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#like. for one a big theme of mp100 is children not having to deal with the worlds pressures and having to be the ones to save it
eshithepetty · 2 years
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To start off this post I just wanna say, I hold mp100 dear to my heart and I say this with love, but.. I feel off put whenever people talk about the bad shit that anime usually has, and then say that. Mp100 has none of it. Because, like... sure, it has less of it than the usual, and I appreciate it for that, but that doesn't mean that it, doesn't have it at all? I mean. The transmisogynistic joke in episode 2. The fatphobia in season 2's episode 2. The lack of female main characters, Takeuchi's racist design.... don't get me wrong, the show is still great and I love it very much as I said, but you can love a show and appreciate all the things that it got right while not disregarding the things that it got wrong. You don't have to hate it for those things, you don't even have to necessarily talk about them if you don't want to. You just shouldn't deny that they exist in that media in the first place. That feels really disingenuous to me.
#mob psycho 100#mp100#mp100 critical#just tagging in case. i get not wanting to hear this stuff even mentioned when you're just trying to have fun with a thing you love#fandom critical#my own post#i also think a lot about the aspect of mp100 where.. it falls into the tired trope of villains being the only ones trying to chance society#and are obviously being very bad and harmful about it. while the heroes are the ones trying to maintain the status quo#it's interesting because. like theres more to it than just that in mp100's case??#like. for one a big theme of mp100 is children not having to deal with the worlds pressures and having to be the ones to save it#and nearly all the protagonists are children#so if they suddenly went on some arc trying to get involved in changing society in more drastic ways that could contradict that message#and it isnt like mp100 denies the fact that those societal issues exist? thats what mogami arc was in part about after all#so idk#at the same time i feel like including those elements could be really interesting#especially with mob; considering who he is as a character#someone whos main purpose through the story is changing others and thus making the world a better place#whos very compassionate and always eager to expand his way of thinking and better himself#hes already got some of that thinking in him - like how he got so mad on behalf of the workers world domination arc#so i just find it interesting to think about. maybe as he grows older he gets more concerned about that stuff.#its a hard balance tho with how he at his core wants to remain humble and ordinary. so some ordinary job; like a cleaner or a firefighter#like ive seen him be portrayed as still seems the most right#idk!! just find it interesting to think about so im rambling at this point hfgh#in the end; as the show says the most important thing is being kind. and just through being that you make the world a better place#even if its just through interacting with the closest individuals around you#thats enough in an of itself :)#so yeah#the tags got away from me ill stop now jdhdjd
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thefloatingstone · 5 years
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In 2012 I did not think I’d be able to make this list as I was convinced anime was on a permanent decline towards nothing but trash, but I am so happy that has changed! And so I give you a quick list of;
Favourite Anime made in the last 4 years!
Mob Psycho 100 (2016)
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A no brainer, really. With a 2nd Season having JUST premiered earlier this week, MP100 is easily one of not only best LOOKING animes in a very very long time, but also one with an extremely strong empathetic message that’s completely opposite to most shounen anime. The theme of “having outrageous powers doesn’t make you any more or less special and important than any other human being” and how all the villains in the show are people, either super powered or not, who believe themselves “more important” than others is at the heart of its story. And our protagonist who is a person with horrifically strong powers, but who is trying to develop as a human being, and finds himself to be a rather emotionally brittle person who relies very heavily on others for emotional support. As well as focusing on the people willing to grant him that. It’s got some strong influential roots in the Earthbound and Mother 3 games and despite never saying anything along those lines, I can bet you anything the original Mangaka, ONE, drew heavy inspiration from their tone and presentation, as well as emotional core despite the oftentimes wacky setting.
The anime should also not be overlooked for its incredible Sakuga sequences, as well as using mixed media in its animation from pencil drawings, to paint of glass, to charcoal to sand, cementing it as easily one of the most visually interesting and ambitious shows in the last decade or so
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Made in Abyss (2017)
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An anime that understands concepts of Scope and Scale and manages to bring what is normally reserved for feature films to an episodic storyline. Made in Abyss’ entire theme and story is that of exploration of the unknown and everything in this anime’s power is honed to bring across that feeling. Its art direction headed by Osamu Masuyama whose previous work include working on the background art for both Spirited Away and Howl’s Moving Castle, is painstakingly rendered to bring as much gravitas to the setting as possible, aided by the soundtrack written by Kevin Penkin which is just as much atmospheric as it is musical in nature. Every ounce of talent is focused on making Made in Abyss’ world, culture and characters feel solid and real. And unlike other anime with cutesy art styles but dark subject matter, Made in Abyss’ darker tone is established right in the first episode and gradually builds to its first season’s climax, rather than blindside its audience out of nowhere.
I sincerely cannot sing this show’s praises enough.
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It also doesn’t hurt that the animation itself is fluid and lively.
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Re:Creators (2017)
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When I gave this to an animator friend of mine, one who is NOT as big a weeb as I am, he referred to it as “if Ready Player One actually knew what it was doing.” Re:Creators is one of a trend of some anime where the narrative is extremely meta in nature, but rather than use this as a form of parody, Re:Creators instead focuses itself on using its meta storytelling to shine a light on Japanese popular media as a whole, both from the side of the creators who MAKE such things, as well as the side of the fans and not only their response to media, but their interpretation and addition to popular media. And unlike the more critical approach several horror anime have taken in the past, Re:Creators also shows the positive effect stories in the form of anime, video games, manga etc both on those who read it as well as those who create it. And show how fan creations and their responses and reaction to media are just as important and enriching to works like this as the very people who create them.
It’s also one of the first shows from any country that correctly portrays what online fan culture is like. Both good AND bad.
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Erased (2016)
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HOO BOY. The Big Guns. Most mainstream anime set in a modern setting inevitably seem to involve high school or at least characters who are high school aged. Erased, however, deals with a protagonist who is 28 years old. Due to time travel shenanigans, he is transported back to 1989 when he was 11 years old growing up in Hokaido. So already, this anime is complete skewing the generic setting for stories of its type, further hammered in by the fact that the show has no romantic subplot in it. There might be a smidge of something like “preteen romantic feelings” among the children but as far as “female hero the protag is going to fall in love with at the end” goes? Yeah there’s none of that.
Erased is an extremely dark anime, but not in the way Made in Abyss is dark. Whereas Abyss’ dark tone comes from things like getting eaten by monsters and body horror caused by the Abyss’ curse, the dark theme of Erased on the other hand is much more horrifying as it comes from “reality”. And it’s because of this I WILL have to warn people about its plot points because it WILL and DOES get uncomfortable.
The plot of Erased is our 28 year old protagonist gets hurled back in time to when he was 11 years old in Hokaido, as I said. In the winter of 1989 there were a string of child abductions and murders, and it’s up to our main character, again in his 11 year old body, to solve these crimes to prevent a tragedy in modern day. Not only does the show deal with the very uncomfortable topic of child abduction and murder, but a MASSIVE part of the plot revolves around the would be murder victim, Hinazaki Kayo, who is living with her physically abusive mother. And unlike shows like “Magical Girl SITE”, the abuse is not shown as “suffer porn” and blown up to be so over the top in how bad it is, ut is instead extremely grounded and feels waaaay to real to the point of being very upsetting. However, the abuse is not there to make the audience sad. The abuse is in the plot to further press upon the audience the borderline helpless state our main character is in. As a child, he has to rely on his experience and ability to think like an adult to try and prevent the serial murders, as WELL as try and get Hanazaki out of her abusive situation. It also serves as a learning experience for our main character, and him figuring out how he hasn’t changed at all since he really was a child, and how his own stagnation in life itself needs to change and be redirected. The show is bursting with tension and every episode exists to turn the stakes up just a little bit higher.
I’ve heard some people are extreme disappointed by the show’s ending which I will not spoil, but personally going into it completely blind, I didn’t find any of it to be a let down and its very quickly become one of my favourite anime of all time.
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The Ancient Magus Bride (2017)
(I actually don’t like the intro to Ancient Magus Bride so it only gets a link since I can only embed 5 videos)
https://youtu.be/KuZbmLLv1vM
Based on a manga by Kore Yamazaki, who has stated that her reason for writing the story was out of frustration that in “Beauty and the Beast” type stories, the beast always turns back into a human at the end. However this anime is far more than just a monsterfucker’s romance novel (although it... DOES follow a LOT of those tropes but hear me out.)
Set in the English countryside (although our female MC, Rise, is herself Japanese) the show makes heavy use of english folklore. Faeries are a constant presence throughout the show, and these are not the “nice” kind of faeries you’d see in Disney. Despite theyr good nature and honest want to help, these are the kinds of faeries that will kidnap you to their realm if you so much as let your guard down. We also have excellent portrayals of Titania, the queen of the faeries, and her heated relationship with her husband Oberon. Several other creatures from folklore make an appearance too, as well as old traditions such as faerie rings, seeing stones and the magical properties of herbs and flowers.
But beyond all of that, and even beyond the romance tropes or monster protector who is also a threat and powerful lead female who also needs protecting, the core theme of the show is on life. Or more specifically, death. Rise is a girl who is suicidal. And despite her not making any kind of suicide attempt in the show, this is a fact. The majority of the show is focused on Rise learning to “be alive” again, as well as process what life is, as well as what death is in its many forms. The show is a slow build of Rise reclaiming her will to live, not because of a romantic partner, but for herself. Reclaiming her own importance as a person removed from who she could be useful towards, and a slow coming to terms with a truly terrible event in her past and letting go of a traumatic past.
The show has some pacing issues here and there, but I still qualify it as one of the better modern anime shows to have come out in years, and can only praise its life-affirming message it’s trying to tell.
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Osomatsu-San (2015)
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I am.... not entirely sure how to explain Osomatsu-San.
Based on a manga published in the 1960s by Doraemon Creator Fujio Fujiko about 6 identical sextuplet brothers and their friends... the current and newest anime adaptation has borderline nothing to do with its original incarnation which was more your typical Showa era “hi-jinx” type gag manga. I think the very first episode of Osomatsu-San (which is not available for official purchase last I checked due to copyright issues) sets up the entire show perfectly, as the 6 boys and their friends learn they have a new anime adaptation coming up and realise that nobody in the modern age will want or even understand Showa era manga. So, instead, in an effort to be like “a real anime” they go about parodying literally every popular trope and show that’s out at the time. From yaoi-incest baiting to Jpop boy band to Attack on Titan to Sailor Moon, they keep cranking up the “modern anime” aesthetic until it literally explodes and collapses in on itself. And after realising they don’t have what it takes to compete in a modern anime word, the characters resign themselves to being losers who will never achieve anything in life.... and that’s where the show starts.
I can only refer to the show as “Millennial humour: the anime.”. 90% of it is just comedy with our 6 main characters who are, at their core, pretty terrible people. However, their issues and struggles of trying to be adults make them some of the most relateable anime characters out there. The show bounces from parodying popular culture both in anime as well as in movies to outlining the problems of trying to be a late 20-something year old in modern society to actual hard hitting drama that actually makes you angry because how DARE this stupid show actually make you FEEL things???
It’s borderline impossible to try and explain this show because, just like its 6 protagonists, it doesn’t seem to have any direction in its life. Which is exactly the point.
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eshithepetty · 5 years
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wholesome mp100 things:
(Because I really like to ramble about this show and I just thought I'd compile some things I appreciate about it):
Bottling up feelings? Nuh uh, bad idea, better have realistic and well paced development of you opening up more and learning to accept your emotions, kiddo.
Self!! Respect!! Not just learning it in a 'oh, I love myself, flaws and all' way, but the actual process of trying really hard to actually be proud of oneself, even when it's hard to see yourself as anything but terrible. It's all in the gradual changes and small moments of taking your own feelings into account!!
An actual adult? Actually acknowledging?? How actually fucked up all the shit the kids of the show have to go through is??? And going out of their way to lessen their weight of responsibility, and to protect them and offering them comfort, like,,, yes please!!!
'Huh...? You want? World domination?? What a ridiculous concept. What are you even going to do with that? People need other people, dummy. Honestly, you're acting more childish than the actual children here.'
Everyone!! Is!! Equal!! Yes, you may have god-like powers that could literally fling me into the stratosphere and I might be an actual sewer rat incarnate, but as people?? We all still long for the same validation. We all have the same rights. We're all human.
Not?? Sexualising any of the female/kid characters? Tbh, I don't really feel at my best giving points to a show for this, since it shouldn't be that surprising in the first place, but still, and I think this is easily overshadowed by all the thirst Bones has for Reigen, but that's the thing! They're putting all their (tbh not that creepy really and in character) fanservice into one grown man and that's!! Really great! Thank you Reigen for being our sacrifical lamb
On the subject of not sexualizing kids, Tsubomi, Mob's crush, while being portrayed as very pretty, is not sexualized at all either, and Mob's fantasies about her entirely consist of them just,, doing stuff like holding hands and walking home together?? Not even kissing or anything like that??? It's just so innocent and cute, gosh... also the fact that Tsubomi and the rest of the girls aren't stereotypes, but have their own lives that don't revolve around the boys and interesting personalities that are very distinct from each other, even if they don't get as much screentime as the boys :> (also, Tome being a protagonist in the Reigen spin-off manga!!)
Dealing with anxiety and dependency and manipulation/abuse, when you're an adult?? I honestly can't say I've seen too much of anything concerning this anywhere,,, Serizawa is so good
And all the adults for that matter!! All the villains! Their redemption arcs are all about intergrating into society again and learning to have a realistic worldview and all around getting well rounded as people. That's pretty inspiring, imo!
Also, Reigen, an adult, realising that he was being unfair to Mob, a kid, and specifically saying he was 'caging him in', instead of using excuses like 'trying to protect him" and trying his hardest to fix his life and mistakes before confronting him, and when he does, doesn't expect Mob to accept or forgive him or want to be friends with him again?? And tearing up for the first time on the show just from being a called good person by him,,,? That was honestly so tearjerking and pure and that arc made me feel the full range of human emotion.
Speaking of Reigen, the fact that all of his friends, for the longest time, are a bunch of middle schoolers, and that he has basically fathered them all is such a funny, yet heartwarming and also a bit sad and complicated thing, all at once, to think about.
The body improvement club!!!!! Super supportive and protective jocks, the absolute opposite of toxic masculinity. Thank you ONE for bringing us this gift.
The fact that every one of Mob's friends would likely kill, or at least give a very stern lecture to anyone who ever tries hurting him is amazing and sweet. The same goes for Mob, a big pacifist at heart, putting his strict morals on hold and fighting just for the safety of his friends, and sometimes even strangers or enemies. They're all just so protective and I absolutely love it,,,,
By the way!! Mob!!! I love that he's not a stereotypical cinnamon roll protagonist who is always pure. Like, he has his dark moments. He has hurt people. Sometimes, he's geniunely scary. But the fact that he's so aware of his faults and how much damage he could inflict, and thus tries so hard to better himself every day and to always stay on good morals, and always strives to understand and help people above all else, even through all the suffering he's gone through and all the power he posseses, is what truly makes him so kind and lovable. He's just.... grown so much. I'm immensely proud of him <3
Power of friendship, but done right, because they don't use bonds as some convenient power up, but rather primarily as a tool for character development, that, in turn, helps them become better and more stable and capable people ^^
The fact that the protagonist getting stronger in this show doesn't mean them gaining more power or becoming more book smart, but instead entails them learning to better understand people and to let others understand them as well so that confrontation can be as civilized and nonviolent as possible and become a better tool for helping everyone involved improve themselves is such a direct yet nuanced way of presenting how solutions can be made to real world problems and conflicts, and it's just such a different aproach to the usual shonen aesthetic of power being the defining factor on deciding who wins or loses.
In fact, a lot of the time there is no clear 'winner' of a fight. Sure, we certainly get to understand which side is stronger physically, but the impact those factors play into the characters' mental states and development is usually very removed from those results. A character technically winning can result in them plunging into a meltdown full of self loathing. A character losing often brings a very positive change in their life. Those experiences change the characters in different ways than just winning - positive or losing - negative.
The message that you don't need to be special! Everyone is fundimentally equal, so you being more or less special than anyone else is just flawed as a mindset. Reaching for the top is alright as long as you remember that the thing that matters the most is just trying to be kind.
Mob being widely recognized as autistic in the fandom!! A lot of characters having the capability to be seen as neurodivergent, actually. But even if it isn't intentional coding from the creator, all the messages about how people expressing themselves differently doesn't make them any less human or valid, how conventional isn't always the best, how being empathetic can manifest in wildly different ways and also the reoccurring theme of dealing with trauma etc. are still very much there and impact the narrative and characters a whole lot.
How the story was even able to become so popular, despite the nature of ONE's art!! Also, how the anime creators decided to stay faithful, even tho they had the opportunity to change the art style to something more conventional and not go as hard as they did, but nope, they admire and respect the source material and clearly have so much passion for this project, putting all kinds of talent and creativity and effort into every episode!!! They seem like they're having a lot of fun with it, and I'm very glad.
(Feel free to add more!!!)
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