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qs63 · 3 days
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Roy Mustang's observation diary review
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I finally read the “Roy Mustang's observation diary”, and I have to say that it's a shame this isn’t translated to English. This bonus chapter is just hilarious.
For those unfamiliar with it, the “Roy Mustang's observation diary” is a Fullmetal Alchemist bonus chapter released in Japan along with the manga's 6th volume on 2003. Unlike the other bonus chapters this one is written as a Journal written by Havoc, Breda, Fuery, and Falman instead of being a graphic novel chapter.
In this bonus chapter, Central Command has grown bored of the annual evaluation to East Command and has decided to assign each East Command personnel a person to evaluate instead of sending someone from Central to do the job. Jean Havoc gets Roy Mustang. You see, Roy had recently “stolen” Havoc's crush, and Havoc is bitter and determined to teach Mustang a lesson. So he enrolls the team, sans Hawkeye, to help him observe Roy, 24/7, for 5 days and shenanigans ensue. xD
Some of the my favorite moments were:
Roy trying and failing to feed Hayate half of his lunch sandwich.
Havoc waking Roy up from a nap to “check if he was breathing because he was being too quiet”, and Roy chasing him out of the room while screaming that “Of course, I can't breathe if you cover my nose and mouth”. Come on, Havoc, you just wanted to torture him a little, didn't you? xD
Riza using her shotgun on the shooting range when Roy’s procrastination led to her workload increasing. I guess it's easy to guess when she's pissed.
Roy getting sick from Riza's tea, and Fuery being an absolute sweetheart, finding it odd because the military’s terrible tea tastes better when brewed by Hawkeye. Roy, Havoc, Breda, and Falman profusely disagree. “It's your imagination, Fuery.” Either Riza is bad at brewing tea or — most likely — she uses the tea to punish the boys when she's pissed. lol
All the Havoc and Breda banter. Poor Havoc got called out by Breda every single time he tried to spin something in his favor. Breda is such a ruthless BFF. XD
Really, this was pure gold. I totally recommend it. I love this silly team so much.
The “Roy Mustang’s observation diary” can be found as part of the “Fullmetal Alchemist Chronicle” book. As I mentioned earlier, this is not available in English, currently you can get this either in the original Japanese edition — which I own — or an official French translation.
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tharsei-thanate · 6 months
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covering the children's room can be hellish but i get to watch them play roblox so it balances out
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rubberbandballqueen · 2 months
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favorite part of work today was when i told the kids to get into two lines, n this one guy was like "i don't want to" n then started talking to his buddy in mandarin, n so then in chinese i was like, "hey, come here."
n he n his buddy looked at each other n then looked at me with like that faintly displeased expression that means they've realized they can't get away with not being that good at english (or feel terribly isolated from n indifferent to the adults bc they don't speak their language) anymore
and then when i told them to line up in mandarin they groaned abt it for sure but they did drag themselves into a line
#i walked in n this one kid handed me a book to read like a big hardcover graphic novel type thing n said i could look through it#so for kicks i started reading it out loud with all the silly voices n sound effects n blocking#and so then obviously the other children started to swarm me and god. kids have so much body heat#n you can feel it bc they have no personal space qwq#n anyway so i led them all to a different corner of the room and ended up reading 15 out of the 16 chapters of the book#out loud to a big chunk of the kids for like an hour w/a 5 min break halfway through for water#and when i came back the kids were organizing the chairs themselves into a semicircle to give me enough space to perform#i was sweating more than i have in Quite A While by the end bc again. children are So Warm n also being dramatic takes energy#the same kid who handed me the book today last year handed me some pokemon cards n i ended up spending all of spring camp#drawing pokemon from cards as references for kids to color n stuff bc i didn't want to go to the computer n print out coloring pages#so! i should probably stop spoiling/“yes and--”ing kids at work w/my nonsense but it gives them smth memorable at least#but also i am so fucking tired today lol i had to leave class as soon as it was done dash home to drop off my jacket n backpack#i didn't even have time to take off my shoes before entering the house so I Did An Unforgivable Sin (walked around w/shoes on)#n then put on my work jacket n dash out the door again to go to my 5.75 hr work shift o(--(#i don't regret it!! i did tell my boss i was free for afternoon camp shifts specifically bc i wanted these shifts even tho timing'd be tigh#successfully taught a kid to tie his shoelaces today though!!!!! what's w/kids n always using the very tips of their laces to mimic you tho#when you are very clearly handling the parts of the laces right next to your foot. it did click for him tho eventually#the worm speaks
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winterandwords · 8 months
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📖 #CalmWriMo 2023
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If you want to do NaNoWriMo (National Novel Writing Month) but a 50k word goal doesn't work for you, you're invited to join me in CalmWriMo 2023 on Tumblr for a chilled-out creative experience this November.
Here's how it works...
📝 Set a fun and achievable writing goal
This can be a word count goal, but it definitely doesn't have to be. It also doesn't have to be new-words writing. Editing, research, outlining, or anything other writing-adjacent activities are great too.
You might want to...
Work on your WIPs for [however many] days
Complete a draft or a certain number of chapters
Spend [however many] hours editing
Create an outline for a book
Research specific topics for a WIP
Make graphics or moodboards for your stories
Create or overhaul your author website
Or anything else connected to your WIP(s) or writing
🍵 Choose an accessible and enjoyable self-care focus
This can be anything at all that helps you take care of your physical and/or mental health while you work on your writing goal.
You might want to...
Be more consistent with your journaling habit
Get to grips with your sleep schedule
Start or continue a daily yoga or meditation practice
Drink more water
Reduce screen time before bed
Read more fiction, non-fiction, or writing craft books
Go for regular walks
Or anything else that benefits your body or mind
💻 Share your own CalmWriMo intro and progress
If you'd like to join in, you can make a post to share your writing goal and self-care focus using the #CalmWriMo tag. You're welcome to @ me (@winterandwords) in your intro post if you want to.
You're also welcome to use the tag to post progress updates and WIP snippets throughout November. Bear in mind, reblogs don't seem to show up in tag searches on Tumblr, so creating new posts for each update might make them more visible.
I'm going to check the #CalmWriMo tag throughout the month to see how everyone's doing and share some of your posts.
Anyone taking part is encouraged to do the same if you would like to have you have the time and energy for it. In the spirit of CalmWriMo, there's no obligation to do anything other than what you're comfortable with 💜
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pascalcampion · 1 year
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Georges Beuville ( 1902-1982)
Ok, this one is an odd one.
I remember seeing his work as a kid in books we had to read in class.
I didn’t care for it. I didn’t dislike it, it was just one of those things that I associated with class so it was boring.
It was later, in high school, when I was doing research in the library of the little town I lived in ( Vesoul!) that I fell on a book he had illustrated. It was a classic French book called the war of buttons ( La guerre des boutons) and I remember recognizing his little star shaped signature and trying to figure out if I liked it his work or not.
I couldn’t stop wanting to come back to it. I wasn’t sure why because it wasn’t well drawn. In fact, it felt like there was no drawing at all ( in my mind). Just colors that somehow made me understand a scene.
Later still, in college, I came across his work again and it THEN it hit me what he was doing.
The looseness of his work meant a lack of talent, or skill when I was younger, probably because I was used to French graphic novels or American comics which all had clear dark outlines. Beuville’s work was different. It was so loose it felt more like a sketch than an illustration but it was clear, readable. It was expressive in a way that I didn’t know could be done and printed.
After that, I kept looking for his work whenever I could.
I found a lot since then, but nothing that impacted me as much as his La Guerre des Boutons”
Not to say his other work isn’t as good but that was the work of his that really impacted me the most. The kind of work that feels like a secret when you discover it if that makes sense.
“OH, You can do illustrations like THIS and it still works!”
Beuville’s done a lot of line drawing images that go inside the books, chapter headers, things like that. I love those as well.
In any case, another one of my favorites even if it took awhile for me to see it. ( which seems to be a recurring theme in my life!)
#GeorgesBeuville #Art
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infizero · 11 months
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Why Ambrosius and Ballister’s Relationship Feels So Different in the Movie (Nimona)
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As someone who read Nimona countless times growing up, I am very familiar with the story and these characters. Which is why when I watched the movie, I was struck by how different Ambrosius and Ballister felt. They seemed like totally different and unfamiliar characters to me, and it didn’t have anything to do with their designs.
After rereading the original Nimona graphic novel recently, I’ve come to the conclusion that the main reason they feel like completely different characters in the movie comes down to one thing: the removal of the joust.
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When I watched the movie, I was surprised by the fact that they changed the circumstances that drove these two apart. But it didn’t hit me just how much this one event shapes both of their characters and their relationship to each other until I reread the book. 
The joust is CRUCIAL to their dynamic. It pervades every interaction they have with each other, they bring it up constantly, it is literally the crux of their collective storyline. We learn about it on PAGE 5 of the whole book, and their big heart-to-heart when Ballister is captured near the climax of the story is based around Ambrosius finally admitting the truth about what happened. Honestly I’d say that him finally coming to terms with what he did and apologizing for it is probably what allowed these two to finally find peace together by the end of the book.
We get something similar to it in the movie. Ambrosius still is responsible for Ballister losing his arm, but it is under WILDLY different circumstances. So I want to talk about how the joust affects them in the book, and then explain why the movie’s version of events, while similar on the surface, has a completely different effect on everything. So let’s get into it!
(All images of the book are via pictures of my own physical copy btw, so apologies if they’re not the best quality.)
(Also I want to make it clear that I don’t hate the movie nor its adaptation of these two. I do personally greatly prefer the book, but this post is not here to tear down the movie and exclaim that the book was way better. I just find it interesting how changing one event can have huge ripple effects!)
Part 1: The Graphic Novel (AKA: “My Boyfriend Shot Off My Arm Because of His Wild Ambition!”)
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Like I said before, we learn about the joust very early on; Chapter 2, page 5. It is told to us first via Ballister’s perspective. Nimona asks if she can kill Ambrosius while they’re making evil plans, and Ballister says no -- if anyone is going to kill Ambrosius, it’s going to be him. We then get a flashback to the joust itself.
Ballister explains how they were friends and how the joust was the first time they had been pitted against each other. Ballister won fair and square, but in his words:
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BALLISTER: “but Ambrosius hates to lose.”
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BALLISTER: “He always claimed it was an accident. No one could prove otherwise.”
BALLISTER: “Turns out the Institution had no use for a one-armed hero. I took the only other viable option.”
Ambrosius used a weaponized lance and blasted Ballister’s arm off. After the incident, Ballister was rejected by the Institution, and became a villain instead of the hero he had originally set out to be.
In Chapter 3 we see Ambrosius appear for the first time, and he and Ballister have a very relaxed sort of cartoon hero-villain dynamic going on. There’s definitely real animosity between them, but they don’t hesitate to simply talk casually to each other or help each other when things go south. It’s all pretty lighthearted and lowkey. 
They fight briefly, but after Nimona triggers the building they’re in to self-destruct, Ambrosius doesn’t hesitate to help Ballister escape and Ballister doesn’t hesitate to accept his help. Ambrosius even tries to reassure him that Nimona will be fine. After they make it out, with Nimona presumed dead, Ambrosius puts a hand on his shoulder and tells him to go before more guards show up. They may be “arch-nemesises”, but they certainly don’t act like it.
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AMBROSIUS: “Haven’t you missed our fights? We haven’t done this since you tried to clone the king’s daughter!”
BALLISTER: “Ambrosius, I really don’t have time for this.”
AMBROSIUS: “Are you trying to make me jealous?”
BALLISTER: “You’re an idiot.”
By the way, I’m not going to be doing a full breakdown of every single scene with them, don’t worry. I just think that their first interaction shows off their dynamic very well. This is presumably how they’ve been with each other since the incident, as it’s made clear both here and throughout the book that they’ve both been doing this for a while at this point. They have a very established dynamic, which is important as that is one of the big differences between the book and the movie. (I’ll get into that more later.)
Whenever these two interact throughout the book, it’s clear that they have very different opinions on the incident that drove them apart and how their relationship functions now.
Ambrosius tries to act like it was simply an accident and that it doesn’t matter. Ballister became a villain of his own volition, and now they are arch-nemesises who have to fight because that’s their job -- though he doesn’t exactly act like he hates Ballister. 
Meanwhile Ballister saw it as a deep betrayal, and while he definitely still cares deeply about Ambrosius, he cannot get over the incident as easily as Ambrosius can.
Their respective feelings about what happened are shown perfectly in the scene in Chapter 7 where Ambrosius invites Ballister to meet with him in secret. Ambrosius tells him that the Institution has ordered him to kill Nimona and begs him to send her away, both so he doesn’t have to kill her and so things can go back to “normal.” Ballister then says that Ambrosius gave up normal at the joust.
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AMBROSIUS: “I can’t believe you’re still hung up about that. It was a long time ago, you know.”
AMBROSIUS: “Besides, it was an ACCIDENT.”
BALLISTER: “I bet you’ve said that so many times you’ve started to actually believe it.”
Ambrosius insists it was an accident, and Ballister claims that he blasted off his arm because he couldn’t stand that Ballister was better than him. This sets Ambrosius off and they begin to argue.
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AMBROSIUS: “You can’t blame me for how your life turned out! You made the choice to turn evil!”
BALLISTER: “Choice? I never had a choice! The Institution needed a villain. That lot fell to me. I never chose it.”
BALLISTER “And it could just as easily have been you, had that “accident” happened differently!”
AMBROSIUS: “Oh please! Do you really believe that?”
AMBROSIUS: “You never had it in you to be a hero! Everyone always knew that you were going to be the one to go bad!”
Ambrosius has convinced himself that Ballister chose to become evil, and that he isn’t responsible for what happened because it was an accident. We later learn that it wasn’t an accident though, which means that this really is him just making excuses so he doesn’t have to accept responsibility.
Ballister brings up the idea of Ambrosius becoming like him again after they fight, in one of if not my favorite scene between them in the whole book:
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AMBROSIUS: “uugghh”
BALLISTER: “What if I cut off your arm right now?”
BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”
AMBROSIUS: “You wouldn’t.”
BALLISTER: “No, I wouldn’t.”
BALLISTER: “And I’m the villain.”
BALLISTER: “What do you suppose that says about you?”
Ballister and Ambrosius are both very complicated individuals, and I think they lose a lot of their moral grayness in the movie. (Which I will get to later.) 
Ambrosius is the “hero”, but it was his ambition that drove him to blast Ballister’s arm off, and he’s never accepted responsibility for it, instead trying to convince himself that Ballister turned out this way because of his own actions. But he doesn’t disagree here that the Institution would throw him out if he were to lose his own arm, which I think is very telling. He knows deep down that he is not a good person, and he is not working for good people. But he doesn’t want to admit it.
Ballister is the “villain”, but in many ways he is better than Ambrosius. He abides by his own rules of never killing unless it’s necessary, and goes out of his way throughout the book to make sure that as few people are harmed as possible. He knows that the Institution is corrupt, because he was one of the people it failed. And he works to try and bring it down. 
Ambrosius cannot accept what happened, and because of that they aren’t able to get anywhere. They both know it wasn’t an accident. But because Ambrosius cannot admit it, they are stuck like this.
It’s a fascinating part of Ambrosius’ character that though he is adamant about Ballister being the one to destroy himself, he still cares about him. Much more openly than Ballister does in return, in fact. Ambrosius consistently does whatever he can to avoid having to kill him and always seems to have his wellbeing in mind. While he initially refused to kill Nimona, revolted at the idea that he should be ordered to kill “a little girl”, he eventually agrees to do so, but only under the condition that Ballister would be spared.
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THE DIRECTOR: “Your motivations are quite transparent. I KNOW what the nature of your relationship was. I made it clear at the time that I disapproved. If your fixation on him has impeded your ability to do your job, then he truly has outlived his usefulness.”
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THE DIRECTOR: “We’ll find you a new nemesis. Perhaps you will be more competent without Blackheart as a distraction.”
AMBROSIUS: “I won’t kill him. If you demand I kill the girl, I’ll do it - but I won’t kill him.”
Despite him and Ballister’s separation being his fault, he is the one who wishes most for things to go back to the way they were.  And this is likely why he refuses to accept responsibility about the joust. If it were truly an accident, then there shouldn’t be anything preventing them from continuing to be together. By painting it as an accident, Ballister becomes the villain for refusing to move on and let things go back to the way they were, not Ambrosius.
But finally, after Nimona disappears and Ballister lets himself be captured, we get probably the most important scene between these two. Ambrosius has been demoted due to his failure to kill Nimona, and is now forced to guard Ballister’s cell. Ambrosius is at his lowest that he’s been throughout the story, disgraced and discarded by the Institution who he had always been so loyal to.
It’s notable that Ambrosius says here that they both know Ballister is not evil, since he has been paddling that idea this whole time that Ballister made the choice to turn evil. By admitting that he is not, it shows that he is both starting to turn against the Institution, and starting to be more honest about what really happened.
Naturally, after Ambrosius wonders how things ended up like this and reminisces on when they were together, Ballister once again brings up the joust. And finally...
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AMBROSIUS: “I- I never wanted to hurt you. I- I didn’t- It was-”
BALLISTER: “Don’t you dare try to tell me again that it was an accident.”
AMBROSIUS: “It wasn’t.”
...he admits the truth.
Ambrosius shares his side of the story, letting both us and Ballister in on what really happened that day. It wasn’t fully his fault -- the Director had called him into her office the night before the joust and told him that he had promise, that he was her choice out of the two, but that he had to prove himself against Ballister or that opportunity would go away.
On the day of the joust, Ambrosius received a weaponized lance instead of his regular one, which he instantly noticed. He asked what the Director expected him to do with it, and was told that she expected him to win.
To Ambrosius’ credit, he had no intention of using it, as he was confident that he would win. But the weight from the weaponized lance threw his balance off, and he ending up losing. And so...
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AMBROSIUS: “I wanted it, more than anything. You never wanted it as much as me. You were just BETTER, without hardly even seeming to try.”
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AMBROSIUS: “I don’t even remember- but I must have-”
[...]
AMBROSIUS: “I’m sorry, Ballister. I’m so sorry.”
To be fair, Ambrosius is not entirely to blame here. I doubt he would’ve come up with this idea on his own; he only acted on it because the Director had already given him the weaponized lance, and stressed the night before that the opportunities she dangled in front of him would not be given to him if he did not win. He was manipulated.
But he still made the decision to do it. He could’ve simply not used the lance. But he chose to. It is his fault.
It’s fascinating that the version of events Ambrosius had been swearing by this entire time is the exact opposite of what really happened. He claimed that it was an accident, he didn’t choose to do it, he had no choice, and that it was Ballister’s choice to become evil that caused all of this. But in reality, Ambrosius was the only one who got a choice here. And that choice is why their relationship was destroyed.
Ballister then brings attention to something even more damning:
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BALLISTER: “You’ve never said it before.”
AMBROSIUS: “What?”
BALLISTER: “You never said you were sorry.”
AMBROSIUS: “I- didn’t?”
AMBROSIUS: “Oh god.”
I feel like you could interpret this in a lot of different ways, but the way I see it, they probably didn’t see each other much right after the incident. Ambrosius was catapulted into stardom as the kingdom’s beloved knight, and Ballister became a villain. I don’t think they really interacted much until their hero-villain antics started up, so I don’t think Ambrosius really had a chance to apologize. And if he did, he didn’t think to. Regardless of why, I do think it is messed up that he never apologized, and it goes to show just how much this event destroyed the bond they used to have.
From here, there’s not too much, as Plot Stuff starts getting serious around this point. Ambrosius ends up betraying the Institution after they continuously attack Ballister to provoke Nimona, attacking the guards who are holding him. This is when Ambrosius finally chooses Ballister over the Institution, which is great for his character, but there’s not really much more than that to say about it.
He and Ballister plan together to try and save the kingdom, with Ambrosius being adamant that they have to kill Nimona while Ballister refuses to. It’s during this conversation that Ambrosius mentions that he “never did anything good [his] whole life”, which is really sad but also kind of accurate, and it goes to show how he’s finally accepted responsibility for everything he’s done and had a part in up to this point.
Eventually Ballister is able to find a way to nerf her and they split up, with Ambrosius wanting to tell him something in case they don’t see each other again, but Ballister shuts him down.
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BALLISTER: “We can’t do this now. Just... just promise me you won’t get yourself killed.”
It’s easy to assume this was something romantic and it likely was, but I imagine Ambrosius could’ve also wanted to say sorry again for everything. Perhaps it would’ve been a mix of both.
Regardless, they split up and climax stuff happens: Ambrosius attempts to kill Nimona but gets seriously injured, Ballister tries to reason with Nimona, etc. etc. Eventually at the very end, we see that these two have made peace and are together again, living on after everything. And that’s these two in the book!
Whew. I know that was a lot, but don’t worry. I won’t be going into as much detail about the movie’s version of events, as Ambrosius and Ballister have a much more cut-and-dry dynamic there than in the book. Their relationship in the original is very complex, so I wanted to make sure I covered all of those little nuances.
The joust is what defines their relationship and a lot of their respective characters; it is unimaginably important. Ballister became a villain because he lost his arm and was cast aside by the Institution. Ambrosius became the kingdom’s hero because he took Ballister out of the picture. They are unable to be around each other normally for very long because of their divided views of what happened. It is only after Ambrosius finally faces the truth that they are able to find peace together once more.
All of this is to say that it’s extremely hard to imagine what their relationship would be like in the graphic novel had the joust not happened the way it did. Which brings us to...
Part 2: The Movie (AKA: “My Boyfriend Sliced Off My Arm Because I Literally Killed Someone!”)
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Before we start, I want to again stress that I am not trying to argue that any changes made here are inherently inferior. I am merely pointing out the differences between the book and the movie that contribute to the overall dissonance I and many others have felt when it comes to these two across versions.
Right off the bat, we are greeted with the movie’s version of Ambrosius and Ballister’s backstory. Like was implied in the book, they appear to be together (or something along those lines) which is great to actually see. But it quickly becomes clear that the events here are far different.
Instead of a joust, it is a knighting ceremony. There is no competition between Ballister and Ambrosius here. Ambrosius is knighted and cheered for, and then it is Ballister’s turn. He is knighted and everyone is silent before breaking into cheers as well. And then...
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...his sword suddenly turns into a cannon and kills the queen. And in retaliation...
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...Ambrosius chops his arm off.
Now if you’ve listened to ANYTHING I’ve said so far, this should immediately set off alarm bells. Because this one little difference changes everything about these two’s dynamic.
In the book, Ambrosius shot off Ballister’s arm in order to win his position. It was an entirely selfish and evil action spurred on only by his uncontrollable want to be the winner.
But here, Ambrosius is debatably justified in his response. Sure, he didn’t have to be as drastic as slicing his whole arm off (and I know there’s symbolism there with how the kingdom has taught people to get rid of problems), but Ballister -- to him -- literally just shot the queen. The queen who Ambrosius has sworn to protect. It is completely reasonable for him to respond in this way. And that’s a huge difference.
By changing this, we already have a completely different situation. Ambrosius here didn’t particularly want to cut Ballister’s arm off, it was a reflex, a response to a sudden danger. (Not saying he wanted to in the book, but there he made the deliberate decision to do so. In the movie it seems much more like an actual accident -- an overreaction that he immediately regrets and, as we’ll see, continues to regret.) And there was justification for it. There was no justification for it in the book. 
Instead of an Ambrosius whose ambition caused him to commit an evil act of betrayal against the man he was closest to, we now have an Ambrosius who, in the heat of the moment, overreacted like he was trained to after Ballister seemingly betrayed him. We’ll see over the course of the movie how this affects things, but that’s not the only major change here.
As we figure out shortly afterward, the movie makes a huge change when it comes to how the story functions, and that’s the timeline of events. In the book, the joust and the subsequent fallout between Ballister and Ambrosius happened years ago. We don’t know how long, but it’s clearly been a while. Enough time has passed where they are fully settled into their roles as hero and villain, and they look significantly younger in the flashbacks as well.
Like previously stated, book Ballister has been a villain for a while. He is completely settled into this role and has been making schemes and having fights of the week with Ambrosius for a considerable time. He knows what he’s doing. He has his own way of doing things, and when Nimona inserts herself into his life much of their early dynamic is him teaching her how he does things. In the book, Ballister is the teacher, Nimona is the student.
But in the movie, this incident just happened. It's unclear how exactly long it's been, but judging from Ballister's arm being created and his wounds healing it's probably been around a month.
Regardless of exactly how long it's been, the point is that these events are still very fresh. Ballister seemingly has just been laying low, not villain-ing it up, and he and Ambrosius haven't seen each other since the knighting ceremony. This changes literally everything about Ballister’s character. This post is specifically about Ambrosius and Ballister’s dynamic and not a Ballister character analysis so I’ll try to keep it brief, but movie Ballister seriously could not be more different from the book.
Compare this to movie Ballister, who I’m pretty sure never knows what he’s doing ever, at any point. He was training to be a knight. He has seemingly never once questioned the Institution. Now he has suddenly lost his arm and been thrust out into the unknown of being treated as a villain, and he has no idea how to handle it. Then Nimona shows up, tells him “hey, the Institution sucks”, and eventually he ends up believing so as well. In the movie, Nimona is the teacher, Ballister is the student.
Book Ballister actively resents the Institution and has no doubts that what they did to him is wrong. He has been plotting their downfall for a while. Nimona, on the other hand, seems to be out of the loop when it comes to the Institution and seemingly only starts hating them after she finds out how they threw Ballister out. Again, I’d just like to stress how completely and totally opposite their dynamic in the movie is compared to this.
There’s also Ballister being a scientist and being much more jaded in the book, but that’s not really important for the purposes of this post. So alas, I shall move on.
This different timeframe greatly impacts Ambrosius and Ballister’s dynamic, and obviously it would. There is a huge difference between a falling-out that happened years ago and you’re both still bitter about, and a falling-out that happened very recently. This, along with the different course of events resulting in said falling-out, is what causes their dynamic to feel so alien.
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Also while talking about their early interactions in the movie, I’d just like to point out that while here Nimona is the one to assume Ambrosius is Ballister’s arch-nemesis and call him such, which Ballister doesn’t agree with, they were actually arch-nemeses in the book. Just something I noticed.
Something else I find interesting is later on, Ballister seems to be almost in disbelief about Ambrosius cutting off his arm and makes excuses for him.
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BALLISTER: “He didn’t cut off my arm. He disarmed a weapon.”
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BALLISTER: “It’s how we were trained.”
(Side note, but I wonder if book Ballister ever felt this way right after the joust? Did he try to convince himself it was an accident too, once upon a time? Did he try to make excuses?)
And to be fair, he is sort of right. Like I said before, Ambrosius’ reaction to Ballister seemingly killing the queen was debatably justified. While we’re obviously supposed to side with Nimona here and agree that Ballister should be more upset at Ambrosius for what he did, the movie definitely paints Ambrosius as more sympathetic overall. We see him freaking out internally about cutting off Ballister’s arm, and there is a lot of emphasis placed on how he and the others were trained by the Institution, inviting the audience to place more of the blame on the system that taught Ambrosius to act this way rather than him as a person.
And again, I’m not saying this is a bad thing! I love a good "taking down a corrupt system” story, and with the different circumstances of the movie it definitely makes more sense to play it this way. But in comparison to the book, Ambrosius is much easier to sympathize with. His character is changed from a very morally gray person who did something horrible and won’t admit it, to a pretty okay person who did something horrible and wholly accepts and bemoans that fact. He’s almost the opposite of what he was in the book.
So we have an Ambrosius who accepts what he did to Ballister and feels awful about it, and a Ballister who has no idea what he’s doing and is basically just being dragged around by Nimona. With both of them being basically the complete opposite of how they were in the book, is it any wonder that their relationship with each other feels so different when they themselves are so different?
Also, once again, the circumstances are very different. There is no Queen murder plot in the book, nor is their any attempt to clear Ballister’s name. A significantly different setting makes a difference too.
I don’t see a need to go into further detail about specific scenes in the movie as I think I’ve made my point clear. But going back to the movie’s lack of Ambrosius and Ballister’s already established hero-villain dynamic, I think these differences are made quite apparent just contrasting how they talk to each other. I mean, just compare these two scenes:
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AMBROSIUS: “What? You’re gonna kill me now too?”
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BALLISTER: “You believe that?”
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BALLISTER: “Then you never knew me at all.”
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AMBROSIUS: “uugghh”
BALLISTER: “What if I cut off your arm right now?”
BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”
AMBROSIUS: “You wouldn’t.”
BALLISTER: “No, I wouldn’t.”
BALLISTER: “And I’m the villain.”
BALLISTER: “What do you suppose that says about you?”
Their relationship in the movie is much softer and healthier than it was in the book. Their dialogue in the movie tends to lean much more towards tried-and-true “friendship betrayal” stuff; the wound of Ballister’s “betrayal” may be fresher, but it’s clear both of them love each other far more than they resent each other. In the book, it is the opposite. The movie could NEVER have the bar fight scene. It’s too ugly and bitter to fit these softer versions of Ambrosius and Ballister.
Part 3: Conclusion
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So, that was a lot. I hope it’s a little clearer now how big the differences are between these two’s dynamic in the book and the movie! Especially if you’re someone who is only familiar with one or the other. While I prefer the book due to me tending to prefer more complex and messy relationship dynamics, I totally understand the appeal of the more loving and healthy relationship Ambrosius and Ballister have in the movie.
To summarize, here are some of the main takeaways:
Ambrosius causing Ballister to lose his arm is completely unjustified in the book and happens due to Ambrosius’ wild ambition, while in the movie it is a debatably justified reflexive action in response to an active threat.
Ambrosius overall is portrayed as much more sympathetic in the movie, with the system itself being more to blame for what happened.
In the book, the main thing keeping them apart was Ambrosius’ refusal to take responsibility and admit what he did. In the movie, it’s a misunderstanding about Ballister seemingly turning evil.
In the book, Ambrosius and Ballister have a very established hero-villain dynamic with the joust having happened years ago. In the movie the “betrayal” is still very fresh, which leads to very different interactions between the two.
And that’s about it! Thank you for reading this very long post. And if you haven’t read the original graphic novel or watched the movie, go do that!!! Much love to ND Stevenson and the rest of the people who made this story come to life.
Let me know your thoughts in the tags or the replies! Which version do you prefer? Are there any other factors you feel have a significant role in why their relationship feels so different? Or do you think I’m totally wrong about this and they feel basically the same to you?
Either way, thanks again for reading and goodbye!
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readaspecbooks · 4 months
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Take the A!
A Monthly Book Club for Reading Aspec Books
The monthly aspec book club is here! Whether you're ace-spec, aro-spec, a combination, or neither, join us in reading a variety of reads featuring a-spec main characters across genres. With no set meeting dates and discussions segmented by chapter spans, you can read and discuss these stories at your own pace. Our selection process also seeks to ensure that each member gets to provide direct input when deciding each month's reads.
More information below the cut; Discord invite in the reblogs.
Signal boosts allowed and appreciated! :)
Our Mission Statement
Take the A is a book club focused on reading fiction books across genres with characters on the ace/aro-spectrum to help readers discover the wide variety of stories that feature these often overlooked identities. You do not have to be aspec to join, simply excited to read and discover new stories.
How It Works
Each month's read will be selected by a process consisting of a nomination and a voting round. Members have three opportunities to contribute to the selection process: (1) by nominating a book, (2) by reacting to nominations, and (3) by voting on finalists. Books can consist of novels, novellas, graphic novels, and webcomics; nonfiction reads, anthologies, and collections will not be considered at this time. When the month begins, channels will be opened segmenting the books into their parts, usually defaulting to three sets of chapters. Throughout the month, readers can participate in commentary and suggestions within these channels as they progress through the read at their own pace. Channels for previous reads will remain open for a three-month* period after the month finishes, allowing readers to go back if they missed it or continue discussion if they desire. *Subject to change depending on activity levels, community wants and needs, etc.
Kicking off February
In order to start slow for February (and to prevent people from having to scramble to find a book last minute), there will be no nominations or overarching read for the month. Instead, five free read aro short stories from across the internet will be voted on by users, ending February 4 at 8 PM ET. The first Nomination phase will begin for March in mid-February.
The link to the Discord and initial taglist is in the notes. Feel free to follow this account for group updates and book recs! Ask box is open for questions.
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jccatstudios · 2 months
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Hi! Im pretty sure someone already asked you this but I really want to know. When working on the comic, do you make a script for yourself or do you "just" work with the book as it is? I know that making a script adds another work to the already long list, but working with the book as it is seems really overwhelming (many words me not likey)
You know, I don't think I have answered this before! Not in-depth, at least. Here's how I do it.
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This is my extra annotated copy of the book (my original copy remains untouched). Got it used and as-is from Powell's. I also have a digital copy of the book when I can't bring this copy with me. I underline certain things I don't want to forget in the artwork, and write little notes to myself here and there. It's not shown on this page, but sometimes I cross things out that I won't/can't adapt like worldbuilding info and smaller flashbacks. If dialogue needs to be changed for lettering purposes, I do that when I'm actually making pages, not at the annotating stage. In the digital copy, I highlight character and setting descriptions to keep track of. This process is actually how I made my second graphic novel, which was an adaptation of a short story I wrote.
The ratio up top is my book page to comic page estimate. Last chapter's ratio was 10:21, which is in the ballpark of 3:7. With it, I've figured out how long each chapter and section would be just for fun. I even have a rough estimate of how long the entire book would be in comic format with nothing cut from it (try plugging in the numbers yourself if you'd like a fun surprise).
If this were a real professional project, I would write out a script myself. I'd want to keep the whole book in mind instead of doing it chapter by chapter. Working directly from the book for how things are structured is just a way to make the comic faster. Even thinking about the last chapter, I have ideas already for what I would change to create a stronger comic adaptation. For now though, I just go off the individual chapter to create something more one-to-one. This project has always been a way to improve my art and comic skills before I graduate, so doing structural rewrites to the story, even though that would be necessary for an actual adaptation, is out of the scope of this personal project I do outside of my classes.
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reel-fear · 3 months
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Bendy And The Power Of Representation
So those graphic novel pages huh? Seems I posted my cover post at just the right time because literally minutes after I was informed the preview pages came out and uh. This is Buddy and Norman!
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Oh dear... I'll put the full graphic novel pages down below but I have so much to say on how awful this is it'll need several posts. However, right now I want to mostly talk about representation and briefly touch on why it's so damn important + inform others about the current shit Mike and Meatly are saying about the books n such.
Now note: All the things I'm saying below are based on my personal experience, maybe some people don't care about seeing the representation of their identities in the media they consume. Maybe some will think I'm merely being dramatic and I might be but I'm not lying when I say I personally believe being represented and seen in the media you consume can be one of the most wonderful feelings in the world.
Look I'm not here to argue with people who think that Norman in particular was never meant to be a person of color, I would argue he is very coded but the points I'm making here are not about how Norman particularly had to be black. The point I want to make is the lack of diversity in our cast in general and how Norman's design has heavily dwindled it considering most people [including myself] rightfully assumed he was at least one of three black characters in our cast. Not according to this though and looking at the the rest of the pages our chances of seeing any kind of decent diverse character designs dwindle more.
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So firstly... Buddy a character who has been said to experience discrimination for being Jewish, lacks any kind of ethnic features at all. That's... Cool but yeah I think this shows a rather grim future for the character designs as a whole.
Also, Norman... As I mentioned he was largely assumed to be black due to his southern dialect, his voice, and other factors. But nope, he's a generic white guy. With... Gross looking hair tbh...
Sadly this is not the first time the topic of poor representation has come up concerning Bendy either.
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[note how he disregarded the other mentioned minorities and specifically cites LGBTQ+ characters]
This sucks as a response but sadly considering Mike's recent behavior it seems to fall in line with the Bendy team's general lack of care towards representing anyone who isn't straight and white.
So how did Mike respond to all of this? Well...
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TDLR - "Who cares if the Graphic Novel we're selling to our fans for full price sucks, we now no longer consider the books canon."
This is horrible, I know Mike and Meatly are only really in this for the money, the fact BATIM is in the state that it is proved that, but they really couldn't have been less obvious about it?
So basically when it benefited them, AKA when it meant people would have to buy the books to understand important lore like Boris' identity... [the character you spend all of chapter 4 trying to rescue] They were considered canon... At least the author sure thought so.
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Hell even in the tweet Meatly made here he doesn't say the books aren't canon, he just says they're not needed to understand Bendy's world. Now Mike is using that as a shield instead of doing the right thing and saying "You're right, the poc in our fanbase deserve better we'll have it fixed right away!" Like most reasonable people would considering how his studio has literally been accused of bigotry, poor rep, and general lack of diversity before. Why risk making more people avoid this franchise?
Also just... Imagine how insulting it would be to be an author who helps flesh out so much of this world and gives its characters depth like NONE of the games have managed to do, filling in plot holes, creating a timeline for events, etc... Then because they couldn't bother to change the graphic novel for ur story to be better they instead throw out all ur writing and declare it non-canon.
If I were her to put it bluntly I'd feel insulted and horrible. Why make her do all the work of making sure her works align with the timeline and game's canon if they're not part of it?
I can't speak for her obviously but Meatly and Mike know of her account, so speaking out against this could very much risk her being fired or at least not allowed to work on Bendy anymore... So I would take all her tweets on this situation with a grain of salt. She very much is not in a position where she could be honest if she was against this.
So with all that history now, the question I'm sure many are wondering is... Why does this even matter? Who cares how diverse the characters are when it doesn't affect the story?
Well for one thing, if you think like that consider having more empathy for your fellow human beings but also it does affect the story. One of DCTL's themes is about the bigotry of the period it is set in.
Now the Bendy team has managed to make the discussion of this book centering around their bigotry which is ironic in a way I almost find funny... Though this entire thing is just a bit too hurtful and upsetting to find any humor in, at least for me...
But another thing is representation can bring people such joy when it's done with care. It really shouldn't be understated how far it can go to make people feel more comfortable in their own sense of self to have a franchise choose to represent them and their experiences. I know this from personal experience.
Now if you've been following me for a while, you know I'm a big fan of Transformers. I no longer engage with it much due to baggage from the fandom's awful treatment of me, but before I left I remember being able to witness the release of Transformers: Earthspark first few episodes.
These introduced the Maltos the family who meets the Transformers and serve as our protagonists and guess what?
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It's a family of Filipinos!
Now look I'm not Filipino, but I am half Mexican and I have a lot of love for that part of me. So seeing the representation of any Spanish culture in this franchise I loved made me so happy! I remember just watching the first episode I was happily telling my partner how fun it was to see people like me and my family in a world I love!!
But it didn't end with the Maltos in fact... There was another character who spoke to me, their name was Nightshade. Their pronouns are They/Them and they spoke about it on the show! Not just mentioning it and moving on but actually sitting down to speak about their experiences...
This clip in particular really turned them into an absolute favorite among fans and well... I'll let you see it for yourself.
This scene... Fills me with a joy I cannot describe. It is the creators of a franchise I love telling me they see people like me and find the stories of people like me important enough to include in this series. There really is nothing like being able to say there are Non-Binary characters in a franchise I have so much love for. I was far from the only one too.
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This is amazing, this is wonderful, this clip and character were moving to so so many people and...
This is a joy the Bendy creators have no interest in giving their audience. They don't care how you feel as a queer and/or black person, which... Hurts...
I... Discovered I was trans while in the Bendy community... It was where I learned the word Non-Binary and started using it for myself. To me Bendy will always have that connection... But the devs themselves seem to hate the idea of being forced to actually represent that in their games... And I still haven't really gotten over that pain or betrayal if I'm being honest.
So...
With Norman now being portrayed as white here, we are down to two black characters. Thomas [who Meatly has claimed is white in the past] based on a vague conversation with Sammy in DCTL they could easily ignore... And Jacob.... A book exclusive character which according to Mike means he is non-canon.
If we don't count Thomas' vague talk with Sammy about disrespect as confirmation he's black [which the devs don't seem to think so] then we have one black character in all of Bendy... And he recently got retconned into non-existence. Great.
Look... The Bendy fanbase has always been full of wonderfully diverse designs for the staff and even more diverse people creating them. Bendy's fandom was built with the work of queer people from all kinds of places.
If the Bendy team continues to show how little they care for anyone who isn't straight or white... I wonder who they are counting on to buy this book or in general financially support their franchise?
I know right now, I am furious, I am hurt and I most certainly don't feel like buying a book that's currently just a massive fuck you to the fans and I hope I've expressed why I feel this way in an easy-to-understand way here...
Either way, I will not be forgetting this anytime soon and I hope the fanbase does the same. Maybe just maybe, if there's enough backlash to this series of horrible decisions they'll learn better.
Right now, it's kinda of our only hope for a better future, and if you know any poc who are into Bendy right now... Maybe consider making sure they're feeling okay.
I know from experience how much this sort of thing hurts, to have the creators of a world you love straight up tell you they don't intend to fix the fact no one in their stories represents your identity or life...
What I'm trying to say is...
This is a really low point for Bendy and its fans... Even more for the poc who have to witness such ignorant and careless attitudes from Mike and Meatly towards their feelings.
Please don't forget them when you discuss these tweets or this situation. That's exactly what Mike and Meatly want right now.
For them to be unrepresented and therefore... Unheard.
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kenananamin · 7 months
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A Storyteller's Biggest Fan
Summary: Nanami loves listening to you speak. You fill a silence he has never been able to fill himself, so when he sees you getting into the A Court of Thorns and Roses series, he’s ready (and excited) for the rambling to start. fluff, nanami is a very patient man, obv major acotar series spoilers (a/n: i was in the car w/ my bestie for 3 hours after a movie and we talked about a bunch of stuff and that included me rambling about acotar lmao so here's what i think nanami would do in a rambling session)
Nanami's bookshelf was... uniform. He enjoys non-fiction, good biographies and autobiographies, and a whole lot of business themed books. There might be a few poetry, fiction, or self-help books scattered in the mix but the bookshelf as a whole looked the same.
Your bookshelf on the other hand was very very different. You enjoy similar things as Nanami but your bookshelf is packed with fiction, crime and mystery, historical fiction, graphic novels or comics, some horror, and very recently... fantasy. Fantasy was interesting but you never saw yourself digging too deep into any fantasy lore. You never really enjoyed stories where a powerful creature hundreds of years old is yearning to love a small and fragile human... at least until now. You accidentally fell into the world of fantasy when one of your favorite youtubers made a video on a a series you've seen everywhere but never picked up for no particular reason.
But now... your days were filled with the damn series. Nanami had noticed that you had been too quiet and on your phone much more than before. He wondered if he had done something wrong but you quickly shut down that idea and tell him you've been completely enthralled by the ACOTAR series. You had found a fan made audiobook and checked out the e-books through your community library which is why you were on your phone much more than before. You pull out your phone to show Nanami the book and give a small summary on the books. He laughs at what he can obviously tell is contained excitement but tells you that you shouldn't be so secretive or shy with finding a fantasy series you like.
The next day, Nanami stops at the bookstore to buy the series for you. He had to look up the series and check he wasn't missing anything and double checked with the cashier that those five books were the complete series. It was very different than anything Nanami had ever bought but he flipped through a few pages to get a taste of what you were reading.
The next week was filled with acotar content not only for you, but for Nanami as well. He would hear you listening to the fan-made audiobook while you cooked on your nights and would sit across from you as you cooked to listen to a few chapters with you. He liked seeing your eyes widen at the new revelations and your almost inaudible gasps at some trials that the main character was being put through. Nanami would ask a few questions throughout to try to stay in the loop but he'd mostly stay quiet and watch you instead.
It was part of your daily routine to go to the living room couch or your bed after some meals where you would either watch something or grab your own books to read over tea. Nanami grabs his book and looks over to your phone to check if you were on the first or second book. After confirming, he grabs the second book and returns to the living room. He sits on the couch, puts his book on one side and reaches for the mug of tea you're giving him. He gives you your book and extends one arm on the back of the couch so you can lean on him as you read. Reading was a quiet activity but he appreciated every second of silence that would let him listen to your calm breathing and slow sips of tea.
After a while of reading, Nanami puts his book down and takes off his glasses. His eyes were tired and didn't feel like reading anymore. But he didn't want to move, he wanted to stay in that position so he asks for you to read your book aloud. You turn in his arms and ask if he's sure, you knew fantasy wasn't his cup of tea and you didn't want to force him through anything. He nodded and smiled so you turn back around and start reading.
"Oh yeah she's illiterate, that's kind of important. But Rhys teaches her how to read and write, it's kinda hot but ok whatever," Nanami laughs as you interrupt reading the book to give explanations as to why certain things are happening. It's been over an hour since you started reading and Nanami's planning on letting you continue until you stop yourself.
———
Almost a week after Nanami bought the books, you were completely done with the series. You would try to keep your rambling short if Nanami asked about it but you wanted nothing more than to talk about this whole series. After finishing the books, Nanami noticed you would use the quiet reading time to look up theories and read through ungodly amounts of reddit threads.
"Don't you want to talk about it?" Nanami asks.
You turn in his arms, "Talk about what?"
He points to your phone with his head, "About the books. You can tell me about the books and the theories and well — everything."
You lightly laugh, "Well it's interesting and I really really like it but I know this isn't your cup of tea, Ken. I don't want to force you through anything fantasy."
Nanami puts his book down and grabs your phone from your hand to put on the bed. He sits up straight against the headboard and says, "You're not forcing me through anything. I want to listen to you talk about it. Now go, start."
You smile wide, knowing he's genuine in wanting to hear about it.
Oh god, I hope he doesn't regret it, you think before sitting next to him and starting.
———
"And they're mates! He had visions of her even while he was under the mountain and she was on mortal lands! And the visions got clear when she crossed to the spring court!" You fall back on the bed to kick your legs up in the air and continue, "And she always felt him! She didn't know what it was then but she would describe a shadow looking over her and that was him, it was RHYS!"
The more you talk about this series, the more invested Nanami is becoming. He had to put down his mug of tea because he kept shifting all over his side of the bed in anticipation. One thing about you, you can recall a whole story with all important details and tell it to anyone. Considering how important details seem to be in this story, Nanami is happy that you're the one telling this story.
It had been a while since you started your recap. You had snuggled up in bed after lunch and it was now pitch black outside. Nanami didn't mind, he would just pass the mug of tea if he thought your mouth was getting dry and let you continue.
"Tamlin fucking gave up Prythian to Hybern to get Feyre back. Literally sold out every single court and fae and human for Feyre. So now there's a bleeding Cassian and Az on the floor, Tamlin is standing there like it's a regular Tuesday and he didn't betray Prythian, Lucien — well hold on, I like Lucien, that's my boy," Nanami laughs but let's you continue, "but he's there too and the king tells the guards to bring them in. Guess who, GUESS WHO COMES IN?!"
Nanami sits up and tries to actually wonder who, "Amren? Tarquin? The girl from summer? Umm... the weird uncle from the court of nightmares?"
You shake your head as your answer, "No, babe, it— oh my god," You sit up on your knees and ask if he's ready, "babe, it's fucking Nesta and Elain." Nanami's jaw drops and his eyes move wondering if he's missed a detail. "The king fucking brought them to Hybern and he's going to throw them into the cauldron to turn them into FAE. KEN, THEY'RE GOING TO BE MADE INTO FAE, FEYRE'S SISTERS ARE GOING TO BE MADE FAE AGAINST THEIR WILL. AND LUCIEN FINDS OUT ELAIN IS HIS MATE AFTER SHE COMES OUT FROM BEING THROWN INTO THE CAULDRON. AND NESTA IS SO PISSED ABOUT IT ALL SO SHE TAKES SOMETHING FROM THE CAULDRON, SHE'S FAE BUT SHE'S DIFFERENT AND THIS COMES BACK UP LATER. AND CASS AND AZ ARE STILL BLEEDING ON THE FLOOR DURING ALL THIS."
Nanami is running his fingers through his hair, visibly stressed about the state of the Illyrians, the middle sister finding her mate in Lucien and the eldest sister becoming something different. You continue to tell him about the end of the second book and he also ends up on his knees in front of you. If anyone were to walk in, they would see you both kneeling in the middle of the bed, you shouting as you excitedly tell the story and your hands gathered between you, almost as if you were both praying to each other.
"So Rhys winnows his group back to night after Feyre's burst while Tamlin takes Feyre back to spring. But guess what?" You inch even closer to Nanami, "Feyre did not lose her mind in Hybern, she's still Feyre and she ends the book by saying that the high lord of spring has just brought THE HIGH LADY OF NIGHT TO HIS COURT, BABE — KEN, SHE'S A SPY! THE FIRST HIGH LADY OF PRYTHIAN EVER AND SHE'S COME TO WRECK SPRING!"
Nanami mirrors your excitement and stands up with you on the bed as you lightly jump. You're still rambling about Feyre and Rhys's wedding and secret ceremony to make her high lady but Nanami is more focused on the vein slowly popping out on your neck. You're yelling, you're excited, your hair is flopping around while you jump and your hands are moving left, right, up, down, to your face then his chest, you're excited. God, Nanami loves your excitement. He loves the sight and sound of your pure unfiltered excitement.
"So that's the second book, what about the third book?" Nanami holds your forearms as he asks.
You turn to look at the clock and notice it's way too late to start the third book. You know yourself and once you start on the third book, you will want to keep going. You grunt and throw yourself back on the bed. You're face down on the bed and kicking your feet when Nanami kneels back down and strokes the back of your head. You turn your head and say, "The second book is my favorite but god I can talk about the third one for a long time," you sit up to ask, "what if we start the third book tomorrow? I'll start early so I don't keep you for too long or too late like today."
Nanami smiles and lightly runs one finger over your lips, "We can start the third book whenever you want. I don't mind staying up, it's not like we have anything to do tomorrow."
He leans to give you a small peck and pulls away to sits cross-legged on the bed with a pillow on his lap, ready to listen some more. You smile and raise your eyebrows, silently asking if he's sure. He nods and laughs as he motions to continue with his hand.
You sit cross legged in front of him and grab another pillow to pull onto your lap. You take a moment to decide where to start the third book, "So Rhys barely told the inner court about their first ever high lady, and everyone in spring thinks that Rhys went into Feyre's mind and manipulated everything."
Nanami nods and smiles across from you. You begin to ramble on about the third book and there is literally nowhere he would rather be. He mentally makes plans to heat up the leftovers or maybe pop in a pizza in the oven if he hears your stomach growl.
My storyteller. I love my beautiful little storyteller, Nanami thinks as your rambling fills the apartment again.
———
(a/n: honestly y’all i love my bestie so much, i told her everything in that car from acotar to creating this account lmao, i love you girlypop, thank you for letting me ramble about an illiterate character and my favorite bat boy 🥹 also anyone please message me if you’ve read acotar, i want to talk about it and see what others think lol this story might not get any attention and thats fine, i just wanted to express my love for my two favorite things rn (nanami and acotar lol))
OH AND ABOUT THE FAN-MADE AUDIOBOOK— PLEASE check her out, her youtube acct is The Reading Hag Returns and she single-handedly got me obsessed with this series. Here’s the playlist for the first book 🤭 https://youtube.com/playlist?list=PL2oTNYiJ-4JDcEYd99snnkdjXa2kK9z6i&si=9CQDcNAL6RuXHBAA
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oftenwantedafton · 6 months
Text
Often Wanted Afton 
Five Nights at Freddy’s
Fan Fiction Masterlist Part 1 (Part 2 here)
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Welcome to my ever growing collection of FNAF William Afton and Reader themed stories featuring dark romance, older man/younger woman dynamics, angst, and, of course, smut. The majority are intended for 18+ viewers. All characters are 18+. Please see ratings and warnings. Thank you for reading and enjoy!
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Completed Works
Wanted - Teen
William Afton/Steve Raglan x GN Security Guard Reader (FNAF movie verse)
One shot on Tumblr | AO3
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Marked - Explicit
CW - sexual content/minor blood and violence
William Afton/Steve Raglan x Female College Student Reader (FNAF movie verse)
Tumblr Chapter 1 | 2+3 | 4
AO3 Chapter 1 | 2 | 3 | 4
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Trapped - Explicit
CW - non con/blood and violence
William Afton/Steve Raglan x Female Detective Reader (FNAF movie verse)
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AO3 Chapter 1 | 2 | 3 | 4 | 5
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Craving - Mature
CW - blood and gore/ mild mature sexual content
Vampire William Afton/Springtrap x Urban Explorer Female Reader (FNAF novel/graphic novel verse)
Tumblr Chapter 1 | 2 | 3 | 4 | 5 | 6
AO3 Chapter 1 | 2 | 3 | 4 | 5 | 6
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Secret Santa - Explicit
CW - sexual content
Steve Raglan/William Afton x Female Secretary Reader (FNAF movie verse)
One shot on Tumblr | AO3
New Year’s Eve - Explicit
CW - prostitution/daddy kink/sexual roleplay
Steve Raglan/William Afton x Female Sex Worker Reader (FNAF movie verse)
One shot on Tumblr | AO3
An Open Book - Explicit
CW - sexual content
Author Steve Raglan/William Afton x Bookseller Mike Schmidt AU (FNAF movie verse)
One shot on Tumblr | AO3
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Pas de Deux - Explicit
CW - sexual content/mentioned pregnancy/referenced character death
William Afton x Female Ballerina Reader (FNAF game verse prequel)
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AO3 Chapter 1 | 2 | 3 | 4 | 5 | 6 | 7
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Ongoing Works
Night Shift - Explicit
CW - non con/dub con/sexual content/bisexual characters/blood and violence
William Afton/Steve Raglan x Mike Schmidt x Mike’s GF Reader (FNAF movie verse)
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AO3 Chapter 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8
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Vent - Explicit
CW - childhood trauma/mental health issues/sexual content/blood and violence/blood kink
William Afton/Steve Raglan/Springtrap x Female Reader (FNAF movie verse)
Tumblr Chapters 1-3 | 4-6 | 7-10 | 11-13 | 14-17 | 18-20 | 21-23 | 24
AO3 Chapter 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24
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punkshort · 10 months
Text
Chapter warnings: graphic descriptions of violence, death, blood, language, alcohol, sexual tension etc :)
A/N: I needed to give these poor characters a break lol
Chapter Thirteen
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Pairing: Joel x F!Reader, pre-outbreak and post outbreak
AU (the only thing I kept was the outbreak, Joel, and Tommy's characters. Joel's backstory is different, and the way he finds Jackson is different. I may include Ellie one day, I just haven't planned that far)
Fic Summary: You worked for Joel and Tommy a few months before the outbreak. The outbreak happens, and you and Joel get stuck traveling the country and keeping each other safe. Neither of you spoke about the feelings you had for one another pre-outbreak, and in a post-apocalyptic world, it seems like survival should be your only focus. But feelings can't be ignored forever.
Fic tags: Explicit Smut (18+ MDNI), Smut, Language, Canon-Typical Violence, Alcohol Use, Age Difference (Reader is 10 years younger than Joel), slow burn, mutual pining, angst, trauma, SA referencing later but I will put a big warning on those chapters
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April 2004
Spring was in the air and the days were getting warmer, which meant you both needed new clothes. You rifled through the closet of the house two doors down, tossing clothes that were both your sizes onto the bed behind you. Whoever lived in the house you were currently staying in was much larger than you and Joel, so you made rags from their clothes, and you ended up searching inside the house down the street.
In the past two months, neither of you had seen an infected or a living person unless you left the area to explore the nearby town. You were beginning to feel like the two of you were living in a little bubble, completely cut off and alone, and it was wonderful. You let yourselves relax, laughing and joking, and you felt comfortable going out by yourself to explore the neighborhood. The houses were practically untouched and stocked with all kinds of food that you could use, and Joel felt confident about starting a fire in the seclusion of the forest. You would make dinner together at night, and afterwards you would play cards, read, or do crosswords in front of the fireplace. It was overwhelmingly domestic and peaceful.
Joel had originally said he wanted to stay there until you were healed and the weather warmed up, but it's been a couple weeks of spring and he hadn't suggested leaving yet. You didn't bring it up because it was as close to normal as you thought you would ever feel again, and you were scared to let it go.
Almost every morning, you woke up with Joel's arms wrapped around you. You were both so used to it by now that it no longer felt forbidden, but it was expected. There hadn’t been another charged moment like that morning in your childhood bedroom, but there had been a few moments here and there that caused your mind to wander. Like when you would make dinner together in the kitchen and Joel would slip by you, gently placing his hands on your hips as he brushed past while you prepared food, or when you sat together reading in front of the fireplace and he draped his arm along the back of the couch, his long fingers grazing your shoulder.
You became an expert at avoiding your feelings for him, so you never acted on those moments. Instead, you distracted yourself with the new world around you. Joel would spend much of his time during the day hunting in the forest and gathering wood for the fire, and you would explore each house on the street, first for supplies, and then for entertainment. You had found a romance novel tucked into the bedside table of the house you were currently rummaging through, deciding at the last minute to bring it back with you for something to read.
You tucked the book in the back of your pants and grunted as you lifted the pile of clothes off the bed. Your wounds had healed pretty well, but you were still a little stiff and you had a few nasty pink scars along your ribs to show for it. You wandered down the street, barely able to see over the clothes, as you made your way back to your white house with blue shutters. Joel had been resting in a rocking chair on the front porch, waiting for your return, when he saw you struggling with the clothes. He jogged down the stairs to meet you halfway and grabbed some from your arms.
“Thanks,” you said, readjusting the clothes as you made your way to the house. “When did you get back?”
“’Bout ten minutes ago. I got lucky early and got us a small doe, probably just a yearling. I got it in the garage, I’ll skin it later.”
“That’s great, we haven’t had venison in a long time,” you said, climbing the stairs up to the front porch. You dropped the clothes unceremoniously on the couch in the living room, deciding to tackle the sorting later.
“What’s this?” Joel asked, yanking the book from the back of your jeans. He glanced at the cover, his eyes widening, and he shot you a teasing smirk. You huffed and tried to tug the book from his hand, but he was too quick, dangling it above your head and then turning around so he could thumb through the pages. He stopped on a page and skimmed a quick paragraph, giving a low whistle. You wrapped your arm around him trying to grab the book, but he anticipated it and twisted away, taking a few steps backwards as he continued to read.
“This is dirty!” he teased, and you felt your face flush.
“I didn’t know what it was, I just grabbed it for something to read!” you lied, lunging forward again but he held his arm out and tucked the book behind his back. You grumbled irritably, your hands on your hips as you glared at him. He tsked at you and waved his finger back and forth.
“Liar,” he said, grinning as you felt another wave of heat roll over your skin. “You’re blushing, you knew what this was.”
You had enough of him embarrassing you now, so you decided two could play that game.
“Fine, maybe I did,” you said, narrowing your eyes at him. “A girl’s got needs, you know.”
You smirked as you watched his teasing grin fade instantly from his face. His gaze darkened as he regarded you for a moment. You stood your ground, hands still on your hips and looking at him defiantly but you could feel your fast heartbeat and the butterflies in your stomach betraying you. He took a step towards you, then another. You played it cool, refusing to break eye contact and let him win, but you couldn’t stop from swallowing nervously. You tilted your head back to continue to meet his gaze once he came to a stop right in front of you. Now that you were up close, you noticed there was a slight pink flush dusting his cheeks. His lips were parted, and you swore he was breathing faster than normal.
“Is that right?” he murmured to you now, his voice unmistakably heavy with desire. You didn’t trust yourself to say anything without it coming out three octaves higher than normal, so instead you slowly nodded your head.
You must have parted your lips without knowing it because he finally broke eye contact to look down at them hungrily. You shifted your weight slightly as you felt your arousal pooling in your underwear. You dropped your arms to your sides and rose to your tip toes, slowly leaning up towards his face. He could smell the soap you used this morning and felt your exhale tickling his neck as you rose higher. He was practically in a trance as his eyes fluttered closed and he leaned down a fraction, eagerly awaiting the feel of your mouth on his.
Once his eyes shut, you swung your arm out and snatched the book from his hand, jumping back and holding it in front of you triumphantly. His eyes snapped open and he held back a groan, the look of disappointment evident on his face.
"That wasn't very nice," he said. His whole body was on fire, and he prayed you didn't notice the growing erection through his jeans.
"Aww," you gave him a teasing frown and pout, tapping the book on his shoulder as you passed him, "don't worry, I'll let you borrow this when I'm done."
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After dinner, you and Joel settled into the living room like you always did, today choosing to play cards in front of the fireplace. You were closely examining your hand and struggling to remember the rules of poker Joel had taught you last week. Joel watched you as your brows furrowed and you shuffled the cards around.
"Hey," he said softly, placing his cards facedown and putting his hand out to push yours down as well. You looked up at him curiously, dropping your hands to your lap and fidgeting with the hem of your shirt. "Can we talk about somethin'?"
Your breath caught in your throat when you saw the softness behind his eyes and heard the tone of his voice. This is it, we're finally going to talk about it.
He sighed and leaned back in his chair. "I've wanted to talk to you about this for a while, but I wasn't sure how you'd feel about it," he began, and your heart started thudding in your chest. "Just know that we can do whatever you're comfortable with," he continued, your eyes widening. Holy shit. He took a deep breath and leaned forward on the table, inches away from your face. You thought you were going to pass out from how fast your pulse was racing. "What do you think about gettin' a CB radio?"
You froze, not sure you heard him correctly.
"What?" you asked, your voice cracking.
"A CB radio," he repeated, leaning back in his chair again. "I bet either the fire department or the police station in town's got one. Figure we can listen in on one, maybe there's other survivors, communities... maybe we can even find Tommy."
"Oh!" You said, shaking your head to clear your mind from the wrong direction your thoughts had gone. "Yeah, sure, let's do that."
"I know you really like it here, and I do too," he said, picking his cards back up, "but it's not safe to stay here forever. We gotta have a plan. People'll eventually find us here. Call." He pushed a red button you were using as poker chips into the center of the table.
You nodded and bit your lip, looking back at your cards. You let out a shaky breath, your adrenaline still rushing through your veins.
"You alright?" Joel asked you innocently, noticing you were jittery.
"Yep, I'm fine," you said, sounding clearer now. "I fold." You tossed your cards face up on the table and leaned back as Joel swept the pile of buttons into his hand.
You yawned and stretched your arms above your head. "I think I'm gonna go get ready for bed." You stood and picked up your flashlight to make your way upstairs.
"Did ya think I was talkin' about somethin' else?" He asked lowly, right as your foot hit the first step. You whipped your head around to find him smirking with his arms crossed in his chair. Your jaw dropped and he winked as your cheeks began to feel hot.
"That wasn't very nice," you repeated his words back to him before ascending the stairs to bed.
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New Virginia, Iowa was a very small town that consisted of a few churches, a library, a handful of restaurants and a post office. The whole town appeared deserted except for a few infected, most of which the pair of you took care of when you first explored the town back in March. Joel had trouble trying to break into the front door of the police station, so you tried your luck with another entrance attached to the small parking garage. You shifted your backpack on your shoulders as you waited for him to jimmy open the lock. Whenever you left the safety of your house you always made sure to pack both your bags with all your necessities. Even though the past couple months have been quiet and relaxing, you refused to let yourselves be caught off guard. You brought your supplies and weapons with you whenever you left the neighborhood, never knowing for sure if you would have to make a run for it one day.
You glanced around the parking garage once again before hearing the telltale click of the lock breaking.
"Shit," Joel whispered harshly. You turned back to look at him and saw blood dripping down his palm. You dropped your pack to the floor and rummaged around for a handful of rags, pressing one into his hand before digging for some rubbing alcohol. You both sat down on the floor, his hand held out to you while you gently cleaned his cut, first with some water, then with the alcohol. He hissed at the sting and clenched his eyes shut while you pressed a clean rag against the cut and squeezed his other hand comfortingly.
"I'm sorry," you whispered, removing the rag to assess the damage. He opened his eyes and watched as you tended so delicately to his injury. He stared adoringly at your face while you were distracted, taking in the way you bit down on your lower lip in concentration, the loose strands of hair that dangled in front of your eyes, the little frown your brows made. He had been so distracted that he didn't even notice you were done patching him up. You looked up at him and smiled.
"Good as new. Well, I think, anyway. Cut doesn't look that deep, I don't think you need stitches." He looked down and saw you had expertly wrapped his hand tightly with a couple of rags. He flexed his fingers as he tested his mobility.
"Thanks," he said, standing back up and looking back down on the floor at his broken hunting knife. He sighed. "I really liked that knife."
"We can find you a new one," you said, pushing the door open a crack to listen inside. You pushed it open all the way and scanned your flashlights over the room. As expected, it was empty. You both walked past a few desks towards the back of the room, opening up each door until you found a gun locker. You were about to offer to work on the lock instead but Joel walked up and the door swung right open. He turned back to you with his eyebrows raised and shrugged.
“Small town, I guess,” he said, looting around for more ammo and then pulled out a handgun. He checked that it was loaded and handed it to you, remembering yours was stolen from your house after you left it with Tim and Lucy. You double checked the safety was on and shoved it in the back of your jeans, pulling your light jacket over the top. Joel couldn’t find any knives, but he did find two retractable police batons. You tested it out with a flick of your wrist, the baton extending instantly in your hand, then collapsed it so it would fit in your jacket pocket.
You left the armory and went to explore the police chief’s office where Joel found a CB radio on top of a filing cabinet next to the desk. He flipped it around to examine it, then picked up the transceiver and microphone, shoving it into his pack.
“Maybe we can find a car battery in the parking ramp before we go home, get this thing workin’," Joel said, but all you heard was the word home. You grinned like an idiot once his back was to you, leading you out of the police station.
Joel pried open the hoods on the cars remaining in the parking ramp, trying to find a battery that still had power and was in good condition. You yawned and meandered around the corner, looking for something to occupy yourself while he worked. You saw a car with the passenger door open and what looked like duffel bags inside. You glanced at Joel over your shoulder, his head buried under the hood of a red sedan.
“I’m gonna go take a look at this car down here, see if there’s anything we can use,” you said. He turned around and looked at the car you had pointed out. He nodded before saying, “Be careful.”
He was muttering to himself as he unhooked yet another dead battery when he felt the cold metal barrel of a pistol press against the back of his head.
“Don’t say a word, or we kill the girl,” a deep voice said quietly behind him. We. He froze and swung his eyes around frantically, trying to think of anything he could do to get the upper hand. He glanced down at the revolver on his hip, but the man behind him already saw it. “Two fingers. Pick it up slowly, and hand it over. Slow.”
Joel did as he was told, his heart slamming against his ribs as he listened for any indication that you were hurt.
“Stand up, turn around, hands in the air,” the man said, and again, Joel obeyed. He was faced with two men, one of which was now sheathing his knife in favor of Joel’s revolver. He looked behind them, trying to spot you by the car you said you were looking through, but you weren’t there. He began to panic, and his vision narrowed.
“Take whatever you want, just don’t hurt her,” he said gruffly to the men, but his eyes gave away how fearful he was. They chuckled, slinging Joel’s backpack over their shoulder along with the rifle he had set down next to it. “Please,” he tried again, begging.
“Don’t worry,” sneered the man holding his revolver. “We got a friend taking real good care of her.”
Before Joel’s mind could even process the implication, he heard a man’s wild, high-pitched scream coming from the other end of the parking ramp, around a corner none of you could see beyond. The two men exchanged nervous glances, then one single gunshot rang out, echoing over the concrete walls. The men stared at the corner of the garage, guns still aimed on Joel, waiting to see who had pulled the trigger.
Joel tried to control his panicked breaths until he saw you round the corner with a look of anger and determination on your face. In one hand was your handgun, and the other was reaching into your jacket pocket, flicking open the police baton. Your eyes were glued to the two men threatening Joel, your jaw clenched, and nostrils flared as you suddenly picked up your pace and made a beeline towards the one holding Joel’s revolver.
Joel could tell you had surprised them with your bold plan of attack, so he took advantage of it and lunged forward, tackling the man who originally held a gun to his head. He knocked the gun out of his hand, and it skidded under a parked car. Joel began mercilessly beating the man’s face with his fist, watching as he broke his nose and then his jaw, only stopping when he noticed his own blood began to flow from his knuckles and the injury on his palm. As he stood up, he pulled the knife from his boot. The man’s eyes shifted towards the knife and then back at Joel with a wild look in his eye.
“No! No, no, no, please, I’ll –“ before he could finish, Joel rammed the knife into the man’s chest with a grunt. He made sure he was dead before pulling the knife out and stumbled in your direction, but as it turned out, you didn’t need any help.  You had the other man on the floor with your foot on his chest as you removed your own switchblade from the side of his neck.
You turned around, gasping for breath from the exertion, and wiped the blood from your face with the sleeve of your jacket. Joel strode right up to you and yanked you into a tight hug, pressing the side of your head against his chest. You could hear how fast his heart was beating as you wrapped your arms around his waist and closed your eyes. He finally allowed you to pull back, but he held your face in both his hands, looking you up and down for any injuries.
“I’m fine, I promise,” you told him, covering his hands with your own and gently tugging them downward. You folded the switchblade and baton back up and put them away before leaning over and picking up Joel’s revolver, along with the dead man's knife. “Told you we'd get you a new one,” you joked, trying to lighten the mood as you could tell Joel was still shaken from the fight.  He let out a small chuckle before picking up his belongings.
“What the hell did ya do to that guy to make him scream like that?”
“I stabbed him in the balls,” you said, glancing sideways at him and catching the wince on his face.
“Fuck the battery, let’s go home,” he told you, wrapping an arm around you for one more half hug before heading back out the way you came.
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Once you got back to the house, you each took a turn washing the blood and grime off your bodies before preparing some venison to eat for dinner. You had made a packet of instant mashed potatoes and you shared a can of green beans as you settled on the couch to eat. Halfway through the meal, Joel's eyes lit up and he turned towards you.
"Wait here, I forgot I found somethin', I'll be right back," and he headed out to the attached garage to bring back two bottles of white wine. You gasped, grabbing them from his hands to look at the labels in the light of the fire.
"When did you find these?" you asked, still in shock.
"Couple days ago in the basement of the green house. I was settin' them aside for a special occasion, and seein' as you kicked so much ass earlier, I figured today is that day," he said, heading into the kitchen to find a corkscrew and glasses.
"Well, I don't know if I kicked ‘so much’ ass, I think I kicked an average amount of ass," you giggled, sitting back down to finish your meal as he poured you each a glass. You tried to ignore how casually you spoke about killing other people as you gratefully took a glass from his hand, taking your first sip and letting a moan escape your lips. Joel smiled and went back to finishing his dinner, trying to ignore the sound you made.
Your plates long discarded and on your second glasses of wine, you insisted on properly bandaging the cut on his palm, now that the bath he took had washed away all the dried blood. You tipped his hand towards the light of the flames as you diligently sanitized the cut again before sticking a big, rectangular bandaid over it.
"Maybe you should take some antibiotics," you said, gently running a finger down the bandage. "That parking ramp was filthy." He shrugged as he watched you lazily tracing his cut through the bandage.
"Yeah, maybe, I'll take one tomorrow," he mumbled. He could tell his alcohol tolerance was next to nothing after all these months because the wine was going right to his head. You flipped his hand over and ran your fingers gently along his damaged knuckles. His breath hitched at the contact, and he took another sip of wine to hide it. Maybe the wine was going to your head, too.
You dragged your gaze up from his hand to his exposed forearms, remembering how fixated you were on them just a year ago. You bit your lip and reached for your glass, in the process dropping his hand to rest on your knee. You almost gasped, then had to stifle a laugh at how absurd it was to have such a reaction to a simple touch on your knee. You took another sip of wine and blamed the fact you hadn't had sex in nearly a year as the reason. The time you had sex with Justin wasn't exactly fulfilling, so it hardly counted. You stole a glance in Joel's direction as he stared at the open fireplace and sipped his wine. You thought back again to that night at the bar when Joel asked you to go home with him. You could kick yourself now for not doing it. You knew he was still attracted to you by the way you saw his pants tighten yesterday when you teased him with the book, and months ago back in your bedroom when you had almost kissed. That day, you were ready to take things further with him, even with the understanding that all he was willing to offer you was the physical part of a relationship.
"Why are you lookin' at me like that?" he asked you without taking his eyes off the fire.
"Like what?" you replied lowly.
"You know what," he said, turning to you now. His beautiful brown eyes were a shade darker as he looked at you, his fingers curling around your knee, this time pulling a gasp from you.
You decided to go for it. You put your glass down and slid over to sit a little closer to him as he eyed you warily. You trailed your fingertip along the back of his hand again, admiring how long and thick his fingers were before dragging a line up his forearm and wrapped your hand around it gently.
"Can I tell you a secret?" you asked huskily, staring down as your thumb rubbed his arm.
"Mhmm," he murmured, entranced by the contact.
"When we first met, I couldn't stop thinking about your arms. Every time I saw you... I was just so distracted," you flicked your eyes up to his face and watched as he held his breath at your words. He finally found his voice and brought his eyes up to look at you.
"That wasn't exactly a secret," he whispered, "even Tommy noticed that."
You hummed, refusing to let any embarrassment throw you off. You watched as he took another sip of wine and tried a different tactic.
"Do you remember the last time I had wine like this?" you asked, raising your eyebrow. You saw his Adam's apple stopped bobbing mid swallow. That did the trick.
"Yes," he said roughly, looking straight ahead at the fire again, his grip on your knee tightening as you slowed the circles your thumb was making on his arm.
"That was a fun night," you said, willing him to look at you again.
"Followed by a not so fun day," Joel replied, trying to throw some cold water on the conversation. You sighed, growing frustrated as he put his glass down on the coffee table.
"Right, the outbreak," you muttered, your hand releasing his arm.
"No," he said, finally turning towards you. "Because that's the day I fucked everything up." His eyes burned into yours, desperately trying to say the words.
"You didn't fuck everything up," you told him, scooting even closer to him on the couch. You leaned forward and put a hand on his knee for balance, then placed a chaste kiss on the corner of his mouth. He let out a shaky sigh and wrapped his other hand around your wrist.
"What are you doin'?" he asked, fighting the urge to give in.
"What does it look like I'm doing?" you said back, planting another small kiss in the same place. His grip on your wrist loosened and he swallowed hard.
"Please," he croaked out, his expression pained when you leaned back to look at him. "Don't do this again. I don't think I can take it."
You frowned, confused. Maybe he didn't realize you now understood what he wanted. You reached out a hand to rest on the back of his neck.
"It doesn't have to mean anything," you murmured to him, licking your lips. "I get it now."
Now Joel was the one to frown and pulled his head back a fraction to discourage your kiss.
"Is that what you want?" he asked, unable to hide his heartache as he searched your eyes for an answer. Maybe the wine was getting to you more than he thought. You paused, genuinely perplexed now.
"Isn't that what you want?" you asked him, your brows knit.
"What are you talkin' about?" he questioned louder now, turning his whole body to face you, your hands dropping to your lap as he removed his hand from your knee.
"The day we fought in your office, the day I quit, your birthday!" you said, your voice getting louder with each word.
"What does that have to do with this?" Joel asked, his voice filled with despair. What the hell were you talking about?
"You got mad at me for not sleeping with you!" you all but shouted now, getting angry you had to spell it out for him. "I didn't want to just have sex back then, but I'm trying to tell you now that I'm fucking fine with that, if that's all you want!"
You stared at each other for a minute, both panting slightly as you got increasingly agitated. Joel shook his head and rubbed his hands up and down his face. Then he suddenly stopped and his hands grasped your shoulders, bringing you an inch closer.
"Do you got any idea what you do to me?!" he exclaimed, almost shaking you. You could hear the pain in his voice as it cracked. "'Course that's not all I want. I want everything! I want you!"
Your breath caught in your throat at his admission, completely stunned. You shook your head now, finally asking him the question that weighed on your mind for months.
"Then why did you call me a whore?" you asked, softly now, your voice laced with sadness. He slowly dropped his hands from your shoulders, casting his eyes downward in shame. His eyebrows furrowed as he brought his fingers up to pinch the bridge of his nose, sighing before dropping his hand to his lap and looking back up at you.
"I..." he began, chewing on his lip and casting his gaze around the room to collect his thoughts before continuing. "I saw you that day, before you came up to my office," he said, looking back at you now, your lips parting as you tried to think back. He could see the confusion in your face. "I had no right to feel, to think, you were mine," he added, "but when I saw you flirtin' with him, I just lost it."
You frowned and pursed your lips, still not making the connection.
"Flirting with who?" you asked, cocking your head to the side.
"That guy in your department, the one that was at the bar that night!" He said, throwing his hands in the air. "I saw you dancin' with him in the goddamn copy room. It's my own fault, I knew we weren't anythin', but I guess I'd hoped... and that fuckin' copy room... it just set me off," he said, looking deep into your eyes before finally saying, "I'm so sorry."
You remembered now. He had seen you dancing with Kyle in the copy room. Kyle. You shouldn't have found it funny, but the wine coupled with how ridiculous your fight seemed now made you giggle, which then escalated to full blown laughter as your covered your mouth, turning your face away from Joel's intense stare. He raised an eyebrow at you, still not finding it funny. You saw he was patiently waiting for you to explain, so you wiped a stray tear away from the corner of your eye and composed yourself.
"Joel... Kyle was gay," you said, still trying to hide your smirk. You watched his face as he absorbed the words, his pained expression slowly softening and his eyebrows relaxing.
"I'm so fuckin' stupid," he whispered, his bandaged hand reaching out to grasp the back of your neck and pulled you into him, his lips locking onto yours. You whimpered as you brought your hands up to rake through his hair, his other hand coming to rest on your hip before sliding down your leg. He leaned forward to push you backwards onto the couch. Hovering above you, he hooked your leg around his waist and rested his hand back on your hip, licking at your bottom lip. You eagerly opened your mouth at his request, deepening the kiss as you ran your tongue alongside his own, tasting the remnants of the wine between you. You moaned into his mouth, removing one hand from his hair and wrapping it around his back, trying to bring him closer. You were desperate to taste and feel him everywhere, a year of yearning for him finally coming to a head.
Joel could hardly see straight from the adrenaline coursing through his body. Every nerve ending felt alive. He thought he ruined his chance of ever being with you. He had resigned himself to a life where he was content with just being near you and occasionally got to hold you at night. His emotions were so overwhelming that his movements were becoming chaotic, his hand briefly sliding from your hip to cup your ass, then back to your hip. His other hand moved from the back of your neck to hold your jaw in place as he broke contact from your mouth for a moment, just to flip his head in the other direction before sliding his tongue back inside your mouth.
You arched your back off the couch to press your body against him. You tugged at the back of his t-shirt and wrapped your other leg around his waist, pulling him all the way down so he was laying on top of you. You lifted your hips up to grind against the erection straining against his jeans, eliciting a groan from Joel, when you felt something sharp digging into your thigh. You let go of his shirt and brought your hand around to his chest, pushing him up and breaking the kiss. You had to tug gently on his hair to keep him from latching his mouth onto your neck.
“Wait,” you gasped. He removed his hand from your hip and pushed his fist into the couch cushion, holding himself above you. “What is that?” you asked, flicking your eyes downward. He paused, confused, as he looked down at his cock rubbing against your inner thigh through his jeans, then back up to you.
“Not that,” you said, removing your hand from his hair and swatting playfully at his shoulder before reaching down to his pocket. “This.”
“Oh,” his face broke out into a warm smile now as he removed his hand from your jaw and dug into his pocket, pulling out the Texas shaped keychain. He dangled it between you, still smiling as he watched the realization hit you. Your jaw dropped as you stared at it and then gently reached out to take it from him, turning it over in your hands before looking back up at him. You couldn’t help it. Tears sprung to your eyes as you swallowed roughly, biting your lower lip. He pressed his wounded palm back against your jaw, using his thumb to pull your lip from your teeth and then wiped a stray tear from your cheek.
“I’m so fuckin’ sorry, sweetheart,” he whispered, running his thumb across your cheek again. “Please forgive me.” You choked back a sob at the pet name he refrained from calling you for so long. The last time you heard it, it was said with such cruelty and disdain, and to hear it now, said with so much love and adoration, nearly broke you. You could only nod your head enthusiastically, not trusting yourself to speak as you looped the keyring around your finger and pulled him back down to you.  
This time, the intensity behind your kiss escalated. You gently raked your fingernails through his hair and then up and down his back, your tongues swirling together, quiet moans leaving your mouth and being swallowed up by his as you ground your hips up into him, begging him to take things further. He broke your kiss to allow you to get some air, but he continued, leaving gentle kisses along your jaw, nipping at your earlobe, then traveling down your neck, occasionally giving your skin a warm lick if he felt he had left a mark with his teeth. You reached down with the keychain still looped around your finger, and fumbled hastily with his belt buckle. He stopped his assault on your neck and pulled back, taking his hand from your face to stop yours from undoing his belt. You frowned as you laid underneath him, gasping for breath.
“Not tonight,” he panted, drawing a whine from you. “We’ve been drinking,” he continued, bringing your hand away from his belt to rest above your head, where he pressed your wrist into the arm of the couch. “I wanna take my time,” he leaned forward, gently pressing his mouth against your swollen lips before pulling back, “and remember,” giving you another languid kiss, “every,” he pressed his lips against your cheek, “single,” kissing the tip of your nose, “sound you make for me,” he finished, massaging his lips tenderly against yours again.
You groaned against his mouth and you felt his lips tug into a smile.
"It'll be worth it, I promise," he whispered against your lips, his grip tightening against your wrist as you squirmed under him. He tugged on your wrist as he rolled off of you and onto his back, pulling you onto your side and under his arm. You rested your cheek against his chest and drew lazy patterns on his stomach, while he absentmindedly dragged his thumb over your upper back and stared into the fire. You slid the keychain off your finger and tucked it back into his jeans pocket with a smile. You couldn't believe he had it, after all this time, and never said a word.
"Why don't we go up to bed?" he mumbled as his eyes slid shut. You nodded and nuzzled your face into his chest.
"In a minute," you told him, your eyes closing. He hummed in response before his thumb slowed its movement on your back and you heard him softly snoring. It wasn't long until you had also drifted off, your arms wrapped around each other.
Chapter Fourteen
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Tag list: @chiogarza, @sparklejumpropequeen-777, @shotgun-shelby
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corrodedhawkins · 2 years
Note
I think you mentioned you were doing a piss fic for the Eddie kinks but pls don’t forget I need it
😈 trust me I could never forget it’s my jam
Piss: Part nine of the Eddie kink series. Kind of a continuation to part one
Content warnings: Graphic smut (minors DNI) language, piss kink, bladder control, desperation, wetting, slight Perv!Eddie, teasing, slight humiliation, very brief male masturbation, unprotected sex.
Authors note: I know this is not everyone’s thing, if it’s not yours please just skip this one. I don’t want to hear about how gross this is, I’m already well aware.
You’re lounging on Eddie’s bed, head pillowed on his thigh as you read the latest true crime novel he’d bought for you.
His notebook is balanced on his other leg, pencil moving furiously over the page as he writes lyrics for a new Corroded Coffin song.
He looks up, tongue peeking out as he thinks. “What rhymes with demon?”, he asks, tapping his pencil on his chin.
Saving your page in your book, you turn over to look at him. “Semen?”
“Perfect”, he mutters, writing it down.
“You’re a poet, babe”, you chuckle as you toss your book onto the bed, rising to your feet.
He grabs your arm and pulls you back down onto the bed playfully. “And where are you going?” He wraps his arms around you, pulling you back into his chest.
You slap at his arm when he squeezes you tight, trying to break from his hold. “Let me up, I gotta pee.”
“Nah.”
You laugh, “what do you mean nah? I really have to go.” Wriggling out of his hold, you roll off of the bed and get up.
He sits up and grabs your wrist, turning you towards him. “Remember the thing you told me to put a pin in?”
It takes you a second to realize what he’s talking about. The night Eddie had made you squirt, he’d made a comment about feeling like you might have to pee before it happened. He had assured you that you wouldn’t, but if you did? He might find it hot.
You remember your pussy throbbing at that, too preoccupied with the task at hand to really analyze what it had meant.
“Yeah”, you say hesitantly.
He gives you a devilish grin, “maybe we can explore that a little bit. Just—don’t go. Stay here.”
“Eddie”, you warn.
His hold on your wrist softens, “Too far?”
“I don’t—I don’t know”, you mumble.
“Hey”, he presses a kiss to the back of your hand. “Look at me, we don’t have to if you’re uncomfortable, okay?”
The thing is, you were uncomfortable.
You’ve never felt Iike this before, so turned on and grossed out at the same time, so ashamed by something getting you off. You hadn’t even done anything yet and you were already soaked, cunt throbbing at the thought of what you were about to do.
“I-I am a little uncomfortable”, you admit. “But, I’m also kinda into it.”
A wide grin spreads across his face, “yeah?”
You nod, “yeah. Can I follow your lead on this? If I think about it too much I might chicken out.”
“Of course”, Eddie pats the bed next to him, continuing once you sit down. “I got you, babe. I’ll check in but you gotta speak up and tell me if you want to stop, okay?
“Okay.”
“Alright”, he hands you your novel, “get back to reading.”
He picks up his notebook and resumes writing, lyrics and chord progressions scribbled along the page.
You make it another few chapters before you’re starting to squirm, no longer able to ignore the pressure in your bladder.
“Doing ok?”, Eddie asks, not looking up from his notes.
You whimper, “Yeah. It’s just—fuck. I need to piss.”
He puts down his notebook and looks over at you, the hunger in his eyes surprising you.
“Is that so?”, he asks teasingly.
“Yes”, you hiss.
Eddie chuckles, “Now for some ambience.” He grabs your phone, opening your sleep sounds app. He scrolls past your usual rain sounds and taps ‘waterfall’.
He smirks as the sound of rushing water fills the room. You laugh, the sound cut off by a gasp when you feel yourself almost lose control for a second.
You throw your book at him with a glare, prompting him to shut off the waterfall and toss your phone to the side.
“Hi”, Eddie says as he turns his attention back to you.
“Hi”, you say softly.
“Doing ok?”, he asks.
He leans in and captures your lips when you nod, the kiss starting soft and gentle.
You start to squirm, the urge to grab your crotch to hold it in growing too strong to deny.
Eddie grabs your hand when you try to press it against yourself, holding it down against the mattress as he smirks against your lips.
His other hand hovers over the button on your jeans, waiting for your nod before shoving them down your legs and onto the floor along with your panties.
You suck in a breath, muscles clenching as the cold air hits your heated core.
He runs his fingertips over your slit teasingly, chuckling when you buck into his touch. “You are soaked. You really do like this, don’t you?”, he marvels.
You nod, a whimper escaping you as he thumbs over your clit.
“I’m going to fuck you”, he says, voice low and deep. “And you’re going to hold it until you cum. Do you understand?”
“Yes”, you whine, hips twitching up into his touch.
Eddie shoves the front of his sweatpants down, his cock springing free to slap against his stomach. He pumps his hand over himself a few times before he shuffles closer and sinks into you.
He sits back on his heels, rocking into you slow and deep. It feels incredible, the pressure in your bladder making every brush of his cock on your g-spot send jolts of pleasure through you.
You wail when Eddie presses his hand into your bladder, a wave of desperation rushing over you.
"Hold it", he bites out, snapping his hips into you harder.
"I can't", you're thrashing around, trying to get away.
He brings two fingers down to circle your clit, “you can. Cum, then you can let go.”
You squeeze your eyes shut, willing yourself to hold it in until you cum.
His hips shift, hitting your g-spot perfectly with every thrust.
“C’mon, I know you’re close”, he pants as he feels you start to clench around him. “Cum for me.”
You do as you’re told, toppling over the edge as pleasure floods your senses.
“There you go. You can let go now baby. Let go”, he encourages.
You don’t even realize you’re pissing until you feel the warmth of it under you, tears leaking from the corners of your eyes at the relief.
The second Eddie feels the first gush of warmth against him he cums, hips grinding deep as he empties himself inside of you.
You’re both panting, stream tapering off and stopping as you come down and catch your breath.
He reaches up to wipe away your tears, smoothing your hair away from your face. “You ok?”
You take a deep breath, “yeah, just—shower please?”
He laughs, getting up and tugging you with him down the hallway towards the bathroom.
That night, Eddie’s sheets are changed for the first time since you’ve known him.
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Text
5 Ways to Fix Writer's Block
Grab your Journal
Close the blank word doc, take your hands off the keyboard, and get out a pen and paper. Even just writing through my problem in pen can be enough to get the words going again, but if that doesn’t work, try drawing out diagrams of your plots alongside their subplots, make lists of all the things you like or don’t like, or try to recap what you’ve written already from memory.
                Trust me, sometimes a change of scenery is all you need.
2. Ask questions
This is typically what I tell my writing friends when they’re stuck on their plot. Plots are driven by posing and answering questions. What are the implications of your characters or worldbuilding? What are the consequences of the thing that just happened?
                If you’re not sure where to start, try getting someone else to read it and come up with questions or predictions about the unknown in your narrative. Often, ‘being stuck’ just means you’re focused too much on the closed door right in front of you, instead of looking around at all the other paths and directions you can take.
                If your plot says the president needs to be kidnapped by your main characters, what are the implications? What would the news look like? The streets of downtown? The opposing political groups after their disappearance? What kind of impact would that have on your main characters? On their families who don’t know? Any question you can think of, write it down, see where it takes you.
3. Read something
I know for a lot of us this is annoying advice, but it’s true. You can’t write without fuel, and sometimes being stuck just means you’re out of inspiration. Reread a chapter of your favourite novel, or that new library book you haven’t gotten the chance to get to yet, or a graphic novel or even a synopsis of a movie you want to see.
                Any type of reading can spark more words.
4. Talk it Out
Grab a writing friend or mentor and talk through your story or problem. This works the same as grabbing a journal, except now you have feedback and new opinions to work with. Most the time, however, I don’t even need a response, I just needed to talk through the block in my mind before I’m off again.
5. Mess around and find out
This tip comes from my creative writing class—sometimes all a stuck story needs is to be messed with a little. Open a blank document and try writing the story beginning with the end—or the middle, or with a side character, or the antagonist. Try changing the tone, or take a word crucial to your plot and try to write without it. Maybe, even, you’ll find that the change you made works even better than what you had originally planned.
                Good luck!
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call-me-strega · 5 months
Text
How to Become a Step-Dad in 5 Easy Steps: part 2 (chapter 1/?)
Here is part 1, lore
Edit: ao3 link now here
They do go to a library in this chapter so there are a lot of references to books in this chapter. I've read some but not all of them so I can say anything about their quality more than as things that I thought sounded interesting in theory. A lot of the stuff at the library was inspired by my own experiences with public libraries.
~~~
Step 2: Get to know them
Within the next 4 months Jason ran into Danny several more times. Each time becoming more and more enamored with the young man. It was hard not to when he saw how kind and hard-working he was.
~
The first time he ran into Danny after their first meeting he actually ran into Ellie first. Well, technically she ran into him but that's beside the point. But if you were gonna get technical about it he heard her little giggles before he saw her.
He had been at the library during some of his downtime to peruse some books and relax. The life of a vigilante crime lord isn't a very peaceful one, go figure. That's why Jason liked taking some time to himself every once in a while whether it was to have tea with Alfred, hang with one of his friends or siblings, or in this case visit Gotham Public Library.
Sure he could've gone to the Manor Library or gotten something online but the Manor was pretty far from the Alley and preferred having physical copies of his books rather than a computer or tablet. Electronics just didn't have that nostalgic book smell or the soft touch of a well-loved page.
Going to the library also came with its own perks. For one, he got to visit Barbie at work. It was always nice to see her as they had this unspoken solidarity between them. The atmosphere was also a plus. There was just something special about being able to be completely solitary yet still have this special connection to the other patrons. Seeing the old man enjoying a novel with his wife, the book club that met on Sundays, the haggard office worker winding down on the weekend with a graphic novel, the young woman teaching herself sign language, the teens goofing off while they were supposed to be studying, a mom reading The Kissing Hand to her kids, all of the various people here for various reasons; all of it made Jason feel like he was a part of something bigger.
He was currently browsing a display of LGBT+ books for young adults that the library had put up for Pride Month. '"Cemetery Boys", "Aristotle and Dante", "You Should See Me in a Crown", "Six of Crows", "Boyfriend Material", "Red, White, and Royal Blue", "Carry On", Oh- "The Song of Achilles" that sounds interesting?'
That’s when he felt a small chill pass behind him. He initially dismissed it as a draft from the air conditioner, but soon after he heard the sound of excited giggles nearby. He didn't think too much of it assuming it was another kid on their way out of the children's section. However, something niggled in the back of his head that this particular giggle was one he was familiar with.
That's when he felt something collide with his leg. He looked down to see a small child with a head of glossy black hair in a red beanie glomping his leg. Suddenly, the child looked up and beamed at him. Jason's eyes lit up with recognition and he laughed.
" Hey there munchkin, how are you?"
Ellie continued to smile, releasing her hold on his leg.
" I'm doing really good Mr. Jason! Daddy told me he didn't have any work today and he said we could go anywhere we wanted! First, we went to the bodega a got these really big breakfast sandwiches! Like really really big! Like the size of my face and we shared! And then Daddy took me to the park and it was really fun! I saw a squirrel there but it ran away before I could pet it! And then we came here and Daddy said we'd make me a library card so I could get whichever books I wanted. He read Oh The Places You Will Go and Where the Wild Things Are to me and then they were gonna have story time and Daddy looked tired from the park so I told him to read one of his space books and rest while I went to story time like a big girl! When story time was over I looked around and saw you so I came over to say hi and thank you for the cookies and food because daddy says we should always say thank you when people give us gifts!"
Damn, the girl sure had one hell of a motor mouth on her. It seemed she and Danny were in the middle of a father-daughter day. It brought a smile to his face to see that she was well taken care of, but based on her very informative rambles, it seemed they were taking care of each other.
" Why don't we go say hi to your dad, huh Elle?"
The young girl gasped, "That's a great idea! Then Daddy can say thank you too! And then you can read with us and come to our house for dinner! Daddy kept saying how he wanted to make something for you too since you made us the-, the- uuh... luz-on-ya and cookies!"
" Whoa there munchkin, how about we just start with hi?"
Ellie nodded with a determined look on her face, she wrapped her little hand around his pointer finger and pulled him along to the semi-secluded corner of the children's section. Sitting there in an armchair next to a small pile of books was Danny, who seemed to be out cold, The Hitchhikers Guide to the Galaxy slipping from his fingers.
'Aah he must be tired from moving in and probably from working too' Jason thought to himself. A smaller voice in the back of his chimed in with its own two cents. ' He still made time for her. He took her out and is spending the whole day with her even though he's tired. He's a good dad.' That's when he made up his mind not to disrupt Danny's nap and let him get some rest before he had to tackle the rest of his father-daughter day with his hyperactive six-year-old. He placed a hand on Ellie's shoulder, stopping her as she was about to shake Danny awake, and leaned down to whisper in her ear.
" It looks like you were right about your dad being tired. How about we let him rest for now and I'll say hi another time? Besides I wouldn't want to interrupt your daddy-daughter day now would I?" He started to guide her to a different portion of the library quickly forming a plan, "Hows' bout we do something I think you'll like? Did you know sometimes they bring puppies and kitties into the library?"
The young girl gasped, " REALLY!"
" Yeah, sometimes puppies and kitties can help people who are feeling sad or nervous feel better. They also help teach kids how to act nicely and quietly so that they don't scare animals by letting them read to a puppy or kitty. I can help you sign up to read to a puppy or kitty today if you want? Then afterward, you can go tell your dad and he'll be really proud of you."
The young girl seemed so excited by the prospect that Jason worried for a second that she might explode.
" That's a great idea Mr. Jason! He'll be so proud of me and he'll bring me again! And I'll get so good at not scaring animals that the squirrels in the park will let me pet them! Then, Daddy will be so impressed that he'll let us get our own puppy and Cujo can come live with us!"
Jason winced, perhaps his plan had been a tad too effective. Single parents had a hard enough time keep themselves afloat while looking after their kids, a pet was extra expenses and another commitment to devote time and effort to. Pets were usually out of budget and out of question for anyone living in or near the Alley.
Well, he'd cross that bridge if he ever got to it. For now, he focused on getting Ellie signed up to read to Charlie, the old St. Bernard that was at the library this today. He and the trainer, he squinted reading her name tag, Amanda, supervised the session. Jason would be lying if he wasn't endeared by the sight of a young girl reading Dragons Love Tacos very enthusiastically to a dog nearly twice her size.
" It's nice to see a young father spending time with his daughter."
'I agree' Jason thought before realizing Amanda thought he was Ellie's dad.
" Oh- ah no I'm her -," Jason quickly made up his mind on the least creepy excuse he could find, " -babysitter. Although, her father does make a lot of effort spend time with her."
The dog trainer flushed and apologized for her mistake but Jason waved her off saying it was no big deal. Silently, he wondered how often Danny got time to himself. When he realized what he was thinking he raised an eyebrow at himself before dismissing it as worry for a young parent and wondering how he divided his time to be able to take such good care of his daughter.
Ellie was saying her final goodbyes to Charlie when he got a text from Alfred reminding him he had promised to meet him for tea and some chitchat. Once Ellie returned to his side he let her know that he had had fun seeing her today but that he had to go spend some time with his granddad and that he'd have to say hi to her dad another time. She accepted this with a surprising amount of maturity for a 6-year-old but made him pinky-promise that he'd definitely spend some time with the both of them next time they saw each other. Jason happily accepted and sent her back off to her dad before heading over to the tea shop he and Alfred liked to meet at.
" It is so nice to see you again Master Jason. I'm happy to see arrive in one piece. Usually when you are delayed it is due to some rather -ah, unfortunate hold-ups," Alfred greeted him. He returned the smile, sinking into his seat across from Alfred, ready to unload.
" Not this time Alfie, though it is a bit of a story."
" One I'm sure you'll be pleased to tell me all about," he challenged, raising an eyebrow. Jason just shook his head and chuckled.
" Sure thing Alfie."
~
The next time he ran into Danny and Ellie he was at the grocery store.
Jason had been examining a piece of zucchini when he felt a light, cool breeze quickly followed by the sensation of someone walking past him. A lean figure came and stood nearby inspecting the squash. Jason glanced up, having registered a new presence, before doing a double take. A small grin graced his lips as he spoke,
" Well hey there neighbor, didn't expect to see you today."
Danny looked up, slightly startled before he saw that it was Jason. He smiled back and returned his greeting in a warm tone.
" Hey neighbor, I didn't expect to see you either. Honestly, I was hoping we wouldn't meet till I had made a batch of my family's signature fudge to give you as a thank you when we returned your dishes for the food and for looking after Ellie that day in the library."
" Ah~ the little munchkin told you bout that did she?"
" She was pleased to inform me about how she was learning not to scare animals and how Mr. Jason was sooo nice and even pinky promised to spend some more time with her." he teased.
Jason flushed slightly, his hand coming up to the back of his neck,
" Oh yeah, I hope I didn't overstep my bounds there. She just seemed so excited."
" Yeah, that sounds like my little spitfire!" he chuckled fondly. He took a deep breath and continued. " Well if you don't have anything else going on tonight I'd love to have you over. Ellie has really been looking forward to seeing you again and I can whip up some fudge that you can take home with you if you stay for dinner?" Danny seemed to flush at his own forwardness before rushing to continue, " I mean- not that you have to, especially if you're busy! I just- thought it might be nice to get to know my neighbor, especially since Ellie seems to like you so much! But-"
Jason, who had just finished processing the dinner invite, interrupted before Danny spiraled deeper into his nervous rambles. He place a hand on Danny's shoulder to get his attention and spoke,
" Sure. I'd love to come over Danny." He smiled, puffing up his chest, “ Besides, I have a pinky promise to fulfill.”
Danny returned his smile with a laugh, giving Jason's shoulder an embarrassed shove. Jason grinned at having successfully made the other laugh. The two stared at each other for a beat, coming down from their high of making each other laugh, before flushing and looking away. A look of realization passed over Danny's face and he turned to speak to Jason again.
" You probably have your own groceries to finish and put away. How about you come over around 7:30? I can have the fudge cooling in the fridge while we eat, oh which reminds me, you’re not allergic to anything are you?"
Jason smiled back. "7:30 sounds great Danny and no, no allergies as far as I’m aware, though I’m not particularly fond of most shellfish."
“Well alrighty then I’ll see you at 7:30,” Danny confirmed with a smile and rushed off to continue his own shopping.
And that’s how Jason found himself standing outside the Nightingale residence in a casual maroon 3/4 sleeve tee, a dark denim jacket, and some of his nicer trousers with a bouquet of flowers he put a frankly embarrassing amount of thought into. He figured bringing more food wouldn’t be appropriate since he was a dinner guest, dessert wouldn’t fly either as Danny had claimed he’d be making fudge, and wine didn’t seem appropriate with a 6-year-old also in attendance.
‘Come on Jason, it’s just a casual dinner with your neighbors! Normal human interaction, nothing to be nervous about! You can do this!’
Jason took a breath and knocked on the door. He heard a pitched squee followed by a “it’s him daddy!” come from behind the door. Unconsciously, Jason smiled as he heard the door unlocking. As it opened he was met with a cool breeze from within the apartment and the sight of his two neighbors. Danny was in a pale, moss green apron, smudged with what appeared to be powdered sugar, over a pale blue button up with the sleeves rolled up to his elbows, and cuffed jeans. Ellie was dressed in an interesting combo of pink crocs, neon green leggings, a sparkly, powder blue tutu, a white shirt with glittery black script declaring her “Daddy’s little princess”, a denim jacket embroidered with flowers and vines on the back and sleeves, and a plastic tiara with a big purple gem in the middle fixed atop her signature red beanie.
“Hi,” Danny greeted a bit breathlessly. His young daughter stood in front of him beaming up at Jason.
“ Mr. Jason you came!” She bounced excitedly on her heels before launching forward to hug his leg. She tugged at his jacket before pointing to her own, “Look! We match!”
With a smile, Jason got down on one knee and offered the flowers to her, “ And what an honor it is to match with such a beautiful princess! Please, accept these flowers as a token of my goodwill m’lady!”
“Thank you!” The girl giggled, accepting the bouquet and scurrying back into the apartment. Jason watched her go with a smile. He then turned his gaze to look up at Danny who watched the whole interaction with a glimmer of amusement in his eyes. He met Jason’s gaze and smiled.
“Why don’t you come in too my good sir,” he teased, holding out his hand to help Jason up. Jason smirked at the opportunity Danny had unknowingly presented him. He took Danny’s hand but made no move to get up. Instead, he ran his thumb over the other man’s knuckles and slowly brought the hand closer to his face. He glanced up once more, teal eyes connecting to icy blue ones.
“Of course my dear king,” he whispered. His breath dancing over Danny’s hand, his lips ghosting over his knuckles. Maintaining eye contact, the kneeling man placed a gentle kiss on his knuckles, watching a beautiful red flush bloom upon the young man’s face.
‘His hand is cold. His fingers have the beginnings of callouses on them. It feels like his hand was made to fit in mine. This feels right’
Jason is snapped out of his reverie when Danny clears his throat. He coughs into his other hand while trying to hide his blush, averting his eyes in embarrassment. He doesn't withdraw his hand however, allowing Jason to continue to hold it. Jason took that as his sign to get up before this got too awkward.
He rose from the ground still not letting go of the other's hand. The pair stood there for a moment with their hands intertwined, as if a message was being passed through their tingling palms. A charge filled the air with an exhilarating tension. The kind you feel before trying something unfamiliar and new that, unbeknownst to you, will become your favorite.
“So, uh, let’s head in then?” Danny said, slowly withdrawing his hand from Jason’s, almost as if he was reluctant to do so.
“Let’s,” Jason replied and the two turned into the apartment.
Danny had Ellie show Jason to the bathroom so he could wash up as he set the table. He had made grilled squash, a macaroni and beef hotdish, and some Greek salad on the side. The three of them sat at the table making some small talk ( how are they liking it in Gotham, how did the rest of daddy-daughter day go, does Jason have restaurant/activity recommendations, would he like to see Ellie’s favorite model airplane, etc.) and laughing with each other over horrible dad jokes and Ellie’s antics.
Jason could feel his chest fill with an almost unbearable warmth. He would’ve sworn it’d have melted him from the inside out if it hadn’t been accompanied by an overwhelming feeling of joy and desire. The traitorous little whisper in his head returned to comment on how much he’d love to be a part of the Nightingale’s family.
Soon enough it was time for Ellie to head to bed and Jason to head out, lest he be late for patrol.
“Here, I can clear off the table while you put her to bed.”
Danny rushed to stop him despite the young child koala wrapped over his torso. “Oh, you really don’t have to do that. I can-”
“Relax your highness, let me take care of this while you put the princess to bed.” He gave Danny a kind look, hefting up the dirty dishes. Danny returned it with a grateful look and turned to go put his daughter to bed. Over his shoulder, Ellie looked up sleepily and weakly waved one last time saying “Goodnight Mr.Jason” in a small voice.
Jason smiled gently at her and replied, “Goodnight princess.”
He then turned back to his task of clearing the table. Moving the dirty dishes to the sink and the serving dishes to the counter. He figured he’d get started on the dishes while he waited for Danny to return. He let his mind wander as he covered a plate with soapy suds. Danny and Ellie seemed like a good pair of neighbors. He doubted they’d cause him any trouble and if they ever unintentionally did, Jason found himself thinking he’d find it rather easy to forgive them. The two were both so welcoming and full of life. They made Jason feel so happy and peaceful tonight. They welcomed him into their home and made him feel as if they enjoyed his company and wanted him around for more than just a cursory “return the favor” dinner. ‘As If he belongs there. With them.’ The little voice returned, prompting Jason to reel in his thoughts. He’s only known them for what? Two weeks? These weren’t the type of thoughts he should be having at this point. He tried to rationalize it telling himself he just missed the domesticity of family dinners like he had when Catherine was in a good stretch or like he had with Bruce, Dick, and Alfred as kid when they were all getting along. He made up his mind to attend one of the bi-weekly family dinners at the manor coming up. It’d be nice to see the little demon brat, big bird, and nerd bird again now that they were getting along like actual brothers.
“Oh! Jason you didn’t have to do that!” His train of thought broken by Danny rushing over to protest him doing dishes. “You’re a guest! You really didn’t have to-”
“It’s okay Danny, I wanted to,” he reassured the fussing young man who pulled him away from the sink. The young man responded by pushing him out of the kitchen and telling him to grab his jacket before turning back to grab something from the fridge.
And there he stood in the doorway, 20 minutes after he had intended to leave, still saying goodbye. Danny pushed a familiar Tupperware container into his hands, which recognized as the one he had given them lasagna in, now full of dark squares of fudge sprinkled with a bit of white and green on top.
Danny smiled as he handed him the sweets. “A family recipe with my own little twist on it,” he winked. Jason gratefully accepted, wishing the young man well and agreeing that he hoped to see the other again soon. And with that, Jason rushed off hoping that he wouldn’t be late for patrol.
~ Later that night Jason returned to his apartment, exhausted. He chucked his helmet off onto the bed and stumbled to his kitchen. He pulled open the fridge in search of something to eat when his eyes landed on the fudge his neighbor had given him. He pulled it out and grabbed a square, giving it a sniff before biting in. His eyes widened at the taste.
The fudge was, well fudgy, but not overly sweet. It had a richness of dark chocolate and a sweeter note from the white chocolate chips mixed in. There were also candied orange peels mixed into it which gave the fudge a bit of chew and acidity to break up the richness. The fudge was topped with pistachios adding a nutty, earthy flavor to the experience. He’s sure that if Martian Manhunter ever tried these he’d accuse Jason of giving him hard drugs. But what Jason liked most of all was the quality only homemade food and family recipes passed down over generations have. He could practically taste the amount of love and thought that went into this fudge.
Jason smiled to himself finishing off his square and decided the save the rest for later. He headed off to bed with a peaceful smile on his face and a warm, full, feeling in his chest.
~~~
I tried very hard to balance out the dialogue and description as well as to not make it too long winded and keep the story moving so please let me know what you guys think. I love receiving feedback so if there is anything you want to see more or less of let me know. I’m also open to suggestions of where Jason should run into our father-daughter pair next.
If anyone's interested here is what the bouquet was comprised of: apple blossom- preference, basil- good wishes, white camellia- you're adorable, goldenrod- encouragement/good fortune, violets- watchfulness/modesty/faithfulness
I actually looked up a real fudge recipe so that I'd have and easier time describing it. You can find it here: https://www.midwestliving.com/recipe/candy/creamy-rich-pistachio-tangerine-fudge
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lunaartgallery · 2 months
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Hellven Updates | APRIL
Lets see whats new aye, got a lot of exciting stuff! Rejoice for I have FINALLY finished all 20 background sets. So 3D models and props are ready to go! That task was a chore in itself, probably my least favorite part of this project.
Eitherway, you'll get to see those backgrounds in the panels of the novel.
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Freebie - Concept panel
Novel: Onto the novel itself, Hellven is coming along well. I'm half-way through the rewrite. As a quick summary, Hellven was originally a script that I am turning into a full-length novel. That's why the rewrites are taking so long and I've had to push the release date of this first book later this year perhaps around summer. Out of 16 ( unedited chapters ) 9 have been rewritten clocking in at 240p, or 20-30p (4k words) per chapter. The whole "script" is sitting at 400p. I'm predicting this first book to be around 600 - 800 pages. This isn't a fanfic, so I can't really give updates on the novel as one would do for a comic. It's a strange adjustment, but I hope all of my comic concepts is enough to fill in the gaps while we wait.
Novel Mature content: Hellven is a dark supernatural poly romance, it will have mature content and horror imagery, but nothing explicit. Because of this, I've added a 18+ label to any work that is suggestive on my patreon. However, I want to make it clear that Hellven is NOT a smut book.
Hellven contain sex, as topics of sexuality and gender are big themes in the novel. The story caters more to people on the romantic character drama side rather than pure smut lovers. Graphic depictions of sex and genitals will not be shown. That said, I'm not opposed to NSFW material as a whole, far from it, but I don't want to mislead anyone.
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Freebie - Concept panel
Wow that was a long update. Eitherway, you can support Hellven over on my Patreon! https://www.patreon.com/lunaartgallery view behind the scenes content, concept and panels!
Bye for nows :)
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