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coralinnii · 1 year

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Hi, I saw your requests were open could you do a sequel for Malleus and Idia villainess? And if it’s not too much work could you do for Rook and Lilia?

being reincarnated into a new world as the bad guy feat: Lilia, Rook genre: drama note: set in the same universe as previous works (Malleus and Vil’s ver specifically), prominent non-canon characters (Yung, etc), not gender-specific reader, no pronouns used, sculptor!reader in Rook’s portion,

You remembered that the dating sim game you found yourself in was at most PG13 but oh, how you wanted to swear in your native language and the language in this madness of a new world you were currently in.

Couldn’t you be a rich but nameless aristocrat or even a dumb mob character? Why did you have to be the hopeless puppet of your evil parents who just purchased a dragon egg from a black auction?!

At the persuasion of your “parents” (they certainly don’t act like it), your character went to buy a dragon egg, hoping to raise it to overthrow one of the love targets and become the new Dragon King. All for the slim chance your family would be proud of you. You knew the unfair ending to your person that was offered as a sole perpetrator of this act of treason. Your life was written unfortunately as such, short and unloved.

But you weren't their child anymore. You chose to rebel this horrid destiny by running away with the dragon egg in your arms. You weren’t sure how to get the egg back to its people but you weren’t going to let your family get their hands on it.

You were adamant of your choice of action. You were going to find a way to reunite the young dragon to its family. Easy, right?

No. No it was not. Especially when the moment a small cute boy hatched from that egg, you were running around your secret cabin trying to reign in the surprisingly powerful child.

“Love, please get off the ceiling. Slowly float your way to me-ahh the curtains! Get water!”

Realising you were way over your head, you were racking your brain to figure out the best solution. Aside from just your inexperience with children, it’s plain to see that the youngster in your care is developing skills you couldn’t possibly know to support.

You had no choice but to find him

“This is certainly an odd predicament here”

Lilia casually commented as he curiously observed the unplanned visitors in his manor. Lilia’s eyebrow quirk upwards as he watches the young dragon fae playfully squirming in your lap as you nervously nurse the tea Lilia’s servants prepared in haste.

“I understand you must have questions. I can explain everyth-“ you started to speak but you were cut off by the Duke.

“May I take a guess first?”

For someone who is smiling, Lilia still manages to instill a sense of fear in you to the point that you couldn’t bring yourself to do anything but nod your head.

“I’m aware of your family’s…avarice for power and their disdain for Lord Malleus since their lost in standing” your breath hitched when you accidentally locked eyes with Lilia’s darkened scarlet gaze “Young dragons are rare but their strength can change the world’s power dynamic when raised into adulthood”

Lilia’s words were vague but his tone was pushing a dangerous weight onto you. With a few sentences, he already knew your family’s plans for treason and you were being carefully judged by his watchful gaze.

“Which is why dragon eggs are extremely difficult to obtain, and considered illegal to own or sell to non-fae if one were to find ways to find one.” Lilia continued. “Coming to me with a young dragon fae is sort of a confession of your crime, you understand that?”

Of course you did. It was why you didn’t want to get involved with Lilia or anyone in the first place. You were a criminal the moment you obtained the egg and you were being used as a pawn in your parents’ greed for power. You initially wanted to leave the egg deep in the woods and run away from your family.

But before you could, Yung was born. And you instantly fell in love. The tiny child crawled into your arms and into your heart. You decided to risk imprisonment if it means the innocent fae grows up happy and strong, with the love your host body never received.

Shaking away your nerves, you stared straight into Lilia’s scarlet eyes which surprised him. “I know the risks, but only you can save this child from my family's greed.”

You, albeit awkwardly with the young fae in your lap, bowed to the powerful duke as you made a bold and desperate plea.

“I beg of you. Please take this child into your care”

Unbeknownst to you, Lilia wasn’t distrusting of you at all. While he disliked your family, he pitied you as he could see only a lonely human that begged for love. He heard news of your disappearance but to think you would appear before him with a tiny fae with great potential. He deduced that your family planned to raise the child to usurp the throne from his young lord but you rebelled and ran with the innocent child.

He silently praised you for your bravery, which led him to his next words.

“Very well, I accept your request”

You lifted your head in shock at the quick reply. You’ve heard that the young(?) Duke was laid-back to a certain degree but you’d assume he put more thought when taking in a whole new ward into his care. But you weren’t going to complain about his benevolence so you fervently thanked him.

Lilia reached his arms out, glancing towards Yung in your arms and you took the hint. He needed to take the young dragon from you if he was going to raise him. You knew that, it was obvious. But that knowledge didn’t help the painful throb in your chest.

Perhaps because he was still quite young, Yung was sensitive to your aching heartbeat as he squirmed anxiously in your grasp, tightening his grip on your shirt and started to cry out for you.

“W-wuv, wuv!” He cried out his nickname for you, something he picked up after hearing you call him Love over and over again. You couldn’t risk the possibility of him attaching to you so you avoided parental titles but alas it didn’t stop anything. He was calling for you with that endearing name.

“Oh, love” you whispered painfully, reaching to the young fae’s tiny hands with your own shaking hands. “You need to let go. I can’t stay with you anymore”

But you couldn’t calm the young one down. You couldn’t even stop your own emotions as you felt the sting in your eyes from the tears that were cascading down your cheeks. You stayed with Yung day and night as you did your best to raise him. You got to see his first crawl, his first stand, his first flight, and so much more. You had dreams where you watched the young dragon grow up with love and you forgot that you weren’t meant to be a part of that. For Yung to be happy, he should be far away from your family, including you. Your mind understands that, why can’t your heart?

You impressed yourself that you managed to register a sudden warmth atop of your hands in your chaotic mess of a mind. You felt Lilia’s hands encase your trembling ones that were wrapped around Yung’s. You locked eyes with the duke’s which you felt your heart skipped a beat at the beauty of his orbs. The entire conversation, you felt his gaze to be intimidating but now it’s slightly different. It was…gentler.

“Oh dear, I supposed there is nothing else we can do” Lilia let out a sigh as he raised to his feet. He gestured for a servant’s attention and announced, “Prepare two rooms for our guests”

“Sir Lilia…” you uttered in confusion but Lilia responded with a playful smile on his pale lips.

“You’ll be staying with me for a while” He smiled with a slight mischievous glint in his eyes

That was how you, a criminal, started living with the great Duke Lilia Vanrouge along with the baby dragon you ran away with.

If you had an unfair life before, the universe must have been dying to prove you wrong by showing that your life could be more unfair. You reincarnated as the story’s most unluckiest character. You were the desperate and foolish noble that fell for Rook Hunt, respected knight and fanatic of beauty in all its form. Stupidly falling for Rook’s flowery words of appreciation, your character begged to be engaged to the knight but grew jealous every time Rook decided to focus his adoration elsewhere, which was every single time.

Blinded by jealousy, your character recklessly attacked Neige and his love interest which ultimately led to imprisonment and presumably death since you never appeared in the story after that.

You thought it was simple to avoid that ending, just annul your engagement and that’s it. However, apparently the original script failed to mention that your family received a large sum of money to arrange the engagement. And there’s no way your family was gonna give the dowry back.

Welp, guess you gotta pay this yourself then.

You proposed a deal with Rook and his family. You would find a way to earn the money that his family spent on you and the engagement will be annulled which certainly shocked the Hunt household since you were so desperate for the union between you and their son in the first place. But they ultimately give the final word to Rook, who was strangely calm.

You were nervous under his gaze but by some miracle, Rook agreed to your deal and you sighed a breath of relief. Now, you just need to figure out how to make money

Coincidentally, like Rook you were also an admirer of all things beautiful but fortunately for others, your method of appreciation is capturing beauty through art, specifically sculpting. You love being able to immortalize one’s visual beauty with your own hands and you were confident that you could make some money out of it.

It started with smaller requests, desk decors of fake flowers and animal sculptures. Soon, your talents were spreading as you were receiving commissions to make busts of loved ones. They were appreciative of your ability to bring out life from inanimate mediums.

But that was partially due to Rook as well.

While he was careful not to overtake your process, Rook’s keen eyes were helpful in the smaller details that made all the differences. He tells you how your client’s face crinkles slightly or how the dimple dips into their cheek when they smile. You suppose you couldn’t blame your original body to love Rook, not completely anyway.

But you refused to make the same mistake. You were determined to change your predestined fate. Afterall, you were a completely different person.

And someone else noticed that as well.

He’s not trying to brag but Rook Hunt was not a typical man. There’s not a single misplaced hair that he wouldn’t notice or a thread misaligned that he wouldn’t catch. So obviously, he noticed the drastic change in you.

Your walking pace is different, your breathing has changed, your typical habits were replaced with new ones.You were more level-headed than usual, determined as always but your goal has changed. It was as though you woke up as a completely different person.

He noticed everything about you but did not mention a word to you, preferring to continue his observation without your knowledge. And through his observations, he’s picked out aspects of you that he can’t seem to look away from.

Firstly, your eyes. While he objectively admired the pure infatuation of your old gaze at him and he was intrigued by the frequent crazed glare of jealousy, Rook finds himself captivated by the new look in your eyes. Your eyes stay the same but they’re clearer, more confident with professional focus when you carve or mold your work. Your eyes seem calmer as you converse with him on occasion, gone was the obsessive looks he once received.

Next, your hands. Since you started sculpting, he began obsessively watching you work, entranced by your practiced strokes and cuts. Your hands glide skillfully against the material as you shape your medium to your whim with confidence. He voiced his envy towards your sculptures for having your hands grace its surface (you chose to ignore that). Your movements differ so much from your old self that Rook started to doubt your identity.

Finally, your lips. You haven't changed your morning routine with the servants so your facial features haven't changed in that sense. However, your smile held his heart in a vice grip, his gaze trapped by your lips like a bramble of thorns digging into his thoughts. He found beauty of all forms to be equally exquisite, and he was not lying to you when he sang praises about your lovestruck grin that showcased the maddening effects of love. But why did that smile seem dull in comparison when he watched the small satisfied smiles formed on your face whenever you were proud of a new project or the shy upward quirk of your lips when your client gave you their words of appreciation for your hard work?

Since your change, Rook grew more and more fascinated by you. He waits to see a new side of you or even glimpses of you he has already seen, just wanting to see you that day. But when he does see you and you offer a polite smile and a wave, his mind turns blank with nothing but you for a second which for a knight and hunter such as himself is frighteningly concerning.

You were dangerous for him, but he likes it

#twisted wonderland #disney twisted wonderland #twst #twisted wonderland x reader #disney twst #twst x reader #twisted wonderland imagines #twst scenarios #twst imagines #lilia vanrouge #lilia x yuu #rook hunt #rook x reader #villainess au

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halcified · 4 months

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teru & socialization

i've posted about this before but something ive been thinking about a LOT is mp100's themes of loneliness (and eventual connections). i think this is an aspect of teru's character (in particular) that gets left out because it's not as explicit but i've been wanting to do a deep dive on it for a while and i finally sat down to do it. just a warning, this post is gonna be LONG.

these two panels are from chapter 16 of the manga (which i'm using for my evidence because i. dont want to scrub through the anime LOL). initial sentiment: teru uses his powers to cheat having friends/a good social life and wouldn't have that if he tried earnestly. this is a fair interpretation of the scene. with what we know, at this point of time (as in within the teru-mob fight) teru would not be able to connect with other people earnestly, due to his mindset. which i think is a fair interpretation, HOWEVER:

(from chapter 17 ^^) the first panel shows teru's expression to be strained and the second is visibly unhappy. this puts the first set of panels into a different context, that maybe underneath all of this, teru doesn't WANT any of this life that he's built. keep in mind that i'm analyzing this with teru's possible autistic tendencies in mind & you dont have to believe he's autistic, im not your dad, but i do find this a pretty meaningful indication of masking if he were

(note: yes, the strain can definitely be read as comp-het, and i would agree but that's not relevant so go read this post on that instead)

even if the rest of these panels show teru content with his life, i think these expressions are pretty vital to how we read his life especially because we know so little of it. think about it, if you were a kid desperate for affection because you couldn't get it anywhere else, especially not in a way that would come off as "mature" or "unaffected", wouldn't you also look for validation in your popularity? even if it aligned you with people who you consider fundamentally different to you? my point here is that teru can't not stand out-- it's in his nature-- and we are shown how he tries to blend in & receive attention in the only way possible to him; which is to say that he molds himself into something that is palatable, likeable, and superior to other people. if he's nothing, like mob, he has spent his entire life covering up for it. if he fails socially, like mob, he has to be good at everything (even if he cheats to do so) so that everyone else can look past it.

(side note for my teru angst enjoyers: this is a panel of his mom. the mom who he hasn't seen in years. doesn't it make sense that, if he hasn't heard his mom say he's proud of him for literal years, that he would overachieve in response? not related to the autism thing i just have the teru bug. also don't be misogynistic in my notes both his parents suck we just get a singular mention of his mom)

so if teru couldn't meaningfully have friends before mob, that could very easily be because of his past mindset, right?

...except, we don't.. really... see him make other friends afterwards.

but, the awakening lab, right?

(ok i lied to you sorry there is one anime screenshot and thats because it stood out to me while i rewatched it earlier this month. sorry.) id like to bring attention to this screenshot during the cultural festival because the awakening lab can definitely be seen as a direct contradiction of this and i'd like to point out a couple things:

1) in this scene the shiratori brothers are in another room 2) them and the other three are friends with ritsu (or at least close enough acquaintances to want to see him).

considering this is one of the only times they appear together for Fun i am more inclined to believe this is an encounter where they went together because they all would've gone separately anyway. this isn't to discount the possible bond that these characters might have, but thats the thing. we... aren't really shown that they're friends and enjoy spending time together outside of this screenshot, where two out of six of the members are not even present. not to mention that teru is still placing himself in a role separate from his peers. despite stripping the superiority away, teru is still the awakening lab's mentor, not friend. teru still views himself as fundamentally different in a context where his psychic powers don't make him that way.

...except with mob. i bring this placement of power up because where he is the awakening lab's mentor, teru declares mob to be his rival, or, in other words, teru is just like him. he is accepting that mob and him are the same. (and if we view mob from an autistic lens... so on and so forth)

as if to hammer in that point even further-- in the summer vacation omake, teru explicitly states that "summer break is just a super long, super boring stretch of alone time." i'm not sure of the timeline here, but guessing from the hair, we're at least post season 1. which gives us explicit confirmation here that teru is spending the break alone despite his relationship to the awakening lab. his connection to mob is a lifeline here because mob is one of the only people who can intuitively understand teru's isolation without judgment

(also, on that point of teru's autistic tendencies: teru does and says a LOT of things that would raise other peoples eyebrows and doesn't seem to notice.

here we get teru actively admitting to his home life, right in front of reigen, WHO COULD CALL CHILD SERVICES ON HIM? this genuinely made me rethink this character entirely. teru's filter is... minimal. he isn't constantly volunteering information and generally minds his own business, but if you ask? Well.

teru is a social person, but to say he is proficient in understanding social situations seems... wrong. teru views his loneliness as boring because, despite being fairly open, does not actually allow himself to think about his own feelings and how they affect him. this loneliness is boring because he doesn't have enough of a reference to realize its not

if we are taking pre-mob teru to be a version of himself who is masking, or at the very least someone who is faking a lot of stuff in a less autistic sense, the fight with mob changes teru to the point where he no longer hides himself. in the same way that mob was able to shake teru's fragile superiority complex i think the change in appearance marks the end of the self teru had built up. from this point on we see him become a lot more... Him. his appearance and his fashion choices are, presumably, completely normal to him and we get no indication that he believes otherwise despite the reactions it gets-- which is... well, i wouldn't be writing this post if i thought it was one of his most neurotypical traits.

in fact, he seems... pretty oblivious to what other people think of him. which is an interesting distinction to make considering the intelligence we Know he possesses (which is not to say that you are unintelligent if you don't pick up on social cues, just that its common for media to depict it that way.) these traits are made pointedly, even if unintentionally, separate, ESPECIALLY when you note the amount of characters who Do ruminate on or stare at teru's appearance.

some examples. i don't even think this is all of it-- case in point.)

#mp100 #mob psycho 100 #mp100 meta #mp100 analysis #teruki hanazawa #fun fact this post was originally going to be about terus autistic traits and then i got scared sorry #mostly bc i was pointing out stuff that made me go Hes just like me Frrrr...#and i dont actually know if thats a good metric bc im only like 90% sure im autistic #tho i think writing 1000+ words on a characters potential autism is. um. its. well.#text #ok ive gone back and forth on posting this a billion times bc ive looked at it too much JUST READ THEPOST

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tyttamarzh · 4 months

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Just some late night thoughts.

For some reason January 21 is a special day in many ways for Missa Cubito…

21 de enero de 2023

Missa death in MCExtremo. In that series he had great character development, at first he was just a scared baby who didn't know the world, everyone had to take care of him, because with the slightest carelessness he would die (literally, they were distracted for a second and Missa looked at an ender and died, because he "did not know what it was"). He spent the first few days very scared, locked up at home, until after dying and reviving due to a bug, he decided that it was time to live that life to the fullest and decided to leave his crib and go out to face danger. He learned to fight being trained by none other than Spreen and Shadoune, learned to water bucket clutch with Rubius and became brave when facing mobs (sometimes recklessly). His new way of approaching life scared Q (it even cost him a life to him to this one) but for Missa it was very effective, because after losing practically 3 lives in 2 days being a scared guy, he managed to survive until day 5 with his brave attitude (even if he survived that day, he was able to reach the final) he was so full of confidence when fighting and decided that now that he was no longer the smallest of the team he was going to protect his friends, especially Q, who was the fearful one of the group now… and that's how he took too many risks and ended up dying, being something very shocking not only for his team but for everyone in the series and for the viewers, really, Twitter was flooded with fanarts and people crying about his death (even Missa said that an aunt called him because she thought something had happened in the real life).

That was very important because before that series almost no one knew Missa Cubito, he was just "the guy who died too quickly in Dedsafio" or "The funny guy who hopefully managed to get too far in siqud craft games". But in those 5 days (5 days of consecutive streams, it was heaven for the missaurios), he won over the internet with the story of his growth and death (Even today people say that the best thing about that series was having the "team vacio legal" and Missa was the heart of that team). I think that was the moment when Missa cubito separated from Missa Youtuber and became her own character.

But that was a sad day, because that day Missa Cubito lost the first family he had found.

This was the moment he died, fighting like a warrior:

January 21, 2024

Llegamos al día de hoy.

Missa wakes up in the QSMP prison and reunites with his family, it was the first time that Missa, Philza and Chayanne were together at the same time since April. Not only that, but he now officially adopts Tallulah as his daughter. Despite the adverse circumstances, his family has finally been reunited and grown (although Missa already considered Tallulah his daughter, now it is official and she calls him dad).

Despite being another universe, Missa is still the kind boy who wins everyone's hearts. Missa behaved politely with the guards, being mannerly when referring to them by saying "please and thank you" and greeting everyone very kindly.

He was very nice with the eggs, even with the ones he didn't know, and he refused to hit Dapper even though he was hitting him, Missa just said: "I'm never going to hit you or do anything to hurt you."

Missa was very happy to spend time with Phil, when he spent a long time losing sight of him, he would ask where he was and look for him.

The moment of the kiss (or the kisses) was something WTF I really didn't think that one day they would kiss and definitely I imagined many scenaries, but in no way I believed it would be that way, but that's what makes it special. They are not an ordinary couple, whether platonic or whatever they called it, whatever they have is special and I guess that was a special way for it to happen. Phil probably would never have dared to ask him to kiss him in another context and that's fine, because it seems like that would be the only way for it to happen (even if they both wanted it, I don't think it would have happened in another context).

It is worth mentioning that the moments of Philza being jealous and him reaffirming that he was married and being loyal to him was something I really didn't expect. After so much time apart, they still have that unique dynamic.

The day in prison was filled with so many things, but I can say that for the first time in a long time, Missa felt fully loved, not only by being with his children and his husband, but also by all those friendly interactions he was with others and that he could not have before on the island, because the first days he was extremely shy and did not separate himself from Roier and the friends he knew and after he only connected sporadically, meeting Foolish, BBH and rarely Philza.

Something curious that Missa Himself mentioned was that the previous times he was with Phil it was more of "ohh I miss you" but they didn't amount to anything more and today he was very happy because they were able to hang out together and do more things bonding with his family.

When he and Chay freed the turtle it was adorable, then the 4 of them doing the tasks, that was a unique moment and he was very happy singing for his family (being so nervous that he forgot the words to his own songs).

His bond with Phil strengthened and they didn't have to do much, that simple moment of the two of them talking about tacos and memes was something very cozy that they needed to do a long time ago. Just as the moment when they took the children for a walk with the llamas was something so sweet for this family that they almost forgot that they were in a prison, because it seemed more like a picnic in the park.

It really was a great advance, probably what happened today will help Missa a lot to grow and leave his self-esteem problems behind. He is important, he is loved and he is useful to his family.

Missa was a trend today, as it was last year, but the big difference is that this was a happy day because somehow, today he got his family back, that big family that he hadn't had in a long time and that he wanted so much and deserved.

The parallel of how he left today:

He is happy, laughing with his husband and children :')

#qsmp #deathduo #pissa #qsmp missasinfonia #missa #philza #missasinfonia #chayanne the egg #tallulah the egg #death duo #death family #Missa is with his family and I am so happy!!!!#january 21 #Minecraft Extremo Missa's death

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darkficsyouneveraskedfor · 1 month

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Muddled Waters 2

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Part of the Sweet and Spicy AU

Warnings: this fic will include dark content such as dubcon/noncon, blood, violence,, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: your boss has a dangerous secret.

Character: Nick Fowler (mob au)

Please comment and reblog if it’s not too much. I always love getting to chat about these stories and hearing all your ideas! You all are wonderful and loved.

Your shift goes as usual. You make drinks to order and bring them out to the tables, or to set in the windows set into the walls of the private rooms. Those are for the more exclusive patrons, the ones who remain mostly faceless. The Sapphire is as close to a speakasy as you’d find in this century.

As you bring out a single scotch and place it on the ledge of the order window, a voice intone from the other side.

“Pardon me,” the English lilt wafts through, “your boss wouldn’t happen to be in house?”

You pull back your hand and consider the question. The customers in the rooms never talk to you. No thank yous, no pleases, no special orders. Those all come through the screen in the back which lists their demands; no olives, extra salt, double vodka...

“No, sir, I’m sorry, he’s not in,” you reply.

“Pity,” he remarks and a hand reaches to take the glass. “You will let him know I was here. In Room Four.”

“I’ll mention it. Would there be a name I should give him?”

“He will know,” he returns and footsteps scuff away from the window. Right.

You’re somewhat used to the cryptic. As nice as Nick can be, he isn’t always straightforward. The establishment does give you reason to bat an eye but for the most part, your pay stubs keep your gaze in the other direction.

You return to the kitchen and work at cleaning the used glasses brought by the singular busboy. You don’t know his name and he doesn’t talk. He always has earbuds in and only puts bins of dishes in the wash tray.

To say the operation is minimal is an understatement. Yet there is never more demand than you can meet. It makes you wonder how Nick breaks even with such a limited audience. Especially with the grade of ingredients he gets in. You never worked at a bar that didn’t water down their liquor now and again.

The night comes to an end and the lights dim as the bar closes up. The busboy clears the rooms and locks the front door. You leave the glasses in sparkling rows on the shelves and a bin of dishcloths to have washed the next day. You place away a few stray bottles then wipe down the counters.

“You’re here late,” Nick’s voice startles you and you hiss, looking up at him from the edge of your vision.

“Cleaning up,” you say and toss the cloth with the rest. “Just finishing now.”

“Mm,” he nods and hooks his thumbs in his belt loops, “you wouldn’t happen to have time to make me something, would ya? I’ll keep it simple.”

You withhold a sigh. Or maybe a yawn. Your eyes tingle and you shrug, “sure, what do you want?”

“Rye and coke,” he answers as he approaches the island and crosses his arms over the top, leaning on the stainless steel.

You swiftly gather everything you need and put together the simple drink. You set it before him and return all you disturbed back to its rightful place. You face him as he raises the glass and considers the dark elixir.

“Oh, er, someone asked for you,” you untie your apron and fold it over the bin meant for tomorrow’s laundry.

“Someone did? Was she pretty?” He winks.

You shake your head, “no. It was a man. He was in Room Four. That’s what he told me to tell you.”

“Room Four,” he repeats and puts the brim to his lips, taking a slow draw. His cheeks dimple before he pulls it away. “Noted.”

You nod at his strange reaction. Almost none at all. You check the time and drag your hands over your head.

“Well, I’m going to head home,” you say, “if that’s okay?”

“Quitting time,” he says coolly, his eyes stuck on the cabinet, a squiggle in his forehead. “Go on, get some sleep, sweetheart.”

“You too,” you shoot back. “Look like you need it.”

You pass him and he stands, turning to watch you, “hey, what does that mean?”

“Nothing, just... look tired.”

“Thanks, sweetheart,” he scoffs.

You go through to the backroom and grab your jacket and purse. It’s not really a strange night. A few out-of-the-ordinary occurrences, but nothing worrying. The man in Room Four and Nick’s late-night appearance; it’s not really a pattern.

You glance back at the kitchen door before you leave. You head out the back and walk down the next street. You approach your car parked by the curb, the rush hour jam keeping you from finding a closer spot. You take out your keys and they jangle loudly as your footsteps echo.

As you shove your keys into the slot, you’re suddenly taken off your feet, a blunt force jarring your wrist as your fingers catch in the keyring. You hit the ground with wheeze and roll across the stray pebbles as you hug your chest. You can’t breathe.

“Look, honey,” the British voice hisses through the night, “I didn’t wanna bring you into this but I needa send a message.” A figure straddles you on their knees, holding you down by your neck. “Not much, you’ll live...” you hear a metallic shing, “bit of blood is all.”

You feel a piercing pain just below your neck, right at the small dip of your collar bone. You cry out as the metal slices down your chest and easily through your shirt. Your skin parts with the fabric as you vibrate in agony.

“Get... off,” you cough out as you regain your breath. “Please...”

“Shh, honey,” he takes the knife away and smears his hand over your chest, your warm blood spreading under his rough palm, “I just want him to see you painted up nice for him.” He drags his hand over your face, the metallic scent staining your nose and lips. “Mm, you are a pretty thing, too.”

The man wiggles his hips lasciviously before he pushes himself off of you. He stands and you cover your ragged skin with your hands and whine, sobs rising from the pain hewn into your flesh. There’s a noise, something distant, maybe a door, and the man’s silhouette strolls off, whistling into the night.

Another set of footfalls approach you as you writhe on the ground. You don’t understand what happened. Why did that man do this to you? You can’t move. You can’t think. You just can’t.

The street light flickers as someone steps around the front of your car.

“Shit,” Nick rushes over and falls to his knees beside you, “shit, sweetheart, I shouldn’t have let you come out here alone. I shoulda knew...”

“Why?” You babble as your blood seeps between your fingers, “why, Nick?”

You squeeze your eyes shut and bawl. He slides his arms under you and lifts you as you exclaim. He hushes you as he holds you against his chest.

“It hurts,” you whimper.

“I got you, sweetheart,” he rasps, “I got you.”

#nick fowler #dark nick fowler #dark!nick fowler #nick fowler x reader #the 355 #muddled waters #drabble #au #sweet and spicy #series

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beanghostprincess · 6 months

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i would care if you talked about luffy's issues please talk please tell me all your takes, genuinely (< anon who enjoys your takes)

I am so thankful you asked me this because Luffy is genuinely one of my favorite characters of all time, especially when it comes to shonen protagonists. I'm always saying I don't like shonens (says the one that watches a lot of shonens) but that's mainly because the main characters never feel... Well-written enough for me to like them. But, well, One Piece is different. With all characters, really. It's one of the first shonens I watch that I genuinely love and enjoy because of the characters (shout out to Mob Psycho 100 being one of my favorite animes of all time too because of that same reason).

Luffy is a very complex character and I think that's why he gets mischaracterized most of the time when it comes to the fandom. Some people make him too dumb. Others make him too childish. Others make him way darker and more depressed than he truly is. And I'd say that's weird, having in mind how much the show talks about Luffy and is focused on Luffy's POV, but I kind of understand because people aren't used to characters that are both optimistic and realistic at the same time. Most of the time people consider an optimistic character to be completely idealistic (a good example here is Uta. She is idealistic because she's been sheltered for so long and thinks something as complex as the corruption in the world can be solved with a few songs and love) and refuse to acknowledge the fact that somebody with hopes and dreams can also understand (first-hand, even) the suffering within the world. People like extremes. They like to make both Law and Zoro extremely edgy. They like to babify Sanji and Koby. They forget about Nami's character depth to make her only "the mean lesbian" of the group (that term makes me so fucking furious you don't even know). Etc. Etc. Etc. The thing is: Luffy has layers. His personality varies. He's optimistic. He's realistic. He's stupid. He's emotionally intelligent. He's impulsive. He cares about the safety of the people around him. He's careless. He feels guilt. He's confident. He's so damn insecure. He's playful. He's the most serious character too. Etc. Etc. Etc.

What I want to say with all of this is that Luffy, despite being always perceived as this childish, dumb, and careless character within the fandom, has so much depth and trauma he deals with every fucking day. I once saw somebody saying Luffy is "not smart enough to understand the feeling of sadness" and I started laughing because what the fuck does that even mean. And... Is that person watching the same thing as me? Because the guy has suffered the injustice of the world so many times and so many losses that I can't even count them.

Basically: People portray Luffy as if he hadn't gone through any type of trauma when OP has shown countless times that he has been through a lot. A fucking lot. Perhaps it's the fact that he's the one hiding it all the time in the show, always replacing sadness with the need to be stronger so he doesn't feel like that ever again (aka protecting everyone so he doesn't lose anybody again. And not even in a selfish way to not be alone, although we could say that he does feel like that to some extent. But because his loved ones do not deserve to disappear or die in those ways and he feels guilty whenever it happens because every time, he says it's because he wasn't strong enough to protect them) and that's why most people don't realize how much pain he has gone through. But that's not a very valid argument because we have a lot of arcs that prove it otherwise (Sabaody, Marineford, Film Red, Wano...). So, yeah, I guess people just don't know how to read.

Starting through chronological order, I want to talk about his abandonment issues and savior complex that always seem to go hand in hand.

Luffy doesn't like to be alone. He's a very empathetic and extroverted person. He doesn't like to be bored, always loving the company of somebody else. But, sadly, he has always been kind of alone? People come and go for him all the time, and you can't tell me that doesn't affect him psychologically. He's 7 when he meets Uta and Shanks and the kid has never been more excited! That's when his dream of being a pirate begins and it's the first time he has a friend. A real friend, not just random animals he manages to find or older people that sometimes take care of him. Luffy gets bored easily, so of course, Shanks and Uta, being something new, make his life brighter. With dreams and new experiences and hope for a newer, better life outside his village. And then Uta and Shanks have to go, of course, and he stays all alone again. From what we've seen, the only thing Luffy did when they weren't around was just... Waiting for them to come back to him. That's it. Luffy's joy basically comes from being with people, and especially when he's fixated on somebody in particular, he doesn't let them go. Then they come back... But Uta is not with them anymore. That's Luffy's first heartbreak, in my opinion. It's when he decides that he has to be stronger. He loved Uta so damn much. She meant the world to him. And suddenly she isn't there, giving him no time to say goodbye, and... He only has Shanks. But Shanks refuses to tell him the truth about what happened with her. So here you go! It's the first time Luffy loses somebody this dear to him and the first time Shanks betrays him enough for him to get angry at his hero. He ends up accepting it, of course, but not because he has moved on, but because both Uta and Shanks told him to be stronger. More mature. And he forces himself to grow up faster because he wants something. He wants to know where his friend is, and if Shanks refuses to tell him because he's just a kid, then he'll just have to grow up and become stronger. To become a pirate and to keep the promise he made with Uta. The movies aren't canon so I just keep thinking about Luffy wondering where Uta is, and it breaks my heart every time.

Then Ace and Sabo appear in his life and... They are literally everything to him. I like Garp. He did what he could do. Kind of. But he leaves Luffy on his own with Ace under the care of some bandits (Dadan we love you, queen). So he can't really blame Luffy for the way he turned out to be, honestly. The thing is: Ace and Sabo are, again, something new to Luffy. They are not just friends. They are his brothers, now. We don't talk enough about Luffy's maturity and respect for other people's dreams even when he's just a kid. Luffy literally was kidnapped and beaten up and he didn't dare to say a word about Ace and Sabo's treasure because he respected their dream. He's loyal and understands other people's feelings and hopes perfectly. His empathy and emotional intelligence are just perfect. Then, well, you all know the story, but these two become the most important thing in Luffy's life, not only because they are his brothers, but because they are the representation of their dreams and future. And then it crashes into a million fucking pieces because of Celestial Dragons and classism and rich people quite literally saying "We are burning down the poor because they don't deserve to live! Woohoo!". And it's Luffy's first time realizing that the world is unfair and fucked up and that there are people that believe to be superior to others, a thing that Luffy fights against all the time.

So, Luffy learns that the world is extremely fucked up at a very young age. He has first-hand contact with the abuse rich people inflict on others, in every way. He suffers from the torture that is fighting for your life in the world of pirating and thieves when he's not even a pirate yet. He's just a kid. What the fuck. And then he loses Sabo. His older brother literally is killed by a celestial dragon and he can't do anything about it. He can only cry, of course, he's just a kid. What is he going to do? So he decides to become stronger. Because he feels weak in the hands of what is the injustice of the world. He feels trapped by that injustice, in my opinion, and wanting to be stronger is just the path to freedom. Because freedom means being able to save the people he cares about.

And here's the thing: Luffy's need to become stronger always comes from the guilt he feels after losing somebody, blaming himself even though he literally could have done nothing at the time to save Uta or Sabo. He has a severe savior complex, not to feel better about himself (although you could say that it would certainly fix his fear of being weak) but to not lose anybody else. For some reason he always feels responsible for the faith of the people he loves, he's constantly putting others first and sacrificing himself and then feeling guilty and weak when he can't save them when it wasn't even in his hands to save them in the first place.

Kid Luffy goes through a ton of stuff in his early years and the fear of being alone... Of losing somebody he cares about... It haunts him. He sees Shanks and piracy as the meaning of freedom and strength. It's just that simple for him: If he becomes a pirate, he'll be strong. If he's strong, he'll be free. If he's free, he'll never lose anybody again.

And yet, even if he's confident he'll manage to do this... He's still a kid. He's still a little brother. Ace's little brother. He depends on Ace, too, because that's the one person he has left. Ace promises him he won't die because he's just as confident, and says this as if Luffy was stupid for thinking something could happen to him. Not to get too into Ace's character right now, but the fact that he's constantly wondering if he should be alive to then realize Luffy needs him to stay alive... Is so damn beautiful.

And then he literally dies in front of Luffy. Protecting Luffy. And Oh, boy if that doesn't kill him... But that comes after Sabaody! After losing literally all of his crew! God, stop hurting this guy already for fuck's sake-

Long story short, Luffy manages to get a family. Not a crew. A family. He's not alone anymore, and he proves constantly that he won't let any of them go or die on him the way it happened with Uta and Sabo.

Water 7 is... Rough for Luffy, to say the least. Because it's the first time he sees everything he has built crumbling down. Robin is taken by the Marines. Usopp wants to leave the crew because he doesn't feel like he fits in, even though Luffy knows he is perfect for the family (Usopp just can't believe him because, you know, insecurities suck). And he has to learn how to be a captain. A true captain. He has to make the harsh decision of fighting his best friend and letting him go (his worst fucking fear) at the age of 17 because he's the captain. He has to be mature. And strong. And he definitely doesn't feel like those now. Not when Robin is also on her way to be executed.

Usopp is leaving. Robin might die. And it's just like Uta and Sabo all over again.

So, basically, Luffy grows up too fast. He grows up too fast, with the fear of abandonment and being weak, and the weight of being the captain of a whole crew resting on his shoulders. Besides, he fights against the world government for Robin because he refuses to let her die thinking she doesn't deserve/want to live, and it reminds me a lot of Ace's story. Ace doesn't think he deserves to live but then stays because he realizes that Luffy loves him and needs him. Robin, thanks to Luffy, realizes that she wants to live and that she has a new family to fight for.

Nobody dies and Usopp comes back this time, so everything ends up turning out fine after all! Yay!

Then Sabaody happens and I swear my guy can't have a fucking break.

Who has suffered more, Jesus Christ or Monkey D. Luffy from Sabaody to Marineford? I think we already know the answer.

He loses all of his crew. All at once. His worst fucking fear. They vanish right in front of his eyes and he can't do anything. He feels weak. He's shattered. Completely broken. But he's optimistic, still, because he believes in his crew and he knows they'll find a way to be together again! They've ben through a lot together, and they can find each other in a few days in Sabaody again. It's fine. But he has to delay it, of course, because his other biggest fucking fear is happening right now: Ace might die. His older brother might die.

So if you mix the trauma that caused him to have abandonment issues and a savior complex with the fact that Ace is the only sibling he has left and he is completely alone because his crew isn't by his side anymore... You get the most heartbreaking arc of the show! Awesome.

He does everything he can to save Ace. Ace complains about it, begging him to stay away from danger. And he refuses because he's his brother. He has to fight for him. And he does. And Ace dies anyway. Ace dies protecting him, too, and the hope that was left within him dies completely at that moment. Everything is shattered. His whole world is crumbling down. And I think that Luffy dies too at that moment.

For Luffy, losing Ace is not like losing a limb. Losing Ace is losing his everything. Ace meant the world to him. He was the representation of their dreams and hopes and past and future. He was the only person who knew Sabo like the back of his hand, too. And now Luffy is the only one carrying their souls. All alone.

That's probably Luffy's rock bottom. He doesn't think he deserves to be a pirate (or alive, either, but I don't want to get too deep into his suicidal thoughts I definitely think are a real thing because then this becomes too dark. But yeah. I think he does think about that too). He doesn't think he's strong enough. And he's completely broken.

There's this line from Fleabag that I absolutely adore: "I don't know what to do with it." / "With what?" / "With all the love I have for her. I don't know where to put it now."

Because Ace is gone. He's completely gone. And all the love Luffy has for him turns into grief and he doesn't know what to do anymore if Ace's soul isn't in the world to look after him. He doesn't know what to do if all the love and feelings he has for his brother go to waste. And it's his fault. Because he wasn't strong enough to protect him. Because he wasn't able to protect himself, Ace having to sacrifice himself for him. (And we know he feels guilty about this because he tells Sabo the second they meet again. He apologizes for not protecting Ace. He feels guilty about what happened still. And Sabo is just glad Luffy is okay because he knows his brothers too well to know already what happened).

Then our beloved Jinbe comes along (I love you. Please adopt me) and, following that quote of Fleabag: "I'll take it. No, I'm serious. It sounds lovely. I'll have it. You have to give it to me." / "Okay." / "It's got to go somewhere."

Jinbe reminds Luffy that he still has his crew. That he still has people who need him alive. People that love him and care for him. That he can't be weak if he has helped so many people already. That they're willing to take both the love and pain Ace makes him feel. And it's such a great character development for Luffy... It makes me go insane. He remembers his crew one by one and realizes that he's not alone anymore. That he has to be stronger for them and for Ace. And for Uta. And Sabo. Jinbe is there with him when the others couldn't, and it has nothing to do with Luffy's issues but I just want to mention how much I love Jinbe for this.

But he still feels the need to be stronger and the fear of losing his crew and the people he loves still haunts him. He tells the straw hats to meet after 2 years (that's a long fucking time. Like. Longer than the time they've spent together. Imagine the loyalty, damn). And it's... It's so beautifully written. The 3D2Y scene is one of my favorites because it shows the loyalty and love they have for each other, and how Luffy is willing to become stronger for the people he loves and the ones he has lost along the way. I literally have the tattoo. I am obsessed with the whole concept.

As I said, Luffy's abandonment issues and the fact that he wants to become stronger to never lose anybody again (Savior complex much?) still remain even after his character development. Because that's not something you get rid of. That's just how he is. And I think that, as long as he is with the straw hats, it won't be a problem.

Also I wanted to mention his reunion with Sabo! The guilt he feels for losing Ace? The way he clings onto his older brother as if they were going to take Sabo away from him? They're extremely codependent and I am here for it, honestly. Sabo would die for Luffy and Luffy would kill him if he did that. Also, I don't know where the fuck Sabo is now because I'm only watching Wano but I swear to God if something happens to him I will murder somebody with my bare hands. :)

Oh! And then it comes my favorite arc of all the show: Whole Cake Island (to the surprise of literally no one!). Luffy, in the beginning, is extremely optimistic when it comes to rescuing Sanji. He's simple like that. "If he doesn't want to get married, we rescue him. If he wants to get married, he just brings his wife with us!". And if Sanji didn't want to come back to them (truly not wanting to) he would accept it. But Sanji wants to. Luffy knows Sanji wants to go back to the Sunny with them. He knows Sanji isn't being true to himself. And God, he's desperate. Because Sanji is stubborn and his self-sacrificing and deprecating thoughts are even stronger than Luffy's, and he won't give up until Luffy lets him go. But Luffy doesn't want to fight him, he just wants his cook back. Because he knows that, no matter how much harm he does to him, Sanji is only doing it to himself (one of my favorite quotes from OP). So, Luffy goes again through the desperation of not losing a crewmate, but losing one of his wings. Without Sanji, Luffy can't become the king of the pirates. He's willing to die from starvation for him. Are you- Are you all aware that he almost fucking dies from starvation? I don't think we talk about that enough because what the actual fuck. There's this thing they tell Luffy (I don't remember exactly when or the exact phrasing) about him wanting Sanji back out of selfishness and not because of Sanji's well-being and... I partially agree? Don't get me wrong, Luffy does everything here for Sanji because he knows Sanji is suffering and lying to himself. But Luffy is selfish, too. Luffy doesn't want Sanji to go away because he loves him. That's his cook. He doesn't want to lose anybody else, even less knowing that they're going to be unhappy. That's kind of for me the confirmation of Luffy's abandonment issues. Like- He does everything for his crew, of course, but he's so scared of losing them. Then Sanji comes back to them, of course, and they have their own Pride and Prejudice moment. Not even Jane Austen can write shit like this.

I kind of want to talk about Wano but I haven't finished it yet (I'm like, on episode 1056) but I would like to mention how beautiful it is for Luffy to carry Ace's soul and promises like that. And also the responsibility he carries during the whole arc to save Wano? That's so- It's so fucked up. He's such a good leader and captain and everything I said in this post and all the things he does in Wano show that he will become the king of the pirates. I love him so damn much. I can't even write it down properly.

Anyway, summarizing everything: Luffy has a lot of abandonment issues and a savior complex that becomes unhealthy to the point of sacrificing himself and always carrying the burdens of everyone else. Because he fears he might lose his loved ones if he isn't strong enough. So. You know. It would be great if people stopped saying he's just childish and fun and that he doesn't have any character depth because he's probably the most complex shonen protagonist I've ever seen! He has suffered so damn much it hurts! Live Laugh Love Luffy! <3

#......... i love him a lot #he makes me go insane #please i swear i am okay mentally he just makes me ill #i truly thought this was gonna be longer ngl #one piece #monkey d. luffy

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jackoshadows · 9 months

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Just saw a couple of posts where someone was insisting that there is no way Jon Snow would remain friends with Tyrion or how it would be 'bizarre' if Jon is still friends with Tyrion on account of the marriage to Sansa.

It wouldn't be 'bizarre' if one actually read A Dance with Dragons and the many chapters GRRM devotes to Jon Snow agonizing over Arya Stark's marriage while not even writing one line where Jon is concerned over Sansa's own marriage.

Especially when Sansa's marriage is actually brought up in conversation as a reason for why Stannis does not want her getting Winterfell and Jon doesn't say or think anything about her marriage to Tyrion preventing her from getting Winterfell other than go

This is what happens when the Asoiaf material one consumes is all Tumblr metas and Jonsa 'theories' instead of actually reading the books. This is what happens when one homogenizes the canonically diverse Stark sibling dynamics into uniformity and apply what Jon Snow thinks of one sibling to all the siblings.

In canon, in the books, in ADwD, when Stannis mentions how Sansa Lannister is never getting Winterfell while he lives, Jon Snow's thoughts or concerns is not for Sansa being forced to marry the enemy. No, what he thinks about is the news of his friend Tyrion being a kinslayer and Jon having a hard time imagining the kind man he shook hands with killing his own father.

Tyrion Lannister looked beyond class barriers and even political barriers (Given the enmity between houses Stark and Lannister) to help and advice Jon Snow when even his father and uncle don't warn him about the NW's current status. Tyrion supports Jon against the likes of Alliser Thorne - he had no need to do so - simply because it was the right thing to do and carries home messages for Jon and helps Bran - simply because Jon asked him to do it. And Jon Snow is a character who values his friendships.

And for that matter, Jon Snow never ever turns up in Sansa's nostalgic memories of home and family - contradictory to popular fanon/fanart they probably hardly ever interacted - and she admits to forgetting about him until Myranda Royce mentions Jon and then wants to see him because now all her true brothers are dead and no one else is left.

In fact when Sansa considers her options of where to flee from the Vale she thinks of going to Tyrion if he was still alive while never even thinking of Jon at the Wall. Sansa is also imagining kisses with the Hound - a man who Sansa knows killed Stark men, including Vayon Poole, her friend Jeyne's father.

As the boy’s lips touched her own she found herself thinking of another kiss. She could still remember how it felt. - Sansa, AFFC And Littlefinger was no friend of hers. When Joff had her beaten, the Imp defended her, not Littlefinger. When the mob sought to rape her, the Hound carried her to safety, not Littlefinger. - Sansa, AFfC

Jon does not judge his relationships based on how they interacted with Sansa no more than Sansa judges her relationships based on how they interacted with Jon because these are two characters who have never interacted on page and have a distant familial relationship off page. Jon and Sansa don't consider each other important in the narrative as Stark siblings because GRRM does not consider their relationship/dynamic important enough to devote page time to it.

#Jon Snow #Tyrion Lannister #Sansa Stark #asoiaf

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raven-at-the-writing-desk · 6 months

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Disclaimer: I do not mean to throw the blame on anyone, I'm just curious. Sorry Cay-cay for throwing you under the bus.

Anyway, Miss Raven, according to you, why didn't Cater do anything (or if he DID do anything, why didn't it work) about the Riddle situation during the latter's freshman year? I mean, Cater was rooming with Trey during that time, he probably knew some bits beforehand...

I think there’s a lot of different angles this question could be tackled from 🤔 However, the most all-encompassing explanation for me comes down to who Cater is at the core of his character. Simply put, he’s just not the kind of guy who likes to get into the heat of things or directly intervene. (Even if he was, do you really think Riddle would listen to him when Riddle didn’t even listen to his right-hand man and childhood bestie Trey, who has tried multiple times to smooth things out on behalf of the whole dorm?)

As early as our first formal introduction to him in book 1, Cater’s constantly trying to trick others into resolving tasks and conflicts for him. He gets Adeuce to help out with painting the roses, and does the same to mob students when it comes to unbirthday party prep in his Dorm Uniform vignettes. There are other instances of Cater being slick too: he slyly suggests that Trey uses his unique magic to change the flavor of the chestnut tarts they make (which would save Cater the trouble of wolfing down something sweet, which he dislikes). In Happy Beans Day, Cater lets Deuce take the fall for him and distract the monsters while he claims the supplies from a crate. These are just a few of many examples of Cater having others "do his dirty work".

There are, of course, times when Cater does step up. However, it's typically done reluctantly, under duress (like, he has no other option/the situation is too dangerous for him NOT to step up), and/or in the face of peer pressure. For example, Cater is the only one of the Heartslabyul group that does not initially want to fight against OB Riddle; Cater just stands off to the side and warns everyone about how they stand no chance. He only joins in when Trey, Ace, Deuce, and even Grim pitch into the fight (and even when he decides to help out, Cater still has a line where he emphasizes that he definitely didn't sign up for this). Even as recently as Stage in Playful Land, Cater is surprised that his classmates want to stay in the park and beat up Fellow Honest for deceiving them rather than have escape as a priority. He makes a comment about how everyone wants to do one thing (which is also implied to be the thing Cater doesn't want to do), so they all have to come to a decision as a group on how to proceed. In the end, he ends up agreeing to stay and get revenge since that's what the group wants. Put like this, Cater's more of a follower and not much of a leader--but he intervenes when it's convenient for him.

Now with that being said, it could be argued that if many Heartslabyul students were complaining about Riddle's rule, why wouldn't Cater also hop on that bandwagon if he's supposedly such a people pleaser?? Well, I'd wager it might be because Cater values his self-preservation more. Considering past behaviors, Cater has demonstrated time and time again that he's willing to throw others under the bus (usually his juniors or whoever else he has to) so long as he can walk away scot-free or doing less work. It's just something that's easy to overlook because Cater isn't the type to pull it off in a scummy way, he's still smiling and friendly as he's duping you. (It’s also worth nothing that the Heartslabyul students themselves were probably tolerating Riddle’s rule better a year ago than a year into it, especially since we see Riddle getting worse over the course of book 1. Maybe the problem just wasn’t “as bad” or people had more patience for it back then.)

Another thing to consider is his position, which I'm sure Cater is cognizant of considering how socially aware he is. He may be a third year, but he's also just... a regular student. He doesn't hold any power over Riddle, nor does he have an intimate bond with Riddle which would incline him to getting involved with him and testing his temper. Cater has seen what happens to the people that defy him, and he's not willing to stick his neck out for them and potentially have the same happen to him. There's no personal stakes or responsibility on his part (unlike Trey).

Cater is defaulting to his usual strategy of letting others try to fix things for him (we see him asking Trey to do something/to talk to Riddle instead of Cater confronting Riddle himself). That’s just how he chooses to tackle issues; there's nothing wrong with that kind of problem-solving if it works for him. If I had to liken it to social media (since that’s Cater’s communication method of choice), it feels like vagueposting or subtweeting instead of tagging or outright naming the person you have beef with in public.

That’s how I interpret it, anyway 🤷‍♀️ It’s by no means the definitive answer!

#twisted wonderland #twst #Riddle Rosehearts #Heartslabyul #Cater Diamond #Ace Trappola #Deuce Spade #Trey Clover #Grim #disney twisted wonderland #spoilers #notes from the writing raven #question #twst analysis #twisted wonderland analysis #twst character analysis #twisted wonderland character analysis

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shigayokagayama · 1 year

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Uh Oh I Thought About The Music In The Finale Too Hard And It Started Bothering Me Again

ok so aside from one of my favorite scenes in the entirety of mob psycho getting cut from the last episode, a decision which will haunt and torment me until my dying days, my biggest issue with the last episode was always the music and i think ive been able to finally pin down a coherent explanation as to why

disclaimer: i am not a music expert. i was in choir in middle school and i like listening to people who actually know about music talk about music, but this is not a professional opinion so take it with a grain of salt

so first, 99 playing during reigen running towards mob. my problem with this is less the song choice and more that the anime decided to completely change the tone of the entire scene. like, 99 works perfectly for the hype exciting scene they were trying to create! i just dont think this scene should have been hype and exciting. this isn’t a “music is tonally inconsistent” problem so much as a “tone is inconsistent with events unfolding” problem so im not going to put much focus on it.

what IS tonally inconsistent though is the next track that plays after it (timestamped)

this scene is supposed to be not just the reveal that reigen is okay but the reveal that dimple, a character who we’ve spent the last six episode thinking was dead, is alive! and the music they chose is so... sinister??? wouldn’t something more triumphant or energetic fit here??? i get that it has to segway into a really emotional song next so it can’t be too upbeat but wouldnt something like this maybe fit better??? it’s another song associated with dimple possessing someone who isn’t especially powerful to let them achieve something they normally wouldn’t, it’s pretty dramatic, it’s exciting, it has kind of an emotional through line in the back of it with the violins???

the next song is perfect. no notes. the second i heard it in the mob character trailer before season 3 dropped i was like “oh theyre going to use that for reigen’s confession” and i was 100% right. in fact, this song being so perfect for this scene is what makes the next song choice so confusing.

huh? what? why???? on the elementary school level of “well this is labelled mob’s theme and this is mob’s moment of self acceptance so it has to go here” i can maybe understand but it is the most jarring tonal whiplash i have ever felt watching a television show. this is music that we normally here when mob is fighting an enemy, this is supposed to gear us up for conflict. it does not fit the bittersweet catharsis of mob accepting his whole self at all.

ive seen two different edits with different soundtracks i prefer, one with “Passing my heart, I'm getting bigger” (at least im pretty sure thats what its called? すれ違う心・大きくなったなぁ?) and one with “Mob’s Kindness”. personally, i feel like mob’s kindness would be the best option. for one, one of them already played at an emotionally climactic moment during the final episode last season so it might be a bit weird to do it a second time. second, for when we last heard “mob’s kindness” it actually fits really well with this scene on a couple different levels.

just the title of the song on its own fits with the scene. it’s the first time mob really extends kindness towards himself rather than trying to repress it or smother it in guilt and self loathing. we also have to consider the last place it was used and how that echos this scene. the first time we hear mob’s kindness is in season 2 episode 1, following the line “i made the decision to consider my feelings more”, a line which fits really well with what the “100% shigeo kageyama” moment is trying to get across. “shigeo kageyama” is mob’s repressed power and, more relevantly, his repressed emotions that he’s been bottling up for years now. “mob” flaking apart and forming “shigeo” also kind of visually echos emi’s novel getting ripped apart and brought together again by mob’s power, so that’s another little mirror between these two scenes. mob putting emi’s novel back together is the first time we see him using his powers for another person, not to save them from any sort of threat, but just as an act of simple kindness. it’s the beginning of a realization he has during the mogami arc, these powers arent just a burden, he can use them to help people. and he doesn’t even need to limit it to that, he can just use them to express himself and have fun because they aren’t just tools that can be used, they’re a part of him.

#i feel like i lost the plot a bit writing the last paragraph but whateverrrrr #mp100 #mob psycho 100 #shigeo kageyama

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johaerys-writes · 3 months

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i’d be super curious to hear your thoughts of the characterisation of achilles in the iliad! because while he is considered honourable and respected by the standards of the culture, surely by modern day standards he wouldn’t be so much? which is why i think that MM did such a great job, because she basically modernised him so that we would see him in the same ways that the greeks did re: his nobility versus his arrogance, but i thought the general consensus on achilles is that he’s an ancient greek hero which equals Not A Good Guy by our standards (but my formal education in classics is limited, i mostly partake as a hobby, so i’m always looking to expand my understandings and opinions and you’re obviously a very intelligent and considered person)

So I think the most important thing anyone needs to do when engaging with ancient greek works (and indeed any sort of work, especially those created millennia ago) is to keep an open mind. Importing modern moral judgement is anachronistic when it comes to the Iliad; hubris, as we understand it now, simply does not exist in the Iliad, there are no Good Guys vs Bad Guys, there are no Heroes or Villains. Those notions came much later and are very much a Christian thing. A hero in the Homeric world has no moral implication; he is simply a warrior. A dude that does things, and not necessarily admirable things. So it would be pointless to try to view Achilles or Hector or Agamemnon (or even the gods in the Iliad who do some pretty fucked up shit) as good or bad guys, because such a thing is irrelevant in the Iliad.

That being said, I feel like Achilles is portrayed generally positively both in the Iliad and also in other ancient Greek works. He is noble, that is, he is of noble/divine lineage, he is well-spoken, well-educated, generally reasonable and polite with pretty much everyone, except for Agamemnon in that opening scene in the Iliad (who was a dick to him as well). He is also honourable and with a very rigid moral code: in the Iliad it is stated many times that he prefers to ransom back captives instead of kill them, and he even lets the body of one of the Trojans he slew be burned with his armour on as a sign of respect, even though it is a thing of great importance in the Iliad to claim the armour of the people one slew. He is not greedy and doesn't flaunt his wealth, he is generous with his Myrmidons and is generally rather well-liked. Until Patroclus is killed and he goes on his rampage, he is a pretty chill dude; and then after Hector is killed, he organises the funeral games for Patroclus where he is shown to be very diplomatic and reasonable, even with Agamemnon; and then when Priam goes to ask him for Hector's body back, Achilles treats him with respect and the two men bond over their grief. So like, idk about you but those don't seem like the actions of someone crazed or extremely arrogant or bad, even by modern standards.

I think what is most telling about how a character like Achilles was perceived in the culture that created him, is that his portrayal in later ancient greek works, mainly the theatrical and philosophical works of around the 5th cent BC, is generally positive. Some playwrights depicted him as a bit of a hothead or a little boisterous and full of himself, but that isn't really framed as a bad thing. Achilles in those works is a famous and powerful hero who knows how good he is and how much the army needs him, but he isn't needlessly flashy, he always keeps his word, he is brave and heroic even by modern standards: in Euripides' Iphigenia at Aulis, Achilles goes to great lengths to protect Clytemnestra and Iphigenia from the mob, and it is pointed out many times how averse he is to trickery and lies and that Chiron brought him up to be honourable, steadfast, to keep true to his values and to stay away from wickedness (which is what Agamemnon did, essentially). So I think it's really clear that for the ancient Greeks Achilles has many admirable traits.

You mentioned MM and how she modernised Achilles and made him sympathetic to a modern reader's eyes, and I simply don't think that's true. I think MM's portrayal of Achilles is pretty close both to the Iliad and how other ancient Greeks imagined him; perhaps the only way she differs is by portraying him a bit calmer in places lol. She simply took away all those layers of nonsense that had been piled on top of him through centuries of literary criticism that took all the later Roman works that depicted him as a sadistic monster a little too seriously or only focused on how awful he was compared to Noble Hector (no hate on Hector but those classicists really need to find a new blorbo *smh*)

I also think that maybe MM went a little too hard on the arrogance thing and on his obsession with glory without explaining it enough, but that's just my personal opinion. Achilles is very concerned with his glory in the Iliad as well, but we have to keep in mind his position here: Achilles gave up everything for that glory. He knew about the prophecy and knew that he would die in Troy, and made the choice to fight in the war because glory is just that important within the context of the Iliad. I think that many of the heroes we see in the Iliad would have chosen the same, if given a dilemma like that. So Achilles gave up the life he could have had, his kingdom, his family, just for his name to live on through the ages, and then Agamemnon royally fucked that up by disrespecting and insulting him publicly in the vilest of ways. Achilles then made up his mind to abstain from the war and to go back to Phthia and thus giving up his claim to glory because he was so over the war, and he probably would have done that had Patroclus not died. And then there was nothing else for him to do other than to die as well. So like.... idk. His actions make sense to me. He is a passionate character who is swept away by his emotions, he has flaws, he isn't perfect (if such a thing even exists) but I think he's all the more compelling for it.

I hope this answered your question, anon! Thank you for giving me the chance to ramble about my favourite fictional man <3

#achilles #the iliad #homer's iliad #greek mythology #patrochilles meta #not a big meta writer but if you poke me with a stick i might just write a small essay about it #or not so small ;w; sowwy

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emelinstriker · 6 months

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Anyone who calls this AU a 'slave' AU...

Then theres me who looks at this AU and just sees an excuse to hug and spoil favorite characters. (Not teying to start hate I just want to express to new viewers all I see are people taking this AU and creating fluff. The LMK already has angst filled (potential) characters and this AU, while also dark and angst filled, has characters that has the Reader who has potential to be comedy "what is going on!?!???" And "these are my pwecious babehs. Must hug and cherish" .... Brain is entering not making sense at near 11 pm....

EXACTLY-

The AU is supposed to have some dark content, I even mentioned that in my masterlist, but that's literally not even the point of the AU. It just adds more of a mystery to the environment for those enjoying the AU, who like to look for hidden lore crumbs, piece them together and figure out the story.

It's like a murder mystery. Just because people enjoy listening to/watching those does not mean they're into becoming killers. Especially if it's fictional, made up stories to let viewers engange with the situation themselves and solve it.

Meanwhile the way I've seen people interact with the champions in my inbox always ends up being more wholesome or funny. Because at its core, the AU is just there so people can have fun interacting with the characters.

And I'll keep saying it over and over if I have to.

Humans are different.

Opinions and preferences are different.

Literally no one is getting harmed in real life if I sprinkle in some hints to darker lore. Some people just like angst and dark things more than others, and that's fine. It's just generally more interesting for them.

But even then, those that prefer more of a fluffy, comedic, or even horny interaction with the cast have the option to do so. The AU is built like a one-shot. You can have one story or the other and don't need to look at the other parts. They can all be read on their own.

If someone doesn't like the AU or isn't interested, that's absolutely fine and I respect that.

However, what I can't respect is people talking shit behind my back like a group of children, publicly spreading hate and misinterpret messages. Again, I've already said my viewpoint on things. Whether people agree or disagree on my standpoint, I don't care anymore at this point.

Just as much as the brickwall I'm talking about isn't accepting the fact that not everyone shares the same opinion on how old a character is supposed to be. Especially in a fictional AU setting. When I say ESAU!Nezha is an adult, then in this very AU, as the creator of said AU, I can legally say he is an adult in this AU. End of story. If one says he's a kid in the source story, that's fine. If one says he's an adult in a made-up fictional Lego story, that's fine.

I'm literally just calmly explaining my own points and they start accusing me of more shit by taking my explanations and taking things out of context in a mob mentality, again. They even still for some reason believe Bean MK is canon and was "born and branded into slavery" when that was clearly just a wholesome way to do a crossover between me and @theweepingegg. Like, MK is an adult in this just like the others. I literally did an entire summary just some days ago, with art of him being normal-sized and not chibi-fied, about how MK joined the group. But of course they still say people are supposed to do their research, when they've clearly not done their own research on Bean MK if that's the only version to them that exists.

The fact that they already openly "exposed" my blog and all that to their followers too, without even trying to be vague at all anymore, is also starting to enter borderline harassment. Like that's literally just encouraging people to spread more unnecessary hate over literal opinions and assumptions.

Ironic, considering that blog's own controversial history.

From the unnecessary harassment of a Wattpad user over a few quotes/pick-up lines they allegedly "plagiarized" till their account deletion, to the unnecessary harassment of others for saying Nezha isn't a kid. There is literally a blog mentioning this allegation. Plus the Wattpad user could've been handled maturely like an actual adult, like y'know, talking to the author instead of being petty about it to your followers. Which is still very much something that apparently never changed about them. And after having witnessed them talk smack and lie openly about my own content on a blog of a game they're supposed to represent, I now fully believe all those harassment stories.

And despite all this, I'm still not even openly talking shit about them. Because I'm not a kid talking shit about another creator.

At this point I'm literally just about to ignore all that "drama" since I've already realized the topic hit a brickwall. Like, they're not gonna leave this very much unnecessary shit alone based on how they're still talking about it. But my care has already dwindled, knowing they're still acting like children trying to find something, literally anything, against me to rant about. I already stated my case multiple times and how the AU works. If one still takes the logical things I'm explaining out of context, then they can just keep that opinion to themselves. The "drama" literally hit the moment where all's just opinions and biases.

Now watch as either she or one of her followers will take screenshots of this post and take it all out of context as well. Because they will try to find any single piece of dirt on me to rant about.

And after some discussing about why the fuck this entire thing is even happening with some friends, and why the blog never actually notified me about shit personally, I will simply no longer respond to any allegations. I've already stated my side on the the mentioned allegations and no longer see the need in having to speak anymore. I'll just go back to doing my own thing, and you can go back to doing your own thing.

#lmk esau #eternal servants au #esau qna

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noroi1000 · 1 year

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i loved the recent oneshot ! the way you did the outro at the first as an intro was quite nice and the oneshot was very nice overall ! reader's character is something I liked she's a badass powerful woman who's a good mother,it's so nice to see. This is more of a request which isn't that you're obliged to do it ( since mainly I wanted to tell u abt my ratings of this fic which is btw 🌟🌟🌟🌟🌟 ) but i'd like to know about reader's life and basically reader n satoru when their marriage was arranged till they got married and maybe married life before kids 🤭.

Have a good day 🌟

I don't love him but I want to be with him 2

"I said fuck off..." you growled at your father who was standing in front of you.

"You can't just do that. (y/n), it will be perfect for our family if you marry someone from Gojo!" he shouted as he took a step towards you.

"You're supposed to be fucking normal... not mafia ties. Not that I care..."

"We'll be richer and safer if you do! In return, they only want half of our company."

You didn't want to agree. Why would you marry someone you don't know just for money?

Your family has run a company for generations that deals with finance, and foreign sales and purchases. It's been good for so many years, and now your father wants to shine in front of the mafia...

Well, for Him, terms about money are good. He would like to be the richest. And when some mafia tells him that for their influence in the company they offer higher wages and security, he can't just say no.

You knew what this would mean for the company.

Some of the goods that the company will buy are something like weapons or drugs. Or other even more expensive things. Every other mafia buys different things.

You don't want to get mixed up in some stuff that's illegal.

There's still a chance you'll end up in prison for life.

You don't want to spend the rest of your life in prison. Especially since you're 21, and you can't see sitting there forty...

You don't want to marry some old mob boss just so your father gets the benefit.

"Too late for you, (y/n). I have decided that you will marry the head of the Gojo family. Tomorrow they will come to sign the contract and then you will be legally married."

You hated your father...

You wanted him to regret it so badly.

Sitting in a dress on an armchair, you just looked at the tall white-haired man in front of you.

Plus for you, he wasn't old though.

And you didn't know that someone around your age would be the boss of such a powerful mafia.

One thing you know for sure...

You will never consider him your real husband.

You'd rather fall in love with someone else and cheat on them than spend your whole life with someone you don't love.

You won't love him, you won't like this new life.

But what is it?

Why was he so nice even in the first days of your marriage?

Why did he act like... As if he cared about something.

Your husband's name is Satoru...

You found out about it at the wedding when his full name was said.

You've never met him before. You've never even seen a man like him before.

He is just... He looks different than you might expect.

He is very different from the others.

And also his "family" is different.

His family is his friends, and people who respect him.

You've never seen anyone like him.

The people who were with him were completely different from him. But they all had one thing in common. They belong to his mafia.

Well, he... He was definitely different.

He didn't blow it off like you thought he would.

You even found out that your marriage was arranged by elders who used to be someone important in the Gojo family mafia.

Without his knowledge.

He too had no choice. He agreed for the sake of his "family".

Affiliation with a large company like your father's is safer than constantly playing with risks.

In this way, they can do their job without risking their lives so much.

You both had no choice.

That's why you were in this time.

He who gives his last name to a woman he doesn't even know is forced to associate with her as her husband.

You who are forced to take the Gojo name and live with a man you've never met and know you want to be with him.

You don't want to have more with him than you have. You just have to have papers that you are married. Nothing more.

No one is forcing you to be in a closer relationship.

You can have your own lives. May you only be married for the sake of your families.

And if you had to choose which side you'd be on, it'd be the Gojo family.

Their family is quite different from yours. Even though they work together, they treat each other as friends. Like a real family that is close to each other.

They protect each other and lead a happy life.

Unlike your family where everyone only cares about their own ass.

Especially your younger brother who is constantly planning with your father how he is going to take over the entire company.

When they finally got rid of you and married you to a mafia man, they were happy.

They earned even more than they could earn.

You didn't expect it, but you were welcomed into the Gojo family with open arms. They accepted you very quickly. Most of them were your friends. Your husband too. He was only one year older than you.

And there were several connections between you. You both hated your parents, your elders, and the other people who rule you. You both didn't like the fact that you were forced to be married.

Besides, you liked the way he acted. He was funny and sometimes cute.

Completely different from what you'd expect from the boss of such a powerful mafia.

Something happened that you promised yourself would never happen.

You started to like him...

You enjoyed living with him.

You couldn't fall in love with him.

But you sure felt better with him around.

He was like your very close friend. Or like a lover.

It started small, but you started living together, and it just got better.

Getting better and better. Like it was never meant to be.

Well he left the life he had.

He spent most of his time at home.

You weren't in love, but you got along well.

Your life was coming. Until finally you had sex without any restrictions.

You felt like he was your sex lover. But at least you didn't betray him once.

You think it would be stupid to have a marriage where you're supposed to be together but you both cheat on each other.

So you thought that since he can fill all your needs, there's no point in looking for someone else.

All needs except love.

However, he started kissing and hugging you. He spoke sweet words to you. Even if he knew you didn't love him. Was he starting to fall in love with you?

You couldn't believe what you heard from Shoko and Utahime... A man who has been a playboy since he was old enough, but he isn't anymore.

Ever since he was 16, he's had different girlfriends all the time. Ever since he was an adult, he'd flipped women between those he'd already fucked and those he hadn't yet. Mafia playboy.

That's why when you saw him when he was at home all the time, you were surprised that he didn't go out with any woman to have fun.

Even worse, when you accidentally caught him masturbating, it was even more surprising.

He was always using someone else for his pleasure whenever he felt like it. And now he was the one trying to do something with himself. You could help him this time...

"I don't want to be that kind of man anymore, no matter where he goes, goes on a date and then wakes up alone in bed the next day anyway." he told you one day. "Is it possible that I'm starting to fall in love with my wife?"

Maybe he was starting to love you, you like him.

You have to admit that living with all of them is nice for you.

You are so happy. From your comfortable and pleasant life.

You want to stay with him. You want to stay where you are. You want to remain his wife. You want to live as you do now. Happily.

Maybe you can start a family with him? To make sure your happiness in the Gojo family lasts longer.

Maybe you can give him a baby to at least ensure you don't lose that happiness?

You always regretted and hated that you had to get married.

And now...

You feel happy after the year you've been with him.

#jjk #jjk x reader #gojo satoru #gojo x you #gojo x y/n #Mafia boss Gojo #gojo #jujustu kaisen #gojo x reader #jjk x you

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halcified · 5 months

Text

gawd . gonna pop some tags here and expand on them but teru really is like... peak slow-burn horror as a character. hes, like, seven tragedies waltzing around in a colourful trench-coat. i like to think that the people around him put together the pieces eventually because, well, hes not exactly subtle, and even when we meet him there is this blaring feeling that something is wrong. aside from the obvious violence he commits, of course, but it just keeps fucking Building

even after his fight with mob, teru as a character is so focused on his capabilities and independence that even when he realizes hes a normal person he still cant believe hes a normal KID. he has to believe hes more mature or capable in Some Way because otherwise theres no way to rationalize what has been done to him-- which is why i find his pre-mob self so fascinating because he is just. Pure hurt. pure attention seeking in a way that overcompensates for what his parents never gave him. those issues never really get Dealt with, either. they just get compartmentalized differently.

it's so nonchalant, too. teru shares his living situation with two people-- mob, who he, at this point, believes is an unequivocally Good Person who wouldnt share more than he has without being prompted, and dimple who... is a ghost. he could exorcise him easily, but more than that, dimple can only communicate with psychics or those who can see him, which means esper kids (aka mob and ritsu, because those are the only esper kids teru's ever met) and esper adults. and to teru, if theyre an esper adult, that means theyre claw, which means they already know.

its hard to remember in the context of the whole show, but teru didnt even know reigen existed at this point-- regardless of assumed psychic status or not. teru had no reason to believe that any adult, especially not an esper adult, would care. it can be easy to read this as teru being cornered because he needed to bring mob somewhere safe, too, but considering how calculating of a character teru IS, its hard to believe he wouldnt at least be convincing himself of his control over the situation

teru views himself as a commoner who lives in uncommon circumstances and thinks its super normal and just happens to never to tell any adults about it-- except that hes stupidly smart and, for all his absurdity, has a pretty decent concept of, like, strategy, and how not to get fucked over by adults. this kid ( again, stupidly smart, figured out his ENTIRE CITY was being brainwashed before anyone else ) focuses so hard on Not thinking about how fucked his situation is that he convinces other people not to think about it, either.

and the thing is that we keep SEEING how adaptable and strategic he is. need a pyrokinetic? air whips? name the technique and teru is LEARNING it. it doesnt take a genius to note that your life is severely different to other peoples. no WONDER he grows up thinking the world revolves around him, he needs something to make it all make sense, and when he finally views himself as a commoner he cant help but urge everyone to look away from the curtains

#coughs. anyway #dont look at me guys im emotional #teruki hanazawa #mp100 #mob psycho 100 #mp100 meta #text

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takeachillpillshawty · 11 months

Text

British Riddle this, British Riddle that.

Have you all considered Cockney Accent Trey?!

Here. Me. OUT.

I feel like Trey would have a Cockney accent, but he toned it down a bit when talking to other people outside of Queendom of Roses.

I can just imagine during a unhappy birthday party Trey is just running his mouth off, Riddle nodding and agreeing with him. Ace and Duece adding their tid bits in and Cater has no fucking Idea what either of them are saying, especially Trey. Ace can understand him clearly, either is dad or older brother has a Cockney accent same thing with Duece. ( I think ace would have a Cockney accent, but not as thick as Trey's he probably learned it from his dad or Brother. It's not thick but you could hear it in his voice.)

I don't know if Savannah claw boys would have accents.... Maybe Leona or Ruggie...

Bronx or transatlantic Floyd. Please, I can't be the only one. I can HEAR IT in his dialogue. Oh and Italian accent Azul, and I know I get it. Azul the mob boss of his dorm having an Italian accent?

I pick accents for some characters based of four things, if it's a character with animal features( merfolk, beastmen), a character based of a mythological creature ( faes) or where the Disney movie they were based off takes place, and finally by their names.

And seeing that it's confirmed by Disney that the little mermaid took place in Italy or near a location of Italy.. I think it would kinda fit Azul.

And I think the last dorms are dead give aways the last two are if you know your mythology.

Let's knock this one away completely, we all know. Everyone knows that Kalim and Jamil are Arabic, from the way they are named to the culture. ( and I believe that the scalding sands may follow their own version of the casting system... Based on in game dialogue.) Do I believe that they would have Arabic accents? I could hear it especially with Jamil.

Now for the Pomefiore boys. We already know Rook is French and Epel has a southern country accent.

But Vil is German. Are you going to look him dead in his attractive face and think he ISN'T German?! Look at his last name! I'm pretty sure you won't find some random Joe with the last name Schoenhiet and not think he is German. And a fun detail that Jamil and Vil have is that in their respective language their names mean "beautiful". Jamil means beautiful in Arabic and Schoenhiet means beautiful in German.

It would be very cool to hear Vil speak with a slight German accent when the English dub releases.

Now onto my boys.

It's a dead give away as well with this one, they're Greek. Idia is based of Hades from the Disney movie. And ortho....Ortho is just here for the vibes.... I haven't played book 6, and maybe they make a reference to a Greek mythology.... Who knows.

And finally... The last ones.... Diasomnia.

Now I had to do a bit of research on this.....and had two options, German or French. And like one of the points I brought up is looking at the characters names and location. The two characters were Lilia and Sebek (fun fact Sebek, is an alternate form of Sobek an Egyptian crocodile-headed god.)

While digging into their names I found out that in lilia's name the "Van" in his name is German, more commonly used for royalty. It fits him being affiliated with the Royal family in Briar Valley. And for Sebek, well instead Sebek I had to work with Sobek a surname name used in what? German. And so we know that Briar Valley is most likely the Twst equivalent to Germany...or something ( take with a grain of salt)

And the one nail to finish this coffin.... Fae, the species they were based off, is tied to many folklore some being French....and German. And with all that points I made, I have to give this ones to the German side. And I think hearing Sebek shout " WAKA-SAMA!" in a thick German accent is scary and hilarious.

( and please be reminded that most of these are some headcannons I made about some of the characters due to the culture behind their characters. Some of this information is no way cannon to the story of Twst, and If the English dub comes out and the characters don't sound like what they are headcannoned to be don't harass the voice actors. )

Thank you for reading!

#twisted wonderland #twisted wonderland shitpost #azul ashengrotto #heartslabyul #jamil viper #kalim al asim #floyd leech #riddle rosehearts #deuce spade

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