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umwillow · 1 year

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forever young~wally clark

warnings: none just some cutesy cornball

shit

based on the song Forever Young by Alphaville (can you tell i love napoleon dynamite)

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wally clark was miserable and lonely in his time stuck at split river high, sure he had charley and rhonda, but he longed for something more than just that reassurance that he had people to confide in. (he wants a fuckbuddy. jk.)

that all had changed when y/n l/n died on november 7th of 1997.

the two became fast friends, and soon enough they were both harbouring feelings for one another but neither of them would admit it, both of their reasonings being the fact that if they ever did have a big falling out, they would be stuck in that same place always having to see eachother. so they both pushed away their feelings and replaced them with jokes and shy smiles, a few lingering touches here and there.

everyone else in the split river high afterlife support group were so over the two constantly avoiding their obvious feelings for eachother, but mr. martin would argue that the ghosts having those types of relations would only add to the already stressful and dramatic environment they were in. (bitch).

right now, in 2014, wally and y/n were wandering the halls of split river high badgering about what movies to pick for this weekends famous movie night.

“no, y/n we are not watching pretty woman again!” wally dramatically flails his arms as he tries to reason with his best friend about their movie choices.

“ok big shot, you wanna go there, i’m not sure i can sit through another minute of Rudy, wally.” y/n counters. “plus, i think julia roberts is an absolute goddess, that deserves to be recognized!”

“i am deeply offended that you would even say this in front of me.” wally feigns distress.

“ok, i have literally said this to you so many times how could it be so different from before, like what do you even get from watching Rudy so many times?” they realize her mistake but it’s too late and wally starts his attack.

“YOU LITERALLY DO THE EXACT SAME THING WITH PRETTY WOMAN LIKE ITS A RITUAL!” he yells with a twinge of “haha nerd you just got floored” in his eyes.

“OK WELL- yeah good point.” she starts to yell back but then notices there was really no point whatsoever arguing with wally.

“how did we even survive before we met each other!” he exclaims.

“we were alive?” she bites with a cackle afterward.

“yeah that makes sense.” he discloses.

“so, should we head to the library and possibly look for new movies that aren’t rom coms or terrible sports movies?” she finally speaks after they took a little break to have a laugh.

“sure, but it’s only because i love ya.”

wally wasn’t aware of how frozen y/n was regarding those words. it was like she wasn’t allowed to move in her own body until her subconscious told her it was time to stop.

“ok sweet let’s go!” she quickly recovered from her weird frozen state.

the rest of the walk was surprisingly silent for both of them.

———————————————————————

the library air was dusty and smelled of mildew and old ladies, as wally refered to the smell of the soap his grandmother used to stock her bathrooms with.

“footloose, nope. grease, seen it 7789927 times before. say anything, love it but not the vibe tonight. dirty dancing, amazing beautiful spectacular, no.” y/n looks through the library’s dvd collection, “oooh what’s this Napoleon Dynamite?”

“here let me look” wally grabs the dvd case, “hm, looks interesting. never seen it, let’s watch it!” he claps.

“by the looks of it i don’t think rhonda will be a big fan.” y/n jokes.

“she’ll have to suck it up because we’ve never seen it, AND now she can’t criticize me because i only ever choose sports movies.” he grins smugly.

“alright, but you’re taking the blame for this one firecracker!” y/n jumps up from her spot on the floor next to the jock and runs toward the big library doors, “last one to get to the gym has to sit next to mr. martin during group tomorrow!!” she yells with an exaggerated look of disgust.

“oh god no, i am not doing this agai- Y/N WAIT YOU KNOW I TWISTED MY ANKLE DURING FIELD DAY STOP THIS MADNESS!” he yells after her but she is long gone.

———————————————————————

the group of dead teens sat on various couch’s and mats throughout the gymnasium, eating popcorn and watching the screen, only, two of the teens sat staring at eachother. one minute wally would look at y/n, and the next y/n would look at wally. he had shared his couch with her for seventeen years and he still finds himself nervous next to her.

what he doesn’t know is that she’s nervous too, and sweating with nerves and stress.

wally finds his hand extremely close to hers and decides to keep it there for good measure. y/ns hand slips a bit closer, and closer until their hands touched and shocked each of them for a moment. they awkwardly looked at eachother but kept their hands together nonetheless.

from across the room, rhonda and charley scoffed at the immature teens who clearly were obsessed with eachother.

“i fuckin love this movie. how is it that it existed all these years and i never knew it was here?” wally confessed.

“me too though, like, it’s so awkward but i love it.” y/n acknowledged.

and that was the last of their conversation for a while.

———————————————————————

time passed on in the movie, and now y/n had fallen asleep on wally and the poor boy didn’t know what to do.

“help me charley. what if she wakes up and instantly recoils or something, i can’t have that!” wally desperately whisper shouts to his friend.

“hate to break it to you bud, but do you really think she would do that when all she does is look at you like you hung the sun the moon and the stars?” charley sasses, knowing he’s right. (charley is such a slay i love him sm.)

“what the fuck do you mean by that?” wally is in disbelief.

“i mean that she loves you unconditionally, big guy.” charley states.

“huh. never picked up on that. SHE WHAT?!” it took a minute for wally to understand what the glasses clad teen meant.

“yup, and i know i’m right so don’t even, in fact, we all know i’m right!” charley declares.

“she looks so peaceful when she sleeps. she’s so pretty. she also smells nice. i’m so whipped.” he admits with a sweet grin.

“that’s gross wally, keep your thoughts to yourself. some of us want to keep this popcorn down.” rhonda speaks her disgust.

“i’m just keepin’ it real!” he waves his arms goofily (he’s so silly goofy quirky goofball).

“mind keeping it real somewhere else? we would like to watch our movie in peace.” rhonda once again expresses her distaste for the situation.

“fine, i’ll be oh so quiet!” wally scoffs.

———————————————————————

the movie soon ended and now both wally and y/n were fast asleep on their couch in the gym, unknowingly tangled with wally laying on her chest and her hands in his hair.

“should we wake them up or leave them be?” whispered charley to an annoyed looking rhonda.

“let’s leave em’, they need this little push.” rhonda has been scheming about getting them together and saving everyone the frustration of having to put up with their awkward bullshit.

“ahhh i see ms. conniving matchmaker.” charley smirks at rhonda and then at the entangled couple in front of them.

they walk out of the gym to give the lovebirds some solitude.

——————————————————————

the first thing y/n hears when she wakes up is wally’s soft snoring .

she opens her eyes to find him laying atop of her chest with his one hand in her hair and the other on her hip, their legs tangled. she has to remind herself to breathe because wally is literally using her boobs as pillows. she decides to just wait it out instead of potentially waking him up if she tries to move.

wally stirs a bit and let’s out a grunt. he cracks an eye open and looks up to the girl he’s been sleeping on and instantly blushes as he realizes what position they’re in.

“sorry, didn’t mean for this to happen.” he says starting to get off of her.

“no, i like it. it’s…comfy.” she smiles nervously.

wally felt a flutter in his stomach and his face heating up.

“oh uh- well i like it too.” he winced as the words came out.

they had a weird moment of silent staring and their faces were like stones, frozen in place.

“i like your moles, they’re cute.” y/n whispered, almost afraid to speak as if she’d scare him off.

“i like your everything.” wally swore he was dreaming.

the next thing they know both of them are slowly moving toward eachother, closer, closer, a bit closer, and there.

their lips touched and it was the most connected either of them had felt to eachother ever. y/n reached for the back of wally’s head to tug at some hair at his nape, while poor wally didn’t know what to do with his hands. taking matters into her own hands, y/n takes wally’s shaking hands in her own, without breaking the sweet kiss, and brings them up toward her waist.

“much better.” she smirks against his lips.

“i love you” wally drops the bomb.

“you- love me?” y/n asks, backing up from his face a little with big eyes laced with softness.

“well yeah i didn’t just say that for shits and giggles.” he scoffs, not without shooting her his signature silly smile.

“wally, i love you too. so much.” she could cry, in fact, there were some tears brewing already.

“great, because it would be really awkward if you said you didn’t.” he jokes a little, being too nervous to look her in the eyes. but his eyes meet hers, and he’s met with tears welling in her beautiful eyes. “hey sweetheart what’s wrong? is this too much?” he strokes her hand with his thumb.

“yes, just kiss me again.” she shakes her head at him.

he wastes no time.

he dove in and they could both feel the emotion that their feelings were real for eachother. wally tasted the salt from her tears but he kept kissing her tears away.

when they pulled away, she pulled him into her embrace and they just sat there, basking in each others presence.

“should we face the others?” y/n asks with a sly grin.

“i don’t know, i mean, if we wanted to be teased and messed with we could’ve just admitted our feelings in front of the others?” wally sasses.

“ok, fair point.”

———————————————————————

i’m really excited to finally be putting this out here

i hope you enjoy!!

xo: willow🫶🏻

#wally clark #wally clark imagines #fluff #fanfic #imagines #reader insert #scenarios #writing

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nevermeyers · 2 years

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I don't know if this opinion is something "radical", but here goes. I wish TR was a seinen.

[there aren't spoilers here or anything related to the leaks, don't worry + this is just an opinion, if you don't wanna see this just keep scrolling]

I wish it, because it would have given us a deeper exploration of the obscurity of gangs, youthful drug use*, sexual violence**, prostitution*** and the yakuza clans****. I wish it was darker. That doesn't mean it can't have a happy ending ofc!

* haruchiyo. I have the hc that he threw himself into drugs 1) because of the environment in which he moved, because when someone close consumes there is a probability that you will also do so and 2) because having memories of another timeline was unbearable for him

** remember the raped girl in the arch of moebius? or would senju ever be harassed? What about Yuzuha?

*** it only gives us hints about the prostitutes with the first meeting of draken and mitsuya, where mitsuya and one of the girls talk

**** Wakui respected the typical pyramidal structure of a mafia, with its leadership leadership, in the Bonten arc. It was very interesting to see

I only know that if TR had been a seinen the treatment towards certain moments would have been very different and all those shonen clichés (like in these last chapters where they left aside the importance of all the characters just to highlight the relationship between Takemichi and Manjiro) would disappear, leaving a much larger and emotionally stronger work.

If it had been a seinen, the work wouldn't have been directed by and to sell copies. I mean, yeah, it's an industry that only seeks money, but the exploitation of the shonen genre is much greater than the seinen genre, or it gives me that impression.

For example, shonen usually have protagonists of adolescent ages so that the viewer feels identified. We see this in TR with characters who clearly don't act their age.

(I'm just referring to their way of dealing with that environment and making some decisions. Let's remember that there are actually teenagers involved in gangs and if you deny that it's because you probably live in a enough privileged place not to open the news and see they have stabbed a fourteen year old boy)

Shonen are aimed at young audiences who consume and quickly forget. Shonen must satisfy the huge needs of these teenagers, either with fanservice or putting the usual clichés because they know they work.

Things in seinen are much more serious and don't usually focus on constantly pleasing the audience.

If TR was a seinen he probably wouldn't have been as famous as he is, maybe it wouldn't even have had an anime. But, maybe then his ending wouldn't have been so rushed and Wakui would have been able to explore all the hints he gave us throughout the series that things are much bigger than they seem (example: hanma's role in the history + fix the plot holes).

Also, Wakui is an author used to writing seinen. If I'm not mistaken, this is his first shonen and it's just where his narrative (specifically at the end of the story) has weakened. I'm convinced that it's not his fault, because he had been doing great until then.

With this I do not intend to detract from his work! TR is great and I will always appreciate his work. It is my favorite manga precisely because of the things it has made me feel (let's say that my favorites are measured more by the sensations than by the plots, lmao) and its characters feel unique and real.

I'm honestly not mad at this ending. I just think it could have been handled in a much better way, because that's what TR deserves.

On the other hand it makes me be in conflict with myself. I look at the characters and think they're not the same, because they have not lived everything they lived in the other timeline. And all of a sudden I say to myself "wait, are you wishing someone went through trauma just to satisfy you?" it's so strange :')

I have to say that the S62 are the most similar characters to the other timeline. Look at those smiles of enjoying the cruelty hehe I love them

So I'm just saying that maybe it would have been more coherent being a seinen and of course maybe Wakui would have felt more comfortable writing it, since that's what he's used to

He has worked very hard, he himself has said this year that he has had his first week off in a long time, and that he suffers from kidney pain (magazine comments). He deserves all the love and respect.

I don't think any of you like it when a job you've put hours into is detracted just because of its ending. So always remember to say things with respect!

Take care <3

#tokyo revengers #tokyo revengers spoilers #@meyers #ken wakui #—meyers»talks🌸

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chaosbeetlefrontiers · 10 months

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Intergang: how MAWS can tap into its potential

We’re halfway through My Adventures With Superman and I love this show a lot so far. It’s easily one of my favorite Superman adaptations and I love talking about it with my friends every week. The characters are all charming and understandable, I find the story very interesting so far, its animation is mostly solid and is carried by an art style I absolutely love, I can recommend it to just about anyone.

I will say though, one thing that kinda frustrates me about the show currently is how centered discussion is on Clark and Lois. And I get it, they’re the two main characters of the mythos as well as the show and they’re both very cute and very good characters. That being said, I feel like the other characters deserve their time to shine. Jimmy is my favorite character in the show so far and he’s (ironically) been pretty shafted in terms of discussion. The villains get it the worst though. Imma be honest, even if I can see the complaints for the villains all currently being tech based (even though that’s in favor of the story), it’s the writing on a fundamental level that I’m concerned about. And yes, I think that MAWS handles its villains far better than STAS. While STAS’s villains are very inconsistent, MAWS’s villains are all in the same ballpark in terms of writing and each and every single one of them deserves exploration. And I wanna talk about the villains that I think have the most potential: Intergang.

So let’s get stuff cleared up first since the episode keeps it vague and as such most people and the wikis don’t take this into account.

Silver Banshee is Siobhan McDougal, that’s pretty clear in the episode. Mist in the episode is simply addressed to as Kyle, and a lot assume it’s Nimbus even though the episode never really states that, nor do the credits. However, he refers to Siobhan as his sister more than once, which Albert doesn’t do. And if we look at this promotional material, the article addresses Mist as Kyle McDougal. In MAWS, Siobhan and Kyle are biological siblings. Rough House isn’t biologically related to the two, rather a very good friend. This is another thing the episode doesn’t state but in MAWS, Rough House is Albert Donovan which references how Rough House is a clone working for Intergang in the comics and Dr. Dabney Donovan is a Superman rogue also from the comics who specializes in cloning. In fact, he made Rough House in the comics. So this lays out the dynamic of the group that a lot of people seem to miss: Siobhan and Kyle are biological siblings, Albert is found family. Pretty small potatoes compared to everyone else admittedly. Onto the main point: Intergang have the best dynamic out of any of the villains in the series so far.

I feel like the best way to put it is that Siobhan, Kyle and Albert sorta mirror Lois, Clark and Jimmy in a way. Given a lot of the drama in the later episodes, Intergang acts a reflection of the intern trio: not taken seriously and barely given opportunity to rise up. Main difference is that Intergang has been doing their schtick for a lot longer, and thus their bond is a lot closer. Let’s start with Siobhan:

Siobhan acts as in a leader role not too far off from Lois. Siobhan genuinely cares for both Kyle and Albert but serves as the middle ground for Kyle and Albert’s back and forths instead. She also contrasts well with Livewire from the last episode, as Siobhan is constantly positive with the trio and searches for an opportunity to grab respect. She’s also leans harder into the leadership role than Lois does. Kyle and Albert follow her a lot more than Jimmy and Clark follow Lois (which may also have to do with their different positions) and she doesn’t exclude them from the dynamic because they all have the same end goal. Heck, Kyle and Albert burst into Stryker’s just to free Siobhan. Also, Siobhan in general just has a lot of that same energy that makes Lois so fun, just with some more punkishness to her and her respect for the people she loves is probably above her pursuit for respect itself.

And next up we have Kyle:

This may surprise you but I think Kyle mirrors Clark the most for a few reasons. The biggest of which being caution. Siobhan and Albert share a LOT of the same energy together and Kyle basically acts as the straight man to their more active attitudes. Kyle acts pretty secretively compared to the other two with a big desire to hide their real names and is really critical of Albert especially. Their back and forths are basically that small crack in the trio as Kyle’s tolerance for the slip ups is not very high at all. It’s clear that he works with Albert for Siobhan’s sake but even then their first appearance shows that they’re willing to put aside a lot for the end goal and the trio functions well because of that. I’ve seen people push him aside and him getting cut from the opening does make me a little scared for the future but either way I love Kyle. He helps balance out the trio a lot and he’s very entertaining in general.

And finally, we have Albert:

I definitely see Albert as the Jimmy of the group for… a lot of reasons actually. Rough House is the most consistently enthusiastic in the group, he’s a bit of a goofball, he can come off as frustrating to Kyle especially (while Lois and Clark more so see Jimmy as more of an oddball), and Kyle and Siobhan already have a connection that Albert’s not in, this time being the biological kind. The big difference? Albert is consistently included in the group. He’s clearly Siobhan’s best friend and Kyle brings him along to free Siobhan even while being frustrated with him. It actually makes sense to me that people refer to both Kyle and Albert as Siobhan’s brothers since yeah, Albert’s basically family to them.

Now, Intergang’s only got one episode so far and Superman’s villains are notorious for being underutilized. Whether it be Parasite, Livewire, Toyman or even Silver Banshee, they could always have room for more expansion. My hope is that MAWS will actually expand on its villains this time so how do I think Intergang can be expanded on?

First idea: contrast them with other villains. Livewire and Heat Wave both have gangs much bigger than the trio but Leslie puts her gang down and Heat Wave’s gang ditches her. Intergang functions much better as a unit even if Livewire and Heat Wave have more experience. Plus, compared to those two we haven’t gotten any glimpses on their reactions to Task Force X, mainly because they were the first ones captured after Livewire. Maybe make the trio more interested in what Waller offers compared to the other criminals. Or at least write it in a way where Task Force X, whether they oblige or resist, are their rise to fame.

Second idea: include Jimmy. I love Jimmy’s relationship with Siobhan in the Williamson run. Do I think it can work here? Absolutely! Both of them bring their respective trios together and their personalities would compliment each other well. I see it as with Clark and Lois dealing with relationship stuff, Jimmy ends up forming one with Siobhan and as a result is welcomed into the trio as a friend. Kyle would be suspicious but at the end of the day he just wants what’s best for his sister.

Third idea: SUPERPOWERS!!! Kyle and Albert I think work fine with just their tech but Siobhan’s definitely the odd one out. I feel like a storyline involving her gaining them would be really interesting, especially since we have seen what it would be like is Siobhan didn’t have control over what she ended up being capable of. Plus it could give more of Kyle and Albert working together for Siobhan and I’d be down to see more of that. Or Siobhan going solo for Kyle and Albert’s safety. Or Mist getting powers and Jimmy trying to help him out and both of them gain mutual respect, the possibilities are endless!

I’ll reblog and update this whenever we get more significant appearances from the trio, I feel like it’s pretty guaranteed we’ll see them again before season 1 ends. I made this because I love this trio, I feel like I’m the only one who cares about them and I feel like I’m the only one who’ll care if the show somehow manages to screw their dynamic up. Either way, I’m holding out hope and I also hope this little study got you more interested in the trio. Whether its fanart, fanfics, edits, what have you, show your love for MAWS Intergang if you can! I know I will.

#dc comics #my adventures with superman #superman #silver banshee #siobhan mcdougal #mist #kyle mcdougal #rough house #albert donovan #intergang #character study #task force x #character essay #i love them so much #pleaseeeee don’t do them dirty

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sereneabyyss · 9 months

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Blind Watch BSD Season 3 + Hitori Ayumu

Alright folks! @wafflesarecool and @animusmelodiam and I are finally back on our bullshit again after a like month or so of not being able to watch anymore BSD but season three + obligatory OVA blind watch is here and OH BOY was it a time

First off it's very important to note that this entire experience was spent Pogging Through The Pain. Now onto the reactions.

"what the fuck" counter: 3 (once for wifi related reasons instead of the show, 2 additional spiritual for book and cello destruction, 2 further from people outside viewing for Waffle's pokemon color quiz results, additional 2 offhand from following)

wifi outage for Serene count: 4

disconnection for Waffle count: 14

^ Numbers provided by Animus. We appreciate Animus numbers in this household dammit.

"I feel like the what the fuck counter should be higher but we're just so desensitized to the bullfuckery of this show now"

They used the theme song intense battle scene in episode 3 for the gays to hold hands

"badass moment for the not so badass lame little skk"

"the fucking queers got the bit"

Waffle taking the pokemon color pokedex quiz and getting a 90%??? Waffle what the fuck

"HATHATHATHATHATHAT"

Talking about anatomy organ systems while children are shooting machine guns on screen.

"HOW DARE HE THROW BOOKS INTO THE FIRE HE DOES NOT DESERVE THEM!!!"

Pogging through the pain of internet constantly disconnecting

KARL AND POE APPEARANCE

"Ranpoe is VALID because Poe actually ADMITS that Ranpo influences his life and life would be dull without him UNLIKE SOME QUEERS IN THIS SHOW"

an entire screenshot of multiple messages of just "KARL"

an entire just straight up Gatsby reference episode (only Animus knows fuck all about Gatsby)

Serene forgetting the existence of a character from literally season two

"I have an excuse seeing as how I have not seen this since 2019 and I still remember who it [the mysterious murderer] is"

"well seeing as how I don't even remember who that guy is"

"he's literally from season two"

"ok and? season two had Karl and Poe, I don't see how I'd remember him"

(the character was the one boat priest dude from the guild)

Pogging from more internet being just bad enough to not be able to stream but good enough to message by discussing "what if a fic writer got a hold of The Book what would happen"

"suddenly omegaverse is real"

"theoretically would they even know their God Book was doing God Things?"

"I guess it depends on what they're writing?"

Elise kills Waffle

Getting to the last episode and having to close the room and restart computer to try and get through the next two episodes with little Events Of Internet Malfunction

Akutagawa and Atsushi are literally two cats getting held by their scruffs.

natural queers beat lobotomized queers any day

"what the fuck is wrong with him"

"lobotomy"

"ah. makes sense"

all tense scenes in anime ost's should use classical music that shit slapped.

Monkey D. Atsushi

Atsushi gets rocked, and through the power of plot relevance this gives him a virus.

HE [Atsushi] HAS THE COAT

Queerest fight ever.

"Atsushi should be emo now. he has the trauma"

1800s lesbians Akutagawa and Atsushi who send each other vague poetry that starts off as trauma button pushing where they call out each others trauma but slowly morph into even vaguer confessions of deep unparalleled feelings of knowing someone who knows you deeper than you find yourself knowing and painting each others nails black.

"HE TURNED INTO A RAINBOW?"

where the fuck is the detailed episode of Ranpo and Chuuya in book jail

emo catsushi rights!!!

just Dazai doing Dazai Things

Kunikida is a DUMB WHORE (said at least 7 times)

Aya <3333

obligatory hat call outs

"I hate this episode because it's Kunikida centric and I hate Kunikida because he blames children for their trauma and the actions of the adults around them"

#bsd #bsd atsushi #bsd kunikida #bsd akutagawa #bsd dazai #bungo stray dogs

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hattrickeryreviews · 8 months

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Empty Net (Scoring Chances #4) - Avon Gale

"Spartanburg Spitfires’ goalie and captain Isaac Drake ended last season with an unexpected trip to the playoffs. He’s found a home and family with his coach and mentor, Misha Samarin, and he’s looking forward to making a serious run for the Kelly Cup. But things take an interesting turn when Isaac’s archnemesis, Laurent St. Savoy, is traded to the Spitfires. After Laurent’s despicable behavior in the playoffs last year, Isaac wants nothing to do with him – no matter how gorgeous he is. But that changes when Isaac discovers the reason for Laurent’s attitude.

Laurent St. Savoy grew up the only son of a legendary NHL goalie in a household rife with abuse, constantly treated like a disappointment on and off the ice. When a desperate attempt to escape his father’s tyranny sends him to the Spitfires, the last thing Laurent wants is to make friends. But there’s something about Isaac Drake that he can’t resist, and Laurent has an opportunity to explore his sexuality for the first time, but he’s cracking under end-of-the season pressures. When facing the playoffs and a rivalry turned personal vendetta, Isaac’s not sure he’s enough to hold Laurent—or their relationship—together.

Please be advised: This book does contain some non-graphic references to past childhood physical/emotional abuse as well as issues relating to ED (bulimia and restricted eating, disordered thoughts about eating)."

Did I reread it? Yes

POV: 3rd person limited, alternating between Isaac Drake and Laurent St. Savoy

Tropes: Abuse, Enemies-to-Lovers, Healing, Hurt/Comfort

My thoughts:

Characters/Character Development: 4/5

Isaac: Isaac has attitude problems, a dark past, and blue hair. He mostly enjoys talking with his fists, but he’s trying to learn how to think first. His arc is focused on internal growth but is also highly centered on helping Saint.

Laurent (Saint): Saint is freshly removed from under his father’s thumb, but years of abuse have made him volatile and highly anxious. He feels like he doesn’t deserve anything good and sets out on a mission of self-sabotage whenever things get too good. His arc is focused on healing.

There’s a lot of tragedy with these characters, and I spent a lot of the book feeling bad for both of them. They’re both well thought out, with qualities that make sense with their base characterizations. They both go through a lot of development and healing throughout the plot, and I really like how their mental health issues are handled. I do think it move a little quickly, and I think a lot of the issues that we see the characters have are solved much faster than they would be in real life.

Believability (Hockey): 5/5

Just as the previous books in the series did, this book follows the ECHL, with accurate depictions of what that means for the characters. The team names themselves are fake, but the structure of the games and league is very real. The trades mentioned in the book are realistic, along with the trajectory of the games themselves considering the improvements made from the start of last book.

Believability (Plot): 3/5

There’s a whole lot of realistic elements to this book that were made slightly unrealistic by the timeline. Again, we are dealing with a 200-page book taking place across a single season of hockey. There were a lot of things that needed to happen with not much time to do so. I would say there’s a lot of things that took place which, in real life, would probably take many years to occur, or at least more months than they were allotted. I believed everything that happened; I didn’t believe how fast it all happened.

Uniqueness: 4/5

There are not many things that happen in this book that I’ve seen in other hockey books. You’re looking at a story of tragic abuse and how that impacts interpersonal relations and the hockey game itself. When you’re looking at typical plotlines for hockey stories, it definitely isn’t something I have seen before.

Trope Integration: 4.5/5

This book leans heavily on its tropes, but in a good way. There’s a lot of underlying reasons for just about everything that happens in this story, and the plot stays true to those elements. I would have liked to see a couple other tropes, just to help cut through how dark this book leans, but it does well with what it has.

Series Integration: 5/5

I’d say this was a perfect transition from the previous book. We already know Isaac very well before the start of the book, and we were already introduced to the animosity between him and Saint. We see characters from the last book remain highly relevant to this one, leading to a really nice reading experience.

General enjoyment: 4/5

This is an excellent book; it is also incredibly serious, especially compared to some of the other books in this series. I truly enjoyed reading it, but it is also a dark plot with many elements that you can’t really call “enjoyable”. Still, very well written and highly compelling.

Overall Score: 29.5/35 or 4.2/5

#lgbt fiction #queer books #queer characters #lgbtqia #lgbt books #hockey romance #avon gale #scoring chances #book review #book blog #hockey #echl #ratings #rivalry #empty net

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boldlyvoid · 3 years

Text

Wheels Up

Characters: Spencer Reid, Reader (Y/N), Aaron Hotchner, David Rossi, Derek Morgan, Savannah Hayes, Emily Prentiss, Elle Greenaway, Tara Lewis, Jennifer Jareau, Matt Simmons, Luke Alvez

Summary: JJ goes on maternity leave, Spencer falls in love with her replacement that he's supposed to be mentoring, Emily Prentiss and Elle Greenaway work a case together that brings Simmons and Alvez in for help...

Warnings: Genius!Reader, mutual pining, idiots in love, drinking, star gazing, lots of fluff, mentions of past assault, grooming, drug addiction, spencer's trauma, Abductions, Rape, Murder (typical canon violence)

word count: 9.4K

a/n: this is for @starry-eyed-spence and @simmonsmilf CM fanfiction week, Day One: Favorite Character... only I couldn't pick just one.

To say Spencer fell in love at the least opportune time was a bit of an understatement. Everyone he’s ever come close to admitting his love to has either left him or died. Now he’s stuck with loving someone in secret, keeping it to himself and hoping that one day she’ll love him back.

He fell in love with a co-worker once again… which wasn’t the worst thing, office romances happen and it’s quite frankly all Rossi’s fault that they even had to worry about fraternization policies. The part that makes liking Y/N so difficult is that he’s supposed to be her mentor, he’s 5 years older than her, and if he was to ever make a move she would feel inclined to reciprocate in order to keep her job because that’s the unfortunate truth behind office relationships with significant differences in positions.

And worst of all… she doesn’t like him that way at all. She’s called him the brother she always needed, a best friend, the best mentor ever. She wasn’t interested in him in the slightest.

“And why would she be?” He’s said this to everyone who knew about his crush on her. “I’m old and boring and she’s so cool?”

But he didn’t get it. He didn’t understand that every time she asked him to hang back to help her file something, or when they would buddy up in hotel rooms to discuss cases all night and end up down some star trek rabbit hole instead, every time he talked to her she was falling in love with him right back.

It once again all circles back to Rossi, if it wasn’t for him, Spencer wouldn’t even know her. She wouldn’t have ever been introduced to the unit, he wouldn’t be attached to her at the hip and he probably wouldn’t be as happy as he is with her in his life. Even if she wasn’t his girlfriend.

He’ll never forget the day Rossi asked him to meet her, to help her settle in…

“Spencer, can I talk to you for a minute?” Rossi called him into his office.

He sighed, putting his book down and walking up the stairs to his office. He closed the door behind himself and smiled awkwardly, “what’s up?”

“Sit,” he gestures to the chairs in front of his desk, where Spencer pulls one out and proceeds to sit down, anxiously. “As you know, both Kate and JJ will be out of the field in the next few months to have their babies and we need to bring someone in to fill the void until they return, so I reached out to the academy to see if they have any up and coming Dr. Reid like agents that they could loan us.”

“Why?” Spencer laughs at the choice of words.

“Well, honestly, why get new 2 agents when we could have two Reid’s? JJ will be back after a month or 2, it’s better to have more brains than brawn.”

“So they found someone and you want me to be their chaperone?” Spencer clues in. “Who are they?”

“Y/N Y/L/N, she’s a wonderful agent, but she’s pretty quiet, I don’t know much about her personally.” Rossi prefaces. “She’s a genius, high IQ like yours and just a plethora of knowledge inside that mind of hers. You’ll like her.”

“Alright,” he nods. “When do they start?”

“When JJ’s water breaks, but I’d like you to meet them and maybe even have them shadow you for a day?” Rossi asks, “I’ve actually arranged for you both to get dinner at a friend's restaurant?”

“Is this an arranged date or purely business? Don’t send me in there blind,” he worries. “I need at least a week's prep before I go on a date again.”

“It’s not a date, kid,” Rossi laughs. “She's just a lot like you were when I met you, and I know from watching you all these years that it’s not easy to do it alone, so can you just walk them through it?”

“Of course.”

That first dinner Rossi set up for them was more exquisite than either of them prepared for.

They spent the whole night discussing dissertations and their independent journeys through becoming a genius. He understood perfectly why Rossi and the Academy would think she was a lot like him, she was a genius, but she was awkward. It took a while for her to break out of her shell and open up, but by the end of the night, he already knew they were going to be friends.

“So,” she smirks, “would you mind telling me honestly how hard this job is?”

“Why?”

She sighs, “I’ve heard a lot about Thee Doctor Reid and how you were the youngest hired to the BAU and all the shit you’ve been through.”

“What are the rumours these days?” He awkwardly smiles back, rolling his eyes slightly.

“That you were brain dead in a cemetery from an overdose and yet you’re so smart you came back from the dead to kill the unsub and escape…” she looks more and more disappointed in the rumour as she tells it.

His tongue hits the roof of his mouth as he opens it to speak, making a tsk noise as he shakes his head. “Well, I did OD but it was the unsubs main personality that resuscitated me.”

“Holy shit,” she whispers.

He nods, “what about you? I’m sure you have a reputation based on a rumour?”

She presses her lips together the way he always did, just as awkward. She sighs, huffing the air out of her nose and looking fed up. “I was groomed and assaulted by an older boy who then told kids I had a stalkerish crush on him so if I was to ever tell anyone what happened, then no one would believe me.”

“I’m so sorry,” Spencer knows the words don’t make up for what happened. “I’m guessing that’s why you wanted to get into profiling?”

She nods, “I got away with some PTSD and trust issues, most girls go through much worse… they deserve someone who gets it to look into their cases.”

Spencer nods. “That’s how I felt after my kidnapping too. It took a while for me to look at crime scene photos and not think about how they felt, and wonder why I lived when so many die?”

“I’ve never been a religious person,” she prefaces. “But I do believe we are here for a reason. Whether you choseto be here after your last life or this is some learning opportunity, or God is actually real? And you’re supposed to do good.”

“In narcotics anonymous, they reference god a lot, it’s helpful for the addicts, but I never get into it,” he opens up with her more than he’s ever opened up with any friend. “If my Devine purpose is to suffer in order to relate to those I’m supposed to help that’s a load of bullshit… honestly, I can get pretty angry thinking about why I’ve gone through what I’ve gone through doing this job, but it’s not as bad as what happened to me growing up, and it leads me to believe that I probably wouldn’t have had an easy time no matter how I live.”

She nods, “I know, I get that.”

“Sorry,” he snaps out of it. “I didn’t mean to trauma dump on you.”

“It’s exactly what I asked for actually,” she reminds him with a soft smile. “If you can still come to work every day, after all that, you must be incredibly strong— and if I’m anything like you the way people say I am, I guess I can do it too.”

He had no idea she would end up being his best friend.

She shadowed him just once in the office, picked up everything right off the bat and immediately made a name for herself in the unit. Derek tried multiple names on her before one stuck, and they knew it stuck when even Hotch called her Baby Genius.

She brought a different knowledge base to the team, similar to Spencers but visibly younger. She fit in with the crowds of kids they had to interview, she understood why kids reacted the way they did to trauma and abuse, and she was still a kid at heart. It was the reason Spencer fell for her.

She allowed him to feel free again. They went out together outside of work, going to events he always wanted to go to with a partner but never had a chance. She loved all the same things as him, and she takes him to places he’d never imagine enjoying before her.

Like laser tag… that was an afternoon he’ll never forget with her.

When JJ went into labour, that’s when Y/N started full time and Hotch hired Tara Lewis in the same week. The team barely had time to adjust to being undermanned before they were restocked.

Joining Spencer every morning for every case, she waited out front of her apartment for him to pick her up most mornings, sticking to his side throughout the long days and nights until he drove her home again. Even at work, they were partnered up for everything: heading to the M.E. together, bouncing facts back and forth at the precinct, playing good cop bad cop with perverts, and her personal favourite… Making the geoprofile.

And Spencer liked doing that part with her as well. Because it typically meant they were completely alone in a room, spreading out a map and leaning in close to each other as they placed every sticker and marker. Brushing hands, bumping shoulders, longing glances as they made connections… he also just liked to watch her hands move.

She was delicate and careful and precise… and he was falling in love with everything about her as the days went by.

Everyone on the team had noticed. It was really hard not to when they’ve all known Spencer for almost 11 years now. He was so different with her in his life, he was happy and giddy and dressing even better than before. His hair was perfect and he was glued to Y/N’s side. Or she was glued to his.

Even though they were mentally similar, physically they were polar opposites. Y/N wore all black and was a lot more outgoing than they expected. Rossi thought she’d be quiet… But she was constantly talking. To Spencer, to other officers, to witnesses, she never stopped talking and starting conversations, and thank god she did because she’s cracked 4 cases that way.

The biggest surprise the team learned about her happened on a case in Florida, a shooting in a local park in broad daylight with lots of witnesses meant the whole team was on the boardwalk asking questions. She went out to do her thing, talking to the local skaters, asking them if they knew anything but they didn’t want to cooperate.

They were too cool for the feds.

“Can I see your board?” She asks, “if I do some tricks will you answer some questions for me and Doctor Reid?”

“Knock yourself out,” one of the boys laughs as he hands her his board.

She hands Spencer her gun and shoots him a wink before taking off to do a few tricks. The whole team watches in awe then as Y/N showed off. Cruising along the halfpipe effortlessly like she was a professional.

“Okay Tony Hawk,” Morgan teases her, “where did that come from?”

“Skateboarding is easy, it’s just physics,” she shrugs. “I can figure skate too…”

“What do you want to know?” The boy takes his board back. “We always see some sketchy guys around here.”

Morgan pats Y/N on the back with a smile, applauding her ability to get anyone to open up before leaving her to take the statement.

“Agent?” One of the girls pulls her aside just before they are about to leave, “how did you do that kickflip? I’ve been trying to learn and the boys won't help me.”

“Sure thing,” she takes the girl's board and demonstrates a kickflip first.

“So, you see as I start the kickflip I bend my knees?” She shows her another kickflip all while explaining it. “Much like the with an ollie, I’m building pressure so I can apply it to the tail, making the board pop. The one thing that makes this trick different from the ollie is that instead of sliding my foot up, I just flick my toe out to the right of the board, by doing this, the board flips in a 360-degree motion.

She demonstrates again and it’s another flawless kickflip, and a huge smile on her face as Spencer watches her.

“How fast the board spins depends on how much force I put into it when I flick it out. As soon as the board flips in a full 360, your feet should connect and drive the board back to the ground.”

She hands the board back to the girl, “your turn.”

She takes a deep breath and shakes her nerves out before taking off on her board, looping around and carefully bending her knees, she follows every step and it’s a flawless kickflip.

“Flawless!!” Y/N claps. “Those boys better watch out, you’re a natural.”

“Thank you,” she wraps her arms around Y/N and gives her a hug, “it’s taken me so long to be able to do that, you’re so cool.”

“You’re welcome,” she smiles. “Good luck out there.”

She waves as she takes off on her board, leaving Y/N with a smile as she turns to Spencer. “I miss being that age and thinking everything is so cool.”

“You are really cool,” he agrees. Smiling softly as a blush fills his cheeks. “You’re always surprising me. Is there anything you can’t do?”

She laughs, “yeah the one thing I want to do the most.”

“Which is?”

She sighs, “maybe I’ll tell you someday.”

—

He’s sitting beside Penelope and Savannah, watching Derek and Y/N get drinks for what’s left of the group as the night drags on.

“When are you going to tell her?” Savannah asks.

“What?” Spencer pretends he doesn’t know what she’s talking about.

“You have a crush on the new girl…” she pokes his cheek as he blushes and gives it away. “Tell her, what’s the worst that can happen?”

“She could feel forced to say yes because I’m a supervisory special agent and she isn’t and she wants to keep her job so she feels like she needs to,” Spencer worries. “I want her to like me back because she fell for me and I want her to initiate it because then I’ll know it’s not just a power dynamic issue.”

“Have you tried asking her, genius?” Penelope teases. “Because if you asked her then you’d know she has a crush on you and she’s afraid you’ll turn her down because you’re an SSA and she isn’t.”

“When did you hear that?”

Penelope pretends to lock up her lips and throw away the key, making Savannah laugh loud enough to get Derek's attention at the bar. When he and Y/N return, that’s when the questions start.

“What’s so funny?”

“Nothing,” Spencer gets up and leaves the booth, walking out towards the smokers' exit at the back of the bar, getting a moment of semi-fresh air to think about what Penelope said.

“Spence?” She calls to him from the door, “are you okay? Can I come out here?”

“Yeah,” he nods. “Sorry, I needed some air, it’s nothing.”

“Do you need a hug? I read it helps the most when people are stressed out,” she plays it off with a shrug.

“So you do have a crush on me?”

“She told you?” Her face lights with fury, “what the fuck, Penelope?”

“She didn’t mean to,” he tries to cover it up. “It was only brought up because I have feelings for you as well.”

Her eyes widen, her brows raise and her mouth slowly opens as she freezes.

“Y/N?”

She blinks a few times and shakes her head, “impossible. There’s no way.”

He laughs, “I’ll take that hug now?”

She lunges for him and wraps her arms around him so tight. Breathing him in, her hands wander his back as she takes in every second if it and he does the same. He can’t believe she’s that close to him, her hair smells nice and she’s so soft in his arms.

It’s quiet outside, they can hear the music behind the door, the people in the ally talking and the crickets in the night. It’s just them outside, holding each other in the smoking section with smiles on their faces, amazed that it’s finally happening.

“Can we keep this between us?” She whispers into his ear. “Just for a bit? I don’t want to go through all the paperwork and have to separate in the field if it doesn’t work out?”

“Wait,” Spencer pulls back. “Are you asking me to be your boyfriend?”

She nods, “well yeah isn’t that what happens when two people have a mutual crush? They date?”

“Okay,” he smiles, staring at her lips and then flicking his gaze back to hers with a blush. “I have more than a crush on you, I really, really like you.”

“Prove it,” she teases, “let's go on a real date soon?”

“You know what, let’s get out of here. I have something I want to show you,” he takes her hand and waits for her to nod.

“Take my lead okay? You don’t feel good and you’re going to wait outside while I say goodbye,” she has a plan right away

“After you,” he holds the door open for her and lets her inside first.

—

“I’m taking Spencer home, he’s not doing well,” she’s a much better actress than Spencer expected, patting his back and watching him leave the bar before her like she asked him to do. “He’s really anxious?”

Penelope looks worried, “oh no, I fucked up. I told him you like him.”

She just shrugs, “if he didn’t know that already then I guess he’s not as smart as he pretends to be.”

“See,” Derek looks at Savannah. “I told you everyone else also thinks he’s faking being that smart.”

“Shut up,” she shoves him and turns her attention back to Y/N. “Go make him feel better, he’ll like your company.”

“I’ll see you guys at work on Monday,” she waves them goodbye, surprised they bought it as she rushes her way back outside to Spencer.

He’s already in his car, engine running and waiting for her with a smile. “Come on,” he hurries her inside and is taking off down the road before she even has her seatbelt on yet.

“What’s the rush, Spence? It’s only 1 in the morning I’m sure tones of places are open still?” She teases.

“You’re going to like this, I used to go here all the time when I started with the bureau,” he explains, leaving the main road to take a back root, and eventually they’re driving on gravel.

“If you’re taking me here to murder me this is a dumb way to do it because they all know I left with you,” she teases. “At least when you go to get rid of me, do yourself a favour and dig 6 one-foot holes instead of one 6 foot hole…”

He laughs, “would you really give your murderer tips?”

She nods, “my goal would be to piss him off so much he either lets me go or murders me quickly. I don’t want to go through all the pain.”

“It’s not fun, that’s for sure,” he shrugs it off but she knows it hits too hard.

“I’m sorry,” she whispers, reaching her hand out for his to hold by the gear shift. “I think you’re like the strongest guy in the world, you know that, right?”

“Why?” He asks as if that's a preposterous thing to say.

“I think if I got kidnapped and tortured at 24 I wouldn’t still be working in the FBI,” she admits. “I barely made it through the academy, I know this job is intense but I don’t think I could handle being in that situation.”

“If it’s up to me,” Spencer squeezes her hand tighter and brings it to his lips for a kiss. “You’ll never experience anything like that.”

He’s so good at making her feel safe that she almost believes he has the power to do that. He would do anything and everything to move fate for her safety.

He turns down another back road then, around the edge of a lake and towards a clearing. He follows old tire tracks and parks by the dock. “I found this spot one night on a random drive to clear my head.”

“I thought you hated driving?” She quizzes him.

He shrugs, “I like to drive at night when no one else is on the road because then I don’t really have to worry about anyone else. I hate driving because I can’t always anticipate other drivers' movements. If I could read minds, then I’d drive more.”

“Valid,” she nods, “now why is this such a special spot that you needed to show me right away?”

“Well, I have a telescope and it’s been in my trunk for the last 13 years so that every time I come here, I can look up at the moon…”

“You brought me here to look at the moon with you?” She swoons, “that’s so cute.”

“You think?” He looks like his heart is doing the same swelling as hers.

She gets out of the car before she can lean over and kiss him the way she wants to. In his trunk, he does have a telescope, and a blanket, which they set out on the dock and sit upon.

The sound of the lake, the loons in the distance, frogs and crickets and music travelling from somewhere down the lake. The moon was big, the stars were amazing, and this was the closest she has ever seen them. It's amazing, and of course, it was Spencer showing her everything.

He was everything to her.

And it didn’t take long for him to become everything to her either.

Joining the BAU was a dream to many at the academy, but Y/N never thought that she would get the job, overjoyed that she did. They were a family unit; they got the job done, they protected each other, and it was a wonderful environment to be a part of. She obviously liked Spencer the most out of everyone. He took her in, he made her feel comfortable and safe and she opened up more with him than she has with anyone she’s labelled a “best friend” in the past.

She liked everything about him. The way he talked with his hands, how his sweater, vest, shirt and tie always match, his gun looks a little out of place on his belt, like it’s too big for him, but it’s cute. His hair’s been getting longer too, sometimes he wears glasses and sometimes if she’s lucky, he doesn’t shave every day.

She can’t take her eyes off him when he’s busy and won't notice, just to then move her focus away when he stared at her. She only wishes she could see the way he stares at her in awe, because if it’s anything like how she looks at him, he must love her.

She keeps her hand in his, trading the telescope back and forth in turns, her face was close to his every time they switched and she kept getting bolder with each exchange. Letting Spencer look, she kept her face close to his, kissing his cheek softly as soon as he was busy peering up at the moon.

He turned to her with a gasp, “what was that for?”

“You’re cute,” she shrugs. “I’ve wanted to kiss you for a while.”

“How long?” He teases, leaning in closer and kissing her nose to make her laugh.

“Since you dropped me off at my house after that first dinner…”

“So this is me,” she nods out the window, “thank you for the ride, I appreciate not having to be in an Uber all by myself.”

“Anytime you need a ride, you can give me a call?” He asks. “Seeing as we’ll be going to the same place anyway.”

She nods with a smile, “I’d love that, do you live close to here?”

“Just up the street,” he nods. “So we could carpool?”

“I can drive some days if you want?” She asks, “I know you mostly take the subway, and I know that because I’ve seen you reading on there before.”

He can’t help but smile, “so you never thought to say hello?”

“No,” she shakes her head, “you looked peaceful, and I’m sure you don’t get many moments like that in your line of work.”

He sighed, knowing she was right. “If it ever gets to be too much for you, please never feel like you have to pretend to be okay? None of us expect you to be stone cold, none of us are either. The job gets to us, just tell me if it gets to be too much?”

She looks from his lips back to his eyes and over again, “thanks, Spencer.”

He does the same to her, “anytime. Should I walk you to your door?”

She shakes her head, “that’s okay you’ve done enough for me tonight.”

“Fair enough,” he laughs. “Have a good night Y/N.”

“You too, Spencer,” she smiles before she exits his car, smiling at him from her porch before he drives away.

“So it’s been mutual this whole time?” He shakes his head at the absurdity. “I’ve been so lonely for so long and then I found you and you make me feel like I don’t need to be alone anymore.”

“You complete me too,” she makes one more comment before connecting their lips.

It’s like the world stops then. It’s silent and serene and everything she thought kissing Spencer Reid would be.

She pulls back with a smirk, “oh no.”

“What?” He worries.

“I’m going to want to kiss you all the time now…”

“Good,” he mumbles the words against her lips before reconnecting them.

—

At work on Monday, it’s very hard for them to look at each other without remembering that they’ve kissed. Spencer’s practically glowing with admiration for her that he gives it all away. He’s overly happy, offering to do things for others, standing way too close to her and bringing her coffee all morning.

“Okay, pretty boy,” Derek takes him by the scruff of the neck and redirects him into his office. “What’s going on with you today, I know you’re not this happy for JJ’s return?”

“What do you mean?”

“Did you get laid or something?”

Spencer laughs, “no, you know I don’t get laid. You actually remind me of that fact quite often.”

“You’re so happy I’m worried you’ve moved to crack,” he says it. “Okay, you were acting weird on Friday, you missed brunch on Sunday and now you’re waaay too happy.”

“I’m not on drugs again,” Spencer assures him. “I’m just letting myself enjoy my time with Y/N, if she falls in love with me in the meantime that would also be nice.”

“Oh, so you’re doing this to get laid,” Derek teases him again. “That’s good, I’m sorry if I triggered you by asking, but I had to make sure you’re okay.”

“No, no,” he places his hands on Derek's shoulders, “thank you for caring.”

“Always—“

“Guys!” They hear Hotch yelling from the bullpen, cutting the tender moment short, saving Spencer from spilling the truth.

Rushing back, he sits beside Y/N at the briefing room table. “We have a bad one,” Emily Prentiss of all people walks in the door, followed by Elle Greenaway.

“We’ll have time to mingle in a minute, right now there is a woman who needs our help,” he announces.

Spencer quickly reads over the case files, recognizing Elles handwritten notes, she was a private investigator now. “With Penelope’s help, I’ve been able to set up alerts in College chatrooms in the area so that I can help to missing and assaulted women right away.”

“She’s alerted when someone reports a missing woman and she has advertisements for people to reach out to her for help,” Penelope explained.

“I’ve been working on these cases for the last 9 years,” Elle announces. “This morning Aasia Desai called me saying her sister Bahni never showed up for lunch and it’s not like her, we know she went clubbing last night and so far Penelope’s tracked her down an ally and then she’s gone.”

“Her parents are British diplomats so Interpol has asked me to join, luckily I was just in Ontario so it was a short trip over,” Emily adds. “JJ will be here in half an hour for her first day back, and we will celebrate when we can, but I see we have some new faces here?”

“Special Agent Y/N Y/L/N,” she waves, still glued to Spencer’s side. “I’ve heard a lot about you both from Doctor Reid.”

“Doctor Tara Lewis,” she stands and shakes Emily’s hand, and then Elles.

“So it says here that the first missing case was in 2006 just after you left the BAU?” Spencer changes the subject before anyone can pry into why he would be telling her about the women who worked there before her.

“I did,” Elle nods. “I was too late for her, by the time her parents realized she was missing and called me in the case was cold. I started this as a way to get ahead of it.”

“How long has she been missing?” Tara asks.

“She was last seen at 1:07 this morning,” Elle confirms. “We have 25 hours, maybe, to beat the odds.”

“Reid,” Hotch cuts in, “I would like you and Elle to go check out the street she was last seen on, find any private cameras or anyone who might have seen something.”

He turns to Y/N who just shrugs in silence; “it’s fine.”

“Tara and Derek, I’d like you to interview Aasia when she and JJ get here, Garcia can you do a deep dive into Bahni’s spending and academic records?”

“Sure thing,” she starts clicking away on her computer immediately.

“And Y/N,” Elle looks at her. “I need you to go over the footage of the man who followed her to the alley and get familiar with his face. We’re using you as the face of the investigation to hopefully draw the unsub out.”

“How would she be able to do that alone?” Spencer gets defensive, a way he used to with JJ when she was the media liaison.

“If she goes on the news and makes Bahni seem like a person while describing the unsub as someone who can help solve the case, it will draw him out,” Emily explains for Hotch, who is glaring at Spencer for second-guessing the plan already.

“And she’s college-age,” Elle adds. “If that’s who he’s been going after all this time he will want to come in and talk IF he can talk to her.”

She places her hand on his leg under the table, “it’s a good plan.”

“It is,” Hotch agrees.

“What do you not have a saying to replace wheels up when they stay in town?” Elle teases him.

“Wheels away?” Emily joins her, “that works?”

“just get to work,” Hotch tries not to smirk at them.

Spencer stands up to leave with Elle, “can I just talk to Spencer before he leaves?” She carefully asks Hotch.

“Make it quick,” he agrees reluctantly and lets her follow him down to his desk.

Spencer rests his hands on the back of his desk chair, holding it tightly in an attempt to calm himself down.

“I’m going to be fine,” she assures him. “I don’t think the guy on the tape took her, we’d see him leave if he did.”

“Unless he lives in the alley,” Spencer combats. “Can you ask Penelope to do a background check on all the cars coming in and out of the campus and that street between midnight at 2 am?”

She nods, placing her hand on his gently. “Good luck out there, okay?”

He nods, “it’s been 2 days they’re going to know by the end of the week.”

She laughs, “so be it.”

He says fuck it right then and there, wrapping her up in a hug and kissing the top of her head as the team watches in the briefing room. “I’ll see you later.”

“Yes you will,” she smacks his side as he lets her go. “If you’re going to make a scene at least give me a real kiss.”

“Hmm,” he teases. “No cause then I’d have to sign some paperwork and I’ve got to go…” he starts to back away.

“Coward,” she teases.

He just shrugs, meeting Elle by the door and heading towards the elevators in silence.

She doesn’t ask, not even when they get to the garage or inside the SUV. They’re driving down the road for maybe 2 minutes when Elle finally brings it up. “So—”

“What do you want to know?”

“It's that easy now? What happened to you?” She teases. “You’re so different from the baby Spence I left.”

“Well you missed my drug problem, my dad being a possible child molester, getting shot in the knee, getting shot in the neck, my girlfriend dying, and now my mom might have Alzheimer's so you know… I had to grow up a bit,” he lays it all out for her to ask any question she wants.

“Why don’t you ever call me? I would have been there for you through anything,” she reminds him.

“I know that,” he reaches over for her hand, “thank you. But I was a big fan of suffering in silence… and now I have Y/N and she makes me feel normal?”

“That’s good, you deserve some fraction of normal in your life and she’s really cute,” Elle smiles back at him before returning her focus to the road. “How old is she?”

“27,” he smiles. “She’s the best.”

“You love her,” Elle notices it.

He presses his lips together to fend off a smile as he nods, “I think I do.”

“Tell her, you deserve to hear that someone loves you back.”

—

She’s anxiously tapping her foot as she waits for the elevator to arrive with the suspect, Rossi standing just behind her. Only 15 minutes after being on the news, the man that was in the security footage contacted them. Making his way over for a voluntary interview.

He looks Y/N up and down with a smile, “I heard you were looking for me.”

“I sure was,” she plays along with it, smiling and making him think she’s interested as well. “I knew you’d get the message, we just need all the help we can get right now.”

“Of course,” he has his ego stroked so well that they can roll with it.

“Would you mind coming with me and Agent Rossi to talk about everything you saw?” She batts her lashes at him, really selling it.

“Sure,” he follows them down the hall.

Rossi opens the door and lets them in first, letting her get him settled and a glass of water. “So you can tell me everything from that night?”

“Sure,” he nods, explaining his taxi job, his run for the night and his alibi.

“So why did you step back into the doorway?” She asks as she sits in front of him. Straight-faced as she catches him off guard.

“Excuse me?”

“You stepped out of the way to let her pass and then followed her, she made no motion to say she wanted your services, so I’m just wondering why you would follow her before she disappeared?”

“Huh,” he suddenly feels played and his personality switches. “I thought this was just a chat?”

“I’m simply asking you questions? If you don’t have answers that makes you suspicious. An innocent person would have given me an answer,” she fights back.

“She’s right, you got very defensive very fast,” Rossi finally speaks up.

He shakes his head with a huff. “I was going to ask if she needed a ride, she looked pretty messed up. And then some guy came over and wrapped his arm around her and they walked off. They seemed to know one another. I thought she was safe in his hands.”

Only his tone doesn’t match the words. He sounds jealous— It’s not like she would have been a large tab, he wasn’t jealous because he lost a customer. No, he’s jealous like someone stepped in and prevented him from snatching an easy victim.

“Fair enough,” she pretends to believe him. “Thank you for your cooperation.”

“I can go now?” He changes right back to confused.

She nods, “I’ll escort you down if you’d like?”

“Thanks,” he stands and follows her to the door where Rossi stops her.

“Are you sure?”

She nods, “I’ll be back up shortly.”

She catches up with him by the elevators, “did you have to drive far to get here?” She makes small talk.

“Not really,” he shakes it off. “I like your necklace.”

She touches her necklace and her face drops, “thanks.”

“Necklaces are my favourite.”

“You don’t wear any?” She notices in the form of a question.

He shakes his head as the elevator opens at the ground level. “I think they’re nice gifts.”

She nods along, pretending that didn’t set off every ret alert and alarm in her mind, “well here you are. Thanks again for all the help.”

“No problem,” he goes to leave, turning to stop and block the doors from closing. “If you want, later tonight I can show you everything I saw at the alley?”

“Yeah, sure,” she agrees with no plan to go.

“8 pm? At Cafe Linda?”

“See you then,” she agrees and he steps back letting the door close and then she loses her cool.

Feverishly smashing the floor 6 button, and begging to make it back up to Hotch to tell him everything. But she also just wants to cry but she holds it in as she makes it to their floor matching past Rossi and right into the briefing room.

“He may not be our unsub but that man is a creep,” she announces. “He not only complimented my necklace but he asked me to come to the alley tonight so he can walk me through what he saw.”

“You’re not going,” Hotch announces.

“I didn’t plan to,” she snaps. “I think we need to look into him because he’s either giving little girls necklaces to keep them quiet or he’s taking necklaces after he kills women.”

“Kathy’s parents said she was in a necklace when she went missing,” Emily adds. “His connection to this case and being at NYU right before she went missing gives us enough probable cause for a search warrant.”

Hotch sighs, “fine. I’ll call a judge, you and Y/N can go and search his place.”

“So shouldn’t we arrest him before he leaves the building?” Morgan asks.

“He’s still in the garage, I’ve let the security know to stop him and arrest him at the gate,” Garcia adds, listening in and planning in advance.

“Thank you,” Hotch smiles at her, “you’re always reading my mind.”

Garcia smiles back at him, “always, sir.”

“Okay, let’s go,” she looks at Emily and waiting for her to turn to leave the room.

“Let’s,” she motions for Y/N to take the lead and follows.

The drive to his house is so weird… she doesn’t quite know how to talk to Emily, knowing only slightly about her and her knowing nothing about Y/N.

“So how long have you and Spencer been dating?” Her first question just gets right to the point.

She laughs awkwardly, “3 days…”

“Oh…”

She hums as she nods along, looking out the window and avoiding Emily’s eye contact. “It’s new, we’re both pretty infatuated with each other but we’re taking it slower than most people because I’m afraid to let my feelings change how I do the job.”

“Makes sense,” Emily replies. Her voice is so sweet, she has an aura of calm that follows her and lets Y/N feel safe. She gets why Spencer said she was his best friend on the team before her.

“The necklace comment… why did it make you so wary of this guy?”

“When I was in middle school a guy gave me a necklace while he was grooming me,” she whispers. Looking out the window and pretending it doesn’t bother her now. “It’s fine, I don’t have it anymore, but I knew this guy had that same vibe.”

Emily put her hand out, letting Y/N interlock their fingers and hold it. “I know I just met you, but you’re family now. I’m here if you’re ever suddenly not fine with it anymore…”

“Thanks,” she smiles. “Let’s get this fucker.”

—

By the time the warrant went through, Spencer and Elle had joined them to search the first suspect's house while Emily left to help the rest of the team with suspect two. Tracking all the license plates in the area like Spencer suggested lead them to a Chinese food delivery driver in the area.

That didn’t stop Y/N from destroying her suspect's house. They tore the house apart, searching every nook and cranny for any answer that would make sense. She was tempted to lift the floorboards up, call in SCSI to run ground-penetrating radar and search the fucking walls if they had to.

But then she found it.

A small metal box in the laundry room contained some tools and when she lifted up the fake bottom, she found 5 necklaces.

“Elle!!” She yelled through the house.

They both came running down the hall to her, “is this Kathy’s necklace?”

“Oh my god,” she whispered with a nod.

“I want to kill this guy,” she mumbles under her breath as she places the necklaces back in the box and closes it up.

“Spencer doesn’t need another girl he has a crush on to murder someone and get kicked out of the bureau,” Elle teases.

“What?” Y/N asks.

“Way to go,” Spencer nudges her.

Y/N stands up with the box and slides it into a large evidence bag before taping it up. “I guess he has a type then.”

“I don’t,” Spencer tries to cover up. “I mean, if I do then it’s people who are nice to me…”

She smiles at him, unable to even pretend to be jealous or mad. “It’s hard to be mean to you when you’re so cute.”

“Ew,” Elle announces her disgust as she leaves the room.

“Let’s get out of here before I end up kissing you in a murderer's laundry room,” Spencer teases, taking her hand and leading her out of the house as the rest of the forensics team takes over the bagging of evidence.

“Guys,” Elle rushes back to them with her phone pressed to her ear. “We have a bigger problem than we thought with Bahni.”

They rush into the SUV, putting the team on the speaker to hear the most unthinkable. “So I did what Y/N suggested and searched every single driver coming in and off-campus and the last street she was seen on,” Penelope explains back. “And I came across a man who was delivering Chinese food under the name Tom Larson… and it’s ironic his name is tom because he has a plethora of peeping offences and general creepiness alongside a metric shit-ton of abuse from his dad and dead mother.”

“Okay?” Elle follows.

“Tom Larson lives near Bahni,” Emily explains, “I was just at his house where I found him and his father had been murdered.”

“So we have not 1 but 3 creeps in this case, and none of them are who took Bahni?” Spencer rubs his eyes. “Please tell me we know who was in Tom’s car last night.”

“That’s where it gets tricky,” Penelope says with the doles tones of keys clicking behind her words. “We were just contacted by the fugitive Taskforce because they believe one of the murderers they’ve been tracking took Bahni… but he has ties to a much larger scale global sex trafficking ring.”

Elle flies through the streets with their lights on, pulling back into headquarters and right up to the security check. “So who is this guy?”

“Once you get back up here, Agent Simmons and Alvez will explain everything,” Hotch confirms. “I’m taking Derek to see Cruze, we need to tell him what’s going on.”

“Sounds good,” Elle hangs up and throws the SUV in park.

Y/N hesitates, staying put and taking a few breaths as Spencer watches. Elle’s left the car and is already on her way to the elevator. “What’s wrong?”

“Can I just have a hug real quick?”

“Yeah,” he wraps his arms around her and holds her close. “Are you okay?”

She nods against him, “yeah it’s just good to have at least 8 hugs a day.”

“Hug me whenever you need to,” he whispers against her hair, kissing the side of her head before she pulls back.

“Kisses are helpful too?”

He smiles, leaning in and pressing his lips to hers, mumbling against them, “how many?”

She hums, “10?”

He pecks her lips 10 times and counts each one, making her giggle, it takes so much effort to hold her smile back to keep kissing him but she feels much better.

“Thank you,” she beams and she can swear Spencer's eyes sparkle as he smiles back.

She pulls him into another hug, “I hate that we have to go catch a killer right now.”

“Come on then, as soon as we get him we can go on another date somewhere?”

She shakes her head, “after this case I think we should take a nap together… I’m exhausted and I don’t want to let you go.”

Spencer shakes his head in amazement, “you really like me?”

“Yeah, maybe I do,” she teases him. “You should get used to it because it’s only going to get more intense and I will smother you with love.”

He just shrugs, “it’s about time—“

They’re startled with a knock on the window, “we get it you’re in love, can we go now?”

“Sorry!” Y/N calls back with a giggle, pulling him in for one last kiss before getting out. Spencer follows with a deep blush that everyone will see when they get back upstairs, but it looks cute on him.

Luke Alvez has been trying to catch one criminal for the last 2 years. Simon Garrett has been a pain in the ass for the FBI, the CIA and DEA. He first showed up on their radar when his DNA was found on 14 women’s remains, all of who had been missing for at least 5 years.

His DNA was then traced to his son in the foster system, who’s been off the radar for the last 10 years. Everette Garrett.

“Now he’s interesting because I’ve been investigating his sex trafficking ring between Canada and the United States,” Matt adds. “All 14 women his father's DNA was found on were thought to be in his ring, which means when they get too old he hands them to his father to take care of.”

Y/N shakes her head as she listens, “so if you’ve been looking for them for this long what makes you think we can find them in time to save Bahni?”

“We’ve been tracking him for a while, we knew that he had a new girl on his radar and when we heard it was Bahni Desai we knew it was time to get you guys,” Matt explains.

“So far we know that she has to be taken to this warehouse in Alexandria before she goes any further, we’re going to intercept them before they make it to the warehouse and then use their car to gain access to take the whole thing down,” Luke rolls out a map of the facility then.

“We need to have the place surrounded for any runners, SWAT is getting prepped, we’re going tonight at 3 am,” Matt adds. “Morgan, Hotch, Prentiss, Alvez and Myself will be running a team at each of the 5 exits. Once inside, each team's swat unit will deploy gas to carefully knock everyone out, from there we need someone to cuff everyone at least until we know who is a victim and who is working there.”

“We’re taking everyone alive?” Spencer makes sure he hears them right.

“We need to know what the step after this warehouse is if we want to rescue more victims,” Luke’s voice is gentle yet stern as he explains. “I’ve seen this man take too many women from good homes and ruin their lives, I’m not letting him slip out of my fingers.”

“We’ve had this planned for months, we just needed to wait for the next confirmed drop-off.”

“Who’s driving?” Y/N asks, having a feeling it was her and Spencer.

“He’s Reids age,” Hotch announces from the door as he walks in with Cruze, “so we’ll replace Everette with Reid and Bahni with Y/L/N.”

“Rossi and Elle will be there to apprehend Everette, we’re setting up a fake traffic spot to irritate him and inhibit him from running. You two will be in a duplicate car arriving at the warehouse at the arranged time,” Emily confirms. “We just have to prep SWAT and then we can leave.”

“Alright, let’s get ready.”

—

Pretending to be kidnapped in the back of a car driven by her boyfriend was possibly the weirdest way to spend a Tuesday morning. Driving the exact make and model as their unsub, her heartbeat was loud enough to cover the sound of the engine and distract her from the long drive. She was overly anxious, and rightly so, it was her first sting.

And she was doing it all without coffee. Tired but full of adrenaline, she wanted to close her eyes and drift off but she knew she needed to be ready to apprehend the men at the gate with Spencer.

She feels the large bump, indicating they just went over a speed bump and she knows what that means. The car slows and she can hear the muffled talking before swat steps in, soon enough Spencer is cracking the trunk open and reaching in for her.

“Are you okay?” He helps her to her feet and makes sure her bulletproof vest is on right before handing her, her gun and watching her clip it on.

“Yeah, what happened?”

“The guards are down, Swat moved in as soon as we arrived, now we have to stand here and wait for them to clear the building,” Spencer explains as they walk to the front of her car.

She draws her gun and keeps it pointed low, guarded as they watch the front entrance for anyone to escape. “Do you know if Bahni is okay?” She whispers towards him.

He nods, “they radioed in that they got her, she’s being airlifted to the hospital with JJ right now.”

She nods with a deep breath, “okay good.”

“It’s going to be fine, we have enough SWAT here to take the government,” he tries to joke, getting a laugh from one of the officers… very strange to see someone laugh while holding an assault rifle.

One of the swat side steps towards Spencer, “I’m hearing on the line that they’ve cleared every room. They’re cuffing everyone, you’re free to enter.”

“Thanks,” Spencer replies.

The high-pitched screech rubber gripping asphalt in an attempt to stop draws their attention backwards. Elle and Rossi jumping out with their guns drawn, ready to join even though the exciting part is long over.

“No runners?” Elle asks, holstering her weapon. “Aw man, I was excited.”

“Not a one,” Y/N adds, watching the front entrance for the rest of the team to start funnelling out with the unsubs.

Luke exits first with a big smile on his face, Simon Garrett cuffed and barely stumbling out the door in front of him. He finally got him.

“well done,” Elle congratulates him. “Let me help you get him in SWAT van.”

“I think she has a thing for Luke,” Rossi leans into Y/N to gossip. “she wouldn’t stop asking about him on the drive…”

“Ooo,” Y/N teases, getting more and more tired as her adrenaline drops. Her eyes are heavy and Rossi can tell.

“Why don’t I bring you and the good doctor home, I don’t think they need all of us for the wrap-up,” Rossi pats her back. “You’ve had a long night, kid.”

“Thank you,” she smiles, holstering her gun and turning with him towards the SUV. “I’m so exhausted.”

“Well you’ve been on the job for almost 24 hours now, you’ve officially made it through your first overnight sting op,” Rossi congratulates her like he’s her grandpa.

She turns back when she doesn’t hear Spencer following her, “Spence? Are you coming?”

“Um,” he has something to ask as he follows then but he doesn’t say it. “Yeah, sorry.”

“It’s okay, come sit with me in the back?” She asks, sliding in beside him and resting her head on his shoulder as soon as their seatbelts are on.

“Did you still want to have a nap together?” He whispers, feeling her nod against his shoulder before she pulls back.

“Come here,” she tugs him in against her chest, snuggling in as best as she could in their sitting position. Holding him close and feeling him drift off in her arms. She has no problem following suit.

When she wakes, Rossi is parked outside of her apartment, “here you go, Y/N.”

She hums as she comes to, shaking Spencer awake too, “Spence, come on, let’s get to bed.”

“He’s going with you?”

She nods, “don’t tell Penelope. She’ll have a field day, I just want a nap.”

“You better get more than a nap,” Rossi orders. “You guys need to actually rest before you come back to work on Wednesday.”

“Thanks, Dad,” she teases him. “We will.”

“Bye Dave,” Spencer whispers as he gets out of the car. “Thank you for the ride.”

“Anytime kid,” Rossi waves them off, waiting for them to enter the building before driving away.

“Finally,” she sighs, dragging Spencer down the hall and towards her apartment. “I’m so fucking tired.”

“me too,” he barely says.

He follows her inside like a lost puppy, taking off his vest and shirt, slipping out of his pants until he’s in an undershirt, boxers and his mismatched socks. She’s amazed by how comfortable he is with her, but she has known him for 3 months, it’s enough time to fall in love with someone… right?

She’s loved him since she started working with him. When she realized he valued her opinions, he looked at her as a person and he genuinely loved her company. She felt a real connection with him, not just childish infatuation. He was everything to her.

She slides into bed beside him and snuggles in, wrapping an arm around his middle and resting her head on his chest.

“I guess I really can do everything,” she smirks.

“What is that supposed to mean?”

She pokes his chest and giggles away the awkwardness, “the thing I wanted to do most, the thing that I couldn’t do… that was to fall in love with you, but I did it anyway.”

“Well, then I guess I can do everything too.”

She pulls away to look at him, “I love you, Spencer. I don’t know if it’s too soon, but I’ve loved you for a while.”

He pulls her in for a kiss, shocking her as he breathes her in and holds her there. “I love you, more Y/N.”

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c-is-for-circinate · 3 years

Text

As promised: let's talk Hades, and how acts of abuse can create toxic environments for everyone around them, and also how people react to those environments--and to them being disrupted.

(For reference, I have just kicked Theseus's ass for the first time, it was exactly as satisfying as it was intended to be, and then I got predictably slaughtered a couple of chambers into Styx. Spoilers for everything through that point, but please no spoilers in reblogs/comments for anything after that!) Also, TW for a whole lot of discussion of abuse, particularly verbal and emotional abuse, and abusive familyworkplace dynamics.

Okay, so. To start out with, Hades is an abusive parent. He engages in innumerable acts of verbal and emotional abuse towards his son, because yep, that's what you call it when a parent constantly berates and belittles their kid for every perceived failure, including the ones the parent themselves could have prevented. Sometimes especially the ones the parent could have prevented. Zagreus failed at his office clerk job because Hades refused to teach him how to do it and then blamed him for not already knowing how. Cerberus tore up the lounge because Hades, who was actually there, chose not to stop him. Hades created, possibly deliberately, and then took full advantage of every opportunity he saw to insult and demean his kid, and the clerk job flashback shows us that he was doing so even before the escape attempts started. I'm pretty sure we're all on the same page here, but: yep, that all constitutes abuse, even if they're gods. Even if Hades has reasons for Being Like That. Even if you think Zagreus seems okay and unharmed by it (which: repeatedly throwing yourself into a gauntlet of violence that inevitably ends in your own pain and death because you're so desperate to escape home, not actually an indicator of someone who's okay). We all good on that?

Cool. Because I'm not really here to talk about how Hades' abuse directly impacts Zagreus right now (although there's for sure an essay in that too). I'm thinking about how it impacts everybody else.

Hades isn't as obviously unreasonable with anybody else in his kingdom the way he is with his kid. When we see him lecture somebody else, it's usually for an actual failure to do their job: Hypnos for literally falling asleep on the job and not doing anything that was assigned to him, Megaera for letting us past her so many time, Orpheus for being a court bard who refuses to sing. His attitude is super confrontational and unpleasant, but on the surface it doesn't necessarily look as fucked-up. Thing is, though, whether any individual act of aggression towards an employee/family member is justified or not (I would generally argue 'not', because aggression towards employees/family members is, y'know, not justifiable)--it's not about the individual acts. It's about the entire cultivated atmosphere of toxicity and abuse.

One of the very first things Meg ever says to us is, "I'd rather be on your bad side than his." Up until that point, we've got no reason to believe Meg has any history whatsoever of fucking up at her job. In fact, we've got plenty of reason to believe she's good at it. She's fiercely proud of it, she's frequently Employee Of The [Time Period], and we've apparently never even met her sisters because she handles her shit herself. But she's still scared of Hades. Dusa, who is an anxious wreck at all times because oh god what if she gets fired what if she gets fired what if she gets fired, in spite of apparently being absolutely exemplary at her job, is scared of Hades. Every single shade in the Hall is clearly terrified of Hades, and it's not because of what he's done to each of them. It's what they've seen him do to other people.

Which is how toxic environments work, whether they're work environments or families. The Court of Hades is of course both, always, with the bonus hell layer of you can't quit even if you DIE. An abuser in authority doesn't have to target you in order to make you feel scared, cowed, and desperate to please them. Humans (and gods who are basically extra-powerful humans) are good at learning by example. The residents of the Court get the picture.

So this Court is a minefield--and everyone except Zagreus is very good at tiptoeing around mines. We see it in Meg, so desperate to do her job well. We see that Hypnos very clearly does not give a shit about anything, but he still makes sure to have a list of excuses ready if/when Hades ever confronts him about failure to do his job, just in case. We see it when Achilles tells us that my ability to help you is constrained by the authority your father gives me, or whatever the line was sixty runs ago when he couldn't let me into locked chambers. The system, such as it is, works, and if Nyx talks to Hades as little as possible, if Thanatos avoids the Court entirely, if Achilles treads very carefully and knows how to keep his head down--well that's just the system, right? That's just how things are.

Even Zagreus seems to have had a role in that system as the court fuckup. He's the kid who didn't have a real job or purpose. He could take the focus of Hades' generalized, day-to-day ire off of everyone else, without triggering some of the more direct and violent ire because the work he was doing didn't really matter (a LOT of Hades' rage-triggers seem to be related to job performance, which means that the people with real jobs are of course the most at risk). And he could do so "safely" (big emphasis on the quotation marks there) because he alone of the court is Hades' actual kid, who's Prince of the Underworld no matter how much he fucks up. If one of Nyx's other kids gets something really really wrong, she might be able to protect them from some consequences, but Hades doesn't have any layer of supposed parental affection holding him back from getting violently furious about it. Zagreus gets a nice bedroom and the abuse is limited to words rather than divine power, and Hades is a dick to everyone but he only occasionally condemns people to eternities of torture, and only for good reasons like refusing to sing when your job is to be court bard, so it's fine, everybody's fine, everything's totally fine, right?

Except it's not fine when everybody is so clearly worried about anything going wrong. And it's especially not fine for Zagreus, who's the person to finally say no. He's leaving, for his own sake, because he deserves better and he's finally convinced he can have it. And that turns the whole system into disarray.

I am endlessly fascinated by the ways this game portrays different characters reacting to this upheaval in their carefully-mapped minefield. It's different for authority figures and peers and servants, different based on how people are positioned in the house under Hades' rule, and it's so spot-on and I love it.

Nyx, for instance, is absolutely calm about the whole thing, because Nyx has power. Hades can't hurt her. Hades can't even really do much against her children, not when Hypnos and Thanatos are gods in their own right. Yes, Hades rules the kingdom, but Nyx owns the land, and she gives no shits about his rages. And it's interesting, too, to see the lines she doesn't draw. The deal seems to be that Hades doesn't fuck with her, and doesn't outright threaten her kids (because Hypnos is bad at his job, demonstrably so, and Hades hasn't ruined him yet), and she doesn't interfere with the way he treats the people around him. She gives Zagreus advice and support and the mirror, but she also doesn't take a direct stand against Hades. He can't hurt her, but he could make life...difficult. She's protected, her position in the minefield is more of a safe viewing platform than slogging through the middle of it, but the mines are still there.

And then we have Achilles, who is one of my favorite characters in the whole game because of how he reacts to this whole situation. Achilles, like Nyx, is so supportive. Every single time you see him he has something encouraging to say. He gives us his Codex, secretly finds us weapons, trained us for years, clearly wants us to succeed. And still he's limited, not necessarily out of fear for himself (though he has to be scared for himself, he knows what Hades does to people who anger him), but out of concern that if he gives Zagreus too much help in one way, he won't be able to provide help at all later. He's still so careful.

Achilles and Nyx are so fucking important to this story because they're the only authority figures Zagreus really has in his life except for his father, and they are so supportive. They're what keep this story from being a nightmare of psychological horror and depression. They can't stop the pressure from Hades and this life in his house being miserable for Zag, but they can give us hope, remind us that Zagreus is still loved. And they have such an incredibly important role when it comes to guilt, which is one of the biggest ways toxic systems maintain themselves.

If Zagreus leaves, what happens to everybody else? Who takes Hades' wrath then? Who becomes court scapegoat if he's not there, and also, who gets punished for his escape? These questions matter, and we see him worry about it! He asks Nyx and Achilles both, is it going to be okay that you're helping me, are you going to be alright, will my father hurt you for this? And they are both so firm about telling him no. No, I will be fine. See, here's the list of reasons about why I'm going to be fine, why my position in this minefield is secure. They make a point of telling us that it's fine, that we do not need to hold ourself back from getting out of this abusive situation for their sake. That is instrumental in Zagreus's ability to keep making these escape attempts without feeling too guilty and worried and selfish to go on. (Another thing that's actually really important in setting up that dynamic--we see that Hades cares about Cerberus, even if he's using him as a pawn against us, and Cerberus seems to be the one figure in court who Hades doesn't get mad at. The dog isn't at risk, and that is really essential in keeping the story from getting too grim.) These people who we care about refuse to let themselves be held hostage to secure our good behavior.

It's also really useful for raising the stakes later in the story--we see Hades arguing with Nyx once or twice, and we see Zagreus feeling guilty about it, but it's also a sign that we're making enough progress to piss him off. After I finally made it out of Elysium on my last run, I came home to find him furious with Achilles in a way that actually makes me nervous, because Achilles does not have nearly as much security in his position as he says he does. (Achilles is such a good teacher/authority figure, because he knows goddamn well what Hades could do to him, and still refuses to let fear for his own situation stop him from helping the abused kid under his care escape his. And no, not everybody has the capacity to do that, but it matters so much coming from the guy who helped raise us. It matters so much. I do not even have the words for how much.)

It's also no mistake that many of the people we find supporting us along our journey are either the people with the most power in their immediate environment, or the least. Sisyphus helps us because what more could they do to me than this? Orpheus is a little wild around the eyes and somewhat disconnected from reality, and he wishes us the best because someone should get what they want and also he no longer gives a single fuck what happens to him. Eurydice has her own cozy little corner of Asphodel, as safe from Hades' rage as anybody anywhere in his realm because she's tucked in such an out-of-the-way middle place she's outside his notice. Dusa is so scared of everything anyway that, crush aside, she isn't any more threatened by us escaping than she is just by her everyday life here. Charon is unfathomable and unstoppable; Skelly literally exists to be a punching bag, and yet he also seems basically immune to pain, no matter what we do to him. There's no threat from Hades there.

So the people most at risk when I flip the world on its ear are the ones who have so much standing that they have something to lose, but not enough to protect them from losing it. Which of course brings us to Than and Meg--who are, of course, the two people who also seem by far the most upset by my attempts to leave.

As authority figures, Nyx and Achilles are constantly reinforcing the message that it's Hades' fault, not ours, if they or anybody else get caught in the crossfire of his wrath. I'm doing what I'm supposed to be doing, and it's not my guilt to bear. From Megaera and Thanatos, we get the opposite message--I am fucking with things, I am hurting people, and I need to stop. Zagreus isn't just abandoning them, as a friend or brother or lover or all of the above they're Greek gods who even knows. He's betraying them. They were in this together, as friends or lovers or whatever, but now Zagreus is sending earthquakes through the minefield they both still have to stand in. He is about to capsize this boat in the middle of a thunderstorm, he is fucking with the system, and they're the ones who are going to get most hurt.

I'm so curious how this is going to work for Than, who out of everyone we meet holds the closest role to Nyx's in terms of being sheltered from Hades' wrath. He's the guy who gets to leave, after all, even though he always has to come back. I've seen the least of him out of anybody so far because it took forever for me to get to Elysium, but two things really stand out and I'm so interested to see where they go. One, he really genuinely does care about Zagreus. He wants us safe, he wants us unhurt, the accessory he gives us only grants its bonus if we clear a room without taking injury, he keeps showing up to help. And two, he wants us to give up and go back and recognize how good we had it. Which is SO fucking interesting, considering how miserable Zagreus so clearly was, and how legitimate his reasons for being miserable were.

It makes me wonder so much about Than's standards for comparison. Does he know something we don't about what's waiting for us on the surface, something that might theoretically hurt Zagreus even more than staying down below? Has his life, which apparently allows him more freedom than anybody else in the Court, sucked horribly in ways we haven't seen, and that's why he spends so little time there in the first place? Either of those things is plausible, both of those things are plausible, and yet either one leads to this sense of patronizing, because he refuses to simply tell us. If something terrible is awaiting us, don't give us vague warnings, tell us what it is and let us decide for ourself! If you're fucking jealous because we might get out entirely and you're still stuck coming back here, say so. If you're worried about your mom--and he does bring her up, how could Zagreus turn his back on her like that, does seem to worry for her--then let's have an actual conversation about how many times she has insisted I do this and also how much I love her.

And, right, it's clear that a lot of Thanatos being upset is simply, you were going to leave me without even saying goodbye, you want to leave ME, which is understandable! But, like, he is demonstrably the one god who gets to visit the surface. He's the one person we actually COULD expect to see again. And he is absolutely also upset because there's an Order To Things, and we're fucking it up. We used to be his careless callow reckless friend who could talk back to Hades and get away with it, and now we're not, and everything is changing and we might leave him altogether, and we might leave him alone in that court without us, and he hates it.

Is it a short-sighted, selfish fear on his part? Yes, absolutely. Even if he's not scared of Hades on his own behalf, he is still frightened by what happens if we upset this system--and maybe it's the sanctity of a much bigger system than the Underworld that he's worried about! Maybe it's the whole divine and cosmic order. Whatever system he wants so badly to protect is enabling the abuse Zagreus has been dealing with for however-long he's been alive. Whatever system he wants so badly to protect OUGHT to be overturned, or at least shaken up. But this is what toxic systems DO. They convince the people within them that they have to be maintained, that a broken system that hurts the people within it is far better than no system at all, that changing the world is too scary and too dangerous. And Thanatos wants his whatever-Zagreus-is-to-him to be there, because he loves him and also because that's how the world works, and those things are all tangled up in one another, and that is how relationships are in a messed-up family like this so therefore I love it.

And Meg. Meg, the best for last, my dear, beautiful, furious, bitter, scared angry tired girl. I adore her. I am absolutely never going to date her, because the thing Zagreus needs most in his life hurts her, more directly than anybody else in the story, and that sucks, and it's not Zag's fault but they still shouldn't be together. Meg has taken more injury from this situation than anyone, quite literally as well as metaphorically, and it's not her fault any more than it's ours, but oh boy it has made her lash out and it's awful and it's perfect.

Meg's place in the Court of Hades is unique because she's not dead, not a mortal, not anything other than a god--but she's also not family. Nyx is not her mother. She's very much part of this system, she and her two sisters belong to Hades-the-realm and therefore also Hades-the-king, she can't leave, but she also doesn't have that protection of Nyx watching out for her in the same way. She's not royalty. She and her sisters (if you ask Hesiod instead of Virgil, which seems to be the interpretation the game's going with here) sprang from the blood of maimed Uranus at the same time as Aphrodite, but fuck knows Aphrodite isn't claiming them as siblings. And she can't be fired, exactly, but she sure can be demoted, and she sure can be made miserable in her job. Meg is vulnerable in a way very few people in Hades' employ are. She's a lot harder to do away with than any one random shade, but she's also a lot harder to miss blending in with a crowd.

What's more, she's the one person in this whole mess who is specifically tasked with stopping us from leaving. Hypnos isn't ordered to put us to sleep and keep us in our room. Thanatos can't be compelled or punished if he doesn't hunt us down. Achilles isn't told to lock us up and keep the keys. Meg is the one stationed at the doorway to Tartarus to keep us in. Meg is the one who gets in trouble when we leave. Meg (who Hades knows goddamn well Zagreus cares for, or cared for, who he absolutely knows we used to date) is the one who has to fight us again and again and again. And she's the one who keeps dying.

Again, it's this incredibly fucked-up guilt/hostage situation deliberately designed to keep people from fleeing abusive situations. Meg's insistence on fighting us now puts Zagreus in the position of having to hurt her himself again and again. Now suddenly we're the ones sticking a sword in our ex-girlfriend. Now suddenly someone can point to our desire to leave, to flee, to escape, and say, how selfish. How cruel. How terrible of us to want to go, when we're even willing to hurt the people we love to do it.

Except, right: Hades is the one who demands Meg stand there and stop us. Hades is the one who puts both of us in that position. Meg is also in an abusive situation, and she's willing to hurt us to protect herself. "I'd rather be on your bad side than your father's." It's easy to blame her at the start for being complicit, for being a tool of our father's abuse, for being on his side. It gets harder as the game goes on. I've killed her so many times. There's no way for her to beat me. She knows at this point that she can't beat me. She still fights, every single time, still throws herself upon that spike, not because she thinks she has any chance of stopping me but because she is so damn scared of what will happen if she doesn't try.

In fact, Meg's the one person we have actually seen face consequences for our actions so far, instead of just facing the threat of them. Her sisters are here. Her sisters, who she clearly does not want here, who are wild and violent and who she does not want in her life or anywhere near her, let alone near the job she takes so much pride in. She gets to deal with them now. (Hades doesn't have to deal with them. They're still not allowed in his court. But Meg does.) She gets stabbed, and bludgeoned, and shot, and lightning-struck, and poisoned, and every other thing we do to her. Thanatos doesn't. Nyx and Achilles and Hypnos don't. Bug Meg? Oh yes. Meg pays.

And yes, ok, she is complicit in this system. Everybody is complicit in this system. Zagreus who's trying to escape on his own behalf instead of overthrowing his father for the sake of everyone he'd otherwise be leaving behind is complicit in this system. Pointing fingers and pulling strings of who's more at fault? and who do we blame for this? is exactly how this sort of system perpetuates itself. Your sister always talked back at the dinner table and put everyone in an even worse and more violent mood. Your coworker refuses to work more than forty hours a week so now you have to take overtime to pick up their slack. You're enabling your dad by asking your sister to shut up, you're enabling your employer by working as hard as you do so you don't get fired, everyone's at fault, everyone's to blame, everyone is--

It's not everyone. It's Hades. It's Hades at the root of everything, and probably something big and institutional and fucked-up even beyond him. But even if everyone down in this Underworld does have to be trapped here forever, even if he's trapped here forever, Hades is neither challenging the system that put them here nor trying to make that fate better for anyone else stuck with him. He's just created an entire kingdom of backbiting and misery and people who can either go along with his whims or suffer the consequences.

At this point in the game, Meg is so fucking tired. Every time we run into her in the lounge, hunched over a table, the venom in her voice when she tells us "Do I look like I have anything to say to you?" is so bitter and so exhausted. There was a system, and she knew her place in the system, and it was a system divinely ordered by the gods themselves, and sure it was cruel but that's the literal will of the universe as far as she knows it. She had a role, and her role was vengeance and punishment and violence against those who'd committed the most egregious of sins in life, and there was a point to it, she was the divine deterrent to convince people not to do those things, and that was just, and that was right. The GODS THEMSELVES said so. How do you argue with that? You can't possibly argue with that!

And Zagreus is arguing with that. In trying to leave, he's questioning the unbreakable rule that nothing in the Underworld ever gets to leave it. In disobeying his father to do so, he's questioning the unbreakable rule that what the gods say is LAW. He's breaking everything.

And of course he's not trying to do any of that. He's not trying to destabilize the system at all. He's just trying to get himself out of it, to a place where he feels like he belongs and maybe a parent who's slightly nicer to him than this one. But toxic systems like this one break when the people within them have access to another option. When the kids find a way to actually leave, and not answer the phone, and not come home for holidays, and not deal with it any more. When the employees have the economic freedom to quit. When opportunities granted by education, money, social support, etc etc etc, show up and give people a choice. Even if the option is only ever for Zagreus--he's demonstrating that an option exists. Which is, of course, the one thing the system cannot ever allow.

I really like this game.

#hades game #hades spoilers #C plays stuff #driveby meta attack

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elise-jupiterstyle · 3 years

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this is a very cynical bomb that i’m about to drop with absolutely no context but they really did just fetishize rio to gain viewership without actually ever giving a shit about his value as a character, and i’ve gotten myself into a bit of a spiral stewing about it.

tw: my opinions again

like i didn’t want to think about my favorite show so negatively before it ended so i tried to steer clear of any posts that discussed it for the sake of my own enjoyment but after how short the finale season fell from my expectations, it’s hard not to be pissed off. because ever since they had beth shoot rio in season two i’ve been waiting for them to reconcile such a gruesome choice by developing the characters further, their relationships, their knowledge of themselves, but it just didn’t happen. beth never took accountability for the shooting, rio never took accountability for kidnapping and pressuring her, and dean never took accountability for his infidelity or faking cancer, which were the three main points of conflict that the writers should’ve focused on resolving before ever even thinking of introducing new conflicts.

i’m not saying i wanted rio to forgive beth, or that i wanted beth to forgive dean, or that i wanted any of these resolutions to happen immediately after their conflicts took place. and sure, you could say that beth’s character compartmentalizes and that beth and rio aren’t good communicators and didn’t have a strong bond of trust to begin with so it wouldn’t be in character for them to discuss what happened, but that’s where character growth is supposed to come in! you’re supposed to write characters with these flaws so that they have a better version of themselves to work towards that is slowly developed as they encounter each conflict. they’re not meant to make them into worse people until the show is entirely unbearable to watch because all of that old resentment and tension is just rotting away beneath the rug it’s been swept under.

it’s not a creative choice to have characters directly create conflict and then never address it again while they move onto the next big thing -- it’s lazy writing, and it makes it crystal clear that they were written in solely to shock the viewers and create tension between the characters, not to cultivate growth, and that is very frustrating when you have a group of characters whose inherent morality is constantly insisted upon.

what’s especially frustrating about this is that it not only means there is a lack of depth to all the characters, but there’s a lack of value to the ones that the writers did not favor. based on the season one storyline that culminated in rio shooting dean and letting beth live -- essentially getting even with her in a way that didn’t involve killing off the protagonist, even though that would’ve been the most likely course of action based on the consequences that other disposable characters suffered (i.e. eddie) -- it’s my belief that the writers didn’t expect to keep rio on the show past season one (honestly, it kind of feels like they didn’t even expect to get another season, based on how messy the storyline felt as the seasons progressed), and therefore didn’t value rio’s character the way the audience came to by season two.

when i say the writers didn’t (and honestly, i still think they don’t -- not in the same way they value the girls, dean, stan, or even fucking boomer) value him, i mean they didn’t see him as being worth the effort of giving a character arc, a background story, personal relationships, etc. they threw in marcus at the start of season two to be like “he’s a dad! that means he has depth!” and then never really touched on it again. there was like, one other scene with marcus that i can remember, and then he, too, was sidelined until they needed to humanize rio again after he got shot. all of the other kids -- the bolands, sarah, harry, and ben -- are regularly featured because they are a driving component of the women’s motivation to survive and succeed. with rio, his kid is only used to relate him back to the women, to make him seem human for a moment, but marcus’s real value as a character lies in how he makes beth feel as she grieves rio, not how he contributes to rio’s behavior, motivation, and overall character.

and yes, i know that rio is technically a side character, that the children of the protagonists are going to have more development, but if they actually wanted to add depth to rio’s character through the facet of parenthood, they would’ve shown more than one interaction with him after he spent supposed months away from him without a word. that kid would’ve been traumatized by that, and seeing rio’s reaction to his kid mourning his disappearance would’ve provided a much more real and interesting angle than them all smiling and happy, like we’ve seen in every other scene with him and marcus. it would’ve showed that the writers care about rio’s pain, about how his absence affected those he loves, but to be blunt, they don’t. they showed beth grieving him when she shot him, but we didn’t see him recovering from that traumatic event. they didn’t even care enough about him to give him fake scars, for christ’s sake.

everything that happened to rio throughout the show was either done to further the other women’s development or appease the viewers, and they made zero effort to hide that. they walked his characterization backwards so many times (him threatening beth’s family when it had been insinuated thus far that that was the only line he wouldn’t cross; him touching her and making suggestive advances on her in exchange for bail money when she was clearly uncomfortable; him returning all of her stuff and happily accepting her as his superior when there was no development in their relationship to suggest he’d forgiven her or would be receptive to her having power over him) and almost every single instance of them using him to promote the show exploited his outward appearance and the fact that so many viewers have fetishized him as this “exotic” bad boy without any regard for how minimizing and insulting that marketing tactic is.

looking through their instagram, i saw no other instance of an actor’s picture being posted next to a bunch of thirsty tweets or captioned as being “another reason to watch good girls.” it’s fetishization disguised as playful, well-intentioned endorsement, but if they were really referring to rio’s character rather than his appearance as a reason to watch the show, we wouldn’t be seeing his face on nearly every episode promo and highlight with him only occupying about five minutes of screen time every 50-minute episode.

there’s not really a neat bow-tie conclusion to this, but what i’m getting at is that the writers wanted it both ways. they wanted the viewership and fan engagement that manny’s character garnered, but they didn’t value him enough to give him the screen time and characterization that he deserved. this resulted in all of the revelations that were made about his character -- his son, rhea, his dynamic with turner, his backstory, his hobby, his grandma, nick -- feeling pretty underwhelming because they were never touched on again. they were there because they had to give us something, but they weren’t important enough to the writers to be expanded upon, to be used for personal growth or connecting with the other characters. i think that’s why it felt like such a hollow victory -- we got exactly what we wanted in theory, but there the foundation of it all was too weak for it to feel truly meaningful.

we wanted rio to be acknowledged and written as a permanent fixture on the show, but instead the rest of the characters were hell-bent on getting rid of him and his primary aspect of redemption was what he meant to beth, not what he meant to the show. even in the finale when she finally came to the realization that she won’t ever be able to give up crime, rio’s role in contributing to her self-actualization was passed over by a character who has been in seven episodes, and i think that really spoke for itself the loudest in terms of how much the writers truly valued him.

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roanniom · 3 years

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The Night That Follows

Poe Dameron x Reader

Word Count: 8,000~

Summary: While celebrating a successful mission, you and Poe accidently ingest a mysterious beverage that makes it hard to resist one another, helping you forget the stress that weighs you down and the friendship that you’ve been holding between you two as a shield.

Note: This is my first ever non-ADCU fic and it is dedicated to the ever lovely and supportive @paper-n-ashes who urged me to get out of my comfort zone and cheered me on.

Warnings: NSFW, dirty talk, alcohol consumption, sex pollen, drugged drink (it’s drugged with the sex pollen by a 3rd party and not with malicious intent but it still might be triggering), masturbation (f/m), PIV sex, unprotected sex, war-related angst

When people talk about war, they often discuss the paralyzing fear, the numbing depression. Hopelessness that spreads through your veins like cold water as you face immeasurable odds and stare death in the face day after day. And you can attest to these feelings. You experience them with each dawn that breaks, muddy in the sky regardless of the atmosphere shrouding whatever planet you find yourself waking on each morning. Your life is transient, full of ships and bases and camps. The constants are the clothes on your back, the friends in your squadron (those who survive), and the x-wing you hop in each time danger calls.

The other constant is the part of war that people do not discuss. The rush of adrenaline every time you make it out of a tough scrape. Adrenaline that burns your veins, evaporating the icy hopelessness that had flooded you up until the minute your boots hit turf and your jellied knees catch up to the reality that you are still very much alive. The euphoria that crackles in your brain when you spy your best mate zooming down from above, finally landing and throwing themselves into your arms in the hug you never thought you’d experience again after their coms had gone down in a fire fight. The absolute debauchery of a night of celebration after such a fire fight. Because nobody needs to live quite as much as those who may die.

Which is how you find yourself here, on this non-descript jungle planet, the name of which you didn’t catch during your descent because honestly there have been so many jungle planets and they have all become little more than coordinates on a screen to you at this point. You and your squad have been set up with a mini-festival by the resistance-sympathizing locals as a thank you for your recent decimation of their First Order oppressors. The operation had been pretty seamless, thanks in no small part to the excellent teamwork between you and a one Poe Dameron.

Your flying today had rivaled some of his best, which is certainly saying something since Poe prides himself on being the best pilot in the resistance. You certainly gave him a run for his money, outflying TIE fighters and swiveling shuttle cannons in a perfectly choreographed tandem maneuver wherein the two of you manipulated your assailants to ultimately destroy themselves.

As you knock back a burning shot of the local alcoholic beverage, the liquid tingling and warming you all the way down, you search the triumphant crowd for the cocky pilot who had helped you set the stage for this celebration. You wouldn’t dwell on the earlier events of the day much more tonight. Wouldn’t think much of the comrades you’d lost in the struggle. That was an ache that would throb back to life tomorrow. Tonight, the priority is living.

It is then that you lock eyes with Poe Dameron through the throngs of semi-drunken revelers. His handsome face splits into a wide, cocky grin, so you adopt an exasperated smirk in response as he pushes his way towards you. Such is the game you play. A dance, if you will. Poe plays the role of the self-assured, overly confident golden boy while you, his long suffering partner, humble him with your good-natured criticism and ever rolling eyes.

“Alright there, Sweets?” Poe practically drawls as he reaches you, the nickname both a term of endearment and a teasing reference to the sweet tooth that keeps you hoarding candies of all kinds in your bunk, much to Poe’s own benefit. You beam up at him and upend your little glass to demonstrate its emptiness.

“On my way there, Fly Boy.”

“Looks like you’re falling behind, rookie. Like you did on that triple barrel twist today.”

You throw a punch that lands a little too lightly on his shoulder to produce the grunt and showy flail that he graces you with.

“First of all, you’re not allowed to call me rookie anymore. Your dumb ass might need to be constantly reassured that you’re ‘best pilot in the resistance,’ but by now I am, at worst, second best.” Your gut warms and you’re not sure if it’s the drink or Poe’s deep, full-bodied laugh in response. “And second of all, we don’t talk about the day if we make it to the night.”

Poe almost seems to sober at your words, a phrase of his tossed back at him. The smile remains, though, and he tosses an arm around you before dragging you over to the table that’s been set up with refreshments.

“Right you are, Sweets,” Poe agrees quietly. Louder now and injecting you two into the crowd surrounding the cluster of bottles, he continues, “as for you being second best pilot, I’d rather let the squad decide before you go getting a head too big to fit in your helmet.”

This receives a laugh from the crowd as well as another smattering of slaps thrown towards Poe’s chest.

“Dameron, we all know you already have your own helmet custom made so you can stuff that massive ego in there,” your friend Myrna.

“And those curls,” you add, reaching up and ruffling your hand through his hair in that way that always makes his nose scrunch up in mock anger.

“If you must know, there’s something else they also have to custom make me…” Poe says, grabbing your wrist and forcing your hand to slide down his chest towards the bottom of his flight suit zipper and wiggling his eyebrows. You shriek and yank your hand away.

“In your dreams, Dameron.” Poe leans down toward you so that his face is close enough for you to feel his breath fan across your cheeks.

“Or perhaps in yours?”

Suddenly a small, wrinkled face appears between you. It’s an elderly female member of the local alien race and she’s beaming up at you, holding two steaming mugs and smiling around a garbled statement in a language you don’t recognize.

“Oh I’m sorry, I’m not sure I…” you interrupt her, glancing awkwardly between her massive eyes and Poe’s confused ones.

“I might be able to translate!” Myrna cries out, stumbling forward with a newly refilled glass in her hand.

“You sure that’s not just the liquor talking?” Poe asks with a chuckle. Myrna waves him off and kneels unsteadily to listen to the old woman. More garbled speech issues forward as the woman gestures between you and Poe with her mugs. Myrna nods several times and gives little hums of agreement and affirmation. You and Poe trade glances of amusement during the interaction, but you have to look away when the upturned corner of Poe’s mouth begins to distract you.

“Alright alright,” Myrna pipes up. You turn back in time to see Myrna standing back up to her full height, now holding the two mugs, while the woman waddles back into the crowd.

“What’s the deal?” Poe asks, slinging his arm back around your shoulders. You resist the knee jerk actions that come to mind, both to slap his touch away and to lean into it, standing rigid instead.

“She said these are for you,” Myrna says, pushing the steaming mugs into your hands and Poe’s.

“Did she say why?” You peer at the milky, opalescent contents curiously. Myrna has already moved on, however, turning back to the pilot she’d been hanging on before you and Poe had approached. You look to Poe but he shrugs.

“I don’t know, something about you guys deserving it.” Myrna waves her hand dismissively, obviously ready to get back to her own evening. You look up at Poe, unsure, but he’s nodding and smiling.

“Hear that, Sweets? Seems like word travels fast that we’re the top two pilots,” Poe says cheekily, clinking his mug to yours before throwing back his head and downing its contents in one gulp. Your insides ignite at his acknowledgment, as well as the bob of his adam’s apple, but your eyes still flit warily to your beverage.

“We don’t even know what it is and you’re drinking it?”

“Honey, I’m pretty sure that liquor we were taking shots of earlier was actually jet fuel, I don’t think we need to be too worried about this.” Poe smacks his lips and runs his finger around the inside of the mug. “And besides, it’s really kriffing good.”

Watching the way his cheeks hollow out as he sucks the last dregs of his drink from his finger makes a heat boil in the pit of the stomach. You decide you actually are quite thirsty, and since your curiosity is stronger than your apprehension, you knock the liquid back yourself.

“Atta girl!” Poe cheers you on, nudging you. The drink is sweet and thick on your tongue like a melted version of the ice cream you’d tasted once, many years ago. You can still remember the creamy texture, very much worth the credits paid to the traveling vendor who’d brought it to your village during the hottest summer of your childhood. As you swallow this liquid down, however, its cold temperature changes into a burn, similar to alcohol, though smoother than any liquor you’d ever had.

“Good, right?” Poe asks, eyebrows raised. You nod and lick your lips, sure that you’re imagining things when Poe’s eyes flicker down to your darting tongue.

“That was actually pretty good,” you concede with a grin.

“So what have we learned tonight?” Poe prompts, grabbing your mug from your hands and placing it next to his on a nearby table. You shake your head.

“Your cockiness extends to believing locals on a miniscule planet find you special?”

“The correct answer was ‘always give things a chance,’ Sweets, but you can continue being closeminded if you want,” Poe responds with a chuckle. He stuffs his hands in his pockets and makes to walk away.

“Fine!” You reach out and grab his arm before he can leave. When he rounds back on you with a wide smile you roll your eyes and refuse eye contact. “And just so you know, I’m a lot more open minded than you think, Dameron.”

“Is that so, rookie?” You bristle but as the glee raises in his eyes at your reaction you do your best to tamp it down.

“I’m…flexible,” you say, your grin begrudging. A hubbub breaks out beyond you in the crowd as the makeshift band that had assembled to play party music transitions to a particularly festive song, causing both you and Poe to watch as people begin forming an impromptu dance floor. When Poe turns back at you and raises his eyebrows, expectant, you throw up your hands defensively.

“No. Don’t look at me like that, Fly Boy,” you’re quick to say, but Poe’s even quicker, having already grabbed you by the hand and pulled you to him. Your body collides with his and his other hand finds the dip of your waist.

“Oh I’m sorry, what was that I just heard someone say about being open minded?” Poe asks. In a sudden fluid motion he dips you, bending you over so that your back is parallel to the ground and his face hovers over yours. “Being flexible?”

You let him pull you back up and steady yourself with a hand on his chest to catch your balance, dizzy now, most likely from the suddenness of the motion. You’re about to toss back a witty retort, possibly something that will knock him down a few pegs, but then you catch the glint in his eye and a smile spreads across your lips unbidden.

“You get one dance, Dameron.”

~*~

One dance turned into many, as it turns out. The band, upon realizing their audience’s appetite for raucous music, had begun a steady rotation of upbeat tunes. The dance floor had expanded, spilling out of its original confines in the center of the town square and into the concession areas on the perimeter. Resistance members danced and drank, their bodies jumping and moving to the beat in one chaotic mass of excess energy and euphoria. Bodies writhe against one another in all directions as people seek out friction that can confirm to them that they did indeed survive the day’s trials.

You’re experiencing friction of your own in your little portion of the dance floor. Where things had started out innocently – energetic bouncing to the beat and moving in unison – the tone had long changed. At this point Poe is behind you, arms slung dangerously low on your hips to hold you against him, hands pressed right above your pelvis. The feeling of his chest pressing against your back, his hips bracketing your ass – you’ve lost yourself in the sensations. The rhythm of the music shakes through your muscles but instead of tense and tired, they’re loose and buzzing.

Though truth be told, they aren’t the only thing buzzing. The proximity of Poe’s hands to your lower body feels charged like a magnet. Without thinking you press your hands over the backs of his, encouraging pressure on your lower abdomen. You swear you hear Poe growl behind you has his hands pull you further to him, but it could also be the roar of the crowd. Your hips move in sync, your ass grinding against him in time with the music. Escapism in its purest form is what you’re experiencing in Poe’s arms, held against Poe’s body, matching Poe’s motions. It’s heady and distracting and everything you could ask for to make living feel like living, especially in the aftermath of a day centered on death. You’re content to let this moment last as long as the universe allows.

That is until you realize that the increasing beat you’d thought was a shift in the music is actually the rapid crescendo of your own heartbeat.

Swallowing you find your throat is thick, saliva pooling in your mouth inexplicably. You take a deep breath and allow your mind to reel. How long had you been feeling like this? Why hadn’t you noticed these feelings coming on?

One of the large hands at your hip begins sliding up along the plane of your side and you get your answer. The weight of his touch lights your skin on fire as it drags up and across your collar bone. Your breath feels ragged, rattling around in lungs that can’t seem to take in oxygen no matter how high your chest rises and falls. Poe’s hand lingers on your throat for a second so you swallow again, with even less luck than before. His hand reaches up to grip your jaw which he uses to turn your head back toward him.

Oh.

Poe continues to move behind you, his motions controlling you both on the floor, but his face is strained. Sweat dots his temples, gleaming in his curls, and his teeth seem gritted, making his jaw set at a striking angle. His eyes pin you down, however, and they keep your attention as you gaze back, wide-eyed.

“You okay, rookie?” Poe’s voice is deeper than normal, huskier. The way it reverberates through your body makes a rumbling bubble up deep inside your chest. The beginnings of a moan, perhaps? You’re quick to gasp a response before such a sound has a chance to make its way into the air between you.

“I’m…feeling quite strange.”

The hand still at your waist tightens its grip while the other rejoins on the opposite side. You have to gasp again to keep from moaning. Suddenly you’re being maneuvered forward, Poe’s guidance weaving you through the crowd with ease despite the congested revelry.

Neither of you see the way Myrna is watching you both with a knowing smirk from her place draped around her own handsome pilot beau. Or the way the little old woman who’d gifted you the beverage hovers on the outskirts of the dance floor, a proud look on her wrinkled face as she eyes your retreating figures.

~*~

You’re not really able to follow where Poe is directing you, mainly because of how the imprint of his hands on your body seems to be searing into your skin through your flight suit. While your accelerated heart rate was the thing you had been most worried about, now you are equally worried about the dull ache that has seated itself in the pit of your stomach. You bite down hard on your lip to keep the moan from spilling out, the one you’ve been suppressing since the moment you became conscious to your current discomfort.

When Poe’s stride finally slows to a stop only then are you able to take in your surroundings. Blinking, you’re surprised to find that you’re now outside of the town, far from the lights and bustle of the party, walking into the silent clearing that contains the squadron’s parked aircrafts.

“Why are we all the way out here?” you ask, unsettled by how deep your voice sounds in the darkness.

“Needed to get away from the crowd.” You’re even more unsettled by how breathless Poe’s voice is as he says his first words since the dance floor. So unsettled that you turn in his arms so you can finally take in his disheveled appearance fully.

“Are you okay?”

“I don’t know, it’s the weirdest thing. One minute everything was fine and the next…”

“You can’t catch your breath,” you finish for him and he nods gravely. Both of your chests are practically heaving, pressing into each other with each exhale. When you become aware of this, it also brings awareness of the way his chest pressed up against yours is also adding pressure to your nipples. Since when were your nipples hard? The night is balmy, a cool breeze barely able to disturb the moist warmth that settles in the jungle terrain. You feel sweat begin to collect on the back of your neck and your hairline, much like the sweat causing Poe to shine a bit in the moonlight. And yet your nipples are hard and a shudder runs through your body, nerve endings clearly ten steps ahead of you, taking in some experience to which you’d yet to catch up.

“Wait a minute, look at me,” Poe suddenly orders, his fingers wrapping around your chin to lift your face toward his. You freeze as he stares down at you, eyes widening at whatever he sees.

“What is it?” you ask, voice urgent, almost frightened.

“Your pupils are wide as planets,” he mutters, distracted fingers drawing up the side of your jaw to press to the pulse point at your throat. “Your heartbeat is out of control.”

“I haven’t been able to calm down,” you say, nodding but getting more worried by the second. “Why can’t I calm down? Are you feeling the same way?”

Poe’s mouth presses into a hard line and he turns away abruptly, head tilting down.

“Oh fuck.”

“What?” You try to pull him back toward you but he doesn’t budge.

“I think…we’ve been drugged.”

Your blood runs cold and a hand flies to cover your mouth. You’d known tonight was too good to be true. Your mind races, making connections out of thin air, trying to place when and where you could have possibly come in close enough proximity to First Order agents to be compromised.

“But what – how – what can we do? What is it? Is it deadly?” You’re cut off by a sound issuing from Poe’s now curved body. You wonder at first if it’s a sob, which makes sense because you’re about ready to cry yourself. But then you realize it’s a chuckle.

“I wouldn’t say deadly. Just exceedingly inconvenient.”

“So you know what it is then?” you prompt, tugging at his shoulder some more to try and see his face. “Tell me!”

“Well for starters I’m pretty sure it was that drink the old woman gave us.”

Fuck.

Of course. What was the one suspicious thing you’d ingested all day? The fact that you hadn’t thought about it sooner makes you want to kick yourself, but you press on instead, anxious to have the matter dealt with.

“What does it do?” You hate the tremor that colors your voice. At that Poe finally turns around and you take him in all at once, trying to assess what he could have been hiding. His tall, wide-legged stance makes it easy to notice after a few seconds. As your gaze moves lower on his body you finally see the massive tent forming below the zipper line of his flight suit.

Without even being able to mentally process what you’re looking at your body responds immediately. A rush of warmth and wetness floods the apex of your thighs and the moan that you’d so far been able to hold in finally makes it way out of your throat. Poe’s eyes, which had recently gone hooded, widen in response to the lewd sound. You clap a hand over your mouth and snap your eyes back up to his face, away from the rigid shape that had made the muscles inside you contract wantonly around nothing.

“It’s made from a plant that’s meant to accelerate sex drive,” Poe says matter-of-factly.

You almost don’t hear him because your eyes have already slid back down his body, feasting on the sight of his impressive bulge. You’d heard stories of Poe’s sexual prowess, many from the man’s own loud mouth. You knew he’d satisfied many members of the Resistance, male and female alike. But you had never truly let yourself consider what he’d be like. What he’d look like. What he’d feel like…

“Why would she possibly give that to us of all people?” You feel like you’re going to cry. The feelings coursing through your body are overwhelming.

“Maybe she went around spiking many people at the party. Maybe she just thought you and I would look hot together? You can’t blame her for that one.” Poe winks at you and it diffuses some of your angst. You let out a tense laugh and shake your head.

“How do we make it stop?” you force yourself to ask, just as you force yourself yet again to look back up in his eyes. Poe averts his own, a sheepish look overtaking his face. When he doesn’t answer you step forward and grab his arm in alarm, trying not to consider the way his bicep bulges under his sleeve. “Poe?!”

“We have to…take care of it.”

You’re launching yourself away from him before he can finish the sentence. You probably knew the answer before you’d even asked the question, but his words still sent electricity through your spine.

“We can’t. That’s…that’s crazy – you’re crazy, Dameron!”

“Hey, you think I like this? Standing here like an idiot with my dick so hard I can barely see straight?”

The sexual nature of his words, spoken so plainly and without euphemism for the first time, makes a new wave of wetness pool between your legs against your will.

“Don’t….talk about it,” you say through gritted teeth, closing your eyes in an attempt to center yourself.

“What? Don’t talk about my aching cock?” he asks, almost as a challenge. He’s frustrated now, egged on by your attitude.

“Stop it.”

“Are you about to tell me you aren’t wet right now?”

You turn your back on him in a childish and fruitless attempt at blocking out his words. When you don’t reply you hear his footsteps as he approaches from behind.

“If we’re both having the same reaction, and I’m certain we are, then I’d imagine you’re practically dripping right now.”

His words would have made your eyes cross if you didn’t have them shut so tightly. A hand molds around your hip while the other grasps at the side of your neck, both working in tandem to pull your back flush against his front. The impact, though gentle, knocks the wind out of you. Or whatever wind had been in you in the first place. His lips are at your ear then and you melt into his touch.

“If we take care of this together we’ll go back to normal.”

“…back to normal?” you ask, simply repeating and not really aware of your words.

“Exactly.”

“I…I don’t know.” Poe’s hardened length is pressing into your ass now, insistent and firm behind you. The hand on your hip migrates lower to pull you against him. A swivel of his hips causes your own to follow the momentum, gyrating in their own right.

“We can be quick,” Poe coos, his voice vibrating over your earlobe where his lips are making contact with your skin. Another low chuckle sounds. “Or I can take my time if you want. Either way, I can promise you’ll enjoy it.”

There’s your cocky Fly Boy.

You wrench yourself from his grasp and take a few steadying steps away before gaining the wherewithal to turn back and face him once more. He looks supremely disappointed, arms still outstretched in the place where you had just been.

“Does this really have to be a…team effort?” you ask, face screwed up with discomfort. Poe runs a hand through his hair and casts a distracted glance about your surroundings.

“I mean I guess theoretically one could take care of themselves – ”

“Great!” you cut him off and stalk around to the other side of his x-wing. Of course he’d brought you to his ship. You look around for your own but when you can’t find it you plop yourself down on the ground.

“Are you kriffing serious?” comes Poe’s angry voice behind you as he stomps over. “We could bang this out and feel better but you’re just going to – ”

“Oh ‘bang’ this out? Real nice, Dameron.”

“You know what I mean.” You can practically hear his eye roll.

“The other side,” you say simply, lowering the zipper on your flight suit. When you don’t hear the sound of his retreating footsteps, however, you pause. “Stay on the other side of the ship, Dameron.”

He grumbles but does as you say. When you finally hear the sound of him throwing himself to the ground, you lift the tab of your zipper again. However, the loud and sudden ziiiip indicating that he’s yanked open his own garment seems ring out then in the clearing and you’re inundated with mental images of what that must look like. Poe sprawled on the ground with his flight suit open and askew. You imagine the expanse of his chest, the way the muscle would ripple in the shadows of the jungle. You’d seen him without a shirt before, the arms of his flight suit tied at his waist as he reclined beneath his x-wing making repairs. Covered in sweat and grease. The memory and the subsequent lurid thoughts have you dipping your hand down into the small opening you’ve made in your clothes, not fully comfortable enough to expose yourself entirely to the elements. When you reach the place between your thighs you have to swallow the gasp that bursts forth at the realization that Poe had been right. You’re not just wet. You’re dripping.

“Fuck.”

You think you say it quietly but a chuckle from the other side of the ship proves otherwise.

“Need any help over there?”

You ignore him and try to focus in on your own body, closing your eyes. You allow a hand to ghost over your breast as you ease a finger through your folds. You feel the insistent thrumming of your pulse even down below and your breath is shallow in your chest. The images dancing behind your eyelids show you flashes, glimpses of things you try to banish from your mind. The angle of Poe’s jaw. His faint, ever present stubble. The arch of his eyebrow. The curve of his smirk. His ass in those pants.

“Sweets…”

Poe’s voice interrupts a whimper you hadn’t even realized you were releasing.

“Poe.” Your voice is small and it cracks around his name. Your muscles are contracting but nothing you do eases the sensation. It just continues building within you. “It hurts.”

“Just come over here. I don’t even have to touch you. Just let me help you through it.”

You ponder the darkness before you, the way it envelops the other aircrafts in this makeshift parking zone. You hear a shick shick shick behind you and your cunt aches. Completely in response to the siren call of Poe Dameron’s building pleasure. You’re immediately intensely jealous. Jealous of the way that, you assumed, he was having more luck getting himself off than you were, despite the fingers inside you right now. Jealous of the way his voice didn’t crack when he beckoned you over.

But most of all jealous of the fact that he’s the one currently touching his hard cock. Not you.

You will yourself to stand up, pulling your hand out of your flight suit but not bothering to zip it back up. On jelly legs you make your way to the other side of the ship. The far side, facing away from the town square and the distant glow of the party you’ve now forgotten.

As you round the edge of the x-wing you bite your lip at the sight before you. Poe is indeed sprawled out with his suit zipped all the way down. His thick member protrudes from the bottom of the opening, a fist moving up and down rapidly, pulling from root to flushed tip in skilled motions. However the eyes that gaze up at you from under his unruly mop of curly hair are not doused with pleasure and satisfaction as you’d imagined. Instead he looks pained, almost agonized. At the sight of you he sits up a bit and does his best to give you a reassuring smile though it comes out as more of a grimace.

“Fuck, you’re beautiful, rookie.”

“That’s the drink talking,” you dismiss, despite the way your stomach swoops as you move to settle yourself down next to him, careful not to make contact. “And you know I hate you calling me rookie.”

“I’ll call you anything you want, baby, as long as you start touching yourself.”

Your cunt pulses at his words so suddenly that you almost double over. Your breathing, already ragged, speeds up as you feel the overwhelming urge to have something deep inside you. Dropping your hand into the opening in your suit you halt, however, watching Poe warily in your peripheral vision. He catches you looking and reluctantly stills the hand moving on member.

“Would sitting back to back help?” he sighs. You nod, scrambling over so that your back is to his.

This is better. This is much better, you think as you dip your hand back between your legs and into the waiting slick. You drag a finger in tight circles over your clit and do your best to calm the racing thoughts that flit back to images of Poe’s body.

The body that is currently pressed to yours, though not at all in the manner you would prefer.

Poe grunts then, making you lose your rhythm.

“This isn’t the first time I’ve wanted you, you know.”

You cut your answering gasp off at the source, not daring to make a sound lest it interrupt this information that you desperately needed to here. He interprets your silence correctly and continues.

“I’ve thought about you. When I’m in the cockpit on my way to some distant planet. When not even hyper speed can get me there quick enough before thoughts of you creep in.” He almost sounds mad, but you get it. The emotions coursing through your body along with the hormones are driving you wild and you don’t know how to feel.

“What…what are the thoughts about?” you can’t help but ask.

“I’d love to say it’s your smile or your brains or something sweet like that. And I do think about those things too, don’t get me wrong,” he says on a hoarse chuckle. “But it’s mainly your body.”

You slip a third finger inside your cunt as he says this, his words and the feeling mixing to cause you to let out an unchecked moan. You feel Poe’s body shudder against you.

“Shit Sweets you’re killing me.” You feel him tense as his hand begins moving faster. “I think about how you look poured into that flight suit. The way your tits and ass jiggle when you hop into your x-wing – fuck.” Another shudder wracks through his body and you can’t take it anymore. The way you’re touching yourself isn’t the way you usually do it. Not in those rare moments where you’ve got the sleeping quarters to yourself and you’re able to get yourself off in your bunk to images of a chiseled jawline, a clothed bulge, rippling muscles, soft, curly hair…

You abruptly pitch yourself forward to balance yourself on your knees and one hand while the remaining hand redoubles its efforts between your legs. The shift in position ends your physical contact with Poe and he swivels to see.

“What are you – ”

“Don’t turn around,” you gasp out. Your new angle works in your favor as your swollen clit becomes more sensitive, pulled down by gravity so that every swipe of your finger becomes more potent. “But for the love of gods, don’t stop talking.”

Poe is taken aback by your sudden forwardness, but he doesn’t let it faze him for long. Instead you hear his renewed efforts at jerking off as the sound of skin swiping across skin, made smoother by spit and precum, gets louder behind you.

“What do you want me to talk about? How much I wish it was your tight little pussy I was fucking instead of my fist?”

The whimper you release at that statement is unlike any sound you’ve ever made and it only spurs Poe on.

“And I just know you’re tight. I know it. And wet too, just like I guessed you were. I can hear it, baby,” he practically growls and you become intensely away of the slick, creamy sounds coming from the rapid in and out, in and out rhythm of your fingers delving into your cunt. “You’re dripping, aren’t you?”

“Yes.” You close your eyes and hear his words and wish the fingers inside you were harder, thicker, him.

“You wish it was my cock inside you, I know you do. You don’t want to admit it but you wish I was pounding into you, making you feel good. Making the ache go away.”

Your answering whine confirms his beliefs and he lets out a triumphant grunt.

“Fuck, baby. I want it, too. Bury myself deep inside of you and fuck you till that drink wears off and you’re still screaming for me, that’s how good it would be.”

“Oh gods.”

“Tell me who you’re wet for.”

“Y-you.” It comes out small. You’re shocked that you even say it, especially with how much you’ve been fighting all of this. You want it. You want it in your bones and in your blood and in your tight, spasming cunt. But you also want Poe’s friendship. Want him to tousle your hair on the way to the hanger. Want him to keep sending you funny messages over your data pad, constantly trying to outdo your own silly riddles and jokes. Want to tease him and eat dinner with him in the mess hall and slap him when he says something stupid and yell at him when he does something dangerous and cry when he doesn’t come back on time from a mission…

A sob finds its way out of your body, sandwiched between two moans. You’re not sure Poe even heard it until his voice reaches your ears again, this time gentler.

“Sweets? Is this working for you?”

You take a shuddering breath before answering.

“No.”

You practically hear Poe slump in defeat, the rhythm of his hand on his length slowing down. You bite your lip before continuing.

“Take me, Poe.”

“What?” Poe whirls around so fast you feel the air woosh over you as he disturbs it. You jump to your feet, still facing away from him and yank your flight suit over your shoulders and down your body, stepping out so it pools on the ground. He watches as you get back down on your hands and knees before him in your underwear, ass in the air, waiting for him to catch up.

“I need you, Poe. Just…just please get inside me,” you say, reaching back to pull the damp fabric of your panties aside, exposing your glistening, swollen folds for him to see.

You don’t have to ask him a third time. He’s on you so fast that you’re confused by his motions. It takes a few seconds before you realize that he’s taken your discarded flight suit and stretched it out on the ground, positioning you over it so that your hands and knees are protected from the dirt. The sweetness of this considerate action is offset by the way his fingers dig harshly into your hips, maneuvering your ass so that it lines up with his pelvis. You tilt forward, aided by pressure on your lower back which raises your click cunt to the level of his cock.

“I’m going to make you feel so good – ”

“No more words, Dameron. Just shut up and get your cock inside – FUCK.” He spears you mid-sentence and you immediately fall down onto your elbows. Your ass still in the air, held in place by his hard grip, receives a smack and you cry out, feeling no pain. Only pleasure as the sting ripples through you and into your clenching cunt. He feels it deep inside you and groans.

“Maybe you’re the one who needs to shut up, baby.” His words issue forth from gritted teeth. “Always fucking teasing me with that fucking mouth.” His hips rut into yours, taking up an unforgiving pace, while the rest of his body folds over yours so his chest pressed flush to your back. One hand closes tightly around your chin, wrenching up your head and dragging a finger over your bottom lip which has grown plump from biting. “This beautiful, bossy fucking mouth. Always telling me off, telling me what to do.”

Your tongue darts out to meet his skin and his other fingers caress your chin in response. It’s a stark contrast to the almost feral way he is still clutching your hip and driving into you over and over.

There’s almost no resistance. You’re tight, cunt clutching onto his throbbing cock in an effort to keep him buried inside, but you’re wetter than you’ve ever been and it’s making his thrusts effortless. You assume it’s a side effect of the drink. But in some part of your brain you can’t believe that a plant could possibly make a man’s cock feel as good as Poe’s does right now inside you. How a plant could cause you to feel pleasure that is not simply rooted in the way his hand drags down from your jaw to wrench your breasts out of the cups of your bra. How a plant could in any way magnify the surely already intoxicating feeling of Poe’s mouth working at the side of your neck, the curve of your shoulder.

“This working, baby? This doing it?” Poe checks in then, not relenting in his thrusts. Never relenting. “You’re squeezing me, so I know your little pussy likes it.”

A shuddering gasp kicks through you before you can answer his question and he laughs. The vibrations go straight from his cock to your clit and you whimper some more.

“Your sounds. I want to record these little sounds you’re making and play them back when I’m flying. Have you fill the space in my x-wing till I can’t take it any more.” Poe presses a kiss to the back of your shoulder, nipping and then laving the skin over with his tongue. “I’m going to hear these sounds in my dreams.”

“It’s…just…the drink,” you practically hiccup, barely able to form thoughts from the way your body has focused all energy, all recognitions of nerve endings to the space between your thighs. Poe slaps your ass again and you keen.

“Just listen to yourself, baby. No drink is making you sound this hot. That’s all you, Sweets.”

Before you can argue further you do take a second to listen. To the way your shallow breaths mix with whimpers and whines. The gurgle in the back of your throat when his cock bounces against your cervix. He’s right. It is hot. You are hot. You reach a hand down to your clit, desperate to increase the already mind-blowing stimulation, greedy for more.

“You feel so good. You’re sosososogood,” you barely manage to slur. Despite your inability to fully speak you make the attempt because you assume that if hearing your gasps is egging him on, your words will amplify it. And amplify it they do. Poe’s hips stutter for a second before he drops down heavier on you, thrusting deeper and from a more primal place. A hand savagely kneads at one of your breasts, playing with the nipple.

“I’ve never been this full. I can’t take it, I can’t…”

“Seems like you’re taking it pretty well, baby,” Poe coos, pressing more kisses to the side of your neck.

“I need m-more,” you gasp, realizing with urgency that the pressure in your core is finally building past the plateau of the last…hour? Half an hour? How long had this been going on? All night? It doesn’t matter because Poe’s inside you and he’s listening to you and suddenly you’re being slammed into with all the force he can muster. He expertly wrings pleasure from your body and you feel yourself careening toward a release that you can’t describe. Just out of reach and full of all the potential energy inherent in an object rocketing toward the moon only to soon plummet back to the depths.

“Poe! I…I…oh fuck…oh gods…I…”

“Go on, baby. Cum.”

“You ha- ahhhh. But you…y-you…” You’re babbling. You’re incoherent, not wanting to leave him behind in the blinding ache that comes before release. Your hands are fisting in the flight suit below you, desperate for something solid, something substantial to hold onto.

“Don’t wait for me, Sweets. Let go.”

And then his hands are closing over yours, fingers interlacing and squeezing down, pinning you to the ground with white knuckles that would hurt if you weren’t squeezing him right back, finally grounded in the way you needed.

And you’re cumming.

And cumming.

You feel every muscle in your body seize and spasm and bliss roils out through you in waves. You shake and stutter under him, feeling fresh wetness gush down around his cock as he fucks you through the feeling. You keep waiting for it to stop but it doesn’t, it only intensifies. It must be a side effect. Of the drink not the man. But when you feel yourself transcending the moment, the way your soul feels like it is literally floating above you, you use the out of body experience to take in the man who is causing this pleasure. The way he cages you in, bracing you through the storm of your orgasm, giving more and more to keep the flame burning as long as possible.

His muscles ultimately seize sometime around when your soul seems to sink back into your body and you’re one again enough with your senses that you can feel him paint your walls with sticky, hot cum. He doesn’t drop his weight on you like other men have after the completion of such exertions. Other men who had focused more on the destination than the journey, leaving you as wanting for release as you were wanting for air under the pressure of their body weight. Instead, Poe pulls you of you and flops to his back in the grass beside you. Without him holding you up you crumble down, face pressing into the fabric of your rumpled flight suit instead of the dirt, thanks to Poe.

A few minutes pass, silent except for the sound of your slowing gasps for air. When your breathing evens Poe sits up on his haunches to guide you back into your flight suit. You’re sticky from sweat and your combined cum, but you couldn’t care less with your bones liquified and your eyelids heavy. Gone is the buzzing ache, in its place a heavy sleepiness. When Poe lays you, now clothed, gingerly back down on the ground you automatically curl into him, allowing him to wrap his arms around your body.

Neither of you shares another word. You don’t have to.

Because shortly after you doze off. And for the first time in a long time your final thoughts before sleep overtakes you are not of the dread the morning will bring, but the solace you found in the night.

~*~

When you wake it’s to a dawn as grey as all the ones before it. Hazy with receding fog and with the promise of all the danger that looms ahead in the hours soon to follow. One of the planet’s suns has already breached the horizon, and you raise a hand to cover your eyes as you peer out from under the x-wing’s protective wing. Looking down you take stock.

Your flight suit is on but fully unzipped, leaving your chest and stomach entirely exposed, all the way down to your lower belly. A large hand covers one of your breasts, fingers twitching against your flesh as the man attached to it continues to dream. You follow the length of his arm to take in his body, tucked close into your own, equally unzipped, his broad torso showing through the gaping fabric. You watch Poe’s abdominal muscles contract with his inhales and exhales for a moment while you check in with your body.

The humming from last night is gone, that much is for certain. This makes you believe that the effects of the drink have worn off. You’re quick to question this hypothesis, however, when Poe stirs in his sleep and his hand squeezes down a bit on your breast. Your breath catches in your throat and fire shoots through your veins. A lingering symptom, you wonder. Or perhaps just a normal, biological reaction to sexual stimuli. You kick yourself mentally because of course it has to be the latter. It couldn’t be the third option which you won’t even allow yourself to fully consider.

You require a shower urgently, it occurs to you suddenly. And food, a realization that coincides with a rumbling in your empty stomach. Knowing you’ll never have a good enough excuse to extricate yourself from this gorgeous man’s arms you steel your nerves and pull away. When you stand, Poe groans and allows an eye to crack open, his hand flying up to shield his eyes from the rising sun. You’re silhouetted against the dawn and he takes in your outline. The curves of you.

“Morning, Sweets,” he says, voice hoarse with sleep this time instead of sex.

“Morning, Fly Boy,” you reply simply with a small smile. You feel a buzzing in the pocket of your suit then and pull out your mini com unit, even more portable than your usual data pad. The message that blares across the screen and you relay it before Poe can reach his own device which had similarly vibrated.

“We’ve got a new mission. Briefing is in an hour and then we take off.” The information feels stilted as it leaves your lips. How can you feel so entirely, earth-shatteringly changed and yet in many ways everything is still the same. The sun still came up. The war still rages on.

You look down at Poe and his intense expression as he watches you makes you think that he’s wondering the same thing.

Your heart thumps in your chest, this time unaided by any drugged drink or the eyes or hands of a man whose existence seemed both your making and undoing. Routine is the only thing that can calm these nerves. Routine is what is required to survive war. Routine and protocol and boundaries.

You zip up your flight suit with finality.

“See you at the briefing?” you ask, though its more statement than question.

“Of course.” Poe’s response is quiet as he continues to watch you from his reclining position. You’re still above him and at a distance, a position he often associates with you.

You smile and give him a good natured salute before turning and making you way back toward the town where you know the rest of the Resistance members are already bustling about and preparing for the day.

Another day you hope you, and Poe, will be lucky enough to outlive.

~*~

Doing a smaller taglist since it’s a Poe fic and I’m not sure if everyone on my usual taglist is into it (Please let me know if you’d like to be added or removed for future work!): @paper-n-ashes @mariesackler @tlcwrites @foxilayde @mylifeisactuallyamess @sacklerscumrag @jynzandtonic @millenialcatlady @barbers-glimmerin-darlin @hopeamarsu @direnightshade @leather-flannel-liquor @fizzywoohoo @aliveandlonely @wayward-rose @safarigirlsp @emeraldsiren20 @finn-ray-nal-beads @maryforyou @maybe-your-left

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shihalyfie · 3 years

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Regarding Konaka’s influence on Tamers (or how much he actually didn’t have)

(Rest assured that if you’ve had a conversation with me recently about this issue, I’m not vaguing you; this conversation has come up a lot in the last few weeks, especially in my private chats, so this is just me deciding that I should write something about this for once since it’s been weighing on my head lately.)

I think, right now, with what happened regarding the DigiFes debacle, a lot of people are having complicated feelings about how to feel about Tamers, and this is completely understandable. I think there are also some things that may be inevitably unavoidable, such as starting to second-guess certain nuances in the series and what they might lead to. All of that is perfectly reasonable, and in the end, it’s going to be up to everyone to decide how they feel.

In light of this, a lot of people have been bringing up the fact that, while Konaka was the head writer, he was by no means the only person working on it. This is very much true, but I’d like to add something else to the equation: this is an issue that goes much deeper than the usual claiming death of the author for the sake of sanity. The full picture is that Konaka has always had much less influence on the series than the fanbase tends to attribute to him. Official statements have been very clear as to not attribute the entire series to him, and, among all the other controversial statements he’s made, Konaka himself has at least been very active about crediting the other staff members as far as their influence on the series! The idea that he was the only person who ever did anything substantial for Tamers is something I’ve been warning against since long before any of this happened (if you want proof, I have a post from April with this sentiment in it), and right now we just happen to be seeing what’s basically the worst possible outcome of the fanbase constantly worshipping him like the only real creative heart behind the series to borderline cult-like levels...when that’s never been true, and has resulted in unfairly taking credit away from people who deserved it.

I’ll go into detail below, and I hope this can help people understand the situation better and sort out how they feel about it.

Note that I make references to his infamous blog in this post, which I’m deliberately refraining from directly linking for obvious reasons, but all of the information is still there, so it should be verifiable if you decide to look for it yourself.

Personally, I’ve always found it really bizarre how there’s been this obsession with portraying Konaka as some kind of auteur whom the entirety of Tamers depended on. I’m not saying this out of spite towards him, because, again, even he himself was very insistent on disclaiming credit for things he wasn’t actually responsible for (he was quite humble in this respect, actually). Not to mention that I think it’s a mistake in general to constantly pin a single person in a multi-person production as the sole heart behind it, and the Digimon fanbase has historically had this strange double standard behind it when it comes to uplifting him as the only heart behind Tamers when nobody says that about any of the head writers for...anything else. (How many times has Nishizono’s name ever popped up when talking about Adventure? People are usually more obsessed with talking about Kakudou or Seki.) Konaka’s work is certainly distinctive, but Tamers had a lot more going on besides just that.

In fact, based on his own statements on the matter and all of the other official information we’ve gotten about Tamers production, while you can’t really quantify such things, it’s generally been estimated that Konaka was responsible for something like only a fourth of the series. Which is an incredibly low amount compared to what the fanbase would have told you before all of this happened, because of this fixation that he must be the genius mastermind behind the whole series. Not only that, this “brilliant auteur” image of him was so inflated that people were attributing way more of 02 to him than he deserved; 02 episode 13 was the only thing he contributed to the series and he was specifically brought on as a “guest writer”, and the overall plot of the episode was determined by the rest of the production staff and not him -- but ask the fanbase and they’ll tell you stories about how he invented some grand planned arc for 02 that got cancelled, or even that Tamers exists because of a “writer revolt” from him and other writers not being allowed to do what they wanted. (You know, as much as I understand 02′s a controversial series, it would be really nice if people didn’t make up completely baseless stories like this just to scapegoat it...)

I honestly cannot emphasize enough how much of the problem we’re in right now has been horribly enabled by the weird pedestal the fanbase has been putting him on. This is to the point where there’s even been a double standard where some of the more unpopular/criticized elements of Tamers must not have been the fault of a brilliant writer like him, and in fact was forced on him by the executives (this excuse had always been brought up anytime someone doesn’t like something about Tamers, just to make sure the image of him as a perfect writer was maintained). Turns out, as per his own admission on the infamous blog, while he wasn’t the one who initially had the idea of putting Ryou in, the part that rubbed the fanbase the wrong way -- that he came in as an accomplished senior who was better than everyone and played up by everyone in the cast -- was unabashedly his idea (he apparently was enamored with the idea of having someone like Tuttle from the movie Brazil). Again, this is a weird scenario where even Konaka himself has been more humble about this issue than the fanbase’s perception of him; he fully admitted whenever he had trouble writing certain parts. For instance, he doesn’t actually like writing about alternate worlds, felt they were out of his comfort zone, and only wrote in the Digital World because the franchise needs one; he’d stated that if he’d had his way, the Digital World arc wouldn’t have come in as early as it did, which might be a pretty shocking statement for a Digimon fan to hear.

If you want even more specifics, here are some extremely major parts of the series that Konaka was not actually the one behind:

The character backgrounds. Konaka stated on his blog that he wasn’t interested in going too much into character backstories because he felt it was too plot-limiting to say that a character is the way they are thanks to something in their past or background (basically, he cares more about plot than character for the most part), and that he’s also not into worldbuilding. Certain things like Ruki going to a girls’ school were supplied by Seki, who infamously loves worldbuilding, family backgrounds, and character settings.

Certain nuances of Ruki’s character, especially the part where she’s pigeonholed into uncomfortable places due to being a girl, were informed by Yoshimura Genki, writer from Adventure and one of the head writers of 02 (who eventually would go on to create an entire career out of feminist cinema).

According to the posts on his blog, Impmon’s character arc didn’t have much input from Konaka himself and was largely written in by Maekawa Atsushi (also a writer from Adventure and one of the head writers of 02).

The whole concept of Yamaki being redeemable in the first place was something Konaka didn’t originally plan for; he’d initially intended to make him a straightforward antagonist, but, of all things, his Christmas song, combined with the input of the other writers (especially Maekawa) humanizing him, led to the development where Yamaki eventually changed sides and became sympathetic. (This makes Konaka’s recent stunt revolving around Yamaki a bit painfully ironic.)

The director, Kaizawa Yukio, was deliberately picked because he didn’t have experience on the prior series, for the sake of changing things up, and he spent Tamers as a period of studying what Digimon should be like. Based on what he’s hinted, it seems Konaka's writing style and choices were able to have as much influence as they did because Kaizawa approved of them -- that is to say, Konaka’s detailed imagery and descriptions were extensive enough that Kaizawa could go “sure, let’s go with that.” But in the end, nothing Konaka did would have gone through unless Kaizawa and Seki (among many others) didn’t also approve of it or provide input. Moreover, Kakudou Hiroyuki (director of Adventure and 02) has also been stated many times to have been a valuable consultant on invoking Digimon so that the new staff could understand what to aim for and how to get the right feel (and also assisted with providing stuff for the mythos, such as the Devas). Nevertheless, Kaizawa also seems to have had his own strong opinions and input on the story; he especially seems to get passionate when it comes to the topic of making the story something the kids watching it could relate to and imagine. (He would eventually go on to direct Frontier and Hunters, along with several episodes of the Adventure: reboot.)

So in other words, looking at this, a lot of these things that people emotionally connected to and loved about Tamers are things that literally were not his personal creation, and were largely contributed by the other writers! Of course, Konaka’s “creator thumbprint” is very obvious -- he was the head writer, after all -- and all of this had to go through his own vetting to make sure he personally liked it as well -- but nevertheless, you can see that this very much was a collaborative effort from head to toe, with him being very open about this fact himself. Insisting on making sure that this fact is well-known isn’t just a coping mechanism to try and remove his presence in the series, but rather a desire to get people to seriously stop giving him credit that really should be going to others (especially since, again, even he himself was very diligent about assigning that credit).

In the end, I’ll leave you with another thing to keep in mind: Konaka doesn’t get paid anymore for Tamers work (unless they make something new like the DigiFes thing), so continuing to buy Tamers merch and supporting the series through fanart and such will probably end up going more towards the Digimon IP as a whole. Basically, if we’re just talking about Tamers specifically, what degree this is going to matter is only really relevant to the content in the original series, which is now twenty years old and remains unchanged. By Konaka’s own admission, he wasn’t into all of these conspiracy theories until 2010 at the earliest, so while it’s understandable to be a bit wary about the themes in Tamers having traces of the base sentiment, the original series itself does not seem to be an outlet for alt-right propaganda, and it’s probably forcing it a bit much to read into it that way. Konaka’s also repeatedly insisted that all of his attempts at a Tamers sequel have been rejected and that he’s been doing increasingly strange swerves to get around members of the original cast not entirely being available, and the Japanese audience has turned out to not be very fond of the contents of the 2018 drama CD and the stage reading for reasons entirely separate from the politics, so it’s also unlikely we’ll be getting a Tamers sequel from him or something in the near future.

So -- at least for the time being -- what’s done with him is done, and the remaining question is how all of us feel about Tamers. I think everyone will have differing feelings on it, and that’s perfectly understandable. Personally, given everything I just said above, I’m going to continue treating it as a series very important to me, and one that many people (including, as it seems, a very different Konaka from twenty years ago) worked on with a lot of effort and love, although you may see me getting a bit more willing to be critical about the series and its themes thanks to my concerns about some of the sentiments in it and what they imply. I also completely understand that there are probably people whose associations are going to be much more hurt and who will have a much harder time seeing the series the same way ever again, and I think that’s reasonable as well. But at the very least, going forward, I hope all of us can understand the depth of this situation, give credit where it’s due, and not force credit where it’s not due.

#digimon #digimon tamers

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onebillionstarsff · 3 years

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if you think c!dream deserves torture, you don’t know what torture is

alrighty, it’s time for me to do annoyingly in-depth lore analysis again because i have seen way too many people on my dash and twitter timeline saying that c!dream deserves to be tortured.

i don’t really think people have a comprehensive, reality-based understanding of what torture actually is, what it can do, and the motivations behind it. i, unfortunately, do: i’ve done extensive professional-level study on torture, so i’m going to do my best to put out some knowledge into our little dsmp-related world.

obvious content warnings for references to torture and to violence below the cut (nothing too graphic, though; i know this isn’t an academic forum or government work)

all of this is /rp /dsmp

i’ll also list some sources at the very bottom if you want to learn more

alright then, let’s start: what is torture, anyway?

there are two types of definitions, general and legal. i’ll reference both, but the message they carry is essentially the same, so i’ll just paraphrase the united nations definition that’s party to (read: supported/enforced by) 170 countries:

torture is any act that intentionally causes SEVERE harm to someone, physical OR mental, for the purposes of extracting information or punishment for failure to do so, with explicit consent from an acting public authority.

i’ll break down those components in the context of the dsmp in a second, but i first want to make it very clear what torture ISN’T. torture is not manipulation, it is not "trauma” in the way trauma is broadly conceived, it is not even direct physical abuse. you can suffer abuse from, say, a parent or a partner, and that abuse is about a power dynamic, where one person is being forcibly subordinated to the other. torture, on the other hand, is not necessarily about power, and it’s definitely not ONLY about power dynamics; torture, by its very definition, has to be intensely and officially coercive, and it has to be SEVERE. there are not degrees of torture, like there are degrees of abuse: being deprived of sleep for days or even weeks at a time is just as psychologically impactful as losing a limb or being waterboarded (simulated drowning- a common torture method that the us has been known to employ).

this is my first major issue with the way some viewers of the dsmp approach this whole debacle. i constantly hear c!tommy’s manipulation by c!dream cited as a perfect justification for c!dream’s torture. what c!tommy, and others on the server- particularly the kids- went through is horrible, and intensely traumatic. i will never deny them that, especially as a survivor of abuse myself, but torture is not just another form of trauma. that’s a very important distinction that we, as viewers, have to draw: torture is considerably worse because it is sanctioned, it is coercive, and its explicit goal is not just to cause pain or make someone feel powerless (common goals of abusers), but instead to shatter someone.

in more specific terms, the mental goal of torture is to completely unmake someone’s conception of the world, how they interact with it, and their basic sense of identity. if you read accounts or speak with survivors of torture, it is frequently mentioned that their very way of processing everything in life was destroyed by pain and had to be rebuilt, completely different, after escape. by destroying one’s individuality, will, and their most integral of processing abilities, you destroy their grasp on the world; and, to put it lightly, such a breaking event is awful enough that, in an effort to make it stop and regain some sense of normalcy, the victim will tell their persecutors what they want to hear. it’s the reason why confessions obtained through torture are notoriously not admissible in courts of law. this goes far beyond abuse or manipulation, and i need everyone to understand that.

now, let’s get to c!dream’s situation. did he do awful things? yes, undoubtedly. i’m a c!dream apologist, but his manipulation of c!tommy and c!tubbo was very fucked up. beyond that, his notable “crimes” that others on the server aren’t also guilty of committing (e.g., murder, theft, arson, to name a few common ones) really just consist of especially massive destruction of property (people leave c!techno and c!phil out of this equation, much to my chagrin, but i won’t get into it here). punishment for his actions is understandable, and is typically what justice systems aim to do. but, even if we completely ignore the inherent inhumanity of pandora (HOOO BOY that’s a lot to ignore but i digress), c!dream is not being punished, he’s being tortured.

going by the definition i used, let’s break it down:

c!sam knows what c!quackity is doing to c!dream, allows it, and even encourages it. as the warden, he is the person in an official, authority position giving their consent.

c!quackity is, by his own admission, doing what he is to get information out of c!dream. it’s not a confession in this context, but very specific piece of knowledge, with the promise of death also hanging right above it.

list of extreme psychological abuse: long-term solitary confinement (torture if it’s more than 22 hours. c!dream has been in solitary confinement for more than 60 days now), deprivation of the passage of time, general verbal abuse, incredibly limited social contact (people start to fray without basic interaction after a while).

list of extreme physical abuse (god where do i start): prolonged starvation, malnourishment when he isn’t being starved (you will die without protein intake); use of Warden’s Will Breaker pickaxe (it can hack through obsidian, so i think that’s all i need to say), shears (can be used to do things like pull nails, break limb’s bones, amputate toes/fingers/a whole arm in c!ponk’s case), and an OP axe (a sharp blade capable of slicing easily through wood with brute force, and bone is significantly easier to crush than wood).

so, we have consent of authority, coercion for the sake of extracting information, and severe physical/mental abuse meant solely to cause extreme pain. c!dream is being tortured according to the proper, internationally-sanctioned definition of the term, and that is not okay in any circumstances whatsoever.

if you haven’t ever read survivors’ accounts (or the accounts of their victimizers), it’s difficult to understand just how uniquely despicable torture is, and the lifelong effects that remain after it’s over and done with. i honestly recommend you read some testimonials, because it absolutely changes the way you view authority and the world in general.

no one is deserving of this treatment, no matter what atrocities they may or may not have committed.

it’s a basic tenet of human rights, and i don’t think it should be a hard pill to swallow that it’s never excusable in any circumstance. so, defend c!tommy & co. and criticize c!dream’s actions all you want, but please never say that torture is alright. that statement has real consequences, and real moral implications. don’t be an asshole, and don’t be disrespectful to people who have survived it.

if you’re curious, look into these events:

The Argentine Dirty War

Chicago Police’s Jon Burge and his torture regime

Abu Ghraib prison

Extensive torture by Pinochet’s regime in Chile

Guatemalan Civil War

Ugandan policing in the 21st century (Human Rights Watch report here)

if you want some reading, i recommend the following. tumblr will probably nerf this post because of links, but oh well.

Convention against Torture and Other Cruel, Inhuman or Degrading Treatment or Punishment

Elaine Scarry’s The Body in Pain: The Making and Unmaking of the World (very important work in the literature on torture)

John Conroy’s Unspeakable Acts, Ordinary People: The Dynamics of Torture

Levenson (e.d.) Torture: A Collection

#mine #text #jfc this ended up being LONG #sorry about that #long post #dream smp #dsmp #dsmp analysis #dsmp meta #prison arc #pandora's vault #dreamwastaken #dream #torture cw #abuse cw #c!sam critical #i doubt this will go anywhere lmao but it's nice to get my thoughts on (digital) paper

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ordinaryschmuck · 3 years

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What I Thought About "Echoes of the Past" from The Owl House

Salutations, random people on the internet who most certainly won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

What probably gets debated the most in the fandom is the legitimacy behind King being the King of Demons. Some believe that there's truth to his statement, while others, like me, like to think that he was just some stray Eda picked up off the streets. Either option seemed likely, especially since Season One never gave an answer that leaned one way or the other.

Then here comes the writers finally answering the question of who King is in episode THREE of Season Two! Because, again, they don't waste time on giving fans exactly what they want.

Fans wanted answers behind King, we got 'em, and analyzing what those answers mean requires going deep into spoilers. So if you haven't checked the episode out yet, I highly recommend that you do. Trust me, it's worth seeing.

Now let's review, shall we?

WHAT I LIKED

Luz Experimenting with Spells: Hey, look! More proof that Luz isn't an idiot like some people flanderize her to be!

But, seriously though, this is a perfect little thread to introduce into the story. Luz collecting knowledge from Lilith's old books and past work she and Eda made adds to Luz's intelligence while also providing a believable explanation for how she gets new spells. It's also nice to see that she has this little notebook (or spellbook) to help see what works and what doesn't. It's a level of experimentation that proves her dedication to becoming a witch while also exemplifying how she isn't stupid. Occasionally reckless, sure, but you can't say that the person who figured out an invisibility spell through showing her work is also an idiot.

Francios with a Knife: How did Francois get a knife? I don't know. But the fact that a random knife plopped out behind him with little to no explanation is funny, and I will not hear otherwise.

I don't make the rules. I just abide by them.

Luz’s Invisibility Spell: I breezed past this, but I honestly love this invisibility spell. More specifically, I love that there's a limiter. It can turn you, objects, and people you're in contact with invisible, but only as long as you can hold your breath. It helps make the spell something the characters can't always rely on, which is appreciated. Because if it works as long as they concentrate, what's stopping them from sneaking into Belos' castle and assassinating him in his sleep? It's a smart way of explaining why they can't always rely on something, despite how insanely useful it is.

Luz: Let's gush about Luz some more, shall we!

"Echoes of the Past" is another episode that has Luz on top form. She is constantly supportive of King, even if Lilith has a point in the dangers of indulging his fantasy as a powerful tyrant. Doing so would cause more harm than good, especially when King finds out Luz doesn't believe him, but her going along with it was all done with the best of intentions. Luz doesn't want to hurt her friend, and even if she did in the long run, she still makes up for it by helping King learn more about his past.

And, as another reminder, Luz isn't stupid. She's the first to say they should leave when it's clear how dangerous the castle is and is quick to figure out there should be more at the top. Luz is a loyal and caring friend who's also guarded and intuitive when the situation calls for it. This episode understood that, so here's hoping other fans will too.

Lilith: Yeah, she's still growing on me.

I feel like this episode shows a better idea of Lilith's place in the group more than the past two. She's a person who's obsessed with knowledge and learning but considers herself above the jovial nature of King, Luz, and definitely Eda. Therefore, she acts as the perfect catalyst for what jumpstarts this week's adventure. It doesn't surprise me in the slightest that she almost instantly dismisses King's claims due to considering herself more knowledgeable than everyone else. Still, I like how she's willing to believe King once she finally sees evidence that seemingly proves he really was the King of Demons, to the point of referring to him as "her lord." Hooty does the same thing, but it comes across as him fearing for his own life and choosing to be friends with someone who could maybe kill him in an instant. For Lilith, her newfound respect comes from the desire to learn more, and it's that desire that makes Lilith an enjoyable character to me. It's adorable to see, and it has some comedic flavor in moments like when she dismisses everyone else and their emotional revelations to take pictures of the carvings around her. I'm sure she'll cause some controversy like other characters with rushed reformations, but for me, I'm more than ok with her addition to the main cast.

More of Lilith’s and Hooty’s Friendship: HOW DOES THIS WORK!?

ON PAPER, IT SEEMS LIKE IT WOULD BE A BAD IDEA, BUT IT F**KING WORKS!

HOW?!

WHAT BLACK MAGIC DID THESE WRITERS USE TO MAKE A RELATIONSHIP SO UNEXPECTED COME ACROSS AS SO ENDEARING AND ADORABLE?!

And where can I get some for my stories...just asking.

But seriously: HOW?!

Hooty Making Himself Portable: Ah, yes. The classic bit where a character does something horrifically grotesque off-screen, and we have nothing but character reactions and sound effects to imagine what happened between shot A and shot B. It's an oldie, but given how hard I was laughing (mostly because of Luz's gagging), it's still a goodie.

Eda’s Portable Bathtub Boat Thing: I mean...I was expecting Eda would use something to catch up with the others, but...that thing...well...I mean, I'm still laughing just by thinking about it. That should tell you how well executed this joke was.

John Luke: ...I'm gonna go ahead and add him to the list because HOLY S**T was this guy disturbing! From his design to his movements to even the sounds he makes when moving, everything about John Luke screams as something that will stay in kids' nightmares for a while. Now, this might seem like a complaint, but to be honest, I'm more than alright with how creepy John Luke is. I highly doubt adult viewers will consider John Luke scary, but I guarantee he'll terrify some of the youngins that this series is aimed for. And that's fine. It's good to creep kids out a little bit with something somewhat scary, as it might introduce them to more good horror stories later in life.

Plus, the reveal that John Luke was only a guard for King is pretty solid narratively speaking. You can see how John never really meant to hurt King aside from one accident when Eda escaped with him. If you want to read into it, I guess it might be questionable to tell kids that something that looks dangerous is secretly nice, but that's really nitpicky, in my opinion. John Luke was a fantastic threat that is designed and animated well, with a solidly executed twist. Some might hate what he presents, most will fear him, but we can all agree on one thing: His theme is awesome (can I get the track for that, please)!

King’s Backstory: Finally, at long last, we know who King is, thus putting an end to a year-long debate. And I fully mean it when I say that the writers gave the best possible answer. Because in a way, everyone was right. Yes, King was just an animal that Eda decided to adopt, like the nature-loving hippie she is inside (She's got the hair for it). However, while he may not be the King of Demons himself, he is still the son of someone who deserves that title. So while he isn't the King, there's a chance he might be the Prince. Once again, there's no direct answer, but given how the writers came up with something that pleases everyone while still providing more questions for debate, it acts as a brilliant move, in my opinion. So whatever answer we get next, I'm sure it will be just as perfect.

Baby King:

My heart was not prepared for that level of cuteness!

King’s Breakdown: NOR WAS IT READY FOR THIS LEVEL OF SADNESS!

But in all seriousness, a HUGE round of applause to Alex Hirsch for his performance in this episode. He expertly captured the raw emotions of shock, anger, betrayal, and sadness that King must have felt when finding out that everything he believed he was is a lie. It's one of those moments where I don't hear a person voicing lines in a booth (or wherever the hell VAs are voicing characters nowadays), but instead hear a living person being emotionally torn apart. It was heartbreaking seeing King so vulnerable as he's so guarded with his emotions. Seeing him like this adds so much more layers to a character that many would mistake him as a cute, comedic animal sidekick. But just like with Luz, there's more to him than people will tell you.

“I don’t even know what’s real or fake anymore!”: I'm just pointing out this line because I believe it's what convinces Luz to help King learn more about who he is. Hell, not knowing what's real or fake is the main reason why Luz got sent away in the first place, so I feel like she can relate to King when he's in a similar predicament.

Hooty and Lilith vs John Luke: This was just a cool scene with some epic moments of dodging John Luke's attacks and some funny ones, like how Hooty said the word "pain." It's a ten out of ten that I would rewind to watch again.

King’s Other Horn: I'd question the logistics of how a horn that got broken off when he was a baby still manages to fit perfectly in the present...but it is neat symbolism of King accepting his past and letting it be a part of him, so who cares?

(The fact that the colors of the broken-off piece don't match the rest of the horn is nice attention to detail as well.)

WHAT I DISLIKED

It's a Little Too Predictable: I pretty much figured almost every little twist the episode offers. But, I'm willing to say that's because I'm in my twenties, and I've seen enough stories similar to this one, so I'm more likely to know what will happen. The little monsters watching this will see it for the first time, so they'll most likely get more surprised than me...And that was my only complaint about the episode...which is more of a personal problem than an actual issue...I guess that means it's perfect.

IN CONCLUSION

"Echoes of the Past" is an easy A+ in my book. It gives lore and backstory that furtherly develops the characters that episodes like this should. It also tells a tragic story about King that still sprinkles in a few good jokes every now and again to lighten up the mood. Sure, there are some nitpicks I could mention (how did King remember his own birth?). But when the good stuff is done so well, what's the point of dwelling on small, insignificant issues? This is still a phenomenal episode that flew past all expectations I had for it, and it continues the winning steak this season is having so far.

(But that's still three home runs in a row. Meaning that a stinker is coming. Ooiee, is it coming!)

#the owl house #the owl house season 2 #king of demons #luz noceda #lilith clawthorne #toh hooty #the owl house reviews #what i thought about

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demigod-dragonrider-schoolidol · 3 years

Text

Bedtime Reassurances

[image credit to @aloneandblueascanbe, pls let me know if you want it removed!]

pairing: frankie morales x gn!reader

words: 1.8k

content: one innuendo / reference to sex so 18+ only please, job related anxiety, mentions of a pandemic, one bad word, i switch from present and past tense sorry, another comfort fic but at this point is anyone surprised, soft gentle touches, verbal affirmations, frankie just being the best most encouraging bf in the world

a/n: okay so this is very similar to the other frankie fic i wrote, but i actually wrote this one first and this one has some lines that im really proud of, so i figured i’d share this one anyways!! i hope y’all enjoy this, and thank you so SO much to everyone who read my first frankie fic, seriously i cannot believe how much interest it got and i am constantly blown away by how incredible y’all are 💜💜💜 p.s. my taglists are a mess rn so don’t feel obligated to interact, and pls speak up if you want to be added or removed!

Frankie hums under his breath a little as he walks up the stairs. The two of you had just finished watching a new movie and his spirits were pretty high (although part of that might have been because of your reactions to the movie- your laughter, your smiles, your head bobbing to the catchy music). He flicked off the hallway light before entering you room, at which he promptly paused at seeing you perched on the bed wiping your eyes.

“Sweetheart?” he questions, and you look over at him before sitting up and blinking furiously. “Hey, sweetheart, what’s wrong?” He quickly takes a few steps over to you, but his hands hover by your sides to gauge your reaction to his sudden nearness before moving forward to slide them around your back. The last thing he wanted to do was move too fast and cause you to flinch.

“It’s nothing, I’m fine, I was just-,” you cut yourself off to take a stuttery inhale and a shaky exhale. “Just thinking, it’s not even related to anything.” Frankie tilted his head at you sympathetically as his mouth twisted into a small smile.

“If it has you this upset, I know it’s not nothing,” he paused, giving you a moment to process his words. “[y/n]” he whispered, and at hearing your name you look up to meet his eyes. “It’s me,” he said, with nothing but love and concern in his eyes. “You can talk to me. Please.” You blinked at him a couple times, and took a deep breath.

“I, um,” you stuttered and turned your eyes down, and you felt Frankie’s hand rub up and down your back. After a few deep breaths, you spoke. “I just started thinking about work again, and job hunting has been so stressful. And it all seems so scary. And I know it’s not, and I know I’m overthinking it, but I’m just so tired of starting over. And I’m just tired of not feeling good enough. And I’m sure these feelings are way too complicated over just a new job, but I’m just tired of constantly doing different things, and I know this is just the adjustment period making me feel this way, but I just want to be good at something, just one thing, and just do that one thing long enough to actually feel good about how I do that thing,” you paused to take a few deep breaths and at some point during your rambling you must have grabbed onto Frankie because both of your hands were gripping the front of his shirt. You loosened your grip a little and in response he held you a little tighter. As you met Frankie’s eyes for the first time, you couldn’t help but let out the small whimper at the pure understanding and love from him. It’s still so hard to believe that someone could look at you like that even in such a state. He brought one of his hands up to cup your cheek, and the other one wrapped around your waist.

“I’ve got you,” he said, and there was no way to not believe him when he was looking at you like that. “Just let it all out.”

“I’m afraid, but I’m also tired of being afraid, and I’m tired of not being good enough, and I’m just tired,” you laughed a little, even as tears filled your eyes. “I just want to be good enough.” Frankie’s heart cracks at your words, and as your eyes fill with tears, he feels his eyes start to sting too.

“Mi corazón. I promise you, every single person around you can see just how hard you’re trying. I know sometimes it’s hard for you to see, but every day I am in awe of just how much you do.” He sees your face scrunch up in the telltale way when you try to argue with him, so he tilts down to give you a soft kiss, and when he pulls away he can tell that put you in enough of a daze for him to keep going without you interrupting. “Despite what you struggle with, you get up and you help others, and you work on bettering yourself as a person, and you get stronger and kinder and more loving every single day. And every day I am beyond thankful that you let me into your life, that I get to be with you in the big moments and in the small moments, that I get to experience life through your eyes, because you see the world in such a way that it makes me feel so so young.” That gets a small smile from you, and now Frankie feels like he’s on a roll. “You’re kind to me and you’re kind to strangers and you’re even learning to be kind to yourself. You’re taking on the challenge of becoming a better person while also going after a new job while also doing it during a freaking pandemic.” Your breath hitches at that and while he doesn’t want to upset you, he never wants to upset you, he needs you to know this. “You think you’re behind everyone but you are leagues ahead in areas that some people aren’t gonna realize are important until years from now. And you’re doing that in a world where that isn’t the normal. And baby I am so proud of you,” he chokes up a little at that, and he sees worry creep up into your eyes as your hands come up to cup his cheeks, and ever so gently stroke the spot just below his eyes, already ready to wipe away any tears that might stray. “You are a wonderful person, a wonderful friend, and an even more wonderful lover. And I want you to go to bed, and wake up, and spend every minute of every day knowing that I love you so much and that there is so much good in you, and that you are stronger than any of your fears or anxieties or reservations, and that if you ever feel stuck I will always-,” he bumps his forehead against yours and he looks at you so head on that in that moment you feel he is looking straight into you, that he really does see everything he says he does, “-always, be right there by your side helping you out of the situation because I. Love. You.”

The first thing you noticed were his hands on your face, mostly because the pressure had increased, not in an uncomfortable way, just in a more noticeable way. And then you noticed the way his chest was moving, like saying everything he did genuinely winded him. And then you noticed his eyes, which if your being honest was probably the first thing you noticed because there’s no way not to: their deep, rich color with more depth than any other eyes you’ve ever seen, the almost imperceptible sparkle to them, because somehow this man’s eyes just sparkle, and the way that his eyes are the definition of love and compassion and trust, because there is no other way to describe them.

“Oh my gosh,” you whisper, because how on earth do you respond to that? As you wrap your arms around the back of his neck again and drag him down to kiss him, he pulls you closer as your lips touch and you press further into him because the need to have him so impossibly close is overwhelming. He breaks away for only a second before leaning back in, and he tilts you back to deepen the kiss. Your legs come up to wrap around his and he lowers you slowly all the way down onto the bed. When you break away you keep your hands firmly locked around the back of his head, keeping his forehead pressed to yours as you both catch your breath. “I love you so much,” you finally say, keeping your eyes locked on his. “I love you so dang much and sometimes I still can’t believe you’re here, with me, in our house, with me.”

“You better believe it baby, cuz there’s no getting rid of me,” his mouth cracking into a lazy smile as he nudges his strong nose against yours.

“Never,” you say, much more seriously than his joking tone warrants, but you need him to know, especially after everything he said. “I never want to get rid of you. I need you. I love you.” His eyes soften and while his teasing tone leaves, his smile never does.

“You’ll make it through this sweetheart, I promise. I’m here every step of the way.”

You beam at him, “Thank you Frankie. For everything. Everything.” Your eyes start to droop and he places a quick kiss on your nose before backing away to pull down the covers. You crawl up to the pillows, barely even acknowledging your own side in favor of his. He chuckles and crosses over to the other side, and when he’s under he cuddles you close before pulling up the blanket and securing it around you. “Tomorrow’s a new day, and somebody needs their beauty sleep to tackle their to do list.” You hum contentedly, wrapping your arms around him and slotting your head under his chin. His arms wrap around yours as he presses a kiss to your forehead and noses your hair.

“Well, you are definitely on my to do list because holy shit someone deserves some good sex for what you said,” you half mumble under your breath, and as Frankie breaks into a laugh he tries not to jostle you too much, but you caught him off guard and now he’s pretty much full on laughing, in the way that makes your heart clench a little because you love him and his beautiful laugh so dang much, the laugh that gives you so much pride because you’re the one that made it happen. When he settles down he pulls away slightly to look at you, and you are positively beaming at him, clearly proud of that joke you were able to come up with half asleep.

“Well there’s my [y/n],” he says in that deep raspy voice that only makes you smile more. He leans in to give your forehead a slow kiss.

“Thanks for finding me,” you whisper as you look up at him.

“Ehh, you’ve trusted me with most of your hiding spots, so I’ve gotten pretty good.” You prop yourself up on your elbow and place your hand on the side of his face to get a good look at him.

“But seriously Frankie, thank you. You always know exactly what to say, and I am so unbelievably grateful for you in so many ways.” His face goes as soft as he turns to give your palm a soft kiss, and you lean in one more time to kiss him properly before resuming your position. He gives you a gentle squeeze and it isn’t long until you’re drifting off to sleep in the arms of your love.

tag list: @keeper0fthestars, @scribbledghost, @icanbringyouincold, @bestintheparsec-reads, @ezrasarm, @andriecastana, @tweedlydumbtweedlydoo, @murdermewithbooks, @remmysrecs, @lv7867

#frankie morales x reader #frankie morales x you #frankie morales x gn!reader #frankie morales #triple frontier #my writing #once again i am asking yall HOW YALL COME UP WITH TITLES CUZ I SAT HERE FOREVER THINKING OF ONE LOL #maybe this isn't the best time to post this but im tiring of just looking at it in my drafts #why is posting fic so uncomfy ahsfjkdshfjks #ANYWAYS ENJOY <3

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