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#feels weird to only post 2 pages lol
tatck · 1 month
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Issue 2 Vagabond Comic Part 5/?
Ko-Fi - ISSUE 1 START - PREVIOUS - ALL CHAPTERS - NEXT
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brehaaorgana · 4 months
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ADHD money/budgeting system I'm currently using for my benefit is going well (I've been using it for like half a year now?), and I wanna recommend it.
You Need a Budget is EXCELLENT. 10/10 do recommend. Uhhh rambling about it and my generic disclaimers + gushing extensively under the cut but TL;DR I think it's great for ADHD ppl, I've used it for 6+ months now and I find it super SUPER helpful. also weirdly fun.
DISCLAIMERS:
Budgeting helps you understand/know your money, it can't make money appear where there is none.
Everyone should learn to budget even if you don't have much money (especially then)
This is NOT a magic trick solution. Just like everything else, it is an assistive tool. This is one of those adult things we can't simply opt out of without negative consequences, though.
My advice is based on something I am currently able to do. That is, I can spend an amount of money on this specific thing that works well for me. If you have no extra money to spend then previously I was tracking things in a notebook. So you can still do this.
I believe Dave Ramsey is a fundie fraud/hack and no one should listen to him about money.
DID YOU KNOW THEY CANCELLED MINT???
Okay? OKAY.
Ahem.
You Need a Budget is EXCELLENT.
It is called YNAB for short. The first 34 days are your free trial, and that is my referral link. If anyone uses it and then signs up for a subscription, we both get a month free. Also you can share a subscription with up to six people (account owner can see everything but individuals can pick and choose what they share amongst each other) so like...idk your whole polycule can be on one account. Or your kids. Whatever.
If you are a student, it's free for a year. If you aren't, a subscription is $99 for a year (paid all at once) or $14.99 monthly, which is equivalent to paying Amazon prime. Go cancel Prime and get this instead tbh.
They got a whole article just on ynab and ADHD. They also have like...a big variety of ways to access their info? They have a book, podcast episodes, YouTube videos, blog posts, q&A's, free live workshops you can join (you can request live captioning), emails they can send (if you want) a wiki, and so on. They got workshops on all kinds of topics!!
So whatever ends up working for your brain. It also has a matching app.
If you lost Mint this year they have a gajillion things for moving from Mint.
Also they have a "got five minutes?" Page which has a slider so you can decide how much attention/time you have before going on lol:
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They only have 4 rules of the budget, they're simple and practical, and it doesn't get judgey or like...mean about your spending.
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1. Give every dollar a job 2. Embrace your true expenses 3. Roll with the punches 4. Age your money.
THEN THEY BREAK THESE DOWN INTO SMALL STEPS FOR YOU! They even have a printable! Also these rules are great because there's built in expectations that things WILL HAPPEN and it's NOT all or nothing with a fear of total collapse into failure. Reality and The Plan don't always align, especially if you have ADHD. So it's directing our energy towards the true expenses and not clinging to The Plan!! over reality.
You can automate a lot of shit (you can sync with your bank accounts just like mint, but also automate tagging the categories of regular expenses/transactions). And if for whatever reason you accidentally do something that makes the budget look weird or wrong:
A) you can usually fix it somehow OR b) they have like, a button you can press that gives you a clean slate and archives the previous version of the budget for you.
So if you forget for a few weeks or months, or accidentally input something wildly wrong, or just don't want to look at a really terrible month anymore and feel like you need a fresh start you can usually either fix it or start fresh which is really nice.
The app also (for whatever reason) scratches my itch to have things like...have incentives or little game-like goals in a way mint never did? I don't know why. Filling up the bars or putting money into the categories to cover my expenses is satisfying lmao. You can also make a big wish expense category for all the fun shit you want, and fund it whenever you can and then you can see the little bar go up and that's fun.
Anyways I've been using it for like 6+ months now and I think it's really helped me when I use it.
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nyerusnova · 8 months
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Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)
Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.
Which means it's very fun to dissect! ✨
There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.
At least, in my opinion.
Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.
So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.
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Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2
"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."
"One day, I'll be as good as Jason. One day I'll wear the suit."
To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.
So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.
Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.
It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.
It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).
Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.
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Batman vol. 1 #455 (Oct., 1990) -- Page 13
"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."
Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)
The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.
In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.
It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.
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Batman vol. 1 #455 (Oct., 1990) -- Page 18
"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"
Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.
Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.
Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.
Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.
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Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15
"Drop-outs don't make it. And dead heroes are no use to anyone!"
It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.
First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.
Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.
Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.
Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.
Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).
That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.
Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.
To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":
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Batman vol. 1 #456 (Nov., 1990) -- Page 9
"The suit is magic."
That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.
I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.
Alright, back to the main course:
So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)
Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.
You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.
Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.
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Batman vol. 1 #457 (Dec., 1990) -- Page 20
"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."
Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.
Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.
It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?
It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.
So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.
And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!
TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)
(image dialogue transcripts under cut ↓)
Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):
Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.
Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):
(Scene continued from previous page)
Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.
Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):
Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.
Bruce: There's more to it than that, son. Much more.
Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!
Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.
Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):
Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?
Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):
Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!
Vision Dick: Heroes never give up, Tim.
Vision Jason: You know that.
Tim: Dick--! Jason Todd!
Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.
Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.
Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):
(Scene continued from previous page)
Vision Dick: Think, Tim. Concentrate!
Vision Jason: You can do it.
Both: You can do it!
Tim, waking up: What--? Robin...?
Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.
Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):
Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!
Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):
Bruce: Are you afraid of it?
Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!
Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.
Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.
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kazutora-kurokawa · 2 months
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♡ About Me ♡
♡Tora's Angel♡♡Izana's Sidepiece♡♡Taiju's Princess♡
♡ She/her, black, 18, dms open (feel free to message me random things), wanna be moots? just ask me!, reader & writer who's obsessed with fictional characters
♡ You can call me Kaz or any other pet names you'd like
♡ Sorry if any text is hard to see, I only write on dark mode on my phone
♡ My request button is usually there, but requests will temporarily close sometimes because I'm busy but I'll keep my page updated with whether they're closed or not
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♡ I write fluff sometimes but this is still a NSFW blog, minors dni (pls have age in bio before bouncing around my blog, I will block your ass)
♡ I write mainly for jjk, tokrev, and aot but I'll write for another fandom if you have suggestions.
♡ Read the rules before requesting pls ⤵️
♡ Request rules:
I'll write smut (check if a kink or part of your request is okay with me before requesting), fluff, and angst
I WON'T write smut about noncon, incest or stepcest, minors, animals, or any weird shit.
I'll write for any character in the fandoms I write for and any that you suggest if I know the character well enough.
I only write for fem and gender neutral reader so pls specify which one you want or I'll pick for you lol
Don't be rude or bossy when making a request, you don't gotta kiss my ass but have some decency about it pls
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@arlerts-angel @i-literally-cant-with-this @trevengersprincess @giugiette @katkusuo @happy-trenchcoated-impala @drunkcheesecake @darkstarlight82 @reiners-milkbiddies @manji-hoe
Shoot me a message or an ask if you want to be included on my taglist
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trungles · 1 year
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Hello, long time follower just on other platforms and I love your work. I am currently getting my Masters in Comics and Graphic Novels, and do tell me if this an inappropriate question but how much do you make? Like a month doing comics and art? Also what do you do on a day to day basis? I'm worried about my future after I graduate.
Thank you so much! This is a great question, and I wish more people would be candid about answering it because I'd like creators to demand more money. This will be a very long post! Keep reading if you're interested. MASSIVE info dump below.
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I think earnings in comics and books can look wildly different for almost every creator, and it depends on a lot of things. With that in mind, I make a slightly different amount every year. I view my finances mostly through page rates, contracted projects, and passive-ish income. Because I'm terrible at math, I'm just going to tell you how much I make per contracted projects, plus some relevant information in terms of Life Stuff. This will be very long, and I will highlight some important details that people maybe don't like to talk about very much.
Please also bear in mind that I live in Minnesota, away from all my major publishers and editors who are situated on the coasts, so my cost of living is much more manageable.
Background: Building a Foundation (2012-2018)
I graduated from college in 2012 and lived with my parents until 2018. I did not have to pay rent or worry about food, so I got to save up a lot of money to invest in developing as an artist–paying for printing zines, making merch, travel to conventions, table costs, and secure hotel accommodations. This helped enormously, and I would not have been able to spend six years developing my portfolio and connecting with comics peers and professionals without my parents. They were very supportive, even if they had no idea that I was developing professionally as an artist (LOL, they're very proud of me now, but they truly just thought I was being a weird internet gremlin the whole time). They're also not wealthy people by any means. My parents immigrated to the US in their 20s as refugees with absolutely no money and one baby (it me, I am the baby), but they each became pretty successful small-business owners in their own right and were able to help put me through school with minimal debt, even through the financial crisis in the late aughts.
I started making art in 2012-ish as well, but only semi-professionally, and barely on purpose. I was employed full-time in a non-art job between 2013 and 2018 at a local non-profit that specialized in pediatric therapy. I occupied a role as their front office person/corporate assistant. I made about 40k a year at that job, with benefits, and I made a negligible amount of money doing art and making comics. I should also note that throughout this time, I was working 40 hours a week at my day job, commuting between 2-4 hours a day depending on the weather (my commute was an hour for each direction in good weather and up to three hours if it snowed), and then working on comics for 3-4 hours in the evening, every evening. This meant that I would frequently be working anywhere between 65-85 hours a week for five years, and I do not recommend this! I burned out pretty bad! I didn't go to art school or learn about comics, either, so I felt like I had to spend time building my portfolio to make up for lost time. I didn't even know I wanted to make comics until maybe two years after I graduated from undergrad.
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I did manage to build a nice portfolio and connect with people who were making the sort of work I liked to make, so the portfolio-building did help. I posted regularly online in different platforms and steadily grew an audience over the years via Tumblr (heyyy!) Instagram (which I personally loathe), Patreon (stressful, but necessary and also getting more comfortable to use!), and Twitter (which I have very mixed feelings about, but I'll miss it if it dies). I did a few short comics with writers whose work I admired. The Fresh Romance Anthology in 2015 was my first major published work, and it was with writer Marguerite Bennett, who remains one of my absolute favorite people. I was so inexperienced at the time, and she would check in with me to make sure I got paid for my work, and then she would follow up with everyone responsible if I was not properly compensated. Not everybody is this on-the-ball about making sure their colleagues are treated well, and she absolutely set the bar for me going forward.
Doing It For Real + Some Numbers (2018-2021)
In 2018, I put together a pitch document for The Magic Fish (if you'd like to see my pitch document, here is a Dropbox link to it! It's just a book report for a book that doesn't exist yet, and I hope you find it helpful if you need it), shopped around for an agent, and found one I'm very happy with (Kate McKean at Morhaim! She's amazing! She runs a newsletter where she gives you the lowdown on how the publishing industry works, so if you're interested in Books, you can check out her writing over at Agents and Books). Then my agent shopped the pitch around to editors and publishers, and Random House Graphic won out. Also, every time she negotiates a contract for me in my home market (the US), she gets 15% cut, which is entirely worth it to me. She does so much. It's incredible.
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Random House Graphic's offer wound up being for two books at $45k each, with pretty standard royalty rates, I think around 10% in general, though there are stipulations around royalties that I can't remember off the top of my head (and also bear in mind that you do not earn royalties until your book sales have earned out your advance, and not all published books earn out). To me, this is a lot of money! BUT the graphic novel took two full years to make, so that $45k needed to last me until 2020, which is not livable if you're on you're own. Also, the advance is paid out in chunks at certain milestones of project completion. I'd get a few thousand at a time for the script, another few for the thumbnails, more for the inks, and on and on until the book is done. I would not start to get paid for the second book until I started working on it.
Earlier in 2018, I'd moved in with my partner, so we managed paying the bills and groceries together. Luckily for me, I had also completed a full tarot deck as a separate personal art project to help build my confidence as an illustrator, and my agent sold the tarot deck project (The Star Spinner Tarot) to a different publisher for a $15k advance, so I had some extra wiggle room in 2018. I quit my day job because this was a rare instance in which a book deal provided me with enough money to live on making art, with the caveat that I shared financial responsibilities with my partner. By this time, my Patreon, which I started back in 2015 I think, was also earning anywhere between $800-$1000 a month, which was really great semi-passive income. I'd post process shots and WIPs a couple times a week, and that really helped from month to month.
In 2020, The Magic Fish was published and got a lot of really lovely press. It debuted on the Indie Best-Seller list, and it got pretty popular in schools and libraries. Suddenly, my responsibilities expanded to also being a public speaker (side note: if you make a book about topics of some academic interest, make a generic powerpoint presentation about it now! I'm so serious!). I stopped tabling at conventions (the pandemic), but I would also be paid for speaking gigs in between. I'm not an enormously in-demand public speaker, so I usually asked for an honorarium of about $500 from schools and institutions for online appearances, though I'm about to ask for a lot more because it's cutting into a lot of the time I need to make comics and hit my deadlines. As people are more comfortable meeting in person, I usually ask for a speaking fee of at least $1500, and it must be after they've already taken care of my travel and accommodations. I'm not very well versed in the standards for speaking fees for debut authors, so this might not be standard! It's just my best estimation of the value of my time and effort for that instance.
Speaking of comics and deadlines, I sometimes take on smaller projects for DC (you might have seen these) and Marvel (shhh it's not been announced yet), and the page rates for those, as they've paid me, are usually as follows: $90 per page for writing ($45 for plotting and $45 for scripting), $160 for pencils per page, and $90 for inking per page. I've never colored or lettered, so I don't know those rates. I do regularly talk to other writers and artists, and the rates for writers are all over the place and seem to depend on whether you've signed an exclusive contract with either of those companies. I don't know what a contracted penciller or inker is paid by them, or if that's even a thing that happens? I also sometimes do comics cover work, and I usually charge between $1200 and $1500. I tend to charge a bit more for covers these days because I personally don't like doing covers all that much.
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Starting to Reap the Benefits Maybe? (2021-2022)
In 2021, I started getting royalty checks for both Star Spinner Tarot and The Magic Fish. These payments will vary wildly, and I think they will naturally peter off as time goes on, and I'll need to make more books and projects. In both cases, I was surprised. I think at one point a random check hit my bank account for like $20k and I nearly fainted, but some of the other royalty checks will be much more modest. This process of getting paid is also immensely eased by having a good agent! I cannot stress this enough!
Then both the Star Spinner Tarot and The Magic Fish got foreign language licenses, and those come with small advances of their own, each between $2k and $3k, from what I can recall, with varying royalty rates depending on the publisher who acquired those rights. Those royalty rates are, in my limited experience, more modest than my American publisher's, come to around 7% or 8%. The Star Spinner Tarot got an official French edition, and The Magic Fish has been licensed for publication in Italian, French, Korean, Brazilian Portuguese, and Spanish so far.
Since 2021, I've also signed on to draw two more graphic novels for other people, and my agent is able to demand higher advances for me, even when I'm only doing the drawing part.
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My Day-to-Day
I think that's about as comprehensive as I can be about numbers. On a daily basis, my schedule depends on whether I'm writing or drawing. Graphic novels are long projects. I'll be writing for months at a time and then drawing for even more months or even years after. I spend a lot of time answering emails for speaking requests, and my agent will sometimes pass along emails about legitimate project requests (another advantage of having an agent is I don't have to sift through scam emails or shady collaborators). I spend way more time answering emails and trying to iron out my calendar than I'd like.
I'm currently working on my second graphic novel for Random House Graphic, and I'm extremely excited about it.
Another thing I've learned is that I like to bounce between projects, but they have to be between a paid project and a personal project. If I'm juggling paid projects, I get overwhelmed and stressed. If I can work on a paid project and then also make personal art, I can feel some relief and maintain a positive relationship with my work. If you can ever get to a point where you can manage to do this, I highly recommend it. I never want to hate making comics, and this balance of personal-to-paid projects helps me keep loving the work.
Closing Thoughts
My only hesitation in talking candidly about all this is that I'm not sure my professional trajectory is applicable for most people. I think I've had a uniquely positive experience once I got off the ground, and I know most people's journeys are very much not this smooth. In a lot of ways, I got very lucky. And along the way I had help, especially before I got my foot firmly in the door. I don't think I make stratospherically high amounts of money, but I know this is still an atypically stable amount for a lot of artists and authors. And even so, I anticipate that some years will be better or worse than others.
Obviously, I couldn’t cover absolutely everything, but my hope is that this will be a good starting point for you to figure out what you need to plan for the future. Best of luck! Thank you for your question! I’m sorry it’s so long.
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captainmera · 8 months
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Uhhhhhhhh
Do you happen to have a tut on how you draw your little poses? Like when you draw you? This is like a very weird question but I am in dire need of help with poses and I absolutely adore all the ways you draw them (and just in general)
Totally fine if not though,😭🫶
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STEP.1: draw head.
STEP.2: choose an expression and then draw what you want the hands to be doing/gesturing. (think body language and emotion)
STEP.3: draw body as quick and flimsily as you can using lines in the shape of only C's S's and I's.
if you look at most of my quick sketches or doodles, a lot of the lines are just wonky CSI's, it's called the CSI-method. As a comic artist you just wanna communicate a pose as best as possible without lingering too much. At least if you do full colour + background + character designs + camera work + storytelling + and + and + lots of things... You don't have the time, you just wanna get to next page, tell the story.
And, like...... Allow yourself to draw crappy once in awhile and post it anyway. Idk if you've read my webcomic but there are very obvious pages where it's like WOAH MAMA THAT'S EFFORT and then there are pages where they all look like muppets. But it also makes the cool pages look even more BAMF thanks to it, it gives everything a nice melody and bounce from page to page.
I am inconsistent and I use that to my benefit by leaning into it and letting it punch emotion home more.
it's about communicating a feeling, I think, rather than always being accurate.
I am actually-- really, really, bad at dynamic poses and camera work. Like, legit super bad at it. I bullshit everything, lmao;;; I encourage anyone to also bullshit, and use references if you want! Like go! Whatever makes it fun and less stressful.
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see? it's all nonsense but it looked nice anyway haha!
I didn't really consider perspective or anything, I'm trying to teach myself to draw from different angles and it's hard because I like my face-forward-camera lol. But I was focusing more on framing:
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so that colours and shadows highlight the scene, so I can say more with one panel than I could with words. It's about the CINEMA~~!
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Or, if you close your eyes and then open them. Where does your eyes go? That's the flow of your art. Sometimes it goes in different directions, but there will be key areas your eyes are drawn to. In this image, Hunter will most likely be first, Good! And then secondly Camila, also good! ... Sometimes it's the pizza as second, less good but it still works.
MY POINT IS
THE POINT IIISSSSSS---!!
As long as you have fun playing around with it, you'll learn from it. Don't hate the process, learn from it. If you just relax it'll definitely look better anyway.
My fanart looks better than my serious stuff sometimes lmao, because I put too much pressure on a perfect finish and that just works against the grain of what I'm actually, like, good at doing.
I AM JUST SAYING WHAT WORKS FOR ME.
You should absolutely study backgrounds and perspective and anatomy!
I'm just saying that, like...... It's okay if it isn't perfect. You wont die, people will like it, you'll like it. It's OKAY.
idk if this is what you asked for but I hope it helped.
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inthestarsme · 2 years
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Astro Observations pt. 2
Disclaimer:
‼️Don't repost my Observations without consent and mentioning my page‼️
I very much respect non-binary or trans people. If i'm talking about man or woman, i'm talking about cis-men or woman i know, because often, due to societal coding/standards, there can be differences depending on the gender. But it could very much apply to you if you are non-binary or trans. Just take what resonates and leave what doesn't, as spiritual people like to say.🫶🏻
If you don't agree with my observations, please don't send any hate. It's personal observations that i'm posting just for fun. Especialy my very specific observations can only apply to certain people. So don't take anything you read too seriously. It's not a science, just pop-astrology!😎
So let's go!
Moon 3rd House: I have this placement and if i am going through something, i always need some close friend to talk to. And i feel like, if i had siblings i would probably always talk about it with them (if the relationship was great). I just really need to talk it out, sometimes it doesn't even matter who exactly it is. 🗯 I also am a singer, and this placement can indicate great singing abilities (not bragging lol), or just being great at expressing your emotions verbaly/ vocaly. You might also use singing as an emotional outlet (i did that when i was little and too shy to talk to people about the stuff i was going through). 🎤
Aries Moon: Aries Moon can have really big emotional outbursts and can be very direct and aggressive in communication without even noticing. They aren't necessarily always like this, the ones i've met were actualy very confident talkers and quite patient. But if they get too emotional or you say something that gets on their wrong nerve, they can have quite extreme reactions or be very mean, without meaning to. 🤬Also, some kind of sport might be a great emotional outlet for these people. 🥊
Saggitarius MC: I've heard this thing about Saggitarius MC being seen by the public as the "bad guy" which might not be true for everyone, but i've actualy noticed it in quite a few famous people. Billie Eilish has this placement for example, and one of her most famous songs is literaly called "bad guy". She is also known for this more dark and emo aesthetic/ music and is said to have created the new music genre "emo-pop". ☠️
Scorpio Venus: I personaly have this placement, and when i love i love DEEP, which can also lead to possesiveness and overjealousy. But i am very loyal, and just by my moral standards (my Venus is in my 9th house), i would never cheat on my partner.🖤
Scorpio Mercury: I also have this placement and i loved talking about deep stuff since i was little, and i also have no problem talking about taboo stuff. There is almost nothing that shocks me, and so sometimes i can also tend to overshare mine and others secrets, because i thinks that it's not that big of a deal, even though later on i realize it might actualy be. 🫢
Saturn in the 7th house: You might go through very messed up romantic relationship stuff at some point in your life that could very much traumatize you. It's a fucked up placement to be honest, i wouldn't wish it on anyone. (Cheating, compulsive liers, etc.). One famous example is Johnny Depp. 💔
Saturn 4th house: Your home life could be filled with fucked up experiences, especially in your family. It can go from just very stern parents to domestic abuse. You might need to free yourself from that and bild your own, secure home to have a happy and well regulated home life. 🏠
Jupiter 12th house: Could very much have a lot of secret enemies. People you considered friends might just suddenly cut contact or block you, for no apperant reason. But you could also, depending on what's going on subconciously with you, give off very weird vibes, which might be the reason people react to you like that. Some people just can't pinpoint why they don't like you and keep a friendship with you because they feel bad, and someday just cut off the relationship without explenation, because exept for the weird/bad vibe they get from you, they couldn't tell you why they don't like you. I'm not saying it's okay, but this might be the reason. People can really feel what's subconciously going on with you. So you really need to work on you subconcious stuff and listen to you intuition/ the universe, so you can tell which people are bad for you and which ones are not. Your strong intuition and connection to the universe is one good side of this placement, which can bring you a lot of great stuff if you tap into it. If you heal and give off very good vibes, you could maybe attract some amazing people and even heal people just with the vibe you give off. 🪬
Leo Sun men: I can't explain why, but every Leo sun men I've met has done some marshall art at some point in their life, and even quite successfuly. It doesn't matter if karate, jiujitsu, taekwondo or kickboxing, just something where it's about fighting. 🤼
That's it for today! I really enjoy writing these, so leave a like, comment or share/ repost this to show some love! Bye 🤟🏻
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autisticlancemcclain · 7 months
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fic rec friday 41
hello and welcome to fic rec friday! where, on friday, i rec five of my favourite fics.
Won't you lie with me a while? by notverystraight
When their laughter finally died down, their eyes found each other, the two falling into an intimate kind of quietness. Keith realised their bodies were now so close that his bangs tickled Lance’s forehead, the warmth of their skin mingling, Lance’s every exhale grazing his lips. If he tilted his head ever so slightly, their noses would brush. Lance’s gaze was magnetic. All of a sudden, the air felt much heavier than it had been a minute ago. Keith was hyper aware of the arm curled around his middle, fingers ghosting beneath his shirt. The slow, burning heat that was beginning to pool in his gut was mirrored in Lance’s eyes as they roamed over Keith’s face, his neck, his chest, pausing where his fingers lay against the sliver of exposed skin at his waist. Keith’s breath hitched. - Or, Lance and Keith hang out in Lance’s bedroom. That’s it, that’s the fic.
i LOVE this one. all the little details are so cute. y'all know @mothmanavenue 's recent post with keith and lance's room?? this is like an older fic version of that, almost. the percy jackson poster in lance's room, the bed, the way they're squished together on it.....it's just so sweet and transitory i'm in love
2. In (Almost) Every Reality by notverystraight
When Lance finds himself face to face with alternate universe versions of himself and all his friends, he’s excited to talk to them – who wouldn’t want to see just how different their life could have turned out? However, that feeling begins to sour when Lance notices that, out of all his alternate selves, he seems to have the most underwhelming life. And another unexpected thing. He and Keith seem to be a lot more, um… friendly with each other in the other realities…
early season dynamics when lance is still like fully insisting on the rivalry thing while also being super attracted to keith and mad about it, and then finding out that he and keith are literally soulmates?? like in love in every reality?? ENDLESSLY funny. also lance being a big nerdy fic reader is so so real
3. Speak in Tongues by laidellennt
Lance learns Altean from Coran. Keith's kind of weird about it.
keith getting like lowkey horny when lance speaks different languages is SO real and SO funny 💀💀 like of course this whipped dumbass is just like so hugely attracted to lance in all his strange awkward competency and of course he has no idea how to handle it. of course lance is offended by it. i love early season dynamics
4. 5 things Lance was surprisingly good at +1 thing that should be obvious by orphan_account
5 things Lance was surprisingly good at +1 thing that should be obvious, it's pretty self-explanatory.
i love this one bc its just a way to headcanon lance as being good at random stuff. like yes obviously he can throw knives. of course he can bake. duh he can sing. the world would be a better brighter place if we just talked all the time about how good lance is. also side note but do any of yall remember when clicking the orphan account link on ao3 would bring you to a massive account that had archived every fic to every be abandoned instead of an error page?? bc i do lol
5. Would You Like A Sticker? by delaneym_15
Lance has been working hard these past few weeks. Getting the newly set up infirmary being one of his most pressing concerns. Gone are the days of being put in a healing pod for every little injury. Of course that means someone has to run it, and what better person than the paladin who has been all but officially apprenticing under Coran since the Blue lion first brought him to the castle. If only the rest of the paladins would take him seriously.
i fucking love the medic lance tag. well and truly it is the gift that never ever ever stops giving. he is just so well suited for it!! i love him so!! let him be competent and judgmental and pretty as he does it!! like!!!
that’s it for today!! i’ll see y’all back next friday for the next fic rec post!!!
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fumifooms · 1 month
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Do you know about the Marchil h-doujin, just called "Marchil Meshi"? (Dunno wether you're comfortable about adult content regarding the ship. If not, sorry and feel free to ignore).
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Imagine my surprise… When a few months ago, I was looking up places to buy doujins for dunmeshi online bc of that new-ish laimar (sfw) doujin and I find, many many nsfw ones bUT AMONGST THE HORDE… MARCHIL MESHI. I ate it up. It’s a lil iconic to me ngl, I quote it in my head sometimes. Marcille angrily gesturing always gets me cackling. It honestly has no business being this good, it was made pretty early on in the story so many years ago, and STILL! So in character, and honestly so funny, AND no weird business either. Like listen, I scour the internet, looking for any marchil content, any marchil content at all… And find a dry af desert, no life here, literally jackshit nothing. Only Pixiv has some afaik but the nsfw is def… Hm. 😔 (2 fics tagged chirumaru on there btw!! That aren’t mine lol) Thank you marchil meshi author if I had to pick 1 piece of marchil nsfw to exist I’d choose this one (honestly that’s already so close to reality lol) Thank u Asaki Takayuki I owe u my life. I like zines but I’ve never bought doujins before so it didn’t cross my mind, but dunmeshi is taking a lot of my first times in fandom engagement and I bought said laimar doujin just the other day hehe 
I do want to keep my blog generally sfw but yes I’m 100% cheering on nsfw marchil content from the shadows, glad that ao3’s finally getting some too. I hope that fic writer makes more… Tallman Chil is so so good but I hope they also do some more general premises, which the end notes on that one do make me hopeful 👀 I want more marchil writers in general. More marchil fanartists. Sfw nsfw idk I need to be fed 😭 (<- This post was drafted before that new marchil smut fic WOOHOO. So much new marchil content this week!!)
Oh while I’m here, I find this so funny/odd, but in japanese fandom ship names are simply the beginning of each name smushed together, like marchil or chilmar. The order of the names is that the first one is the "top"… Idk how jp fandoms live without switches but aight, but in m/f ships this means that typically the man is the first half of the ship name right. WELL WOULD YOU LOOK AT THAT marchil is so much more used than chilmar lmaoo. Even more stats: On Pixiv, the tag marchil had all the artworks, but the chilmar tag had all the fics. Ain’t that wack to think about. Anyways marchil or chilmar idc you go guys
Sighh thinking about them. They are so "I beg your pardon??!" "Then beg", "Fuck you!" "Fuck me yourself you coward"… Forget stamens and pistils, Chil is the cursed "You see, there are keys and there are locks…"
More under cut since I don’t get to talk about this often, screenshots and hcs for horny time
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^ said panel that lives rent free in my head and makes me giggle. I wish I’d just put the whole page here it’s my fave but nahh go find it yourself
Why are they like this. Like what is thatttt
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I need to stop collecting these I’m making myself feel insane (thank you fic writer for that last one I’d never noticed but omg)
Alright hc time what was I gonna talk about… Ah yes ah yes. I def think Chil is a pest, he’s horny and he wants sex and is flagrant about it, but also we know that he stayed faithful for 4 years without getting any, I feel like realistically the relationship sex wise would 100% be on Marcille’s pace. And this is the fun part, bc would Marcille be very eager? Would she want to do the romance book correct™️ route and that means no tapping until marriage, or he needs to court her all princely first? I hc that elves have a much lower libido than humans because of the whole long af lifespan thing, it’d be kinda funny if Marcille was like "Let’s take things slow… 🥺" aka first base achieved after two years of being together lol
But seee that’s the thing too bc Marcille is so afraid of loss she might rush through things as well, she very well could like, jump on him right after confessing. Is Chilchuck kind of a shithead or is he very gentlemanly and romantic, wanting to do it right and treat her well? They are such a blank canvas of sexual chemistry listen LISTENNN there are just so so many ways you can go with them they are so special. God the banter… They cannot stop bantering for a second I swear So many kinks they could fit… I like uhh praise kink for him and for her… Idk she just really loves him and the emotional adoration is what’s at the core of her enjoying it all so like, loving Chilchuck kink, which turns out those two really match together 🫶 He makes her sing and ummm um you see where this goes. They are so grossly in love and into each other
They are so domestic. I hate them
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chronicbeans · 1 year
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Alright I am FINALLY Making a Fandom/What I'll Write for List
Current Hyperfixation(s): Hazbin Hotel, Tentador Leches, Lackadaisy, Don't Starve, TNMN, Dead Plate
I'll edit this list as my interests change. Also, there are some notes for each fandom. I'm adding a read more because it is probably going to be long. Some things I write for may not be listed, simply because I'm not taking requests for them. This list is mainly so people know what they can/cannot request.
As a quick note beforehand, though, I just want to post a link to a passion project I am creating! It is an original story, and is very personal to me. I really hope that anybody stumbling across my page or who already likes some of my fandom content will be willing to give it a read or look into it. More information is in the post linked below.
WELCOME HOME:
Anyone, basically. Yes, this includes Home.
PERSONA 5 ROYAL:
Adult Confidants (just in case, yes, this includes Takuto Maruki) - I will write for them. I think they need more love, lol. I also absolutely adore Takuto Maruki so like... Please request him-
The Phantom Thieves - I will write for them, but no NSFW because most, if not all are in high school. Some might say that a couple of them are 18, but I feel like it would be unfair and still a bit weird for me to write that stuff for.
FNAF:
Adult Human Characters - Mainly William Afton or Henry Emily, but I will also write for the night guards and any other adult human character.
"Animatronics" - If I write for the animatronics, they won't actually be animatronics. I wouldn't really feel comfortable with that, just because most, if not all, are possessed by the spirits of children. So, if I write for them, it will be in a AU where they will just be anthropomorphic animals in their own little world. Kinda like if the pizza chain had a show, and it is the in show universe.
As a heads up, I am not too in the loop about where the FNAF lore has gone, and I only have the first book. So, a lot of the more lore based Headcanons or FICS probably won't be that accurate. I might also try making my own AU based on only the first 3 or 4 games, but I will probably only write one story for that, and decide if I will write headcanons based on that according to how well it is received.
WHAT REMAINS OF EDITH FINCH (WROEF):
Every Adult Character - same rules apply as the other adult characters. I will Headcanons or stories for them during the time they were alive, of course. I have also had an AU idea where the family haunts the house as ghosts, so I MIGHT write headcanons for that, too.
ANGELS OF DEATH/ANGELS OF SLAUGHTER:
Dr. Danny, Cathy, Reverend Gray - YOU CAN'T STOP ME. I LOVE THEM OMG. ESPECIALLY DANNY. I would write for Zack but like... Sorry guys I just don't really like him enough to have any ideas... (No shame to Zack lovers, btw. I just can't get the groove going for him).
FAITH THE UNHOLY TRINITY:
John Ward
STARDEW VALLEY:
All bachelors/bachelorettes. Especially Harvey he needs more love-
PORTAL/PORTAL 2:
Wheatley, GLaDOS, Caroline, Cave Johnson, Chelle, and Doug Rattmann
THE HEILWALD LOOPHOLE:
All doctors and nurses
BATMAN (in general + my own versions of the characters [Chronicverse]):
Just the villains (including Catwoman and those who play both sides). I personally just can't see the appeal in the heroes.
THE DARK PICTURES - LITTLE HOPE:
So I have only played Little Hope, so far, so I can't write for any other Dark Pictures installment. I'll write for any character besides Megan/Mary.
COOKING COMPANIONS:
Anatoly, Karin, Gregor and Mariah.
UNCANNY VALLEY SERIES (House Hunted, John Doe):
Maison Talo, John Doe
TENTADOR LECHES:
Koolie Sterling
ERROR 143:
Micah Yujin
Hazbin Hotel:
Alastor, Lucifer, Adam, Angel Dust, Husk, Charlie, Vaggie, Niffty, Sir Pentious
MY OWN CHARACTERS/ORIGINAL STORIES:
I'll write for most every character I create. I probably won't write "Headcanons" if nobody is interested, but I will still write stories for them. Those stories will include x Reader sometimes.
Currently I am working on a story/series called Tales from the Iolite Hospital.
WHAT I WON'T WRITE
No proshipping, MAP, Zoo (I don't count furries as zoo, because they have a human level of intelligence and consciousness), Noncon, Dubcon. Currently no NSFW, but that might change in the future.
WHAT I WILL WRITE
Yandere, chronic illness, specific cultures (It may not be the most accurate, but I will try. I think of it as a learning experience), LGBTQ+, mental health struggles.
THINGS TO KNOW ABOUT MY WRITING
Most everything I write will have some sort of horror or heavy topic in it, even if it isn't a yandere story. I LOVE horror. So, if you don't like horror and heavy topics, or can only handle it at specific times, I understand! It is just kinda my thing. If that is the case, then idk if this blog will be for you/be for you all the time. I will always make sure to try to put trigger warnings at the top of the post, though, so that people are comfortable.
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djsadbean · 2 years
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how to improve drawing kinda fast:
ditch lineart for a bit (this way its easier to part with things that aren’t working)
use a REALLY thin brush
copy, copy, copy art you think is ✨art goals✨
don’t post that stuff tho :O
if you need to trace at first, thats fine lol but break away from that eventually!! you gotta train your eyes to draw what you see, spatial awareness is very important
copy hands, poses, expressions, anything you wanna get better at
don’t copy from refs that are way too simple to be used as a “master study”, like from the calarts shows etc.
copy from stuff thats kinda complex bc if you learn how to draw it in that complex way, you can always simplify it if you want ^^
im pretty sure this is how many of us have become obsessed with hip dips details LOL
if something looks off, flip ur canvas, mess with ur sketch, or even delete (or hide) parts of the sketch and try again. if you drew it once, u can draw it again. (erase or hold up the page to the light backwards if drawing on paper)
being cool with parting with your sketch if its not working will make you a better artist
youre allowed to frankenstein refs together lol (a hand from here, a mouth from there...)
if youre having trouble making your sketches look like theres actual shapes, try shading :D
literally the only reason i shade now is to show the shapes of objects in more of a painterly way (its not just for paintings btw, its just easier to describe it that way)
try new things that youre excited about like perspective, anatomy, blah blah
copy!!!! while youre copying it’s gonna be cool to see how much you remember when you try it on your own
scribble a doodle as often as you can, not like urgently, but like as something to look forward to (like how lots of ppl look forward to wordle everyday lol)
this list can apply to anyone but its fine if you wanna take some advice and leave some if it doesn’t work out. this list is mostly just to get you comfortable with sketching and learning, not performing.
I mention that “not performing” thing bc its easy to want to please social media platforms because that attention and validation can feel amazing! 
but its also addicting because many of us crave being in a community and talking to ppl who like the same things we do
there are many communities out there from artist youtubers, artist streamers, etc. and many of them have discords and stuff and it might be fun to join! and/or join fandom ones if u want ^^ 
that way you have something thats not bound by if ig decides to not show your post to your followers or something
there’s also lots of other platforms that aren’t social media based specifically for artist communities too!
with this said, please be safe! never give out private info and you’re always free to block/report ppl who make u uncomfortable or ask weird things. 
on the topic of being in communities... reblog art you like! comment the nice things youre thinking in the tags or in an actual comment! share art you like on your ig story!
firstly, this is great for making friends
secondly, the artist cant read ur mind so they don’t hear anything nice youre saying :(
comments can be so motivating!! hearing nice things from my mutuals about my art feels great bc of that authentic human connection we’ve all been missing for like 2 years now
if i see a mutual drawing something and i think “omg they did amazing with the expression!” i write it (ive also been told i leave comments as if im talking and its kinda funny to read sometimes xD)
its channeling “girls support girls” culture in a way lol we’re our best when we’re lifting each other up <3
luv ya, be safe!! and draw lots of things!! :D
add stuff that’s helped you improve kinda fast if u want too! if we put all our brain cells together we’ll be unstoppable heheh
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sage-nebula · 2 years
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Something I wonder about is whether Metal Sonic / Overlord calling Tails "unworthy child" will ever be followed up on.
On the one hand, this happened so long ago that it would almost feel weird to bring it up now. On the other, it's such a cutting, damnig criticism that throwing it in and then doing nothing with it feels like there was a story that was intended but cut. It's hard to believe this was just put in there for no reason.
A huge part of Tails' backstory is that he has always looked up to, and wanted to be a hero like, Sonic. And he has felt at times that he falls short of this. His theme from the Adventure games touches on this: "I wanna be strong, I wanna be trusted [. . .] I wanna be cool, I also wanna be like him / but that's not something I can do so easily." His arc in the Adventure games is about him becoming a hero in his own way. He saves Station Square in SA1, he throws (mecha) hands with Eggman in solo showdowns multiple times in SA2, the final time coming right after he's made to believe Eggman just killed Sonic right in front of him. (Which is why his treatment in Forces is so infuriating, but! This is not the post for that.) Tails doesn't have Sonic's strengths, but that's okay, because he has his own strengths that Sonic doesn't have, and his Adventure theme touches on this, too. "There are things only I can do."
But although Tails does become a hero in his own right, and has so much more confidence in his strengths now than he used to, I think he could still struggle with the thought that he's not enough sometimes. As much as I fucking hate what Forces did to him, this arc in the comics still does directly follow Forces, wherein Sonic was captured and Tails couldn't do anything to help him. What does that say about him? How does that make him feel? Is he good enough? Does he deserve to be at Sonic's side?
The use of the word "unworthy" is a deliberate one. Metal isn't calling Tails stupid, or weak, or slow, or anything else that could be an easily dismissable, shallow insult. He's calling him unworthy. He's saying, maybe you are smart, fast, or strong. Maybe you can build computers and pilot airships and maybe even crash one into me. But you are still not good enough. You are still an unworthy child. It's such a deliberate precision strike against Tails' insecurities. Metal wasn't just lashing out. He somehow knew just how to hurt Tails and he stabbed into that squishy weak spot with extreme prejudice.
And then . . . nothing ever came of it.
Of course, literally 2 pages later we had Sonic hyping Tails up:
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So maybe that's why. Metal called him unworthy, but Sonic called what he did amazing. So . . . problem solved? I wouldn't think so, but I'm also not on the creative team for these comics, so 🤷‍♀️ If I was, Tails wouldn't be referred to as a "sidekick" in his cast blurb while everyone else gets to be called a hero (or heroine), lol.
But anyway, I don't know where I'm going with this. It's just something I was thinking about as I try to sleep despite my illness making that difficult.
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blackstarchanx3new · 9 months
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FSR Rambles 7 days
Have you considered I've gone mad.
Wacky perhaps?
It's the gay ass forest scene bitches and my long winded thoughts.
WELCOME TO MY GAMER PAD. SORRY FOR THE MESS I JUST GET SO TILTED AT THE TOWERS.
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Shadow Link calling VIO weird is so funny to me. Just casual spying. Nothing weird. Noticing every tiny detail about him...Nothing weird.
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Shadow related to Vio and that's why he went for him over any of the others. XD
Let's go down the list shall we?~
Red's too much of a crybaby to even consider humoring not suitable for the darkness too much of a wuss. Sorry Red we're thinking with Shadow's logic here, also Red's a big baby.
Blue's too much of an arrogant hot head and I imagine Shadow would assume they'd butt heads too much to work with cleanly. Also, Shadow would be in range to be smacked with a hammer and that sounds unpleasant. Though I do think Blue would be a close second considering he could have his anger pointed at the other 3... Shadow could be like "Oh you know, the other 3 are just too...combative with your greatness"
Green's too much of a goody too shoes. Also I love the vibe we all get that he kinda HATES Green. X'D
(This is like, a prevalent idea in the fandom and I find it hysterical despite me ya know...Shipping Green x Vio x Shadow X'D Shadow tries to get along with everybody more in FSR though)
That leaves the quiet angsty one that already seems to be having doubts going through similar emotional struggles as Shadow Link.
Which one would YOU pick? X'D The choice is obvious.
I brought this up on the actual comic post but I'll bring it up again: I also think the timing for them being split up is very...Sus on Shadow's part. Like, I think Shadow split them up to talk to Vio alone and get the other 3 in parrel imo. And waited till Vio was tired from fighting through the forest to confront him. Everyone else's scenes take place during the day, Vio's is at night. Considering Shadow's the one who presumably used magic to split them up and swiped Red's sword right off his back we know the dude is following em around.
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Just a set up page. leads into the next scene. There's not a lot special to say about it. Vio recognizes "Oh shit this isn't right" right away.
I like the last 2 panels of Shadow just waiting for Vio cause he's in control of the situation.
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Dark Link finally says something of substance. About himself anyways.
So far he's only been repeating people's insecurities back at them, you'd be forgiven for assuming that he doesn't HAVE a character of his own. Nope he does. XD
He reveals he's sneaking through Shadow's memories which is something he's surprised he can do. Shadow's previous assumption that the curse doesn't affect him at all is wrong considering this information...Or perhaps Dark Link can just comb through anyone's insecurities. We'll see...
We get a panel of what Shadow looks like in the headspace. He has the scar on his chest visible lol. FSR Shadow has a scar from the Four Sword blast he takes in the manga's events. Because angst that's why. Also Vio and Shadow are together, but this was mainly done to show they were together in the real world. Dark Link isn't directly talking to Shadow here like he did with Vio and Green. He's just watching. Menacingly!!!!
Dark Link thinks of Shadow Link as a "Traitor" to his "Master" Vaati.
Conformation he is FOR SURE working for Vaati and not just and extension of Vaati.
He not so slyly mentions he'd rather read with and hug Vio than work...showing a weird urge to be close to the four sword wielders. Which is amusing considering the hug he gave Vio earlier ended in Dark Link strangling him and his hug with Green wasn't very pleasant for Green.
He also whines he doesn't wanna work at all. Realizing he should pay more attention to the flashback lol.
So he's for sure odd.
He really likes hugs and wants to have fun with the Four Swords gang, even though eh doesn't care for how THEY feel during his "Fun".
His body language suggests he's just relaxing and amused.
We don't get a lot to work with for him as of now.
Somebody described him as "pining" in this scene and I find that fucking hilarious so I'd thought I'd mention it. I've drawn him a shit ton with swift violets dude is down bad for Vio. X'D
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Back to Vidow- X'D
Shadow further relates to Vio's feelings of being alone and Vio notices his mistake. I've mentioned before but DAMN does he look SAD in the pages where Shadow talks to him: Cause like again. He's not talking bad about Vio at least not directly.
He's insulting the other 3 and gassing Vio up as better but Vio's inability to fit in with HIMSELF really hurts and someone like SHADOW of all people being able to see right through that has to hurt even more.
Anyways I've brought this up again a million times but I find it interesting Shadow doesn't do the typical "Join us" speech of
"You're worthless without the darkness" Rather he says more along the lines of
"You're already great, join the darkness because you're wasting your greatness with those losers"
Like maybe this is normal (The pool of media I engage with is rather small.) but I'm so used to villains telling heroes how shit they are to their face rather than pumping them up. It's a very interesting approach and following Shadow's character later through the manga this is just another reason why I think he was being genuine to some degree when he approached Vio.
I'd go with it was pure manipulation: If Shadow didn't continue to blow smoke up Vio's ass through the rest of their time together. X'D Like if it was "Oh I told you how great you are now I'm gonna shit talk you to show you I'm better" but nah, he like, just keeps being nice lmfao.
We see him snap when Vio lifts the sword up when it shines brightly but I see that as a fear response rather than him like actually mad or trying to put Vio down, he comes off as more anxious than angry to me in that scene? Because he repeats Vio's on their side and when Vio affirms he IS he calms right the fuck back down. Gave him a mini heart attack Vio lol.
Anyways back to what's going on in FSR:
The realization "Oh shit I let my guard down around him" is also a mortifying thought. Like think of how CLOSE Vio LET Shadow get to him. He didn't push him off in the English anyways he just weakly tells Shadow to let go of him. He has a sword, right in his hand lmao. Bro could have like, took an actual swing or smth He points his sword at him but that wasn't a genuine attempt to hit him. but the second Shadow KNEW he wouldn't After he pushed the sword away in the most gay way possible he just kept getting closer and closer and VIO LET HIM.
LIKE.
BRO.
HELLO?
DO SOMETHING?
Nah. Shadow's words make him DROP HIS WEAPON.
The urge to fight Shadow off completely lost. Dude lowkey just gave up.
Benefit of the doubt here for Vio: Fighting Shadow in the woods is a bad idea because Vio is weakened from fighting monsters all day, he's alone They got their asses beat at Hyrule castle with one swing of his sword and there was four of them, but letting him get close is ALSO a bad idea. X'D
Shadow's in a good mood and maybe Vio just didn't wanna piss him off Counter argument, he draws his sword in the first place Shadow could have flew into a rage over just that but this bitch is dangerous Vio, and he STILL drops his guard lol. I just find how Vio handled the woods scene very interesting it really shows the weaknesses he has.
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Haha so I've made 2 super gay continuations of this scene but this is a more serious take on it.
Vio's PANICING because the terror is setting in and Shadow keeps pushing.
And then he says it, the thing!
"Wouldn't it just be easier to kill me"
AND YEAH VIO YA GOT A GOOD POINT. WHY DIDN'T HE?
I've already pointed this out: but the very idea Shadow wants to befriend one rather than outright killing all four is very interesting.
He wants a friend so bad it's sad.
None of the Hinoxes or vaati's minions are like, beings he could consider "Friends" Which is sad. Vaati and Ganon aren't his friends. One's his boss and another is a guy who bosses him around lmfao. And in FSR is an abusive dad figure
Rather: Befriending an enemy is an easier option than trusting/befriending his own team. Like ouch. We KNOW from the manga he outright states Vio's the first person he can trust. He doesn't feel he can trust Vaati or Ganon which is just OUCH.
Further: The recruitment plan requires SO MUCH MORE EFFORT than just killing Vio while he's vulnerable which Vio brings up here.
Shadow slyly mocks this notion bringing up just how heartless that'd be. Comparing them all the further.
Interesting thing to note:
Shadow also doesn't outright kill the knights and would rather make them "A big happy family in the dark world" which is interesting. Shadow's avoidance to outright kill people is probs just to keep the rating like, ya know. Not T or M but still interesting from a CHARACTER angle. The only people he outright tries to kill are the four Links. X'D
Another option: Shadow is no stranger to kidnapping. He could have just kidnapped one of them. Would that work as long as befriending one genuinely? No, probably not. Befriending one is a more "Permanent" solution unless you hide the kidnapped one somewhere they can't escape or be found. And then we loop around to "Why not just kill them?"
AU where Shadow Kidnaps Vio and they have a beauty and the beast style romance where-
Here's another stream of thought: Why bother coming to Vio AT ALL if he already has Red's sword? Which we know at this point he does. HE HAS A TRUMP CARD? if they can't get the sword back because their journey IS TIME BASED: They lose.
Why does he go for the risky option of converting one of them to the darkness at all?
And if you STILL aren't convinced this is weird ass hell Okay here's ANOTHER idea I just came up with on the fly while writing this: Steal Vio's sword too. The one Vio points right at his fucking face and he could like...yank away. Shadow doesn't even have to kill him himself if he leaves Vio defenseless in the woods.
Like here's smth as a writer I'm not sure how often regular viewers even consider: Alternate choices.
"Character A COULD have done this...but they CHOSE to do this instead" What they DON'T do says just as much as what they DO, and I'll go further into that with ANOTHER choice that makes no sense to me.
And I'm not complaining about the writing by the way I LOVE how this specifically makes no sense because it leaves the door opening to asking "WHY". And we're ignoring the explanation of "Because x has to happen for plot reasons" because we ask "IN THE BOUNDERIES OF THE STORY WHY!?" because that's more fun than "Well he can't just kill Vio because then Vio would be dead and the story would be over" okay but that's not FUN to ask/fun as a response??? What kind of soulless unfun monster do you have to be to accept that as your reality? X'D
AND WHY ARE YOU READING THE SEVENTH INSTALLMENT OF ME OVER ANALYSING THIS BOOK WHILE RANTING ABOUT MY OWN OVER ANALYZED CHOICES MAKING A FAN SEQUEL IF YOU FEEL THAT WAY LMFAO.
Anyways like have you realized just how ODD Shadow's choice to befriend Vio is yet? Like because the manga plays it off as "Oh well it just happened" We don't get to sink in just how WEIRD it is I feel??? Like ALL the reasons why brain thinks "Holy shit that's fruity" because LIKE- I'VE LAYED EM ALL OUT RIGHT THERE IT MAKES NO SENSE TO DO THIS PLAN UNLESS HE'S JUST LIKE- IN LOVE WITH HIM??? None of Shadow's choices around Vio are rational and it's hysterical.
One of my absolutely favorite lines from this update is "Have you forgotten? I'm the hero! I'm here to save you!"
Because on some level Shadow WOULD think he's saving one of them from a horrible fate being merciful and kind to one of them. If he truly wanted to befriend one. Bro is 100% legit here while being kinda mocking towards Vio's assumptions about him. Emphasizing "he just wants to help".
Vio's utterly flabbergasted/horrified face was fun. There's no thought bubble so it really leaves you to wonder what's going through his head from those words.
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The "I GOT HIM! I ACTUALLY GOT HIM!" face is so hilarious to me. Like- He's so fucking giddy here it's hysterical.
Smth to point out particular to FSR Vio: Vio's tugging on Shadow here is a nod to him doing that in the library when he wordlessly wants Shadow to come closer.
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I imagine Vio has a hard time talking verbally about what he wants. And he's not even too sure WHAT he wants here. He just wants to feel better.
Smth about FSR Vio specifically is he kinda just wants someone else to do the thinking for once, but feels obligated to think anyway. X'D
He's at the point of "Somebody just help me" but can't put that to words.
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His smile tones down into a much more....Pleasant one. He's genuinely happy Vio's coming along lol. Friend acquired.
Shadow awards Vio with the high honor of: Keeping his sword.
Back with my insanity to speak on why as Shadow Link, THIS MAKES NO SENSE TO DO.
I find interesting that Shadow implicitly trusts Vio with smth that he SHOWS himself to be anxious about Vio keeping might I add once again...Like he let Vio keep his sword seemingly despite better judgment. If he took it along with Red's, Vio/the four sword gang would be fucked without it.
Here's my thoughts on why Shadow would let Vio keep his sword: Shadow is TRYING to show Vio he's an equal.
Because let's think of it in story land perspective: Vio only uses his sword in 2 scenes that are like RELIVANT before Shadow tries to burn Vio and takes the sword anyway: *The one where his sword glows (If they're already hanging out with Red's sword in Vaati's pad this could have been kept in imo) *Where he fights Green
It'd be easy to write around Shadow letting him keep his sword.
"Surrender your sword to lord vaati to prove your devotion" or smth.
But nah. he's just allowed to keep it for whatever reason.
Shadow always could have just given him a different sword and confiscated the Four Sword but was like: Nope, you get to keep it.
Like again: This choice is odd no matter how you slice it so it makes me think Shadow wanted to show he sees Vio as an equal by letting him keep the weapon that could be used against them.
Or perhaps: It's short sightedness: "Well we have Red's sword so yours is kinda useless" I'm up for either interpretation really. (If you haven't noticed, I'm open to a LOT of angles from FS because I'm not SUPER narrow in my analysis.
Unlike some people who need to lighten up lmfao. Good god I've seen some people seemingly act defensive about FSR specific ideas...And I can't tell if they're just talking ABOUT me/FSR but like: Bro I'm so open to alt ideas as long as somebody isn't a dick. And you'd know that if you read these, FSR is SPECIFICALLY about the choices and ideas I've decided make the most sense/the most fun route to go down because unlike a lot of people I hold the idea of "If it isn't outright stated it's not cannon" so ANYTHING outside of the author's written page ISN'T CANNON. Literally I never claim any of my rambles are cannon do I think some things are true? Hell yeah, but they aren't conformed at the end of the day lmfao but I'm an artists and I can draw what I want so I got the power to make shit real in it's own way. They're inspections of the cannon and interpretations. I can never be Akira Himikawa and the translators who translated their work to english. I question their choices ALL THE DAMN TIME I can't even get close to fully getting inside their heads. (It's been SO LONG since they made this manga I doubt they remember every single dialogue/expression choice they made and WHY.)
Even the English translation's cannon-ness is up for fucking debate in my eyes, FSR is SO out of the realm of cannon/cannon adjacent it's hysterical. Because my ideas aren't "The one true right and correct ones" they're not even close. Nobody's are. ONLY AKIRA'S ARE BECAUSE THEY MADE IT. Apart of why FSR is so wonky is because it's going off the wonky Viz translation NOT THE OG Japanese! (I'd love to translate FSR into Japanese at some point, but as I've stated in the past it'd be based on the Japanese manga so wording/some things would outright be different lmfao)
Why are some people such freaks about this? X'D I don't engage with FS media that I find butchers the characters but I don't like to rant about it for the most part because getting mad at someone else's interpretation is kinda goofy considering how open the source material IS. Gatekeepy fandom culture is weird. Enough said.
This goes back to my: Link is as fluid as a Vocaloid.
and the "you will never make something as close to the OG as the author would" arguments.
And sometimes even AUTHORS butcher sequels by seemingly forgetting their own characters. (Akira is not an example of this but still)
Anyways back to the page:
Vio's just kinda broken on auto piolet at this point, thoughtlessly thanking Shadow for picking up his sword and walking as Shadow drags him along. Shadow's basically SKIPPING with delight at this revelation.
He "saved "one. And now they can both be true heroes! :D How nice how fun! Vio joined the party!~
I will mention Shadow's so wrapped up in how happy he is he's kinda neglecting how Vio feels about the situation. At least right away.
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Shadow's excited to immediately get him into the loop. Shadow's biggest character trait in scenes with Vio imo is his naivety.
Vio's bamboozled at his own actions. Reflecting. It's like he's watching from a 3rd person perspective as he's making shitty choices. X'D
"Crap why AM i going with him????"
Like he realizes in real time he's not doing anything to stop Shadow, he didn't in the moment and now here we are.
And then "This was hopeless from the start huh?" coming to grips with his situation, deciding going with Shadow is for the best for now but not as his ally as nobodies ally. He's alone.
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Shadow makes an effort to soothe Vio's anxieties. In his own way of course. He just assumes Vio's got butterflies lmao.
Pushing down Vaati not so casually. XD
Vio starts to pretend outright here. Making his choice that he and Shadow aren't pals.
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Vio knows what he's doing right now is cruel but decides it's what he "Needs" to do.
Haha sounds like our Vio.
He realizes he just doesn't go about things the way Link would, or how the rest would.
He also dampens his expectations. He doesn't know the other's situations. So he assumes they're all fucking dead and he can't rely on them lmao. He really feels alone. Cutting himself off when he realizes the very idea they could be alive is an optimistic idea considering he knows ONE of them doesn't have their sword from Shadow's sly remark.
Diving into head cannons again: Feel like he'd be more worried if he knew for sure in this moment it was Red. X'D Cause like: I combed through the manga awhile back, Vio seems to have the best relationship with Red out of all of them? When I was seeking for "moments where Vio was touched by someone else other than Shadow" I noticed he pats Red lovingly on the head and is the one to save Red from getting crushed by the eye monster. We don't get like, VERBAL interactions from them but from the context clues I'd say Vio got along with Red the most.
Vio ended up in the most direct danger in the woods, Link waltzed into the pyramid Shadow didn't put him in there so that doesn't count. X'D I'd say Blue was in the 2nd most dangerous position considering the elements could kill his ass.
Vio's going off his own experience here on if he thinks the others are okay.
"I am surrounded by idiots" taken to the extreme.
"but even if I'm the only one here I'll still do what needs to be done"
Real Mikasa's speech after losing Arin from the Struggle for Trost arc vibes I realize. X'D
False confidence at best and lying.
He dampens his own desires just to do what needs to be done. His devotion to Zelda more important. Saving Zelda all that matters.
I really wanna dive into Vio's relationship with Zelda. (Feel like it'll be more prominent in the stories AFTER FSR's main story if we get that far sadly agh.)
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who-do-i-know-this-man · 10 months
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pre-post-mortem propaganda for Lalli Hotakainen since he's losing bad! (good!!!) Lalli is from Stand Still Stay SIlent, a webcomic that takes place in a "zombie" post-apocalypse story. he's part of a party that goes into The Silent World to find lost books! there are several awesome things that set SSSS apart:
society still exists in a very optimistic way, this is not your everyone-backstabbing-everyone competing-for-safe-spaces type of zombie horror. there are new cultural norms and technology that allow people to live comfortably. it's implied that there may be other outcroppings of civilization outside where the story takes place (Scandinavia).
magic! specifically magic based on Finnish, Icelandic, and Norwegian folklore (although there's probably some Danish stuff that I missed?), and we get to see characters from different countries rely upon their own respective magic (and weird out people from other cultures lol). Lalli himself is a Finnish mage and man is it fun to watch him do his thing :D
characters who are good people with believable flaws and great chemistry. the cast of this comic is so sweet and funny, it really makes you feel for them when the world itself is Terrifying.
ridiculously cool monster designs! big on body horror and just... Good. SSSS has some of the best zombie-monster designs I've ever seen and executes them with incredible artistic skill.
in general this comic absolutely nails tonal shifts from silly character banter and deadpan humor to genuinely disturbing visuals and implications and frankly I think horror as a genre needs to take some notes on how to balance lighthearted moments with awful shit because it really makes the bad stuff hit harder.
Finally, SSSS is finished, with two adventures spanning about 1500 pages altogether! the longer and more serious first adventure is about 2/3 of that, and you can absolutely just read that one. content warnings for death (animal and human), trauma, gore, body horror, and suicide, among some others. the author also ended the comic because she converted to Christianity and she becomes very vocal about it toward the end. nonetheless I think SSSS is amazing and can still be enjoyed, but exercise caution checking out her later work if you have trauma associated with organized religion.
god i tried not to make this long because I can only bear to skim most anti-propaganda myself but tl;dr if you like post-apocalypse/dystopian future stories, SSSS is one you shouldn't miss!
^
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freneticfloetry · 6 months
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20 Questions for Fic Writers
Will I ever get enough of these? No? Thanks to @liminalmemories21, @strandnreyes, @welcometololaland, and @reyesstrand for the tags!
1. How many works do you have on AO3?
45. RIP to the lost works of my OG fandom, published on a ship board/archive that no longer exists. (I still have most of them, they just won’t be seeing the light of day. Like ever.)
2. What’s your total AO3 word count?
368,184. (Again, RIP to all those now-unpublished words — with them I’d be somewhere around 800k.)
3. What fandoms do you write for?
LOL So glad this question is phrased the way it is. Right now, I’m only actively writing in 911 Lone Star fandom, though I have a WIP in Magicians fandom that I fully intend to finish. Historically, I’ve written in about 40 fandoms (36 on AO3), most with a single fic. Thanks, Yuletide!
4. What are your top 5 fics by kudos?
Ashes and Flame (Every You and Every Me), The Hunger Games Trilogy (I get a kudos email for this one at least five times a week. How are people still finding and reading this little fic?)
Lost in Translation, The Losers
Deck the Halls with Daddy Issues, pre-film Avengers MCU
Big Girl Pants, New Girl
Shells of a Long-Ago Lifetime (Faces That Once Were Mine Mix), Supernatural
5. Do you respond to comments? Why or why not?
99.9% of the time, absolutely. Comments are my biggest motivation — the serotonin section fuels my muse. If people take the time to tell me they read and enjoyed a fic (especially if they tell me why), I like to at least thank them for that. There have been times when Real Life has been Happening A Lot and comments on the more popular stuff have gotten by me, and I feel weird about going back months after the fact to respond — that Hunger Games fic, for instance, has a couple pages of unanswered comments.
6. What is the fic you wrote with the angstiest ending?
Posted, probably Of All Our Yesterdays. I am typically an Angst with a Happy Ending writer without fail, but the boys of the Black Dagger Brotherhood don’t do typical happy, and Phury is lowkey the angstiest of the bunch.
7. What’s the fic you wrote with the happiest ending?
I’m actually gonna say scenes from an unfinished story, because I think Quentin Coldwater having this happy ending, the way this one happens, is the biggest fuck you to show canon and its creators that I could possibly craft.
8. Do you get hate on fics?
I recently got my first hate comment! I posted about it, but I’ve also left it up in all its glory.
9. Do you write smut? If so, what kind?
I do now! Not that I haven’t in the past — I wrote several het scenes for my very first ship, and Quentin and Eliot had some delightful married kitchen sex we picked up right in the middle in What Baking Can Do — but I feel like Tarlos has really helped me unleash my inner smut writer. My smut from Carlos’ POV has a lot of feelings (LOL), but the stuff I’m writing from TK’s POV is a little sillier and dirtier and more fun. With feelings.
10. Do you write crossovers? What’s the craziest one you’ve written?
I do love me a good crossover. Outside of canons I’ve crossed that exist in the same universe (We Are the Ones We Have Been Waiting For, in Jessica Jones/Luke Cage fandom, plus And to All a Goodnight, for two Jennifer Crusie books), I once wrote tens of thousands of words of a ridiculously plot-heavy Roswell/Angel crossover that will forever hold a soft spot in my heart, a randomly cracky and super angsty Supernatural/Grey’s Anatomy, and a minor character-focused Supernatural/Sarah Connor Chronicles, Requiem, that I still sort of love a lot.
11. Have you ever had a fic stolen?
That Hunger Games fic has been swiped a few times. Weird.
12. Have you ever had a fic translated?
Again, the Hunger Games fic — it exists somewhere on the internet in Dutch. And that one, the SPN/TSCC crossover, and an old Dexter fic, Dinner and a Show, have been podficed.
13. Have you ever co-written a fic before?
I have! An old friend and I once cowrote ~25k of our idea of fluff, which was basically hijinks, smut, and torturing our leading man with a boom box and Billy Joel.
14. What’s your all-time favorite ship?
For ships that I’ve written… Hmm. I think, before I wrote to build a home, I would’ve said it was a tossup between Tarlos, Queliot, Chlollie, and Jules/Robin from Troubleshooters, but now there’s just no contest. Weewoo Husbands for the win. For ships in general, Tarlos still tops the list, alongside the ones I mentioned, the OT3 (Eliot/Hardison/Parker), Arthur/Eames, Phedre/Joscelin from the Kushiel’s Legacy books, Frank/Karen from the Netflix Marvelverse, Aidan/Sally from Being Human US, and my MCU crack cube of Steve/Nat/Bucky/Sam.
15. What’s a WIP you want to finish but doubt you ever will?
God, this is such a throwback, but it’s probably Adagio in B-Flat, the Sherlock music porn murder mystery I half wrote and got hopelessly blocked on.
16. What are your writing strengths?
Dialogue, I’d say, especially banter. And understanding characters, I guess? I’m good at making characters sound like themselves, whether they’re speaking or internalizing. And, I’m now proud to say, plot. That’s something I wouldn’t have dared to claim this time ten years ago.
17. What are your writing weaknesses?
Oof. Brevity. I have completely lost the ability to write short (and, by extension, to the point). I’m also the slowest writer in the world, thanks to my tendency to edit every sentence within an inch of its life.
18. Thoughts on writing dialogue in another language in fic?
My Lone Star mutuals are laughing right now. Clearly I hate it. 😊 I’ve written three fics that feature Spanish, two sort of significantly, and all my old Firefly fics have some Mandarin in there somewhere.
19. First fandom you wrote for?
OG Roswell. So much OG Roswell. Michael/Liz, specifically, with a side of Kyle/Isabel.
20. Favorite fic you’ve written?
It almost feels like cheating, since it’s my most recent fic (and the only one I’ve published so far in my current fandom), but I’m so stupidly proud of to build a home. Carlos is such a touchstone character for me that writing him was oddly therapeutic. And I think I’ve said this before, but writing the two of them together was like the evolution of the clarity I found writing Queliot, which was the first time I’d really explored a ship in fic where I loved both halves of the pairing even close to equally — it helped me unearth my Carlos and who he is in my heart, but it also helped me uncover the true depth of my love for TK.
No pressure tagging @orchidscript, @heartstringsduet, @never-blooms, @rmd-writes, @walkinginland, @paperstorm, @mixtapestar, @catanisspicy, and @alrightbuckaroo!
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youkaigakkou-tl · 1 year
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Chapter 97 Extended Translation Notes
first off here's the spread without the text at the top. the stuff at the bottom, well..... see if i feel like it
this is mostly just unorganized thoughts nothing like my analysis posts
(future op after writing the whole post: this got kinda long lol)
ok now that im hidden in the readmore i can act insane. RAHHHHH AMAAKI ON THE COLOR PAGE RAHHHH WAHOOOOOO WOOHOOOOO BIG WIN FOR AME NATION ok got that out of my system im normal now
Rain or shine
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In case you forgot, ame = rain, haru = sunny. I lose my mind every time this is relevant, like the ending of renren arc.
Whose mom is this
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the other 3 are pretty obvious, but the 2nd one isn't immediately recognizable.
(also, 2 checks for "the couple's parents are meeting" for fujiogo and momo and gida)
just for fun, i process-of-eliminationed this
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(cover page of chapter 57 my old friend)
everyone greyed out's parents statuses are confirmed, (other than akibe and koizumi, but given the physical features...)
though, i say i did this "just for fun", because i already kinda knew who's mom it was
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(from this tweet)
it's mujina's mom. she's beside tamao's mom, the appearance matches, it makes sense.
Haha Sano what the fuck does this mean
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the japanese says he "分からん" (wakaran), meaning "i dunno", and the chinese translation outright says "i don't have parents" which SEEMS to be what the jp is implying anyway
sano get back here you're not dunnoing your way out of this one
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Also renren realised they don't share a surname. ebisu explain that you're not :>ing your way out of this one either
Shrines, huh
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the plate over the torii just says "abe shrine" back in chapter 9, but given my google street view sleuthing and like, story details, even if its not the big fancy one in kyoto it is still an abe no seimei shrine. so on some level, haruaki, you're the god! what a coincidence, the "gods" are exactly as shocked as you are!
Tale of the bamboo cutter
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This page was a damn nightmare to translate. (Mame's mistakes, not the actual story in grey. it's a well known classic that's been translated, no need to reinvent the wheel)
I tried to get the "hamuhane" part exactly like the jp, but mame's mistake on the 3 "sun" big child in the first 2 panels is a little different
He interprets "なる人" (naruhito) as "成人" (also naruhito); "hito" means person, the first "naru" means grow (like a plant) or contain (i think), the second one means "adult person".
I suppose I could have also went for "grown" person vs "grown person", but in any case, haruaki's explanation for what a "sun" is on the bottom 2 panels is almost exact, and i thought the "soon" comparison was a good way to get across that's how "sun" is pronounced
(also here's my "hamuhane" tl note)
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anyway. nightmare page. looking forward to how the official tl does it when it comes out in (checks watch) like 2 years?
Ame and Ebisu interaction real
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dunno if it gets across, but I think he has a height complex...
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pretty weird thing to say, huh, Ebisu? to someone you just met? how do you know that anyway?
the only times Ame appeared has been ch8 when the gang went to Haru's house, ch23 when he pretended to be Haru (the rest of the class should be none the wiser) ch39 in the hospital (none of the class was there to see)
and then Ebisu gets introduced in ch 53, after that he hears firsthand that Haru has a twin in ch58, and then Ame is there in renren arc and outright says he's scared of youkai in ch76
Notice how Ebisu wasn't present for any of Ame's appearances prior. he wasn't involved in renren arc, and the person i think is his spy was turned to stone on the ground floor while the reveal on the roof happened.
of course, this could just be a combination of him projecting on Ame, and seeing him visibly scared of youkai a few pages prior. but "hate" is a fairly specific and strong word to use, and i also think he's too smart to not know Ame hates youkai, just a matter of where he got the info from.
The person I think is his spy
after doing some thinking (furigana reads: seeing this post), I think there's someone who's fairly likely to be the spy.
observe, the chart for "people who we've seen the parents of" and "people ranmaru might have seen in ch62"
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we've narrowed it down to one man. (ok well there's a few in common here, but satsuki doesnt get screentime ever and ogata twins are too obvious for how much emphasis the ranmaru scene was given)
the kudan, Kurahashi.
but wait, you say, we know he's a youkai. he's got horns. we've seen him use his abilities.
but consider everything else. how often he interacts with Ebisu. how often he sticks his neck out for Ebisu
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(i also have a lot of Thoughts abt the part timing incident, specifically his prediction
in his first appearance, he mentioned he couldn't see Haru's future well (because of his exorcism power, which, mind you, still don't know how that works exactly)
wouldn't be a stretch to think that his prediction wouldn't/can't take a god's interference into account. the thug was going to say "the customer is god" either way, but there's also the possibility that the moment kurahashi stepped in, his prediction of "toubyou get punched" couldn't play out exactly so the totally different thing of Ebisu stepping in happened. anyway)
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it's not like any individual event incriminates him, rather how frequently it happens. in fact, kurahashi has been involved almost every time Ebisu appears. (put it another way, Ebisu's only major appearances where Kurahashi wasn't involved in some way was this chapter, and the youkai train)
adding on to that, we don't have any info on what his personal life is like, odd considering the amount of screentime he gets. (all of this is relevant to this chapter bc this would have been the perfect opportunity to show his parents, IF HE HAS ANY) the only things we know about his personal life is he's in the basketball club??? and that he was "raised to help people in trouble" whatever "raised" or "help" or "trouble" means
and now, the final nail in the coffin: this alternate cover that came with the 2021 december gfantasy issue
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(oh yeah its also my blog header)
none of the official images of it included the flap with ranmaru, and previously i was willing to believe it's just a coincidence for 4 characters related to gods and kurahashi to be on the back cover together, but now that i've seen the whole thing, i feel like ranmaru being there seals the deal that it's intentional
count em, 5 whole characters, basically every major character that is/was a god, and one kurahashi yuuta, who we know nothing about despite his frequent appearances? kinda sus
and now, to return to the first question, isn't he a youkai? horns and youkai powers and all?
and to that i say: he could be another creature. we've just seen an example of this, suzaku, divine fire bird, becoming a tengu, which is also a bird
looking up kudan, it has been theorized that it's based off another mythical creature: the Bai Ze (or Hakutaku), a divine cow-like beast from china, who shares many characteristics with the kudan, only difference being it's associated with good luck instead of misfortune
ok this is kind of a nonsense theory but can you imagine. at the very least, theres a lot of very sus things about kurahashi specifically regarding ebisu. on the off chance he is a bai ze, it would make this image very funny
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beniko the zashiki warashi, an auspicious youkai; sano the god of pestilence, but as a person brings haruaki good luck; and then kurahashi, whats his deal man?
thats all i have to say! lemme paste this into google docs for a word count-
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oh. oh no. what the fuck how did this happen wasnt this a tl note
anyway hope u enjoyed this tl-note-turned-ebisu-kurahashi-analysis post! there's still way more i could analyse of ebisu and i'll probably do that someday. i could pick apart every word he says and still not know what his deal is
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