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#but also i like having reference posts like this in the case people have questions they want to ask me...

writingquestionsanswered · 15 hours

Note

Would you be able to give me some tips on an idea where a character dies, but is reborn in a different world? For example, he lived during the wild west but is transported to a fantasy medieval world with dragons, swords, and magic.

I have his strengths that he has in both worlds and what skills he can carry over between both.

But I'm struggling with writing him getting used to the new world, and how he'd adapt

Character Reborn in Another Time

To portray a character adapting from one time period to another, you'll need to start by researching what life was like in both time periods. In your case, you'll have to start by researching life in the Wild West era (U.S. frontier period, 1840 to 1910), specific to the exact time and place where this character lived. (For example, life in 1855 Nevada would be quite different to life in 1905 Denver.)

Next, you'll need to figure out a specific time period and location to serve as inspiration for your medieval fantasy world. The medieval period lasted from about 476 to 1400, which is an incredibly long time. Needless to say, life was pretty different in the year 600 compared to the year 1350. Also, while "medieval" generally refers specifically to Europe, there were corresponding periods in every place in the world. So it's important to choose a specific inspiration area so you can focus your research. For a fantasy medieval setting, you could basically go with anything from China in the year 476 to Wales in the year 1400. And life would be very different in those two places and times.

Things to look at in your research:

-- what was daily life like for common citizens -- what was daily life like for nobility (if applicable) -- who governed and how? -- who enforced laws and how? -- what did people eat and drink? -- where and how did people live? -- what were the usual occupations? -- what was love and marriage like? -- what did people do when they weren't working? -- what did people do for medical care? -- what religious practices, beliefs, and values were held? -- what festivals, holidays, and traditions were observed/practiced? -- what did people use for transportation? -- what did people wear for clothing? -- what crops did they grow and who tended them? -- what was commerce like? -- what did people use to obtain goods and services? -- what kind of music/musical instruments, and dancing? Once you have done all of this research, you'll have a better understanding of the world your character lived in and the world they go to. That will give you the data you need to make an educated guess about how they would adapt to the new world. For example, if you know that their primary mode of transportation was a horse in their frontier life, and the primary mode of transportation is horse and cart in the medieval world, that will not be a huge adjustment. However, you might then want to do some further research about things like saddles and horse tack, as those are bound to be at least a little different between the two places and times.

Have fun with your story!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

#wqaadvice

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crescentfool · 2 months

Text

so you want to use OBS

hello! i’ve decided to compile information on my OBS setup and some resources that have helped me along the way. this is mostly for personal reference, but maybe others can make use of this information!

some notes before i get into it:

i use OBS for both offline recording and (twitch) streaming. any footage i record is edited using DaVinci Resolve 18, which is free.

most of my OBS captures are of video games (through a USB capture card, specifically elgato), and the occasional screen/application capture (like clip studio paint, and sometimes PC games).

as such, the information here is reflective of these experiences. this post is not comprehensive to all of OBS’s features- this is just an overview of the settings and configurations that are most relevant to me.

with that out of the way, all the information will be under the cut!

Basic Setup

file format:

how to change: settings -> output -> recording -> recording format -> press “apply” once finished!

I save most of my recordings as .mkv files- it supports multi-track audio! i prefer .mkv over .mp4 because if your power goes out, you still have a recording to work with.

.mkv files can be read by DaVinci Resolve without an issue- but for Adobe software, they'll need to be remuxed to .mp4 within OBS! (file -> remux recordings -> press the … to select a file -> press the “remux” button)

video resolution and framerate:

how to change: settings -> video -> output (scaled) resolution

my obs canvas is @ 1920 x 1080p (16:9)

i switch between 720p and 1080p as needed! if you're concerned about space, you can probably just go for 720p. i also record at 30 fps, simply because that’s what my capture card supports.

video bitrate:

how to change: settings -> output -> encoder settings (located in both the streaming and recording tab) -> press “apply” once finished!

bitrate is a bit of a doozy to explain, but the most important thing to know is that bitrate affects your video’s quality. lower numbers = lower quality, while higher numbers = higher quality.

generally speaking, you'll want higher bitrate when you're recording things with high depth of information (e.g. you’d want a higher bitrate for something fast-paced like splatoon, compared to a slower-paced game like animal crossing).

my video bitrate is either set to 3000 or 4000 kbps! and here's some of my other (related) settings while i'm at it:

you can put your bitrate at much higher values than me if you're a stickler for quality- but keep in mind that a higher bitrate means:

bigger file size

more information to upload (when streaming)

your computer will need to encode more

i’d recommend reading twitch’s guidelines on encoding, bitrate, resolution, and framerate to get an idea of what values to pick. for people who are doing offline recording or streaming on a different platform, i suggest googling the appropriate resources!

multi-track audio:

this is mostly applicable to anyone looking to do video editing!

multi-track audio basically allows you to separate your audio sources (e.g. discord, game audio, and your own microphone) into different tracks.

this is an immensely helpful tool because it lets you adjust audio levels in post-production (editing). some examples of how this can be used:

increasing someones microphone volume if they speak too softly

increasing/decreasing game audio

muting swear words/sensitive information

completely muting voice call + microphone if you want to upload a no commentary video

and more!

to set this up, take a look at your audio mixer panel, and press the ⚙ icon. this will bring up advanced audio properties.

by checkmarking a track box, it puts the audio on that track. to make the above screenshot easier to digest:

track 1 consists of ALL three audio sources- desktop, elgato, and microphone.

track 2 only has the microphone audio.

track 3 only has desktop audio (i use this for voice calls)

track 4 only has the elgato capture card audio (game audio). the volume has also been lowered so that any speaking voices can be heard clearly.

tracks 5 and 6 are unused.

you might be wondering, “why do all three of these have 1 checked off?” this is what i call the universal audio track. i recommend having a universal audio track for a few reasons:

when you stream from OBS onto twitch/youtube- you have to select ONE audio track.

it’s also a nice backup in case you didn’t separate your audio correctly.

if for whatever reason you need to move around your individual audio tracks in editing, the universal track acts as a nice reference point.

mark off your audio tracks for each audio source as you see fit! once you’re finished with the advanced audio properties, go to settings > output.

for the streaming tab, you’ll want to have the number of your universal audio track selected. in my case, that will be audio track 1.

for the recording tab, checkmark all the audio tracks that are applicable to you (in my case, audio tracks 1, 2, 3, and 4). by default, only audio track 1 is selected.

if you don’t check off the additional audio tracks in the output > recordings section, you will not have access to those audio tracks in editing, and you won’t be able to edit your audio tracks independently of each other. so don’t forget to do this! 👍

custom browser docks

custom browser docks are a great tool for when you’re streaming and want to have access to your twitch chat and/or activity feed! (or if you wanted to have some other web browser on OBS).

to create one, go to docks -> custom browser docks.

you’ll be given a table interface that asks you to put the dock name and URL. for streamers who want to have chat and alerts available, do the following:

on twitch’s homepage, go to the upper right and click your icon

then, click creator dashboard

once you’re on your dashboard, go to stream manager

click the vertical “...” on my chat OR activity feed.

press “pop-out chat” OR “pop-out activity feed”

copy and paste the link into the table back into OBS

press apply once you’re done

click and drag the docks around at your leisure to put them where you like!

if you ever decide you don’t want to have something on your OBS dock (or want to bring something back), go to the toolbar, click “docks,” and click the appropriate dock!

third party things

a section of optional things that you may enjoy having.

streamlabs alerts

this is basically for anyone who streams and wants to have their chat and/or follower notifications visualized on screen!

streamlab alerts can be added to OBS by adding a browser source into your scene, and the specifics can be customized on streamlabs itself. it’s pretty self-explanatory, so i’ll just leave a link to streamlabs website, where you can log in using the streaming platform of your choice: https://streamlabs.com/

discord overlay

this is a browser source that can be set up to show people who are in a server's voice chat and who speaks. i recommend this to people who make multiplayer content- it can help viewers distinguish who is who but also it can be helpful in editing.

to set this up, go to https://streamkit.discord.com/overlay, click “install for OBS,” and after logging in with discord, go to “voice widget” and click the server and voice channel you want.

you are able to apply CSS if you'd like more control over the visuals, but the standard layout tends to work fine for me! a search of “discord overlay css” on youtube can help you get more information.

veadotube mini

this is a pngtuber software that a friend recommended to me! no webcam is required- mouth opening and closing is based on your microphone input!

you can download it here (it’s pay what you want!): https://olmewe.itch.io/veadotube-mini

for a proper tutorial on how to use it, i recommend checking out the app's documentation, which you can read here: https://veado.tube/help/

source record

have you ever wanted to stream something with a chat overlay/layout, but wanted your recording to ONLY be the gameplay? or maybe you wanted to record BOTH your gameplay AND your webcam so that you can have a crisp zoom-in on your webcam!

source record is a third party plugin that can help you with that!

the general gist of source record involves applying the “source record” filter on either a scene or source, and customizing the encoding settings accordingly. the exact details of how to set it up is beyond the scope of this post, so I'll just direct people to this video instead (it was very helpful to me):

youtube

⚠ a quick note about source record: this plugin can be intense for your computer. be sure to do test recordings and the like to see what your computer can handle (and see if the recordings come out the way you like). it took me a few tests before i settled onto something i liked!

you can download and install source record here: https://obsproject.com/forum/resources/source-record.1285/

vdo.ninja

have you ever wanted to do a collaborative video or stream where you feature someone else’s video on your stream? or maybe you’re doing a multi-person streaming event! vdo.ninja is the perfect tool for you!

vdo.ninja turns your OBS virtual camera into a browser source link- which your collaborator can add on their stream! this is a new tool that i’ve added to my arsenal recently- since my friend and i are planning to stream a side order challenge together! i’ve still got to iron it out a bit more, but i like what i’ve used of it so far.

try it out for yourself at their website here (with documentation and demos available on the homepage!): https://vdo.ninja/ (no downloads required!)

ok! i’m set up! what now?

and with that, that’s all of the settings and tools that i thought would be worth mentioning! while most of my setup was written with video games in mind, some of these plugins and setups may be applicable to other types of videos (e.g. tabletop gaming with a physical camera)!

now that i’ve outlined all these settings, i have one more thing i have to say: regardless of what you're using OBS for, do a test recording before doing anything “official” with it. this recording can be as short as 30 seconds. it’s a good habit to develop that can make sure your streams/recordings turn out the way you want them to!

here are the kinds of things i like to check! it’s not an exhaustive list, but this can be a starting point:

video:

does my video look the way i want it to (and can my computer handle that)?

can my computer handle the load of encoding? - OBS will note in the bottom if the encoding is overloaded. if it can’t handle it, turn down your bitrate or adjust other encoding settings (e.g. i had to toggle psycho visual tuning OFF because it was causing lag)

this is especially the case if you're recording PC games- you don’t want to have slowdown on either your game or the recording!

audio:

are my audio sources (e.g. desktop audio and microphone) correct? - if you plug/unplug devices a lot, be sure to check this (settings -> audio).

are any of my audio sources muted? - make sure you don’t have anything on 🔇 if you don’t want it to be muted! otherwise the audio will be lost forever… (i lost my friend’s VC audio once… it was sad)

are my audio tracks separated properly? - requires you to boot up your editing software, but it's worth doing! for the test recording, just have something from all your sources playing at once, and see if your editor has things separated into tracks.

can i hear the voices clearly? or does the music and/or game overpower them?

if for whatever reason your OBS crashes, or you want more information on anything “critical” or “warning” worthy in your set-up, you can go to help > log files > upload current log file > analyze. crash logs currently can’t be analyzed by the log analyzer- but they’re a valuable tool when asking for help on the OBS forums!

and that’s all! for real, this time. i hope that some of these tools and settings can help anyone wanting to get more out of OBS. there’s definitely other things i didn’t touch upon (e.g. audio filters for noise compression, suppression, etc.), so i suggest doing your own research and trying things out!

happy recording/streaming, and thanks for reading! ✨

#lizzy speaks #this was a fun little write up!! i've been slowly getting some of my friends into video making teehee and its SO FUN!!!#(digital) video is like one of my other passions next to art. everyone say thank you splatoon for getting me back into it again <3 #i've been using obs since like 2018 so i wanted to share some of the things i learned for funsies... i really love video...#but also i like having reference posts like this in the case people have questions they want to ask me...#because i don't always remember what video tutorials i watched and it's nice to document that somewhere...#warning to anyone who reads it this is like 2.1k words. i do want to stress that this isn't comprehensive but there's still a lot of info #that i wanted to put for this post...! that said topics like designing your own stream layout + assets for it are NOT in the scope of this #post and nor is this a beginner's guide to obs (i wrote this with the assumption that you know how to record and/or stream and that-#people already have an idea of how to use scenes and the different types of sources obs can use).#i hope everyone's had a lovely march 5th! i would love to look at the fanart but im still not done with reload...#but im hoping to finish it by the end of the month!!! yipee!!!#Youtube

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walks-the-ages · 1 year

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OP deactivated, and some of the links were broken/marked unsafe by Firefox, so here's a new compilation post of Leslie Feinburg's (She/her, ze/hir) novels and essays on being transgender:

Stone Butch Blues official free source directly from Author's website:

Stone Butch Blues, backup on the webarchive:

Transgender Liberation: A movement whose time has come, on the web archive:

Transgender Warriors: Making History from Joan of Arc to Dennis Rodman, on the web archive:

Lavender and Red, PDF essay collection:

Drag King Dreams, on the web archive:

(Also, if anyone ever tells you that the protagonist of Stone Butch Blues ""ends up with a man""........ they're transmisogynistic jackass TERFs who are straight up lying)

Please also check out your local public libraries for these books and see if they carry them, to help support public libraries! If you have a library card already you can checkout Libby and Overdrive to see if your public library carries it as an ebook that you can checkout :)

EDIT: another not included on the orignal masterpost-- Trans Liberation: Beyond Pink or blue !

annnnnd in light of the web archive losing it's court case, here's a backup of both PDFs and generated epubs a friend made:

5/26/2023: hello! I am adding on yet another book of queer history, this time the autobiography of Karl Baer, a Jewish, intersex trans man who was born in 1884! Please signal boost this version, and remember to check the notes whenever this crosses your dash for any new updates :)

6/24/2023: Two links to share!

Someone made an Epub version of Memoirs of a Man's Maiden Years, which you can find Here , as a more accessible version than a pdf of a scanned book if you're like me and need larger text size for reading--

And from another post I reblogged earlier today, I discovered the existence of "TransSisters: the Journal of Transsexual Feminism", which has 10 issues from 1993-1995, and includes multiple interviews with Leslie Feinburg and other queer feminists / activists of the 90s!

Here's a link to all 10 issues of TransSisters, plus a 1996 "look back at" by one of the writers after the journal ended, you can find all 10 issues on the Internet Archive Here !

------

8/28/2023:

"Bi Any Other Name: Bisexual People Speak Out", can be found on the web archive Here, for the 25th Anniversary Edition from 2015,

and also Here, for the original 1991 version.

Each of the above can be borrowed for one hour at a time as long as a copy is available :D

This is a living post that receives sporadic updates on the original, if you are seeing this on your dash, click Here to see the latest version of the post to make sure you're reblogging the most up to date one :)

------------

October, 25th 2023:

"I began to dawdle over breakfast during shift changes, asking both waitresses questions. After weeks of inquiries, they invited me to a demonstration, outside Kleinhan's Music Hall, protesting the Israeli war against Egypt and Syria. I was particularly interested in that protest. The state of Israel had been declared shortly before my birth. In Hebrew school I was taught "Palestine was a land without peo-ple, for a people without a land." That phrase haunted me as a child. I pictured ears with no one in them, and movies projected on screens in empty theaters. When I checked a map of that region of the Middle East in my school geography textbook, it was labeled Palestine, not Israel. Yet when I asked my grandmother who the Palestinians were, she told me there were no such people. The puzzle had been solved for me in my adolescence. I developed a strong friendship with a Lebanese teenager, who explained to me that the Palestinian people had been driven off their land by Zionist settlers, like the Native peoples in the United States. I studied and thought a great deal about all she told me. From that point on I staunchly opposed Zionist ideology and the occupation of Palestine. So I wanted to go to the protest. However, I feared the demonstration, no matter how justified, would be tainted by anti-Semitism. But I was so angered by the actions of the Israeli government and military, that I went to the event to check it out for myself. That evening, I arrived at Kleinhan's before the protest began. Cops in uniforms and plainclothes surrounded the music hall. I waited impatiently for the protesters to arrive. Suddenly, all the media swarmed down the street. I ran after them. Coming over the hill was a long column of people moving toward Kleinhan's. The woman who led the march and spoke to reporters proudly told them she was Jewish! Others held signs and banners aloft that read: "Arab Land for Arab People!" and "Smash Anti-Semitism!" Now those were two slogans I could get behind! I wanted to know who these people were and where they had been all my life! Hours later I followed the group back to their headquarters. Orange banners tacked up on the walls expressed solidarity with the Attica prisoners and the Vietnamese. One banner particularly haunted me. It read: Stop the War Against Black America, which made me realize that it wasn't just distant wars that needed opposing. Yet although I worked with two members of this organization, I felt nervous that night. These people were communists, Marxists! Yet I found it easy to get into discussions with them. I met waitresses, factory workers, secretaries, and truck drivers. And I decided they were some of the most principled people I had ever met. For example, I was impressed that many of the men I spoke with talked to me about the importance of fighting the oppression of gays and lesbians, and of all women. Yet I knew they thought they were talking to a straight man" Transgender Warriors (1996) Leslie Feinberg

#bold text #large text #transgender #trans #nonbinary #leslie feinberg #neopronouns #activism #no id #pride #essays #Karl bae #memoirs of a man's maiden years #bi any other name

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miryum · 4 months

Text

A Green and Silver Ring (Mattheo Riddle x Reader)

An arranged marriage between you and Mattheo, one that might lead to something beautiful

Word Count: 10.3k

I know I haven't posted in a long time but I have a plan trust the process. Also, this is me coming out and saying that I love Mattheo Riddle and he's amazing

Warnings: Swearing, bad and manipulative parenting from both Mattheo and reader’s parents, a lot of misogyny (a bit from Mattheo but he gets better by a lot and it’s not that bad), arguments, Tom isn’t Mattheo’s brother and Tom is a creep, arranged marriage, one bed trope, enemies to lovers, greek mythology reference, talk of kids, needing kids to carry on family lines, and kids. Mistress is the feminine term for master (so reader isn’t Mattheo’s side piece when I refer to her as mistress), old timey talk a bit, reader is a bookworm

From the desk of Ginevra

My dearest friend,

My parents have informed me of your engagement. I was ecstatic, yet surprised, when I heard the news. I was of the assumption that your parents were allowing you to choose your husband as your family line is secure in your brother and his wife. Yet, once I learned who your husband-to-be is, I was trepidatious.

My thoughts are with you, my darling friend, and I pray for you to write to me the moment you get my letter.

I hate to break the news, but you and your fiancé are the talk of high society. Never before have two such families been intertwined. Even I have had to scold my brothers for their gossip. They seem to forget that our families are close friends.

I do not ask why your parents have made such a decision. I know they are intelligent adults and surely must have a motive, but I admit that I am blind in that regard. Your engagement seems sudden and unwarranted to me. When questioned, my mother sighed and said I would understand when I grew older. My mother continues to baffle me. I have borne two children and a third on the way! If I am not mature now, I better gain some knowledge quickly.

Always remember that I am by your side. If you ever need anything, my door is always open to you. I am sure Harry will agree.

I love you, my friend.

Ginny

From the office of Lorenzo

Miss. L/n,

I believe we’ve never been formally introduced. I’m saddened to say that this letter is as formal as we’ll get - at least until your wedding. I am sure you must be taciturn and mercurial as of now. My father has told me much about you and I believe we’ll make excellent friends and confidants in our hectic world.

You’re to be my new half-sister, aren’t you? My relatives and friends are petulant to meet you.

Before any rumours (either about myself or your fiancé) hit your ears, I’ll put a rest to them. Bellatrix, your fiancé’s mother, had an affair with my father. They produced me and in return, I have the privilege of being your fiancé’s half-brother.

Being a bastard child, I’m no stranger to being ostracised and ridiculed. To be blunt, I’m sure that you will be ostracised alongside me and I believe that is one reason we can connect.

For rumours of my half-brother, I simply say this: do not fear him. He relishes in the consternation he places in other people, yet when he heard he was to marry you, I saw panic in his eyes like no other. It seems the tables have turned. He is hesitant to be wed, but you are not the problem. He simply doesn’t want to have the responsibility of another’s life on his. Your fiancé is used to belittling people - not supporting them as a husband should.

Any questions you have about your fiancé and my half-brother (whom in case I didn’t make clear, are one and the same), refer to me without any qualms. I am eager to meet you and hopefully make your transition into the Riddle family smoother.

I am well aware you have also lived your life in the upper echelons of society. But, as I’m sure you know, there are multiple circles in our complicated community. The L/ns, the Weasleys, and the Potters, for example, have grown their fortunes truthfully and innocently. They have earned the respect of their people and those whom they employ. The Riddles, Blacks, and Berkshires, on the other hand, have climbed the ranks in unconventional means and by skipping a few rungs on the ladder. They thrive and make their living on the terror and duress they cause those under them.

I’m looking forward to making your acquaintance.

Lorenzo Berkshire

P.S. I hope I haven’t scared you off.

From the office of L/n

Daughter,

You’ll be pleased to hear the engagement has gone through. Your mother and I met your fiancé last night. He seems like a nice man. He will be able to provide for you. His family is influential.

We will return home late tomorrow evening. You will depart for Riddle Estate in a week. Begin packing.

Your father

From the desk of Ginevra

Y/n,

You worry me with your lack of communication. Usually, you can’t wait to gossip with me. We have such fun at dinners and balls, yet with the most important aspect of yourself, you don’t respond. I’m simply worried, my friend. Are you alright? I can envision you curled in your bed, not letting anyone, even your nursemaid, into your room. Please do not let your impending marriage affect your state of health. It will turn out alright. Everyone I know (even me!) had apprehensions about their marriage. And with everyone I know, it turned out alright.

Misters Sirius and Remus visited Harry and I the day before last. They came to see James and Albus, but I know there was a hidden reason as well. They know of our friendship and came to ask if the rumours are true. As much as my husband adores them, Sirius in particular can be prone to gossip. The pair tittered and tsked when I told them of your fiancé. Sirius wishes to distance himself from his family, and I know he has pre-existing thoughts of the Black family, and by extension, the Riddles.

Sometimes I take a moment to gaze at the family tree upon my drawing room wall. It is full of interconnected lines and squiggles that sometimes, it makes my head hurt! The web of family ties is complicated and if we’re not somehow related already, I know that we will be once your marriage takes place. It seems the Black family spreads its roots into the Weasley family and the Riddle family- the latter of which you’ll soon be synonymous with.

Give yourself some grace. Your fiancé falls far from the tree; I am sure of it.

Please write to me. I need to make sure my closest friend is doing well.

Best wishes,

Ginny

P.S. Hermione wishes to inform you that, from what she’s heard, your Mr. Riddle is quite attractive. I have yet to hear any of the rumours myself, but at least your husband will be pleasing to the eye. Perhaps it will make the marriage more bearable.

***

Mattheo strode leisurely through Riddle Manor. It was one of the many estates his family owned, and it was soon to be officially his. Just as soon as he married the L/n girl.

The manor was spacious, which Mattheo couldn’t help but detest. How was he and a wife supposed to fill this void of empty rooms and dark halls? He knew servants and cooks would move in, but they wouldn’t occupy the dozens of upper rooms that were vacated.

For a brief moment, Mattheo couldn’t help but envision a set of children running around the halls. One of the children would run up to him, shouting, “Papa! Papa!” Mattheo would scoop the child up, grinning, and would carry them to their room. The room would be bright and cheerful, and maybe, just maybe, you would be sitting on a settee, cradling a newborn or helping an older child with their school work.

But for now, the room was dark and uninviting and he had yet to meet his future wife. He had seen a portrait of the L/n family and while they were in lavish, colourful clothing, Mr. and Mrs. L/n seemed cold and stoic - just like his parents. The children, an older son and younger daughter (whom he presumed to be you), seemed kinder and by their body language, Mattheo could tell that the two siblings were close.

Mattheo slowly made his way down the hall. There were three wings of the manor; two were residential and the other was designed for taking guests. The East Wing - in which he and Miss. L/n would stay - was also fit with an office for him. He was expected to take over half of the family business once he got married. The West Wing would remain empty for now, sans for a large library and the furniture in the bedrooms.

The boy knew that his bride was to arrive later that day. She would stay at Riddle Estate until the end of the week. Just three short days before they were to be wed in name. Mattheo would move into Riddle Manor tonight, giving servants time to wipe the dust off of tables, shine the silverware, and fluff the pillows.

Mattheo walked the halls of his new home. His mind was devoid of any thoughts. Perhaps it was simply because he was always numb. Even when he heard of his engagement, Mattheo didn’t make a fuss. He didn’t remember thinking anything. Nothing such as ‘Oh, I can’t wait to meet her!’ or even, ‘I can’t believe mother and father are arranging my marriage! She better be obedient.’

No, Mattheo had thought nothing of the sort. He had spent his childhood quietly observing his father and mother, noticing the amount of fear they could inflict on people just by silence. You didn’t have to be loud and dramatic to be powerful. You simply couldn’t be afraid to follow up on your promises - however deadly they were.

The only question Mattheo had asked when Bellatrix informed him of his engagement was, “and what do we gain from the L/n’s?”

Bellatrix had shot him an callous and apathetic look. “Do not ask questions you needn’t the answers to, boy.”

Mattheo had glowered, but shut his mouth.

As he neared the foyer, Mattheo couldn’t help but think how marriage was a component in all aspects of his life. When he got married to the L/n girl, he would inherit a portion of his father’s estates, company, and wealth. Mattheo chucked to himself. Maybe he should’ve gotten married sooner.

***

“Pray tell, why weren’t you here when she arrived?” Bellatrix snarled as she gripped Mattheo’s arm. Her nails dug into his suit as she dragged him towards the drawing room.

“I was busy,” Mattheo replied harshly. Love was not a thing that came instinctively to his family.

“Doing what? Planning your suidide?” Bellatrix scoffed. “I would march to the Underworld and choke Hades to bring you back.” Mattheo glanced down at his mother, hesitantly surprised. But he knew better than to raise his hopes and dreams. “We need this contract with the L/n’s,” Bellatrix continued and Mattheo’s jaw ticked. Of course. She didn’t love him; she never had. Her son was purely business. He should’ve known better.

“Maybe if you would tell me what the L/n’s provide for us,” Mattheo pulled Bellatrix back before she threw open the door to where you were. “Then I would be more complacent.”

Bellatrix sneered. “You think you’re smart, boy. You think you have everything figured out in that pretty little head of yours. But remember: you’re nothing without the Riddle family name backing you up.” She paused and licked her lips. “But if you must know,” Bellatrix sighed, giving into Mattheo. “The L/n’s just came into some very… lucrative land that we could gain from if you marry Miss. Y/n L/n.”

Mattheo’s eyes flickered to the drawing room door. After a moment, he asked, “is that her name? Y/n?”

Bellatrix stared at him, aghast. “You didn’t bother to learn her name?!” She scoffed. “With a son like you…”

She pushed open the drawing room doors and Mattheo trudged after her, muttering, “at least I know her name now.”

You had been waiting for seven minutes and thirty nine seconds in the drawing room of Riddle Estate, the trackage of time dependent on the old grandfather clock standing ominously in the corner. Its pendulum swung back and forth continuously as its second hand ticked by. Mrs. Riddle had left seven minutes and thirty nine seconds ago to fetch her son.

While the room was perfectly clean, not a speck of dust on even the highest chandelier, it was still a cold and morose room, yet oddly epochal. The wood was the darkest mahogany you had ever seen and the lights cast odd shadows on the dark green wallpaper that had inlays of gold.

Your teacup that you were trying to hold steady was filled with a sad excuse for tea. There was a ring of gold around the mouth of the teacup. On the table beside you, a notch that looked as if someone dug a knife into the surface caught your attention. It was the little things like this that you noticed when you had nothing else to do. Your mind was trying to distract you.

The door then swung open and there stood your fiancé, his stare daring you to oppose him.

“Uh,” you stood, your teacup and saucer still in hand. You quickly placed them on the table, right over the knife nick. “Y/n L/n,” you introduced yourself. You bowed your head in an informal curtsy.

Mattheo’s eyes flickered over your face. “Mattheo Riddle,” he said coldly. His voice was practically velvet. You didn’t mean to look him up and down, but you couldn’t help it. He was to be your husband, after all.

Mattheo’s hair coiled at the end and his eyes were just as dark as his curls. His nose had a scarred cut on it that looked as if it was just beginning to heal. Your fiancés cheekbones were practically sculpted from marble and for a moment, you believed that the gods had simply breathed life into a statue. Did this make you Pygmalion and Mattheo Galatea?

If it weren’t for their lethal eyes and stern posture, perhaps more would be friendly to the Riddles.

Mattheo spoke, “you’re to be my fiancée.” It wasn’t a question.

“Yes.” You had the urge to add ‘sir’ at the end, but you bit your tongue.

Bellatrix hissed something to Mattheo and thrust a small object into his hands. Mattheo rolled his eyes and stalked towards you. “My family ring,” he grumbled. He held out an intricate silver ring with three bands interweaving. A green jewel cut into a thin diamond shape sat steadily in the middle. “It has been in the Riddle family for generations. It’s tradition to pass it down to the wife of the firstborn son. And now that is you…”

He trailed off and handed the ring to you, it laying flat on his palm. You took it from him, trying to minimise contact with Mattheo. You nodded in thanks and slid it into your ring finger.

It seemed too concrete to fathom.

Mattheo stared at the ring on your finger. A muscle jumped in his jaw. “My… wife,” he murmured halfheartedly.

***

Three weeks had passed since the wedding and it was as if you had never gotten married in the first place. Yes, it was unsettling to wake up in a bed that wasn’t your own next to a man that you were supposed to call your own. But other than necessary, Mattheo had hardly uttered a word to you.

In the three weeks you had stayed there, you had seen Mattheo a total of twenty eight times, including mornings and nights when you were forced to sleep in the same bed.

Your mornings, afternoons, and nights were all incredibly boring. You took long meals, pushing your food around. Sometimes you just sat by the window and watched the wind blow bits of grass and dirt past the window. The servants were still extracting the dust between the couch cushions and you tried to stay out of the way, but it only made you feel more isolated.

Mattheo was holed up in his office day in and day out. He had now inherited a large portion of his father’s company and Mattheo was determined to uphold the honour bestowed upon him. He had drafted contracts, sold and bought land, and even hosted a few dinner parties for his associates.

You detested the dinner parties. Thankfully, Mattheo had yet to invite you to one - hell, he had yet to speak to you about the dinner parties. You had learned of the first dinner party when you had wandered downstairs one late evening because you were thirsty. You had stared at the group of strangers, all dressed in elegance, as they stared back at you in your night clothes. Not saying a word, you had sighed and returned upstairs.

You hadn’t been eager for the marriage, but wouldn't it befit Mattheo to show some affection? Or at least acknowledge your presence?

While you had continuously tried to get your husband to open up to you, his answers had been short and venomous.

It had been a long, monotonous day for you. You had returned to the master bedroom about two hours earlier than you normally would have if you were at home.

With the wealth that you came from, the opulence was sure to be evident, but you had underestimated the Riddle family’s prestige. When Mattheo had first shown you your shared bedroom, you had to allow a flicker of surprise break through your facade. The bedroom was larger than any room in your old home and had a large bed in the middle. The lamps on the bedside table were always dimly lit and the design of the room was the same as the rest of the house - dark and bereft of love and care.

Your hair had been brushed enough, but you kept brushing simply for something to do while Mattheo finished up in the bathroom. Mattheo walked out of the ensuite with a towel wrapped around his waist. His curls were plastered to his forehead and a bead of water ran down his sternum.

Your eyes flickered to his figure through the mirror, taking in the dips and curves of Mattheo’s muscles as he silently got ready for bed. You tore your gaze away, berating yourself.

You built up your courage and tried to think of a conversation starter. You commented, “my parents wrote to me today.” After no reply from Mattheo, you continued, “they asked me when we would give them grandchildren.” You set your hairbrush down and stared at Mattheo through the mirror, looking for some sort of reaction.

Mattheo hummed noncommittally and put on some sleep pants. He used his towel to begin drying his hair. “It would be behoove us to produce some heirs,” he spoke. His tone was dismissive, as if children were nothing more than an obligation or duty to fulfil.

“Right,” you muttered, knowing that an uninterested reaction was all you were going to get out of him.

You stood and moved towards the bed. “Goodnight,” you whispered, turning off the bedside lamp and tucking yourself into bed. Mattheo was still putting on his nightclothes and had yet to get into bed.

As you turned off the light and got into bed, Mattheo finished drying himself off and slid into his own pyjamas. He sat down beside you, but didn't bother turning off his own lamp. Instead, he laid against the headboard, reading a book. "Goodnight," he finally mumbled, not even looking at you.

You curled into your blanket. After a moment, you asked quietly, “what book are you reading?”

He looked at you over the top of his book. "None of your business," he replied curtly.

You simply uttered, “okay.”

Mattheo felt an unwanted and unusual feeling root itself deep in his stomach. He scoffed and said sarcastically, "fine. Go ahead and keep asking questions all night long if it amuses you so." He opened his book again and pretended to read.

A longing and lonely pang resonated in your chest at his harsh words. You didn’t respond and instead turned your face into your pillow. You had known that your marriage was to be loveless, but it still hurt at every unspoken word. Perhaps, if you had been five years younger when you married Mattheo, your spirit would still be alive with the juvenile belief that you could stand up to him.

Mattheo huffed and his gaze turned up to stare at the wall ahead of him. “If you’re so miserable, then why don’t you just leave?” he snapped, not even bothering to hide his bitterness. “I am sure your family would simply love to have you back.” He flipped another page in his book, not even bothering to look at the printed words.

“I never said I was miserable,” you answered quietly, even though Mattheo knew it wasn’t true. Perhaps, though, you believed it to be true. You took a steadying breath, closing your eyes.

Your husband smirked and leaned against the headboard. “What do you call your attitude, then? Why are you so downtrodden and defeated? Surely, you can’t blame me for being frustrated by it.” He knew that he should be taking account of making you feel this way, but he still tried to justify his behaviour.

“Goodnight,” you reiterated.

Mattheo sighed dramatically. “Whatever,” he grunted. He closed his book, threw it on the nightstand, and turned off his lamp. The room was encased in darkness except for the dim moonlight coming through the window. He shifted towards the edge of the bed, making sure a noticeable gap was between the two of you.

He thought back to your conversation. “Why don’t you just leave?”

It was too late now to apologise.

***

Mattheo let the door swing shut behind him, returning to Riddle Manor after an outing with friends. He glanced around, waiting for a servant to take his coat, but no one answered. An eyebrow cocked, Mattheo slowly walked up the stairs, hearing you instruct the servants on something, every other sentence of yours either containing, ‘please’ or ‘thank you’. Up on the landing, he found you directing a servant who was pulling a rack of your clothing. “What the hell are you doing?” he demanded. “Have you lost your damn mind? Are you trying to send a message or something?”

“You’ve made it perfectly clear that you have no interest in me, so I’m trying to make this marriage as civilised as possible,” you said diplomatically. “I believe that if I move to the West Wing and leave you in the East Wing, it will benefit our marriage.”

“What exactly do you hope to accomplish with this piteous attempt at attention?” he asked rhetorically. “Do you think it’ll make me want you more?” He stuck his tongue in his cheek, grinning incredulously. “You’re delusional if you think that’s even remotely possible.” He stepped closer to you, towering over you with anger in his eyes. “This is not some game, L/n. This is marriage. You’re stuck with me whether you like it or not.”

“I’m aware that we’re married, Riddle,” you retorted. “And don’t refer to me by L/n anymore. I am now a Riddle - just like you. However, I am not going to live in a state of constant sorrow and dejection. Having a wing of the mansion to myself may help.”

Mattheo’s jaw tightened as he stared at you, irritated by your resistance. “Fine,” he growled. “But don’t expect me to come running after you when you decide you want attention. You’re on your own now.” He turned away from you and walked into his now solo bedroom. “Just remember - this is your choice.”

You felt your anger inflate. “I thought you would like this!” Your voice rose and you tugged a hand through your hair. It was the first time in your marriage that you had fought back. “I have done everything I can to please you, yet nothing is enough for you!” Your voice turned desperate. “What do you want from me?”

He stopped in his tracks, turning around with surprise and disgust on his face. “Dammit, Y/n! Don’t yell at me like that!” His voice thundered, stepping towards you. “I never asked for any of this! I didn’t ask for a wife or for you to try so hard to please me! All of this is ridiculous.” His hand slashed through the air to make a point. “All I want is some space. Space to figure out what the hell I want. But let’s make one thing clear: I don’t care about you.”

“Am I not giving you space?” Your fists clenched at your sides. “I am moving out of the bedroom and out of your way. Yet, you erupt at me and get angry over nothing! You send me mixed messages and I don’t know what to do.”

Mattheo took a breath, trying to regain control over his emotions. “I am not erupting! Lord, you are so sensitive!” he snapped, running a hand over his face. “Can’t you listen for once? I am not sending you mixed signals. I am trying to figure out my place in this unorthodox situation we’re in.”

After a beat of silence, you asked firmly, “did you talk about me?” After seeing a flicker of confusion on his face, you clarified, “when you were out with your friends, did you talk about me? Did you rant about how annoying I was? Did you complain about marriage?”

His lips parted before taking a breath. “Yes, I talked about you,” he admitted begrudgingly. “I complained about how frustrating I find you and how frustrated I am with my parents for arranging this senseless marriage.”

“What did they say?” you insisted. “Did they sympathise? Did they laugh at me? Did they add fuel to your fire by commenting about how… how ‘needy’ and ‘sensitive’ I am?”

Mattheo made a low sound in his chest and rubbed his temples, frustrated by your persistence. “They agreed with me, yes. A few believed that you are too emotionally attached and sentimental. Others chalked it up to the pains of an average marriage.”

Your anger flared up and you said, “Let me tell you this: I never wanted marriage either. But I at least tried. I tried to be a nice and loving wife and a kind human.” You turned on your heel, marching out of the bedroom and towards the West Wing.

Mattheo watched you go, an unwanted feeling of guilt washing over him. He sighed and walked over to the window. “Fuck,” he muttered under his breath. “Why is everything so damn complicated?”

For the next couple of weeks, you stayed true to your word. You avoided Mattheo and his office and stayed in your wing of the mansion. After a week or two, you decided to explore the mansion, stumbling upon a magnificent library. You inhaled in veneration when someone cleared their throat. Mattheo stood behind you, raising an brow. After a silence, you said recalcitrantly, “you never told me that Riddle Manor had a library.”

He smirked at your thinly veiled hatred, amused despite himself. “Well, now you know,” he said dryly. “It’s a perk of living in a Riddle household.” He walked over to a bookshelf and began browsing for a book he required for a contract that was being drafting. He showed no sign of embarrassment or discomfort at your presence. “You may use it whenever you want. But don’t expect me to join a book club or anything juvenile.”

“I would never dream of it,” you said sarcastically. You step further into the library and can’t help but gape at the vastness. You trailed your fingers over the book spines, breathing in the smell of old books. You crouched down to examine a series of poetry titles. “I can read any of these?” you asked hesitantly.

He nodded and leaned against the shelf behind him, crossing his arms over his chest. “Feel free to read whatever you would like. They’re here for the entire household. Well, the servants don’t have time to read books, so in a Riddle household, the parents and children use the library the most.” Your hand faltered over the titles. “If you find something that catches your eye, go ahead and take it. I won’t stop you.” There was a hint of curiosity in his voice, as if he wished to know what topics and books piqued your interest. You hummed quietly, not fully acknowledging his words. You were already picking up a book and leafing through it. Mattheo watched you for a moment, his eyes softening briefly.

Everyday, you returned to the library. It was an escape from the walls of your room and the walls that Mattheo had put up around his heart.

Eventually, the servants recognised your routine and began to start a fire in the fireplace to keep you warm. They moved a loveseat in front of the fire that you gratefully used. You devoured the poetry collection, including Shakespeare and Edgar Allen Poe, and started on the classics. Every once in a while, Mattheo would come into the library, but he wouldn’t talk. He simply took a book and returned to his study. Sometimes, you wondered if he remembered you lived in the mansion with him.

Mattheo found himself frequenting the library more often, looking for books he had never needed before. A swell of pride filled him whenever he saw you by the fire, knowing that something in his home brought you such comfort. He still refused to speak to you, maintaining distance and ignoring your existence, but he found himself increasingly drawn to your presence.

One day, on a whim, he decided to take a risk and left a stack of his favourite books on the table next to your chair. That afternoon, you found the stack of books. You smiled despite yourself, though you didn't make any comment to Mattheo. You picked up the first book, sat down in the chair, and began to read.

A week later, Mattheo was hosting a dinner party for his associates. He didn’t say a word about it to you, though you heard the servants preparing for it. You decided not to go, opting to stay in your safe haven of the library.

After an hour or so of faint music, you heard the door to the library squeak open and your head whipped up. You saw one of Mattheo’s friends, Tom, enter and look around. He spotted you and his lips curled up into a smirk. “So you’re the wife we’ve heard so much about?”

Your stomach clenched and you replied, “I guess so.”

Tom’s smirk grew wider as he took in your terse response, enjoying your obvious discomfort. He approached you with a lecherous gaze in his eyes before asking, “and how do you find life as Mrs. Riddle? Are you enjoying your… arrangement?” His words dripped with sarcasm, not believing for a moment that you and Mattheo were married for love.

You stared at him. “It has its perks,” you said simply.

Tom laughed derisively at your response, not convinced by your nonchalance. “And what are those perks?” he asked, moving closer to you. “Extravagant gifts? Luxurious vacations? Or simply the privilege of being married to such a powerful man?”

You squared your shoulders. “I am powerful without a man,” you said sharply. “I do not need a man to determine my worth and prowess.”

Tom scoffed. “Really? How exactly did you become powerful on your own?” he asked, challenging you. “I find it hard to believe that you could ever achieve anything significant without the backing of a powerful husband behind you.” He leaned in closer, grinning.

You closed your book with a snap. “The L/n family,” you said, talking of your maiden lineage, “has had control over many estates and affairs for decades. Without Mattheo Riddle, I would’ve inherited half of it, second only to my brother. I would’ve had four auspicious companies at my ready disposal, capable of doing most anything. So, yes, sir, I would have been momentous without him.”

Tom’s smirk faded as he recognised your family name. He remained undeterred, however, stating, “that explains why your husband was so eager to marry you. He must see you as a valuable asset to his business empire.”

As you opened your mouth to retort, the door banged open and Mattheo strode into the library.

Mattheo had noticed Tom’s absence from his party, but when it became too long to be excused as a restroom break, Mattheo had asked his brother, Enzo, if he had seen where he had gone. Enzo had smiled a small smile and whispered, “Tom went to the library. Where your darling wife stays hidden.”

Mattheo saw red.

He barged into the library, a deadly, lethal, and borderline possessive look deep in his eyes. When he saw Tom flanking you, Mattheo’s expression darkened and his hands clenched into a ready fist. “What the hell are you doing here?” Mattheo demanded, his voice low and dangerous. “This is a private wing of my home - not some place for you to bother my wife.”

Mattheo moved closer to you, placing himself between you and Tom as if to protect you from further harm.

Tom quickly stepped back and placed a confident demeanour on his face. “I was simply having a conversation with your lovely wife here,” Tom gritted his teeth.

You scoffed and rolled your eyes, showing clearly that Tom was lying and intruding. You saw Mattheo’s eyes flicker down to you, his eyes softening reassuringly before snapping back to Tom, malice in his gaze.

“Don’t lie to me,” Mattheo snapped at Tom. “There’s no need for any sort of interaction or conversation with my wife unless I am present.” Mattheo placed a hand on the top of your chair, his fingers gripping it and his bicep flexing slightly to warn Tom.

Tom’s eyes flicked with something you hadn’t seen before: fear. Fear commonly associated with the Riddle name. He adjusted his collar and straightened his posture. “Of course, Mr. Riddle,” he said bitterly.

You raised a brow. “I think it’s time for you to go now,” you said, your face stoic. Tom bowed his head slightly before exiting the library. You didn’t look up to meet Mattheo’s eye. You murmured, “you didn’t have to do that. I had it covered.”

Mattheo watched Tom until he completely left the room before turning to look down on you. His voice was threatening, “you may have been able to handle Tom, but I won’t tolerate anyone disrespecting or harassing you while you’re under my roof. Consider this a warning - if anyone tries to cross you again, they will regret it.”

“Perhaps you should tell your coworkers that. Not me,” you replied.

Mattheo’s expression was cold. “Fine. I will,” he growled. “I will not sit idly by and allow anyone to disrespect my wife.” He let go of your chair and adjusted the cuffs of his suit. As if in a business meeting, he said, “And consider this another warning: if you continue to act so stubbornly, I won’t hesitate to remind you of your place in this marriage.”

“My place in this marriage is your wife!” you cried out, finally standing up. “Your equal! Something you seem to forget until it’s convenient for you. Or until another man threatens your… your property! I doubt you see me any differently than this house or your assets.”

Mattheo grabbed onto your arm tightly, pulling you close and leaning down so his face was inches from yours. “Do not ever speak to me like that. You are not my equal - you are my wife and I decide what is best for both of us. If you cannot accept that, then you should reconsider your place in this marriage.” He released your arm and turned away from you, striding towards the door. “I suggest you reflect on your behaviour,” he added icily, leaving the room without looking back.

After he left the library, you let out a scream of frustration. You shoved the pile of books that Mattheo had carefully curated to the floor. They tumbled down, book after book, covers opening and pages bending. Tears pricked at your eyes as you examined the scene.

You slumped into your chair, the fire in front of your crackling softly, emitting a calming warmth.

Eventually, you fell asleep in the chair, tear stains on your cheeks. In the morning, you woke to the serene morning light filtering into the room - a vast contrast to your mood. The fire had dissolved into crackling embers. Tucked on top of you was a thick blanket and the stack of books that you had pushed over had been re-piled and stood majestically atop the table.

You sighed, knowing you should thank the servants for taking care of you and cleaning up.

After you walked to the kitchen, your footfalls heavy, you thanked the servants, who were finishing preparing breakfast. They exchanged glances and one piped up, “Ma’am, while we appreciate the sentiment, we didn’t do that. We weren’t aware that you were still in the library. We believed you had retired to bed before the social last night.” They paused and then added, “however, Mr. Riddle didn’t go to bed. He was in his study until morning light.”

“Oh,” was all you could say. You bid them an awkward goodbye before entering the dining hall.

Mattheo was already seated at the head of the table, his expression exhausted and distant. He didn’t acknowledge you when you approached, focusing instead on the uneaten plate of food in front of him.

You sat down opposite him and muttered, “the servants informed me that you blanketed me last night and cleaned up the books.” You hesitated and finally said, “thank you.”

Mattheo looked up briefly, his expression unreadable, but he didn’t respond directly. “It was necessary,” he said simply. “You should not be cold and uncomfortable in your own home.” He doesn’t make any effort to engage in conversation beyond that. Something was weighing heavily on his mind and he seemed preoccupied by it.

You hummed in response. Eventually, you stood and whispered to your husband before walking out, “you are not as cold as you want to seem. You needn’t keep the facade up with me.”

Mattheo looked up briefly before returning to his food. His expression relaxed, but he didn’t respond.

***

Later that day, Mattheo sat in his study as he always did. A knock came from the door and he glanced at the clock. It was a bit early for lunch to be delivered, but he announced, “come in.”

The door creaked open and your head peeked into the room. Mattheo’s brows furrowed - not with malice, but with scrutiny. You entered and sat in one of the two seats next to his fireplace. Silently, you cracked open a book you had brought and began to read.

Mattheo watched you intently, his gaze never wavering as he took in every detail of your face. He tried to find any acrimonious intent behind your actions, but you looked so peaceful. He found himself noticing the details of your face and your beauty as the fire cast warm highlights on your eyes. “What are you doing?” he asked eventually, his voice holding an armour of needed suspicion.

“Reading,” you said simply.

Mattheo frowned, not convinced by your answer. Why would you read in his study after the way he had been treating you? He leaned back in his chair, his work forgotten. “Isn’t there something more important that you could be occupying your time with?” he challenged.

“Not particularly,” you responded. “You’re in charge of the companies and estates. I have nothing to do. I thought I would accompany you. You must get lonely in a study by yourself.”

Mattheo narrowed his eyes, but ultimately nodded slowly. “Alright,” he agreed after a moment. “But don’t think I will stop working simply because my wife is here.” His posture grew taut as he began looking over documents again. “This is still my office and I expect you to behave accordingly.”

“I’m simply reading,” you murmured, a smile inching its way up your lips.

Henceforth, a routine was established. Every morning, you would knock on Mattheo’s study door, usually an hour or so after he began working. There was rarely conversation, the silence being broken by Mattheo’s scratch of a quill or you turning pages, occasionally being disrupted by the loud crack of a log in the fire.

One day, you had finished your book (it was an excellent book, one from the pile Mattheo had recommended) and stood to go retrieve another one. At the sound of your footsteps leaving his office, Mattheo’s head darted up and he suddenly asked, “where are you going?”

You paused and turned back to him. “I’m to get a new book. Unfortunately, as wonderful as this one was, it had an ending like all books do.”

Mattheo frowned and a hint of vulnerability broke through his exterior. “Get a servant to do it,” he offered.

“Well, I don’t know which one I want,” you counted, raising a brow in a smirk.

He huffed and shook his head, returning his eyes to his documents. He grumbled, “I will commission the servants to build you a small bookshelf for my office. You can keep your books there.” You stood, watching him for a moment, admiring him until his gaze snapped up. “Well, go get your book,” he said sharply. “… but hurry back,” he added in a mumble.

You finally smiled at him before exiting and Mattheo gazed at the place you once stood, trying to memorise how your lips curled up and your eyes crinkled when you smiled.

He rather liked it when you smiled.

***

“Are you alright?”

You sniffed and laughed. “Yes, yes. I’m being foolish.” You wiped some tears from your eyes. “My book is very good.”

Mattheo chuckled lowly. “And what made you cry, hm?”

“A daughter and father interaction,” you replied quietly.

“Was the father cruel to the daughter?” Mattheo laughed tersely, shaking his head at his documents. “Are your feelings not strong enough to withstand their wrath?”

You frowned at Mattheo, setting the book down. “No,” you corrected slowly. “The father was being kind to his daughter. He was supporting her and loving her; as a father should.” There was a pause as Mattheo looked up at you. “I know that the Riddles are a harsher family - I’ve known ever since I knew I was to marry you. But… but are you alright?”

You felt absurd asking the question. Yet, when Mattheo couldn’t meet your eye, a wistful sadness blanketing the room, you felt as if you should’ve asked the simple question weeks earlier.

For a moment, he said nothing. Then Mattheo turned in his chair so his back was facing you. "I'm fine," he finally answered, his voice rough and strained. "I am used to dealing with it, I suppose." Despite his insistence that he didn't need anyone's pity or concern, your words seem to have affected him more deeply than he wanted to admit.

“May I ask a question?” you asked softly.

Mattheo hesitated for a moment before nodding, his eyes never leaving the window as he spoke. "Ask away," he replied, his voice barely above a whisper. He then cleared his throat and said, "but I won’t give a warm and fuzzy answer."

There was a pregnant pause in the air as you gathered your courage up and suddenly thrust your fears upon your husband. “If we ever have children, which we’re somewhat expected to,” you added hurriedly. “I don’t want them to grow up in a household where they feel as if they have to vie for love or attention. And I don’t want me to be the only one giving them attention.” Mattheo turned his head so his face was angled toward you, but his eyes could still stray to the window if need be. “If we have kids, can you promise that you’ll love them? Even if you don’t love me?”

Even though your voice was steady, Mattheo knew of the vulnerability deeply rooted within you.

He nodded cautiously, his expression serious. "I promise," he said firmly. "I may not love you, but I will love our children unconditionally. They will never have to compete for my affection or feel neglected. I may not be a fond father, but I will provide for them and protect them as best I can." A protectiveness filled his veins just at the thought of something happening to his future children.

You nodded once, a sad smile on your face. “Perhaps we’ll have a big family. Enough children to start a sports team.” You smiled at the thought, laughing lightly.

Mattheo smiled, despite himself, imagining a large brood of children running around the manor. It was an oddly appealing idea, even if he wouldn't admit it out loud. "We'll see," he said noncommittally. "I'd rather have lots of sons; they'll carry on the family name and ensure my legacy continues." He turned back around and attempted to focus on his work.

“And daughters too.” You frowned, staring at your husband, even if he wouldn’t spare you a glance. “Daughters can carry on the family name just as well as sons.” A muscle in your jaw ticked.

Mattheo scowled at your defiance, his eyes narrowing slightly. Why hadn’t you just fallen into line? "Fine, daughters too," he reluctantly agrees. "But make no mistake, they will be raised to be strong and capable like their brothers. The Riddle name demands nothing less."

“And the sons can be soft and caring and sensitive,” you said firmly, crossing your arms. “I thought we agreed that they wouldn’t have to vie for affection. I thought we agreed that they wouldn’t have needless competition in their life. I don’t want them to grow up… like, well… you.” You finally uttered the words that had been hanging off your tongue dangerously.

Mattheo’s expression hardened as he clenched his fist tightly. "Fine!" he snapped. "They can be whatever the hell you want them to be! But don't expect me to sit back and watch while they become weaklings and failures. We need to teach them to be strong and ruthless like I am." He stood up abruptly, knocking over his chair in the process.

You jump up after him, crossing towards him. You whirled to a stop in front of him, jabbing a finger towards his chest. “Listen here, Riddle. Just because someone is kind and vulnerable doesn’t mean they’re weak!” You growled, “and just because you grew up like that, does not mean that’s the type of household I am going to have.”

Mattheo stepped forward and his hand flew up to grip your wrist. His eyes blazed with anger, but then something changed in his expression and he took a step back, looking surprised at his own reaction. "You're right," he admitted begrudgingly. "I shouldn't have assumed that being vulnerable meant being weak." He ran a hand through his hair, looking embarrassed, yet resolute in his decision. "But don't expect me to be a pushover either. I'll still teach them to be strong and independent."

“Strong and independent are good qualities,” you conceded. “Both for the boys and girls.”

"Agreed," he said. Mattheo straightened his cuffs and cleared his throat. "Our children will be taught to be strong and independent, regardless of gender. They will know that they are loved and valued by both of us, equally." He held out his hand to you, indicating that the argument was over - for now at least. "Deal?"

“Deal.” You shook his hand defiantly. It was a business deal, but a good deal at least.

Mattheo exhaled and brushed past you. “I’m to a meeting,” he informed you. It was a simple comment , one that was an offhand remark, but to you, Mattheo had just let you into his life. It was something he had never done before. Even if it was just a response to where he was off to, it was a window into his life. A life that now may have enough room to hold you.

Mattheo paused when he reached the door. “I never knew the way I grew up was wrong until I saw other families. I saw the parents bending down to listen to their children instead of hushing them. I saw parents comforting their children after scraped knees, not pushing them to the kitchen for some rubbing alcohol. I saw parents beaming when their child could plunk out the simplest of tunes on the piano. No one else got berated for being out of rhythm or playing a D instead of an E. I never saw another child get slapped by their parents or scolded as harshly as I was. It was around then I realised that something was wrong. But what was I to do about it?”

Words dried in your throat. You wanted to cry at his words, but you felt dried out. How could someone treat their child like that? It explained so much…

Your husband was a fragile man, you were just realising. And he was trying to pick up the pieces and present them to you in the only way he knew how.

"The stars remind me of you,” he said quietly, the change in conversation sudden. “I mean that in the best possible way.” His voice was the softest and most tender as you had ever heard it. You hoped he would keep speaking the melodies that made your heart sing in tune.

“How so?” you asked, afraid to break the plane of existence that you and Mattheo were carefully standing on.

"They are so beautiful, yet so far away. I may see them, but I can never touch them."

***

The servants didn’t know what to do. The master and mistress, Mr. and Mrs. Riddle, seemed to be at a ceasefire. The cooks lamented at how they had seemed to be doing so well. The maids thought they were destined to doom from the start. The butlers gossiped about Mr. Riddle’s letters to a Mr. Tom, terminating their long-term partnership. The scullery maid still had hope that the husband and wife would come to their senses and live a happy life.

It perplexed the servants when the mistress requested to move her belongings back into the master bedroom and the master looked on, a soft smile on his lips. It confused the servants when the Mr and Mrs began taking meals together and talking in hushed tones late into the night. And it bamboozled the servants when, one summer afternoon, the Lord of the household stood from his desk, cautiously moved to his Lady that was reading by the open window, and asked her to accompany him on a walk. She had accepted.

There was to be a dinner party, this time hosted at Mr. Draco Malfoy’s manor, that Mr. Riddle was expected to attend. Per usual, the master didn’t invite the mistress, but she was content to stay home. A maid briefly heard the madam whisper to her husband, “hurry home, please? I don’t like it when you’re away.” The maid had scurried away before she could hear the reply.

Mattheo returned home that night, just before the sun was setting. He climbed the steps, unbuttoning his cuffs and loosening his tie. The soft glow of light was still shining under your shared bedroom - something he still hadn’t gotten used to - and Mattheo couldn’t help but smile.

“Why are you still up?” he asked quietly when he entered the room.

“You promised to be home early and I wanted to see you before I go to bed,” you reminded him, a small book in your hands.

“Right, right.” Mattheo chuckled and shook his head, slinging off his tie and jacket.

“How was the dinner?”

Mattheo hummed noncommittally. “Not the worst. A couple of my good friends, Theo and Pansy, were there to help alleviate the pain of socialising. But… I found something odd happening.”

“And what was that, husband?” Mattheo took a moment to relish in the way that word curled off your tongue effortlessly.

“I found myself wishing you were there. Nay,” he quickly corrected himself. “I wished I was here with you.”

“Oh?” Your eyes flickered up towards Mattheo, a slight blush coming to your cheeks. “Why… what do you mean by that?”

Mattheo began to unbutton his shirt and moved towards his closet. “Well,” he admitted, mumbling to himself. “I simply mean that instead of having to socialise with people who are too tightly wound and whose only intent is to take my money,” he chucked his belt into his closet and rolled up his sleeves, “I would rather be at home with my darling wife.”

A smile inched up your lips. “Really? Tell me more about this darling wife of yours.”

Mattheo hummed, stepping towards the bed. He crawled down on the bed, leaning on his forearms to lean up towards you. “My wife… I’ve come to care deeply about her. She is a beautiful, elegant woman, one who has a fiery tongue about her and an intelligent brain that even I cannot rival. She always seems to get her way, even when I try to fight back. It’s as if my wife has a command over me that I have willingly submitted to. And I am not ashamed to say so.” He lightly caressed your arm, sending a trail of goosebumps up your skin.

“You must be careful, Mattheo,” you uttered. “That sounds an awful lot like love.”

Mattheo brought his eyes up to meet yours, the sting of tears building up behind them. His voice cracked as he said, “that’s the first time you’ve called me by my name, Y/n.”

Your lips parted in shock. “I- I didn’t realise. I’m sorry-”

“Don’t you dare apologise,” Mattheo demanded before reaching up to pull you into a kiss.

His lips were soft and meaningful against yours, hungrily trying to gather every ounce of love from you. His kisses were feverish at first, his strong hand coming up to cup your jawline, his fingers just teasing behind your ear, before his lips slowed. Mattheo was a starved man and he wouldn’t let anyone take away his only solace. He shifted so he could be closer to you, gently taking the book from your hands as you surrendered yourself to him. Your hands found his silk shirt, gripping it in your fists. He placed the book on the nightstand and moved so he was hovering over you, never once letting a second go by without feeling your skin against his.

Mattheo slowly, achingly pulled away from you and his eyes fluttered open to meet yours. “My darling, my love, my life,” he murmured, dragging a knuckle down your cheek. “I apologise for everything I have ever done or said that made you feel inferior. I would be happy to kneel for you in front of my associates and family members - just to show them how much power you have over me.” He took a breath before persisting, “I was foolish. I was incompetent. I didn’t realise how much love I held for you. It is, and always will be, only you. I will promise you this: you will be the only woman I ever touch, the only voice I ever want to hear, the only skin I will ever caress, and the only eyes I ever want to see. I will wake and fall, every morning and night, thinking of you. You are the other half of my heart, for it is you who I love. I will place the galaxies and stars in the night sky for you. If you are ever unhappy, my love, I will not rest until I see you smile again. If you are ever mad, my love, I shall smite whatever upsets you, even if it is I. And I would die a happy man if you could give me only an ounce of what I give you.”

Your breath shook and you swore Mattheo had injected ambrosia into your veins for you were sure your blood was singing with the love that was filling your soul. “I wrote a letter to your mother today,” you offered quietly, as if your mere words could ever compare to the love poem Mattheo had just gifted to you. “And I thanked her.” Mattheo’s eyes flashed with confusion. You continued, “I thanked her for birthing such a wonderful husband and for raising him. I know you u wish to renounce your family, but as of now, I want to thank them with all my heart. Mattheo, I love you.”

“And I you,” Mattheo whispered, bringing his forehead down to rest on yours. His nose bumped against your cheek and he couldn’t contain his grin anymore. “How did I ever get so lucky?” he mumbled.

You laughed lightly. “Luck? Fate?”

Mattheo shook his head and his nose brushed light curves over your skin. “No, my wife. Simply love. Pure, unconditional love.”

***

The house was bright, the curtains pulled as far open as they could be. Some servants scuttled around, holding laundry or preparing for dinner. Meanwhile, Mattheo strode leisurely through the halls, smiling lovingly as his nephews chased each other through the halls. “What do I say, boys?” he called after them.

“Have fun, be safe, and don’t get caught!” they yelled back before running around a corner.

Enzo jogged after them and grumbled to Mattheo, “it’s not your duty to rule them up.”

“As their favourite uncle, yes, it is.”

“Your wife is in Andromeda’s room,” Enzo told his brother before sprinting off after his sons. Enzo wasn’t usually at Riddle Manor, but today was a special day. It was Orion’s birthday.

Mattheo chuckled to himself before Orion raced up the steps, panting. “Papa! Papa!”

Mattheo grinned widely and scooped Orion up. “Are you alright, hm? What’ve you been up to?”

“Aunt Pansy’s carriage just pulled up!” Orion bounced in Mattheo’s arms, beaming.

“And you’re not even dressed,” Mattheo stared at Orion, pretending to be stunned. “Where’s your mother, Ori?”

“She’s helping Andy get dressed,” Orion announced. Mattheo nodded and carried his son to his daughter’s room. “Mum!” Orion cried out, seeing Y/n standing behind Andromeda, knotting her hair into a braid.

“Oh, my darling,” Y/n tied Andy’s hair up before crossing to Mattheo and taking Orion from his arms. “Are you excited for your birthday?”

Orion hummed excitedly and wiggled down from Y/n’s arms. He darted to Andromeda and wrapped himself around her in a tight hug. Andromeda grumbled, but allowed him to cling to her as she finished her hair and rouge.

Mattheo took Y/n’s hand and pulled her back toward him, nudging his nose against hers. “Look at that,” he murmured, reaching down to play with the silver and green ring on your finger. “Mine.” He pressed a kiss to your temple. Slowly, as to not arouse suspicion from your children, he backed you up and caged you against the wall in his arms. “Seven years with you and two beautiful children to show for it.”

“Hey, mum? Where’s my- eugh!” Andromeda turned around and reeled back from the scene in front of her. “For the love of Salazar, please get a room!”

“We are in a room.” Mattheo smirked, glancing up from the crook of your neck.

“Aren’t you two, if I'm doing my calculations correctly, nearing thirty years old?” Andromeda tsked and rolled her eyes.

“You believe that simply because we’re getting older, I’m going to stop loving your mother?” Mattheo chuckled before pressing a light kiss to your jawline.

You shivered and tucked your face into your husband’s chest. “Matty, spare the poor children,” you chastised lightly. “What do you need, darling?” you turned towards Andromeda.

“You used to call me that,” Mattheo whined. He stepped back from you, letting you out of his embrace.

Andromeda sighed and asked, “where is my white shawl? It’ll go well with the dress I’m planning to wear to Orion’s party.”

“Why does it matter what you wear to Orion’s party?” Mattheo asked, puzzled.

“Because Albus Potter is going to be here,” you said as if it were obvious.

“Harry Potter’s son?” Mattheo asked incredulously. “That scumbag?”

Both you and Andromeda ignored Mattheo and Orion left the room at the sound of Aunt Pansy entering the foyer and shouting out for her favourite nephew.

“Your shawl should be in the library,” you answered. “Ori was using it as a blanket yesterday.”

Andromeda sighed and turned towards the door. “He needs to stop taking my things. Just last week he stole my candelabra so he could read in the dark. Perhaps you should accelerate his schooling. He’s getting bored, you know.”

“We’ll raise our own son, thank you, Andromeda,” Mattheo raised a brow. Andy huffed and and flicked her dress out behind her dramatically, exiting the room. Mattheo turned to you and said, “they get that from you. The love of reading.”

“Yes, but they get their flair for the dramatics from you. And lest us not forget, you keep fuelling our love of literature by buying more books and expanding our library,” you countered.

Mattheo hummed. “‘Tis true. But how could I live without spoiling my wife and children?” He whirled you around in his arms and pressed a long kiss to your lips. “Speaking of children, what would you think of expanding our family?”

You let out a laugh. “You simply like the act of making a bigger family.”

“I love my children too,” Mattheo defended.

You reached up and brushed some of his hair away from his face. “Yes you do,” you smiled up at him. “You love your family very much.”

“Always.”

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catgirl-kaiju · 2 months

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something worth pointing out in the case of Tumblr CEO @photomatt 's statement regarding predstrogen is the very clear side stepping of the conversation being had. the ask he chose to respond to as part of his statement was asking about tumblr's transmisogyny problem, and what he is commenting on is tumblr's transphobia problem.

transmisogyny is certainly related to transphobia, but the two are not the same. i've seen plenty of trans folks who are guilty of transmisogyny and have even been harassed by such individuals on this very website. he repeatedly refers to transphobia and accusations of tumblr staff being transphobes throughout the statement, but never once brings up transmisogyny. perhaps he is unfamiliar with the term, but he could look it up and read up on it before responding to a question directly asking about it. he is very clearly not doing his due diligence in addressing these concerns.

he mentions tumblr having "LGBT+ including trans people on staff," but this is not especially helpful in assessing tumblr's transmisogyny problem. based on this we don't know how many trans people, whether or not there any transfem or TMA folks (who might understand the nature of transmisogyny better than TME people) on staff, what positions these queer people hold in the company, or whether or not any of tumblr's queer employees are on the moderation team. and it's understandable why some of these specifics are left out; you don't want to put any staff members in danger of being doxxed or harassed, especially if they're vulnerable marginalized people. however, it seems to me a gross oversight to not mention if there are any trans folks working on the moderation team.

i think it's also a huge misstep to focus on predstrogen so singularly when the conversation about her account being nuked is part of a larger conversation about transmisogyny. what this reveals, too, is transmisogyny playing an active role in the decision to ban her for life. one of the aspects of transmisogyny is viewing transfem folks as especially and uniquely dangerous. i'd like @photomatt to ask himself if he would have taken "threats" like the one cited as seriously if they came from a cis person or a TME trans person. really reflect on that, Matt. i also put "threat" in scare quotes here because, frankly, it's pretty clear that said comment is a cartoonish and outlandish example of violence used to demonstrate that the intent to harm is not literal. i do this all the time both on here and in real life. telling a friend i'm going to "maul them to death" over a minor annoyance is a comedic way of expressing frustration in a way that communicates it's not actually a big deal. saying something like "i want them to explode after falling down the stairs when trying to evade a falling piano full of knives" about a public figure or someone who is negatively affecting your life works as a way of demonstrating the intensity of your feelings while not veering into territory where it sounds like you're literally planning an assassination attempt. if you're reading this, Matt, i hope you can begin to understand the difference between something like:

and a real actual harassment, like:

y'know, all actual comments and posts i've received on this website, and reported with detailed explanations for why i'm reporting them but never heard back from the moderation team about the situation. i have no idea if anything was ever done about any of these people sending me bigoted violent messages because no one ever does follow-up. the only time i've ever received follow-up on a report was when i reported an account for promoting self-harm in the form of anorexia. that's it. one time in the over a decade i've been on this website.

how does all of this sit with you, Matt?

#tumblr #transmisogyny #transphobia #predstrogen #tumblr staff #tumblr ceo #death threats #anon hate #transphobia cw #transmisogyny cw #violence cw

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gottagobuycheese · 2 months

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HEY! YOU!

You've probably heard by now, but from March 4th to 10th 2024, Help Gaza Children will be sending all their donations to families in northern Gaza, where food prices have skyrocketed even more than in the south. Their goal is $25K by the end of the week; at the time of writing this post, it's about halfway a quarter way there! (OG post about it) [EDIT: my mistake, I misinterpreted the numbers in the original post; evidently I cannot do arithmetic anymore]

This is their notion site, which has their donation link as well as additional info, their FAQ, important updates, and proof of purchases from donations they’ve gotten in the past. You can also donate directly to their paypal here.

As such, I'll be open for sketch commissions up from now (March 7th, 2024 ~02:20 PST) through March 10th in exchange for proof of donation to Help Gaza Children!

BASIC OVERVIEW:

Tier 1 - Basic head/bust sketch for $1-5 USD, +50% for basic color. Up to 3 characters.

Tier 2 - Basic screencap resketch for $5-15 USD, +50% for basic color.

Tier 3 - Posed sketch for $15-25 USD, 1-2 characters ONLY.

Tier 4 - Colored clean sketch: $25+ USD, 1-2 characters ONLY.

RULES:

Please provide a visual reference or detailed description of the character(s) you want drawn (and depending on the tier, a screencap or pose/expression you want to go with it)

DO'S: OCs, humans and human-like creatures, other creatures that don't have a lot of mechanical or anatomical detail (as in, I can TRY to do mecha stuff, but I think you and I will both be better of if I don't lol; can ask for further details)

DON'T'S: any NSFW stuff, real people currently alive (as in, historical figures in the setting of historical fiction may be okay, but other things may not be; can ask for further details)

If you've made your donation in a currency that is not USD, I'll give you something of equivalent value according to the tier based on whatever the conversion is at the time that I look it up. If one or both of our economies crashes spectacularly in between the time you send it and the time I look it up, I'm very sorry in advance

DISCLAIMER 1: I reserve the right to decline a commission for any reason; however, if this ends up being the case, I may reach out to you to see if we can come up with a middle ground that suits us both.

DISCLAIMER 2: I don't anticipate being able to do a lot of these, as I've got a full-time job that's in the ballpark ~80+ hours a week with really weird hours. That being said, depending on how far this goes, turnaround time will probably be ~2-3 months, give or take...something. I'll update you monthly until it's done.

FOR PERSONAL, NON-COMMERCIAL USE ONLY!

If you're interested in nabbing a sketch from me in exchange for your donation, email a screenshot (devoid of any personal info please) of your donation receipt and details of your sketch request (e.g. reference, tier, etc.) to [email protected]. For your donation to count for a sketch, it must be made after I wrote this post! (March 7, 2024 ~02:20 A.M. PST)

If you are NOT interested in nabbing a sketch from me, feel free to donate anyway!!

(And if you've got any questions about anything feel free to email, DM, or send an ask!)

#palestine #gaza #helpgazachildren #orv #undertale #commissions #donations #if this inspires even one extra person to donate that wouldn't otherwise have known about it I'll consider that a win #anyways I don't really expect this to go very far outside my circle if at all #so I'd appreciate some help in spreading the word #especially about the main fundraiser #these drawings are really secondary to the whole thing #but if you want to donate AND help a sad partially-art-blocked artist get unblocked! here is your opportunity!#if this goes somewhere I might do it again with other links #otherwise I'll just keep donating privately

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janesgms · 6 months

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Plutonian Women

(and unraveling their destiny)

This post can be quite messy because I only wanted to share my thoughts on this topic. Do not take all of this as my absolute truth because these are things that I've thought for quite a while seeing it in my life and personally too.

Something I've realized lately is that Plutonian Women go through unique situations that set them apart from other people. And in this case, I'm refering to women only and not men because this is based on my experience, and you all know that energies manifest differently according to the gender so I'm not gonna afirm this also apply to men when I haven't seen it in my world, also, as we are tired of seeing, women are treated differently from men in our society so we cope with things differently.

Firstly, I wanted to talk about placements that make a woman Plutonian in my opinion (when I say "Plutonian", I mean someone who is heavily affected by Pluto in their natal chart), but you can relate to this post whether you have some of these aspects or not, so share your experiences with me, I'd love to know!

🔮 1H/5H/8H/10H Pluto.

🔮 0° Pluto.

🔮 Pluto in water degrees (bonus points if there are aspected placements who are also in water degrees).

🔮 Pluto aspecting big 6 (specially harsh aspects: conjunction, opposition, square, contra-parallel / also specially the luminaries - sun, moon - and mars).

🔮 Pluto in the same personal planets/asc.

🔮 Pluto aspects to outer planets in case it's also aspecting big 6.

🔮 I think Pluto aspect BM Lilith/Chiron can also play a part in this.

🔮 Scorpio Pluto if it's conjuncting or heavily aspecting other placements.

What distincts a Plutonian Woman from the rest is their gravitational energy that pulls you in like a black hole, and as intensely as one. Their eyes hold a shadow of their past traumas and occasions but with a touch of mystery that makes you wonder what they went through in their lives. Their stare is heavy and filled with emotions (let's not forget Pluto still rules a water sign).

I don't like to condemn people for their placements, but I think Plutonian Women came to this life to suffer a lot before gaining what they want and deserve, and this seemingly infinite cycle of pain will only end when they learn how to cope healthily with things of life. One of the reasons why they go through so much is their way of seeing and feeling. Plutonian Women feel things in almost a transcendental way, they feel intensely and with this, they can put themselves through "unnecessary" situations when not careful. They're also prone to self destructive behavior, their heart usually puts a dark veil in their thoughts when their emotions come crashing in like a hurricane. Their pain is the embodiment of "female rage", when they cry hard, it's a mix of anger, sadness, sorrow and everything that they were holding back from a while - because they do hold emotions - but they can't run away from their deepest parts, and one day everything overflows and they can finally reborn from that suffering; the music "Pretty When You Cry" describes them perfectly, because they're indeed pretty when they cry and crying frees them in a way, and a lot of people actually like to seem them suffer? Plutonian Women attract questionable men or women (romantically), because they're almost like a beautiful show to watch, and these men/women like them best when they're falling apart, but manipulation can arise and fool them (they should be careful with 12H synastry specifically, the apparently good ones can actually be the wolf in sheep's clothes).

But back to the way Plutonian Women perceive the world, they are actually fragile at heart, but they try to hide it at all costs, they have a pure heart who could be derranged due to childhood/romantic/any other issues but who has no bad intentions most of the times. I think of them as victims of situations they have no control of since young.

However, to be more positive, I'd like to say that this is not a death sentence at all. Indeed, death is the right word to describe Plutonian Women because they die all the time (figuratively speaking, but literal death can be very present in their life too) and they are reborn as better people. Unfortunately, justice or karma is not much on their side because the world can be a place very unfair most of the times, but I think this is due the fact that they souldn't focus on revenge or negative thoughts, even though they can do it a lot as a way of thinking as a "justice". But the message they should learn is that they should focus on getting better, prettier, wiser, smarter instead of losing energy thinking on lower vibrational people.

The truth is that Plutonian Women are the defintion of a a Phoenix, if you do them wrong, you can be sure that they will gain their dignity back and get back stronger than ever, even with a "fragile" heart as I said, they have a malicious mind that protects this side of them; and also, once they apparently heal their deepest and oldest wounds, it gets harder and harder to break their shell, but if you were capable of doing so, just know that you opened all of them and made the Plutonian suffer all again and go to hell and back.

Overall, the word that describes them best is "raw" because this is what they truly are (in the best way possible lol). Due to this, they can attract a lot of hate - similar to lilith women and specially if they are also lilith "dominant" - from people who don't understand their beauty or actions, because their beauty is truly sharp, hypnotizing, dark and undescribable, furthermore, their actions are particularly unique and most of the times hide their intentions, they never do something significant without thinking first. They ultimstely search for what's beyond the surface, when in love, they wanna know your soul and more, they despise flings, they wanna get to know the depths of their s/o's being, they love hard but also get heartbroken hard when it happens. Academically, they like to be strategic and hardworking when they see it's worth the work, they can be perfectionist because they're hard on themselves most of the times. So, afterall, what's their destiny? Their destiny is to feel accepted and comfortable in their own skin, to get over their traumas and allowing themselves to be better, to let go of toxic people and surroundings, to not engage in toxic relationships anymore, to free themselves from karmic debts and to be finally happy.

Plutonian Women probably feel a deep connection with spirituality, astrology, pstchology, crying, darkness, mystery, the unknown, black/red/purple/dark blue, sad and profound songs, the night, dark places in general, mourning, wakes, death celebrations, soul level bonds and conversations.

Plutonian Women are masterpieces who deserve more from the world and people, they've gone through a lot and they should be 100% respected, sending a lot of love to all of you ❤️‍🔥

Hey guyssss, I missed posting actual posts here but I wasn't feeling inspired lately. But I'm back!!! I hope you guys understand my point of view and I typed this with all my heart because I was based on my personal experiences and people around me's experiences. I was thinking in also making a post about Lilith Women since I also have a lot to say about that either ! Thanks for the support and see you later or sooner 💋 Also in case you noticed I didn't focused in scorpio placements here because I think they work differently (I just don't know how to explain this difference tbh, so I focused on actual Pluto)

#astrology #astro observations #astro notes #astro community #pluto #plutonian #pluto placements

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cy-cyborg · 2 months

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We have communities - Writing disability quick tips

So often, stories centred on disabled characters, especially in modern settings, emphasise how lonely or isolated the character is because of their disability, especially if it’s a newly acquired disability or one that non-disabled people assume would have a big impact on our ability to do “fun stuff”. This will often be accompanied by statements of “no-one understands what living with [insert disability here]” is like!

And while isolation and loneliness are things a lot of disabled people deal with, a lot of us are not completely alone either, especially in the modern day.

Just like any group of people with shared experiences, we find one another. Sometimes this is through formal systems; some spinal rehabilitation centres for example, will pair newly paralysed people up with a mentor who’s had a similar form of paralysis for much longer to help guide the person while the adjust to their new disability. Other more formal systems can look like disability sporting organisations - the one I used to work for used to specifically encourage very newly disabled people to join so they didn’t feel like the had to learn everything about their disability alone, or support groups.

Other times though, these communities are much less formal. They may look like online forums, such as the ones on Reddit, built by and for disabled people to talk about their experiences and seek recommendations from others in the same boat, or parts of larger social media sites. For example, on Tumblr, there aren’t really any formal groups, but thanks to the hashtags we use in our posts, we often find one another fairly quickly there. We sometimes also carve out our own little subsections of fandom or hobby spaces, brought together by the shared interest itself, how things like disability might impact the way you interpret or interact with it, and how we can modify it (in the case of hobbies) to make it work for us.

A lot of disability communities, formal or otherwise, also form out of necessity, such as advocacy groups run by and for disabled people, and those built around ensuring the rights of disabled people are protected.

Isolation and loneliness are problems within the disabled community that many of us deal with, but this tends to be more in the context of isolation from the wider public, exclusion from public spaces and events (despite there being laws that are supposed to stop this because they’re often not enforced), disconnect from non-disabled friends and family, etc, most of which are the result of systematic issues or the lack of understanding or care and support from non-disabled people in our lives. Not always, but often.

The communities made by and for disabled people though are often (at least in part) made to help make up for this, and they’re more common than you might think, you just have to know where to look. It would be nice to see more creators reflecting this in their work a bit more often, or at least acknowledging that they are there, even if your character chooses not to engage with them.

However, as a reminder to authors and creatives: These communities, especially the online ones, are for disabled people, they are not there for you to use as a reference as a creator. Some communities are ok with you being there to learn, so long as you listen and don’t try to speak over/bombard their members with questions. Others are not. The ones that are, typically will have something written somewhere if it’s online (e.g. subreddits that accept writers wanting to write disabled characters will often have it written in the “about” section or the rules). There are also dedicated groups and platforms for non-disabled people seeking to learn more about us and our communities, which can be excellent resources for creatives like writers. Just remember to be mindful of where you are and respectful of people’s spaces and boundaries when doing your research.

#Writing disability with Cy Cyborg #Quick tips #Disability #Disabled #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #On Writing

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thebibliosphere · 8 months

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I saw your post about ingram, and out of curiosity, is there some advantage to going through the whole self-publishing thing with retailers when you're just starting out? like I mean the way that fandom zines work is that they don't even bother going through ingram or amazon or whatever. they just set up a social media site (usually twitter) to gain followers, open preorders (usually 1-2 months in length) to generate the costs of printing upfront, and then sell anywhere from a few dozen to several hundred copies of their books (usually artbooks, but anthologies exist too). I've seen some zines generate over a thousand orders. they're kind of like pop-up shops, except for books. maybe the sales numbers aren't so impressive to a real author, but the profit generated is typically waaaay more than the $75+ apparently needed for Ingram Spark, so I still feel like new authors could benefit from this method too, especially if they just need some start-up cash to eventually move to ingram if they want to for subsequent runs of their book. I think authors would also have to set aside some of the pre-order money to buy an ISBN number to have printed on their book, and I'm not really sure what other differences there are, but I just wanted to ask about it in case there's some huge disadvantage I'm missing!

So, popup zines work well for some people, and I know some authors who kickstart their work successfully. But for a lot, it's just not feasible as a long-term stratedy. Or even as a means to get off the ground.

Fanzines succeed primarily because an existing fanbase is willing and ready to throw money at something they love. They’ve got a favorite writer or artist they want to support. Supporting all the others is just a happy by-product. They also take a HUGE amount of short-term but intense planning that just doesn’t always jive with how some of us work.

I, for one, would never offer to organize a fanzine. I’ll take part in them as a creator, but I’d rather throw myself off a cliff than subject myself to wrangling that many people and dealing with the legal logistics.

When it comes to authors doing anthologies, it'svery much the same. The success of the funding often hinges on having other big-name authors involved whose existing fans will prop up the project. Or having a huge marketing budget.

Most self-pub authors have zero marketing budget. I’m one of them, and I’m under no illusions that my work would not be as popular and self-sustaining as it is if I didn’t have a large Tumblr blog.

When I thank Tumblr in my forewards, I am utterly sincere. Tumblr brought fandom levels of enthusiasm to an unknown work and broke the Amazon algorithm so hard, that Amazon thought I was bot sniping my way to multiple #1 spots and froze my sales rankings.

That’s not the norm. And while I could probably kickstart my own work as an indie creator, that’s because I’ve put literal decades into building up a readership. I’ve been doing this since I was 16 and realized people thought I was funny. I didn’t know what to do with it or if I’d ever actually write anything, but it meant the groundwork was already there (thank you, past-me). I basically fell upward into my success by virtue of never being able to shut the fuck up and wanting to make people laugh. Clown instincts too strong.

New or first-time authors trying to sell their work without that will find it infinitely harder.

All of that aside, even if an unknown author somehow gets lucky and manages to fund their work, there’s still the question of shipping and distribution logistics. Are you shipping everything yourself? Better hope you’re able-bodied and have the time for it. (for reference, it took me months to ship out 300 patreon hardbacks because of my disabilites. It damaged my back and hands. I couldn’t type for several weeks after I was done.)

Are you going to sell primarily at conventions? Better hope you’re able-bodied, have the time and don’t have cripling anxiety about being in large groups...

Also, will selling a dozen to a few thousand copies in one burst be sustainable in the long run as a career? Not for me. Doing things via Ingram and Amazon means I earn a steady trickle of sales for the rest of my life provided the platforms remain and so long as I keep working and can generate interest in the series, not just when I have funds to pay for physical copies to sell. The one-time (in theory) cost of $75 to distribute through Ingram gets paid off pretty quick that way. And it doesn't require the same logistics as doing the popup/crowdfund.

Ultimately, it comes down to what you are capable of but also the type of work you’re doing. If you’ve got an extended network of fellow creatives who will back you or you’ve got a large following elsewhere, doing it like a popup might work for you.

If you’re an exhausted burnout who can’t fathom the short but intense amount of organization that sort of thing requires, not to mention doing it over and over and over... Ehhhhh. No thank you.

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teeth-cable · 1 month

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I need more people to talk about how just like the POC designs, the writing is terrible at clueing the audience what race and ethnicity the characters are.

Beside stereotypes, the racial coding in the writing is little to non-existence. The characters don’t have mannerisms from their cultures, speak in slangs or idioms relating to their group from their time periods, or make cultural references.

Without having to rely on outside sources (Livestreams, looking up VAs, leaked audition sheets, etc), the only characters I would successfully guess would be Vicky, Val, and Velvette, and even then, it doesn’t mean the racial coding is good.

Vicky is the only one from this list whose racial coding isn’t atrocious. I can tell she’s Latino because she curses in Spanish, but that’s it. This is admittedly nick-picky , but I wish when cursing she would have used Salvadoreño specific slang and curse phases to signal she’s Salvadoreña.

Val, I can tell is Latino too, because of his accent and him cursing in Spanish, but it’s egregious. The accent fluctuates so much, it’s strong, then weak, then strong again. Not sure if the VA was struggling or if this was an intentional direction given to him, though the fact, I and other people were confused, at the direction, speaks for itself. Another issue with his accent is how it’s sexualized, contributing to the Latin Lover stereotype of his character.

Velvette, I won’t sugarcoat it. I wouldn’t even guess she was supposed to be black though the writing or the majority of her designs until the finale. The finale, the last episode of the season and the only time she has textured hair with her screen time being around two minutes and sixteen seconds in total.

Visual designs isn’t where race coding ends. This is important to remember because it ignores the good coded characters (King Dice from Cuphead, Darwin from TAWG, the Funk trolls from Dreamwork’s Trolls) and how Viv failed and could have done the racial coding better.

For Viv, she has to rely on other coding methods too because there are characters who aren’t humanoid enough, or even humanoid at all, for visual coding to work. There really isn’t anything I can say to explain why the race coding sucks beside Viv doesn’t care about representing POCs.

I wanted to create this post to highlight how Viv fails at coding in every aspect. The fandoms and critics shouldn’t praised her for giving Velvette textured hair or darkening Sera’s skin from her leaked audition sheet. We need to stop praising creators, especially white ones, for doing less than the bare minimum (The bare minimum being making POC characters look POC) when creating POC characters, or worse, justify it. I’ve seen people tried to justify the terrible POC designs by using one of Carmilla’s daughters as an example, as if one decent POC design in a sea of ashy and euro-centric or erased features for the majority of the POC cast suddenly invalidates the criticisms.

I’m also getting tired of the fandom making posts questioning why people have and still draw the POC characters as white, as well as people harassing artists for accidental whitewashing. I’m hate the whitewashing too but in this case, it’s different because this is Viv’s own fault due to her poor racial coding. Not every fan will have the same intense knowledge you do or even should, to know what a character’s race or ethnicity is, that’s Viv’s responsibilities as the creator.

Mind you, these were the human designs we had before the show aired. Alastor being mixed creole and Niffty being Japanese yet they look white as hell here.

#꧁rambles꧂#hazbin hotel #hazbin hotel critical #hazbin hotel criticism #hazbin critical #vivziepop critical #vivziepop criticism

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writingwithcolor · 8 months

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Depicting Real World Religions Alongside Constructed Religions

Maya asked:

Hi WWC! Thank you so much for this blog, it's an infinitely wonderful resource! Do you have any suggestions for how I can balance representation of real religions with fantasy religions, or should I avoid including these together? Does the fact that certain things bleed over from our world into the fantasy world help legitimize the appearance of real world religions? I feel like I can come up with respectful ways to integrate representation in ways that make sense for the worldbuilding. For instance, no Muslim characters would practice magic, and both Jewish and Muslim characters would conceive of magic in ways that fit their religion (rather than trying to adapt real religions to fit my worldbuilding). I also have some ideas for how these religions came about that fit between handwave and analogous history (though I realize the Qur'an is unchangeable, so I'm guessing Islam would have come about in the same way as IRL). BTW—I'm referring to humans, not other species coded as Muslim or Jewish. I may explore the concept of jinns more (particularly as how Muslims perceive fantastical beings), but I definitely need to do a lot more research before I go down that road! Finally, I saw a post somewhere (*but* it might have been someone else's commentary) suggesting to integrate certain aspects of Judaism (e.g., skullcaps in sacred places/while praying, counting days from sundown instead of sunset) into fantasy religions (monotheistic ones, of course) to normalize these customs, but as a non-Jewish person I feel this could easily veer into appropriation-territory. *One of the posts that I'm referring to in case you need a better reference of *my* reference: defining coding and islam-coded-fantasy

[This long ask was redacted to pull out the core questions asked]

"Both Jewish and Muslim characters would conceive of magic in ways that fit their religion (rather than trying to adapt real religions to fit my worldbuilding)."

Just a note that while having religion be part of magic is a legitimate way to write fantasy, I want to remind people that religious characters can also perform secular magic. Sometimes I feel like people forget about that particular worldbuilding option. (I feel this one personally because in my own books I chose to make magic secular so that my nonmagical heroine wouldn’t seem less close to God somehow than her wizard adoptive dad, who is an objectively shadier person.) I’m not saying either way is more or less correct or appropriate, just that they’re both options and I think sometimes people forget about the one I chose. But anyway moving on—

Your decision to make the water spirits not actual deities is a respectful decision given the various IRL monotheistic religions in your story, so, thank you for that choice. I can see why it gets messy though, since some people in-universe treat those powers as divine. I guess as long as your fantasy Jews aren’t being depicted as backwards and wrong and ignoring in-universe reality in favor of in-universe incorrect beliefs, then you’re fine…

"I saw a post somewhere (but it might have been someone else's commentary) suggesting to integrate certain aspects of Judaism (e.g., skullcaps in sacred places/while praying, counting days from sundown instead of sunset) into fantasy religions (monotheistic ones, of course) to normalize these customs, but as a non-Jewish person I feel this could easily veer into appropriation-territory."

That was probably us, as Meir and I both feel that way. What would make it appropriative is if these very Jewish IRL markers were used to represent something other than Judaism. It's not appropriative to show Jewish or Jewish-coded characters wearing yarmulkes or marking one day a week for a special evening with two candles or anything else we do if it's connected to Jewishness! To disconnect the markers of us from us is where appropriation starts to seep in.

–Shira

To bounce off what Shira said above, the source of the magic can be religious or secular--or put another way, it can be explicitly granted be a deity or through engagement with a specific religious practice, or it can be something that can be accessed with or without engaging with a certain set of beliefs or practices. It sounds like you’re proposing the second one: the magic is there for anyone to use, but the people in this specific religion engage with it through a framework of specific ideas and practices.

If you can transform into a “spirit” by engaging with this religion, and I can transform into a “spirit” through an analogous practice through the framework of Kabbalah, for example, and an atheist can transform through a course of secular technical study, then what makes yours a religion is the belief on your part that engaging in the process in your specific way, or choosing to engage in that process over other lifestyle choices, is in some way a spiritual good, not the mechanics of the transformation. If, on the other hand, humans can only access this transformative magic through the grace of the deities that religion worships, while practitioners of other religions lack the relationship with the only gods empowered to make that magic, that’s when I’d say you had crossed into doing more harm than good by seeking to include real-world religions.

Including a link below to a post you might have already seen that included the “religion in fantasy worldbuilding alignment chart.” It sounds like you’re in the center square, which is a fine place to be. The center top and bottom squares are where I typically have warned to leave real-world religions out of it.

More reading:

Jewish characters in a universe with author-created fictional pantheons

–Meir

#religion #magic #fantasy #Judaism #Islam #Worldbuilding #Jewish #asks #supernatural beings

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laikabu · 1 month

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re: my thoughts on laios’s sexuality (long post ahead lol)

let me start this post with this. first, this contains a lot of references to the new adventurer’s bible world guide book released last february. i can read japanese, but i’m sure they’re translated somewhere. general spoiler warning in case. also… i am ESL, so sorry for any grammar errors

second, if you’re on the team that insists laios doesn’t care about humans enough to form relationships, either read the manga again or at the very least read this thread.

last, please don’t chime in with your acearo headcanons on this post. there’s already a majority of posts here that insist laios is acearo and that anything else is impossible. i don’t like it the same way i don’t like when someone declares they hc marcille as bisexual to a poster who reads her as lesbian. i already have enough people here who declare he’s ace on my own art. at least people on twitter of all places don’t do this sort of thing to me. nothing in this manga is canon, you can headcanon anything i won’t get mad if you hc him as bi or something. just. don’t be weird on my post.

okay. trust me, i love women, and i love the idea of making my favs women lovers but the idea of laios being gay really appeals to me because of his background. this isn’t fueled by yaoi since i don’t even ship the only m/m relationship i bring up here, i just think it adds a nice layer to his disconnect with his own humanity

i do think laios has a very abstract relationship with his sexuality for a multitude of reasons. he grew up in a very conservative backwater village. he has a hard time recognizing his own feelings towards others just as much as vice versa. i don’t really care for the “laios is a monsterfucker” agenda people are pushing but i do think he’d engage in sexual thoughts in his own weird way, i won’t deny his deviantart fetish shit

as an autistic person myself, i relate to how he’d prioritize his special interest over social interactions. after all, he was fixated on monster food so he’s distracted from dark thoughts. he’s not an actual glutton

he’s shy around women, but i don’t think it’s out of attraction. i just think it’s because he’s awkward and doesn’t want to be seen as a threat. there’s a couple of times when, out of armor, he deliberately tries to make himself look smaller and nonthreatening.

he didn’t show any interest towards ashivia (the hubby hunter girl marcille replaced) and just humored her because she wouldn’t leave him alone. his other party members thought he was giving her special treatment so he had to tell her he “doesnt want to give her special treatment anymore”(even though he never did), so she left

ashivia did her best to butter herself up to laios and he didn’t care, but laios thought shuro was his bestest friend in the whole world because he was too much of a pushover to reject him. ironically… what ashivia did to him parallels what he was doing to shuro

also… yeah sorry i keep bringing up that one comic of laios saying if he were falin he’d marry shuro and then begging him to take him back to his country, or that comic of laios wondering why he doesn’t like him(and then the first two questions he asks the magic mirror was what if he or shuro were women). i don’t even ship them! but it’s not a reach to assume that he likes men because of this, even if it’s kinda played like a joke(after all,a lot of people like chilshi even though their ‘shippy’ interaction was played as a joke)

of course, given the setting, i don’t think knows he’s gay, he wouldn’t have the vocabulary to label himself. i do want to dance around with the idea of him forcibly confronting his own sexuality after years of yaad pressuring him to produce heirs lol. laios might not be cishet but he’s a king so he rdgaf about that right now. i’m open to him having female consorts for political reasons, but i don’t think he’s into women, is all.

before anyone brings up his succubus… god forbid an author makes hetbait. a part of the plot twist was that not-marcille wasn’t the only succubus enticing laios, his other party members were copied too. she was the only one who approached him. also… succubi aren’t always inherently romantic. once it realized marcille didn’t work, it switched to appeal to his desire to be a monster.

#laios isn’t even in my top 3 fav but i gotta throw this out to the void #dungeon meshi meta #laios touden #dungeon meshi #dungeon meshi spoilers #kabru sexuality is easy cuz that dude is capital B Bisexual but laios has layers to it i feel

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linkspooky · 14 days

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The Supreme King Judai vs. Dark Deku: How To Do a Dark Deconstruction of your Shonen Hero!

Think of this as less me complaining about My Hero Academia, and more me taking a closer look at the writing of the Dark Deku arc and why it failed to achieve what it set out to achieve.

I like to look at writing on a deeper level than Thing Bad, and Thing Good. Imagine a story is a car engine that won't start, in order to find the problem you've got to disassemble all the pieces and look at them one by one to see what pieces aren't working. That's the kind of criticism I'm talking about, break storytelling down into different tools like parts of an engine, plot, world, characterization, ideas, actions and consequences and then look if the author is using those tools effectively to sell a story.

In other words we're talking about the difference in ideas and execution. All works of fiction have ideas, even bad anime can have good ideas inside of it. The idea in question is Judai's case is can exploring the dark side of a hero. Can a hero's positive qualities also lead them down a dark path? Yu-Gi-Oh Gx answers this in a satisfying way, and My Hero Academia I'm going to argue does not.

IDEAS VS EXECUTION

One piece of writing advice I heard from Brandon Sanderson of all people that always stuck with me is "Ideas are cheap. You can always come up with more ideas."

All works of fiction have ideas and themes no matter what the Game of Thrones guy say, but some works are better at communicating their ideas than others. I want to quote a Homestuck Ending analysis of all things to explain what I'm talking about.

When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling. There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way. Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.

Chief among these rules is buildup and payoff. In fact one of the most basic techniques of storytelling is foreshadowing, in screenplays you usually foreshadow one important twist, then add a reminder so the audience doesn't forget, before finally paying it off.

To simplify build up and pay off I like to refer to it as question and answer. Usually a story will ask its audience a question, and usually by the end that question is answered, unless the point is to leave that question unanswered / ambiguous.

Character arcs are examples of buildup and payoff too, a lot of characters, especially in serialized media are sold on their potential future development. Here's an example, how may people got invested in Dabi years in advance because of the Dabi is a Todoroki Theory? That's an example of good buildup and payoff, because the author sewed just enough hints to build up an audience expectation and then paid it off. People became invested in the story, because they thought their investment and theories would pay off eventually and it did - so hooray!

Both MHA and YGOGX dedicate an entire arc to trying to deconstruct their main protagonist. They also seek to deconstruct the "Hero Complex" or "Saving People Complex" that each protagonist has, and ask the question if those traits are really a good thing.

This post puts it better than me so I'm going to quote tumblr user rhodanum.

‘Hero complex’ or 'saving people complex’ — an obsession with rescuing people in the face of danger, often to the exclusion of all higher thought processes. All too prevalent among shounen main leads, especially hot-blooded shounen main leads. Yuki Judai is certainly no exception. What is interesting in his case is that the writers follow the consequences of his rash, reckless, often thoughtless actions all the way to their heartbreaking logical conclusion. For those not fully in the know, it involves spiky black armor, an army of sycophants and a fall from grace that caused as much damage as a thermonuclear bomb. Don’t make perky, happy shounen protagonists snap, people. First rule.

I'm going to quote another video too, to add onto the above quote. It's from this video, starting at around 39:52

"GX is kind of famous among fans for taking its happy protagonist and stripping him down to all of his worst qualities. And that's fun. So Judai is a character who's really interesting. He's definitely open to a lot of interpretation, and you know we're gonna be leaning on my interpretation of him. Sorry. It's my video. I think he's commonly referred to a "very typical shonen protag" probably one of the most shonen protag of the yu gi oh protagonists. He is headstrong and loud, and (makes punching noises while air boxing), he is a type of character who's like I'm gonna be the best and brings everyone along on the ride. He's the kind of protagonist that everybody loves him they're all fighting over him, and Yu Gi Oh Gx really puts him up on the pedestal, of like THIS GUY. THIS GUY DOES IT ALL. Then season 3 rolls around and dares to ask: but what if that's selfish behavior?"

That's the question both MHA and YGOGX are asking in Dark Deku arc and Season 3 respectively, what if all of those behaviors that make them the typical hot blooded shonen protagonist are actually selfish? Is their hero complex really a good thing?

Each arc is tasked with exploiting the main character's flaws, until they reach their emotional breaking point and lowest point in the story. Let's see how each story treats their main character and from comparing that I want to make a point about what makes effective storytelling.

The Supreme King Haou Arc

Instead of recapping the entire arc to you, I'm going to touch upon what ideas the story setup in regards to Judai's character and how it paid off those ideas. What are the questions the story asks and what answers does it give us?

I'm going to focus on the two questions I outlined above. Is their hero complex a good thing? and What if this is selfish behavior?

Yu-Gi-Oh GX is an anime where instead of using super powers, the main characters fight each other with a magical trading card game. Besides that fact there's a lot of similarities between GX and MHA. They both take place in an academy setting where the main characters learn about using their quirks, and playing the card game better respectively. It is a shonen battle anime where almost everything is solved with a shonen fight, they just use cards instead of flashy superpowers. The main characters are all students who have to grow up and enter the adult world.

Judai and Deku are both characters that deconstruct the "hero complex" of shonen main characters. Judai is themed entirely around heroes, he has an elemental hero deck where every hero is based off a hero that appears in popular culture, he is the best duelist in the school and the one everyone calls on to save the day over and over again. As stated above he is the most Shonen Protag to ever Shonen Protag, he's a warrior therapist who makes friends and saves the day because he's really good at the card game, and will always show up to fight for his friends.

For the first two seasons Judai is built up on this pedestal of the ideal Shonen Protagonist, and praised by basically every single character for being "childish" and "pure of heart" however when Season 3 comes around the narrative stops heaping endless praise on him and starts to challenge him. However, this doesn't come from nowhere there are signs of these personality flaws of Judai, they just get swept under the rug the first two seasons.

There are several moments such as the climaxes to season 1 and season 2 where Judai fails to grasp the stakes of the situation, saying things like "Oh, this card game is really fun" when he's dueling with lives on the line. Judai in fact has a pattern of "only wanting to duel for fun", he fights because it's fun to him not because it's the right thing to do. However, he's continually forced into high stakes situation where he has to fight for others just because he's the strongest character - and constantly having to carry that on his shoulders starts to weigh on him after awhile. Judai will show up to fight and save his friends every single time they need him, and that's the source of his hero complex because after a certain point his friends start relying on him too much.

In general he also doesn't have deep thoughts of what heroes are, he admires heroes but it basically boils down do "Heroes are cool." He's kind of like Goku where he doesn't really fight for any idea of justice or to save others, just for the thrill of fighting itself. He also has a tendency to be insensitive to other people's feelings and take things for granted. For example, in Season 2 like three of his friends get possessed and Judai doesn't even do anything about it for half a season because he's too busy participating in the dueling tournament.

In general though it's a pattern of Judai only wanting to "duel for fun" and him being forced to duel to save others instead, and be responsible for other people. Judai will show up to fight for his friends, but even then he falls back on just "dueling for fun" because always having to fight for others is too much responsibility to put on his shoulders.

There's a lot of hints of Judai's flaws, but they also tend to get brushed off because shonen protagonists are just like that. Like, Judai can say some insensitive things to his friends sometimes and be oblivious to their feelings, well he's just a book dumb shonen protagonist. Judai should be taking this fight seriously, well he's just being a happy go lucky shonen protagonist, etc. etc. A lot of these things are also just swept under the rug as him just being a child, a boy-at-heart like most shonen protagonists are supposed to be.

However, season 3 starts looking at Judai not as a shonen protagonist but as a person, and it all starts with the suggestion that maybe Judai remaining a child at heart is a bad thing, especially when his friends around him are all growing up. It all starts with the introduction of this guy right here - Johan Anderson.

Johan shares many things in common with Judai, he can see spirits, he's a duelist who loves to duel, he has a strong connection with his cards. However, the more you compare them the more you notice that Johan has a lot of things that Judai lacks. They are so similiar that they become almost instant best friends, but even then Johan himself notices there are a few things off about Judai's behavior.

Sho: Bro... I thought you would have something to say to me. Johan: He seems lost. I think he just wanted you to give him some advice. Judai: SHo will be fine. Johan: Judai, you're colder than I thought.

It takes someone completely new to the dynamic between Judai and his friends, who likes Judai but hasn't spent the past two seasons idolizing him to realize that some of his behaviors are kind of off. That Judai isn't really the most empathic, or even that good at understanding other's feelings.

Johan is the one to point this out because he has the emotional intelligence that Judai lacks. We've been told Judai is our shonen protagonist for two seasons, only for the real shonen protag Johan to step up out of nowhere and show them how it's done. Johan is good at seeing other people's emotions, and he becomes a near instant pillar of emotional support for Judai. More than that, he also is the first person to treat Judai like an equal, he never asks Judai to save him like all of Judai's friends do, if anything they both save each other.

Johan also exists to show what Judai is lacking, mainly a reason behind why he fights.

Judai: I do it because it's fun. Or because of the surprise and delight, I guess. Well, I guess that comes down to "because it's fun", huh? Sorry, I guess that's an awkward question to ask out of nowhere. Johan: What's wrong, Juadi? Judai: Nothing, really. Johan: I have a proper goal. Judai: Don't tell anyone. Even if people don't have the power to see spirits, they can still commune with them. That's why, for those people as well... (I want to be a bridge between humans and spirits).

Judai is someone who will always show up to save his friends when he is asked, but he doesn't really have a concept of what being a hero is or the repsonsibilities it entails, he just admires heroes in a pure hearted way. Johan on the other hand has a reason to fight and that's to help humans and card spirits get along, and Judai expresses admiration for Johan because he has a goal.

At the same time this is happening, Judai gets picked apart by two villains for his lack of reason for fighting. Judai has been praised to death for two seasons for being pure of heart, but now the villains are challenging him by saying he has no "darkness of the heart". That without it the reasons that Judai fights are superficial and frivolous.

We have something that you lack. Judai: That I lack? Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that. Judai: A burden in my heart. I have nver, not even once, dueled for myself. I doubt someone like you, who only thinks of himself could udnerstand that. Judai: What would be fun about a duel like that? It isn't fun at all! You must bear other's expectations while remaining strong. That is what it means.

Judai is a bit of a blood knight, he will be dueling with his friends lives on the lines and stop to go "Wow, this duel is really fun" and it's usually just dismissed a shim being a shonen protagonist until suddenly it isn't.

I'm gonna draw a deliberate parallel between Deku and Judai here that I'll reference later on, they both don't understand "darkness of the heart" and they need to understand it in order to grow as people.

There's also the underlying notion that being a hero is not all it's chalked up to be, to be a hero, to fight for other people's sake means also taking on their suffering. As noble as that may seem suffering is suffering.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

In the context of this scene, Cobra has told everyone that he's currently enacting his evil plan out of the vain hope that he can somehow revive his son from the dead.

As insane as "I think I can revive the dead" is as a motivation, fighting for the sake of your dead son is a much stronger motivation than "I think duels are fun."

Judai doesn't have an appropriate answer as to why he fights when he's questioned by the villains, and instead of coming up with his own answer he relies on the answer Johan provided for him.

Johan: You idiot. Why are you so shaken Judai? You think you have nothing on your shoulders? Give me a break! You always bear other's expectations on your shoulders. When you have other people's expectations riding on you, it means they've trusted you with their hopes! Don't you always carry those? If you lose what will happen to us here?

Johan's words snap him out of it, but this isn't Judai coming up with an answer himself it's just taking the one that's provided for him.

This is also the point where we get start to develop an answer to our question. Is Judai selfish?

In action he's not. His actions are selfless. Judai is always fighting for others, even when he only wants to duel for fun. He will show up and fight if you ask him too.

However, in motivation he is selfish. His motivations are selfish. Judai isn't fighting out of some selflessness, but because fighting for the sake of other people gives him a purpose. He keeps fighting for his friends, because he's built all of his friendships around being the one to solve their problems. It's why he Johan's answer suits Judai so well, because he thinks that's how friendship works that he has to keep carrying everyone's burden for them.

Not only does it lead to unhealthy friendships (he sees his friends as burdens) but also it's unhealthy for Judai himself (he can't keep carrying other people's burdens without getting weighed down).

Judai's hero complex, this pressure he feels to save everyone around him arises from two things, it gives him friends when he'd been a lonely child before that, and it gives him purpose. Playing the hero is how he made all of his friends, and now it's how he keeps them.

However, in spite of doing all this to keep his friends, Judai's relationship with his friends is so all give and no take that he's practically fighting alone until Johan shows up. Judai doesn't form a healthy and stable relationship with Johan however, Johan just becomes a crutch.

In Summary:

Judai's actions are selfless.

His motivations are selfish.

Judai's purpose is to carry everyone's burdens on his shoulders.

Judai's friends exist to be saved by him.

The following arc is roughly divided into four sections. Everything I've covered above happens in the first section the Cobra Arc.

Cobra Arc

Zombie Survival Arc

Dark World / Supreme King Arc

Oh Shit, Yubel's Back

The cobra arc is the introduction and it sets up the basic ideas of Judai's character that I listed above, in addition it focuses on the question of if Judai is selfish, and the idea that being a hero is a burden. There's also the third question where Judai is called to understand darkness of the heart, something Deku will also be called to do.

The Zombie Survival arc is an arc where the school is teleported to another dimension and they have to survive for several days with a limited food supply, everyone fighting, and an outbreak of zombies.

The main setup of this arc is to show how everyone is working well together as a team, even in a high stress situation. Alexis, Judai, Misawa, Kenzan, all pull together with the help of new students Johan, Austin O'Brien and Jim Crocodile Cook.

However, I'm brushing over this arc because Judai doesn't actually do much this arc. If you analyze who does what, it's mainly Johan and Austin O'Brien who are in charge of the entire school. Johan demonstrates leadership skills, calls on everyone to pull together in a time of crisis, and most importantly emotionally supports Judai all throughout.

Even when Judai is confronting the main villain of this scenario Yubel, it's Johan who shows up to support Judai, and it's Johan who wins the duel at the sacrifice of his own life. Everyone gets through the zombie arc unscathed, but it's because Johan is the hero of this part of the arc, not because of anything Judai really did.

Judai who having gone on so long carrying other people's burdens to the point where he's made saving others his purpose, has for the first time experienced someone helping him carry those burdens only to disappear and Judai does not react well to it.

This is when the story has finished setting up all the dominoes that are about to fall. We have one mini-arc drawing attention to the dark side of Judai's personality and how he doesn't understand his own darkness, and one mini-arc showing Johan being a much more effective hero and leader than Judai, demonstrating everything Judai lacks.

You Either Die a Hero, or You Live Long Enough...

Yadda yadda you know the rest. A character being undone by the same traits that made them a hero, is classic tragedy 101. It's called the Hamartia or the fatal flaw. A character's greatest strength in some situations can be their greatest weakness in others. The Supreme King Arc is a masterclass in showing how the traits Judai had that led to his success in the first season, can lead to his total ruin, and even to him becoming the villain of his own story.

Hero and Villain are much closer than you'd realize, and this becomes especially true in the relationship between Judai and Yubel. Judai shares an extremely close relationship to his antagonist foil, just like Deku does with Shigaraki.

However, in Judai's case he's the reason that Yubel turned evil. While it's not entirely his fault, Judai's decision to abandon Yubel when he was a child, made Yubel go through ten years of painful torture all alone, which is the reason behind their current madness.

To summarize Yubel and Judai's story briefly. Yubel is a card spirit, the thing that Johan wants to serve as a bridge between card spirits and humans. Judai had an incredibly close relationship with Yubel as a child, but Yubel was overprotective and used their powers to harm anyone who came near Judai. Judai launched Yubel into space hoping the righteous space rays of justice would calm Yubel down (I know that sounds stupid just go with it) but instead Yubel was hit with the light of destruction a corrupting force that made them endure years of torture. They called out for Judai's help in their dreams only for Judai to eventually forget about them with a psychologist's intervention. Eventually the satellite they were trapped in made it's way back to earth, and they almost died burning up on re-entry. When they finally crawled their way back to Judai, they found Judai had been living the past ten years happy and surrounded by friends, while they had been tortured in space and nearly died all alone.

At which point Yubel snaps, hard.

While it's not Judai's fault entirely because he was a child and he didn't know what was going to happen, he still made the decision to abandon Yubel and stuck them in that situation. Judai's actions creaeted Yubel, and now Yubel is here broken and hurt and determined to hurt all of Judai's friends.

Judai doesn't know how to cope with the guilt or responsibility for either of these things. Both for creating Yubel, and for the fact that because of Yubel Johan might now be dead.

I'm the one who made her what she is!

This is where the show starts demonstrating that understand in darkness of the heart is necessary, because Judai can't understand two things, number one the fact he might have hurt Yubel, and two how to deal with the sense of responsibility he feels towards Yubel becoming what they are, and for Johan's apparent death.

He just feels a lot of guilt, and as someone who's only been the carefree hero up until this point he doesn't know how to deal with that guilt.

Judai makes a very similiar decision to Deku. He decides to go out and hunt for Johan by himself, leaving his friends behind so he won't risk their safety. Unlike Deku however, his friends immediately follow and insist on coming along.

This is when the problems start appearing, because the second everyone enters the Dark World to look for Johan, the show starts demonstrating clearly how different Judai's leadership is from Johan.

All of Judai's flaws start popping up, he's tactless, self-centered, and doesn't consider others feelings, and most importantly of all he doesn't look before he leaps. These behaviors that could earlier be swept under the rug, just become aggravated in a high stakes situation where everyone's lives are on the line. Judai came together with everyone to look for Johan, but he keeps acting like he's alone.

Another user's meta post here summarizes Judai's actions in the Different Dimmension, more succinctly so I'm going to quote them.

Shit Judai’s friends signed up for when they went into the Different Dimension with him:

searching for Johan

working as a team

deciding as a group what risks they’re willing to take

risking their lives together, on an even playing field

Shit Judai’s friends didn’t sign up for when they went into the Different Dimension with him:

having their input thoroughly ignored

being left behind while their friend recklessly charged ahead

having essential information kept from them (Judai didn’t tell them about the fatal consequences of dueling in Dark World)

being kept from dueling without their opinion on the matter ever being taken into account

having their physical, mental and emotional well-being be completely ignored by the de-facto group-leader

being relegated to secondary importance in comparison to Johan, in Judai’s eyes

having their group leader outright break the promises he made to them

To name a few things Judai does while in the different dimmension. Almost immediately after entering the dimension he runs away from the rest of the group, forcing Austin O'Brien to follow before anyone has even gotten their bearings or investigated where they are. Make an agreement with everyone to rest and wait for Dawn to search for Johan, only to run off into the middle of the night without telling anyone. Run off ahead of the group leaving several of their members behind, and when O'Brien tells Judai that members of their group are missing and that he should go back and search for them, Judai asks O'Brien to just do it instead.

Judai doesn't see the flaws in this behavior because it's how he's been acting all along, he always runs off into danger head first and he always fights on his own. Judai's never been good at considering the feelings of others though because he's a tad socially impaired, so he just doesn't seem to notice everyone's growing concerns with how he's acting.

Once again we are asked the question, is Judai's behavior selfish?

Judai deliberately abandons his friends three times, and the third time everyone stops to discuss his behavior.

Kenzan: True, we did come to this world to save Johan, saurus... Fubuki: He did find some minor clues as to Johan's whereabouts, so I suppose it's only natural, but... Asuka: But right now, I feel something is different about Judai. Menajoume: That's right. He got us all riled up about this, and now he's totally forgotten the comrades who came along with him. Kenzan: That's really irresponsible, Saurus. Fubuki: I don't mean to be a wet blanket, but I wish he'd realize the anguish he's putting us through. Asuka: Judai isn't doing this for Johan or us now. It's for himself. He just seems to be rushing forward, headlong, to forget the responsibility he bears on his shoulders.

The answer now is yes, his motivation is selfish because it's no longer about saving Johan, but just to stop himself from feeling guilty.

The stress of the situation is aggravating Judai's worst qualities yes, but Judai's always thought about himself first before others, he's always viewed his friends more as burdens / people to be saved rather than equals.

This all leads to a situation where Judai messes up big time. The same way he abandoned Yubel, he abandons the rest of his friends to run ahead and search for Johan.

They are all kidnapped - and it's Austin who notices they are missing Judai isn't even paying attention. Austin says they should head back and look for the others, but Judai asks Austin and Jim to handle that alone so he can keep searching for Johan.

Jim: The others haven't arrived yet. Something might have happned to them on the way. Judai: I see. Sorry, but could you go back and fetch them? Jim: What? You mean you don't care what happens to them? Austin: Don't forget these are the friends that are in this with you. To fulfill our objective in this dimmension we need everyone working together. You wait here until we return. Judai: Okay, I will.

Austin and Jim agree to go back and search for the others, if Judai promises to wait for them here instead of going on ahead. A promise which Judai immediately breaks.

Which is how Judai walks right into a trap.

Judai abandons his friend so they get kidnapped. He doesn't go back to look for them, so he misses out on a chance to save them. He doesn't wait for Austin and Jim to come back, and because of that he wanders all alone into a trap.

That trap is a sacrifice ritual where the leader Brron challenges him to a duel, and every time Judai attacks one of his friends are sacrificed. Judai is forced to attack and each friend dies one by one.

Judai didn't want to attack, he didn't choose to sacrifice his friends, but he did make every decision leading up to that. The trap was easily avoidable if he 1) didn't leave his friends behind 2) went looking for his friends after they were left behind or 3) waited for Jim and Austin to come back.

Judai didn't mean to sacrifice his friends, but it's a result of his own bad decisions. It's the culmination of an arc where he's been selfishly taking his friends for granted. It's a consequence for Judai just choosing to recklessly barrel forward because he can't cope with his guilt.

Judai's lack of darkness of the heart really dooms him here, because he was blind to his own flaws until it was too late. This isn't even the part where Judai does the bad thing, Judai's careless actions lead to four of his friends dying but he doesn't learn from his mistakes. He snaps, hard.

Judai: But at least I avenged them. Sho I'm really glad you're alive. Sho: Those words... they're just lip service. Bro... bro, you're selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible possible. But, I was wrong. All you care about is getting your way. You don't care who you sacrifice. You'll do anything in the name of your goal. Avenging them won't bring back the people you sacrificed. You're just dueling to satisfy yourself. Judai: O'brien! Austin: I thought I told you to wait. Judai: Are you saying what I did was wrong? Austin: Think it over for yourself. Judai: Why? What did I do that was so wrong? I... I did the right thing! And yet... everyone keeps leaving me! What... What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don't have that much power... Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.

After this point Judai decides to sacrifice everything else for power, and to complete the Super Polymerization card he's already sacrificed four friends four.

It's the culmination of an arc where Judai's only been praised for his strength and his ability to win duels. Where he constantly has been called to win duels to solve problems, until that stops working. When everyone is gone, all that's left is his strength. He had to keep winning to keep people safe, but even that wasn't enough, he was still missing something.

He knew he was missing something, that there was something wrong with him and he didn't know where to look.

Conclusion?

He needed power. If he had power, then he wouldn't have lost. If he had power then everything would have turned out alright. He didn't have the strength to carry everyone's burdens for them, that's why he lost, so what he needs is more power. He's been demanded to win, win, and win again so now winning is all that matters.

Now we have our second question: Is Judai's hero complex a good thing?

That's a definite no, because the pressure to always win, to always save everyone and carry their responsibilities has now completely broken Judai. To the point where he now believes that the only thing good about himself is that he's powerful, but he now is willing to sacrifice others to gain more power.

My name is the Supreme King.

Now here's the best part about Judai actively having a villain arc.

He does bad thngs. He does a lot of bad things.

It turns out when you're abandoned and left alone to suffer you do bad things, crazy that, I'm sure Yubel would have a lot to say about that.

Judai is also not being possessed in this scenario. They state it several times. You could say he's Shadow possessed in a Jungian sense. The supreme King is the symbolic embodiment of all of Judai's flaws that he's been ignoring until now. You could say Haou is representative of Judai's subconscious that has been repressed for so long until all those flaws finally surfaced, and that the Judai we see on a day to day basis is his ego, that the relationship between the two is a metaphor for conscious and subconscious.

Jim does a deep dive into Judai's mind, where we're shown a symbolic sequence of what the inside of his head looks like. Judai witnesses his friends appear in mirrors before they shatter one by one, all while he mumbles about how he needs to get stronger.

These are all storytelling devices to show Judai's fractured psyche, but Judai is still in control of his actions. Judai talks and responds to questions when he's addressed. Judai's friends confirm that it's still Judai, he's not a puppet or possessed.

Misawa says later to Judai's face that he and the supreme king are the same person. Judai later is able to use the Supreme King's powers and maintain complete control, because the Supreme King isn't a split personality. Judai even says when Amon is sacrificing someone he loved for power, that he was doing the same thing as the Supreme King, sacrificing everything for power.

We later learn that the ritual that sacrificed four of Judai's friends was a part of Yubel's schemes, but that's the only thing Yubel set up. Judai made every bad irresponsible decision that led to his friends being captured. Judai was the one who snapped and decided to complete Super Polyermization after it was completed. Learning Yubel was behind the sacrifice ritual doesn't take away any agency from Judai at all, because Judai is responsible for his own decisions.

What it does do is create another parallel between them, because we learn the reason Yubel set up the sacrifice was to make Judai walk the same path that they did.

Judai is hurt, abandoned and isolated and in that situation he ends up lashing out at everyone around him in a similiar manner to Yubel. When Judai is put through similiar trauma, he doesn't overcome it in some heroic way because he's an innately good person, no he succumbs and behaves in ways that are incredibly similiar to Yubel.

Even when Judai's friends selflessly try to help Judai, he resists them every step of the way. He ignores their constant calls to him, their comfort, and he even fights them. Judai is eventually reached by the efforts of Jim and Austin combined, but they both die in the effort. Judai is saved because Jim and Austin were way better friends to him than he was to them.

Judai is effectively snapped out of his destructive spiral, but he's left alone with the sobering realization of everything he's done and the blood of two more friends on his hand.

When it's time for our hero to finally face Yubel, he no longer has the moral highground. Now when he faces Yubel it's not as hero and villain, they're just two sides of the same coin. Two people who when they were abandoned, lashed out and hurt everyone around them.

The question is no longer can Judai save Johan. The question now is whether Judai can live with the guilt he's carrying within him, and for that matter can Yubel live with the guilt of what they've done now too?

By this point Judai's been completely deconstructed. He's no longer the hero of the story, he's just a flawed person who needs to fix his flaws. He has the choice to live with his mistakes, and the biggest conflict now is whether he's going to save his villain foil Yubel, or strike them down in order to save the rest of his friends (the three that are left).

This also creates a much more compelling reason for Judai to save Yubel. Not just because Judai is responsible for Yubel's creation, but because they've both made the same mistakes, they have the same traumas and the same scars. Jim and Austin were willing to risk everything to save Judai even when he didn't deserve it, and didn't want it. Now is Judai capable of doing the same thing, of reaching Yubel the way he was reached, not for the sake of saving the world but for helping a friend?

I just want to save my friend. That's all.

This is to me a very compelling setup for the challenge of whether or not Yubel can be saved. Judai's not really saving a helpless victim, he's not acting out of a sense of duty to sacrifice himself for the world, he's being challenged to save someone who suffers from all the same flaws that he does. Judai and Yubel are so similiar at this point it's really just Judai saving himself.

The Dark Deku Arc - Setup

This is the part where I'm actually going to praise MHA. Shocking I know. Season 1 and 2 of Yu-Gi-Oh GX are about 105 episodes in total. The Dark Deku arc begins at about episode 131 with Deku's decision to leave the hospital by himself to hunt down Shigaraki and AFO alone and try to understand villains better.

The 130 episodes up until that point are much better build up, than the first 105 episodes of Yu-Gi-Oh GX. To put it frankly GX is paced like ass. There's far too much filler, and because of that the plot points the anime is trying to make are delivered less efectively. In fact 105 is a good example of what I said above, that ideas are one thing and execution are another.

Season 2 especially is a season filled with good ideas and weak execution due to pacing. Here's one I use as a go-to example. There's a character named Edo Phoenix who's on a quest to find who killed his father. The ending of his plotline is he discovers that in a twist, the man who adopted him is the one who killed his father, and he's been encouraging Edo to investigate because it lets him spy on the police investigation and keep it off his tail.

That's a good twist - however that twist happens in the same episode that Edo's adoptive father is introduced. The audience is given literally no time to even get to know Edo's adoptive father, or get invested in their relationship so the twist doesn't hit at all. A better paced story would show Edo's relationship to his adoptive father early on, get you invested in them, only to pull the rug out from under you so you would feel the shock of that betrayal alongside Edo.

GX establishes its character cast, and yes the filler does give the cast time to breathe and they're all well characterized but because the plot around them is so poorly structured, none of the plot points really hit. Okay, Edo's adoptive dad is evil. Next! You can have good characters, but if you don't put them in a strong narrative framework that challenges them then those characters are just gonna kinda sit there.

The first 105 episodes of Yu Gi Oh GX does succesfully characterize most of the main cast, but it also feels like everyone's just goofing around. In comparison the first 135 episodes of MHA much more successfully builds an escalating conflict. Each new arc either introduces you to a new facet of the world, makes the amin characters more complex, or adds to the conflict.

We basically go from arc 1 "The hero high school is fun" to Arc 2 "The villains are a serious threat" to the Camp Arc "Oh shit, Shigaraki is learning and the villains are getting stronger."

When Bakugo is kidnapped at the end of the camp arc, the tension is ramped way up with the appearance of AFO, and All Might's retirement.

After that point we're introduced to the Overhaul arc, which not only again makes the League of Villains more complex and sympathetic, but also introduces the audience to All Might's more flawed side - the fact that All Might literally worked himself to death saving others and it still didn't work.

Then My Villain Academia -> The Villains are now a threat and they have an army.

Each arc builds on a previous arc, the characters and the world grow more complex, and it feels like you're learning about these complex issues alongside the characters. It just makes Yu Gi Oh Gx look like the silly card games show by comparison, by setting up this very layered world, and conflict, and heroes that challenge the protagonists on what it means to be a hero and what it means to be a victim.

Then all of that great setup.

We are side by side with the proagonist. We, like Deku now want to see if someone like Shigaraki can be saved. We, alongisde Deku want to better understand the villains and learn to see them as people. We want to know if the corrupt hero system can be salvaged.

However, these are too many questions so let's boil it down to two once more, because this is looking at Deku's character.

Deku and Judai are in some ways different as night and day. Deku is an introverted nerd and the victim of bullying, and he starts out with no quirk at all. Judai is a self-confident, charismatic prodigy who instantly seems to charm and befriend everyone around him. Deku desperately wants to be the hero and works his way up there, whereas Judai is just kind of thrown into the school hero because he's the best at dueling.

Judai is kind of a mix of Bakugo and Deku's traits, he's a self confident prodigy who always wins, but he's also someone obsessed with heroes and who has a hero-complex where he's continually forced to save others.

The Dark Deku arc, like the Supreme King Arc looks to take a darker, more introspective look at Deku's character, while also exposing Deku who is a sheltered kid to the a very grey on grey world. It also seeks to deconstruct Deku's suposed "hero complex". Despite the many differences between Deku and Judai I believe the two questions an be boiled down to the same thing.

Is Deku Selfish?

Is Deku's hero complex a bad thing?

These are the questions the series itself is asking in the deconstruction of Deku's character. Deku himself is asking if there's a better way to save villains tha just beating them down or outright killing them, but we'll discuss that later.

Just like Judai there is some setup before this to give a previously very one-note Shonen protagonist mor depth. Deku and Judai are both people who fit the determined, punchy, solve everything fist fight shonen protagonist to a T, on top of being the one to always show up to fight for their friends. Just like in the beginning of season 3, we do have some hints before this that there's something wrong with this attitude. That there's something about Deku that's not entirely there.

There's a flashback of All Might talking with Bakugo where Bakugo discusses that the fact that Deku never takes cares of himself or factors himself into the equation when he always puts others first deeply bothers him and there's "something wrong with it" that's made him always push Deku away.

This flashback also leads into a scene where Bakugo pushes Deku out of the way of one of AFO's attacks, telling him to "stop trying to win this on his own." In an attempt to make Deku see that he's not fighting alone this time.

Deku has also been warned repeatedly about the way his power destroys his own body when he uses it, warnings he's repeatedly chosen to ignore. Saving others isn't just a goal for Deku, you could arguably say it's a method of self-harm and that's what unnerves Bakugo. Bakugo even gave a similiar speech in the past, about how someone like Deku shouldn't take all of the bullying that Bakugo has given him over the years and still try to be his friend afterwards. At this point it's not really like Bakugo's done anything other than tone down the constant insults a little bit, he hasn't apologized or anything but even this early in the manga Deku has a tendency to just let Bakugo's treatment of him go. It's not like they were super best friends forever before the bullying started either despite what the shippers might tell you. Bakugo is saying it's weird that this kid just takes it, and takes it, and takes it without fighting back like he doesn't care about how people treat him and Bakugo is right... that is weird!

Deku either has such low standards for how he's treated that he just lets Bakugo get away with it, or he just doesn't hold a grudge when he is mistreated because his pain and his suffering just always matters less. Either way it's not healthy, and it could be indicative of a deeper problem hiding behind the surface.

Either way there's setup here, because on one hand you have everyone and their grandma praising Deku for his "drive to save others that eclipses all common understanding."

While at the same time he's criticized by Bakugo for having no regard for others. This could be the setup for the character trait that led to his earlier success leading to his downfall later. In Judai's case, everyone praises his purity of heart, but then that purity is later criticized as childishness, naivete and a refusal to grow up.

As for Deku...

How can you protect others if you can't even bother to protect yourself? How can you save others if you can't save yourself? That's the question Touka asked of Kaneki in Tokyo Ghoul when she rightly called out his desire to protect everyone at the Anteiku Cafe as just a roundabout way of getting himself hurt by acting recklessly.

In Kaneki's case he's not trying to protect anybody, he's just picking battles against the doves and getting himself hurt. He's acting out a hero complex in the sense that if he feels like he didn't fight his friends battles for them like Judai then he wouldn't have any friends to begin with. That's why Touka also says "Besides that, everyone doesn't belong to you. You have no business protecting us."

Is Deku fighting for the same reason? Does he harm himself to protect others because he views himself to be worthless and the only way to demonstrate his worth is try and fight to save others?

We don't get an answer for that question. Judai thinks duels are fun, and he's really good at them, and because he's good at dueling he's made friends. He think to keep those friends he has to keep dueling for the sake of others.

Deku's not motivated by the idea of protecting or keeping his friends, that's a secondary motivation. All we have on Deku is that he feels a strong desire to save others, and that he worshipped heroes like All Might growing up but has a naive idea of what a hero is supposed to be. However, his lack of motivation could be the "something that's missing" just like Judai has.

The GX writers did some hardcore digging into Judai's character by focusing on how shallow he was in motivation compared to everyone else, and showing that to be a symptom of his childish naivete.

There's also the potential parallel between All Might and Nighteye's breakup, and Deku's decision to leave all his friends behind to hunt for Shigaraki himself.

Even if Deku doesn't have a deeper motivation than just "an unnatural drive to save others" then you could show the effects of Deku walking down the same path that All Might did, the belief that he has to be the one to save everyone singlehandedly and if he rests for a single moment than someone might die, leads to him not only destroying his body, but also doing permanent damage to all of his social relationships.

Even if Deku's motivation isn't too deep, you could still have the traits that led him to earlier success now driving him to ruin as the story punishes Deku for his excessive selfishness.

This is also where we finally get back to Deku's goal of understanding Shigaraki, and contemplating whether or not it's possible to save villains without killing them.

I draw a parallel between this and Judai's enemies calling him out on lacking "darkness of the heart" and that without understanding that darkness he can't win.

Judai's lack of darkness of the heart means two things, he's not mature enough to understand the reason why his enemies are fighting, and he's also not mature enough to se the darkness in his own heart which is why he ends up blind to his own flaws and making pretty severe mistakes later on.

For Deku, it's mainly a lack of understanding of the motivations of the villains he's fighting again, villains he's only ever really beat down with his fists until now.

However, for Deku lacking darkness of the heart you could also re-contextualize that as meaning because of his idealization of heroes he's never once looked at the darker sides of hero society that might have driven people into becoming villains.

Deku's lack of inner darkness may just come from the fact that compared to the villains he's fighting against, he's gotten to live a pampered life. Without understanding that darkness, he can't be a full person because he'll still be a naive sheltered child, and not an adult wise to the way the world works and the moral greys he inhibits. Either way, it's just as necessary for Deku to gain an understanding of "Darkness of the Heart' as it is Judai.

So here's all the setup for the start of Deku's Dark deconstruction arc. As different as these characters and scenarios you can still boil it down to those three narrative questions about Deku / Judai, is there behavior selfish? Are there hero compelexes a good thing? Do they need to understand darkness of the heart?

Before moving on I'm going to summarize Deku's setup as thus:

Deku's actions are selfless.

Deku's motivations are also selfless (a desire to save others).

Deku does not benefit from saving others in any way, if anything he actively harms himself in order to do so.

Bakugo finds this behavior incredibly disturbing.

All Might destroyed his body and burned all bridges because of similiar flaws to Deku.

So the answer to the first question is Deku selflish? No. Is his hero-complex a bad thing? Potentially.

While Deku himself decides that he needs to understand darkness of the heart in order to better understand villains. Deku is actually more set up to contemplate darkness of the heart than Judai is, because Judai charges into the dark world blindly with only the motivation of saving Johan not even caring for Yubel, while Deku has the explicit motivation of trying to understand the little boy inside Shigaraki.

DEKU LEFT THE HERO ACADEMY

Deku begins the arc by leaving alone to go searching for Shigaraki, with hand-written letters addressed to all of his friends that tell the truth about One for All and also say Goodbye. He makes the deliberate decision to leave them behind so they don't get targeted alongside of him. It's a pretty classical superhero motivation, I need to cut myself out of my loved ones life in order to protect them. Of course this sort of ignores that everyone in his class has super-powers too, but you know heroes they're all such drama queens.

Is this selfish behavior?

This is going to be the only time I'm going to solidly answer yes. Deku clearly did not take his friends feelings into account. His desire to protect them, is more important than their own agency. They also might want to fight alongside him, they'd be upset if they saw him die or get hurt trying to protect them. Deku thinks of his own feelings of wanting to keep them safe and not being able to handle the emotional burden of protecting him, more than he does their own personal feelings.

This is also something that All Might did they permanently burned all of his bridges with his sidekick and friends, and deeply hurt his sidekick who was just asking him to take a break so he did not get himself killed and quit because he didn't want to watch All Might slowly kill himself by inches.

Deku is being selfish here, and later on when he does face his friends he even acts pretty condescending belittling them and insisting they can't fight on their own or keep up with him.

However, I need to ask a secondary question.

Is there any lasting consequences for this selfish behavior?

Besides the fact that it hurt his friends feelings for a little bit, no. I spent a much longer time covering this in Judai's sections because Judai's selfish behavior led to character conflicts. Judai disregarding his friends led to everyone starting to resent him in the Dark World, and their once tight-knit friend group further falling apart.

Judai on three seperate occasions makes impulsive decisions to run ahead without consulting with the group. The second time he outright lies to the group and sneaks ahead without them. THe second time all of his friends are captured when they go after him and try to follow him to give their support because they're worried about him. The third time he makes the decision to run ahead, he knows about the danger they're in and the risk of getting captured and he just blatantly ignores them. When Austin notices they're missing Judai doesn't even go looking for them because they're not a priority at this point - saving Johan is.

This is something that has very real and lasting consequences in the story, they're captured because of his recklessness, and sacrificed in front of his eyes. Even though they technically come back in season 4, the trust between Judai and his friends is all but gone and he's alone for a lot of Season 4.

Judai's decision to abandon his friends has direct and lasting consequences. He is being punished for his hero complex. Running ahead, and fighting alone against the bad guys is what Judai has always done and what's worked before, but now in a more complicated world it's not cutting it and Judai is being challenged for his flaws.

Deku hurts his friends feelings a little bit, but even in that case the focus is on how sad it is for Deku, how hard it must be to be a noble hero fighting alone.

Deku's Mary Jane and Spiderman bullshit never impacts his friends directly, other than the fact that they find it slightly condescending. His "I need to keep secrets from my loved ones attitude" is challenged because his friends want to fight alongside him, but there's never any narrative punishment delivered to him. It's just solved with one fight scene and a character holding out their hands. Whereas, the consequences for Judai's rash actions last two seasons.

I call it "Mary Jane and Spiderman" Bullshit, because Spiderman keeping his identity a secret from all his loved ones is a big conflict in the comics. Something that got Gwen Stacy killed, because Peter Parker never told her his identity in order to protect her, and then that just ended up with Norman Osborne finding out about her anyway and kidnapping and killing her.

You might have heard of the "Death of Gwen Stacy" it's a pretty famous moment in comics. It's also a case where it shows that the Hero's failure to communicate honestly with their loved ones in the name of "Protecting Them" can actually get them killed.

There's even consequences in MHA itself for heroes choosing to sacrifice their personal lives to help complete strangers. Shigaraki literally made a whole speech about it. Kotaro Shimura is traumatized for life over his mother's decision to abandon him instead of giving up on being a hero. Nana Shimura believed she was doing something selfless in sending her child into foster care to keep him out of AFO's clutches, but that was shown to be wrong as AFO just found Kotaro's household and then destroyed him later on in adulthood anyway.

So in the story we are shown scenarios where choosing to abandon your loved ones in the name of "protecting them" can have disastrous and lasting consequences, but as for Deku himself, the decision to leave the school has basically no consequences whatsoever.

Well, Deku making the decision to fight alone is something that might lead to some consequences. After all, Judai's breakdown came about because he always felt the pressure to fight alone and carry everyone's weight on his shoulders until he couldn't.

Perhaps, with Deku fighting alone to protect everyone we'll reach a similiar breaking point. Just as Judai couldn't handle carrying everyone's burdens, looking for Johan, and leading his friends into the Dark World all that the same time and eventually broke down maybe we'll see Deku break down because he just like All Might can't carry the burdens of an entire nation - oh wait nevermind he's working with the Top 3 Heroes.

Even the premise that this is Deku leaving the school, to become something like a vigilante wandering the countryside trying to fight AFO on his own is just incorrect because Deku is receiving government assistance right now.

In the Dark World it was really just Judai and his friends, so every single bad decision Judai made had consequences because they were well and truly alone. Deku has backup so he's not even really "alone" in the arc that's supposed to be about him fighting AFO and trying to understand Shigaraki alone.

ALL YOU'LL FIND IS BLOOD AND VIOLENCE

Let's briefly focus on questions two and three, is Deku's hero complex bad, and does Deku need to understand darkness of the heart?

Judai's hero complex was based on the idea that if he wanted to have friends he needed to fight for them and solve their problems for them.

Judai got in such an unhealthy negative feedback loop, that he had to carry his friends burdens in order to maintain his friendships with them, but at the same time he couldn't receive any help from them because he made their friendship all about him carrying their burdens. He was operating underneath an amazing pressure to always win until he lost. The very thing he did to try to maintain his friendships, keeping his friends at arm's length and fighting alone is exactly what ends up driving them away and leaving him alone.

But, still...! They're all... They're all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?

Judai paradoxically fights alone in order to keep his friend group together, which only ends up with him losing four friends and being abandoned by the rest when they're disappointed for him in his selfish behavior. Judai screams out why, realizing he did something wrong here, that something went wrong because he's been winning duels, he's been fighting the same way he did before only to end up with the worst option possible. The realization that he is truly alone breaks him down entirely.

Judai's hero complex unwravels when simply charging ahead to fight doesn't work for him anymore, because the situation becomes more complicated than that. Darkness of the heart can mean many things. Judai not understanding his own personal flaws. Judai not seeing how his flaws are affecting others. Judai not looking at other people's emotions, he doesn't hear or respond to criticism when his friends start trying to tell him how is selfish decisions making is making them feel.

I can't just stay and wait. All this time I've run on instinct, never second-guessing myself. If I just stand still now... I'm sure I won't be able to start running again. And I won't be able to get to Johan.

Judai's hero complex has a clear source - he believes he has to keep running ahead and fighting for his friends the same way he always has in order to keep those friends and if he stops he'll lose everything / succumb to the guilt he now feels about being uanble to save Johan. His Hero Complex also has clear consequences, him running ahead without thinking gets all of his friends kidnapped and used in a sacrifice ritual that could have been avoided if he had made different choices.

Spiderman kills Gwen Stacy because Peter Parker deciding to not tell her about his secret identity to protect her backfired and made her an easy target to the Green Goblin.

Heck, Spiderman's entire character is about how the burden of being Spiderman and his Hero Complex constantly sabotages any attempt he makes at having a personal life. Miguel O'Hara's catchphrase in the incredibly popular Spiderman movie is that "Being Spiderman is a sacrifice" and he's not wrong either.

SO, is the narrative punishing Deku's hero complex in any way?

Well, the one warning he did receive that if he kept fighting he'd lose permanent loss of his arms turns out to not matter anymore because his body is just stronger now.

So, even the phyiscal toll of fighting alone that's a consequence for Deku doesn't actually apply here.

I keep talking about consequences but what do I actually mean? Am I talking about strictly punishment? Do bad things need to happen to characters in order to get their lessons?

Not necessarily.

When I say "consequences" I mean in terms of actions always having consequences in a story. The best stories are succinct, that means you basically cut down in as many frivolous details in a story as much as possible so everything that happens onscreen is something that matters and contributes to the whole. Therefore, every action should have a consequence directly seen onscreen in story. Stories are all actions and consequences, the choices the characters make should have direct impact on the plots and the other characters because it makes those choices seem like they matter.

If the story constantly draws attention to the fact that Deku is afraid of ducks, but the story takes place on the moon and there are no ducks living on the moon then that's a wasted plot thread because there are no consequences. If a character does something bad, other characters should discuss it, or it should negatively impact them in some way.

When Judai decides to run ahead without all of his friends for the first time after they all agreed on a plan, the result is the next episode they all start talking about their shared doubts with Judai when he's not around. If they all just swept Judai abandoning them under the rug, then Judai running ahead and leaving the others alone doesn't feel like an impactful character flaw.

There's no lasting consequence for Deku's hero complex. It doesn't drive him to any kind of breaking point like it does Judai.

I think the reason why is because there's no real moment of failure for Deku. When he tries to ask Muscular why he fights, and Muscular rejects him and says that he was just born evil and has no deeper motivations, Deku's not frustrated at all.

Deku who feels a "unnatural desire to save others" isn't really bothered by the fact that Muscular insists that he can't be saved and that they can only fight. Despite this technically being a failure, Deku has failed to talk a villain down, failed to find a way other than fighting and also failed to understand the darkness in someone's heart it's of little consequence because it's not framed as a failure.

Deku just punches Muscular, back to the drawing board.

There's another manga called Choujin X running right now, where the main character is on a similiar quest trying to see if there's a way they can save the big bad Sora Shihouhin, and when he is forced to fight against a villain who won't back down, de-escalate, or listen to reason he has a complete emotional breakdown.

This is the reaction of someone who's genuinly invested in the idea of saving the villain, and frustrated with the reality that he might not be able to save her, that he can't talk to the villains or convince them to back down. Tokio's not even characterized by an unnatural desire to save others like Deku is, so why is he the one breaking down and not Deku someone apparently so selfless that he wants to save the mass murderer that's trying to destroy society?

If Deku's desire to save others is so strong why doesn't he show frustration at being unable to talk down, or understand Muscular?

Judai is stuck in a negative feedback loop where he's forced to fight for others, because he believes he has no worth to his friends otherwise. All we're told of why Deku feels the need to save everyone around him is that he's just like that, he just feels like saving everyone no matter who they are the moment they come into view.

If we're choosing to characterize Deku that way, then number one he should be attempting to save everyone, and number two the stress of having to save everyone is something that should get to him. His "Hero Complex" should be what's breaking him down at the moment. The unnatural desire to save everyone around him that led him to so much success should be what's punishing him this arc.

Judai felt pressure from two aspects, first the pressure to carry everyone's burdens, and second the lack of understanding of darkness of the heart. Unlike Judai who doesn't want to understand darkness and who avoids it as long as possible, Deku goes into this arc actively seeking to understand how his villains think.

Deku and Judai also suffer from a lack of darkess in their own hearts. This leads to them having empty motivations. Judai has a childish desire to enjoy fun duels. Deku has a childish desire to save everyone. Neither of them have tried to grow or change or even question those motivations in any way and because of that they're stunted people.

Judai doesn't know why he fights. He doesn't question why he fights. He just takes on the burdens of others to give him something to fight for. This all together leaves Judai blind to his own personal darkness, and also because of that blindness he can't grow in any way because he never evaluates himself, he never looks at himself and tries to change.

When he's on his knees and at his breaking point he screams at the top of his lungs, "WHY? WHAT AM I MISSING? WHAT DID I DO WRONG?" simply because Judai's never thought about these things.

Deku's asked these same questions both in the Dark Deku arc, and hundreds of chapters later he's asked what he's planning on doing as a hero in order to make things better and Deku never materializes an answer.

Pre-Dark Deku Arc, during Dark-Deku Arc and Post Dark Deku arc, Deku always solves his problems by recklessly jumping in and saving others. There's never any point where he's punished or criticized for this behavior in any significant lasting way. He never has to self reflect and develop a reason on why he wants to save others, or eve think about how he's going to save others, he can just keep acting as the rash, impulsive hero.

Judai and Deku are both characters who are empty, and lacking in motivation but Judai is ruthlessly criticized for that until he reaches his breaking point and is forced to look at his motives.

This once again comes from a lack of failure on Deku's part. Deku never fails the way that Judai does. There's a scene where you could have easily had Deku fail. The entire Nagant vs. Deku fight where Deku fails to give her any substantive answers to his questions.

Imagine if Deku's simple philosophy of always extending a helping hand failed here. Imagine if Deku actually got deeply ivnested in the idea of saving Lady Nagant, and did his beset to talk and reach out to her but his answers weren't enough and because of that she just chooses something like suicide. Imagine he has her by the hand, and she's dangling off of the roof and he thinks that his impressive move to save her should have been enough - he's reached out a hand like always. He thinks this should have won her heart over, by showing her that someone still cares in all of her despair.

Then, Nagant in one final spiteful move lets go. The person he heard her entire backstory, the person maybe he once was a huge fan of her when she wasa hero, the person he wants to save the same way he wants to save Shigaraki chooses to let go and fall to her death because dying would be better than living in whatever kind of corrupt world that Deku is trying to build.

This could be Deku's Gwen Stacy moment. Spiderman carelessly webs Gwen Stacy whe she's falling to catch her and for a moment he thinks he's saved her because he's overconfident and has caught people falling like this a thousand times, only to find out he's snapped her spine. His overconfidence, his hero complex making him believe everything magically would work out led Gwen Stacy to her death. This could show the simple act of just offering a hand out to someone in need isn't enough, without empathy and understanding.

Instead, AFO just blows Nagant up in Deku's face.

Except, that isn't even a failure bcause Nagant turns out to be just fine! There's no point in blowing up Nagant except for the spectacle of it, because she turns out to be fine five minutes later and even shows up to fight in the next arc.

There's no consequencs to anything that happens in this scene. Deku doesn't suffer any consequences for being blind to the faults of society. (He's working right alongisde a killer cop just like Nagant and he doesn't even care.) Deku isn't forced to reflect on what saving people or making society better would even mean. He also isn't punished for his lack of understanding the way that Judai is.

Afterwards, Deku denies help to a very mentally-ill Overhaul, who is apparently not one of the villains that Deku wanted to save. There's a whole buch of asterisks on that "Deku wants to save everyone***" goal. This also isn't framed or used to paint Deku in a bad light because Overhaul is unworthy of salvation in Deku's eyes for hurting Eri.

Is this action part of an arc? Is Deku reaching his limit with trying to sympathize with villains only to see people like Overhaul and Muscular fighting him every step of the way and telling him they don't want to change?

Nope, this scene is never brought up again.

Deku never fails, and he never does anything wrong. Even when there are situations where you could argue he does do soemthing wrong, like denying the armless, mentally ill Overhaul help - he's not painted as being in the wrong.

The entire arc is supposed to be about criticizing the protagonist for their hero complex, and their lack of understanding of the darkness of the world but for Deku there's no criticism to be had here.

Compare this to the sacrifice ritual in the Supreme King Arc, where not only does Judai fail to save his friends, but the friends that survive ruthlessly tear into him aftewards for his selfish behavior. THe actions of one protagonist matter, have consequences in the story and are criticized. The actions of another protagonist have no real consequences and are never criticized.

The whole mansion blows up and... nothing happens. No one's injured in the explosion. It may as well have not happened in the story because there are no consequences for Deku just continually choosing to blindly run ahead like his hero complex tells him to.

There's evena moment where Deku winds up in a similiar situation to the dark ritual. After receiving information from Nagant, he blindly wanders into a mansion in Haibori woods believing it to be AFO's base, only to find out it was a trap and AFO was waiting for him to blindly charge in all along.

THAT'S WHAT MAKES US HEROES AND VILLAINS

This is where I'm going to talk about another big similarity between Deku and Judai, and also the biggest point of divergence in the Dark Deku and Supreme King Haou arcs.

Deku and Judai are both character foils with Shigaraki and Yubel respectively. This is where I'm going to praise MHA again, surprising everyone.

The foiling between Shigaraki and Deku is masterful. They both started out in relatively the same place, as boys with dreams to become heroes who were softly told no by their parents. Tragedy struck Shigaraki and he killed his family on accident and wound up alone wandering the street for days until he was found by AFO.

They're both the students of the greatest hero and villain of the last generation. They both end up being surrounded by a group of close Nakama that they want to protect. They're both continually challenged to grow up, and show how they're going to be better than their predecessor for the hero and villain sides respectively. They both have to prove they are worthy successors. Shigaraki has all the heroic spunk and determination that Deku has but on the villain's side, and while Deku loves heroes, Shigaraki is hero society's critic wants to bring down the hero system that didn't save him.

You get the feeling that Shigaraki really is Deku just in a different situation, a same person on the opposite sides of the conflict kind of character foiling.

As the biggest Yubel stan here, in some ways the foiling for Shigaraki works better than the foiling for Yubel because Shigaraki isn't just Deku's foil, he's the foil for all of society. Yu-Gi-Oh Gx takes place in a society run where everything centers around card games, it's not really that deep. In My Hero Academia you have that 100 episodes of great setup where Deku is not only learning to look at the darkness within himself, but also the darkness within hero society around him.

Judai's narrative as much as I love it, is entirety about Judai.

Not only could Dark Deku arc develop Deku's character, it could also say something deeper about the world it's taking place it, because Deku has all these connections to Shigaraki, who also kind of represents the orphaned boy failed on all levels by the society around him.

Shigaraki is the shadow of -> Deku, but also Shigaraki is the shadow of -> all of society.

Yubel is the shadow of -> Judai, and only relates to Judai's personal growth.

Yubel is Judai's personal villain, and was created by his actions as a child. His decision to abandon Yubel into space, led to Yubel being tortured and their later madness.

Yubel is also Judai's shadow. They carry all the same flaws, but those flaws are obvious in Yubel and repressed in Judai. Yubel's belief is that Judai is someone who purposefully enjoys hurting their friends, and that's how he shows his love. While that's twisted it's not hard to see how Yubel came to that conclusion. After all, Yubel loved Judai so much only for Judai to abandon them and turn a blind eye to their suffering. In the Dark World, Judai abandons his other friends continually in order to search for Johan, and they wind up suffering too.

While Judai doesn't sadistically enjoy hurting others as Yubel put it, there's an element of truth to Yubel's criticism. Judai does abandon people, Judai isn't as empathic as he seems to be. When Judai is subjected to the same kind of isolation and abandonment that Yubel has endured for the past ten years, Judai loses his mind a whole lot quicker and starts lashing out at everything around him the same way Yubel has. Judai without the love of his friends starts to hurt everyone around him in his lashing out, the same way that Yubel desperate for love starts to inflict pain on the people she loves. Even before the ritual happened, Judai was unwittingly hurting his friends with his own selfish behavior.

Yubel's stated criticism is "of Judai is "Anguish and sorrow born from loneliness. That is the nature of love as you taught it to me" and further beyond that "When you forgot about me, I suffered. It's hot. It hurts. I am in pain. Why? You know how much I love you? Why did you do this to me, Judai? In that moment I realized that was how you showed love. Because you loved me, you hurt me and made me suffer."

That sounds crazy, but hasn't Judai been hurting the people he loved for his own selfish reasons this entire arc? Is it that crazy then to conclude that neglect and abandonment must be how Judai treats everyone he loves, so surely he loves me.

One of the biggest criticisms of this arc is how Judai's behaviors impact his relationships, so of course his most personal villain and foil is his jilted ex nonbinary dragon lover. On a less joking note, when Yubel was displaying troubling behavior as a child, Judai's first response was to abandon them. Which is ironic for someone like Judai so paralyzingly afraid of being abandoned that he became everyone's workhorse and worked himself to death solving their problems for them. Who when abandoned by those friends finally, snaps just as hard as Yubel did when they were abandoned.

Do you see the parallel I'm drawing here? Judai is slotted into the spot of the protagonist who's friends with everyone he meets, who loves and fights for his Nakama. Yet under closer scrutiny he's shown that he doesn't really understand what love or friendship is or how to give and receive love from others in a healthy way. His antagonist is his former childhood best friend, who is obsessed with love and demands that Judai love them back. Judai's lack of understanding of relationships and love takes a dark twist with Yubel, their shadow, foil and antagonist.

These are once again very personal challenges to Judai, society doesn't really factor into this equation. Though, Judai is somewhat challenged as a hero because there's an irony to Judai plunging into the world to save his best friend Johan who he's known for like three weeks, but not really lifting a finger to save the antagonist of the arc Yubel who he's known since childhood and is personal responsible for putting through torture.

That hypocrisy there too, is a personal challenge to Judai that paints him in a less heroic light. He wants to save Johan and ignore Yubel because it's easier, because saving Johan relieves him of his guilt. He doesn't even know what to do about Yubel, so he doesn't try and falls back on his previously established behavior of playing the hero.

The hero is really just a mask for Judai at this point, something the story has ripped right off of his face by the time it comes to face Yubel.

There are two ways in which Yubel serves as an ultimate foil to Judai.

Yubel acts like a callout post to all of Judai's flaws

Yubel represents a dark path Judai could have taken.

This second one is what Shigaraki and Deku have in Common with Judai + Yubel. There's something deeply tragic about the idea that while Deku was making friends, getting taught by a loving teacher like All Might, Shigaraki was all alone being pushed by a ruthless manipulator like AFO into becoming the worst villain.

Judai and Yubel's lives follow the same tragic parallel path. They began in the same place as childhood friends, but after abandoning Yubel, Judai spent the next ten years growing up, making friends in a healthy and safe envirnoment while Yubel the one who was abandoned was alone in space desperately crying for Judai to come save them only to be ignored because Judai has long forgotten them.

However, there's a striking difference there too. Yubel is created directly by Judai's neglect and actions. Whereas Shigaraki is created by the neglect of all of society, it's not Deku's fault directly.

#1 Shigaraki acting as a callout post to Deku's Flaws

However, this is where Shigaraki's callout post comes in. Shigaraki gives a long speech on how the existence of heroes itself, creates villains like him.

"You heroes pretend to be society's guardians. For generations you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you've built. That means your system's all rotten from the inside with maggots crawling out. It builds up little by little, over time, you've got the common trash all too dependent on being protected. And the brave guardians who created the trash that need coddling. It's a corrupt, vicious, cycle. Everything I've witnessed. This whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I take power for myself. Simple enough, yeah? You don't understand because you can't understand, that's what makes us heroes and villains."

To break it down simply, heroes look away from the faults in their society, they intentionally ignore the people they cannot save, and when those people turn into villains the heroes beat them down hard. The villain attacks then convince the common people of the need for heroes, and the cycle perpetuates itself. This is all powered by the people's blind, uncritical faith in heroes.

Deku is a person who has that same blind, uncritical faith in hereoes, and until this point has never thought of Shigaraki as anything more than a villain to be punched until he stops. Which is why this is still a callout post that applies to Deku, because Deku's blind admiration for the Hero System is part of the problem that enables the very flawed hero system.

Deku does not understand darkness of the heart, therefore Deku does not understand that heroes could possibly be bad, and he could possibly be supporting a bad system until he's slapped in the face with it.

However, is there a lasting consequence for Deku's blind support of the hero system?

Nope.

I just described up above what could have been a consequence, if Lady Nagant refused to have faith in Deku since he didn't back his words up with action.

Deku also clearly does not want to break away from the corrupt hero system that created Shigaraki, because the heroes that he brought along to fight with him are Endeavor, Hawks and Jeanist, a child abuser, a state sponsored murderer, and a guy who makes bad puns. He doesn't change any of his bahavior that enables the corrupt system to stay in power.

Not teaming up with the Top 3 heroes, and deciding to go full vigilante would have at least have been breaking away from that system.

This circles around to a big underlying problem in this whole arc in that Deku isn't really doing anything different from what he was doing before, and he's not punished for his character stagnancy either.

So we're left with.

#2 Shigaraki represents a dark path that Deku could have Taken

This is where Judai / Yubel succeeds and Shigaraki / Deku falls flat on its face.

When pushed to his absolute limit after failing repeatedly, Judai snaps. With no friends left he decides that all that matters is power. This path seems natural for him because we've already seen what being abandoned and left alone can do to a person and how it twisted Yubel. The story hints again and again at Judai's blood knight tendencies, and that he thinks the only thing he has of value to offer others is strength by fighting for them.

He loses his friends and the fighting is all he has left.

At the point of despair he decides to just embrace power. If he cares about nothing more than strength, at least that will give him some sense of control over his life after the out of control tragedy that happened to him.

"Yuki Judai. In order to defeat evil, one must become evil. In a world with the law of the jungle at work, one must rule with power." "Power? I don't have that kind of power." "In your hand lies the super polymerization card. Defeat any spirits who may oppose you, and combine their lives into it to perfect the card."

Supreme King is just a villain persona that Judai adopts to as a protetive blanket for all the hurt and pain they've gone through, just like ding, ding, ding, the villain persona Shigaraki Tomura is for Shimura Tenko.

Judai snapping under such intense pressure shows us that if even the faultless hero can snap, then how much can we blame the villain for snapping under similar circumstances? Maybe the reason both the hero and the villain fell is because they're both equally human and to fall down is human.

Deku never falls down as hard as Judai does. He doesn't even fall down and scrape his knee. There's no instance where he fails to save anyone. There's no instance where his actions hurt anyone. There's no instance where he takes things too far and hurts a villain. I kow it's unlikely for Deku to turn into a villain, but he could have at least gotten so frustrated he turned into a punisher style vigilante! Is that too much to ask?

There's not even a single moment where Deku goes too hard in a fight and injures or even kills a villain. They could have pulled an "I thought you were stronger" moment like in Invincible.

I don't know why this is called the Dark Deku arc because there's no darkness in Deku's heart for him to exploit, nor is he actually called to better his understanding of the darkness in others hearts. Judai understands Yubel's darkness because by the end of his personal arc he's been there, he's not the hero he's the atoner. He can either punish Yubel, or hold a hand out to help Yubel atone.

Deku's arc might as well be called the "My Little Pony Friendship is Magic Arc" because he never does or confronts anything dark. His worst crime is not showering. All that isolation and his repeatd failures in hunting AFO down should have worn Deku down, but it didn't because he's just that special of a boy!

Deku's hero complex also is completely uncriticized from beginning to finish. Judai's hero complex is an unhealthy behavior that utterly destroys him. Deku's hero complex is a job interview flaw.

FRIENDSHIP IS MAGIC

Just to hammer my point in I'd like to compare these two scenes. One is in the middle of the Supreme King Arc, the sacrifice ritual scene where all of Judai's friends are blaming him for the fact that they're about to be sacrificed while he's still trying to save them.

The second is the climax of the Dark Deku arc, where all of Deku's friends are showing up to fight him and convincing him to accept their help.

Just look at how vastly different these two shows treat their shonen protagonists when it comes to his flaws.

For the ritual sacrifice scene. This is immediately after Manjoume wakes up to find that he has been chained and kidnapped with Judai standing right there.

Judai: Sit tight! I'll save you soon! Manjoume: Wait, is he dueling? JUdai you damned idiot! Weren't you going to save Johan with us!? Getting yourself all flared up. You didn't even stop to think about us at all, did you? Judai: That's not it. Manjoume: That's just how you are! You were the only one in your kingdom from the get-go. We were the idiots for getting all motivated with you and feeling some sense of friendship with you being like that!

Then Judai watches helplessly as Manjoume dies. His other friends don't fare much better.

Kenzan: Big Bro? Why'd you want to save Freed's comrades when it meant sacrificing us-don!? Judai: You're wrong. That's not it. Fubuki: It's painful. This pain isn't just physical. It's the pain of a friends' betrayal that I have tearing my soul. apart. Asuka: I'm being betrayed and sent away by you. To think that I'll have to bear a sadness like this.

All of Judai's friends die spitting on him and telling him what a terrible friend he is and that this is all his fault. Which it is, because his decision to abandon them got them captured and led up to the sacrifice ritual.

Now, what scathing criticisms do our heroes have to give Deku after he left them all behind to fight Shigaraki alone?

Denki: Midoriya! We get that all for one is really importnat but you got something even more important in your life! Me and you we aint'g otta ton in common, but you're still a friend! Even if we gotta force this friendship down your throat. TodorokI: What a look you have on your face. Is this resposnibility so much that you can't let yourself cry? Seems like a burden you should share with the rest of us. Uraraka: The thing is Deku, we don't want to be protected by you and reject who you are and what you're doing, we just want to be with you (this part is narration).

Deku is told that none of his friends are mad, they want to be by his side no matter what, and that it's okay for him to cry.

I should also mention how underdeveloped this supposed nakama group is in the manga itself. The entirety of Season 3 of GX is tha the bond between Judai and his friends are more shallow then it appears, but he's also spent two whole seasons bonding with a group that consists of: Asuka, Sho, Kenzan, Fubuki, Manjoume. That's six people total including Judai who serve as is primary friend group. Their friendship is more unhealthy than it appears, but Judai has spent the past two seasons hanging out with one small friendgroup.

Meanwhile the entirety of Class 1-A shows up to tell Deku how much they love him and how much he means to them, and Deku's hung out with maybe like... four of them?

You have one bond shown to be how shallow it is, and one shallow bond treated like it's the deepest, most loving friend group in all of fiction. Deku doesn't even receive some lgiht criticism for how inftantalizing it was for him to abandon them for their own protection, because no one resents Deku or is capable of holding any negative or critical emotions towards him whatsoever. He's just told how much everyone loves him and wants him to come home.

And yes, Judai also does get two characters sacrificing themselves to try to reach him when he's the Supreme King.

However, as I stated above Jim sacrifices himself to help Judai because that's who JIm is as a person. Austin does it after Jim fails, both to honor his friendship with Jim, and also because of someone who got scared and ran he feels like he has to confront the darkness of the heart.

Jim and Austin O'brien's sacrifice is also a sacrifice. They died trying to save Judai, and Judai has to wake up with the knowledge that not only did he kill a bunch of people in his quest for power, he killed two more friends who were only trying to help him.

At the end of the arc, Judai has woken up with the knowledge that he has done bad things that can't be taken back and he's barely better than Yubel at this point.

At the end of the Dark Deku arc, Deku gets a speech from Uraraka about how amazing and selfless he is, and how he never gives up and how he always pushes forward, and how everyone at the UA shelter should appreciate him more.

The Supreme King arc exists to criticize Judai. The Dark Deku arc does nothing but flatter Deku from beginning to end.

Judai's hero mask is ripped off and he's forced to be a person. Deku's hero mask stays on, his hero complex is unchallenged, and he's praised for being teh greatest hero evarz.

I often get accused of not liking MHA simply because I expect it to be a different story than what it is. That I want it to be darker, when it's a more optimistic shonen manga.

However, here's my secret. I hate edgy superheroes. I don't like watching stuff like The Boys because it gets too dark for me. The oly reason I read invincible is because my friend told me that Omni-Man got a redemption arc. My favorite DC Superhero is Superman. My favorite Superhero of ALL TIME is Spiderman.

The thing about Spiderman though, is that it is hard to be Spiderman. The entire point of Peter Parker's character is that he has a terrible work/life balance and constantly loses people around him because being Spiderman is a sacrifice. The story doesn't bend over backwards to praise Spiderman as being a selfless hero, in fact it points out what a loser he is constantly. Peter Parker's friends are always frustrated with him and he's a wreck of a person.

Yet, the fact that being Spiderman is such a sacrifice and he keeps choosing to make it, shows what kind of person Peter Parker is, and that's just a person who does whatever he can to help out.

Even Peter Parker, the nicest, most well-intentioned boy ever has the Symbiote arc. One of the most famous arcs in comics dealing with Peter is when he lets Venom graft onto his suit, and even though the symbiote makes him violent, and makes his behavior change he spends the longest time not wanting to peel it off because the power boost the symbiote suit gave him made his life that much easier.

Dark Deku is an obvious reference to the Venom Suit, but a completely shallow reference because Dark Deku acts exactly the same as regular Deku the only reason he looks like that is he forgot to take a shower.

Superhero stories don't need to be Dark Deconstrutions, but they do need to be SOMETHING. They need to say something about the character. The problem with the Dark Deku arc isn't that Deku didn't experience a villain arc.

It's that nothing of consequence happened in the entire arc. Nothing changed. The story asked us if Deku's hero complex was a bad thing, and then it didn't deliver any answer. The story asked us if Deku needs to understand darkness better and then didn't answer that.

These are ideas that the audience promised were going to get answered. We were told Deku was going to get his development this arc that he was going to be pushed to the edge. The entire premise of this arc was that it was supposed to better help Deku understand Shigaraki and Hero Society only for Deku to not learn about either of those things.

Deku's learned nothing. We've learned nothing. Nothing has changed in the story itself. The only thing we've accomplished was wasting a lot of time that we could have been using watching Yu-Gi-Oh GX!

#mha meta #ygo gx meta #yu gi oh gx #yuki judai #judai yuki #supreme king haou #supreme king jaden #supreme king judai #yu gi oh gx meta #dark deku #ygo #ygx meta #ygo meta

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raven-at-the-writing-desk · 8 months

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It's rather interesting that each of the Yuus so far in the manga have been foils of sort to the overblotter in question (disciplined vs strict, competitive vs lazy, seemingly okay in body image vs puts up a mask, in order). Makes me excited to see what future Yuus will be like!!

Yes, it seems that the pattern for the manga!Yuu is that each serves as a foil or a “mirror” to the Episode’s respective OB boy. The idea is super interesting, but I hope they go further with it and actually let the Yuus engage with the OB boy of their Episode in a meaningful way. There’s both similarities and key differences between them, and I think that would make for an excellent opportunity for them to learn from each other, but also for Yuu to have a more active role in the OB boy’s steady, gradual change of heart and character. The way things are currently set up, the manga!Yuus don’t seem to have character arcs of their own or develop in any significant way from start to end; they’re just there to be the “good” example of what each OB boy struggles to attain.

For the Episode of Heartslabyul, I think the distinction between Yuuken’s discipline and Riddle’s strictness is an important one to make. At first glance, you might think being “disciplined” and being “strict” are the same thing. They’re actually not! “Disciplined” refers to control and restraint of oneself. That’s what Yuuken is! He is stoic but knows when to step forward and get serious. Meanwhile, Riddle is “strict”—demanding that both he and others obey the rules to a staggeringly stringent degree. Riddle isn’t “disciplined” because he forces his ideals on others and does not control himself when his temper flares. He is serious all the time and unrelenting in his pursuit of upholding the rules. In this way, Yuuken is actually the kind of person Riddle works toward becoming post-OB: someone with good control of his words and actions, while also observing the rules within reasonable wiggle room.

Another thing!! Yuuken’s style of leadership also greatly contrasts with Riddle’s. Throughout the Episode of Heartslabyul, we see that Yuuken is thinking about his kendo team mates, which spurs him to act or to comfort other characters because they remind him of his teammates. This was the case during the scene when Deuce confessed to his past as an ex-delinquent and Yuuken encouraged him in his endeavors to improve—just as he encouraged his kendo kouhai at the start of the manga. In spite of his stoic face, Yuuken is compassionate and considers the people around him. Meanwhile, Riddle rules with an iron fist and it’s always his way or the highway. He never once considers his classmates, their POVs, or their circumstances, always holding up his own interpretation of the rules as absolute and remaining unwilling to compromise.

For Yuuka, I wouldn’t say the contrast between her and Leona is in competitiveness vs being lazy. From what I’ve seen of her, Yuuka isn’t particularly competitive or lazy. She’s usually the one keeping people (mostly Grim) out of competition or squabbles, and she’s not exactly eager to compete (she steps up when people challenge or threaten her). I would hesitate to slot Leona (based on his actions in book 2 alone) as one or the other as well. Like… how is he lazy if he’s putting forth the effort to enact this whole scheme? And how is he competitive if the point of his plan is to get Diasomnia out of the tournament? Wouldn’t it be truly more “competitive” if he wanted to square up against them anyway?

I would say maybe a more apt point of mirrored traits for Yuuka and Leona are in terms of morality—or, I guess, how far they’re willing to stretch the definition of “playing fair”. Leona is the one that plays loosely, willing to resort to dirty tactics and skirting the rules if it means getting what he wants. Yuuka, however, is more morally upright. She’s keeping her friends out of trouble and stepping up to fight Savanaclaw mobs only when they pose a threat to her. In these ways, she “plays by the book”. As a fellow athlete as well, Yuuka would be able to understand Leona in the struggle to perform and to be seen. Not only that, but they share scars. The reasoning for Leona’s is left unexplained, but Yuuka’s is from a sporting injury. They could totally relate not only in their lived experiences, but by their physical markers.

We’ve only just met Yuuta, so I don’t know if we can draw any definitive conclusions as to how he’s a foil to Azul. However, we can deduce some parallels from his one chapter appearance so far. Both Yuuya and Azul come from restaurants that their respective family operates. Furthermore, Yuuta is and Azul was, overweight. For Azul, this became one of the sources of shame for him. His peers underestimated his competence in part due to his size, and this would later lead to Azul changing a lot about himself to appear “stronger” (including a more restrictive diet in order to maintain his new body). This is not true of Yuuta, who still retains his extra weight and happily chows on food. In fact, I don’t believe weight is even brought up by Yuuta at all. He’s content with his life the way it is, much more chill rather than stoic.

I think another HUGE point that helps Yuuta serve as a foil to Azul is their attitudes on gratitude. Yuuta is thankful for such little things like having food—he even gets mad at Grim for not being thankful for it!! This is a departure from Azul, who, despite running what is basically a wish-granting service, is never satisfied with what he already has. He is always concerned with getting “more”, be it money, influence, information, or abilities robbed from other students. The insecurity especially shows in how he desperately tries to protect his valuable golden contracts with a clever ruse. He keeps collecting and collecting, viewing those physical signifiers (the things he collects) as proof of his “success”.

My prediction for book 3 is 🤔 Azul will definitely see bits of his old self in Yuuta. His old self, whom Azul personally deemed as a weak and inferior version of himself, a version which he has a hard time coming to accept. I don’t think Azul would hate Yuuta or something that extreme, but Azul would feel pity for him and think him pathetic. Going hand-in-hand with the events of book 3, I believe Azul will underestimate Yuuta’s capabilities in the same way that Azul’s old bullies underestimated him when he was little. It would be such a cool parallel because, in this way, we’d get the sense that Azul has become no different than his bullies, pushing around the weak and (arguably just as bad) taking advantage of them for his own gain. And it would ultimately be those traits of Yuuta’s that Azul may have deemed weaknesses of his old self that save the day and get Azul to recognize he’s been living in denial this whole time, thus helping him to better appreciate his old self.

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yuurei20 · 1 month

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How do you think Idia got his unique magic? Does it say if he was born with it or something, or was it inevitable he would get that specific unique magic? Is it possible to be born with a unique magic in the first place?

Hello hello! Thank you for this question!

Idia says that people born into the Shroud family all have the same unique magic!

A part of Idia's issues is how so much of his life has been decided on his behalf and there is nothing he can do to change his fate no matter what he does, so I think you are right and it was inevitable that one day "Gate to Underworld" would manifest! (Does this mean that every member of the Shroud family is guaranteed to be a mage? Interesting~)

I like your phrasing very much! Does "this unique magic was inevitable" equate to being born with a unique magic?

From what we have seen in the game and the second novel: I think so!

Both game-Leona and novel-Leona comment on how he was born with a unique magic that he never actually wanted.

Novel-Leona goes into more detail with the scorn he received back home due to the misconception that you have to desire and work towards a specific form of unique magic if it is to manifest, which isn't true at all:

"Unique magic that is inherited at birth has nothing to do with the person’s will, but humans wrapped up in their own superstitions are ignorant to common sense. Or maybe they think this is a power that I desired, and fought to obtain." - Leona in Twst the Second Novel

To answer the questions: Idia's unique magic passes down through the Shroud bloodline, so I believe it is safe to say that he was born with Gate to Underworld!

And it does seem possible to be born with a unique magic, as Leona explains, directly. (It is intersting that both characters also have parallel family issues: both of them born into elite families and trapped in roles they want to move beyond, but can't. In addition to their other various similarities)

But this might not mean that baby-Idia was opening and closing the door to the underworld while baby-Leona was turning people to sand!

It is possible that their respective unique magics manifested at whatever age they were when their magic itself made itself known.

As for what age that might have been: I think it has yet to be confirmed how old mages generally are when their magic starts to appear!

Riddle says that he was receiving special training in magic from the age of three, but Riddle is a special case and probably not a good frame of reference for what is "normal" in this universe.

Deuce mentions using magic in middle school, but in Azul's flashback we learn that he was experimenting with magic and spells from an even younger age: while removed from EN, the passage of time between Azul studying spells and sigils and getting control of "It's a Deal" are denoted via the labels "Child Azul" and "Middle School Azul."

The age at which your magic appears might just vary by person! If earlier manifestation = stronger magic, it might actually be possible that Idia and Leona were using magic as children. But one thing seems consistent: whether Riddle or Deuce, it seems that there are generally several years in between a mage coming into their magic and their unique magic manifesting. (But does this also apply to mages who are born with their unique magics, or do they have theirs from the start? Uncertain!)

What might be still vague is how this applies to faeries!

Malleus says that he lives and breathes magic, but according to Lilia Sebek's magic manifested late, with even Silver becoming capable of using magic before Sebek could.

This might mean that faeries, too, have a period of their lives before they become capable of using magic, but it also might just be an effect of Sebek being half human--I am not sure it has been confirmed as of this post!

Lilia mentions Malleus emitting puffs of flame as a baby, but this may be less a "magical infant" situation and more a "that is a dragon" situation.

Malleus himself explains that he once froze nearly the entire castle in which he lived, "back when (he'd) finally started walking on two legs," so it seems that he was wielding magic from very early on!

#twstask #twisted wonderland

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