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#i had to cut the one with him in it because the post was getting too long
incorrectbatfam · 3 days
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Do you have any headcanons about dick and Jason being each others favorite brothers👀
Love your blog!!
Dick's favorite is Jason because Jason knows everything Dick did as a teenager which Dick wants to keep under wraps
Jason's favorite is Dick because did anyone else try to kill the Joker for him? Exactly. But good luck getting him to admit it
Dick is convinced Jason came back wrong because no fuckin way his LITTLE brother is TALLER than him
Pre-reveal, Dick loathed Red Hood with every fiber because all he could think about was how this guy had the audacity to use his brother's killer's old moniker
Jason did the Pen 15 thing with Sharpie and Dick actually fell for it
Dick stole Roy's hoodie back in their Titans days, which Jason stole from Dick, and now they go back and forth stealing it from each other while Roy's like "can I have it back now"
Jason matched with one of Dick's coworkers on a dating app. They met for lunch. At the workplace's cafeteria
Dick redesigned his squad car after he stopped being a cop and Jason secretly installed a fridge in the glove compartment. Cut to a week later when Jason pulls out a whole pizza on the highway
Jason does DoorDash occasionally and one time he delivered tacos to an abandoned warehouse because Dick needed backup and the comms were down. Jason didn't help fight, but instead just stood here until he got his tip
Texting Jason is impossible because he'll reply a month later just to correct Dick's grammar
They screenshot the funniest mean comments on their posts and meet up once a month to read them over a bonfire with drinks
Jason will finish patrol, drive all the way to Bludhaven, and climb through Dick's window just to put his wet socks on the radiator and make himself a PB&J. Dick will just be like "ugh whatever" and pretend to watch TV while secretly checking to make sure Jason isn't injured
They trick the other siblings into thinking there's a Robin test that only Dick and Jason have passed
Jason stained Dick's carpet with gunpowder so as revenge, Dick hid an alarm clock in Jason's safehouse
Dick accidentally stumbled across Jason's Ao3 but when he tried to use it as blackmail Jason's just like, "Girl what were YOU doing at the devil's sacrament?"
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genericpuff · 3 days
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Lore Olympus just pulled off the biggest whiff in webtoon history.
I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.
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(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)
Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)
CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!
Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.
But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.
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Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.
Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.
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They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.
First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.
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Did you really think I was joking about that 5 panels thing?
That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.
And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.
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Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.
Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.
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We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??
Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-
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Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-
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-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.
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I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-
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-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?
This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.
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HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.
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Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?
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Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?
"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?
Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-
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So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."
It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.
Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.
But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-
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Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.
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I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.
This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"
This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?
Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.
And even outside of this episode, when have these two ever sacrificed anything?
I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.
Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.
sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-
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MMMMMM
FUNNYYYYYYYYYYYYYYYYYYYY JOKE
For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.
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There is... so much wrong in these three panels.
First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.
It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.
And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?
This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.
And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.
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There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.
So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?
Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?
How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?
Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?
You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?
"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!
Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?
"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?
TGOEM disbanded? Why? What about the women who were genuinely a part of it?
Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-
"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???
And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-
Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.
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There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.
Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.
And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.
We do get one line from Hades acknowledging Persephone's part in the relationship-
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-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.
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Yep, and that's it. That's the end.
Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.
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To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.
This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.
There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.
With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.
Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.
Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.
But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?
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So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.
What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?
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Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.
And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj
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Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.
So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.
As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.
I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.
Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.
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dwaekkicidal · 24 hours
Note
What is stray kids favorite position to have sex? What do you think? This been on my mind for while
the way I was actually thinking about this a few days ago LOL hope you enjoy <3
OT8's Favorite Positions (Rough+Soft Ver)
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˚ʚ♡ɞ˚ warnings: gender neutral, not pure smut but mentions of specific situations, Seungmin and Jeongin are mean in their 'rough' parts, switch mentions in Felix's part
˚ʚ♡ɞ˚ notes: these were SUPPOSED be short but i got a little carried away.. lol. also very poorly proofread cause I'm having sleep issues atm, once I sleep at least a few hours I'll come back to proof read (and probably tweak some things)
MDNI!! NSFW below the cut
DO NOT republish or translate+post my work!
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𝙱𝚊𝚗𝚐 𝙲𝚑𝚊𝚗
Rough
If he's fucking you during his Daddy/dom moments, a nice downward dog (flat doggy basically). As long as he can tower over you and fuck you until you remember your place, he's happy! Specifically downward dog because he can use those muscles he's been working so hard on to hold you down against the bed and be rough with his thrusts, all while not adding any extra strain to either of you. Runs his hands roughly up and down your back, leaving smacks to your ass before squeezing it right after. If he's in a particularly rough mood, will grab a handful of your hair to pull at and guide you.
Soft
I think he would be a big missionary person when he's making love to you. Likes to be able to see your face and leave kisses all over your frontside while he fucks you. Even more so if he's extra moody/sappy, so he can sloooowly fuck into you and keep his thick lips locked with yours, hands caressing up and down your body as he whispers all sorts of sugar coated praises to you. "You're doing so well for me." "God, I love you so much. You're fucking perfect."
𝙻𝚎𝚎 𝙺𝚗𝚘𝚠
Rough
Good ol' doggy style for because he loooves the control it gives him over you >.< Has a hand between your shoulder blades (or on your lower back) to hold you down, all while his other hand holds your hip to pull you against him (or to land slaps to your ass cheeks). Even better for days he wants to be mean or is just lazy; instead of doing the work he can just make you fuck yourself against him while he degrades you and lands smacks to your ass. Calls you a greedy slut for needing him in your hole so bad and smirks when you clench harder and moan into the sheets
Soft
Also doggy because he can lean over you, controlling the pace to be slower or softer while his chest is pressed to your back. Will slide one of his hands against your stomach in order to hold you against him so he can leave kisses to your cheeks, behind your ear, and against your neck.
𝙲𝚑𝚊𝚗𝚐𝚋𝚒𝚗
Rough
I think he'd love carrying you while fucking up into you. I discovered the name for the one I had in mind being: 'Aquaman's Delight' or 'H2Ohh Yeah' I absolutely hate the names but it's when you're facing him and he's holding you up, your legs off the floor and resting against his inner elbow. Loves it because he gets to show off how strong his is to you while simultaneously being able to bury deep when he lifts you, then drops you onto his dick. This position also allows you both to be intimate when necessary, loving gazes and messy kisses being exchanged as he fucks you against him like his own personal fleshlight
Soft
Big fan of face off (face to face & upright riding) for when he wants to be extra intimate. Will take advantage of the closeness this position allows. Holds you tightly against him as he fucks up into you, and will keep your lips locked against his as much as you allow him to. When you aren't kissing, his face is shoved into your neck as he moans against the skin there, placing kisses when he's not busy being distracted with how well you take him (mr. can't do 2 things at once)
𝙷𝚢𝚞𝚗𝚓𝚒𝚗
Rough
Likes taking you from the back; likes to bend you over every surface he can think of so he can watch your ass jiggle from his hips slamming against it. Likes it also because he can trap your hands against the flat of your back with one of his big hands OR can pull your hands back towards him and use it as leverage to fuck into you even harder than he was before. Def grabs handfuls of your ass any chance he gets. I could see him preferring to finish on your ass so he can watch his dick paint your ass cheeks like he does with his canvases. Some dirty talk here and there like "Yeah? 'M in your guts? But baby.... that's just. how. you. like. it." and thrusts between the last syllables
Soft
Any position he can be embrace you with, but specifically can see him being an (open legged) spoon lover. Something about holding you as close to him as physically possible while still being able to rut/grind his hips against yours nicely. Bonus points for open legged because it gives him easier access to play between your legs. The intimacy goes CRAAZY, his hands holding you in place while he fucks into you nice and slow. Def leaves wet kisses and hickies all over your neck. Only downside is when he strains his (and your) neck when he wants your lips on his. But when his hands are all over you like this, how can you say no to those pillowy lips? >.<
𝙷𝚊𝚗
Rough
A "Pretzel Dip" enjoyer. This is when you're laid on your back and he's straddling one of your legs as he holds the other up to his chest. Goes nice and deep like this, and can fuck into you roughly while still getting to see your face scrunch up. Uses it to his advantage if you try to hide your face from him or try to muffle your moans, will grab your wrists and use his grip on them to pull you into him as he thrusts forward roughly. It completely stops you from hiding from him and gives him the chance to see your mouth part and spill the prettiest whines at how deep he hits.
Soft
I had to google the name for this lol Likes rocking horse: kind of hard to explain but it's when he's sat with spread legs and you sit facing him, your legs spread and slotted on each side of him. Likes it because it lets you both stare into each other and grind your hips against each other at whatever pace feels good at the time. Some days it can be just messy, desperate grinding while others can be slow hip thrusts from both of you. This position also allows him to embrace when he wants you close. Will make out with you any chance he gets when he's not moaning and groaning.
𝙵𝚎𝚕𝚒𝚡
Rough
Basic bitch 69 enjoyer. Allows both sides to push for/give up control before any penetration takes place. If you like the back and forth, he'll be on the bottom and roughly rut his hips into your mouth while you grind down into him. Or if you want to avoid the fight, he'll immediately concede and let you ride his face until you're satisfied OR he'll take control and grab a handful of your hair, using it as leverage to control your head movements. Will land a playful slap or two to your ass, but loves squeezing/massaging the flesh there more than anything.
Soft
Another name I had to google lol Perch/Seated rear entry Specifically for moments when he's gaming. If he knows he won't be finished soon and you're too needy, he'll shove his shorts and underwear down and make you sit on his dick facing forward so you can keep yourself entertained. Mainly uses it for cock warming, but won't complain if you grind yourself down onto him or start riding him.
𝚂𝚎𝚞𝚗𝚐𝚖𝚒𝚗
Rough
Another doggy lover, BUT I'm gonna say cowgirl not only for the sake of not repeating so much, but also because he likes be a little mean with it. It lets him boss you around when you've given him full control (and lets him smack you around when you aren't going fast enough for his liking). He can lay back and smile at you all cockily while you ride his dick desperately, and depending on what your limits are he'll spew mean comments here and there. He's a little shit™ so I can see him smacking your ass to watch your hips slow and stutter, then have the audacity to go, "What are you slowing down for? I never said we were done."
Soft
When his in softer moods, another face off enjoyer: it allows him to hold you close and thrust himself up into you whenever you start getting tired. If his lips aren't against yours, then your foreheads are resting against each other so he can watch you melt into a puddle for him up close. His hands roam all over your thighs before going up to your hips then finally resting on your waist as he hugs you there and pulls you closer
𝙸.𝙽
Rough
Seashell!!! This is the name for when he has you folded, back against the bed and ankles by his head while he leans onto you, albeit this position does eventually hurt depending on your flexibility. (this is also the position used in the teasing fic I wrote for him) Sorry not sorry but still on my big dick!Jeongin agenda. This position lets him go deeeep.. so he always takes advantage of it to bully into you as much as possible. Makes him feel all dominant when you can't form sentences properly and basically drool while looking up at him so helplessly. Little shit™ #2 and will laugh in your face when you start crying from how deep he is. If it's within your limits, and will definitely mock you and tease about, "I thought you said you can take it? Why are you suddenly babbling like you have no brain?" and "Are you that cock dumb already? We just started haha." Straight up laughs at you & doesn't shut up
Soft
When he wants to be softer, missionary (aka still seashell but without the muscle strain). It allows him to be close to you, placing soft kisses all over your face while he fucks into you. Also does not shut up here, and will whisper chants of "Jagiya" against your neck as he sucks hickies there. If/When he praises you, I think he'd still be a little mean about it; "Fuck, Jagiya... Finally taking me without crying about it" teasingly and chuckles. Also a "You're doing so well for me. Keep squeezing me, Jagi. Yeahhh... just like that.."
•⑅♡⑅•⑅♡⑅•⑅♡⑅•⑅♡⑅•⑅♡⑅•⑅♡⑅•⑅♡⑅•⑅♡⑅•⑅♡⑅•⑅♡⑅•
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@jiminssluttyminx
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luniarix · 2 days
Text
FAVORITE FOLLOWER
ᥫ᭡synopsis : you have a mysterious follower who has been swiping up on your stories to flirt with you, and when you finally stop hesitating to reply back, he’s quick to make sure he sweeps you off your feet. if you let him, of course.
ᥫ᭡NOTE : the texts are a bit cut off, and i rlly don’t know how to fix it since it’s an app thing so :’))) (and don’t mind the dates on the texts(´;ω;`) it was too much of a hassle to change em LMAO) but just know that toji is complimenting you in each text you sexies <333
CW : fem!reader, chubby!reader, shy!reader, fluff, flirting, gentleman!toji, biker!toji, reader being an overthinker, slight angst (reader’s inner thoughts), talks of insecurity and reassurance, long distance!au, texting!au (with some cheesy texts), toji pining after u first o(`ω´ )o, the bff is up to interpretation of your own gals :-)
a prequel to *⁀➷ 𝙖𝙛𝙩𝙚𝙧 𝙨𝙤 𝙡𝙤𝙣𝙜
“did he swipe up again?” your best friend asks, taking a bite out of the fruit bowl she was indulging in. you chew on your bottom lip, a way to try and suppress your lingering smile as you glance at her. “uh—yeah.” you breathlessly say, staring at the dms between you and another user.
toji was his name. you knew that much by his user and the way friends addressed him in the comments. he was a mysterious person, because although he posted himself, it was never much of his face. he was a biker, and he’d usually post the late night drives he went on. so that means, his helmet was all you could usually see.
but oh god, even if he didn’t show his face, everything else about him was so sexy. you just knew that he was so, so handsome. your best friend never fails to mention that huge possibility when the topic of toji himself is brought up—and intrigues you even more about who he really is.
“what’d he text you?” your friend asks, raising a brow as she sees the way you’re trying to hide the growing smile as you’re staring at your phone screen. you clear your throat, trying to act nonchalant. “nothing, he just said that i look pretty from my story.” she stares at you with a knowing look.
“let me see.” she gets up to walk over to you, curiosity and excitement written all over her face. you bashfully hesitate to show her your screen, but when you do—she’s practically geeking.
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“girl why haven’t you replied to him yet?!”she scrolls up to see that he’s been consistently replying to your stories for a while, and you’re looking away from her piercing stare.
“2 and a half months of him flirting in your dms? and you’ve only been liking his texts?babes c’mon!! you should answer him!” your friend playfully hits her hips with yours and you groan. “well i would but—but i just haven’t had the courage to.” you place your head down, folding your arms under your head as support. your friend scoots closer towards you and places your phone right beside your elbow.
“just start by responding to his most recent flirty text to the picture you posted the other day.” you raise your head up again and grab your phone, glancing at your friend anxiously. she winks back at you in reassurance. you huff and slowly straighten your back, staring at your screen as you try to think of how to finally respond to him.
spring had just started rolling around, and the picture you posted on your story was of you in a long sleeve body con dress. you didn’t look anywhere near extravagant, as it was simply supposed to be an outfit out for a arcade night with your friends. but the way toji complimented you, you might as well have been wearing a dress to some gala.
he always had a formal way of complimenting— and if you were being honest, you liked it so much more than what other men were complimenting you with.
u fine asf. u send? and yo u sexy, let me hit pls aren’t exactly what a girl wants to hear as a conversation starter.
you suck in your bottom lip, chewing on the soft skin as you begin to type. you wanted to respond at one point, but with how highly he praised you, you shied away from flirting back as you felt a bit intimidated by him— more so because he was so mysterious and the way he carried himself was intriguing. you wanted to get to know him, truly.
but if you didn’t live up to what he was expecting? if you end up making him pull away somehow? if he wanted more than you could give? if you weren’t enough?
the overwhelming thoughts of overthinking chipped away at your eagerness to reply back, and so you’ve been putting it off. but with the push of your friend, you decide that it’s time to finally pull up those big girl panties and text the man that has been complimenting you in ways that has you swooning over and over again.
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you decided that it’d be best to respond with a simple thank you, as you were still nervous as to how to start a conversation with him.
you stare at the screen as you groan, cringing at your own texts as you believed that maybe you should’ve said something different. you began to debate if you should just delete the text and say something else, but the more you thought about it the more you got into your own head. it wasn’t until you see the words “seen” under your texts that you begin freaking out.
“oh my god he’s texting—what the fuck!!” you panicked as you threw your phone across the table and began to fan yourself. your friend stares at you before cracking up, grabbing your phone as she hears a ding. “he texted you back already? girl he want you so bad. hurry up and reply!” she tosses your phone back to you, and you groan as you try to calm your nerves.
this was so stupid, it’s not like this was the first time someone was sliding up your dms—but it was different with him. toji was someone who you’d started crushing on the first time he swiped up. so like, freaking out was a normal reaction no?
“hurry up and check what he said!!” your friend ushers you while laughing to turn your phone back on as you playfully swat her away. you go back to instagram, and you can’t help but get flushed all over again.
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you wince in shame. of course he would ask you as soon as you replied back—after all, you did keep him hanging for 2 and a half months while he was basically flirting with the wall in your dms. but he can’t blame you! you liked all of his texts, and you were just too shy (more like hesitant) to respond back until now! he’ll understand, right?
you sigh at the utter arrogance of that thought process. but you had to be honest with him, you knew that. but starting off a conversation in which you explained your insecurities and overthinking with him wasn’t a good first impression for yourself for a man that could blossom into someone more than a stranger—so you decided to give him a short yet truthful answer.
maybe, if (when) you two had the chance to grow into something more in the future, you would answer him in full.
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if you were being honest, it’s quite endearing to know that toji’s clearly been waiting for your responses, and he’s now typing back. you tug at your oversized shirt as you let out a sigh of relief.
it was an exhale that you didn’t even know you were holding in.
you softly laugh at your silly overthinking, realizing how much you let the thoughts consume you that you hadn’t even given yourself the chance to get to know toji.
it seemed frightening the longer you pondered the interaction, and you probably should’ve done this a while ago.
after all, the things that frighten us within our minds tend to be less scarier when we’re actually faced with them.
“so how’s the convo with mysterious biker going?” your friend's soft-spoken voice brings you out of your inner monologue. you turn your body slightly towards her as you place your phone down to calm your nerves. they were good nerves, though. you were excited to finally get to talk to him.
a small but glowing smile forms on your lips as you prop your elbows on the table, resting your chin on your palms. "it's going good—and we're getting towards an actual conversation." your friend doesn’t miss how your eyes twinkle with giddiness, and she grins at you. “okay girl, see—i told you you should’ve texted him way sooner.” she gives you a pointed stare and you avert your gaze embarrassedly.
“i know,” you sheepishly shrug your shoulders, grabbing your phone again to look at what toji said. “i might have been holding myself back from letting him in—even if it was for just a moment.” you admit, words slowly dying out as you stare at your screen.
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oh my. did he just call you mamas? and he’s been wanting to get to know you? he’s been wanting you? this whole time?
you almost let out a loud squeal, but you cover it up by keeping your fist near your mouth, muffling the giddy noise you made. was it even possible to fold this fast in a conversation? because surely, you knew by now that you didn’t want to stop here.
you almost didn’t even notice the change of texting toji had because of how exhilarated you felt, but you found it so cute as you believed it to be him getting more comfortable with you.
oh, you should’ve—really should’ve—talked to him much sooner. but you shouldn’t dwell on it anymore, as you still ended up talking to him. you begin to type, cheeks hurting from how hard you’re grinning, and your head in cloud 9.
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“so,” your friend starts, having you turn your attention to her once again. "i see that you and toji are hitting it off pretty well, huh?" she raises her brows at you teasingly. you laugh, nodding your head in response.
“yeah… i—” you cut yourself off, trying to figure out how to put your thoughts into words. “i thought that it would be really intimidating if i ever talked to him, but i realized that i was just… afraid, i guess?” you timidly shrug your shoulders, because admitting how you felt out loud made you realize how trivial your hesitation actually was.
“now you know, hm?” your friend gives you a warm smile, knowing that the realization had hit you. she doesn’t tease you about it, nor does she make any more comments besides that.
no one should be forced to step out of their comfort zone if they aren't ready to do so anyway.
you give her a toothy-grin, nodding energetically. you were ecstatic—to say the least. “i’m not sure where this’ll go but i really want to take that leap—he’s super sweet and so cute.” your friend whistles in agreement. “look at what he’s said then!”
and so you do.
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a sudden surge of warmth blooms and spreads throughout your chest, reaching up your neck and spreading across your face. you were warm, but it (mostly) wasn’t because you were swooning for toji once again—it was because you felt like this was the start of something new.
you had a gut feeling that this was going to be a long, and most definitely exciting new journey. and this time; you weren’t hesitant.
feel free to leave ideas in my inbox or a comment ♡ if i made any grammar mistakes that i missed, lmk! and thank u so much for reading (●´ω`●)
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rynwritesreid · 14 hours
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Pls can you write a SUPER angsty Spencer x reader where your phone dies whilst you’re out one night and he gets annoyed at you and starts becoming all protective and condescending and you’re like ‘you do realise, everyday when you walk out of that door you’re not guaranteed to return home so do you really want to spend our time like this?’
ILY
A/N: I absolutely loved this request, and I hope my writing does it justice. and ILY two. Even though I write smut the most, I absolutely love angst, reading and writing it, honestly break my heart please! Also, two posts in two days? Is it because I have a week of work? Yes. Expect more fics from me this week. Love you all 💕
Summary: what anon had asked for, but I added just a lil more to the argument, hehe.
Content: Fem!reader. Mentions of Haley and Will. Reader claims Spencer would put her in more danger than she could ever put herself in. Mention of drink spiking (reader knows all the signs). Over protecting Spencer.
Masterlist|requests are open| Navigation
You knew that Spencer was protective over you because of job, you couldn’t really begin to imagine all the things he had witnessed, but sometimes it was just overbearing. You knew how to protect yourself; you knew what to do if you believed someone was following you and you knew all the signs that a drink had been spiked. 
But Spencer had set a firm rule for you, when you went out you always messaged him every half an hour to let him know you were safe and you always had your location on. But because you had already had a hectic day, and forgotten to charge your phone, it had sadly died while you were on a girl’s night.
“Why did you stop answering my texts and calls?” Spencer’s heart raced as he tried to reach you. He knew the dangers that lurked in the shadows, the monsters that preyed on the unsuspecting. As each passing minute felt like an eternity, his mind raced with a thousand fearful scenarios.
Spencer's relief at seeing you walk through the door was quickly overshadowed by the anger that simmered beneath the surface. As you met his gaze, you could see the storm brewing in his eyes, a mix of fear and frustration that threatened to spill over.
"I'm sorry, Spencer," you began, knowing that your apology might not be enough to quell his rising temper. "My phone died, and I lost track of time. I should have been more careful."
His jaw tightened as he took in your words, the worry lines on his forehead deepening. "Do you have any idea what could have happened? The risks you were taking by not checking in. I can't lose you; do you understand that?”
“Spencer, you won’t lose me, it was just an honest mistake. Okay?” you tried to stay calm, you knew he had every right to be like this. 
“It doesn’t matter if it was an honest mistake,” Spencer interrupted, his voice laced with emotion. “I can't bear the thought of something happening to you. I need to know that you’re safe, always.” His eyes searched yours, pleading for understanding.
“Omg Spencer. Do you realise that every time you walk out of that door you’re not guaranteed to return home.” You paused for a brief moment, he was honestly acting like you didn’t know how to take care of yourself “and if I am being honest your job puts me in more danger than I ever could put myself in. Look what happened to Will, all because of JJ’s job, or Haley. If Hotch didn’t work for the FBI, Haley would still be alive.”
“Don’t you dare bring Haley or Will up.” Spencer's voice was sharp, he couldn’t believe you were bringing up something that happened to his closest friends’ husband, and his boss’s ex-wife. His hands clenched into tight fists, the mention of his friends' tragedies cutting through him like a knife.
“Why not? Don’t you like hearing how your job could end up with me being murdered, tortured, or kidnapped? I have learnt how to defend myself Spencer, so do you really want to spend our time arguing over things like this?” you couldn't help the frustration creeping into your voice, the tension between you and Spencer palpable in the air. You both stood there, chests rising and falling with emotions too strong to contain.
Spencer's expression softened slightly as he realized the fear and anger in your eyes mirrored his own. He knew he couldn't control every situation, but the urge to protect you was ingrained in his very being.
"I know you're capable, I do," Spencer started, his voice quieter now, more vulnerable. "But it's hard for me to accept that I can't always keep you safe. My job... it's a constant reminder of what could go wrong."
You reached out and touched his arm gently, feeling the tension slowly ebb away. "I understand, Spencer. And I appreciate everything you do to keep me safe. But we can't let this fear control us. We have to trust each other."
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lettersofgold · 2 days
Text
-> play no games | trent alexander arnold
genre: flirty, smut | authors note: me trying to distract yall from the lack of updates from my jules fic…bare with me, also very loosely proofed
summary: trent thought he was a player on and off the field but he comes to realize he’s met his match with you, a socialite with an unwavering stubbornness.
faceclaim: lori harvey
“you know what your problem is? you don’t ever see the big picture. i want you to take me serious.”
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youruser: diamonds are a girls best friend
frienduser: 🥵
frienduser: tell a friend to tell a friend! she’s baaaack
lanceuser: obsessed with you
lanceuser: how you want your eggs in the morning?
youruser: scrambled & in mykonos
Trent heard the rumors very early on when he joined the main squad at Liverpool - there was this girl and she was untouchable, she was the step daughter of one of the board members and she rarely gave anyone the time of day. Trent scoffed at the idea of her because he knew he could pull her if he had the opportunity. He couldn’t lie to himself and say he didn’t like the idea of a challenge. If there was one thing Trent was known to do it was win - on the pitch, off the pitch, mind games and in games that didn’t even matter. Your attitude was bratty and you had a smart mouth on purpose - if a man couldn’t keep up he got cut off. Trent could keep up and you wanted to push until he pushed back. You gave him an inch and he took a mile: one date, a little fooling around and suddenly, he was feeling himself. Trent kept expecting you to come back around, to reach and ask for his attention because he never texted first. He thought you were waiting for him. It never crossed his mind that you were entertaining someone else because in his mind, it was only him and he had the upper hand. But what Trent didn’t know was that there were plenty of men who wanted you and wanted to treat you right.
Trent sucked his teeth and rubbed his mouth with his finger tips. He literally sat upright from his laid back position on the couch, putting his elbows on his thighs. He stared at the comments for far too long. Who the fuck was Lance? Why the fuck were you dating a guy named Lance? Surely the two of you were just friends but Trent had no way to find out because the other man’s page was entirely private. The two of them shared a few mutual friends but that’s all Trent could find out.
After few days, Trent was fine with it. He wasn’t stressed over you and your whereabouts…not outwardly at least. He spent few nights on vacation in London, partying and entertaining pretty girls who were chasing him down for attention. It was in the middle of the club that he got a notification that you posted and he felt a certain satisfaction finding out what you were up to - he clicked on your profile as quickly as he could. He was taken aback by two things: you in that tiny ass bikini and lance scrambling you fucking eggs, in fucking Mykonos.
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youruser: the grass is greener wherever i’m at
frienduser: not you being in mykonos fr lmao
frienduser2: frienduser it’s the way she can go to another country but not liverpool
youruser: you know i would never miss derby with my girls
lanceuser: what about my scrambled eggs 😔
youruser: best part of the trip, chef
“What a fucking joke.” Trent seethed and the girl next to him leaned in to get a look at his phone which he promptly locked. Never let your left hand know what your right hand is doing - rule number one that the veterans told him. He was on a roster and he has roster - it’s what guys his age did. You clearly hadn’t learn that rule as you flirted with a man all over your social media. There was one thing you told him that he kept in the back of his head: “You think I’m worried over you? You’re out of your mind.” He finally saw what everyone had warned him of all along. You got what you wanted and you toed the line of confidence and cockiness. Once upon a time, someone said the same about Trent. The boy was determined to get your attention, to get back into the game you were obviously playing. Trent sent a text he knew you would respond to.
Trent: I’ve seen the post. You can delete it now.
You: Stay out of my business.
Trent: You are my business.
You: You wish.
Trent: Anyone ever told you that you’re a brat?
Trent: I’ll see you in Liverpool
Derby day was fun for a multitude of reasons but this year was going to exceptionally fun. There was a part of you that looked forward to actually watching the match for once. You had one player on your mind. Your step-dad got you, your stepbrother, and all your friends a suite filled with drinks and food galore, pulling out all the stops and sparing nothing. Although he wasn’t the one who raised you, he made sure to take care of you as if he did. It’s exactly where your “high” standards came from, as told by your friends and men who approached you. It wasn’t lost on you that the Liverpool vintage jumper that landed on your doorstep was from Trent. You didn’t wear the jumper. Instead you opted for a Van Dijk jersey: it was the only one you had and it would make him angry. It worked out in your favor while you were hosting in the suite - a young business man named Emmanuel struck up a conversation and was beside you the entire match.
Your eyes were trailing Trent. He was such a man when it came to competing - no holds barred, a loud mouth, an instigator, and a full on menace. You enjoyed every second and each glass of champagne sent you spiraling into the idea of him being back in your bed once more, having you bent over and being bossed around. It would be inevitable that he would be coming back to your place at the end of the night but it was all about who caved first. You found yourself wanting to cave halfway through the game after an altercation where Trent was head to head with an Everton player, shoving him and ripping him a new one all in front of the referee, who could barely pull them apart. It was quite possibly the hottest thing you’d ever seen. After the win, you and your friends milled about the suite making plans for the night out. You all agreed on heading back and changing before meeting up for pre-drinks at Lance’s house. You made it back to your room and argued with yourself about being the one to send a text before you decided to stand your ground. You wanted him. But if he wanted you, he would have to work for it. Talk was cheap, you told him multiple times and you wanted action.
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youruser posted on their story! captioned: super busy, don’t call
trentalexanderarnold66 replied to your story: wya
youruser: you wanna see me or something?
trentalexanderarnold66: or something
trentalexander66: got a section in london tonight bring your friends.
youruser: what part of super busy did you not get?
trentalexander66: text me when you’re outside, brat
You arrived on your own timing as Trent had come to learn over the past month casually dating you, and had grown to find sexy. You never let on to what your next step was which kept every man watching, waiting, to see where you would land. The funniest part of the night was that for once, Trent knew you would be coming back with him. Until he saw you walking to his section with Lance in tow. He stood up to greet you at the front but you walked past him and promptly to the section next to his before acknowledging him. Trent walked up the short wall that divided the two sections and crossed his arms ass you detached yourself from Lance who was talking in your ear. Dick, Trent thought.
“Do you think the world revolves around you or something?” All you did was laugh before turning your attention to the waiter who asked what you wanted a bottle of. “You’re not in my section. Why?”
Trent leaned his elbows down on the divider to be eye to eye with you. You tilted your head in the same way you did that night in your room, your eyes trailing down his face and pausing on his lips for a long moment before snappingback to his.
“I wanted my own.” You said as if it was obvious. Trent beckoned you closer with his fingers and you obliged much to his surprise and crossed your arms at your wrist behind your back. Your head was still tilted and Trent dropped his head into the open space before speaking low in your ear.
“Don’t start with me.” Your eyes flicked to the side and saw the section of men and women pretending to not notice the interaction unfolding - specifically the bottle blonde who tried to look unbothered. She was failing. You giggled in the most unphased manner but the truth was him in your ear hit your core like a lighting rod. You needed that drink. You grabbed his jaw softly with a smile he knew to be sarcastic, “Start what?” You puckered you lips and blew an air kiss towards him, then turning your attention to the bottle blonde sat across the way. “I love your hair!” Your hand finally left his jaw and you wiggled your fingers at him mouthing a “she’s cute”. Check mate. Lance shook his head as he handed you a drink and tsked at you. “You are awful.”
You were brushing your teeth in his bathroom, extra thankful he had extra brushes in there. He noticed what products you had at your own place and made sure you had the same at his house. He was done talking, he showing you he wanted this. But you couldn’t be so vulnerable. As you walked through your night routine, your body ached in the best way. Trent’s arms snaked around your abdomen to cradle you from behind as he always did when you were getting ready to go to sleep after a night with him. It was a routine at this point, one that you both knew well. His body towering over you as he would slip his hands onto your abdomen, letting his fingers caress your stomach. Your breathing hitched at the softness but you stood rooted in your spot. He stared at you in the mirror and asked, “What do you want?” You knew that Trent drank a considerable amount but you didn’t think that it would bring out this conversation. You wanted him but need him to want you too, so instead you simply replied “Hermés.”
“I’m being serious, what do you want.” He straightened up and placed a hand on each side of you.
“What are you going on about now, Trent. I don’t want anything….well, I actually do want Hermes.”
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youruser: bad gyal never run from nobody
frienduser1: moving different these days
frienduser2: can your man fight pookie?
youruser: if you want me just say that but lemme ask him
Trent knew you could buy the bag yourself but he bought it and sent it to you, anyways. You made no comment on it but seeing you wear it was enough confirmation that you loved it. Trent laughed outwardly at your friends comment but noticed your reply and smirked to himself - her man? Interesting. You cleared the air about Lance weeks ago and Trent felt secure about what you two had. You rarely saw any other man these days. Usually you would be out every weekend on a dinner date or jetting off to meet a new person in another city. Trent was magnetic and you decided that you didn’t want what was out there - he was proving to be the best you could ever had. He knew it and so did you. Trent fooled himself because the next time he saw you, after a few nights of pure banter and great sex, you were cozy and close with a man in the family area after a game. Your step-dad was near and smiling at the two of you, while the two of you talked over one another, arguing with playful energy. The energy that took weeks for Trent to unlock out of you. Trent dapped up his friend and decided now was a good time to introduce himself to the executive board member but most importantly, your step-dad.
“It’s a pleasure to meet you, heard nothing but great things from you son.” Your dad beamed and you were tight lipped as you looked at the scouse grinning devilishly. “Listen, sweetheart,” your dad wrapped his arm around Trent. Trent went from grinning to beaming his bright, cocky smile, “Without him, we’d fall apart.”
“Nah nah, I wouldn’t say tha’.” “Oh don’t be humble. I’m being rude, this is Trent.” and your stupid fuck-thing offered you a handshake.
“Trent, nice to meet you.” You took his hand and squeezed it tight which he returned. His eyes were challenging but showed disapproval.
“Ditto, heard so much about you, too. You know Emmanuel was telling me all about your stats this season.”
You were playing with fire but you didn’t care. The audacity he had was beyond you and you should have seen it coming from a mile away. It seemed that no amount of reassurance was getting through his thick skull - if he saw you with a man, he was questioning you. Trent wanted to mentally spar with you and measure up the man simultaneously. He was a jealous little thing but unlike the other men, he didn’t just talk about it, he was about it. It was all of five minutes when he arrived at your place before he started his tangent.
“You know what your problem is?” He goaded. “No but I’m sure you’re going to tell me.” You rolled your eyes and it seemed to tick him off more.
“You aren’t serious! One minute your smiling me face then the next, your with some guy named Emmanuel at my game who’s chatting you up about my stats.” “Why is that when a man even breathes the same air as me or strikes up a conversation it’s my fault? You think I just sleep around?”
You couldn’t stifle the laugh you let out as pushed his way past you and into your room. His hand ran down his face and he scanned the lavish room. Trent knew you were well off but it still surprised him at times.“Why are you letting a guy chat to you?” He said with a cross of his arms. He looked cozy in Nike Tech despite the frown on his features.
“Why are you worried? You aren’t my boyfriend.”
“I’m your man and it seems everyone knows except you.”
“We aren’t doing this right now. I have to get ready to go out.”
“We are. Sit down, y/n.” He said confidently. He closed the space between you two. If it was any other man you wouldn’t have been bothered but with Trent, you were turned on. He was jealous. You knew Trent saw you hugging and laughing with Emmanuel when you walked down to the pitch briefly. Emmanuel reveled in your attention and you gave it to him to pacify your stepdad. It didn’t matter that he or any other man wanted you - you wouldn’t cross that line. He was sweet but you two were strictly friends. You stepped closer to the tall and broad man with a tilt of your head, refusing to do what he wanted. Trent eyed you for a moment and you could smell the gum he was chewing mixed with his cologne. His smile was arrogant as always. Him being jealous was so delicious, you wanted to devour every bit of him.
“Make me.”
Before you knew it, you were straddling him on your bed as he palmed every bit of your body he could grab. His hands were rough but felt so right in your hair as he kissed you. He was vocal with his kisses, mumbling how beautiful he thought you were and how badly he wanted you. His kisses trailed from your lips down your neck and to your collarbone, finding the exposed skin in the dip of your top. Your spot straddling his body wasn’t enough for him. “I need these off,” he commanded. He peeled your top off and made a swift move for your pants, wrapping one arm around your waist to hold you steady.
“You’re needy,” you replied but obliged to balance your weight to take off your shorts.
“Shut up.” Trent’s tone was deep and serious.
Trent was driven by the idea of being better than than any man who had ever touched you, truthfully. He found himself giving the same energy he would give to a match, being attentive and receptive to all your sweet moans. He took his time devouring you and unraveling any tension in your body that he could find. The way you whispered his name out, gasping for breath with each stroke he thrust into you. He was amazed by how perfect it all felt. You felt like everything he ever needed. The feeling of you around him was unlike any woman he has ever been with. Your body melted into his as he gripped the headboard steadying himself into a rhythm, making you beg for him. His chain dangled low against your skin and you found yourself fingering it and pulling it, bringing your lips up to his ear. His skin was smooth against yours and you clung to him with the same amount of urgency he was using to pound into you.
“God, you’re right there.” You told him in between desperate gulps of air, the sound so sweet in his ear and it took all the willpower he possessed to not combust in an instant. His eyes found yours and for a moment you could hardly breathe - not because of the way it felt like he was looking right into you.
“You’re unreal,” Trent spoke, finally breaking the way-too-intimate eye contact. He grunted with aggressive strokes. His eyes were trained on the sight of his cock going in and out of you, the wetness glistening off his skin. “I know.” You moaned, refusing to compliment him back but you knew he was getting off on you and your slick mouth. It wasn’t until a two hours later that that the two of untangled yourselves from one another and fell asleep.Trent did things that took you by surprise and had you struggling to hold back your screams. He egged you on, telling you to be loud, he didn’t care who heard. And by the time you woke up your voice was incredibly sore. You had multiple missed calls from your friends and from Lance. You rushed into the bathroom to assess how you looked and called them, letting them know you were going to be a little late. You ran the shower and mentally prepared yourself for going out after having the kind of sex that made you want to not leave bed at all.
“I fell asleep but won’t be long,” you spoke as you rummaged through your toiletry bag. “I’ll text you once I’m in the Uber.” “Sounds good.” Lance replied. “Lance, save me a shot will you? I need one. Bad.” He chucked and it brought a smile to your face.
“Anything for you. See you soon, love.”
“There’s no way you’re going to see another guy after tha’” Trent grumbled from the doorframe and the roll of your eyes was almost immediate. You made no comment and moved to grab your shampoo but Trent beat you to the counter and stood in front of you stuff. “Move.” You demanded.
“Make me.” He smirked.
“Bite me.” And it was his turn to roll his eyes. Your tone was snappy and it shocked him how quickly you reverted back to bratty attitude after sleeping with him. Trent’s stare was fierce - it was the same one he used on his opposition, baiting them with a look before toying around with them but you weren’t new to these games. You were playing too. So there the two of you stood in the steamy bathroom, eyes locked at as if you despised each other. As if you were just chest to chest and moaning each other’s name.
“I can do this all night.” You stated.
“I think there’s better things you could do all night, doll.”
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youruser: he’s obsessed with me
frienduser: a scouse? a red??! i’ve lost my girl smh
frienduser2: y’all go together!
youruser replied: real bad
trentalexanderarnold66: 🤫
youruser replied: love you honey
lanceuser: only took forever
trentalexanderarnold66 replied: blame it on the brat
lanceuser replied: thank you for taking her off my exhausted gay hands
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perseruna · 2 days
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Endiness made a beautiful long post with all his quotes on that topic that I think is very informative and worth looking at, so here’s a link to that. And with that already discussed, I thought I’d make a thread of all his changes that we are aware of, because when you look into them, you find that none of his “book accurate” changes are actually book accurate. 
His decision to make Geralt grunt and cut his lines.
HC: "All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"
JB: "Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."
So, as everyone who has read the books knows that Geralt is and always has been a yapper. Gerakt often talks or thinks in monologues, and definitely not in short grunts.
Of course when the audience started making fun of Geralt for not being able to speak in full sentences Henry promptly went back on admitting the blame and instead said that the big bad writers were the ones who didn't give him lines, and now it was his life’s mission to fight for a book accurate Geralt who speaks. 
Roach’s death scene
After S2 came out, Lauren received a lot of backlash for Roach’s death scene, with multiple sources citing that she wanted the moment to be more “comedic” before the brave Henry Cavill stepped in and refused to participate in such horrible anti source material activities.
LH: "Henry was so unhappy with the line. Finally I said, 'You know what, you come up with something. I trust you, you know this material so well, you know the book so well, you don't even have to pitch it to me.' And he came back the next day with a beautiful speech that's at the end of 'Sword of Destiny' when Geralt is facing death.”
This is the line he ended up using:
“Enjoy your last walk across the meadow and through the mist. Be not afraid of her for she is your friend."
This was Lauren’s response AND the original line.
LH: “Here's what was scripted, in homage of the fact that a previous Roach had existed, and another one will exist soon. It's hardly a joke. Henry wanted a longer, more emotional moment, which I was more than happy to give him. Don't create drama where none exists.”
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So in S2 Geralt ends up quoting a part of his monologue from ‘Sword of Destiny’ when he’s at his lowest after thinking that Yennefer had died at the battle of Sodden Hill, and he has nothing left to live for. Which to me doesn't work that well with Roach at all. That line was a response to Geralt thinking he's lost the love of his life, not his horse. In my opinion, the original line Lauren penned out is more heartfelt and actually more emotional and more book accurate as well.
The absolute removal of any Triss and Geralt “romance”
This one we don’t have that much information on in comparison to others. But there were multiple reports that at the beginning of S2 Triss and Geralt were supposed to have some kind of a romantic scene with each other which then was cut during production, and it was largely speculated that it was due to Henry Cavill. 
“Several months ago we reported on a sex scene happening between Geralt and Triss, sometime in the first half of Season 2. That didn’t happen, as we all saw, but here’s what we know about the original plan for that: Geralt and Triss are in a room together, they seem friendly at first. They are playing some kind of weird game. Whoever wins a round, gets to ask a question. We’re not privy to the exact flow of the conversation, but it eventually leads to both of them ending up in bed. We can only guess why this was cut, but perhaps it was thanks to Henry Cavill.”
Now, irrelevantly on your feelings on book Triss and Geralt you have to admit that that short-lived “romance” is indeed a part of the books and therefor book accurate. So the removal of it would go against Mr I’m fighting to make this show as much book accurate as possible. 
The removal of the Yen and Geralt sex scene in S2
"We just wanted to be very careful that it was true and real, and it didn't turn into something that we, as actors, didn't believe it should be," Cavill stated. When Yennefer and Geralt unite, they embrace, but it doesn't go further than that. He continued: "We wanted it to be emotional rather than sexual. It was really, really important, and we had to lean away from what was originally on the page." Initially, Geralt and Yennefer were written to have a more passionate night. Henry Cavill and Anya Chalotra went to "The Witcher" producers and explained why they thought a steamy evening was not the way to go. "These are people who believe one thing about the fate of another and then find out something else is true," Cavill said about Geralt believing Yennefer was dead. "That's not how they behave," the actor added. "How they behave is they just want to be with the person and emotionally recognize their existence again in that shared space.”
This one is a bit tricky because I am willing to get behind an actor who doesn't want to do a sex scene out of comfort reasons or whatnot, but Henry saying that "That's not how [Yennefer and Geralt] behave”, is quite absurd in my opinion. Because that is very much how Geralt and Yennefer behave, especially in the short stories and ToC. They are inherently a very sexual couple who come crashing in and out of each other’s lives while having very passionate sex. But I can understand wanting this scene to be more “emotional” (as if sex isn't emotional), so this one I am willing to give him a bit more leeway on. (But then again looking at the blinds saying that he refused any sex scenes because oh his “ideals” and was allegedly really nasty to Anya about it, well..)
Geralt being the perfect father figure to Ciri with no flaws and no struggles (which inevitably snowballed into the Yen Betrayal Arc)
This one I don’t see talked that much at all, and to me this one is his most detrimental one. 
@LHissrich: “In interviews, Henry explains how he felt strongly that Geralt NOT be bumbling, nor a struggling father figure. In fact, a lot of S2 is about how Geralt does come from a loving (albeit unconventional) family. Henry was passionate about this shift, and we discussed it a lot, and ultimately thought it was wonderful for his character development. But it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance.”
So I don’t know about you, but I love when characters have flaws and naturally progress be it for good or bad, some would say that that's what story telling is about, well that someone wouldn't be Henry Cavil. Geralt being a struggling father figure at first, someone who makes mistakes and learns from them and tries is very much a prominent theme in Blood of Elves and is actually very real, people make mistakes! Especially in huge shifts such as “becoming a father overnight’ but we didn't get that because Henry refused to play it that way. What we got is Geralt who already basically knows exactly how to parent, he always knows what to say, what pep talk to give and also doesn't hold any resentment and any negative feelings towards Vesemir at all. It's all one dimensional happy family here! Which goes against not only the books but what he preached about fighting tooth and nail to make the “forgotten” male characters three-dimensional as well because the horrible feminist Lauren only thinks about female characters. 
Lauren then goes on saying that “it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance” So, it is fair to speculate that Henry’s refusal to showcase Geralt having any flaws at all and act book accurate snowballed into The Controversial Yennefer Betrayal Arc. 
These are the ones that I can remember off the top off my head, so there might be more, there’s probably more that we aren’t even aware of. I think putting them all together showcase a very interesting picture. One of Henry Cavill never actually understanding who Geralt fundamentally is as a character, and of him not being a team player at all. I just hope that more and more people are aware of the insane PR his team did for him when it came to this show, and that more people are able to see through it. 
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ninyard · 3 days
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Heyy! You said someone should ask you about Kevin under this post about Kevin's struggles from the nest of which we don't know enough... So I'm asking you about Kevin! Please tell us your Kevin thoughts! You always make very good points and I like reading your thoughts!!
cody my friend I am so glad you asked but you might regret it. i hope you're prepared from an unorganised huge convoluted MESS of a ramble
i've been thinking for a few days about this one like... what would a kevin POV look like? what is he hiding? how does he cope? WHO IS HE?
the kevin we ""know"" is a "coward", an insufferable bitch, an asshole and a hardass. other people's opinions and view of him makes up the entirety of our impression of who he is. but that's not who he is. that's just who we're supposed to believe he is.
kevin, born and bred to have this... borderline psychopathic lack of empathy, who can look his teammates in the eye after being told seth is dead or andrew is being committed and say, "what about the game?"
but when the raven's are switching districts; his sense of danger and fear is paralysing. he's three steps ahead trying to figure out how to please riko, how to keep himself safe, willing to put himself back into the centre of his abuse just to stop riko from finding him and killing him. he has to get blackout drunk to deal with any amount of riko. he's frozen with fear by being in the same room as him.
kevin knows where jean's mind and body goes to when hes panicking, knowing his worst place is right back in the nest being drowned by riko. kevin telling neil "do you know what he'll do to you?" and "he'll break you" when neil asks for his ticket. kevin's text to him before he goes into the nest, and staring at neil like he'd seen a ghost when neil returns after the nest (when he looks like the butcher). his comforting "i know what he's like" or "i know how he sees you, i know it means he did not hold back,".
kevin nervous breakdown panic attack day vs kevin smile for the cameras one track exy mind day
im so intrigued by him. how does he cope? his mother is dead, probably killed by the mafia family he was raised by. he grew up into a cult, he was only a child watching neil's father cut a man into pieces in front of him. how many other's had he seen?
how many other injuries cover his body, in places where the cameras can't see? how many rapes and assaults was he forced to watch in the nest? how many beatings was he forced to participate in? what did he have to say to jean in french that he didn't want riko to hear?
he needs someone with him all the time because of the nest. he's a "health freak" because of the nest. his sleep schedule, his anger, his anxiety.
did he say "what about the season?" re: andrew after drake because he doesn't care, or did he think "i've seen this happen too many times. and they've always kept playing,"? did he think "andrew is the strongest person i know. andrew is stronger than me. he would never let this destroy him," knowing that it has?
nobody has protected him in his life apart from the cameras and andrew.
he's scared. he doesn't know what love is supposed to look like.
he's only been a human for a year.
his scars are healing for the first time in his life and they're not being replaced by new ones, but every day he's afraid that that's going to get ripped out from underneath him. his entire life already got flipped upside down when he left the nest. of course exy is the only thing he "cares" about.
because it's the only thing that's been certain in his life, and even for those few weeks or months where he thought he would never play again, he trained and trained, and learned how to use his non-dominant hand because he can't lose this. he can't lose exy like he's lost everything else.
kevin has never had anything stable in his life except for violence and exy. now he has people he's supposed to care about, and he has to change his priorities. he has to learn how live a life that isn't fueled by self-preservation for the first time ever.
jean was only in the nest for five years; and look at him. look at what the nest has done to his social skills, his view of himself, his self esteem. look at what it's done to him, how he expects violence and contrition, coach and always waiting and waiting and waiting for the punishment to come.
kevin might not have had the same level of physical abuse that jean had, but he was there far longer. the ravens existed before him; their mindset and their abuse and their violence and their poison.
he's been drinking the raven poison since his childhood. the only difference between him and jean other than those things above is that kevin had more pressure to hide it, because he was half of the face of the ravens, half of the face of Exy; media trained or PR trained or a master at being a fraud and faking the way he speaks when he's being recorded.
kevin knows how to hide his abuse because he has always had to, and he's had quite a lot of practice at it.
kevin has only been a human for a year. kevin has only been kevin for a year.
so who is he? does he even know?
or is he just Kevin Day, Raven Fox starting striker, number two, six foot two, left handed right handed left handed, heavy racquet, stick size five? is that all he will ever see himself as?
anyways. or something like that. maybe he is just an insufferable bitch for no reason at all. who knows!
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dixons-sunshine · 13 hours
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All The Love | Daryl Dixon x Fem!Reader
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*GIF isn't mine.*
Summary: Daryl loved tucking his daughter into bed. It was the perfect time for him to bond with her on a deeper level. While reading to her, she tells him something he hadn't heard from her yet, making him very emotional.
Genre: Fluff.
Era: Alexandria, post Saviour arc.
Warnings: None.
Word count: 1.1k.
A/n: Based on this post by @louifaith. This was pretty rushed because I'm tired and have a small headache, but I hope you like this nonetheless!
➳༻❀✿❀༺➳
“And as the weddin' bells chimed, the prince and his bride walked down the aisle, hand in hand, wavin' to the people who had come from far and wide to witness the unification of their love. As the happy couple descended down the grand staircase, the former king watched his son, notin' the happy smile on his face, and knew that the future king had made the right decision; he had chosen love above everythin' else, and tha' was wha's important.”
“What's a wedding, Daddy?” Hazel questioned, sleepily gazing up at Daryl through half lidded eyes.
Daryl looked up from the book and gave his four-year old daughter a small smile, reaching forward to gently push the hair away from her face. “A weddin' is somethin' tha' two people who love each other very much plan. S'so tha' they can make a promise to always stay with each other, so tha' their friends and family can see 'em pledge their love to one another.”
“Like you and Mama?”
Daryl chuckled and shook his head. “Yer mama and I didn't have a proper weddin'. We only had a weddin' between us in our bedroom. Our family found out 'bout it the next day.”
Hazel nodded slowly, trying to fully grasp what her father was telling her. “So you don't have to have a wedding if you don't want to?”
Daryl nodded. “Exactly.”
“What about me, Daddy?” Hazel asked again, staring up at Daryl in curiosity. “Do I have to plan a wedding for me one day?.”
“Hopefully not,” Daryl muttered to himself, before shaking his head and plastering another smile onto his face. “Only if ya want, Hazelnut. S'not mandatory.” He reached for the covers and drew it over her body, tucking her in tightly. “Now c'mon, ya lil' gremlin. S'time fer bed.”
Daryl leaned forward to place a kiss on Hazel's forehead. However, Hazel took Daryl's face in her small, chubby hands and rubbed the tip of her nose against his for an Eskimo kiss. Daryl smiled and returned the small, tender gesture, waiting for Hazel to pull back first.
“I love you, Daddy,” Hazel told Daryl, finally letting go of his face to rest her head back against her pillow.
Daryl froze for a moment, not believing his ears, before snapping out of it and sending her a small smile. “I love ya more, Hazelnut. Try and get some rest, alrigh'? We'll play again in the mornin'.”
“Goodnight, Daddy,” Hazel greeted Daryl sleepily, turning over on her side and closing her eyes.
“Nigh', Hazelnut.”
Daryl stood up from the bed and walked out of the room, quietly closing the door behind him. In a daze, Daryl walked through the short hallway and into the room he shared with you. Once inside, he closed the door and stood unmoving for a few moments, simply staring ahead at where you sat.
Looking up from your book, you sent Daryl a small, inviting smile. However, your smile vanished when you saw the tears that prickled at the corners of your husband's eyes, your heart dropping at the sight.
“Baby, what's wrong?” you asked hurriedly, setting your book aside.
Daryl's eyes met yours. He shook his head, desperately trying to gather his racing thoughts. “I dun'—Hazel, she—she—”
“Come here,” you cut him off softly, motioning for him to come closer.
Without needing any further persuading, Daryl moved forward and practically collapsed on top of you, but he made sure not to crush you under his body weight. He settled himself against you, comfortably resting his head on your chest. You wrapped your arms around him, bringing one hand to gently thread through his hair. That's all it took for Daryl to fully break down.
You pressed a tender kiss to the top of his head, whispering sweet, reassuring nothings into his hair. Daryl cried into your shirt, gripping it tightly to try and anchor himself back down to reality. His mind was racing at a million miles a second, with no sign of stopping in the near future.
“Shh, it's okay, Baby. I got you. I got you,” you whispered sweetly, holding your husband tightly.
A few minutes passed with you holding the man that you loved, allowing him to cry into your shirt for reasons you didn't know of yet. When Daryl finally managed to calm his cries down to sniffles, you gently scratched his scalp, gazing down at him in concern.
“Daryl—”
“M'alrigh',” Daryl hiccupped, burying his head deeper into your chest. “I jus' overreacted, s'all.”
“No, none of that,” you chastised, clicking your tongue in dissatisfaction. “What's got you so upset, love?”
“M'not upset,” Daryl corrected you, lifting his head to gaze up into your eyes. “Quite the opposite, actually.”
“Then what is it?” you gently urged, cupping your husband's cheek in your hand. “You know you can tell me anything.”
“I jus'... Hazel told me she loves me. She ain't ever explicitly told me tha' before,” Daryl explained, his grip on your shirt tightening. “S'so surreal to me. It was unexpected. I can't believe tha' someone so perfect, someone tha' I helped make, can love me, yet she does. She told me tha' herself.”
“Baby,” you laughed softly, a smile on your face. “Of course she loves you. Our daughter adores you, Daryl. She might love you more than she loves me, but I'm okay with that. You deserve all the love in the world, and we're gonna give it to you. We'll always love you.”
Daryl could feel a lump form in his throat again, but he swallowed it down. He smiled at you softly, his heart swelling with love. He let one of his hands drift down to your stomach, rubbing at the small bump that had started to form there.
“Even this lil' bean?” Daryl asked rhetorically, sending you a playful smile. He knew exactly what your answer was going to be, but it was always nice to have that little bit of reassurance.
You rolled your eyes affectionately and nodded. “Especially this little bean. It's impossible not to love you, Daryl. You're amazing.”
“Nah, yer the amazin' one. Ya and our lil' girl.” Daryl stopped for a beat before continuing. “I love ya, peach.”
You smiled fondly. “I love you too, Daryl. More than you can ever know.”
Daryl lowered his head down to your stomach, placing a soft kiss over the clothed skin. “And I love ya too, lil' one. I can't wait to meet ya.”
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controversialcoven · 2 days
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Outsiders gang headcanons
(That really aren’t headcanons because im a ponyboy fictive and just sharing random memories)
Johnny didn’t talk much, but if you got him talking about cats it would never stop, real lot of fun facts saved in his brain
Especially calico cats? He really liked calico cats, like the pattern or something
Ponyboy hated the blonde cut hair, but always left it alone since he felt like that was the last thing he’d ever have of Johnny
The Shepard gang did not like chocolate (I don’t know how)
Dally had this secret rivalry with everyone that only he knew about, where he made everything into a competition he would win
Darry is the only person to say “I wouldn’t get addicted to (insert thing), id just stop” and be right about it
Ponyboy didn’t like alcohol because it was beer, hand him a fruity drink like a strawberry daiquiri and he’ll be all over it
He still wouldn’t drink it regularly though, insert “that’s a girls drink” and he has enough addictions under his belt already
All of the Curtis siblings have chronic migraines but deny it
Soda once made himself cry in a movie by going “I will cry if this happens in the movie”
He wasn’t even sad he was borderline laughing
Pony and curly both have various scars on each other from doing extremely dumb things
Pony would say it’s stupid, but curly would call him chicken so then he’d do it anyways
Johnnys favorite place to sleep if it was late and he needed to get out was under a huge oak tree not to far from the house (if he didn’t crash at the Curtis house of course)
Speaking of the Curtis house, it was a one floor ranch house with very little rooms. It was a 4 bed 1 bath, but one of the rooms got turned into Darry’s work room
If any of the boys got asked the “bring only one thing to a deserted island” question, they’d all say hair oil with no hesitation
Half of the dirty things dally said he didn’t know what he was talking about and picked it up from a movie
If Johnny were alive today he’d have one of those raccoon tail hair styles (probably blue)
Darry would listen to Taylor swift
Pony started a running joke of saying “don’t tell darry” over everything (ex. He pours himself a soda in front of Darry and says “don’t tell Darry” as loudly has he possibly can) ((he gets jokingly shoved for this every time))
Pony is not the type to remind the teacher of homework, more like confusedly bring his homework to the teacher after class is done and walk away
Almost everyone had a specialized nickname for eachother, some that only a specific person could call them and if someone else tried they’d get the tar beaten out of them
In pony and sodas room the closet was full to the brim of snacks in emergencies
It also had an ash tray only pony knew about in case he wanted a smoke
This post is gonna be a mile long if I continue but I might do a part 2 some day
Edited a few things because I wrote it at 1am and it had issues
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zukosdualdao · 1 day
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and if you feel like night is falling, i wanna be the one you're calling
zutara month, day 12: kiss at midnight, @zutaramonth
summary: around midnight, katara realizes zuko has disappeared from his own post-coronation celebration and goes looking for him in the palace gardens.
other notes: yes it's another secret relationship fic god bless <3 it's still very New though, and this fic might be better titled Zutara Having The Relationship Talk. as it stands, the title are lyrics from someone to you by banners.
"What are you doing out here?" Katara asks as she finishes traversing the path to the palace gardens where Zuko stands. Between his thumb and the forefinger of his right hand, he is holding a pale pink petal. After months of seeing him in his casual dayrobes, finely made and threaded with traces of gold but looser, more casual, and worn over time due to their travels and battles, it's strange to see him in his Fire Lord regalia, especially with his hair pulled back into a top knot. She's gotten used to not just looking, but placing her hands against the soft, worn fabric of his shirts as they kiss in stolen moments, and to constantly pushing that wild hair out from his eyes before glancing around to see if anyone caught the too-intimate gesture.
It's not a bad look on him—nothing would be—but it is taking some getting used to.
"It's cold, you know." It is, surprisingly—colder than she thought it could in the heart of the Fire Nation, but then, it's nearing the end of the summer, and it's nearly midnight at that. It's strange for Zuko to be out here, too. "Are you alright?"
It's almost strange to look at him as it is strange to be wearing the clothes she's in, formal dress robes in the cut and style of the Fire Nation, yet in a grey-blue shade that reminds of her father's old whetstone.
Somewhere inside, her father and her brother and her friends are still laughing and eating and celebrating in the wake of Zuko's coronation. Soon, there will be much different trials to bear—Katara's dreamt bout the end of this war for as long as she could dream, but now more than ever, she knows that just because Ozai's been defeated, that doesn't mean the aftermath will be easy.
Katara wonders if that's what's on Zuko's mind.
She wonders a lot of things. Like how this... thing between them will work, now that the war's won. If it will at all.
"I just needed space for a minute," Zuko says, turning to her, lip half-quirked. "All of the... people, and everything, it was just a lot. Everything's fine."
"I can go," Katara offers, feeling sympathetic. She's not as introverted by nature as he seems to be, doesn't get as overwhelmed, but she definitely has moments when she just needs to be by herself. She doesn't want to leave, but she will if he asks it of her.
Zuko's smile grows, and he shakes his head. "That's not—I don't need space from you," he promises.
Brushing a strand of hair behind her ear, Katara laughs a little. "I don't count?"
"No," he says bluntly, looking her straight in the eyes as he does. "I always want you around."
Katara's breath catches. He has this charming, ridiculous, earnest way of saying things that always manages to catch her off-guard. And like a dam that breaks, Katara is taking one long stride after another to reach him. When she does, he drops his hand from where it had been holding the flower and places it on the small of her waist, gasping as she kisses him with urgency, rubbing small circles against the fabric of her dress with his thumb.
Katara pulls back, remembering he's still injured when he makes a small wounded noise—there are bandages underneath those fine robes he now wears—"Are you alright? Did I hurt you?" Her hands hover by his sides as she scans his body up and down.
"I'm fine," he insists, eyes sparkling. "Come back?"
Katara huffs but relents for a moment, placing another gentle kiss against his lips. The touch warms her up from the inside out.
"We really need to figure out what we're going to tell the others," Zuko says after a moment. "About us, I mean."
It's going to be an awkward conversation for more reasons than one: Toph will gloat and make constant jokes, Sokka will be happy only after he's been ridiculously overprotective (which Suki, probably her most reliable ally in this, will point out to him), she has no idea what her father will say, and Aang...
She knows he'll be hurt. That might be better as a private conversation.
Still, despite herself, Katara lights up a little. He's thinking about this long-term. "There's an 'us' to tell them about?"
Zuko exhales something that's almost a laugh and leans forward to gentle a hand against her cheek. She blinks up at him.
"There's an 'us' for me," he promises, his eyes shining with affection, "if there's an 'us' for you."
Katara has to kiss him again, then. It would go against the laws of nature not to, she's pretty sure.
They can figure out the rest of it later.
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sleep-drunk-kitten · 2 days
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Tumblr media Tumblr media Tumblr media
pairing: Jay x fem!reader
genre: fluff, slight angst/miscommunication trope? if you squint? Oneshot bullet point fic
content warnings: none
Summary: Sunoo is sick of watching you pine after Jay when he clearly has feelings for you too, so he devises a plan to give the two of you some much needed alone time
notes: this was the result of a very delusional conversation I had with @nar-nia, thank you for fueling my delulu thoughts and beta reading the first draft love <3 I would never have posted this if it wasn't for your support ;*
Everything below the cut is NOT proofread
₊˚ ‿︵‿︵‿︵୨୧ · · ♡ · · ୨୧‿︵‿︵‿︵ ˚₊
You were going to kill Jake and Sunoo
This was all their fault
They were the ones who had insisted that you all leave the “stuffy” confines of the airbnb your friendgroup had rented for your annual trip to the beach to visit the boardwalk and amusement park barely an hour after you’d all arrived
Doing everything in their power to drag a spaced out Sunghoon and a tired looking Jay along
Sunoo sulking and singing an extremely off-key rendition of “part of your world” while dragging you through the living room in a clumsy waltz, gesturing dramatically at the large glass windows leading out onto the patio to emphasise his point every time he hit a line about dancing or walking
When his attempts at annoying them into going inevitably failed, he decided the only thing left was to get both you and niki on his side and beg
Convincing Niki was a bit of a task, the younger boy content to lounge around on a beanbag with his nintendo
He probably would’ve stayed there had if it was only Sunoo asking him for help... purely for the sake of annoying his hyung
But Jake overheard Sunoo's whispered pleas, and when he joined the campaign and asked the younger boy for help, Niki couldn’t really find it in him to say no
Enlisting your help was significantly easier, even if you were a bit annoyed by his earlier antics
Because while you were close to everyone in your little group, Sunoo in particular had a special place in your heart, having been by your side since childhood, you would do almost anything for him
Even if it meant putting on an indifferent facade in front of the man you’d been in love with for an unhealthily long time
Jay really didn’t want to go to the amusement park
although the rest of you had gotten to sleep and recharge between stops, he and Sunghoon were both tired after staying alert and herding you all from place to place all morning
All he wanted to do was sleep
But Sunoo had somehow managed to rope both you and Niki in on his schemes 
It would have been hard enough to say no to his precious little brother
But you?
How could he say no when you were asking so nicely? Pleading your case by saying that this was a trip you’d all taken to make memories together, so what was the point if Jay and Sunghoon weren’t there with you?
God you were just too cute
Jay tries to appeal to you and Niki, knowing there’s no point in trying to talk Sunoo out of this
“But (y/n)-ah, Niki, we’re tired, it’s been such a long day, can’t we just stay in till dinnertime?”
“Exactly,” Sunghoon says from his spot beside Jay, eyes coming back into focus for the first time since you’d started speaking, “we could always go tomorrow, the fair isn’t going anywhere.”
“It is, actually,” Heeseung joins the fray, walking into the living room from the kitchen, looking at something on his phone. “Or at least the ferris wheel is, they’re closing it down for maintenance tomorrow, and it won’t be open again till the day we’re leaving.”
“See! Heeseung gets it!” you exclaim, high fiving him.
Jay feels his heart sink just a little at the sight
It had been almost two years since Niki had told him about your feelings for Heeseung, casually dropping the bomb as the two of them sat on lawn chairs by Jake’s pool, watching you try and fail to yank him off a large unicorn shaped pool float and into the water
Jay had played it cool, laughing along like it meant nothing
Except it did
Because Jay had realised very early on in your friendship that he was a dead man walking
From the moment when Sunoo dragged you over to their table at lunch, announcing that you were his best friend, and you’d introduced yourself with a nervous little smile on your face
To the days where you walked home with them, laughing and bickering with Jake over silly things like whether or not water was wet and if black was a color
And all the times he’d seen you sitting quietly with Niki, allowing him to lean on you like an older sister 
With every day that passed, Jay had found himself falling faster and faster, till he got to a point where he feared there was no return 
But he was too late
You liked Heeseung
And whether you chose to act on that or not, it just wasn’t his place to try and win you over when you liked someone else
So he sets his feelings aside, packing them neatly away and schooling his expression into something as neutral as possible
“That’s just the ferris wheel though, isn’t it?” Sunghoon asks, still trying to find a reason to stay curled into the soft couch cushions
“Yeah but (y/n)’s been looking forward to trying the ferris wheel since we started planning!” Sunoo whines, nudging you pointedly
“Mnmm!” you nod, It wasn’t exactly true, you’d only mentioned once that the ferris wheel looked pretty
But they didn’t have to know that
“Really, (y/n)?” Jay asks
You nod enthusiastically, not knowing how much you’d regret it
Jay can feel his resolve crumbling, how could he deny you anything when you look so genuinely excited about it? He’d rather drown himself in the sea than be one to take that away from you
So here you all were, walking along the crowded boardwalk, passing by booths with an assortment of hand crafted souvenirs and trinkets on display against a backdrop of colorful cloths, the smell of warm sugar and sizzling street foods mingling with the ocean breeze
It was all fun and games at first, all of you trying foods, taking pictures, walking up to a few stalls and attempting to win prizes, competing to see who could walk away with the biggest stuffed toy that night
You were laughing, joking around with Jungwon, winning a large duck plushie for Niki, twirling around and showing off the pretty sundress you’d thrown on when Sunoo pointed his camcorder at you
Blissfully unaware of the pointed looks passing between him and Jake
The two of them had noticed early on the way Jay stuck close to you
Carefully placing himself between you and any other tourists who were brushing past a little too close for comfort
Watching you twirl for the camera with such a nauseatingly lovesick expression on his face that Sunoo nearly gagged
Only to move away as soon as Heeseung approached you
Giving the two of you “space”
Space to do what exactly Sunoo had no idea
Sure you’d liked Heeseung when you’d first been introduced to his friends
But that hadn’t lasted long at all
Your affections quickly shifting to someone else
The poor pink-haired boy had lost count of the number of times he’d had to listen to you complain about how handsome Jay was
How kind and attentive he was
What an amazing husband he’d be one day
How lucky his future wife would be
Sunoo wanted to grab you by the shoulders and remind you that there was a fair chance that that future wife could be you
He had done just that on more than one occasion
But you brushed him aside every time
Saying there was no way Jay could ever have feelings for you
It drove him insane
Especially when he noticed the way Jay looked at you 
Jake was thankfully spared from most of your rants
But he was very much aware of how you felt
And he agreed with Sunoo, there was absolutely no way Jay didn’t return your feelings
So the two of them had come up with a plan
At some point, Jake let slip that while you were very excited about riding he ferris wheel, you were actually scared to go on because you were afraid of heights
You turned to him in surprise, unsure how to respond to the wholly false claim without exposing the fact that you’d lied about wanting to ride the ferris wheel in the place
Sunoo joined in a moment later, complaining about how he’d tried to convince you that it wasn’t all that scary, that these things were checked regularly to ensure they were safe, but that you just wouldn’t listen
You’d elbowed him in the ribs, confusion painted across your features
When Jay made a suggestion 
An absolutely terrifying one
“Well… one of us could go with you if you’d like? It probably won’t be as bad if you’re not all by yourself”
“That would be brilliant! But Jake and I promised to go in the haunted house with Niki…”
“I could go with her then, I don’t really feel like scaring myself silly when I won’t be sleeping in my own bed tonight.”
“Could you? That would be great! Whaddya say (y/n)?”
All three pairs of eyes land on you, and for a moment you feel your mouth go dry
On a ferris wheel… In a small glass box… alone… with Jay…
It sounds absolutely terrifying
“I’m not too sure…” you start to say, but Jay bumps his shoulder against yours, and when you manage to will yourself to look at him, he’s smiling down at you
“C’mon, I’ll be right there with you he whole time,” he says, “you’ll regret it more if you don’t go.”
You swallow around the lump that’s formed in your throat
He’s right
You were the one who’d gone on and on about making memories 
Here was a prime opportunity to build a memory you’d surely never forget
Wouldn’t you regret it more if you chickened out now?
“Okay…I’ll go,” you said
And the cheers that erupted from the three boys were so infectious that you forgot about the nervous butterflies filling your chest
Until of course you were actually on the ferris wheel
The glass doors sliding shut to seal your fate
You hadn’t known that there was only one seat in the capsul 
Hadn’t counted on being right next to Jay, your thighs occasionally knocking together 
The proximity was doing nothing to help the racing of your heart, sharp pinpricks of heat blossoming under your skin and spreading up your neck and ears
“(y/n), you there?”
Jay’s voice startles you a little, and you wince before you can catch yourself
“Huh? Oh yeah… I’m here, sorry”
Your familiar, nervous laugh makes Jay smile a little, reminding him of the day you first met
But he quickly brushes the memory aside, choosing to focus on you
You seemed uncomfortable
Were you really this afraid of heights?
He tries his best to smile reassuringly, tilting his head to one side so he’s looking up at you instead of it being the other way round
“Well hello, welcome back,” he says, unaware of the way those few words send the butterflies in your stomach into a frenzy
“Hi…” you manage back, mentally patting yourself on the back for how normal your voice sounds
“Hi,” he chuckles, and the sound makes your brain go a little fuzzy, so much so that you barely register it when he gestures behind him. “I know you’re avoiding looking out for a reason, but you really should.”
“What? Oh, right, I- ooh.”
You sigh, suddenly forgetting why you’d been panicking in the first place
“It’s beautiful…” you say, but you’re also looking at Jay when you say it, golden light washing over his skin, making him glow against the backdrop of the sea
“It is,” he says, and if you’d been paying more attention, you would have noticed two things:
Jay’s back was to the sunset, he’d been looking at you the whole time
The ferris wheel had stopped moving some moments prior
Unfortunately for you both, your mind only processes the second, your eyes as wide as dinner plates when your brain catches up with your body and the lack of motion finally sets in
“Jay… Is this ride supposed to stop?”
“No?”
“No?!” 
“I mean I’m pretty sure it’s not?!”
Realisation dawns on you, and you rush to the side of the pod, watching as Sunoo and Jake, your own best friend smiles back you, blowing you a kiss
You know what they'd done.
You know because you would have done the same in a heartbeat
The butterflies in your chest seem to double, wings beating frantically against your ribcage 
The panic that had temporarily subsided beginning to creep back up your spine
Buzzing through your veins and going straight to your head
How long would you be up here? What were you supposed to do when your heart felt like it was caught in your throat? How were you supposed to remain calm when Jay was sitting right next to you looking so so beautiful knowing he probably thought you were insane for freaking out like this when it really wasn't a big deal and you should have been fine and-
“Hey, hey, calm down, breathe, I was wrong, stop looking out there (y/n).”
Oh no
He’s touching you now, a hand on your arm pulling you back, tugging you away from the glass and the view that honestly didn’t scare you as much as he thought it did
And closer to him
The real reason you felt like you were going to vibrate right out of your skin
Your eyes dart around almost frantically, focusing on anything but him
Jay watches you fidget in your seat, hands clasped together in your lap, face flushed, breathing uneven
He’s never seen you like this before
And he can’t help but blame himself
He should’ve never let Sunoo and Jake talk you into this 
“(y/n), (y/n) please, I need you to breathe, look at me please.”
His hands come up to gently cup your cheeks, turning your face away from the “frightening” view outside and forcing you to make direct eye contact with him
You feel your heart stutter where it’s lodged in your throat
“Focus on me, please, don’t think about anything else, just focus and breathe for me, yeah?”
You could cry
Tears welling up in the corners of your eyes
Jay has absolutely no idea how difficult he’s making this for you
Completely clueless to the way the deepening crease between his brows makes you want to kiss it
How the way his lips are pressed together with worry makes your heart flip in your chest
“(y/n), I can feel you shaking, this is just a technical difficulty, you’re okay, nothing’s going to happen.”
But I want it to
The words rest on the tip of your tongue
You want something to happen
The longer you stare at him the harder it is to focus on his eyes, the task proving impossible with the way your heart squeezes painfully in your chest at how soft and open they are, how intently he’s looking at you, it makes you feel like you’re special to him when you know you’re not
He’s looking out for you the same way he would Niki or Jungwon 
You need to remember that
But not looking at his eyes means looking at the rest of him
Which you soon discover is almost as dangerous, because what you find yourself focusing on now is his lips
The way they curve around the vowels of your name as he tries to talk you through the jumbled, scattered thoughts and feelings he's causing
Oh the irony
But he's not really faring much better
Jay feels like he’s going insane
He sees the way your eyes keep flickering across his face
Settling on his lips just a little too long for his peace of mind
You're making him question how you really feel about him
Pulling at the strings wound tightly across the box of memories he'd stashed neatly away
Moments where he'd been sure you looked at him in ways friends weren't really supposed to look at each other
He can't do this
Jay pulls his hands away from your face, allowing them to flutter over your skin
Over your jaw
Down your neck
Across your shoulders
Before coming to settle on your upper arms
Leaving a trail of goosebumps in his wake, gently pushing you away, holding you at arms length, his body bowed as if in pain
“You can’t do that (y/n),” he breathes, letting out a shuddering breath
“Jay?” your voice is barely anything above a whisper, fear creeping in with the panic
 Did he see? Did he notice? Did you somehow manage to make him uncomfortable after everything you’d doen to avoid that exact scenario?
“You can’t keep looking at me like that when you have feelings for Heeseung.”
It takes a moment for his words to sink in, for the cogs in your mind to turn them over and process them through white noise and fog filling your head like cotton 
And when they finally do sink in, you blanch, willing yourself to get it together, to apologise, to do whatever you had to do to salvage the situation
But Jay speaks again before you can
“I can’t keep pretending it doesn’t mean anything to me.”
It’s Jay’s turn to swallow around the lump in his throat, his grip on your arms tightening, face downturned, staring at the peeling blue vinyl between you
The butterflies in your chest slow, settling along your ribs so the anxious beating of their wings stills to a steady thrum
“What do you mean by that?” you ask, surprising yourself with how calm you sounded
“I mean… I mean that you have no idea how insane it makes me when I see you with him, when you’re laughing together and you smile at him like he’s your whole world, because I wish you’d look at me like that, because… and I know it’s selfish but I wish that I could be the only one to make you laugh… But I know that you like Hee, and that’s okay, my feelings are my own, it’s not on you to take responsibility for them, but I need to take care of my own heart (y/n) I feel like I’m losing my mind I-”
“Jay,” you cut him off, voice coming out more harsh than you’d intended, but it works, his mouth snapping shut immediately. “Jay, look at me please,” you say, more gently this time. 
He does as you ask, and your heart breaks a little when you realise that his eyes are as glassy as yours
You place your hands over his, and for one, horrible moment, though he knows he deserves it, though he knows you have every right to, he thinks you’re going to tear yourself away from him. 
But you don’t. 
Your hands are warm against his, too warm, and they’re still shaking, but they’re moving his lower, over your elbows, onto your sides, till they come to rest on your waist. He can feel your pulse in your wrists, matching his beat for anxious beat
He’s so distracted by how soft you feel and how perfectly you fit in his hands that he flinches when you lean towards him, moving away from you on instinct
Cute, you think, unable to stop the corners of your mouth from twitching upwards
“What if I want to?” you whisper, his pupils blown wide as he searches your expression, “what if I want to take responsibility for your feelings?”
For a moment, you’re sure neither of you remembers how to breathe. The world standing still
Jay isn’t really sure he’s capable of forming a coherent sentence, words rushing through his skull and coming to an abrupt halt before they could make it past his lips
So he settles for the next best thing 
Slowly, his hand moves from your waist, brushing against your knuckles, tentatively lacing his fingers through your own, careful to give you time to pull away should you wish to
But you don’t
No
You level your gaze with his, giving his hand a gentle squeeze as if to say ‘go on’
He lets out a breath, he didn’t know he was holding, cautiously bringing your hand up to his lips, barely brushing them over your skin before turning your hand over and placing a soft, chaste kiss against your palm
His eyes don’t leave yours for even a moment, watching you intently, gauging your reactions. When you don’t flinch or move away, he lets your entwined hands fall to the side. 
“What about Heeseung?” he asks, even as he’s leaning towards you, even when you can feel the ghost of his lips on yours.
You giggle despite yourself, bringing your free hand up to thread your fingers through the hair at the back of his neck. “It was never him, silly…” 
A shiver runs down his spine, whether from your words or your actions neither of you can really say
And it doesn’t really matter anyway
Your eyes flutter closed, you can feel the warmth radiating off his skin-
And the ferris wheel starts turning again with a sharp jolt
Sending you crashing into each other, foreheads knocking together painfully
You both groan in pain, looking around confusedly, trying to regain your bearings as the moment passes
When your eyes meet again, and you realise that your hands are clasped together tightly between you, neither of you can stop the fit of giggles bubbling up in your chests
You’re both still laughing by the time you make it back to the bottom, the doors sliding open to reveal your friends waiting for you with triumphant smiles on their faces
Niki grumbling as he hands Sunoo several folded bills 
You let go of Jay’s hand the second you see it, marching over to kick their shins 
“You didn’t even go to the haunted house did you?” you whisper-yell, glaring daggers at them
Sunoo’s smile is pure evil, flicking your nose and replying in the most annoyingly smug tone you’d ever heard. “Now now, (y/n), is that any way to talk to the person who so graciously helped you get over the pathetic moping phase of your crush?”
“Which lasted much too long by the way,” Jake chimes in, joining the conversation 
“You were in on this?!” 
“You weren’t exactly subtle sweetheart, Jay was just fed false information thanks to this kid.”
“Excuse me?” 
The bickering continues as you all walk away from the ferris wheel, Niki and Jake both getting whacked over the head with the large pink octopus Sunoo had won for you as an apology (the only reason he wasn’t getting beaten up too)
It isn’t until the two of them run away from you, cackling like hyenas, that you feel an arm wrap round your waist
Holding you loosely, Jay leans down so only you can hear him
“We’ll finish that conversation later, (y/n).”
And then he’s gone
Leaving you standing there, feeling flustered enough to match the octopus in your arms, glaring at a snickering Sunoo
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babyangelsky · 2 days
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Two Worlds: Novel vs. Series (Part 1)
A few days ago, I mentioned that I had begun reading the novel for Two Worlds because I was curious about the changes that had been made for the adaption. Truthfully, I've been curious about it since the special and enough people liked my post to encourage me to put this together, so here we are!
Few things. Firstly, the official English translation of the novel is only updated through chapter 7 which equates to about episode 3 of the series. Approximately.
Secondly, good god is it convoluted so to make things easier on myself and on you, I'm going to break down the changes to each world in two separate posts and not jump around which is what the novel does.
Thirdly, if you'd like to read the novel yourself, the first seven chapters are available for free here! It's the official translation and updates are a bit irregular but it is being updated! Trigger warning for discussion and sometimes graphic mentions of suicide. Please proceed with caution.
I also have to thank @thainovels for being so lovely every time I've asked them for help. What are the odds the novel updated the day after I asked you for help finding a complete version?!
This is gonna be LONG so to spare your dash and anyone who doesn't wanna be spoiled, I'll begin under the cut.
World 1, aka our starting world in the series
Okay so, broad strokes. One of the biggest differences between novel and show so far is how much time we spend in Phupha's perspective and indeed, in perspectives other than Phupha's or Kram's. We really only get Kram's perspective in the chapters dedicated to World 1 and he's barely appeared in the chapters dedicated to World 2 so far.
This author also really loves to go on a tangent which kinda bugs me in a "I'm a writer too and I wouldn't do things this way dammit" sort of way and while that's my own cross to bear, objectively it does pull focus from the main plot and make the story more confusing than it has to be. Although I do appreciate the insight into the other characters.
How Things Start Off
Unlike the show which opens with Kram painting by the river, the novel opens with Kram trying to make friends with Phupha. At this point it's unclear how long Phupha has been staying at Kram's house but it doesn't seem like it's been very long.
In the show, Kram is the grumpy one who doesn't wanna talk or hang out and Phupha is the more open one, but it's flipped in the novel. Kram is a lonely lil ball of sunshine and he's excited to make a new friend and Phupha's generally very grumpy about his circumstances.
Kram also calls him "your grace" which I suspect is what the translator chose to use in place of "khun chai" since Kram also calls him that in the show a few times. I really wish the show had kept this detail because unlike in the show, Kram uses khun chai playfully and eventually affectionately. It's also worth noting that he doesn't call Phupha "phi" despite their age difference because he doesn't want to create distance between them.
Their first bonding experience is going for a walk just like in the show rather than walk aimlessly in the forest, Kram takes him to see the waterfall that is so central to our story. The locals refer to it as Moonshadow Cave.
We learn that Phupha is afraid of heights (and very traumatized) because of the circumstances surrounding his mother's suicide. He opens up to Kram about it and also tells him why his father sent him to stay with Kram and his father.
At one point, Kram steps onto a little ledge around the back of the waterfall and gently coaxes Phupha to join him so they can see the view. But remember, Phupha is afraid of heights and traumatized so after a few moments he panics and goes to turn back. But he turns back a little too quickly and stumbles and ends up face to face and very close to Kram.
SO THEY KISS ABOUT IT. Maybe it's adrenaline, maybe it's horniness, who knows! Certainly not Phupha!
It's getting late so they come down from the mountain to go home. Kram's head is spinning from the kiss, he's confused, he can still taste Phupha. Phupha's confused too, he doesn't know why the hell he kissed Kram, and just as he's in the middle of telling Kram that it was just the adrenaline and didn't mean anything, they hear something rustling in the tall grass.
The Tiger Incident
Yep. The thing they hear is a tiger smack in the middle of having a deer for dinner. Here is the first of two or three major plot points (so far) that were cut from the adaptation entirely.
They come across the tiger and even though they try to move as quietly and slowly as they can to get away, they don't get very far before the tiger notices them and starts chasing them down. As they're running, Kram falls and hurts his leg. Kram knows of a small cave where they can hide, and They manage to duck into it just in time. Fortunately the entrance is too small for the tiger to follow them in there so they're safe but homeboy is still waiting outside to eat them, so they're forced to stay there until morning or until he gets bored and leaves.
Kram and Phupha snuggle together for warmth because of course they do and in the middle of the night, Phupha realizes that Kram has a fever.
The next morning, Phupha sees that Kram hasn't gotten any better so he decides to go and get help for him. Luckily the tiger is gone, so he leaves the cave and marks himself a path so he can find his way back. When he exits the forest, he sees Kram's dad and a group of villagers talking amongst themselves. They'd been looking for the two of them since they hadn't returned from their walk and are very relieved to see Phupha.
Phupha tells everyone what happened and they go back for Kram, and this is where things get very weird. He notices that the branches he broke to mark his path aren't broken anymore and when he and the villagers arrive at the cave, the weeds that were covering the cave entrance are thicker than they were before. And Kram?
Kram is fucking gone.
He is straight up gone. He is not in the cave where Phupha left him despite being sick and unable to move because of his injured leg. Phupha obviously begins questioning his sanity as a search gets underway.
Fifty people including police search the forest for two entire days to absolutely zero avail. Kram is nowhere to be found. It's like the forest swallowed him whole and Phupha is feeling so guilty and Kram's dad is being so kind and not blaming him at all and it's all very fraught.
The search is paused on the third day because of heavy rain but that's not about to stop Phupha. He needs to find Kram and he's in the forest desperately wracking his mind for every last detail of the path he took from the cave and the surroundings while rain is pouring down on him. He thinks he might've found the right spot and sees a cave, but passes out before he can reach it.
When he wakes up, he's back at Kram's house being tended to by Duandow, Kram's childhood friend (we'll get to her in a bit). First thing he does is ask about Kram and miracle of miracles, KRAM HAS BEEN FOUND AND IS OKAY! His leg wasn't broken and he's in rough shape after not having any food or water for a couple days but he's expected to make a full recovery.
Duandow tells him that the cave Kram was found in--the one Phupha passed out in front of--was in an area that had already been searched by the police and that the locals believe that dark magic blocked the entrance to it, which is why they hadn't been able to find Kram before.
If that sounds really goddamn weird to you, THAT'S BECAUSE IT IS. Something fucky is going on with this forest but there are absolutely no answers I can give you as to the why and the how. The novel hasn't given us anything yet.
Phupha and Kram
Another huge difference between the show and the novel is just how much the relationship between Phupha and Kram progresses and how physical it actually is. In the show we only get a few kisses and some snuggling but they go a lot further in the novel.
A lot further.
After the tiger and the fucky forest trauma bond them, they're hanging out on the mountain near Kram's house one evening and as they get to talking and open up to each other some more, they're interrupted by a swarm of fireflies. Kram tries to catch one for Phupha but can't quite manage it, and somehow they end up very close together again.
SO THEY KISS ABOUT IT. AGAIN.
Not only do they kiss about it, clothes start coming off and things start getting hot and heavy before Kram's dad calls up and interrupts them. He doesn't actually see anything (since they're horizontal and shielded by the brush) but he does notice the state they're in when they come down.
Which leads me nicely to the painting.
The Nude Portrait
Remember the nude portrait Kram did of Phupha? In the show, it comes about after Kram accidentally paints Scarface Tai. Phupha sees the painting and realizes how skilled Kram is and hires Kram to paint him.
In the novel, Kram shows Phupha a spare room where he stores all his works and as they're looking through them, Phupha comes across a nude portrait Kram had done of DUANDAOW. KRAM'S CHILDHOOD FRIEND.
Kram tells him that she had agreed to pose for him one day so he could practice painting figures, as all artists do, and Phupha gets all quiet and grumpy and jealous about it. So what does he do? Hire Kram to paint a nude portrait for him like the one Kram had done for Duandaow.
If you'll recall, this is pretty much what happens in the show when Tai asks Kram do paint a nude portrait of him. He gets jealous because Kram had done one of Phupha and asks for one just like it. It seems like the writers reworked that bit since they also wrote out that Kram had done a portait of Duandaow.
And that's not all they reworked.
The painting session with Phupha in the novel begins the same as it does in the show. Kram is doing his thing while Phupha looks all pretty with his cloth in the river. But just like the nude painting scene with Tai, Kram starts getting distracted because of how good Phupha looks.
And I just have to say, the author always makes a point to describe how beautiful Phupha is, but I especially appreciate them taking the time to tell us that Phupha has lovely ample breasts and pretty nipples. Especially because wiping sweat off those lovely ample breasts is what brings Kram so very close to Phupha for the third time. Except this time, they don't just kiss about it.
THEY FUCK ABOUT IT. RIGHT BY THE RIVER. AND THEN GO RIGHT BACK TO THE PAINTING SESSION WHEN THEY'RE DONE.
In the show, this painting scene is where we get their first kiss but as you have seen, beloved reader, we are several kisses in by this point in the novel
Dilok
It's after this that we cut to Kram's dad's perspective for a bit, and I only mention this because it's so goddamn funny and also serves to highlight a few of important points.
The man is just so endearingly oblivious. He saw how disheveled Kram and Phupha were when they came down from the mountain as I mentioned above and assumes they fought each other after having an argument. This man interpreted two horizontal silhouettes moving together as a FIST FIGHT. He assumes they're angry at each other when they won't even look at each other.
THIS MAN THINKS KRAM AND PHUPHA ARE FIGHTING TO THE DEATH EVERY TIME THEY GO UP TO THE MOUNTAIN AND COME BACK LOOKING SWEATY AND FLUSHED AND RUMPLED AND IF THAT'S NOT THE FUNNIEST THING GODDAMN THING I'VE EVER READ I DON'T KNOW WHAT IS.
In one instance, Dilok catches Phupha leaving Kram's bedroom early in the morning and believes Phupha when he tells him he "fell asleep" after he and Kram "talked" all night. Dilok even thinks to himself how proud he is that they're so mature and communicate so well! I love Dilok so much, you don't understand.
That aside, however, his hilarious misinterpretation tells us that unlike in the show, Kram and Phupha are fucking on the reg. And bear in mind that Kram still technically has an ash exchange ceremony coming up with Duandaow but before I get into everything with her, I wanted to share this passage where Dilok happens upon both her and Phupha's portraits because it says something important about Kram's relationship with Duandaow. Also because I love it.
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Duandaow
Duandaow's presence is yet another major difference between the novel and the show.
The show doesn't tell us a whole lot about her. We know only that she has an ash exchange ceremony coming up with Kram and that when she realizes that Kram has feelings for Phupha, she takes herself out of the equation so they can be together.
The novel gives us so much more. She's featured prominently when Kram disappears in the forest, she cares for Phupha when he passes out, she appears every time Phupha goes to her grandmother's store to get medicine for Kram, and of course there's the fact that Kram painted her.
She has been in love with Kram her whole life. In addition to getting her history, we learn that they've known each other since childhood and that they were very close since they were the only two children in the village that were the same age. And it's partially because there's no one else for either them that being with Kram is a foregone conclusion to her and it's why she assumes that's the case for him as well.
She confesses to Kram and he responds with something along the lines of "Who would I love if not you? It's just us here." It's not an "I love you, too" but she takes it that way. Kram literally has no one else so his response may seem sweet but to me, it reads as him accepting on some level that there's no other option and settling.
I do think he cares deeply for Duandaow but I don't think he's in love with her. Several things drive this home for me (including that passage above) but the one that stands out the most is actually when they lose their virginity to each other.
It happens one day after they go swimming together (at the infamous waterfall I might add). She makes the first move and he hesitates at first but he gets swept up in the moment and it's all very shy and sweet. Thing is, after it happens, Kram keeps things strictly friendly between them. So much so that she thinks the whole thing got wiped from his memory.
And this sense of "who else if not you" persists pretty much their whole lives up until this point. They have an ash exchange ceremony coming up because why wouldn't they? There's no other option. Oh, the comphet of it all.
She isn't stepping aside for Phupha because she doesn't realize there's something between him and Kram. She notices something there that makes her suspicious but those suspicions are nebulous at best. It never occurs to her that they could have any relationship beyond friendship because why would they?
The Other Love Triangle
Phupha has had silent, one-sided beef with Duandaow ever since he saw that painting of her. He's polite to her but just barely, he doesn't make any effort at friendliness or real conversation. He's jealous and he has good reason to be, because he and Kram haven't declared any feelings for each other or had the "what are we" conversation.
Not only that, there is an ash exchange ceremony coming up. Phupha has no idea what that ceremony is until he asks Kram's dad one day and Dilok tells him IT'S A MARRIAGE CEREMONY. Show!Kram had some nerve getting pissy at Phupha for having a fiancee he didn't tell Kram about when Kram had one too!
Here Phupha is, so very in love and in a very physical relationship with Kram, and then he learns Kram is about to get married to someone else. He doesn't know whether Kram returns his feelings, he doesn't know where he stands, there's been no hint of calling off the wedding, so what does he do?
He takes himself out of the equation just like Duandaow does in the show.
Phupha chooses not to confess his feelings to Kram, he spends one last night snuggling him, and then he takes the L and quietly goes back to his life in Rattha.
Oh, what's that you say? You wanted some salt in that wound? How about the fact that KRAM GOES THROUGH WITH THE CEREMONY AND MARRIES DUANDAOW?
More? HE ONLY REALIZES HIS FEELINGS FOR PHUPHA AFTER HE'S ALREADY GONE AND ONLY MARRIES DUANDAOW OUT OF OBLIGATION AND BECAUSE PHUPHA IS NO LONGER THERE.
It's a MESS and there is no resolution for it because the novel translation isn't done!
*screams*
Tai
You might have noticed that I haven't really talked about Tai and that's because he only shows up once in these few chapters we have so far. The ones that take place in World 1, that is. But boy howdy does he come in with a bang when he does. Literally.
When Phupha hires Kram to paint him, Kram asks him to take him into the city as payment. There's an arts festival happening and Kram wanted to go so he could show off his dad's paintings.
Everything is going lovely, everyone is having a good time. At least until Duandaow shows up and Phupha turns into a salty salmon about it but we already talked about her.
The brand new chief of police has been asked to make a speech to inaugurate the festival and a short while after he gets on stage to make it, there is a bang. It's followed by screams and a second bang.
Tai showed up at the festival, shot an officer in the gut, and then killed the chief in cold blood to get revenge for the chief recently killing his father.
Bedlam ensues. People are screaming and terrified and fleeing the scene and Tai is looking to flee the scene too, but it just so happens that Kram is blocking his escape route. Tai shouts for him to move but something comes over Kram and he's not budging. Doesn't matter how much Tai threatens him or how much Phupha pleads with him, Tai belongs to the gang that killed his mother and he ain't moving.
My boy doesn't move even when Tai points a gun in his face. That's how much he hates this man and everything he represents. And Tai fully intends to kill him, but there's a moment where he locks eyes with Kram and something shifts within him.
There's a shot, but because we switch to Duandaow's perspective in that moment, we don't know exactly what happens. We know only that the shot missed and that Phupha rushed to hug Kram to his body and shield him from the shot.
Kram was in point blank range. There was no way in hell that shot missed unless that's what Tai intended. But that's all we've gotten of Tai in World 1 so far so there hasn't been a chance to dig into anything more.
The Stabbing of Viroj
There's one more thing I wanna mention, which also happens to be the stopping point for the translation at this time.
In the show, in World 1, Phupha's biological father Viroj gets attacked after Phupha and Kram go talk to him about the incident in the gallery with Tai and the conversation Phupha had with his father.
In the novel, that conversation with Adisak and Phupha's aunt and stepmother takes place right after Phupha goes back to Rattha and for the subsequent conversation with Viroj, Phupha is obviously alone.
The circumstances that precede the stabbing at a little different but that's a whole other tangent so I'm not gonna get into it. The rest of it is largely the same as in the show.
Someone breaks in, stabs Viroj, Phupha hears a scream and comes upon the scene, he has the realization about his hemophilia, he calls an ambulance and the police.
Only a few details are different. In the novel, he does actually manage to call for help but help never comes so he decides to take Viroj to the hospital himself. Unfortunately Viroj dies before Phupha can take him.
After his death, Phupha calls his dad Adisak to tell him that someone killed Viroj and to ask him to call for help. Adisak does, and when Phupha gets a call from the paramedics asking for more information, the paramedic asks where the patient was stabbed.
Problem is, Phupha never told Adisak that Viroj had been stabbed. Phupha immediately suspects that Adisak knows more about the attack than he let on and was possibly even behind it.
This is as far as the translation has taken us so I have to stop here. Sometime before the finale I'm gonna write up part two to this absolute saga, which will be the differences between World 2 in the novel and show.
If you've read this far, thank you. You're lovely and I love you. ❤️
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formosusiniquis · 15 hours
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have your cake
So way back in August 2023 the steddiemicrofic challenge was Cake and 311 words, my head empty brain came up with one thought and it was Steve Munson having a bakery called Mun's Buns and so many months later I finally got around to finishing my vision
Ships: Steve Harrington/Eddie Munson; Tommy Hagan/Carol Perkins; implied/past Tommy Hagan/Steve Harrington/Carol Perkins WC: 6408 | T | tags: Future Fic, the lightest of post homoerotic friendship breakup angst, fluff, Tommy POV AO3
The bakery has a stupid name, is the first thing Tommy thinks when Carol tells him where he's supposed to meet her on his lunch break. He’s still thinking that, when he sees the place for the first time through his rain speckled windshield. It's a modest storefront, small for what Carol says is a booming business, tucked in next to a used bookstore and a music shop. There's a baby yellow awning hanging from the front just underneath a sign lettered in soft blue that reads Mun's Buns.
He's late, is the second thing he thinks after pulling up. Caught up in some stupid bullshit for his dad he hadn't managed to slip away until 12:30. Even then it had only been because Tommy had told him he was going to be late for their cake tasting. He'd rolled his eyes when his father and Greg, a guy that Tommy only considers a co-worker in the sense that they are technically on the same payroll since Greg in every other aspect is incompetent and an idiot, had winced. Shooing him away like a kid who'd just admitted that he's already twenty minutes past curfew. But catching sight of the way Carol has her arms crossed, tapping her foot fast enough to kickstart a motor, while her hair hangs limp in a way that it hadn’t this morning a third thought crosses his mind: maybe he should have been a little more worried.
Waiting isn’t going to make things any better. So he steps out of the car, let’s the misty damp cling to him in a way that makes his dress pants and button down feel like a poorly tailored second skin, and takes his licks like a man. "Late, thirty minutes late. Christ, it's the only thing I've asked from you Tommy." Her right hook stings just as badly as it did sophomore year when she punched him for asking out Erin Murphy instead of her.
Shit like that is probably why no one expected them to make it this long or this far.
When they went away to college; different schools, hours apart. His parents had been gleeful as they'd warned him that high school relationships didn't always last. That he should keep his options open, he didn't want to miss out on the love of his life just because of comfort. He didn't get offered the family ring when he decided to propose right after graduation. Carol has always been particular. Wanted the house to come back to before the wedding could happen, wanted a long honeymoon. That meant saving, a lot of it. Tommy knew and Carol did too, they'd overheard his mother and aunt gossiping in too loud voices after too much wine that they hoped the long engagement meant they were both trying to figure out a good way to break it off with one another. 
Still, over the course of their now five year engagement no one's asked once if they wanted to trade for it.
Carol thought it was horrendous anyway. She’d had her ring picked out since ‘85, styled her class ring so it would look like the oval cut diamond she wanted. Had him slide it on her finger the second it came in.
Cause in the politest of terms, Carol could be a raging bitch. She was Tommy's favorite person in the entire world.
There’s going to be a bruise on his shoulder tomorrow, even if she’s guiltily smoothing a hand down his arm now. Thrust toward the door first in offering, Carol is sorry she hit him but she’s not apologetic. “I’m serious, Tom, if we lose this appointment and have to go with Sweet Treats for our cake I'll- I'll-"
Whatever threat she was preparing is drowned out and then cut off by the echoing TONG of the door chime. A light in the back shifts color for a second, out of place enough that he wonders if he even really saw it. Head tilting toward Carol, his question catches in his throat when he notices her pinched off appraising. Better not to add to the ammunition she might already be building.
And if Carol is looking he better do it too. She'll want to debrief when they're having dinner tonight, just like they did with the florist, the caterer, the three wedding planners they'd met with, and each of the venues that they'd visited. And it wasnt because she was demanding, fuck you Greg. It wasn't because she was being nitpick-y, alright it was a little bit because she was but he liked being particular with her. He liked being involved in his wedding.
So he looked around.
The way they utilized their space -- a building that big and there's barely enough room to stand, we want someone who knows how to work with limited space for the venues we're looking at -- was the reason their first wedding planner hadn't gotten hired. Small, but not cramped. There are a handful of tables scattered in the open space in front of the counter. It’s the kind of small town cozy that Hawkins had tried for and he doesn’t see very often anymore now that they’ve moved out to Indianapolis.
It’s lunchtime, still too early for people to be seeking out the rows of deserts in their neat glass counter and too late for the breakfast crowd. But one of the tables is occupied by a teenager with long, black braids scribbling in a notebook while a slice of ice cream cake melts on a plate by her elbow. 
Everything was neat, organized, and compliant with health code regulations -- they hadn’t even made it in the door of the first caterer’s when she noticed a trail of ants and roaches marching into the open kitchen door.
Carol had always been quick when she was making up her mind about something. Like those Sherlock Holmes stories they’d had to read in school, in a couple of seconds she could spot everything she needed to make a decision. After a decade Tommy still couldn’t keep up; but he was always best at following someone else’s lead.
The smile she’s got frosted across her face is as sugary and fake as the roses on the cupcakes he can see behind the low topped counters as she approaches the only visible staff member. A girl, young in the way that nebulous way anyone younger than him was now, with thick squared glasses that magnified two distressingly blue eyes. The counters looked like they were designed to sit low enough that she could easily see over the top while in her wheelchair.
“Welcome to,” her customer service tone borders on bored. Two words into a clear script and she sighs, as if saying the name physically pains her, “Mun’s Buns. We’ve got a special series of summer flavors: Strawberry Lemonade, Lavender Mint, Chocolate Fudgsicle, and,” she sighs again, “for the grownups a boozy Blue Moon with orange zest.”
“How about a wedding cake.” He’s impressed. Carol made it through the speech without interrupting.
“Do you have an appointment?” the girl raises her voice, enough to make them both flinch back. Customer service isn’t a requirement for this part of the job necessarily, but Carol had bailed on two venues because the staff hadn’t been polite enough.
Her smile doesn’t crack though, “Yes.”
Even though he’s pretty sure this girl has to be basically blind with the inch thick frames, she levels Carol with a lethal stare. “Not you.”
From the open entryway behind her Tommy had been able to make out what sounded like the highlights of yesterday’s game. He assumed that space had to be the kitchen where these rows of deserts were made. He’s still surprised when a guy’s voice is shouting back, “I don't know, Max, do I? Why don't you check?”
“How am I supposed to do that?” Max shouts back, glowering at then in stand in for her mystery boss.
“With your finger, asshole. It's in braille. When I gave you this job you said you were actually gonna work.”
“Douchebag." Her eyes never leave them, while her hands rummage around in a space beneath the counter where the cash register sits. Max offers no explanation or apology for her shouting or for her boss. A large red appointment book gets slammed down on the nearest counter, making Carol jump but the neat two by twos of chocolate frosted cupcakes don't budge. He watches, a little fascinated by the way her finger scans the page before slowing. "Did you write this or did Dustin?"
Carol has always valued gossip over professionalism, he thinks that’s why she’s done so well as a hairdresser even though she was always awful at chemistry. It’s also why he’s held off from pointing out that they could solve this a lot faster if this guy would come out from the back. "Why?" 
“Cause one of you can't spell and one of you is trying to invent braille shorthand. So I'm not really sure what to do with TomGan Wed.”
“It might be Thomas and Wedding.” Carol leans over the appointment book as she says it, using a tone of voice he has never once heard her use in the entire time he’s known her. He thinks it’s supposed to be helpful.
“Wedding sampler.” The girl calls toward the back, “It's getting late.”
“I’ve got it,” the voice from the back shouts back.There’s an effortless assurance Tommy can hear from where he’s standing. It hits him with a wave of nostalgia so strong he grabs Carol’s arm on instinct.
“Really,” she says, cutting her gaze over to him. He’s not sure what she sees. “If we could hurry this along, it's just we've only got an hour.”
“You're late.” The glare she gets shuts Carol down faster than he’s ever seen.
“Right.”
“Okay I've got it.” The voice from the back is now the voice in the doorway. Hidden for a second by a serving tray loaded with samples of rich looking cake, it’s the first time since arriving that Tommy has actually wanted to be here. Not just because he can make out strong shoulders and a body of a man that’s still very fit but clearly enjoys his work too; the hint of love handles above strong thighs. Only then that tray dips, and for the first time since 1985 Tommy finds himself looking at the shocked hazel eyes of Steve Harrington. “Oh.”
Carol reacts for him, taking in a breath sharp enough she might puncture a lung. They’ll both wind up suffocated on the floor of this stupid bakery with an awful name, because Tommy can’t manage to breathe at all looking at Steve. Still unfairly handsome, faintly pink at the shock of seeing them too he imagined.
His hair is long, is the first real thought his half fried brain manages to put together. Soft looking even where it’s damp at the temples where sweat has pooled. He has it pulled back with a couple of the same butterfly clips that Carol likes to use.
His second, somehow more hysterical thought: this wasn’t how Steve Harrington was supposed to be included in his wedding.
Tommy was six years old and knew he wanted to marry Steve. When he’d told his mom -- to ask for her ring, Steve thought it was romantic like princes and princesses that they had a special ring that they got married with -- she’d grabbed by his arm so hard it’d left finger shaped bruises. So he’d held that certainty quiet in his heart until he was ten, and suddenly it was okay to want to play with girls on the playground -- he thinks it’s because Steve got tired of there never being an even number when they tried to play kickball, he had a way of making everyone want to do the thing he was. Carol wasn’t afraid to tell Tommy C. that he was dumb or to tell Mark L. that he hadn’t actually made it to the base, Steve liked her fast. Too fast, and Tommy had to tell her that one day he was going to be able to keep Steve all to himself. But he knew that it wasn’t right to say that now, even if he wasn’t all the way sure why it wasn’t. He was ten, but he would be eleven soon, and he took this part of him that he’d kept secret for so long and he whispered it to Carol under the slide while Steve tried to convince Brad P. that he could too pick two people for his kickball team first.
He was ten and Carol said they could share. Boys can’t marry boys, but girls can. So they could both marry her and live together forever.
It became a joke when they finally shared it with Steve, thirteen and boys going out with girls wasn’t funny the way it used to be. Sarah Jane asked Carol if she had a chance at going steady with Steve. She told Tommy about it later and they both told Steve that he was too good to date any of the girls in their grade. “Well I’ve got you guys,” his voice cracked when he said it, throwing an arm around both of them. Carol didn’t care as much, but even she’d noticed the way Steve was changing from boyish to handsome.
They were sixteen and disaster was just around the corner, not that he knew that. Steve dated around but he always came back to them. The head, the heart, the body. They don’t feel complete without each other -- at least Tommy doesn’t. Mr. Kripke, who was hungover more often than he wasn't, passed out ten minutes into study hall. Carol didn’t even wait to see if he’d wake back up before she left her assigned table for theirs. She smoothed out a lined piece of notebook paper for them, and Tommy scoffed like he was supposed to. “Aren’t we a little old to be playing MASH?”
“It’s dirty MASH, and I thought you’d think it was funny.”
“I think it’s funny,” Steve had said, “that you’re getting eiffel towered on your wedding night. Who else is joining in, Carrie?”
“We couldn’t agree on who got you for their side of the aisle. So we’re taking you to bed instead.”
He was sixteen and the way that the two of them looked when they shared a joke was the hottest thing in the world. The way their smiles mirror when they turned to him, sharp and ready to flay open the softest parts of him.
Tommy’s two days older when Steve lets him kiss the taste of Carol out of his mouth.
It was three days after he turned seventeen and he had to pretend he didn't want to die when he saw how Steve looked at Nancy Wheeler. Like he didn’t want to rip his hair out because Steve was fucking infatuated with this mousy little teacher’s pet and wouldn’t even look at him anymore.
He still doesn’t like to think about the breakup. He pokes it like a fresh bruise. Less often now, but when he does he digs his fingers in. Baits Carol into fights he doesn’t mean just so he can pretend like he hasn’t lost something that hurts like a limb.
Steve Harrington turns twenty-eight next week, and he’s standing in front of them both holding pieces of what might turn into their wedding cake.
“Wow I can’t believe you’re in Indy!” False excitement grates, but at least Carol has gotten herself together enough to speak. He thought he’d have at least another few months to prepare for the thought of seeing Steve, by their ten year reunion he was going to be married and happy and over it.
“Yeah, this is- Married, wow! I kinda can’t believe you haven’t already.” He says it to Carol, his platitudes had always been for Carol, but his eyes find Tommy. 
While Carol chatters at them and for them both, nervous, he knows she’s nervous. The situation is sudden and strange and fraught. But Tommy just looks at Steve, who looks at him. He’s getting married in three months, one week, and two days from now and for the first time in eleven years Steve is looking at him.
"Takes a while to save up for when you want the best of everything. Dad's still the skinflint he always was, I think he'd pay me less than minimum wage if he could get away with it."
And those soft brown eyes look so sad, looking at him. Sometimes he thinks no one will ever understand him the way that Steve did.
"There's nothing wrong with wanting the best, or having a long engagement." Carol defends. It's the same line she's been giving everyone. Defensive of him and herself and the choices they've been making. He can't believe Steve is someone she thinks they have to defend against.
“I really hope you're happy, man," he says, and the sincerity is a balm on the sting of this conversation. He pushes his hair back from his face, the way he always has when he's uncomfortable and trying not to make it obvious. And there's a fresh new hurt when Tommy catches sight of a plain gold band on Steve's finger, shining bright between the golden highlights of his hair.
“I’m happy about this,” he can say honestly. Carol is one of the only things he’s ever been sure about. She held him steady as she could when his other sure thing left him with a cracked foundation in a convenience store parking lot. “What about you? How long after meeting the future Mrs. Harrington did you wait to put a ring on her finger?”
“Tommy,” Carol chides as the teen in the corner snorts. To anyone else it would sound like a reprimand for being nosy, he, and he suspects Steve, knows she’s telling him to stop worrying a scab that has no hope of healing right.
Married and they didn’t know. Wouldn’t have found out until the reunion. It’s not like he expected an invitation, maybe an engagement announcement sent to their parents’ houses. They’d sent one to Loch Nora when the real ring had finally made it to Carrie’s finger. It was equal parts olive branch and offering. They’d gotten it back return to sender with no forwarding address.
The bell above the door tongs again, loud enough to make Carol jump. The platter of cakes doesn't shift at all in Steve’s hand. His arm shows no sign of fatigue. It’s almost distracting enough that he misses the obvious. The bell signals someone is coming into the store.
“Sorry, Sweetheart. I know I said I wasn't gonna be late but Mike…” There just inside the door is the Freak. Undeniable even with his head down as he digs through his shoulder bag. From the riot of poorly maintained tangles that still hang around his shoulders to the expanded mess of tacky ink on his arms. The only thing that’s changed is the age in his face and the band on his shirt.
“Munson?” Carol has the reflexes and the personal grace to address him first. Shock more than the disgust it might have been when they were still kids.
Tommy feels like a kid still. Looks to Steve in an instinct he’d thought he’d stamped out years ago, only to be met with wide eyes and teeth grit tight enough to draw out the square line of his jaw.
“Christ, I still get nightmares that start like this.” Munson says, eye darting between the three of them. “Max, am I naked?”
“Don't know, don't wanna know.”
“I thought you'd be able to tell by the energy in the room.” He wiggles his fingers, still bedecked in silver, like they can divine the vibrations or some witchy shit.
That’s enough to make Steve break just a little. A soft, exhaling scoff before he finally starts to move out from the counter. Tommy catches, and he doubts Carol misses it either, how Steve passes the closer tables to set his tray down between them and Munson.
“I can tell I don't want to be here for this.” Their redheaded audience member says, “I'm taking my 15.”
“Don't go harass Mike, he's finally working,” Munson says.
“Will and El are on shift on the other side,” Steve calls out, not looking at any of them as he moves cakes from his tray to the table. A deliberate selection he seems to be making.
“Whatever, I’m gonna call Lucas and break up with him so he can play better or whatever.”
“Don’t be too harsh,” Munson calls out, “I’ve only got him on a five point spread.”
If Carol’s nails break from how hard they’re digging into his arm, somehow it’ll be Tommy’s fault. Not the fact that they’ve advanced the worst part of their ten year reunion by months, and also Munson is here and knows shit about basketball.
“Sorry, think my hearing’s going, sounded like you said you want him to lose and he’s getting kicked from the next one shot. I’ll let him know.”
“She gets that from you,” Steve and Munson say in sync. Glaring playfully at one another the way Steve used to with Carol.
“I’ll tell Robin you were-”
“Do not sick Buckley on me, Max made the deaf joke not me.”
“Weird, that’s not what I heard.” Steve has always claimed his hair as his best feature. It isn’t -- Carrie liked his eyes, Tommy his hands -- but it’s hard to deny that it doesn’t look good, flipping over his shoulder. His smile is private, just for Munson, soft the way he got whenever he picked up a new girl. Carrie taps the back of his hand, two sharp smacks, their signal for years that he needed to pay attention and notice something she had. Wide, nervous eyes dart to Steve -- like he hadn’t already been looking at Steve -- so he does his best to assess the way Carol would.
Jealous, viciously, Steve had been theirs in every way that mattered since they were ten years old and Carol had never liked sharing her toys with anyone but them. She watched his face for any sign of unhappiness anytime a new girlfriend came along, and when she found one she passed it along to him. So he could pick and joke until Steve was all theirs again.
So he checked the face. Tried to ignore the way Steve was lit up from the inside out with a joy he could barely remember, and then he saw the hearing aid.
He tapped back, three times. O.M.G.
“The 1985 Homecoming court here to reveal that this has all been a long con, Stevie?”
“Yeah I faked the name change paperwork and picked up a fake ID, sorry I took my business somewhere else.” Steve says it with the sincerity he’s always made those kind of jokes with, his strange sense of humor never coming across when he always sounded so serious. 
Munson gets it though, snorts loud and ugly, before a smile pulls wide across half his face the otherside taught with a gnarly scar. “Now I know why my fake ID business went belly up when we got to the city, not like I only sold three in high school.”  He gestures to the three of them in a wide arc.
Sophomores, they had decided it was time to throw their first real party now that Steve’s parents had moved out of Hawkins in all but name. Steve was a latchkey kid of new proportions and took to self sufficiency in a way that had seemed adult to him then; and in hindsight looked more like a child fighting for his life. Steve bragged how he’d been saving up the weekly checks they’d sent to ‘sustain him’ while they worked in the city during the week. His contribution to Tommy and Carol’s vague plan to throw a kegger by the pool. When they’d floundered, immediately, with the hows, Steve had been the one to suggest going to Munson.
“Love this preview of the reunion,” Carol cuts in, there’s no bite but Munson bristles anyway like she’s being rude for reminding them that there are customers present. “Steve?”
It’s funny, Tommy thinks, the way Steve still straightens his back at Carol’s tone. All this time and he can’t fight the old ingrained instincts either.
“Dustin made the appointment,” Steve apologizes, even as he’s posture perfect and preparing his pastries. The unsaid, ‘I definitely wouldn’t have’ doesn’t go unheard and it doesn’t sting any less even this far from their last interaction.
“Munson could join us,” Tommy offers, a new olive branch since their last one was never seen. Even if it does raise three sets of brows and makes Carrie’s nervous smile tighten even more in the corner of her mouth.
“Well at least one of us has to,” Munson, Eddie, says. Just says, tone like it was meant to be something said under his breath.
He's grown up a lot since high school, they both have. Still, he's only got twenty minutes left on his lunch break and it's been a long day. "God, is that why it's called that?" Growth, he doesn't say that Steve Munson sounds a lot dumber than Steve Harrington.
"It's charming," Carol and Steve both say. Though Carrie is definitely lying and Steve barely gets it out from between his gritted teeth, a sore spot. He's always been good at finding Steve's bruises.
"It's charming," Tommy agrees, like he always did when he was out voted.
Eddie has a smirk spread across his face and a ‘too proud of himself’ look in his eyes. Mouth open to make some quip that Tommy is going to pretend is funny, for Steve’s sake. Now that they’re here, he’s going to do something to show that they could talk to one another again. Steve clicks his tongue, taps his index and middle finger down to his thumb two quick times before he can.
He turns to the girl in the corner, "Erica, scram, go help Robin and the kids with the new donation that just came in."
The teen continues to scribble in the notebook in front of her, bulky headphones over her ears, she makes no sign that Tommy can see that she's heard Steve speak. "Erica, go, or I'll tell your mother you moved out of the dorms. You're 20, it's not child labor, and you've got a timecard."
She sighs and wordlessly packs up her things, she gives Steve a scathing look that takes Tommy back to high school. The withering eyebrow and rolled eyes would have been just at home on Steve’s own face in 1985, but she marches behind the counter, the sound of her dish rattling in the sink before she disappears out the same door that the redhead had gone out.
Now that the room has been cleared, an awkward silence has found the space to squeeze in. Munson, the original, still standing in the doorway and Steve standing between his unlawfully wedded husband and the two people who had lost their chance at him years ago.
The wedding and the reunion both on the horizon had dredged up a nostalgia that Tommy and Carol had been dealing with in their own ways. Dredging up old yearbooks, Carol had found a shoebox of old notes that she’d kept. Conversations written in three different inks by three different hands, nonsensical after all this time. Tommy woke up from dreams that he hadn’t had in years. Always of Steve and Carol, a study in opposites, but similar where it mattered.
“Well,” Steve says, taking charge of the situation like he always would when the other two faltered, “you’re here for a reason. We might as well get started on it.”
Steve’s fingerprints are still on them, just like he’d noticed theirs on him, molded as they were together. They’ve always bowed to his expectations, and his whims. When he ushers them to the table with a spread hand, Tommy and Carol go where they’re beckoned.
And so does Munson.
They keep an empty chair between them, an artificial divide for Tommy’s sanity, but with the sprawl of Munson’s legs their knees still occasionally brush together. Carol had taken the spot closest to Steve, who has stayed standing. He is their gracious host, marking the head of the round table.
“I pulled out the full sampler before I realized it was you,” Steve says. Even with as off balance as the interaction has felt, Tommy doesn’t feel his hackles raising. While it’s possible he’s gotten more subtle with his digs, Steve’s vicious tongue was usually unmistakable. “I can tell you about as many of them as you want though if you want to pretend like we don’t already know what I’ll be making you. I’m sure neither of you have eaten lunch yet.”
“You are going to take us on?” Carol asks. Shock always gives her tone an extra edge, defensive and catty, even if she’s really just waiting to see if another shoe will drop.
“Obviously,” Steve says, placing a faintly orange square of cake in front of her. He slaps Eddie’s hand away from another piece without looking away from either of them. “That’s as far as I’ll be going in participation though.”
He doesn’t miss the way Steve’s mouth twitches up with the joke, a filthy smirk that leaves Tommy flushing hot. Too warm to not be a bright and obvious red at the acknowledgment of that old private in-joke.
It doesn’t get better when Carol moans, “Oh my god, Steve!” Even if it is about the cake.
He laughs, and Tommy suspects the two are actually trying to kill him. He chances a glance over at Munson who looks like he doesn’t care at all that his husband has made Tommy’s fiance moan. He is watching Tommy though, an inquisitive look like the one Carol gets when she happens to catch a nature documentary.
“Yeah,” Steve agrees with Carol, “I’ll do something small with that citrus cake for you and Tom so you’ve got something you’ll actually eat on your wedding, maybe a pineapple buttercream on top like that nasty Juicy Fruit gum you like so much.”
“I mean it’s really crazy how you’re so good at this when you’ve never had any taste,” Carol compliments, she never did learn how to be nice.
He could probably count Steve’s teeth in the answering smile. Tommy can feel it like an ache in his chest how much he missed this. He snatches another cube of cake off the tray just so has something else to focus on.
“That’s the fancy one for the people who hate their guests,” Munson says as the cake has settled on the flat of Tommy’s tongue.
“It’s lavender,” Steve corrects, and the floral flavor is lodged in the back of his throat at least gives him a reason now to feel so choked up. “And it is for a particular sort of bride.”
“Are you saying I’m not fancy and particular, Munson?” Carol asks. 
She’s obviously talking to Eddie Munson, who lifts his hands up in answer. But it’s Steve who says, “If you tried to feed that to Gail she would leave the reception bitching the whole time.”
“Well go on,” Tommy finds himself goading now that he’s swallowed, “finish calling your shot, Stevie. You said you knew what we were walking out of here with.”
Carol reaches across the table, locking eyes with Eddie as she snags the piece closest to him. The one his fingers had been inching toward like he thought Steve wouldn’t notice him trying to take it.
“I’ll make a small citrus cake for you, Carrie, we’ll hide it in the back of the larger cake so you can get the pictures of you cutting it and smashing into each other's faces-”
“We will not be doing that,” she interrupts, the warning for him and also unnecessary. He already knows how she feels about being embarrassed in public.
“Then the big cake for your guests will be a chocolate cake, I can cover it in a buttercream or a fondant icing also chocolate, because it’s the only kind of cake the Hagan family will eat. Even though I’m sure John hasn’t given you a dime for the wedding, he’ll complain until Hannah gets married if he doesn’t like the cake.”
“Really,” Steve continues, “the only thing up in the air is how many people you were able to get away with not inviting, Care.”
The two of them start talking actual wedding logistics, and as Tommy grabs another bite of cake -- this one looks like it might be a normal flavor -- he figures the real show of good faith would be talking to the only other person at the table while he eats what Steve correctly dubbed his lunch.
“Y’know he never actually answered me,” he says in an undertone.
Munson seems surprised at being spoken to, only widens his eyes in response to Tommy’s unasked question.
“I asked Steve how soon after the first date he proposed, he never actually answered.”
Eddie softens at the edges before he can even say anything. Steve had a way of doing that, bringing out the romantic in a person. He loved with a passion that demanded it be matched. “Technically I proposed to him, but he says it doesn’t count because we weren’t together and I was high on morphine after a major surgery and thought he was Apollo, come to whisk me away.” The smile on Munson’s face looks dopey and drugged up now, like the very memory of whatever hospital stay is so ingrained in his mind he can feel the high now.
“But,” he goes on, “he told me we were getting married whether it was legal or not about three months after he got legally married to another woman.”
“Stop,” Steve has always been able to sense when he’s about to be the butt of the joke. He has a finger pointed at Eddie like a teacher delivering a lecture. “You can’t tell people that. It was for tax reasons, I’m not cheating on my wife.”
“You say tomato, I say whichever one of us is your least favorite has to be the extramarital affair.”
“I say, you’re the most obnoxious person I’ve ever met.” Tommy can hear the warm affection behind the insult, the way their picking is a safer way to express their passion for one another.
He thought he would be jealous of whoever finally managed to reel in Steve Harrington for good, and he is. The emotion is there, present in the snarling tangle of emotions that this encounter has left in him. One that he and Carol will have to slowly tease and pick out tonight when they’re home in bed. Trying to make sense of what each thread is and what it means for them. But the one bright pulsing thread he can make sense of is happiness. He’s happy for Steve, happy that he gets to see an old friend so at ease and obviously cared for.
And he’s sad that his time is up, his lunch hour so close to an end he’ll be late getting back to the office. Something he can already hear his Dad and fucking Greg giving him shit for. Which means they have to end their time here.
Steve walks them to the door, flips the sign to mark them closed for lunch.
“Congratulations again, you two,” he says, “I really am happy I can get to be a part of this with you all. Even if it’s a little different than we used to imagine.”
Carol reaches out for the both of them, puts her hand on his arm. Tommy finds that he’s the one who actually says, “We’re glad you found someone who makes you this happy, dude. You deserve it.”
“Yeah, he’s alright most of the time.” It's said with such fondness it becomes a declaration. It’s hard to imagine how they thought they could ever be the something that could make Steve this happy. But maybe in a different life, under different circumstances it could have been.
There’s a minute where they all stand in the doorway. He wonders if they’re all afraid that this might be the last time they see each other, speak to one another, until Steve is delivering the cake on the day of the wedding. Maybe it’s just him, he was the one who pushed back the hardest after things ended.
Someone finally gives in and pushes the door open. It’s TONG a death toll for their current conversation. But it also sends a jolt through Steve, he straightens to his full height like a shock has gone through him. “Here,” he says, “here, um.” He digs around in his apron until he finds a pen and a receipt pad. Jots down something before tearing it off and putting it in Tommy’s hands, “It's our home number, in case you have any cake emergencies or something.”
They really can’t stay any longer.
Carol takes the note, better at keeping track of these things than Tommy is. It’s hard to know if they’ll actually use it, maybe after they talk about it, but if they do she’ll be the one to do it. She’s always been braver than him.
There’s no way of guaranteeing anything but the fact that they’ll have a cake on the table on their wedding day. But he hopes that Steve might stay for the ceremony once he brings it, he can even bring Eddie if that’s what gets him there. 
Alone in his car, Tommy lets himself take a minute to think about Steve Harrington one last time. He isn’t going to get what he wanted as a kid. Doubts that he’ll ever be as close to Steve as he’d been in childhood, too much time has passed and too much has changed.
But there’s an opportunity to get to know Steve Munson, and he isn't going to pass it up. Even if he doesn’t know how to name a bakery.
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starcrossed-lov3rz · 16 hours
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Apologize - Part 2
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Feyd Rautha x Wife!Reader
Warnings: MDNI, oral (fem receiving), praise, smut, dirty talk, slight degradation, denial, general filth
Words: 1.2K
Description: Feyd has been busy with meetings. You take matters into your own hands. Now you get to pay the price. (Read Part 1)
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“Please” You whine, pulling against the restraints that tie your wrists to the bed posts. “You’re torturing me, my love.” 
Feyd’s breath ghosts across your thighs as he laughs from his perch between them. “If you want my cock, you’ll have to beg harder darling.” You squirm, kicking your legs out in an attempt to push your husband away. “None of that,” Feyd says, spanking your outer thigh. “You’re gonna sit there like a good fucking girl, and take it until I say you’re done.”
Feyd hooks his hands under your knees, pushing them up to your chest in one swift move. You cry out as he dives back into your sensitive cunt. Feyd had carried you back to your rooms after the scene you made in his meeting. He refused to let you touch him and hadn’t made a move to even try and fuck you. Instead, your husband had thrown you on the bed and tied your hands. Feyd spent the better part of the last hour feasting on your cunt and keeping you on the edge, stopping just before you came each time. 
Your eyes roll back as you feel yourself approach another climax. “Right there! Please just a little more-” Feyd latches onto your clit, humming and lapping at the little bud. You moan, bucking into his face harder. “Yes, yes, yes, thank you! I’m gonna-” It never comes, and you whine in frustration, tears pricking at the corners of your eyes.
Feyd had pulled back just before you reached your peak. He drops his grip on your legs, wiping your slick from his mouth with the back of his hand. “So good for me,” he praises. “Taking your punishment so well. How many more do you think you deserve, darling?”
“Please let me come.” Your breaths come out in pants as you come down. “Please, anything. My love, I’ll do anything.”
“I know you will,” he murmurs, kissing your forehead as he smooths your hair down. “Which is why you’re gonna give me another. Just one more and it’ll all be over. You think you can do that?”
You shake your head furiously back and forth. “I can’t, it’s too much.”
“Yes you can,” Feyd purrs, kissing his way back down your body. “You want to know why?” he asks as he stops to tweak your nipple. 
“W-why?”
“Because I’m going to make you.” 
Feyd latches onto your cunt with renewed vigor, sliding two fingers into you. He massages your walls with practiced ease, playing your body like it was an instrument. Your climax is already building again, pitifully fast thanks to the near hour that Feyd has dangled you on the edge. Your legs are shaking with the effort to hold back your orgasm, and you feel Feyd grin into your cunt. He wrenches his head back, moving a hand to draw firm circles on your clit as he continues to fuck you with his fingers. “Fuck darling, can you hear that?” You try to ignore him, but Feyd is right. You’re so wet, that you can hear every thrust of his fingers. “Gods you’ve soaked our bed. The servants will need to burn the sheets, because they’re never going to get the scent of your needy cunt out of them.”
You're hurtling towards climax, squirming away from Feyd’s hands as you babble nonsense. Just as you feel your peak nearing, he rips his hands from your cunt. You scream in frustration, snapping your thighs together in an attempt to get enough friction to cum. Feyd  stares at you in awe, gently pulling your legs apart and murmuring praises. “There you go,” he says, stroking up and down your thighs to soothe you. “It’s all over now, you did so good for me.”
“No more,” you whine. Your body is exhausted from the constant torment, your thighs quivering in his grip.
“Shh,” Feyd soothes, reaching for his knife to deftly cut the ties at your wrists. You wind your arms around his neck, weakly clinging to him and pulling him down to a kiss. He pulls away from your embrace, standing up to strip out of his robes. “You think you can do one more thing for me?” Feyd asks, crawling back to cover your body with his own. 
You nod in agreement, letting him guide your leg to hook around his waist. A sigh falls from your lips as you feel him finally slide into you. “I need you to lay back, and take it like the obedient little wife I know you can be.” He hisses, fucking into you with lazy thrusts.
“Fuck, Feyd.” You moan, rocking to meet every thrust of his hips. Your hands claw uselessly at his back, and Feyd moans at the pain before fucking harder into you. 
“Come on,” he growls. “Take it. I want you dripping with me by the end of tonight. My darling girl is gonna complain that I’m not giving her enough attention? I’ll make sure you can’t even walk without remembering tonight.”
Feyd pulls out, flipping you onto your hands and knees. He pushes your shoulders down into the mattress, forcing your ass up higher. “Ass up darling, present for me.” Feyd demands with a spank to your ass. He fucks back into you, the new angle making his cock hit even deeper into you than before.
You sneak a hand down to rub at your clit, desperate for some friction to send you over the edge. “No,” Feyd orders, grabbing your hair in his fist and pulling you up. Your back is flush with his chest, and his free hand slides up to twist and tug at your nipples. “I told you to just stay there and take it. Not play with your greedy cunt.”
“M’sorry,” you whine.
“It’s not your fault,” Feyd purrs into your ear. “My desperate little girl is so used to getting what she wants. Maybe if you ask nicely enough, I’ll let you come and milk this cock dry.” Feyd bites down on the junction between your neck and ear, before pulling back and lick and kiss at the teeth marks.
“Please, my love,” you beg breathlessly. “Please sir, please na-Baron. I need it so bad.”
“Need what? You’re going to have to spell it out for me, darling.” Tears are now dripping down your cheeks, and your husband tilts your head towards him to lick them away. 
“Please make me come.”
Feyd needs no further invitation, sliding a hand down to rub ruthless circles against your clit. Your climax hits you almost instantly as you finally get the friction you’ve been needing. “That’s it, darling. Come for me. Do it. Drench my cock.” Feyd hisses as he fucks into you deeper and continues to abuse your clit. “Fuck darling, your little cunt is practically strangling my cock.” You cry and squirm against him as oversensitivity sets in. “Just a little more,” he moans, “I’m almost there.”
His thrusts are getting frantic and sloppier as he approaches his climax. “Come for me, my love,” you whisper. Feyd cries out a moan, biting down on your shoulder roughly as he cums. You’re both a panting and sweaty mess, chests heaving as you come down from the high. 
Feyd gently pulls out, laying you down to plant kisses across every inch of your skin. You whine and pull him up for a kiss. “Round two?” He asks playfully. Rolling your eyes, you push him away. 
“My love, I might just need a week away from you to recover.”
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Note: Thanks for all the love on part 1! I hope you all enjoy this filthy sequel. As always, I am accepting requests for fics. Let me make all your crazy ideas come to life. <3 - Lacie
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sailorblossoms · 15 hours
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Baz's raised eyebrow:
(yet another "Simon identifies as 'Baz-sexual' for very good reasons' post)
few things have annoyed me more with these books than when people do not take Simon's "I don't know anything about anything but maybe I'm just a Baz-sexual" comments seriously (dismissing it with a combination of not paying attention to what he's putting down and good old confirmation bias). He even says it in less "goofy" ways with lines such as "he's the only person I have ever wanted" (in the context of thinking about having sex) (note the emphasis on ever) (yes, it's one of the clues saying he didn't want to have it with Agatha, in case it's not clear)
"Like Baz has only ever wanted Simon, Simon has only ever wanted Baz," is necessary to bring up before I get to my point here. I have seen Simon being read as in love or attracted to Agatha ("he must have been or else how they had sex?"... I mean, Simon tells you why it happened without attraction, but even if he didn't, we could make an alphabetized list of reasons it can happen without it, the desire to fit in is no joke) or the idea of Simon liking all sorts of girls, including the girl he pointedly doesn't notice despite her being obvious to others, for the sake of drama and conflict. I have wondered if they don't believe the characters, or if they find the highlighted sentence here boring. "It's boring if the characters only want each other," "in real life people want multiple people" – indeed, but not everyone is wired the same (and why are we stuck on "real life" so much anyway in stories about half-dragon and vampire boys falling in love). But it's not like this sentence is without conflict. Note Baz's eyebrow...
In CO, when Simon says Trixie is cute, Baz's reaction is a boyish "I'm going to puke" comment, which is likely part of how he dealt with jealousy and thinking Simon was straight for years: masking his feelings with "harsh" or sort of "edgy" jokes (probably not the right words to use, but getting to hung up on precise wording is the reason I never finish these posts). In awtwb, Simon calls Pippa cute, and Baz raises an eyebrow...
By those reactions, we could say the idea of Simon calling someone cute because he finds them attractive crosses Baz's mind – or is something he feels in some way, even if the thought doesn't explicitly cross his mind. It's something the reader might assume as well... however, I don't think the way Simon uses cute – which can be used in many different situations – says anything about attraction for him. I mean, a gay man can see a girl being cute or gorgeous as well – Baz certainly does! (attraction is portrayed in this books as thoughts derailed, repetition, sentences being cut off, fixating in a detail no one else notices like they do – you see it with Baz and Simon, Agatha and Niamh, Shepard and Penny. Shep doesn't just call Penny cute – he loses his entire goddamn mind for a whole page about her cuteness and her knees. It's not just a passing comment).
I don't think those scenes when Simon says "cute" is highlighting something about him, other than the fact that he's able to note cuteness. I think it's saying more about Baz's insecurities (I know I once posted something long about it somewhere...) Baz brings attention to it in a way with his reactions... because he's bothered by it. It's something that's sort of hidden and sort of contained, but it's there.
Baz doesn't find himself desirable, partly because of his vampiric nature. But part of it is also about the complicated and messy fear that perhaps... Simon has a problem with being with a man (I know I have unpacked this in other posts, finding them though...). Perhaps "a girl would be better" (It's messier with boys than with girls, it's a thought that comes out before he catches himself with "I don't actually know anything about being with boys or girls".... "I don't know anything about being in a relationship," he says, while still being able to catch there was something wrong with Agatha and Simon's relationship when Simon talks about – because Simon will process things he would rather avoid when it's about opening up to Baz, he wants Baz to know things that would help Baz understand him better, even if he himself would rather not understand... still Baz can't let go of the programming of all those years believing in the golden couple – he has spent a longer time believing that than dating Simon, after all) (Agatha is alive and beautiful, the sort of beauty that's used to "embody" "desirability".... and Baz is "not alive"...) (as a side note, have you noticed the idea – or the actual action – of sex with Agatha is used both with Simon and Baz to indicate a lack of desire toward women?)...
While Simon thinks of Baz as the only person he has ever wanted – Baz is as desirable as it gets for him – Baz struggles with feeling desirable at all. Baz doubts and wonders and has to catch himself – even if he doesn't notice he's doing that. Even if he doesn't conciously think "a beautiful girl who is alive is more preferable than me, a gay male vampire." That is a far more interesting conflict than giving Baz having legit reasons to be jealous, I think. The fact that he has truly nothing to feel jealous about, and yet... he just can help it. It's hard to go against years of programming, of going against the idea that everything about yourself is undesirable and it's better to hide it – another way he matches with Simon. They also match in their insecurities, with small differences: Baz is so amazing and attractive while Simon doesn't feel like he's good enough for him, he can do better than him, etc... while Baz clearly only has eyes for Simon, Simon feels like Baz is merely stuck with him. And the conflict here is that you think "they need to TALK and voice their thoughts for the love of god, what do you mean Baz doesn't know Simon sees him as the love of all his lives??"... talking is not enough. That Simon and Baz only have eyes for each other is not without conflict. Sometimes we need to keep hearing some things, and even then... the fears and insecurities don't go away. Especially when he have spent a really long time believing ourselves to be unwanted, undesirable, something to be hidden. When we have been exposed to things that confirmed those beliefs for longer than we have been exposed to things that challenge them
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