're inclined to believe him.
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grandline-fics · 2 days
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Forget-Me-Not
DESCRIPTION: Sometimes things happen beyond our control. After an accident occurs your relationship with Zoro is turned on its head and changed forever.
WARNINGS: angst
CHARACTERS: Zoro
WORDS: 2,410
A/N: I've been slow on this because of being unwell but part two is finally here. I hope you all enjoy it as much as you liked part one
*REQUESTS ARE OPEN*
MASTERLIST | PROMPT LIST
Chapter One | Chapter Two(here)| Chapter Three(coming soon)
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“Zoro hurry! We’re over here!” Zoro stumbled through the rain-slick uneven terrain of the forest, racing towards the direction that Usopp’s calls were coming from over the sound of the shrieking winds and rolling thunder. He broke through the branches and slid to a halt to see Usopp and Chopper knelt by your prone form. Usopp’s role was only to assist Chopper who was frantically tending to your injuries that required the most dire attention first. Zoro’s heart all but stopped as he took slow, heavy steps closer. His chest ached with the breath he wasn’t aware he was holding. In that moment you looked so frail and small. The rainwater managing to break through the small shelter Usopp must have constructed hastily was slowly washing the blood and dirt from your body that was broken. 
Looking away in the sudden flash of lightning Zoro could see how this happened. The displaced dirt and stone made him follow his gaze upwards to see the steep incline with the dilapidated ruins that had been hidden in the overgrowth of the forest. With the storm hitting out of nowhere it was far too easy for the ground to crumble and give-away without warning and you were the one to suffer for the moment none of you could have predicted. With heavy limbs he sank to his knees beside you, just wanting to hold your hand or caress your face and tell you that he was there but he couldn’t bring himself to move out of fear he’d hurt your already injury heavy body or get in Chopper’s way. For all the training he’d done in this moment he was utterly helpless. 
Zoro woke with a jolt at the loud snap of thunder coming from outside. As the memory of your accident lifted from his sleepy state he slowly looked to your bedside. He’d hoped that the image would have changed in the short amount of time he’d slept, sadly you lay there just as always. It had been a week since that day and you’d yet to open your eyes. Chopper had done his best to reassure him that you being unconscious would be best for your body to have this time to rest and heal. He let out a small sigh and reached across to take your hand into his when another flash of lightning hit and a strong wave rocked the ship.
These storms were like clockwork, it’d be bright sunshine and summer weather only for storm to hit hard for two hours and then dissipate like nothing had happened. Just another day and the Log Pose would be set and they could finally leave this island behind them. He knew he shouldn’t blame an island for what happened to you but he did. He also blamed himself, he should have made more of an effort to spend the time with you. Franky and the stupid cook were more than enough to have gone with Luffy that day. Had he been with you that day part of him believed he could have been able to save you. Getting agitated again, Zoro rose from your bedside and roughly ran his hand through his hair. He needed to do something, anything. 
Chopper had said that speaking to you even while you were unconscious could help. Originally he didn’t want to out of his own hate of seeming vulnerable but then he took to reading your favourite book to you but that was finished. So he went to your shared room to find another you’d loved. What he hadn’t been expecting though in the time it took for him to return to the medical room he found the bed you’d been lying in was empty and there was no sign of you. Dropping the book he turned on his heel and went in search of you in desperation. There was no way you were ready to be out of bed, if you put too much strain on yourself your wounds could reopen. In all the times you’d been hurt before it wasn’t like you to do something this reckless. Where were you? 
As he walked down the hallway he felt a chill creep over his skin. Who’d left the door open leading to the deck? No one would be that stupid with the storm still going on outside. Prepared to go out and shout at whoever was to blame, Zoro froze to see you weakly stagger to the railing and stare out at the storm. He couldn’t contain his excitement and relief to see you awake but concern also gripped him. Even from here he could see the pain in your eyes. Quickly he approached and set his hand on your shoulder, freezing to hear you let out a scream of surprise. He was going to apologise for startling you but another more pressing question came instead.
“What are you doing out here?” He asked in concern. He could see the rain soaking into your skin and the bandages that would now need to be thoroughly changed. Zoro could feel the tremor in your body and the haze in your eyes. Desperate to keep you from further strain he spoke again. “Come on, we need to get you dried off before you get sick on top of injured.” He lightly flexed his fingers on your shoulder to begin leading you inside but you didn’t move and then the new devastating hit came when Zoro heard you speak.
“Who are you?” You asked, your voice so weak and scared that Zoro could only stare at you with widened eyes, trying to stay calm. “Where am I?” This question was no better than the last and for a brief moment Zoro had thought he’d misheard you but no, it was clear you had no memory of the accident, no memory of him, the crew, or the ship that you’d called home since the day you joined the crew. At that thought a new worry took hold. You had no memory of how you met any of them. He needed to keep you calm or things would only get worse. 
“Just please come inside otherwise you’ll get sick and your wounds could reopen.” Zoro urged as gently as he could but his request only served to make you frown uneasily at him. When you didn’t move he spoke your name as a sign he knew you and that made you hesitate in your suspicion. “Please come inside and I’ll tell you everything you want to know.” 
Zoro watched the conflict and uncertainty flicker in your eyes as you searched his face, trying to force yourself through the pain to try and find something recognisable in his features. You were about to relent to his request when the door to the galley slammed open. 
“Hey moron what are you doing out in the storm?!” Sanji shouted only to stop his lecture to Zoro when he saw your face, his expression lighting up immediately. You flinched as yet another stranger called out your name in an all too friendly tone. You watched the blonde approach the staircase as he continued. “It’s a relief to see you awake! You should still be in bed though!” 
You glanced past him and stared in mounting horror as an emblem caught your eye. Your breath hitched and you took a small step back only to find the railing stopped you going any further. With trembling lips you could only move to the side, stepping out from the first stranger’s touch. Zoro felt you move and turned away from Sanji to see your horror filled expression and he knew it was too late now to avoid where you realised you were. Zoro tried to take a step toward you but finally your gaze returned to his face and the fear made him stop. 
“Pirates…” you choked out. “You’re pirates.” Desperately you looked around as the rain above you began to lessen and the winds began to ease. Swallowing hard through your pain and fear you could see the island the ship was docked at which only mounted your overwhelming emotions. “That’s not my home. That’s not my island. Where did you take me!?” You shouted only to double over in agony as your vision blurred. Holding your side you coughed hard and winced when you felt the still healing skin pull. Letting out a shaky breath you looked at the two mean staring at you with worry and desperation. “What did you do to me?” You asked as you felt your head spin and vision crumble under the weight of the physical and mental distress. 
Zoro was quick and caught you with ease. With the utmost care he cradled you close and stared down at you in heartache and regret. He wished all of this was just a horrible nightmare, he wished that if he could trade places and take all the pain you were suffering just as he’d taken for Luffy on Thriller Bark then he would do it one hundred times over because seeing that expression on your face was more painful than anything he’d ever had to endure in his life. Without taking his eyes off of your face he headed towards the doorway. “Get the others.” Was his only instruction to Sanji as he carried you back to the medical quarters, relieved to see Chopper there who was frantic about where you’d disappeared to. 
—————
As you lay sleeping in the medical room, Zoro and the rest of the Strawhats stood in the dining room, silent and taking in the revelation that you’d woken with no memory of them. As difficult as it was to process there was the added complication of your reaction. 
“They won’t trust us.” Nami murmured sadly, finally being the one to break the silence, her fingers absently tracing the scar of Arlong’s mark now hidden by her tattoo. “We only won their trust the first time because we helped them defeat the pirates that terrorised their island. They won’t just take our word this time that it all worked out and they joined us willingly.”
“We can’t overwhelm them.” Chopper spoke up sternly. “Head injuries like theirs bring their own complications, amnesia being only one aspect of that. They need to take things as slowly as possible, any form of added stress could severely worsen their other injuries too. It isn’t wise to just throw everything at them as once, we can’t even know for certain if their memories will ever return. For now the priority is their physical injuries healing.”
“We have to prove we’re friend though!” Luffy protested with a pout. “We’d never hurt them. What if we show them their bounty poster?”
“This can’t be about what we want. They come first so don’t crowd them when they’re awake.” Zoro finally spoke, glaring at the wall. “They tell us to get the hell out of their room, we leave. Even if we’re telling them the truth just saying they joined the crew willingly and that we’re friends is going to magically make it better. Let’s just do as Chopper says.”
“More than friends in your case, Zoro…” Robin spoke softly. “Are you okay with them getting well physically and then wanting to leave?”
“If that’s what they want.” Zoro answered numbly as he got to his feet. “I’m going to the Crow’s Nest. I mean it, don’t crowd them.”
————— 
You woke slowly, feeling the pain you remembered had greatly dulled enough for you to be able to breath easier but still you couldn’t shake the fear pressing heavily on your chest. You couldn’t shake the image of the strange Jolly Roger and the two strange pirates from your mind. So many questions swirled in your head and you feared how blank your mind was. Slowly you sat up in the bed and met the stare of the peculiar but adorable reindeer sat at the desk on the other side of the room. At first you thought it was a pet but you could clearly see it was working with herbs on the table it was sat at. “Um…hi?” You offered cautiously, startled when the reindeer’s expression lit up and it approached your bedside.
“I’m glad you’re awake.” You didn’t know what to do when they spoke except stare with wide eyes. “I’m Chopper and I’m the doctor…your doctor. I know you don’t remember but I promise I just want to help you get better. Is it okay if I check your bandages?” 
Slowly you looked at the bandages visible on your arms and felt them against your body. Comparing how much easier it felt to move and breathe to when you’d woken up you were willing to let this reindeer continue his treatment if he was the reason for the pain to have lessened like this. Still the reality of a reindeer being a doctor was difficult to wrap your head around so you only gave a tiny a nod. You noted the relief and optimism light Chopper’s expression at your acceptance and you nervously bit your lip while he hopped up onto the bed and began his examination. “How did I end up here?”
Chopper looked up at you with apprehension, his large expressive eyes carefully assessing you. 
“There was an accident.” He answered. “We were in a forest when a storm hit. You fell.” Fell. You obviously had no memory of the incident and while you couldn’t bring yourself to argue with Chopper for proof you also couldn’t completely bring yourself to believe him entirely either. He was a pirate after all. Would he stop treating you if you became difficult? Possibly. 
You knew pirates at their core were selfish and the ones that plagued your island were crueler than these ones seemed but still you refused to trust them. This friendly demeanour could be an act and they could be looking for something from you. For now you would have to pace yourself, you would be compliant and gather your strength. Then when you were able you were going to escape this ship and these pirates. You needed to get home and nothing and no one was going to stop you. When Chopper finished his examination you had to force yourself to offer him a small smile. When he beamed back at you, you hoped that the others could be as easily swayed as him.
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TAG LIST (If I've missed anyone or if you want to be added just let me know) @3v37773, @tsaaps , @i-am-all-love-puns-and-lazy , @sanemisnonexistenteyebrow , @fiery-captain-spider-santa , @vikispike , @portgasmyass
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secretidentie · 2 days
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My Superbat prompts
I've been reading superbat since forever and I finally got a tumblr account so I thought I could ask some writers to use these.
Clark kent is at the manor to interview Bruce Wayne when Dr Freeze attacks and they're basically snowed in. Bruce trying to hide secrets and Clark getting the chance to write the story of the year in the form of an I depth exposé from inside the home of billionaire blah, blah, blah... Chaos and fluff.
Bruce is in a love triangle with superman and Clark Kent. Clark assumes Bruce knows he's one person. Bruce decides to solve this by brooding and going on a series of dates with them both until he decides who's his perfect match. (you decide if Clark knows Bruce is batman but think both versions are hilarious)
Bruce Wayne has to go undercover as a carnival worker in a small town on batman business. After the Daily Planet is bought out by corrupt government officials, Clark quits and goes back home to Smallville. He feels like he's changed and isn't as fulfilled by the simple life, not to mention how much harder it is to keep being superman. He doesn't even feel useful on the farm and can't find a job he enjoys to make some money of his own and leave the house. He starts visiting the fair to take his mind of things and meeting this handsome carnival worker who he definitely would have recognized in a small town like this.
LexCorp frames Wayne enterprises for some shady dealings putting the company under investigation which might even lead to it filing for bankruptcy. While Fox and others fix this, Bruce, as the face of the company, is advised to lay low and leave Gotham for a bit. He decides to get an apartment in the cheap side of Metropolis, since all his assets are frozen and he only has one working bank account. On top of that he has to deal with his hot new roommate (or neighbor depending on how you write it) who keeps leaving and coming back at the weirdest hours while also trying to keep tabs on Gotham and maybe getting himself a job in the mean time. (to be clear Clark is the roommate)
During an argument batman says he could easily do superman's job and superman says the same. So they swap cities for two weeks. First to call for backup looses. (feel free to add romance if you want but it's not compulsory)
Clark final gathers the courage to ask out batman but right before he does, green lantern starts flirting with batman too. Harvey dent is recently released from arkham and claims to be reformed and wanting to rekindle his well known public relationship with his collage sweetheart Bruce Wayne. This causes Oliver queen to also try to win his childhood best friend's heart. It's a very long week for Bruce. (all povs if possible. Also Bruce knows everyone's identities but no one knows his. This also doesn't have to end up superbat, choose your favorite ship. Make this love-pentagon as messy as you can)
These are just a few of my personal favorites. I have a lot more. Let me know if you want me to post them. If fics with these premise already exist let me know coz I would love to read them. You can make it as explicit as you want or make it for general audiences but for my sake please add fluff. If you use these prompts also make sure to tag me here or on AO3.
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punkeropercyjackson · 21 hours
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So,uh,here's my prob with the extremely anti shipping Hobie crowd.Hobie has never been explicitly stated as a familial figure to any Spiderband member and in fact,the first thing we learned about this incarnation of him is that he was gonna be a romantic rival for Miles over Gwen.Now if people hate Ghostpunk because they think it's unnesecessary het drama to Ghostflower or don't want Hobie to date white girls or find the implication of two black dudes fighting over a white girl to be stank,then that's totally valid and i actuallly agree with the second point as i see Gwen as a half white afrolatina(George is her white parent obvs)because of how i have a lot in common with her and because i feel it fixes the lack of black teen girl rep in Spiderverse,which ofc includes her and Margo being besties and making/supporting solo Margo content instead of misogynoir bullshit,and it's why i feel comfortable shipping Ghostpunk romantically
And with Miles i don't see brothers vision at all due to literally not being able to read their dynamic as anything but Hobie flirting Miles and Miles crushing on him too and i would respect it anway because hey,Punkflower isn't canon either but i've noticed a lot of Atsv fans pushing it as fact and that's where it gets really annoying since it's a CONSTANT thing and Hobie dosen't even act older brotherly to the Spiderband,he acts like their PUNK FRIEND by having a strong sense of community and protecting them and acts rowdy/goofy with them cause punk requires an ultimate rebellious attitude at your core.I also can't help but feel that the perception of Punkflower vs Chaipunk is to get Hobie out of the way of Gwen and Miles as a couple by a good chunk of fake Chaipunk shippers that only do them as a sidedish to G/F and it's worth noting this never happens to Prowlerbyte,a ship that's pretty much only shipped by black fans and therefore lacks the antiblackness in content and motivation
There's also the whole explosion of Noir and Hobie content with almost NONE for Margo and Hobie despite how as i've previously analyzed,Hobie is AFROpunk and Noir's not even punk-Yeah he's anti-fascist but Hobie's punk (sub)CULTURALLY,he was THERE at it's creation,and he's black in every way just like Margo and i find it more than a little offensive as a black punk myself that the same people who hate on canonical queer punk love i.e Gwen being a pastel punk trans girl and Hobie unlabeled and femme and BLACK love i.e Punkflower and Punkbyte also ship Hobie with a whole ass white man from the 1920s who looks exactly Peter B?????Or at be closer to him than his actual communities(i.e Trans people,punks and most importantly NIGGAS).It honestly reminds of Flowerbyte antis who ruin Gwen to turn her into ammo against Margo when she'd never and Margo wouldn't loose even if she did either
Y'all DO know Hobie is meant to be the embodiment of irl black punks and go against antiblack stereorypes,right?So that's why they had Gwen and Miles find him 'insanely hot' and 'loving him'(Miles and Gwen's words,not mine!!)and Gwen and him have a genuinely sweet romance that's mutually beneficial instead of snowbunning and that even with it's final ambiguity-That i am supportive of!I also love Siblings!Ghost Punk and have a hard time picking between it and Gwobie-is meant to symbolize the historical intertwinement between black people and transfems in punk culture?That Hobie while a black symbol first and foremost by far is ALSO an intersectionalist that was shown with him and Gwen and him and Pavitr and black people of different heritage/identities than him(Miles is black nuyorican and Margo is a black girl to his jamaican-english genderqueer)?That we're meant to look up to him as an audience to unlearn propaganda and that a big part of antiblackness is making black people to undateble with passive aggressiveness,right?You know Hobie wasn't /j but /srs,SÍ?????
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moldingeggplant · 2 days
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pairing: zoro x sanji / zosan (one piece)
genre: fluff, idiocy, getting together, mutual pining
warnings: none, just headache inducing dumbassery from the two of them
ao3
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sanji never liked books. he thinks they're too unrealistic to entertain him. the only ones he can stand are those with recipes.
that was until robin introduced him to a "stupid" romance novel, one that he liked quite a lot.
since then, he's become a bookworm and bonds more with robin over their shared interests. he has also been comparing a certain marimo to the books he enjoys.
about how unpredictable the novels that robin recommended to him are, just like the seaweed. how he enjoys watching zoro's day-to-day routine, just like how the books entertain him. how he thinks he knows where the story is going but then it takes a huge turn- just like zoro, who surprises him with every move he does.
a plot twist, an enigma, that's what zoro is. zoro is like a book to sanji, maybe that's what got him hooked to books in the first place- which he never liked from the start, zoro, yes that's it. he likes books like how he likes zoro.
but of course, the marimo doesn't need to know that.
just like in books, he's gonna be watching from afar, silently watching zoro until he gets his own lover and reaches a happy ending. then that's where his cue to stop is going to come.
books are entertaining and this should be as well, right? he's gonna stay as an outsider from zoro's romance story, like how he reads books. he's gonna root for zoro, the main lead, and his love interest, he would want them to get together, for his own enjoyment as well.
so why the hell does it hurt?
guess that's the difference between books and reality.
the other gives you little pangs of pain whenever the main couple have misunderstandings, the other.. well, makes you suffer in silence. much worse that being kicked by blackleg sanji himself, the very own sanji bets.
'whatever', the blonde brushes it off. these stupid feelings will go away soon anyway. he's too busy to fall inlove, it won't do him any good in finding the All Blue. 'it's just a little crush because zoro is so cool and hot- nothing serious.'
is what he'd like to say if this "stupid little crush" hasn't been here for the past 6 months already.
okay- so he might be slightly inlove with the marimo BUT it's sure to go away soon. he swears.
while he was having an internal conflict about his dumbass feelings, zoro casted him a look, and gave a gut-wrenching (positive) smile that made him want to rip out his beating heart in an instant.
it's times like these that sanji falls harder for the goddamn marimo. a smile so so small while he's working out and the blonde relaxing a few inches away, a pat on the head after zoro finishes his dinner as a praise for sanji's (usual) great food, zoro hearing him out when a sudden depressive episode hits him while they're on night watch, god fucking damn it.
he IS head over heels for zoro, fine. fuck you if you somehow get the balls to mention all of this information to the dumbass.
he has no clue about sanji's feelings, and it shall stay that way because he's not kidding when he says he's gonna throw himself out of the ship, in the middle of this huge ass sea, if god forbid his feelings reached the ears of the seaweed.
zoro suddenly stopped lifting his weights and looked at sanji for a second and said, "hey cook, the dessert earlier was amazing. you remembered that i don't like sweets, thanks."
FUCK FUCK FUCK FUCK FUCK FUCK.
A RARE COMPLIMENT FROM ZORO HE'S GOING TO ACTUALLY DIE.
"ah.. it's nothing. what kind if cook am i if i don't please my customers, yeah?" sanji managed to reply normally despite malfunctioning like crazy on the inside.
he fucking hates this side of zoro.
the rare, soft, gentle, zoro who you might mistake for the man of your dreams if it weren't for the fact that this side of him is the complete opposite of the real zoro who is a brute, stupid, no-table-manners, swordsman.
the soft zoro who always manages to catch sanji off-guard and makes him wanna throw himself to outer space and never come back because of how much his heart was beating for the marimo.
he is exaggerating but he can't help it he's head over heels for the swordsman- not that he actually wants to admit to it.
despite sanji's brain going into ruins he failed to miss the smile that zoro- again- gave him.
this is the worst.
he only wanted to relax in this fine afternoon after the exhaustion of which feeding the bottomless pit that is luffy's stomach gave him, not fall inlove harder with this crewmate!
it doesn't help that their other friends are out enjoying themselves and left only the two of them to guard the ship.
yes, that's right, guard the ship AND NOT UNDRESS THE MARIMO WITH HIS EYES.
this is the worst, oh god- this is the first time he turned to the guy above whom everyone worships and it is shameless to ask but- sanji wishes for a sea king to just appear and swallow him, never to be found, never to come back aboard on the ship with the man he loves.
well apparently god hates non-worshippers because the marimo just had to talk to him again- now with a slight blush on his face.
huh? a blush? what? why-
"cook, are you dating someone?" zoro asked with a voice so quiet it makes it seem like he didn't want to speak in the first place.
sanji, confused, and quite frankly tired of running around in his own mind just because his crush did something cute, replied with a raised voice, "HUH?" which seem to have startled zoro a bit, he's used with the cook yelling all the damn time but he didn't really expect that the blonde would take offense from the question.
zoro slightly panicking, took his question back "shit. should i have not asked? sorry cook, i was curious and robin told me to ju-" but he was cut off when sanji gave a reply.
"no no no just wait you goddamn marimo- i'm not dating someone. and what do you mean you were curious?!" sanji replied with a blush that you can never miss, even if you were the dumbest seaweed on earth.
zoro returned the blush, equally flustered as the other because his motive was just exposed to the chef, "yeah- uh- i was curious, it's like i know everything about you but not if you have a lover or something.. i asked robin and she told me to just ask you directly and i did. is that weird?"
shit. zoro's actions makes it seem like he likes him back.
wait.
like.. him.. back?
"w-why were you curious in the first place anyway? i'm pretty sure you don't have a single romantic bone in you... the question isn't weird but now it is because it came from you!" sanji asked- more like demanded to know to be honest- the blush still not going away from his face.
zoro gave him a dumbfounded look, like sanji was THE dumb one, "why would you ask that? i thought you knew...?" he said with genuine confusion.
before sanji could ask- yell 'what the hell does that mean marimo?!' zoro spoke again, the most unbelievable sentence so far.
"i like you, cook."
for the love of everything holy.
sanji bursted out laughing, though not genuine, "no- haha, i must be dreaming! i read too many romance novels and now i'm projecting on my dreams that the stupid marimo actually likes me back! yeah that's it- that's what's happening here. this isn't real." he nervously laughed it off, after all it's impossible that the roronoa zoro has romantic feelings for someone, let anyone sanji himself.
the chef was proven wrong when zoro's reaction turned into one of concern, "the hell do you mean cook? this is real life. i'm being genuine here and you just laughed it off, just say so if you feel the same way, i can actually take rejections you know." after he uttered the last bit, zoro's expression turned into just genuine sadness, definitely a reaction you wouldn't expect from the man himself.
"no, god no, it's not like that you dumbass marimo! didn't you hear what i just said? i said i like you but i never expected for you to return the feelings- hell, i didn't even expect you to know your own feelings! it just feels like a dream, you know? i've been fighting my feelings for 6 months already and i swore to never let you know but here you are, confessing. i even compared you to the romance novels that robin gave me- said i would've been okay with just watching you from afar getting all happy and soft with your lover even if i knew it was a lie but then you went ahead and said all this. of course i wouldn't believe it!" sanji was practically rambling but he didn't really care, as long as the message gets through zoro's thick skull.
"what? 6 months? i never noticed!"
sanji lit up a cigarette to hide his embarrassment, "told ya' you're stupid." then he blew out a smoke.
zoro frowned at his response, "i could say the same thing to you shit cook. i've been flirting with you for 9 months already and you never noticed."
the chef choked on his own smoke, "what the hell?! how long have you liked me!?" sanji yelled while coughing slightly and zoro replied with the same volume, "since arlong park you dumbass!"
"then why the fuck did you not tell me!?"
"you're always flirting with women, who would?"
sanji looked over at zoro who he didn't notice scooted near him and stopped working out completely, and if he wasn't observant enough he would've missed the pout-y expression that zoro was making, though he was amazing at hiding it.
"yeah, my bad. we're just both idiots huh?" the cook extinguished his cigarette and grinned, zoro shortly returned the face, "yeah. you're worse though. dense as hell love cook."
"even the most intelligent person wouldn't know if you're flirting you idiot! you're always glaring at me and picking a fight, how the hell would i catch the hint? it's not like i can rea-"
"shut up and kiss me, shit cook."
they spent the whole afternoon making out (gross) and cuddling, when the crew came back they sneakily went back to doing their own thing as if nothing romantic happened in the first place.
the crew could tell though. the first fight that broke out between them after the others arrived back from their little trip was practically filled with hearts and flowers all over the both of them.
oh and a certain someone was definitely spying on them, congratulating sanji for making the scenes in his favorite romance novels come to life, albeit not as romantic.
though it is quite obvious that the cook wouldn't have his own romance any other way.
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mumms-the-word · 2 days
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ATLANTIS WIP PLEASE 💕
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I can deny you nothing, my dear <3 You got it, one sneak peek coming right up
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In ancient times, well before the Age of Humanity began, there existed a series of islands inhabited by powerful elves—the islands of Nautera. Rumored to have been the birthplace of multiple magical wonders and inventions the likes of which the world has never seen again, or is only just now reinventing, Nautera was legendary even during its own time. Until one fateful day, over 4500 years ago, the islands vanished, never to be seen again… Now they’re no more than myth. No more than a bedtime story for young children. Not a single, legitimate record of Nautera exists, save for one. The Nauterran Account. Long thought lost, it has recently been retrieved from the depths of Candlekeep’s archives and placed into the capable hands of one Gale Dekarios. With the Nauterran Account in hand and an eclectic team of Baldurians and other allies mounting an official expedition, Gale journeys to find the ruins of Nautera…but hopes to find so much more.
Official sneak peek of the first chapter under the cut~
A strong sea breeze ruffled Gale’s hair as he stood on the deck of a ship nearing a small spit of land just east of Waterdeep. The island itself was nothing special, he knew that, but the people located there…they might be able to change everything.
He took a deep breath through his nose, scenting the salty air and wondering if today would be his last day breathing in fresh air for a while. Where he was bound to go, there would be no sun nor sky for some time, no wind to lift the hair from his neck, and no guarantee that he would make it back. But this was a chance in a lifetime. If he didn’t take it, he’d never get another opportunity to sate his curiosity.
Or set things right with Mystra.
[...]
...a command from Mystra wasn’t all that Elminster had brought Gale. Though he had come professing to deliver a message, he had left behind a physical gift. “Some light reading,” he had said, chuckling to himself and passing over the canvas-bound package. Gale had looked cautiously at the old wizard before carefully unwrapping the canvas.
There, in his hands, was the long-lost Nauterran Account.
When he looked up, Elminster was gone, having disappeared without offering any further explanation, leaving behind only a single letter in the chair where he had been sitting. Written in an unfamiliar hand, it was a formal invitation (or perhaps proposal was the better word) for Gale to join an undersea expedition as a resident expert in arcane languages. Though the invitation lacked details, promising them on arrival at a small island to the east, Gale could readily connect the dots.
Elminster had opened up a path for him to Nautera. 
Whether Nautera held Gale’s salvation or not remained to be seen. By all accounts, the city should be in ruins. But if even fragments of their magic survived, if there were tablets to read or accounts to save…perhaps Nautera would have answers for Gale. 
If not...well at least he could go down in history as the man who proved thousands of Candlekeep and Blackstaff scholars wrong about the fabled islands of Nautera.
~*~*~
Keep an eye out soon~
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the-golden-kingdom · 26 days
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hugging him like that atleast take him out to dinner first damn
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andthebubbles · 2 months
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i actually kinda miss rpf fandoms haha like... i don't miss f1 itself, but i miss rpf fandoms where everyone knows what they're doing and what's up, like how nobody really believes that their otp is actually together (and even if they actually are (?? haha), it has no bearing on what you write/create). and just. i miss that there are no canon ships, so everyone just ships whatever they like (or whore their fave out like i do) and well, i didn't really catch any ship wars during the time i was in the f1 fandom (twice) but maybe i just managed to stay away from all of that. and (at least in my experience) there wasn't any weird comments on fic of how the plot should've been like that, or you shouldn't have done this with this character; i also really liked how there wasn't just smut fic (although there was plenty of that too heheh), but also wonderful, wildly creative AUs of any sort, like it just became so easy to take these characters (because by the time you write about rl people in fic, they DO become characters) and put them in any situation/scenario that you liked--like it just became so easy to know them on a fic/writing level because people before you did the research and put it in their fic, and then you'd read their fic and you'd learn that this guy has blah number of brothers and sisters and these are their names and these are their parents' names--
anyway. i miss the chillness of rpf fandoms. or at least, the ones i've been in anyway.
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imaginarypasta · 5 months
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one of the things i’ve noticed that changes between this series and the last is the newfound emphasis on diplomacy & decorum. i do understand why, both in how the narrative changes w the introduction of new ideas and frameworks as well as how it might want to adapt to have its own voice, themes, etc. but gone are the days of yes-anding oneself into strange situations and in are those of yet another scene highlighting the importance of a letter of introduction—and that was personally a huge reason why i liked the original series so much. i don’t even mind like diplomacy as a narrative device when it’s equipped in interesting ways but when it’s constant introductions to new characters that go relatively similarly every time & a very clear narrative voice insisting that original solution wouldn’t work when it’s 1. more interesting to me personally and 2. not even working any better practically, then that starts to get super boring
#personal#even when i was a middle schooler reading these books i was never much a fan of the roman camp but i just didn’t have the skills or words#to put together why. i think a lot of it comes from this. because i certainly enjoy the characters a lot but this aspect just makes them#very boring to read about. i’m invested in the characters’ emotional lives but when it comes to practical stakes i find it draining & dull#which i want to emphasize is not my natural response to these things being present. it’s these specific characters in this specific world#written by this specific author that makes it not really my thing in this instance#bc stuff like political intrigue is probably my favorite type of conflict (besides like deep personal ones) and yet i’m SO picky in how it’s#done and so the stuff i like i really like#but it’s also very hard to come by#that’s not the only reason i struggle with it. i think esp coming into the third book (i’m a little under halfway through)#that it’s a bunch of things: the huge cast that sticks with us the whole time (i do like how they’re constantly broken into smaller quests#like i think that’s well done but it’s just so many characters to deal with for so long)#the rotating perspective. the emphasis on relationships (and how that’s framed w/i the text. shadow & bone s2 did something really similar#to this). etc. but yeah. in good news: the writing is much improved from tlh even for the characters i really didn’t likes’ perspective#chapters. i do think the way the cast is broken up is good and so is the conflicts between them (with some exceptions. insecurity in#relationships is kinda boring to me but so are ships in general so that’s not a surprise). there are still characters i don’t like but they#are much improved by this book (although you can basically figure out which ones i like vs. don’t based on which book they first appeared in#in this series).#so yeah that’s my review so far :p we’ll see if i stick with it because i remember not really enjoying the next two books either when i#first read them. but my tastes have changed a lot (i say. keeping nearly my exact same rankings thus far)
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imperiuswrecked · 3 months
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BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!
BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!
As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.
Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.
Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.
Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.
Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.
BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.
For more information about the character's history here is a breakdown of her appearances in Marvel Comics.
The Incredible Hulk (1968) #256 - Sabra's Origin
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On the cover of Sabra's origin issue is the image of a dead Palestinian boy.
continued...
As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.
This is Marvel Atlas (2008) #2 page on Israel
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Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.
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That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.
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The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."
Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.
The Prickly Symbolism of Cactus Fruit in Israel and Palestine.
“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”
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When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 
"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.
However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.
The Sabra & Shatila Massacre 1982
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The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.
The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.
Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.
For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.
Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.
Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.
Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.
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"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.
Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.
Marvel Super Hero Contest of Champions (1982) #1-3
Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.
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Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"
The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.
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Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.
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A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.
The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.
Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!
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The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.
I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.
The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.
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Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers
Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.
Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.
Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.
X-Men (1991) #67-69, 72-73
Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.
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She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.
Excalibur (1988) #120-121
Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.
Uncanny X-Men (1963) #366, 367, 379
Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.
X-Men (1991) #111
Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."
New X-Men (2001) #131-132
Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."
JLA/Avengers (2003) #4
Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.
Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.
Excalibur (2004) #5
Flashback two panel appearance of Sabra on Genosha.
Civil War: X-Men (2006) #1-4
Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.
Civil War (2006) #6
Sabra fights on the side of Tony Stark/Iron Man.
Union Jack (2006) #1-4
The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:
Marvel Encyclopedia, New Edition (2019)
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In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.
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Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.
To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.
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Later Navid gets hurt and Sabra checks on him, he tries to apologize;
Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.
Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.
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The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.
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Secret Invasion #6
Cameo one panel appearance of Sabra in Israel fighting a Skrull.
Astonishing Tales (2009) #6 - Astonishing Tales: Sabra
Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.
"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.
The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.
It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.
This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.
Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."
Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.
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Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.
Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."
Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.
Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.
Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.
I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.
History of the Marvel Universe (2012)
Cameo Appearance.
Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1
Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.
X-Men (2010) #31, 34-37
In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.
X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23
Sabra aids the X-Men.
Captain America: Steve Rogers (2016) #18
One page Cameo, Sabra appears to have completed a mission and gathered files.
Avengers (2018) #11
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Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!
Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.
At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.
Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.
Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.
Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link
Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link
Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.
I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.
Use the Captain America tags to Boycott Sabra.
If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.
Find a Protest near you
Donate or Join Palestine Action
Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine
Learn about Palestine
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menderash · 8 months
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did you guys know that the mother fucking UN's humanitarian and legal experts have been saying israel's occupation of palestine territories is and has always been illegal, as it violates the FUCKING GENEVA CONVENTION? did you know it was britain that 'gave' the land that wasn't theirs to give to found the state of israel as a tactic to get more jews to join the british army in their already-active war against the ottoman empire? did you know that just between 2008 and 2022 the idf killed almost SEVEN THOUSAND palestinians, as opposed to the 308 israelis by palestinians in the same time period? did you know that israel itself admits to 'forcefully evacuating' palestinians from their homes over the course of their annexation of the country? did you know the british army helped them? did you know that any palestinian who didn't want to have their house taken from them and given to american immigrants being shipped in to populate britain's pet project was killed on their spot? did you know that back in 2018 palestinians did nothing but MARCH in protest of their occupation and in response, the idf is CONFIRMED to have killed almost 400 of them, including FIFTY FIVE CHILDREN? did you know palestinians are not allowed to build anything on the land they have left? did you know they aren't ALLOWED TO LEAVE?? did you know over HALF of christian evangelicals support israel solely because the bible says israel has to exist in order to bring about the second coming? did you know that in 2021, over 88% of us congress were evangelical christians? did you know israel is confirmed to have knowingly bombed palestinian hospitals and the idf had been caught targeting journalists? did you know israel is committing another war crime at this very moment by dropping white phosphorus on gaza civilians? did you know the israeli press was just confirmed to have completely fabricated an account of palestinian war crime right after their own got caught on film? did you know the defense minister of israel openly called all palestinians 'animals' to justify the deaths of their civilians? did you know holocaust survivors are presently speaking out against the israeli state's ethnic cleansing of arabs?
why, in the united states, is criticizing a settler colony's active attempts at extermination labeled antisemitic because of the religion the settlers happen to practice, but rooting for the complete eradication of a muslim country that was already there and is barely still there not islamophobia?? why is religion being used as a shield to justify genocide?
when a sudden act of politically charged violence occurs, like the hamas attack a few days ago, i ask WHY? i ask WHY until i get as far back as i can. i read accounts written by all sides. i try to find out why this is happening in the first place. half of these facts have come from the israeli government itself. all of them are easily found and easily confirmed by reputable sources. a lot of them are caught on film. all of these facts lead me to know that the state of israel was created by britain in order to gain an advantage in an unrelated war. i know the state of israel has caused unimaginable harm to the country it's slowly eating, and has suffered just a fraction in return. i know religion justifies none of it.
palestinians deserve to live in their own country. palestinians deserve to not be forced to give their homes to americans. palestinians deserve to live, to leave, to stay, to wave their own fucking flag. they do not deserve to have another country plopped on top of them and then have their settlers ask 'don't WE have a right to exist?' as their own right to exist is being extinguished.
fuck the idf, fuck israel, fuck manifest destiny, fuck all settlers who think they deserve someone else's home enough to kick them out of it. literally, in israel's case. indigenous americans, indigenous canadians, chicanos, pacific islanders, filipinos, mestizos, we should all be standing with palestine, because we KNOW how colonial violence goes and what it looks like. solidarity between all colonised peoples. free palestine.
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nellasbookplanet · 3 months
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Book recs: black science fiction
As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.
Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!
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For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!
If you want more book recs, check out my masterpost of rec lists!
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Lagoon by Nnedi Okorafor
Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves at the center of this presence, attempting to shepherd an alien ambassador as chaos spreads in the city. A strange novel that mixes the supernatural with the alien, shifts between many different POVs, and gives a one of a kind look at a possible first contact.
Nubia: The Awakening (Nubia series) by Omar Epps & Clarence A. Hayes
Young adult. Three teens living in the slums of an enviromentally ravaged New York find that something powerful is awakening within them. They’re all children of refugees of Nubia, a utopian African island nation that sank as the climate worsened, and realize now that their parents have been hiding aspects of their heritage from them. But as they come into their own, someone seeks to use their abilities to his own ends, against their own people.
The Scourge Between Stars by Ness Brown
Novella. After having failed at establishing a new colony, starship Calypso fights to make it back to Earth. Acting captain Jacklyn Albright is already struggling against the threats of interstellar space and impending starvation when the ship throws her a new danger: something is hiding on the ship, picking off her crew one by one in bloody, gruesome ways. A quick, excellent read if you want some good Alien vibes.
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Dawn (Xenogenesis trilogy) by Octavia E. Butler*
After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.
Midnight Robber by Nalo Hopkinson*
Utterly unique in world-building, story, and prose, Midnight Robber follows young Tan-Tan and her father, inhabitants of the Carribean-colonized planet of Toussaint. When her father commits a terrible crime, he’s exiled to a parallel version of the same planet, home to strange aliens and other human exiles. Tan-Tan, not wanting to lose her father, follows with him. Trapped on this new planet, he becomes her worst nightmare. Enter this book with caution, as it contains graphic child sexual abuse.
Rosewater (The Wormwood trilogy) by Tade Thompson
In Nigeria lies Rosewater, a city bordering on a strange, alien biodome. Its motives are unknown, but it’s having an undeniable effect on the surrounding life. Kaaro, former criminal and current psychic agent for the government, is one of the people changed by it. When other psychics like him begin getting killed, Kaaro must take it upon himself to find out the truth about the biodome and its intentions.
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Do You Dream of Terra-Two? by Temi Oh
Young adult. A century ago, an astronomer discovered a possibly Earth-like planet. Now, a team of veteran astronauts and carefully chosen teenagers are preparing to embark on a twenty-three year trip to get there. But space is dangerous, and the team has no one to rely on but each other if - or when - something goes wrong. An introspective slowburn of a story, this focuses more on character work than action.
The Best of All Possible Worlds by Karen Lord
After the planet Sadira is left uninhabitable, its few survivors are forced to move to a new world. On Cygnus Beta, they work to rebuild their society alongside their distant relatives of the planet, while trying to preserve what remains of their culture. Focused less on hard science or action, The Best of All Possible Worlds is more about culture, romance and the ethics and practicalities of telepathy.
Mirage (Mirage duology) by Somaiya Daud
Young adult. Eighteen-year-old Amani lives on an isolated moon under the oppressive occupation of the Valthek empire. When Amani is abducted, she finds herself someplace wholly unexpected: the royal palace. As it turns out, she's nearly identical to the half-Valthek, and widely hated, princess Maram, who is in need of a body double. If Amani ever wants to make it back home or see her people freed from oppression, she will have to play her role as princess perfectly. While sci-fi, this one more has the vibe of a fantasy.
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An Unkindness of Ghosts by Rivers Solomon
Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.
Where It Rains in Color by Denise Crittendon
The planet Swazembi is a utopia of color and beauty, the most beautiful of all its citizens being the Rare Indigo. Lileala was just named Rare Indigo, but her strict yet pampered life gets upended when her beautiful skin is struck by a mysterious sickness, leaving it covered in scars and scabs. Meanwhile, voices start to whisper in Lileala's mind, bringing to the surface a past long forgotten involving her entire society.
Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden
Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!
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Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah*
In a near future America, inmates on death row or with life sentences in private prisons can choose to participate in death matches for entertainment. If they survive long enough - a rare case indeed - they regain their freedom. Among these prisoners are Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, partners behind the scenes and close to the deadline of a possible release - if only they can survive for long enough. As the game continues to be stacked against them and protests mount outside, two women fight for love, freedom, and their own humanity. Chain-Gang All-Stars is bleak and unflinching as well as genuinely hopeful in its portrayal of a dark but all to real possible future.
Parable of the Sower (Earthseed duology) by Octavia E. Butler*
In a bleak future, Lauren Olamina lives with her family in a gated community, one of few still safe places in a time of chaos. When her community falls, Lauren is forced on the run. As she makes her way toward possible safety, she picks up a following of other refugees, and sows the seeds of a new ideology which may one day be the saviour of mankind. Very bleak and scarily realistic, Parable of the Sower will make you both fear for mankind and regain your hope for humanity.
Binti (Binti trilogy) by Nnedi Okorafor
Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.
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War Girls (War Girls duology) by Tochi Onyebuchi
In an enviromentally fraught future, the Nigerian civil war has flared back up, utilizing cybernetics and mechs to enhance its soldiers. Two sisters, by bond if not by blood, are separated and end up on differing sides of the struggle. Brutal and dark, with themes of dehumanization of soldiers through cybernetics that turn them into weapons, and the effect and trauma this has on them.
The Space Between Worlds (The Space Between Worlds duology) by Micaiah Johnson
Multiverse travel is finally possible, but there’s a catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying. As such she has a very special job in traveling to these worlds, hoping to keep her position long enough to gain citizenship in the walled-off Wiley City, away from the wastes where she grew up. But her job is dangerous, especially when she gets on the tracks of a secret that threatens the entire multiverse. Really cool worldbuilding and characters, also featuring a sapphic lead!
The Fifth Season (The Broken Eart trilogy) by N.K. Jemisin*
In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter. While mostly fantasy in genre, this series does have some sci-fi flavor, and is genuinely some of the best books I've ever read, please read them.
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The Women Could Fly by Megan Giddings*
In an alternate version of our present, the witch hunt never ended. Women are constantly watched and expected to marry young so their husbands can keep an eye on them. When she was fourteen, Josephine's mother disappeared, leveling suspicions at both mother and daughter of possible witchcraft. Now, nearly a decade and a half later, Jo, in trying to finally accept her missing mother as dead, decides to follow up on a set of seemingly nonsensical instructions left in her will. Features a bisexual lead!
The Prey of Gods by Nicky Drayden
South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.
The Summer Prince by Alaya Dawn Johnson*
Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die.
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The Blood Trials (The Blood Gifted duology) by N.E. Davenport
After Ikenna's grandfather is assasinated, she is convinced that only a member of the Praetorian guard, elite soldiers, could’ve killed him. Seeking to uncover his killer, Ikenna enrolls in a dangerous trial to join the Praetorians which only a quarter of applicants survive. For Ikenna, the stakes are even higher, as she's hiding forbidden blood magic which could cost her her life. Mix of fantasy and sci-fi. While I didn’t super vibe with this one, I suspect fans of action packed romantasy will enjoy it.
Babel-17 by Samuel R. Delany
1960s classic. Rydra Wong is a space captain, linguist and poet who is set on learning to understand Babel-17, a language which is humanity's only clue at the enemy in an interstaller war. But Babel-17 is more than just a language, and studying it may change Rydra forever.
Pet (Pet duology) by Akwaeke Emezi
Young adult novella. Jam lives in a utopian future that has been freed of monsters and the systems which created and upheld them. But then she meets Pet, a dangerous creature claiming to be hunting a monster still among them, prepared to stop at nothing to find them. While I personally found the word-building in Pet lacking, it deftly handles dark subjects of what makes a human a monster.
Bonus AKA I haven’t read these yet but they seem really cool
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Lion's Blood by Steven Barnes
Alternate history in which Africans colonized South America while vikings colonized the North. The vikings sell abducted Celts and Franks as slaves to the South, one of which is eleven-years-old Irish boy Aidan O'Dere, who was just bought by a Southern plantation owner.
The Sound of Stars by Alechia Dow
Young adult dystopia. Ellie lives in a future where humanity is under the control of the alien Ilori. All art is forbidden, but Ellie keeps a secret library; when one of her books disappears, she fears discovery and execution. M0Rr1S, born in a lab and raised to be emotionless, finds her library, and though he should deliver her for execution, he finds himself obsessed with human music. Together the two embark on a roadtrip which may save humanity.
Womb City by Tlotlo Tsamaase
Lelah lives in future Botswana, but despite money and fame she finds herself in an unhappy marriage, her body controlled via microchip by her husband. After burying the body of an accidental hit and run, Lelah's life gets worse when the ghost of her victim returns to enact bloody vengeance.
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Orleans by Sherri L. Smith
Young adult. Fen de la Guerre, living in a quarantined Gulf Coast left devestated by storms and sickness, is forced on the run with a newborn after her tribe is attacked. Hoping to get the child to safety, Fen seeks to get to the other side of the wall, she teams up with a scientist from the outside the quarantine zone.
Everfair by Nisi Shawl
A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.
The Splinter in the Sky by Kemi Ashing-Giwa
Space opera. Enitan just wants to live a quiet life in the aftermath of a failed war of conquest, but when her lover is killed and her sister kidnapped, she's forced to leave her plans behind to save her sister.
Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The City We Became (Great Cities duology) by N.K. Jemisin, The Lesson by Cadwell Turnbull, The A.I. Who Loved Me by Alyssa Cole
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fairymosh · 1 year
Text
bruh
#i personally cant stand when people ship logan & louise in bob's burgers#like first of all he's in HIGH SCHOOL & she's in ELEMENTARY#like idgaf that 'after a few years the age gap wont matter!' its creepy and weird#he's 7 years older than her AND he's a bully???! hello??!#logan is a DICK to her and her siblings jfc chasing them and shit just to torment them hell no#it also feels very strongly like some misogynistic bs#that ship is giving 'boys are mean to the girls they like' like supposedly these die hard bob's fans that ship them together want her to be#in an awful relationship where she 'fixes' him somehow and thats gross#i read a fanfic once about them in a bob's comment section (so against my own will and i wanted to throw up) this lady made this whole#ass elaborate story about louise meeting logan again 'in college'#like ew bitch louise would be like 19. he should be interested in dating women his own age group. & that aside like#he's a horrible bully to her. he stole her bunny ears and lied to her about it and she didnt even do anything wrong. those boys wouldnt let#kids cross that area to get home and louise was like nah fuck that im gonna say something. her interactions with logan are used as a device#to tell stories of her bravery. and gene's bravery that time he stood in for her when logan wanted to give her a reverse norwegian#stinkhold (she's a child. fuck logan for wanting to do that to a 9 year old girl just bc she pissed him off) and gene didnt deserve that#that said. her interactions w him are a device to express bravery and courage against an ANTAGONIST character. not some gross 'romance'#and hello??! are we ignoring the fact that louise was freaked that rudy liked her then was disappointed that he liked chloe?!#she literally kisses rudy & ppl are still being dumb as fuck out here shipping her w logan. hell no. find another set of characters to ship#ask yourselves why the fuck you like louise and logan together so much. you're projecting and what you're projecting is very distorted#im not sorry for my opinion. i feel its morally balanced and its very Immoral for people to ship those two characters
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revasserium · 8 months
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can i have one were zoro realises she does things bc of truama (like doesnt speak much etc)
hold me (still)
opla!zoro; 6,680 words; slow!!!!burn, fem!reader, ex-assassin!reader, straw hat!reader, general tragic backstory/trauma, fluff, hurt/comfort, bit of angst, emotionally constipated zoro, communication? what's that?, nami playing therapist bc she's the only one with 1 iota of emotional intelligence
summary: sometimes, stillness is a virtue, and others -- a tragedy. or, in which the straw hats pick up a new member and zoro is equally intrigued and weirded out by you.
a/n: well. you guys asked for slow burn and... the burn is so slow u gotta squint to see the smoke yall. but trust. the burn does get there! pls be patient!! and i tried to combine 2 dif reqs in this one fic :)
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You are of the quiet sort. Just a shadow dancing in the periphery of their vision, and when they first met you, you’d told them it was your superpower, a soft, still smile slipping across your lips. Luffy had bought into it immediately, and the invitation was out his mouth before anyone could stop him.
“Come with us!”
“Oh…” your lips pressed into a thin line of consideration.
Zoro’s fingers itched towards his swords because something about you makes the hairs on the back of his neck stand up. But something else — something uncomfortable and strange, something very much like curiosity — seizes his chest and twists his stomach. Strange, he thinks, too strange.
“C’mon! It’ll be fun!”
And then, you’d smiled wider, and nodded, and that had been that.
It’s been three months since then, and you are still of the quiet sort, though it had receded a bit with time. What with Sanji’s gentle flirting and Usopp’s not-so-gentle stories and Nami’s bright, dry-humored companionship, you’d begun to “open up a bit”, so Luffy observed.
Zoro, for his part, has kept his distance. Because sometimes he still catches you at the bow of the ship, staring out across the midnight waters, still as a stone-carved statue. Still as a wooden beam — stiller, even.
“What’s with that?” he asks one day, strolling up to Nami as she traces a fine line over a new map she’s working on.
“Hm?” is her very eloquent response.
Zoro ticks his tongue against his teeth and casts his eyes about the ship, finding them drawn to the shape of you, up at the bow again, reading in the shade of the tangerine trees. Nothing moves except for the wind as it whisps through your hair and the slow scanning of your eyes as it skates across the page.
“New girl,” Zoro says, crossing his arms as Nami finally looks up at him and then off towards you.
“Why don’t you ask her yourself?”
Zoro lets out a puff of breath, unfolding his arms to glare at Nami. He finds her grinning a lopsided grin as she clicks shut her compass and puts down her pen. She leans a hip on the barrel she’d been drawing on and folds her own arms.
“Oh, you like her.”
“I’m weirded out by her. ‘S not the same thing,” Zoro snaps, but when he tries to leave, Nami blocks him with an arm and pins him with a sharp, leveling look.
“No, no, no — we’re gonna work this through.”
“No thanks, I’m good.”
“Uh-uh, you still owe me after that round of drinks the other night — remember when you bet you could drink more than me?”
Zoro narrows his eyes, “I did drink more than you.”
Nami’s grin is gleeful, “No, you didn’t. You had to be dragged back to your room after clogging up the toilet. Or do I need to show you the evidence —”
“Alright — fuck, fine. But really? This is what you’re gonna waste your favor on? You could’ve asked me to —” Zoro gestures around vaguely, “clean the bilge or something.”
Nami shrugs, looking almost too pleased, “Nope! This is what I wanna use my favor for. And, really, you think a bit of bilge water is gonna gross me out? C’mon.”
Zoro heaves a sigh and leans back against the main mast, closing his eyes.
“Fine then. Go.”
Nami sits back on the edge of the barrel.
“No, you go. Admit that you like the new girl.”
“I don’t.” He doesn’t open his eyes.
“I’ve seen you staring at her. We’ve all seen you staring at her.”
“What, that a crime now?”
Nami fights the urge to roll her eyes, “No, but I’ve never seen you try so hard to avoid someone before.”
Zoro lets out a bark of laughter, hard and mirthless, “Yeah, so that must mean I like her.”
Nami cocks her head, “It means you feel something towards her. And I’d suggest you figure it out.”
“And how’d you propose I do that?”
Nami once again waves in your direction, “Go. Talk. To her.”
Zoro lets out another breath, eyes scanning across the ship, anywhere but towards where you’re still sitting and reading, finger flipping a page in a perfect, smooth, singular motion.
And Zoro’s not blind. Blunt though he may be at times and careless as he is about most material things, he can still appreciate beauty when he sees it. And you — there’s no denying that you’re beautiful. Your strange stillness aside, when you do move, it’s with a dancer’s lissome grace, fluid lines, not a single movement wasted. When you smile, it seems to light you up from the inside, and your words, though soft, carries the well-worn weight of river stones, glittering beneath the clear, spring stream of your voice.
There’s a sharpness in your eyes, a straightness to your spine, a way of carrying yourself as if you’re afraid that one wrong move might shatter you and the entire world around you.
Sometimes when he sees you, he wonders at the hands that had sculpted you this way. He wonders at your life before they’d picked you up in Loguetown, when you’d oh-so-silently slipped up the execution platform and helped Luffy down, all the while staying free of Smoker’s watchful gaze.
The few times he’s seen you fight, he can’t help wondering if you’ve eaten some kind of devil fruit as well. No human could be so fast as that. Or be so quiet. But then again, he’d fought Kuro, and they’d seen stranger things. Still, he marvels at the way you flicker in and out of sight, slipping around the edges of battle like a dark, haunting thing, and men would drop like flies beneath your quick, quiet hands. With nary a sound or shout before their eyes roll back and their breathing is no more.
On the instances when Sanji had asked about your past, your eyes had gone misty and dark, unfocused. You’d gone still, freezing for so long that Usopp would cough just to fill the silence. And then slowly, ever so slowly, you’d turn back towards them with a small, sad smile and say:
“There’s… not much to talk about. I grew up somewhere far away, where if you didn’t keep quiet and still, bad things would happen to you. And then when those bad things happened, if you weren’t quick — the quickest of all, you’d die.”
Bad things, huh? Zoro thinks as he makes his way towards you, a hand resting on the hilt of his swords. He comes to a stop next to you and leans against one of the white planters, casually peering over your shoulder at the book in your hands.
For a long moment, neither of you move. Then, Zoro clears his throat and forces himself to speak.
“Is it good?”
It takes you a second, but eventually, you turn towards him.
“The book? Yeah, I suppose.”
“Not exactly a glowing review.”
You laugh, a soft, breathy little thing as you look back down at the page.
“It's about a girl who falls into an enchanted sleep, and a prince who wakes her up with a kiss.”
“Must’ve been one hell of a kiss.”
“Yes, and one hell of a prince.”
Zoro finds himself chuckling, his shoulders loosening as he takes another breath.
“And then what?” he asks.
“And then… he asks her to marry him.”
You run your fingers along the page, smoothing your palm over the ink and parchment. Zoro watches you, wondering, always wondering.
“What’s she say?” and it’s then that he notices his own voice, hushed and low, barely a whisper.
You look back up at him and smile a smile a sphynx would have been proud of.
“I don’t know. I haven’t gotten there yet.”
Zoro takes a breath, and the breath tastes distinctly different than all the breaths he’d taken before it. As if the world takes the breath with him, and some fundamental truth had shifted on the exhale.
The moment breaks, as moments are wont to do, when Sanji calls out for lunch and Zoro jerks out of his almost-reverie. You slowly close your book and rise to your feet, turning back to smile at him.
“C’mon, it’s lunchtime.”
Zoro nods and follows you into the kitchen, where Luffy and Usopp are already digging in, and Nami is pouring herself a drink. She spots the pair of you and catches Zoro’s eyes. A grin ticks at the edge of her lips but before she can say anything, you’re accosted by Sanji sweeping into a deep, flourishing bow, and ushering you towards the table, where he’d set your place in a manner fit for a princess.
“Where’s my setup?” Zoro asks as he drops into the seat next to you, cocking an eyebrow. Sanji shoots him an unimpressed look.
“I’m surprised you can use a fork and knife, moss-head. Just be grateful and eat up.”
Zoro scoffs but digs in nonetheless.
When next they dock, it’s on a rare, peaceful island — an island of light and books and learning, where the air smells of salt and ink and drying parchment, of unwritten words and untold stories. But it smells of a stillness too, and Zoro knows without having to ask that you’d like it here.
And you do.
He’s never seen you smile so much, never seen you so vibrant and full of life. You chat and laugh and read with a voracious hunger, and he finds himself drawn to this new, warm, moving side of you. He finds himself, more often than not, by your side, even when neither of you speak. And he basks in the comfort of the quiet that permeates the air when it’s just the two of you — him hanging in the hammock on deck, you reading by his side.
But now, there’s the soft tapping of your foot, the shuffle of pages when you flip forward to see what’s coming next, and of course the ever-present shush of the ocean as it washes against the Merry’s side.
The Log Pose needs two weeks to properly calibrate to the next island, so they’ve got time to kill.
On the fifth night, over dinner and drinks, Luffy asks the question that everyone’s been thinking since the day they’d all met you —
“So. Why’re you so still all the time? Not that it’s weird or anything — well, actually — it kind of is, but it doesn’t bother me. I’m just asking cause I'm curious!”
You look up from your half-finished wine but Zoro feels it happening, like the hush of a fan blade slicing through air, the gasp before a porcelain vase tips over and shatters. You stop. You stare. You’re frozen in every sense of the word. And he’s known you for long enough to know that you only go still as a reflex, only reach for it as a shield. Against what? He doesn’t quite know.
“It’s… something of a long story,” you say, your voice low and hoarse.
Luffy grins, smacking his lips as he sucks the meat off a chicken leg, “We’ve got tons of time! Right?” he looks around as if for validation, but everyone’s eyes are caught on you and your unnatural stillness.
Zoro shifts slightly in the seat next to you, opening his stance and turning towards you.
“Could do with a good story.”
Your eyes flash in his direction and he offers you the barest hint of a smile.
You relax, ever so slightly, drifting back in your seat, your glass cupped in the palms of your hands. And then, you begin to speak, your voice smooth and lilting, your words washing over them like the faint lull of the tides.
“When I was three, my father sold me for a barrel of beer.”
A dull clack echoes around the room and everyone turns to see Sanji hurriedly righting the thick stein he’s knocked over. Thankfully, it’d been empty.
“Sorry — I just — what?” he sounds furious but Usopp lays a hand across his arm and shakes his head.
You take a deep breath and continue, your voice oddly emotionless as you say, “The man who bought me took me to an island. It was… a dark place. A quiet place. I only learned its name after I escaped — an island called Elysium.”
Nami gasps before clapping her hands over her mouth.
“I’ve just — I’ve heard of that place before, but I thought… I thought it was just a made-up place.”
Luffy swallows hard, frowning, “What’s it like?”
Nami’s eyes flicker between you and Luffy, “Supposedly… it’s the home island for… for the most feared group of assassins in all the seas combined.”
Usopp’s eyebrows jerk up, “The most feared?”
A faint smile seeps across your lips like blood.
“Yes. The Shadows that Live.”
Everyone turns to look at you. Luffy picks up another drumstick.
“Whoa… cool name!”
Zoro hums, “I’ve heard of them before — but mostly, it was just an old wive’s tale about… shadow assassins who hunt in the dark. Mercenaries for hire. But… no one’s ever seen one before.”
“Because… once you see one, you’ll never live to tell the tale,” you say, your eyes now downcast and fixed on the glass in your hands.
“Then…” Usopp’s voice is soft, “What about… you?”
“I… I ran away.”
Silence greets you. But after a moment, Luffy spits out a bit of bone and uses it to pick at the space between his teeth, his eyes round.
“Wow! You must be pretty good to run away from an island full of shadow assassins!”
You almost laugh, his boundless trust hitting you like a punch to the stomach.
“So…” Sanji lets out a puff of silvery smoke, “the staying still thing… that’s just part of your training, yeah?”
You nod, “Something like that.”
Someday, you think, you’ll tell them about the hellscape that was Elysium island, of the long echoing halls, dark and still and silent. Of the mechanical beasts that hunted by sound and movement alone. Someday, you’ll let them know about the poisoned pomegranate seeds that they feed all the “recruits” to keep them hazy, of how you’d kept six of them suspended in your mouth and spat them all out when you’d finally made it far enough from the island to allow yourself to breathe.
“And… are these shadow assassins gonna come after us?” Nami asks, her voice careful and light.
You purse your lips, “I… I don’t know.”
Nami sighs, but a moment later, she moves to refill her drink with a slight shrug, “Well, just one more enemy to add to our growing list. Soon, we’re gonna have to post a sign-up sheet.”
At this, everyone laughs, and the tension snaps like a wounded spring.
Luffy burps loudly, patting his stomach, “I’m not worried — I mean, if you were able to run away from them once, that means you’re stronger than them, right?”
You pause, your hand hovering over the wine bottle. Zoro gently reaches over and refills your glass for you. You shift back into movement, casting him a small smile and taking a sip. The wine is cool and tangy as it hits the back of your throat. You breathe, and the world keeps spinning.
“I… I’m not sure — I’ve never fought… any of… them… before.”
“Guess we’ll find out if they try to come for you then — but you’ve got us now!” Luffy says, reaching for an apple and chomping into it, “ — Sho… you duon gotta wourry —” he licks his lips as he takes another huge bite before tossing the core towards the waste bin, “We’ve got your back!”
Nami makes a disgusted face, “Don’t talk with your mouth full, ugh.”
Sanji chuckles, tapping out his cigarette, “Yeah Luffy, mind your manners.” But his voice is full of laughter and you find yourself relaxing into the sway of the night, the swing of conversation. Beside you, Zoro refills his own glass and leans over to clink it against yours.
You turn, but he only raises his glass before taking a sip.
You mirror his movement, cradling the cup to your chest when you finish.
Later, he finds you by the tangerine trees, ghosting your fingers over their lush green leaves, dark enough to look black in the evening light.
“Hey.”
You turn, “Hi.”
Zoro sighs and looks out over the darkened waves, the moonlight refracted into a million shattered bits of sky.
“Luffy’s right, y’know.”
“What about?” you ask, joining him by the railings. The night air is cool and crisp. Behind you both, the island oozes with lamplight and laughter. Even from here, you can hear the joy, the peace that permeates the air here. It wouldn’t be a bad thing, you think, to stay here forever.
“If they come for you,” Zoro says, “we’ll have your back.”
You let out a small chuckle, looking down at your hands, “I know.”
“So,” he turns towards you, his earrings glinting in beneath the scimitar moon, “you don’t have to be afraid anymore.”
You lick your lips, and instinctively, you reach for the stillness. All the days and weeks and months with the people around you have softened you, and for that, you know you should be thankful. Still, old habits die hard, and you have to clench your fists and dig your nails into your own palms to keep from freezing completely.
You take a shivering breath and force it out again.
“Fear’s a hard habit to break.”
At this, Zoro grunts, though it sounds something like consent. The moment stretches, long and soft and taffy-sweet.
He turns back towards the sea, “Yeah,” he says, and then —
“But we can take it slow.”
You swallow hard, passed the broken shards of forgotten words lodged in your throat (you find that they all somehow taste like thank you), and you nod. Warmth tickles your cheeks and you wonder why he’s said we instead of you — and later, lying in your bed at night, staring at the moon-slatted ceiling, you wonder if he was really talking about fear or if it was something else entirely.
You don’t get a lick of sleep that night.
The next few days pass in a light, repetitive blur. You and Zoro are sent on a few short shopping trips in the city, and you’re glad for something to do that involves movement. Shocking how quickly the body adapts once the weight it’d been holding on to is lifted.
You are still quiet, and he, the same; but the silence has shifted around you, and whereas before it’d been solid and steady, it’s now thrumming and charged with some unspoken energy.
Neither of you are blind to it; nor, it seems, is the rest of the crew.
Sanji’s taken to openly teasing Zoro about being with you all the time, complaining loudly that he can’t get a word in edgewise because Zoro refuses to leave you alone. Nami keeps on trying to drag you out for “girl's day” shopping trips, hinting at all the cute clothes you could get and how “green really suits your skin tone, y’know?”
Luffy and Usopp for their part, both just grin whenever they see you together — Luffy stoked at the fact that you seem more happy and talkative, Usopp gleeful at the way Zoro always seems so much softer when he’s next to you.
You’ve taken to watching him when he trains, sitting in the shade of the tangerine trees, a cold drink in your hand as Zoro runs through his katas. You content yourself with watching him flow through the movements, one and then another, and then another after that. He contents himself with your presence, knowing that you’re here, feeling your eyes as they skate down the length of his back or the width of his shoulders.
It’s a peaceful sort of companionship, even if it is living on borrowed time.
When you all wave the little island goodbye, it’s with heavy hearts and tearful smiles. It had treated you well, and you think you’d miss it. But adventure is as adventure does — it calls, beckoning to those with wandering hearts to listen.
The first week back at sea is a strange one, full of a ringing nostalgia. As if you’re simultaneously coming home and leaving one at the same time. Everyone is a bit quiet, except for Luffy, of course, who literally bounces off the freshly waxed planks, humming to himself as he sits on top of the great ram’s figurehead.
“Is he ever still?” you ask one day, sometime in the second week.
To which Zoro makes a sound between a scoff and a laugh, “You’ve been here a while. What’d you think?”
You sigh softly and tear your eyes away from the bright, shivering ball of energy that is your captain towards the far horizon. A sliver of uncertainty twines through you and your breath slows. Zoro glances at you, now long since attuned to your subtle shifts in movement and stillness. He narrows his eyes.
“What is it?”
You shake yourself back into the moment, forcing a smile.
“Nothing. I think…” your words fade as the feeling twists in you again, knife-sharp and stinging. You clear your throat and reach up to brush away a strand of hair. Skin grazes skin as Zoro’s hand meets yours in the same gesture and you both freeze — hands held up, his finger caught against the bend of your cheekbone, your fingers curling over his.
Time slows, slackens around the pair of you, and the moment stays, suspended in space — garnet dark and perfect.
Neither of you dare to breathe. It’s then that you realize how close Zoro is — close enough for you to see the entire ocean reflected in his eyes: big and dark and so endless it nearly unmoors you. Close enough for you to feel the warmth of his skin; his body, emanating heat. You’d often wondered, in the long hours of watching him train, at the glistening copper of his skin and the light-kissed quality, if the sun himself favored Zoro as well.
Like this, it’s easy to believe that beneath his skin, there pulsed something like sunlight.
“Look! It’s an island! It’s an island!”
And just like that, the moment shatters. Time slips back into motion and you pull away from each other, breathless, with warm cheeks and thundering hearts, feeling somehow lightning-touched and static-ridden.
You take half a step back, reaching up to press a hand to your mouth as if to stop something from tumbling through. But what? You can’t really say.
Zoro tips back as well, whipping around to help Usopp and Sanji with the sails as Luffy continues to holler, waving his hat. On the horizon, you see it looming — the silhouette of an island. You lower your palm from your lips to your heart and wonder what kind of island it will be.
Deserted — seems to be the answer when you all make landfall. The island is quiet, but the occasional chirp and cricket staves off your nerves as you all wander cautiously about the beach, squinting into the dense forest that seems to encompass the whole of the island.
“Looks like a good place to camp for the night!” Luffy says, grinning as he plops down on the sand.
Sanji nods, dusting off his hands, “We’ll need some wood for a fire, but I reckon I can whip up some grilled fish from the fresh catch.”
You wrap your arms around yourself and look around, glancing back at the darkening horizon.
“Something the matter?” Zoro’s voice is soft as he helps you carry some of the camping supplies from the ship.
“No… yes… I —” you look up at him, pursing your lips, “I don’t know. I’ve just… this island is…”
Zoro looks around, his dark eyes scanning the thick swath of forest just beyond the beach, “Too quiet?”
You let out a tiny laugh, “Yeah, something like that.”
He nods, “Don’t worry, I’m — we’re here.”
And he leaves it at that, hoisting a stack of wood over his shoulders and going to help Nami with the fire. You watch him with a smile, wondering what on earth you’d done to deserve this level of caring, this magnitude of kindness. Soon, dinner is had and drinks are shared and laughter is spilled like so many silver coins over the white sand beach. The lull of the evening takes over you all, and before long, Luffy and Usopp are slumped over each other, snoring loudly.
You stare into the depths of the fire and try to tamp down the growing dread festering inside your bones. All those years of holding still, of breathing and listening and feeling — you shake yourself — no, not all stillness is a bad thing. Not all silences are made the same.
“You’re doing it again,” Zoro’s voice almost makes you jump. Instead, you turn, finding him next to you as he nurses a half-drunk bottle of wine in his hands. He doesn’t look at you, but there’s a loose grin hinged across his lips.
“Sorry,” you say, ducking your head, feeling a now familiar heat creep into your cheeks that has nothing to do with the dwindling bonfire.
“Don’t be,” Zoro takes another drink, “But I told you… you don’t have to be afraid anymore.”
“I know… and I’ve said before —”
“Fear’s a hard habit to break,” Zoro echoes back at you, finally glancing over and catching your eye.
You breathe out, looking down at your own hands, “Yeah… but I’m trying.”
You both fall silent, and for a while, the only sounds are the crackle of the dying flames, the shush of the ocean waves, and the occasional snores from the rest of your crew. It’s late — later than you realized.
“Do you… want me to grab a book for you?”
You smile, “No, I don’t think it’s bright enough.”
“I could restoke the fire.”
“No, it’s — it’s okay.”
“Alright.”
A bird coos the distance.
“Why don’t you tell me a story?” you ask, turning to look at Zoro proper, shifting till your body is facing him.
In the faint light, you can see the edge of his adam’s apple bobbing as he swallows.
“You’re asking the wrong guy — you should wait till the Great Captain Usopp’s awake.”
“Yeah, but I want to hear one from you.”
Zoro sighs, his eyes fixed on the last of the flickering flames. He takes another swig of wine before he starts to speak, his voice low and a bit stilted, but he pushes on. He tells you about his childhood, the village he’d trained in, the doujou in the middle of the wood, his friend who he’d never beat — not even once.
He tells you about he early mornings and the late nights, and how the world had seemed large enough to conquer.
“… And then… there came a morning when she didn’t show up… and sensei came and told me that there’d been an accident.”
His voice almost breaks then, and your eyes catch on the shining white hilt of the Wadou Ichimonji — his thumb pressing against the guard, running along it’s hard metal edge.
“Oh… I’m sorry.”
Zoro shrugs, “Don’t be.”
You nod, “Still.”
Zoro slates you a lopsided smirk, “So. Now you know my tragic backstory too.”
You laugh, leaning back to cast your eyes up towards the sky, “And you know mine — it’s almost like we’re friends or something.”
Zoro lets out a long breath, “Yeah… or something.”
There’s a tightness to his voice that makes your skin tingle and it takes everything you have not to look over at him, to try and see if he’s looking at you, watching you the way you’d imagined him to be. You fancy you can feel his gaze on your face, but you close your eyes instead.
You let yourself fall into the warm haze of sleep, and for a while you drift there, your mind sifting through shards of memories and slivers of sound, casting them against the backs of your eyelids as you slowly slide into the darkness of dreams.
You wake up to a gasping stillness — the silence pressing in on your eardrums like thumbs, the darkness around you so complete it’s almost a solid thing. You freeze, your breath hissing to a halt inside you. Then distantly, ever so distantly, you hear the sounds of battle — metal clashing against metal, the hard thud of boots against flesh. You shake your head and reach up to clap your hands over your ears and only then do your senses return to you, snapping back as if you’d been abruptly shunted back into your earthly body.
“Gum Gum — Pistol!”
“Seize her!”
You whip into movement, fast as a flash, dashing away, hoping against hope that it would draw your attackers far enough from your crewmates.
“No one… ever… leaves us…”
The voice is serpentine and susurrus, sinking into your skin like sharpened teeth, but before it can reach you, it’s cut short by a bright flash of silver.
You gasp, whirling around, reaching for the nearest pulse, instinct taking over as you sink your fingers into muscle and flesh. The rush of blood thrumming beneath your fingertips comes too easy, even as a familiar scent accosts you. A moment later, your hands are being pinned above you, and thick, rough bark is digging into your wrists as Zoro stands before you, a sword in one hand, the other holding you still.
His eyes are a little wild and a lot worried. There’s a ring of red rawness around his neck, thin trickles of blood trailing along his jugular, disappearing into the wide scoop neck of his shirt.
“Hey, look at me.”
You nearly whimper, struggling against him, fear still coursing through you like a drug but Zoro is strong enough to keep you held. Behind him, you can see the rest of the crew fending off several shadowy figures, Usopp waving a torch, screaming at the top of his lungs, Luffy whooping as he whacks another figure with his fist.
“Z-Zoro?”
“Yeah, it’s me — eyes up here.”
You swallow in a breath, and then another, and you feel the bright thrum of urgency leave you as your body slowly falls slack. And then you’re slipping, and he’s looping an arm around you to keep you upright.
“Th-they’re here — they —”
“They’re gone — we got rid of them — hey.”
Zoro takes you by the shoulders and gives you a gentle shake. Finally, your eyes catch on his and your gaze holds. You see yourself reflected in them, stark and terrified, but alive — somehow alive.
“They’re gone,” he says, his voice soft and low by your ear, his arm still wrapped around your middle. Shivers wrack your body as you bury your face in his shoulder. He smells of steel and skin and the metallic tang of blood. It’s then that you remember — the wounds on the sides of his neck. The marks in the shape of your hands —
You jerk back and feel a sticky wetness against your cheek.
“Zoro, I hurt you!”
At this, he scoffs, pulling back far enough to flash you a look.
“This is nothing. C’mon.”
He offers you a hand, and after a second you take it, letting him pull you to your feet. Wordlessly, he presses his palm to the small of your back, his arm extended to keep you steady as you both make your way back towards camp.
“Phew! That was a workout!” Luffy is saying just as you both reach the outskirts of the now-darkened bonfire. Sanji is pulling out a cigarette, striking a match, and first lighting the end before tossing it into the remains of the firewood, fanning it up into a slow flame.
Nami and Usopp both look a bit shaken, but none worse for the wear.
They all pivot to look at you.
You go still against Zoro’s side, uncertainty flooding through you. Faintly, you feel Zoro’s fingers as they press into the bend of your waist, solid and steady.
Then, Usopp coughs, “C’mon y’all — the Shadows that Live? Psh! More like — the Shadows that Fled, am I right? Yeah? Didya see the way I sent ‘em runnin’ with my brand new fire-powered explosion rounds?”
Nami chuckles and Sanji follows suit, shaking his head and letting out a thin wisp of smoke. Luffy’s grins at you, pumping a fist in the air, clapping his right shoulder.
“See? Told you we’d have your back! We are your crew, after all!”
Weakness seeps into your limbs as you nod, hot pin-pricks of tears itching at your lower lashes. You lower your head and rub at your eyes before looking back up again with a smile. Sanji grimaces as he looks over Zoro.
“Got something on your neck, mate.”
Zoro glares but you glance over and feel your stomach twist with guilt.
“Sorry… I can clean that up for you. They’re not deep but they do need to be bandaged up.”
Zoro wipes down his sword before sheathing it and motioning towards the ship. Behind you, you can hear Nami yawning and saying something about catching up on some more sleep and Sanji reassuring her about having the last watch anyway.
The kitchen is still dark, but the dusty dawn sweeps against the far horizon and neither of you bother to turn the lights on. You carefully set the first aid kit on the kitchen counter and collect the supplies as Zoro leans back against the edge and folds his arms. You work in near silence, reaching up to first wipe the thin threads of drying blood before tending to the tiny, crescent-shaped puncture wounds.
You press an alcohol-soaked cotton ball against one of them and feel Zoro wince.
“Sorry.”
“I’m fine.”
You bite your lips, “If this had been a bit deeper or a few inches over —”
“But it wasn’t. So it’s fine.”
You don’t look up at him but you can feel his eyes on you. Your movements are fluid and sure; you’d clearly done this before.
“Hey, look at me.”
You freeze, eyes slowly gliding up the planes and divots of his neck, slipping up the line of his jaw, so sharp it might’ve been turned on a diamond cutter’s lathe. Your breath hitches as you finally meet his eyes, and there’s a dark, knowing glint behind them that makes your stomach flip.
“I’m fine.”
And for the second time in a handful of hours, you’re caught by the realization of your closeness — only a breath of space between you. There’s a crimp at the corner of his mouth that looks dangerously like a smile and then you’re tipping forward, a thumb reaching up to trace the line of his bottom lip once —
The movement acts like a trigger, and suddenly, he is leaning in and the breath of space disappears.
For all your life of stillness, you thought you’d learned to appreciate the depths and widths of movement. But nothing could’ve prepared you for this — for the push and pull of lips on lips, for the force and friction of skin against skin. For the gasp and hiss, for the breath and kiss.
For the feeling of his large palm as it settles along the swallow’s-nest bend of your neck, the way his thumb runs along your jaw like tracing the guard of his beloved sword, tilting your mouth towards him. For the way your heart might flutter like a tiny, caged bird, or the way you might feel his heart thumping like a fist from his chest to yours.
For the way his voice rolls over your name like a ship at sea; for the way it would shake your body from your bones and leave you more liquid than solid in his arms. For how you never used to think your story would be a love story, but then you realize that every story is a love story if caught in the right moment, in the right light.
And here, breaking apart from Zoro, with a thick, stolen streak of lemon-yellow sunlight leaking in from the kitchen window — that’s exactly what it feels like.
“Oh,” is all you have the strength to say.
Zoro, in all his solid brilliance and quiet audacity, laughs.
You taste the smile on your own lips before you realize you’re smiling. But when you try to bury your face in his neck, he winces slightly as you brush his still-fresh wounds.
“Crap, I forgot about these.”
Zoro chuckles as you hurry to press a few small bandages to the wounds.
“It’s okay. So did I.”
You finish dressing his wounds in silence, though this silence is markedly different from every other silence that had ever existed between you. There’s ease and tension, both, and when you’re finally finished, Zoro takes both your hands in his.
“So…” you say, unsure suddenly of where to look.
Zoro’s laugh is just as soft, just as uncertain.
“So.”
You try to look out the window, but by now, the dawning sun is so bright that it temporarily blinds you and you jerk back. Zoro smiles, reaching up to run his thumbs along your closed eyelids before dropping them to hook around your wrists again.
“Do you… wanna talk about it?” he asks, quiet as always.
You purse your lips and let your lashes flutter open. You find him watching you. Heat crests up your shoulders and into your cheeks, and suddenly, the exhaustion of the night before saps at your limbs. You sigh.
“Right now? Not really.”
“Yeah, neither do I,” he says, sounding as relieved as you feel.
You bite your lips and cast your gaze shyly across his face, your bird-wing heartbeat still flapping in your chest. You fight the urge to go still, to reach for that shield that has always protected you before. Faintly, you feel Zoro’s thumbs tracing circles along the insides of your wrists.
“Can I ask for something else, though?”
“What is it?”
You reach up a finger, nudging one of his golden earrings. You don’t miss the way he shivers, or the way his breath quickens in his chest.
“Kiss me again.”
Zoro grins, tugging you towards him, leaning into the curve of your palm as he does.
And does.
And does again.
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phefics · 6 months
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veritaserum
ship: fred weasley x reader x george weasley summary: fred and george dose the reader with a truth serum, which leads to her admitting a sexual fantasy including both brothers. warnings: dubious consent (truth potion is used to make the reader admit her sexual fantasies which then play out), pseudo-inc3st (the twins don't do anything sexual to each other but are both involved in the same sexual scenario), gender-neutral!reader (reader has a vagina but no pronouns are used) word count: 1.9k
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Being friends with the Weasley twins was a constant rollercoaster.
There was never a dull moment, always an adventure to go on, a prank to pull, or witty banter bouncing between you and the brothers. Sometimes, you were helping Fred and George pull off their next big joke, but other times, you were their target. Sure, it could be frustrating, but it was also fun for you, and you always found ways to get them back.
You had been friends with the twins since your first year at Hogwarts, and that friendship had continued past Hogwarts and followed you into early-adulthood. You visited them at the flat over their shop in Diagon Alley often, where they showed you prototypes for new products and made you laugh until you cried with their antics.
It was a cold evening when you appeared in their fireplace, a bit dusty from the ashes, and were greeted with excited shouts from Fred and George before being pulled into a group hug.
As you looked up at their grinning faces, you couldn’t believe that there were people who still got the twins confused.
Fred had more freckles on his face, while George’s shoulders and arms had an abundance of them. When Fred laughed, he threw his head back, cackling loudly, while George usually gave more reserved chuckles, laughing down at his lap. And, well, George was fully missing an ear now, and Fred had a large scar on his temple from the Battle, where a piece of castle wall had crashed down on top of him.
“Finally,” Fred said, man-handling you onto the couch. “We’ve been waiting ages!”
“I’m only a few minutes late,” you replied, glancing at their clock, which wasn’t even working—it read 3:15, but it was well past 7:00 judging by the darkness outside.
“And are our few minutes not important to you?” George asked, sitting by your side. “We could have been using that time to come up with more brilliant inventions.”
“Or planned a clever scheme to spill a bucket of water on your head when you arrived,” Fred added.
You rolled your eyes. “I’m terribly sorry to have wasted your precious time,” you said, tone thick with sarcasm.
It was nice catching up with them. They updated you on each member of the Weasley family, such as Fleur’s pregnancy with her and Bill’s first child, or Percy’s upcoming wedding. You updated them on your own life as well, and it wasn’t long until they had pushed a glass of Firewhiskey into your hands.
“So, Y/N,” Fred said, leaning against the back of the couch. You immediately recognized the glint of mischief in his brown eyes, and braced yourself for whatever ridiculous question he was about to pose.
“Which of us do you think is the better looking twin?”
You opened your mouth, intending to say something like ‘neither of you’ or ‘you’re identical—what kind of stupid question is that?’ but the sentence that spilled from your lips instead was, “Well, you look pretty much the same, so I’d say you guys are equally attractive. I think the scar makes you look pretty hot, Fred, but George can really pull off the whole missing ear thing.”
You clapped a hand over your mouth, face burning.
The twins both erupted into giggles.
“Oh, you’re too kind!” George said. “I’m glad you find my lack of an ear sexy.”
“And my scar is flattered,” Fred added.
“What did you two do?” you asked, scowling.
“We might have stumbled upon a vial of Veritaserum…” George said, trying and failing to look guilty. “And put it in your drink. Just a drop, though! It’ll wear off soon.”
You wanted to insult them, yell at them, call them every insult and curse under the sun, but no words would leave your tongue. It was like the truth serum wouldn’t even let you pretend to be pissed off. Sure, this was an invasion of your privacy and totally sketchy, but you had known Fred and George for so long, you were sort of used to their antics by now. You should have been way angrier than you were, but it was just so typical of them, you couldn’t muster much more than annoyance.
What you did manage to say was, “Why?”
Both twins shrugged.
“For fun,” Fred said.
“And because we were curious about something,” George replied.
“About what?”
“About which of us you like better.”
You blinked at them. “Are you serious? We aren’t eleven anymore. Is it really a contest between you two to be the better twin?”
“Not really, no,” Fred said. “Even though we all know that it's me.”
George reached over you to playfully shove his brother’s shoulder. “It’s not about proving anything. We’re just curious. So, Y/N, who do you like better: me or Freddie?”
“I like you equally,” you said. “You are both hilarious, intelligent, and my best friends. I find it easier to connect with George on serious things, but Fred always knows the right thing to say when I need cheering up.”
Your face was flushing deeper, embarrassed at the cheesy, sentimental words that left your mouth. Fred and George had grown up in an incredibly loving, affectionate family and had never shied away from making their love known, but it was awkward to voice your own feelings out loud like that.
Both twins seemed rather touched, though
“Wow, I was expecting you to have to pick,” Fred said. “But that’s oddly sweet.”
You groaned. “Okay, okay, yes, I love you both, can we knock this off now?”
“No, we have more questions!”
“Such as…?”
“Would you fuck either of us?” George asked.
Fred was normally the more vulgar of the two, and the question coming from George’s lips instead took you even more off guard.
“Yes,” you said, unable to stop yourself. “Either of you. Or both of you.”
“At the same time?”
“Yes.”
Fred and George also showed their emotions differently. Fred was better at keeping his feelings to himself, but when he was flustered, his ears would turn pink. His ears had flushed slightly, and his eyes were wide as he licked his lips, clearly intrigued by your answer. George was also flushed, but the color went to his face, and he brushed his thumbs repeatedly over his thighs, a nervous tick he’d always had.
“Have you thought about this a lot?” he asked.
“Yes.”
“Tell us how you’d want it.”
You couldn’t help but answer. “I would let you strip off my clothes, groping me. One of you is behind me, kissing my neck as you take off my shirt. The other is at my feet, pulling my pants down. Neither of you shut up the whole time, talking about me like I’m not even there. Commenting to each other about how pretty I am, how wet my pussy is for you. Whoever is between my legs starts to go down on me, while the other holds my body still so I can’t move away from how good it feels. I cum on your tongue, and the other wants a turn, too…”
The twins were both clearly aroused as you spoke.
“Do you want that? Now?” Fred asked, his voice low.
“Yes,” you breathed. 
They waste no time switching their positions on the couch, George pulling your back against his chest while Fred positions himself between your legs, his hands eagerly moving to the waistband of your pants, tugging at it.
George took his time, hands sliding up your shirt, touching softly as he felt you up, his face nuzzling into the crook of your neck, lips teasing the skin there.
You couldn’t help but whine under their touches, loving every moment of it. You had truly dreamt of this for years, always too afraid to ruin the friendship. Sure, you had kissed both twins for dares back at school, but this was real and intimate and beautiful.
Fred made quick work of getting your bottom half undressed, and he kissed his ways along your thighs, cupping your ass with one hand, squeezing hard.
“So fuckin’ hot,” George breathed.
“I know, right?” Fred replied. “So good for us, too. Are we making your fantasy come true, love?”
You nodded, whimpering softly.
“So needy, too. You want to cum for us?”
You nodded again. “Yes, yes please.”
George chuckled, nipping at your ear as Fred’s mouth finally reached your pussy, his tongue licking tentatively at you before he found your clit, which he immediately focused his attention on.
Your noises only grew louder, more desperate.
“Already? You’re not very good at this whole build-up thing, Freddie,” George said.
“I think we’ve waited long enough for this,” Fred replied before returning to his task.
“You don’t want to be patient, do you, darling?” George asked, hugging you tightly from behind. “You’ve wanted this for so long, you just want to be good for us, take everything we’ve got?”
“Fuck yes,” you moan.
Fred was clearly just as eager as you are, apparently trying to make you cum as quickly as possible, like he was placing bets in his head.
“You like that, hm? Is he good at it? Making you feel good?” George said.
“Feels so fucking good.”
“Good. You gonna cum for him?”
“Yes, yes, I’m—”
It didn’t take long at all. Fred’s tongue was good for more than just witty comments, and your legs trembled as he sat up, lips shining with your slick and a smug smile on his face.
“I think this is the part where we switch jobs, Georgie.”
Your pussy was already so wet, so sensitive, you knew that George would be able to make you cum fast, too. It was almost embarrassing how easy you were, how turned on they made you.
The twins switched positions, and Fred wrapped his arms around your middle sweetly, dragging his fingers over your waist and making goosebumps spread over your abdomen, squirming in his grasp.
“Don’t try and get away, sweet thing,” Fred said. “Otherwise George won’t be able to have his turn. Just be good for us, okay? Be a good little slut.”
You whined, face hot as George’s lips found your inner thighs and kissed the skin there, slowly, teasingly. He was the more patient, more methodical of the two. He wasn’t going to go straight for your clit, he was going to keep you wanting. Maybe until you begged.
Fred began sucking a hickey into your throat, leaving you a moaning mess as the twins both worshiped your body like it was something sacred.
Finally, George’s tongue found your pussy, teasing your hole and folds before even bothering to touch your clit.
“Should he put his fingers inside you?” Fred asked.
You nodded fervently, thrusting your hips.
George complied immediately, sliding one finger inside which was quickly followed by a second, pumping slowly before curling into that special spot, which he had found surprisingly easily.
Your second orgasm came just as quickly as the first, your hands balling into fists and your toes curling. Once your body was able to relax, you looked up through teary eyes to see George licking your taste off of his fingers.
“Was that everything you dreamed?” Fred asked.
You opened your mouth, expecting the answer to roll off your tongue, but it didn’t. You realized that the potion had worn off, and smirked.
“It could have been better,” you said, thrilled with your ability to lie again.
Obviously, Fred and George had to remedy that immediately.
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