the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

Birds of a Feather previous / next

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

Honestly more than anything I just wanna make the messiest, sketchiest looking drawings ever with not a single thought in my head. No 'this doesn't make sense' or 'I should think through this more'; just unapologetic diving in and drawing some fun crazy shit and enjoy the awesome mess that comes out of it. :)

also, i really find it interesting how people can genuinely go about saying "Well this group isn't attacked for their identity so they can't be queer " while then turning around and. attacking said group. for their identity. and exemplifying classic __-phobic tropes. It's really dumb. You are being the thing that you claim does not exist

Alfred comes home and there's a whole noise from the kitchen.

Alfred: Is everything okay?

Damian: Dumbass is coming out.

Alfred: Oh.

Alfred (to Dick): ...I figured this day would come sooner or later...

Dick:

Alfred: Don't think I didn't saw it my boy, and pardon me if I should said something before...

Dick: No, no, no it's not

Alfred:... I mean It was obvious from the start but I figured I shouldn't press-

Dick: Alfie It's not

Jason: No, no let him finish.

----

Batman: Yes, my kid also came out to me recently.

Superman (to Dick): Oh wow, that's great! I'm proud of you buddy.

Dick:

Dick: What

Tim: It's me.

Superman: Oh

Superman: Oh wow, thats great! I'm proud of you buddy.

Dick: No, wait you can't just-

----

Jon: I'm just glad in not being alone in this, you know.

Titans:

Dick: It's not me.

Titans: "Oh, right. Sure." " Yeah we knew it" "Totally"

a little experiment

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

Alright. Willis Todd being an abusive father to Jason is a trope often utilized. Comparing this version of him to Bruce's reactions to Red Hood is fantastic. Lots to analyze there.

However, I raise you. There needs to be more fanwork addressing the classism behind Willis Todd being characterized as an abusive alcoholic. In some version of canon, Willis Todd was a good dad in a shitty situation. He was poor, his wife (Catherine) was sick, and he had a newborn baby he needed to provide for. In this horrid situation, where he has no family to fall back on and no higher education to obtain a decent well-paying job, he tries to get quick money. He's desperate to keep both his wife and son alive.

Catherine turns to drugs because it's easier and cheaper to buy drugs than healthcare. The pain she experiences is debilitating, and she'd do anything to not feel pain for one godsdamned second. Unfortunately, this turns into an addiction.

This ultimately shapes the way that Jason views crime. Bruce, while he may be sympathetic to individuals who resort to crime to pay their bills, will not understand huddling in Crime Alley in the dead of winter as he debates whether to buy food or pay for heating. He won't understand the bitterness, hatred, pain, and resignation of never having enough money to survive as you get chewed up again and again.

If Jason's dad is just an abusive criminal, that not only perpetuates the notion that all criminals are evil, but it will shape how Jason views those who commit crime. Breaking the law doesn't make someone bad. There's plenty of reasons people commit crime, whether to survive, protect someone, or something else. The issue, especially in Gotham, is the system that perpetuates wealth inequality through bribes and unethical governmental practices.

Anyway, I think Jason's Red Hood is more fleshed out if it accounts for him acknowledging the desperation behind goons and small-time criminals because he grew up without other options.

”you’re biased against men!” but am I wrong?

This is sad but unfortunately I think this is just going to be the norm for the next few years as streaming services die a slow death.

HBO Max should in theory be able to make money from a show that was at one point the top new series in the US. At the time, David Jenkins said "This is what happens when a major media company invests in inclusive mainstream stories" (agree!) but unfortunately that major media company, like all streaming services, has a terrible business model that can't support that investment.

This is an interesting article about how streaming services are losing money and scrambling to make it back by trying to convince people to buy cheaper, ad-supported options or bundling with other streaming services. Unfortunately for them, I think that's like... all of the options? At some point they're just going to continue to lose money. Making shows is expensive and very few consumers are willing to pay more when they could just cancel and use a cheaper service (or, you know. 🏴‍☠️)

This is also a good article that was written after Shadow and Bone was cancelled by Netflix about whether it could be saved:

"The problem is that while saving shows used to be plausible, at times, the cost of Shadow and Bone combined with the fact that streaming services are really, really starting to cut back on spending means that this would be an extremely tough sell. WB Discovery’s Max is being lambasted for killing finished projects for tax breaks to chip into its massive debt. Disney Plus has done the same thing and has said they will cut back on things like expensive Marvel shows. Amazon Prime is mired in expensive creator deals going nowhere and throwing insane amounts of money at projects they are realizing are not panning out. Paramount Plus losing $500 million a year. NBC’s Peacock is losing $650 million a quarter."

TLDR; Streaming services have reached such a dire point financially that they have to cancel some of their most popular content (Marvel shows on Disney+???? These have seemingly been very successful; it's wild to read that they're "cutting back") in the desperate hope that a new season of something that's cheaper to make will get more attention.

What I gathered from these articles is that steaming services are dying a slow death and sadly, a lot of good shows are going to go with them.

siffrin with birds!!!

...siffrin being taken away by birds!!!

who knows where they are going!

The bats use the metric system. You can not tell me that the bats would use inches, feet, yards and miles when centimeters, meters, and kilometres are right there.

Danny died young. That wasn't what made him powerful. No, but it was part of it. His obsession was Protection due to that being one of the only forms of love he ever received. His parents swearing to protect him from monsters that they never found and his sister protecting him from his parents more...extreme actions.

He died at 6 and if there was one lesson he had learned from his short life, it was that to love was to protect and to be loved is to be protected.

So Danny, ever the explorer, had spent another 6 years after death wandering around the zone and saving people. One day he slipped out of the Infinite Realms and into a new reality but he didn't expect to see a kid around his own age dressed in black and red.

The kid jumped from rooftop to rooftop, doing flips and handsprings with a small smile on his face. Danny stared at him wide eyed while standing frozen on the ground like an idiot. Just like that, Danny developed his first crush.

Following behind the kid was a large man in a gray and black outfit. Supervillian? He watched as this guy jumped from rooftop to rooftop running after the kid.

Danny almost blasted the guy right then and there if it wasn't for the kid turning around and talking to him. Eavesdropping wasn't exactly polite but Danny needed to know if he needed to rescue his crush this kid. Luckly it didn't come to that as "Batman and Robin" discussed a case and left.

Later, back in the IR, Danny was caught by Kitty while he was picking flowers. Upon asking what he was doing he stated the obvious. This of course, led to Kitty following Danny back to Gotham and getting front roy seats to Phantom popping his head up from the rooftop while Robin was running and startling him.

Robin got into his battle stance alongside Batman, all the while Danny didn't ride up from the roof any farther than his shoulders. Danny was too nervous to say anything and just blushed before he chucked the bouquet at Robins feet and bolted.

Robin jumped back, fully expecting the object the kid threw to be a weapon or explosive of some kind. Even after realizing they were flowers and the other kid was gone they still suspected it might be a trap.

Eventually they brought the glowing flowers to the batcave where they were examined. Alfred took the liberty of putting the ones that weren't being examined in a vase.

"I don't get it. Was he trying to send a message? I don't even recognize any of these flowers, what was he trying to tell us?"

"If I may, Master Tim." Alfred interrupted the boy, "Is it possible he gave you flowers for another reason? One more...mundane?"

------

Aka Danny gets a big ole crush on BTAS Tim and the other ghosts coo at Danny for "baby's first crush"

The bats are never normal so they're absolutely convinced Phantom is up to no good

sas soap x secretly an mi6 agent ghost. Hear me out

one of the lucky times that soap is home for leave and ghost isn’t “busy with work”, they end up going to a gun range for a date. a little unconventional, but they both think it’d be fun.

now, obviously soap is a good shot. after all, he uses guns for a living, is a trained sniper—so maybe he’s hoping he can impress his boyfriend, who says he’s never been to a gun range before.

except… ghost also knows how to handle a gun. and unthinking, he takes his turn shooting with equal precision and skill before turning back and seeing soap’s frown and just thinking… oops. then utters out the shittiest “first-timer’s luck” excuse to soap who is clearly not at all buying it.

but they’re here together anyway, one of the rare times they get to be, so whatever. they’ll move past it for now. it can be dealt with at a later date.

like when soap is chosen for a very secret, very high-up operation that involves working with members of the mi6—a team that ghost also happens to be a part of.

when people talk about educating yourself on the origins of ideologies like zionism, it isn’t to ask for sympathy but to show that fascism always hinges on the same rules - dehumanisation and other-ing of scapegoat populations in the pursuit of power.

fascism is, at the end of the day, uncreative and there is value in recognising the signs. When an entire ideology is dependent on the inherent depravity of a certain identity, it is worth some scrutiny.