Whiteboard doodles of the 4 Valkyrian Sephirahs.

Don't mind the last one.

The math just adds up!

I woke up and apparently the moon was gonna hit the earth, but everyone was like, really chill about it.

I talked to my mom and she said: “Yeah, the moon will hit the earth in about three months, you still have time to say goodbye to the people who you care about." 

I was like "damn”, and then I said: “How do you guys knew before me?” And my mom said: “Its because we watch the news and you don´t.”

dragon meat, you, and me

Take It Easy☀️

quick comix of the little creatures

one has a doctorate in nuclear physics from oxford. the other is a gold medalist in the olympics. i'm not crying, you're crying

rewatching the wolf quest vod and im just crying laughing sneeg was so right the no was so genuine

DEAD POETS SOCIETY (1989) dir. Peter Weir

Sukuna is old. He is also weirdly cultured for the monster that he is. With so much time on his hands, he loves indulging in arts and literature, and as with everything else he tries, he's good at it. You wouldn't know this, of course, you are only his pet. The time you spend with him is limited and hardly consists of intellectual conversation. You are there to serve one purpose and you know that quite well. So when you wake up in his bed one morning, two things come as a surprise. First that you're even here. It's one of those rare occasions when Sukuna couldn't be bothered kicking or carrying you out of his chambers once your time together was up. Second, he's awake, bent over his desk and so concentrated on a little figurine in his hand that he doesn't immediately notice you've shuffled awake. Once your eyes focus, you see that he's holding a tool in his other hand. He's carving wood. You're almost hypnotized by the scene. The scene feels so private that even for a pet like you, who knows Sukuna in the most intimate way, it feels like you shouldn't be watching. But you can't look away.

"Awake?", he asks, without sparing a glance at you. You apologize for staring, and look for your clothes around the bed. You throw them on just precisely enough to cover up until you reach your chambers, just wanting to be as quick and innocuous as possible. You wait for Sukuna's approval to leave. He gives you a simple nod, once more avoiding to look at you. You leave feeling conflicted. Special, because he allowed you to stay and watch (even as little as you did), but saddened because he barely looked at you, once more solidifying in your mind that you're only interesting to him when you're naked and bent over. As long as you've been here, you could never stop wishing for his validation.

Sukuna knows when you get insecure too. He notices the way your eyes droop, the way you close in on yourself and seem absent in his presence. He justifies this excessive worry about you by telling himself he likes to be the only thing that bothers his pets. All the way until he realized he already is the only thing that can make you sad. This realization falls upon him one time he lashes out on you and sees the immediate change of heart on your face. Now, he isn't one to apologize, especially not to someone who is as low under him as his pet. But why does he feel guilty when he sees this one act of his ruin your day? When he catches a glimpse of you sitting in the garden with your head hung low, or leaving more food on your plate than you usually do. If only you knew the way you really made him feel.

He beckons you to his chambers, and you follow three steps behind him like a good pet does. You didn't expect this time to be any different than others. You've become used to serving Sukuna on days you loved him and on days you hated him. But when he tells you to close your eyes, you know something is different. You obey, of course, and listen to his footsteps as he fetches something from the room. His hand takes yours and opens it, placing a piece of wood onto your palm. You already know, but you wait for him to allow you to open your eyes. He lightly presses his thumb on your cheek under your eye, and when you look, you find a small wooden fawn, curled up and asleep in your hands.

"Master!!..", you start, but nothing else can leave your mouth. You turn the figure around in your hand, inspecting and admiring the details. He's given you gifts before, but not ones carved by his own hand. Not ones made with love.

"You don't have to squint anymore.", Sukuna says, almost jokingly. But his face is as serious as ever as he looks at you, his muse. He thinks of the first time he's exhausted you to the point of passing out right after your nightly meetings. You were relatively new and very unsure of your safety. He thinks of your small body curled up in sleep on the edge of his bed, knees pressed to your chest in a primal, subconscious attempt to protect yourself. His little pet, his fawn.

You slur on and on about how beautiful it is, how you don't know how to thank him, the usual when you receive a gift. And as usual, Sukuna shuts you up with a kiss. You welcome it and wrap your arms around his neck, giving yourself in to him and letting him take you to the bed.

And he takes things slow tonight. He's gentle and so, so giving. Every sensation is delicate, prolonged and heightened to exhaustion. You cling to him, pull him impossibly close, and come apart under the comforting weight of him. Afterwards, you hold his hand to your face and kiss it softly. His hands, so large and strong, capable of such violence, yet for you they craft gifts, cradle, caress, love... in a very subtle and distant way, of course. With these thoughts your hands slip away from his, you turn around and quickly drift off.

He looks at you now, sleeping so close to him. Trusting him with your back, and turning your curled up form to the outside world. As if he is no longer a perceived danger. He smiles to himself in victory, and plants a chaste kiss to your shoulder to wish you one final goodnight.

innocently logging in to look at the Twst schedule for May like

So I read dreams end come true and WOW. It lives absolutely rent free in my head forever now.

📽️ YOU ARE THE DIRECTOR

you’re literally the director, producer, muse, screenwriter and cast of your dream life, your muse is who you want to be, the screenwriter does all the work behind the scenes and the script and basically everything that goes into making the movie the movie.

what you put into your screenplay (whether it’s aff tapes, living in the end, embodying your dream life or doing sats) everything you put into your screenplay dictates the outcome of your movie (your dream life)

you literally need to be the best method actor in the world and feel your dream life so it can harden into your dream reality. when someone is preparing for a role reading the script doesn’t get them far they need to transform into that character so they can perform to the best of their abilities

make your own rules, how are other people going to tell you what to do like hello?? the law is about you and literally nobody else this is your movie who cares if you wanna do whatever you want if you think doing methods are beneficial go for it at the end of the day it’s your life and you have the power in your hands. we all want an award winning life full of success, love and happiness and it is coming!! congratulations in advance

you find manifesting difficult because you make it difficult for yourself, you complicate it for yourself by over-consuming and fixating on methods that’s why you feel stagnant!! affirm and persistence goes a long way i promise it seems like people throw around this term all the time but it’s literally true that’s what makes loa easy

”your desired state already exists but is excluded from view. an assumption brings it into sight by changing your perspective.” - neville goddard

— ༊ xtra hehe i hope this analogy makes sense at the end of the day this is your life and your creation you are in control and it is finished you have your dream life you are the director of your own life and destiny ⁺ this is literally sats but i loveeee affirming and making my own short films in my head knowing that when i wake up i will live in that moment

— ༊ i hope you find this useful!! i’ve been crazy consistent lately even im scaring myself (@etherealkissed88 definitely has some of my favorite loa content!! you should definitely follow her) that’s pretty much all i have to say have a good day/afternoon or night and good luck on your journey because it’s already done

[ID: A panel from Dungeon Meshi. It shows the corpses of Senshi, Chilchuck, Izutsumi and Laois all propped up against fancy paintings sitting on the ground against the wall. Marcille is alive but has a reddened, tear-streaked face and a dead-eyed expression as she leans her head against Laios' shoulder, reached out a hand, and says, "Did you give even a moment's thought to how I'd feel surrounded by your corpses...?" End ID.]

God this panel took me right the fuck out. On the one hand, what else can they do? Marcille's the only member of the party skilled enough in magic to do resurrection spells. Laois straight up tells her he's giving her the neck armour because she's the healer, the one they can't afford to lose; she can rez the rest but if she dies, they're all doomed. And it's a uniquely cruel position for Marcille to be in because of her deep, aching fear of outliving everyone she loves, a fear that Laios has to be aware of on some level, even if he doesn't clearly remember the nightmare he rescued Marcille from... but even if he was fully aware of it, that doesn't change the fact that she's the only one of them who can rez. It's inescapable that she has to be in this position, just as, in the end, it's inescapable that she will outlive everyone in this panel even if they live to ripe old ages. Marcille being forced to microdose her inevitable looming grief is a great setup for her making the decision she does when they meet the Winged Lion--how can she go through this again, for real?

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app