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theghostiedyke · 3 months
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Going insane at work trying to date old photos
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Always Been You (Dick Grayson x Reader) - Chapter 3
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Always Been You (Dick Grayson x Reader) Reader Insert: she/her pronouns Word Count: 2627 Warnings: death, violence, fighting, bloody wounds, angst, infuriatingly oblivious love interest, slowburn Spoilers: Young Justice Seasons 1-3 plot partially, but it ended in 2022 so catch up.
Y/N Prince - miracle daughter of Wonder Woman and Steve Trevor - and Dick Grayson - first adoptive son of the Batman himself - have been best friends since day one. They went to school together, trained together, kept each other's alter ego secret from everyone else, and they founded the Young Justice alongside their friends together. 
But as time progressed, Y/N and Dick grew up and Y/N found herself wanting more than friendship with Dick. But he never seemed to indicate that he reciprocated her feelings. And when Wally died and Dick abandoned the team, Y/N realised he never would. So she heads to the one place she knows will help her become a stronger warrior so that one day she can take her mother's place: Themyscira.
Two years after his leave, Dick reaches out to his old friends to help him with a mission. But when he finds out Y/N left too, he chases after her in the hopes to bring her back.
However, when the two finally reunite, it isn't as warm as he hopes. Not to mention Themyscira becomes under siege as they go to war against Echidna, the Mother of Monsters in Greek Mythology, and her army of monstrous children.
Will Dick and Y/N be able to put their past behind them and save the Amazons' homeland? Or will they fall, unable to tell one another their true feelings?
~~~
'You are five miles from the estimated target, Master Dick,' Alfred said over the intercom of the Bat Wing.
Immediately upon entering Wayne Manor, Dick had rushed to his childhood room - the one he still used on the occasion he worked with Bruce as the Dynamic Duo, or he needed some space from his duties as Bludhaven's hero - and packed a small duffle of clothes and weapons and ran straight for the Bat Cave. As promised, Alfred had the Bat Wing waiting, ready for take off, and Dick barely greeted the old man before leaving Gotham far behind.
Dick had been flying for almost twelve hours and hadn't slept a wink. Sitting at the control panel with only a wide window of open sea to look at, Dick rubbed his tired eyes as the shadows of sleep flickered in the corners of his vision. He had to stay awake, just a little bit longer at least.
And then... Well, he'd cross that bridge when he got to it.
'Is there anything else you need from me, Master Dick?' Alfred asked.
Dick shook his head initially, then remembered Alfred couldn't see him. 'No, thank you, Alfred,' Dick replied, sitting up straighter in his seat. 'I should be fine from here on out.'
It was quiet for a moment, and Dick thought Alfred had signed off accidentally. But then he spoke. 'Are you sure there is something out here? I know you and your friends' findings seem well-supported, but there is only open ocean. There isn't even an under water volcano or ancient mountain range recorded there.'
'Which makes it an even more suspicious place,' Dick countered. 'Trust me Alfred, there is something out here.'
'Let's just hope Miss Y/N is too, or you'll have wasted Master Bruce's fuel. And I will tell you now, he will not be pleased about that.'
The mention of her name caused Dick's heart rate to increase with anxiety. But he quickly recovered as he scoffed. 'I don't know why he's complaining,' Dick said nonchalantly. 'He's the billionaire of the family, after all.'
'Have you seen the price of fuel these days?'
That caused Dick to chuckle slightly, just imagining the singular raised eyebrow Alfred used to ask the silent question of Are you serious? In that moment, he was once again grateful for Alfred. He barely asked any questions as to why Dick needed the Bat Wing, he just trusted Dick that it was for a good reason. Unlike Bruce, where trust needed to be hard earned, Alfred had always given his trust and love unconditionally.
The Bat Wing suddenly jerked as it seemed to hit something. Or, maybe, something hit it.
'Master Dick, what was that?" Alfred asked, worry lacing his words.
Suddenly alert, Dick brought up the different cameras hidden in the ship to try and find what had cause the sudden shift, but sound nothing.
'I'm not sure, Alfred,' Dick answered, running diagnostics over the ship in case of damage. 'There seems to be no damage to the Bat Wing, and there is nothing on the radar indicating another ship or flying creature of sorts.'
The ship rocked again, and Dick gripped tighter to the control handles as he took the ship off autopilot. 'What in the world!'
'Master Di-,' Alfred said, but his words were glitchy and some parts were coming through slowly. 'A-re yo- all rig-' Alfred was cut off before he could finish.
'Alfred? Alfred,' Dick called, but he got no reply. He slammed the control handles in frustration. 'Damnit.' He was on his own now.
However, his annoyance dissipated at the site he'd only ever seen in books he'd borrowed from Y/N when they were children.
To say Themyscira stood atop a mountain would be an inaccurate description. It was more like Themyscira was the mountain, with a long staircase weaving and winding up the entire mountain from the ivory beach and cerulean waters at the base of it. There were small stone huts with woven roofs closer to the beach, but quickly evolved into larger houses and buildings of impressive white columns and marble. As Dick flew closer to the island, he spotted a large coliseum used for sports and physical trials like the ruins in Greece, and a small amphitheatre next door that no doubt was used for the arts.
Atop Themyscira's mountain could only be the royal palace, held up by intricately carved statues of women and marble columns, decorated in plates of gold and held together by green grape vines that covered the palace walls, the statues, the columns.
The bed time stories he'd heard from Wonder Woman when he and Y/N would have sleepovers was more than his imagination could ever conceptualise, and the few descriptions and drawings of the island in the books he'd read were amateur attempts that held no candle to the real deal.
It was, in a word, paradise.
I must've hit the invisible barrier before, Dick deduced as he took in the sight of it all. That's why communications were knocked. That's why he'd felt so anxious and tired the closer he got. Now that he'd passed through, he felt ten times better.
A beeping pulled Dick out his trance, drawing his attention to the radar. Something was coming at him. Fast.
Dick looked up in time to see a large fire ball flying at him and barely dodged it. It was so hot Dick felt its heat through the window as it scraped by.
'Woah!' Dick cried, angling the Bat Wing so Dick could see where the fireball had come from. And, more importantly, who had thrown it. Down on the ivory beach was a line of catapults set up Dick hadn't spotted before, and he could just make out an army milling about around each catapult as they reloaded the catapults.
Before he knew it, he was swerving as another fireball flew at him, this time catching part of the left wing and melting it. Sirens blared, indicating the damage, but Dick didn't have time to worry about that. The Amazons thought he was a threat. He needed to change that, or he'd be a goner.
Crazy an idea as it was, Dick manoeuvred through the line of fireballs the Amazons catapulted at him towards the beach. Once he was close enough, he turned on the speaker so the outside world could hear him. 'Please, Amazons of Themyscira, I mean you no harm,' Dick announced to them, hoping he sounded genuine. 'I am going to land my aircraft on your shore. I just want to ta-'
He didn't have time as a small boulder connected with the left wing, sending the Bat Wing into a spin that Dick couldn't control. Sirens blared in the cockpit, reds light flashed and his front window lit up with the message SYSTEM FAILURE in bright red letters. The steering was shot, his vision was impaired, so Dick just closed his eyes and braced for impact.
The Bat Wing hit the beach hard, knocking the wind out of Dick for a moment. Once he'd regained his breath and the world had stopped spinning, Dick checked his immediate surroundings. He was in one piece still, and the Bat Wing hadn't exploded. Good start.
Before he could unplug himself, a spearhead stabbed through the glass of the front window, shattering it completely as the Amazon wielding it pulled it out. Dick was temporarily blinded by the sudden invasion of sunlight to his senses, but he still put his hands up in surrender in case they still thought him a threat.
'Please,' he begged through laboured breaths. 'Please, I don't mean you any harm. I just need to talk with someone you might know. Please.'
'Síko órthios, pareísaktes,' a strong voice hissed above him, her words whipping out like a delicate snake. She yanked him from his seat, breaking the seatbelt as she did, and threw him onto white, hot sand.
Vision coming back ever so slowly, Dick saw more figures approaching where he laid on the beach, spears and swords and shields in hand. All women, and all wearing brown leather skirts, sandals, and breast plates and bronze helmets of the ancient greeks. A small crowd formed around him, leaving no room for escape.
Realising this, Dick hauled himself to his feet and spun around to survey the group with his hands raised. The women ranged from youthful to mature, but all of them looked capable of killing him should he dare run. Capable, and willing.
'Poios eísai esý?' a woman with long brunette hair asked. She looked slightly older than him, perhaps mid to late 20s. But knowing how old Wonder Woman had lived for already, Dick was almost sure all of the women surrounding him were much older than they appeared.
I really regret not taking those Greek classes with Y/N now, he thought to himself, not having a clue what the woman had asked him. When he didn't reply though, she repeated her question but with more annoyance and aggression, pointing her spear towards his chest.
'I am Dick Grayson,' he said, not sure if they could understand him or not. 'I mean you no harm. Please, I must talk with someone you know... Do you understand me?'
The blank faces he received in return were answer enough. The brunette turned to two other women beside her, whispering to one another. It only lasted a moment, for then the brunette raised her spear higher towards Dick's throat. The rest of the women also raised their weapons, all pointed at him.
'Ánthropos apó to exoterikó,' she announced for all to hear, her delivery final and true, 'edó tha petháneis!'
Just as she raised her spear, Dick threw his hands up again and cried, 'Y/N!'
He waited for pain, for the sensation of falling and then nothing, but it never came. The brunette paused, spear still raised above her, and looked at him curiously.
'Pós gnorízeis tin prinkípissá mas?' she asked, and to Dick's surprise, he recognised one word. Prinkipissá. Princess.
'Yes,' he said, seizing potentially his only chance at surviving. 'She would be your princess. Sorry, your prinkipissá. Daughter of your champion, Diana.'
At the mention of the mighty Wonder Women, the brunette lowered her weapon entirely and turned to the other women as quiet murmurs broke out amongst the group. Dick wasn't sure what he'd started, but he knew they knew of who he spoke of, and what power her name held. Not just anybody could wield her name.
'I came here to speak with Prinkipissá Y/N,' Dick continued, and then he put his hands together as if he were about to pray. 'Please, can you lead me to her? Is she even here?'
The brunette and her two friends looked him up and down for a moment before consulting one another one last time. After what felt like an eternity, the brunette stepped forward and looked him dead in the eyes.
'Piáste ton!' she cried, and two women grabbed both his arms, ensuring he couldn't escape. 'Tha ton páme stin prinkípissá mas.'
She then turned away, and Dick was lead by the arms after her and the rest of the crowd. He managed look over his shoulder to see the wreckage of the Bat Wing. The left wing was one metal sheet away from tearing off completely, and the shattered glass and the many dents in the side of the ship just added to Dick's dismay. Oh yeah, Bruce is going to be pissed.
If the Amazons let him live and he ever got off the island, Bruce would definitely make sure Dick suffered long and hard.
Dick was lead up hundreds and hundreds of steps, walking through the bustling city of women and young girls all going about their daily lives. For some reason, it was off putting to Dick to see women and children doing the washing or playing games in the open street. He wasn't sure why, but he envisioned the whole island as warrior women who all fought and died for each other and their home.
They could probably still whoop my ass, he thought as he was marched by some children who were previously playing a game with some dice and a ceramic cup before he came along and stole their attention. It came to Dick's mind that these young girls probably had never seen a male before, and so he smiled at them as kindly as he could. Some of the children smiled back, others had their mothers nearby collect them and take them inside. Dick couldn't blame them for it. Wouldn't he do the same for his child if the roles were reversed.
Why the hell am I thinking about children right now? he asked himself, but he didn't have time to ponder the question as they quickly walked up a final set of stairs into an open field of green covered in warrior women training. When the whole group stopped, Dick was brought to such a startling halt that he thought his arms were going to pop out of their sockets. Thank God for that, he thought, feeling his legs ache with all the climbing. Or is it Zeus I should thank? Maybe Hera? Athena?
The brunette raised her spear, and those not holding Dick prisoner did the same. 'Prinkipissá,' she called out above the din of all the sparring and training. 'Échoume kápoion gia esás.'
Dick wasn't sure who the brunette was talking to at first, but then his gaze settled on a group of women just ahead of them. It seemed it was a six-versus-one situation, as six women surrounded one young woman with familiar H/C hair. The six women ran at the young woman in the middle, all taking swings with their fists and swords, aiming for her head and legs and mid section. While the young woman took a few punches, she didn't flinch with pain. She would just grab her attacker's wrist and flip her over and slam her into the ground.
The fight only lasted a minute, and ended with the H/C haired pointing a sword at her final opponent's throat as she pressed her to the ground with her foot.
When she flipped her hair as she turned to face their group, only then did Dick fully realise who it was.
'Y/N!' he cried out, the brightest smile spreading across his face. Two years since he'd last seen her, his best friend. After the not-so-very-warm welcome, he was beyond relieved to see a familiar face.
But instead of reciprocating his smile with the one he'd always admired since they were children, Y/N paled as if she had seen a ghost. Her whole body seemed to freeze up as her eyes connected with Dick's, and for a moment Dick feared he had mistaken some poor girl for his best friend.
But her shock melted away, and Dick was met with angry eyes and a stony face. Oh, yeah. That's Y/N. He couldn't recall the amount of times he'd seen that expression before, but there was no mistaking it.
His fear turned towards himself as she suddenly, with sword still in hand, stormed towards him, ignoring the other women around her still training.
'Y/N, it's me Dick,' he said, just in case she hadn't recognised him, but still she came at him, raising the sword to her side. 'Wait, what are you doing?
As she stood a step from him, she changed her grip on the sword's hilt and swung the butt of it at his head.
'Hey! Don't-'
The last thing he saw were Y/N's angry eyes of E/C before pain exploded from his right temple and darkness overcame him.
~~~
Síko órthios, pareísaktes = On your feet, outsider
Poios eísai esý? = Who are you?
Ánthropos apó to exoterikó, edó tha petháneis! = Man from the outside, you will die here!
Pós gnorízeis tin prinkípissá mas? = How do you know our princess?
Piáste ton! = Grab him!
Tha ton páme stin prinkípissá mas = We shall take him to our princess
Échoume kápoion gia esás = We have someone for you
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wolfnanaki · 2 months
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The Cavemanon Files
This documentation is regarding Cavemanon. They are an independent development team that created Snoot Game (the parody of proudly LGBT indie game Goodbye Volcano High) and its spiritual successor, I Wani Hug That Gator!, which released on Steam February 14th, 2024.
The vast majority of this information had been compiled over the past few months by an independent team, and Caliber (ex-Cavemanon developer who worked on Snoot Game, credited as “Spigot The Bear Anon”), has volunteered to be the primary contact regarding this documentation.
Regarding the company’s newest game, I Wani Hug That Gator!, Cavemanon failed to pay wages towards many members of the development team, with the few members who did get paid being forced to sign a potentially fraudulent NDA contract and being offered as little as $50 for their work on a game that is estimated to have made $15k-$20k within a week of its launch. Among the people not paid – wages, royalties or otherwise – includes the creator of the concept, Loanshark, who had begun it as a passion project with his friends before Cavemanon took it over.
Additionally, “Nerd”, the head of Cavemanon and the originator of the Snoot Game idea, is openly anti-LGBT; he has admitted that anti-LGBT messages were fundamental to Snoot Game (and he’s upset more people don’t see it that way), and he has attempted to impose his personal views on the fandom. This has included attempting to assert control over moderation teams of an art server, sabotaging a gay mod for Snoot Game and accusing its creator of being a pedo, and having a Wani character be hastily redesigned a week before the game’s launch after finding out the artist had designed her as a transgender woman.
There’s a whole lot more, linked below, with citations in both links and screenshots. Some names and personal info are redacted for people’s safety.
[ download link ] [ backup link 1 ] [ backup link 2 ]
[ Internet Archive ]
(On a personal note: it’s cold comfort to me that I got doxed for calling Snoot Game transphobic, only to find out later that the guy behind it admitted that was the goal all along.)
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lokidokieokie · 9 months
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A Tango In Time -- Chapter #1
Summary: While on your walk through the marketplace, a strange man appears in weird clothing; bidding bad tidings. He sweeps you into his arms, and all of a sudden...you're not in Pompeii anymore.
Pairing: TVA!Loki x Roman!Reader
Warning(s): mentions of death and destruction, Loki being a mischievous scamp
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As a resident of Pompeii, you lived a simple life in the shadow of the great Mount Vesuvius. You had always known that there was the possibility that the volcano could erupt at any moment, but you never truly expected it to happen; let alone when you were enjoying the sights of the marketplace.
But as the sky turned grey and the ground began to tremor beneath your feet, you knew that it was the end. You closed your eyes, waiting for the inevitable, but when you opened them again, you saw a man in some sort of beige cloth standing in front of you. He had a mischievous smile on his face and a glint in his eyes that made you uneasy.
"Nothing matters," he declared, his sultry voice ringing in your ears. He seemed to be talking to someone else, but you were the only one standing there. Suddenly, he grabbed your hand and pulled you towards him.
"What are you doing?" you asked, trying to pull away.
"I'm proving a point," he replied, a smirk on his lips.
You had no idea what he was talking about, but before you could protest, he began to swing you around. You stumbled at first, but soon found your footing and began to move with him. The world around you was crumbling and falling apart, but in that moment, all that mattered was the two of you dancing in the midst of destruction.
As the ground continued to shake and the sky turned black, the man in beige continued to dance with you. You had no idea who he was or what he wanted, but you couldn't help but feel drawn to him. His confidence and charm were intoxicating, and for a moment, you forgot about the impending doom.
But just as quickly as it had started, the dancing stopped. The man in beige suddenly let go of your hand and seemingly disappeared, leaving you alone in the chaos of your city's impending doom.
A shaky sigh was all you managed to get out before someone grabbed your arm and pulled you through some sort of glowing light. And the next thing you knew, you were standing in a strange room surrounded by people in strange clothes.
Confused and disoriented, you stumbled forward, trying to find your bearings. Suddenly, the man in beige appeared again, this time with another man in what you're assuming to be formal garb.
"Welcome to the TVA," he said, his mischievous smile never leaving his face. "You're not supposed to be here, but I couldn't resist bringing you along."
You had no idea what he was talking about; what was a TVA? But before you could ask, the man in the formal clothes interrupted.
"Loki, what have you done?" he asked, his voice sounded stern, but the words he spoke were extremely foreign.
The man in beige's -- now known as Loki's-- smile faltered for a moment, but he quickly regained his composure. "Relax, Mobius. She's not going to cause any harm."
You sent a confused glance to Loki, "What is this man saying? Where is he from? Greece? Persia?"
Loki's eyes seemed to widen with realisation, "Ah, I apologise my lady. Let me fix this problem." With that, a green haze washed over you, a startled yelp slipping from between your lips.
"Are you two done with your little show?" The older man--who you assumed to be Mobius--asked.
Loki scoffed, "I was not putting on a show! She couldn't comprehend a word that slipped through your lips; so I gave her a little help."
Mobius just sighed, "She's not supposed to be here, Loki. You know the rules," his frustration evident in his tone.
"But isn't that the point? To show you that apocalypses don't affect the timeline?" Loki retorted.
"I was there with you! I saw the evidence on the Tempad! There was no need for you to bring a random woman back with you," Mobius said, crossing his arms.
"Ah, but where's the fun in that? Besides, she seemed like she needed some excitement in her life. Being burned alive or suffocated by volcanic ash doesn't seem like a good pass time," Loki replied with a sly grin.
Your eyes practically bulged out of your head, "What?"
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A/N I've had this idea in my drafts for so long...so it's amazing to finally have something to post. This is probably going to be a short story, maybe 5 or 6 part at most.
This is one of my many ideas for my 500 followers celebration!
🏷 @thewaithfuckingannoyme @evelyn-kingsley @moonlight-ee @dryyoursaltyoceantears @avahiddlestonstan @fall-myriad
lemme know if you wanted to be added to any of my taglists!
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empressgeekt · 3 months
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Trolls - Amnesia-Rock-Prince!Branch in an Arranged marriage AU Idea - PART 2!!! Enter Brozone
Okay, so if anyone is reading this AU summery before my first post on the topic, you will not understand what is going on. So, yourself a favor and find post 1, it's by the same title, just without the big, "PART 2" on it.
Char=Branch to remind everyone.
Now for everyone else, let's pick up back where we left off...
The wedding day, starts out normal enough. Char manages to identify the pod he was hatched in, he Poppy and Barb go inside, to remises on memories he doesn't know, and try and find something to connect himself to this practical stranger who saved his life. Char finds a picture of him and the woman, from when he was a young child. Poppy is supportive, saying that the elderly troll must've loved Char very much. Barb, says that she was a bad*** for saving Char the way she did. Poppy ends up finding some Brozone albums, and said that she had a good taste in music, to the now very confused royal rock siblings.
The ceremony came all too soon. Satin and Chelie, along with Bridget and Barb helped Poppy, get dressed. While Peppy, Riff and Thrash (although he's not doing much), are helping Char prepare. They get to the part of vows, Poppy in a bright colorful dress, Char in a leather suit with his guitar on his back. Cooper is officiating for some reason. and then...
"Stop the Wedding!"
Out of the sky came flying in one John Dory in all of his lack-of-self-awareness glory. Char asks if Poppy knows this guy, she shakes her head, Cooper mumbles that he hadn't gotten to the objection part of the ceremony, and Barb stands up looking ready to throw hands.
JD does not notice the tense angry and confused atmosphere he's created, instead going on about how he's looking for someone named, "branch", until his eyes settle on Char and he lights up. Que the movie antics that JD does in canon, upon seeing his little brother. Completely missing the fact that Char does not recognize him. Barb gets involved the moment the butt slap happens, because that is not okay. She drags John off of Char and pins him to the ground demanding that he explain himself before she throughs him into the bowels of the volcano to forever rot.
John Panics, starts calling Char for help, to get the crazed Rock troll off of him. Char is like "Am I supposed to know you?"
This makes JD freeze, and the older troll starts calling out to Char in every nickname he can remember, but Char just shakes his head. Poppy chimes in, asking the important question of who John was. John answers that he's Char' brother. Everyone is confused. Poppy askes if they for got to invite this one, Char just shakes his head. Barb laughs at the claim and presses John further into the ground. Something clicks then for Poppy and she tells barb to let him up, and then id's him as John Dory.
Barb snorts when Poppy calls him old. Then she annouces for her guard to "Take this lune who tried to claim to be a member of the Rock Royal family and interrupted her brothers wedding."
John panics, and not just because the guards are coming towards him, but because he realized that not only was his baby brother getting married, but he just ruined the wedding. Just as the guards seize him, Char tells them to wait.
"Can you prove it? IF you're my bio-brother can you prove it?"
"Char?" Barb said, "What are you doing?"
"On the off chance he's telling the truth, this might be my only way to get some answers."
"Answers?" John chimed in, "Answers to what Bitty B? Look I should've figure you'd be angry. After all we didn't leave on the best of terms and I just uh...kind of ruined your wedding-also how did this happen?-"
"Cut to the chase!" Char snapped, "Do you have proof? or do I need to let my sister do as she pleases."
"Sister? She's not..."
"Get on with it!" Barb snapped.
"Okay!"
John continues to pull out pictures of him and his brothers form inside of his vest coat. (the dude has clay's underwear memorialized, pictures in his pocket isn't far off). Char reacts poorly to an image of him, he can recognize himself as an infant, in the arms of pink-haired troll that he doesn't known but feels familiar. A migraine comes on and he passes out while trying to process everything. Needless to say this escalated the incident further, and Poppy's screaming for a doctor, John is now fighting the guards only to fail and get taken away at Barb's order, and the crowds are both a mix of mild shock/panic and loving the drama.
Barb is both frantic and on a mission. After ensuring that Char is okay just overwhelmed and unconscious, and that her dad is in safe hands, she goes to confront her new prisoner. She finds John panic pacing around his cell, and he turns to her immediately asking if his brother is okay. Barb growls at him, but says that Char will make a full recovery, and that it was just his condition acting up. John began demanding to know what type of condition his brother has in a panic wondering if his Bitty B had been sick all these years. Barb shoots back that she'll be the one asking the question here, but since it's relevant to what she wants to know, she tells John about how her father found Char half dead with his skull cracked in half. Then she asks, "If you're really Char's older brother, then how could you let something like that happen to him?"
John is stunned to silence, only able to murmur that he thought Bitty B was safe, with their grandmother. Barb told him he was wrong, and then asks why he's even here, as you can't just jump into someone's life after twenty years, family or not. It's too late. John tries to say he came back but the tree was empty and he thought that his people, and family were dead, and only started to believe there was a chance he was alive after hearing about the marriage between a Prince of Rock and the Queen of Pop.
While this is going on, Char wakes up to Poppy at his bedside, they mourn their wedding for a moment, before contemplating he stranger. Against Doctor's orders He and Poppy travel to John's cell just as the stranger is telling Barb about Floyd.
With the possibility of a second brother out there, one who's actually endanger, Char agreed to help John, even if he doesn't remember. Poppy and Barb join the ride, simply becasue they were not going to let their fiance/brother go on this journey alone.
The journey to find the other Brozone members goes on, only this time John is constantly trying to get Char to remember in between stops. To the point that it's getting on everyone nerves. But Poppy enjoys the baby pictures.
When they find Bruce, he is crushed when Char doesn't recognize him either, and when John explains why Char doesn't have any memory of them. He's a little intimidated by Barb, but she softens we she sees her just how much anarchy her little niece and nephews can cause. During the practice performance, Char has some trouble keeping up with a seemingly unknown song and style. But muscle memory kicks in, and eventually, Char singing every notes and dancing every step. Poppy finds it cute, Barb finds the sudden shift creepy, John sees it as hope that he can get his baby brother back, Char is freaked out and now fighting migraine induced nausea. Barb offers to play for him, and Char agrees wanting to play with her.
Bruce joins forces with John on trying to further jog Char' memory, but he respects when Char tries to up boundries...mostly...Barb makes sure they back off fully when she sees them go too far.
Finding Clay is relatively similar. Clay gets shoved off of Char by Barb once he starts messing with his baby brother's face. Clay is also heart-broken by the news of Char' head wound. Barb is worried about how these trolls have lived with so much paranoia. Poppy is shocked about Viva, and Char just goes "We really need to have a sit down discussion with your dad about secrets."
When Viva mentions weddings, Poppy starts talking about, she almost just got married and if John hadn't crashed the ceremony. Bruce starts to scold John about how uncool that was. Viva asks about her fiance, and Poppy just points over to Char. Clay and Bruce's jaws drop, as they hadn't been told that yet. Bruce just said we would've missed their baby brother's wedding, and John chimed in saying doesn't that mean him crashing it was a good thing, they can all attend the re-do.
Viva wants to the all the details of the love story, and is thrilled to be becoming Clay's family. Poppy explains the nature of their arranged marriage, and how they grew to look forward to their future. Their siblings (minus barb) are disturbed by the arrangement, feeling like all should have a choice about love. Char shuts that down hard, saying that at first they were doing their duty to their peoples as Queen and Prince, but it evolved into something more, and their fine with the situation, happy with it even. And that Clay and Viva should at least understand that as leaders of the putt-putts.
When Viva tries to stop them from leaving, Char also tries to reason with her, saying that he was scared as a child, but once he learned to protect himself he didn't feel as scared. Viva calls him crazy, you can't protect yourself out there with all the giants. Barb backs him up, saying that with power cords, the Rock trolls had managed to survive out in the volcanic wastes for generations. Viva still isn't convinced and locks the door to the outside. Char takes the situation into his own hands and pulls out his guitar, then blows away the door with a singular power cord. The others book it out the golf course, Clay apologizes to Viva before joining to the others to save Floyd.
Little do they know, that this time Viva sneaks aboard the back of Rhonda. Three steps away from a panic attack, but she needs to know more about those weapons the Rock siblings carry, (that or maybe I'll pull in bridget and gristle again like in canon, I haven't decided yet).
The dress rehearsal is a much bigger mess from the start. Char refuses to wear a flipping dipper, one because he's an adult and two why does it matter what he's wearing? This is a rescue mission not a performance. John Dory tries to push it, but eventually gives up, so they can focus on practicing. The nit-picking gets to both him and barb much faster, and they have enough of it. Barb goes off, telling John that his micromanaging is ruining any chances of harmony. John defends himself saying that they need to get this right, and that this is what almost worked last time.
Char says, "yeah last time, which was twenty years ago, what worked then won't work now we aren't the same people!"
"Look Bitty B-" John said.
"Stop calling him that!" Barb jumps in, "It's not his name. It hasn't been for years, and he hasn't told you can call him that!"
"She's right-" Bruce tried to say.
"Oh shut up, the rest of you are just as guilty!" barb said, "You've been treating him like you did twenty years ago, not the way he deserves now."
"Okay, look Barb this really isn't any of your business," John said.
"And why not?" Char said.
"Branch look this is family matter-"
"Barb is my sister! She is family..."
"Well not technically-"
"She's more of a sister to me then you a brother! I don't know you! I don't recognize you! I don't remember you! You might as well have never been there! You weren't there when my head was cracked open! you weren't there when I got my first guitar! My birthdays! my coronation!...Why...Why weren't you there?"
"Branch..."
"No this is why, isn't it? If we were such a great band, then why did we fall apart? Why was I alone by the time our grandmother died? It's because the fighting like this never stopped did it? You were so focused on the perfect that you forgot the second part of the harmony. Family. Everyone couldn't stand it...then you all abandoned me...that's why I was alone..."
"Branch?"
"I remember..."
"You! you remember?!"
"I remember that night! The night where you all bailed on me! You left me in the care of our grandmother inside of Bergen run town where death was literally at our door step! You left me to die!"
"Yeah yeah we did! I did!" John snapped, "And i'm sorry, but don't worry we just have to get through this one show and we never have to see each other again!"
"Wait wait!" Barb jumped back in, "So, let me get this straight. You abandoned a baby, believed he was dead for what ten twenty years, and then find him again only to re-abandoned after getting use out of him? Pop-squeak you better cover Tiny's ears."
"Okay!" Bruce chimed in, "When you put it like that it's bad, but did you honestly think that's we'd be able to be family again after twenty years?"
"I thought you'd want to set a better example for your kids!" barb said, "Abandon your family great life lesson there!"
The argument spirals out from there...until...
"Shut up!" Char screams, "All of you! You know, some part of me always thought that it was misunderstanding or some accident that I ended up alone...but now I can see that it doesn't matter anymore, because brothers or not we aren't family! Family doesn't abandon each other! Even if you need space or to get away! Family would come back! Or at least check in!...But you all just walked out...Well not this time. This time...I'm leaving you.."
Char, Barb, Poppy and Tiny leave, and decide to go after Floyd on their own, because even if Char wants nothing to with his bio-family anymore, he's not going to leave someone to be tortured. A little breaking an entering later, they find the fourth Brother, and Char actually recognizes him, and Floyd calls out the vest.
Like in canon, they can't get Floyd out in time. They do try to use power cords but they only served to raddle the bottle. Barb makes a note for their engineers to invent some kind of diamond breaking weapons. While hiding the vents they witness the rest of the brothers were now imprisoned, Barb calls them idiots.
Flash forward to the boat battle. Barb and Char, challenge Velvet and Veneer to a music duel. They attack the Twins (I think their twins I might be wrong) with power cords (probably Blondie's "One way or another" Not sure yet) while Viva keeps making a grab for the gems with her stick hands. They get everyone but Floyd out. Then Char says they need to get him out now.
John admits Char was right, and controlling everything wasn't harmony, - Barb cuts in that is great that you realize it but save it for later and skip to the end were out of time - and they will follow his lead.
The guitar changes key, Char and Barb nod, and with a rocking guitar harmony to go with it, the the perfect family harmony is achieved. Velvet and Veneer are arrested. Poppy and Char finally get to kiss, and wonder if the universe will finally let them get married.
Then Floyd collaspes....
______
And there's going to be a part 3 sorry guys... let me not if you have any idea for this one and p3
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if you feel like you might want to read the How to Train Your Dragon books here's a list of my favorite chapter titles from all 12 books.
Book 1:
Chapter 13 when yelling doesn't work
Chapter 14 the fiendishly-clever plan
Chapter 16 the fiendishly-clever plan goes wrong
Book 2:
Chapter 4 Whose coffin is this anyway?
Chapter 10 the worst day of hiccups life so far
Chapter 14 the day takes a turn for the worse
Chapter 17 how bad can this day get?
Book 3:
Chapter 16 The cunning but desperate plan
Chapter 19 Aaaaaaaagh
Chapter 20 Hiccup the god
Book 4:
Chapter 7 the quest for the frozen potato
Chapter 11 in the soup
Chapter 13 the great potato burglary
Chapter 14 the potato burglars run
Chapter 15 they might just make it now
Book 5:
Chapter 9 how do you take advice from someone who has taken a vow of silence?
Chapter 11 the quest to stop the volcano from exploding
Chapter 14 is it always nice to bump into an old acquaintance?
Chapter 18 can you out run an exploding volcano?
Book 6:
Chapter 1 an odd way to spend your birthday
Chapter 2 spinach with your driftwood?
Chapter 10 BIG BIG TROUBLE
Chapter 13 yikes
Book 7:
Chapter 2 may the fattest (and least stupid) man (or woman) win
Chapter 3 isn't that Snotlout a lovely guy?
Chapter 12 R-R-R-RUUUUUUUNNNNNN!!!!!
Chapter 19 keep kicking, it's a long swim home
Chapter 20 the ticking thing starts to tick louder
Book 8:
Chapter 3 definitely not the perfect camping spot
Chapter 7 I'm getting married in the morning
Chapter 10 does anybody recognise this lobster pot?
Chapter 19 an unexpected development
Chapter 20 this really had been a very bad night
Book 9:
Chapter 8 oh for thors sake
Chapter 13 get your skates on!!!
Chapter 15 things go surprisingly well in the sword fighting compatition
Chapter 16 things start to go wrong
Chapter 17 still going wrong
Book 10:
Chapter 2 a few communication problems
Chapter 4 hiccups less brilliant plan
Chapter 11 a genuine surprise
Chapter 17 did I already mention that the pass has away of catching up with the present
Chapter 20 oh dear
Chapter 25 I don't think I'm dead
Chapter 28 facing the music... And Alvin and the witch
Chapter 29 un unexpected development
Book 11:
Chapter 3 plan going wrong
Chapter 8 you wouldn't find Alvin's secret camp even if you searched for a hundred years
Chapter 9 inside Alvin's war bunker
Chapter 15 you rang madam?
Chapter 18 a very short chapter in which it looks like everything is about to go right for for five minutes
Chapter 19 everything goes wrong again, very rapidly
Book 12:
Chapter 1 however bad things seem to be they can always get worse
Chapter 2 you see, it just got worse again less than five minutes into the story
Chapter 3 the minor problem
Chapter 4 the larger problem
Chapter 8 I bet you thought that this was never going to happen
Chapter 13 a very short chapter that begins well and ends badly
Chapter 15 preparing for the funeral - sorry single combat
Chapter 18 the past never leaves us
Chapter 19 and it haunts the present in more ways than we think
Chapter 20 it certainly scares the living daylights out of me
Chapter 22 that's why the call him Alvin the treacherous (the clue is in the name really)
Chapter 24 did I mention that the past has a way of catching up with us eventually
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sanakimohara · 3 months
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LUXURY/RACE CARS SKZ DRIVE PT 3
Seo Changbin
1. MCLAREN 🖤
2. FULL CARBON FIBER WIDE BODY C8 🖤
3. MATTE BLACK SHELBY G7500 🖤
4. HURACAN 🖤
5. MCLAREN SENNA VOLCANO RED 🖤
Main Choice: DODGE CHARGER 🖤
(FLASH WARNING BYW)
Changbin is a car guy -argue with the wall if you disagree- and it’s so evident. He is partial to muscle cars and prefers very eye catching but subtle vehicles. He customizes his cars very meticulously and will study what works for his vehicles and what won’t.
He’ll let you add on customizations too. You practically had a say or opinion on everything. So, when someone compliments his car or the style of it he’s quick to mention how you designed most of it. It’s another form of flattery Changbin imitates anytime he can.
Changbin had your signatures tagged on a specific place -bumper, spoiler, or right on the hood on the drivers side. You asked him why he wanted your signature on it and he smiled wide as he told you, “So people know who I belong to baby. It looks good too, don’t you think?…” It’s a sweet gesture on his part and it makes you blush every-time he admires it. He’s yours and wants everyone to know it too.
He keeps your perfume in the car at all times. Changbin sprays it anytime the scent of you fades away and it quite literally comforts him when you’re not around. You don’t say anything about it and secretly revel in the fact that if another woman ever did try to take your place as his passenger princess they’d be sorely disappointed.
Changbin has a real addictive habit of groping you while he’s driving. He just can’t help himself, needing to touch you even while he’s driving, and you’ll let him because in all honesty the sight of him driving turn you on more than it should. With one hand on the steering wheel and the other either palming your breasts, rubbing your thigh, or lazily cupping your clothes cunt he can maintain a sense of physical affection. Once or twice his eyes will drift over to look at your flustered or smug expression. “Eyes on the road Binnie,” you softly reprimand him, smiling when he groans, and reluctantly fixes his gaze back on the street.
Changbin ensures you have a set of his keys for your own use at all times. He’s adamant about giving you free range with his car when you need it. “You’re too cute when you’re driving baby,” he teased you the second you’re backing out of the parking lot. You scoff and try not to smirk at his compliment while putting the car into full gear, speeding down the road just under the posted limit, and Changbin chuckles at your eagerness for adrenaline. “Easy, pretty girl. Don’t get yourself into trouble…”
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darkphoenix180 · 2 months
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Zeus: god of thunder and the sky. He is considered the ruler, protector, and father of all gods and humans. 
Hera: goddess of marriage, family, childbirth, and woman. She was the wife and sister of Zeus, and many of her most famous myths center around her jealous retributions to Zeus's infidelity.
Poseidon: god of the sea (and water in general), earthquakes, and horses. He was one of the most powerful gods in ancient Greek mythology, Poseidon was held responsible for earthquakes, rivers, floods, droughts, and anything involving water in general.
Demeter: goddess of harvest and agriculture. This was a hugely important role, which gave her the power to sustain life through the growth of all plants and grains, particularly cereal grains.
Ares: god of war and more properly the spirit of battle. He represented the distasteful aspects of brutal warfare and slaughter. Ares was noted for his beauty and courage, qualities which no doubt helped him win the affections of the Greek goddess Aphrodite.
Athena: goddess of wisdom, craft, and warfare. In wars where she was most commonly depicted, Athena embodied cold rationality, tactics, and strategy. Athena's cold logic stood in direct contrast to her brother Ares' rage, violence, and impulsiveness.
Apollo: god of archery, music and dance, truth and prophecy, healing and diseases, the sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the Kouros (ephebe, or a beardless, athletic youth).
Artemis: goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. Artemis was very protective of her purity and gave grave punishment to any man who attempted to dishonor her in any form. Like all the Greek Olympic gods, Artemis was immortal and very powerful. Her special powers included perfect aim with the bow and arrow, the ability to turn herself and others into animals, healing, disease, and control of nature.
Hephaestus: god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture, and volcanos. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it).
Aphrodite: goddess of love, lust, beauty, pleasure, passion, procreation, desire, sex, fertility, prosperity, and victory. Florence
Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, which is why she is sometimes called "Cyprian", especially in the poetic works of Sappho. The Sanctuary of Aphrodite Paphia, marking her birthplace, was a place of pilgrimage in the ancient world for centuries.
Hermes: god of boundaries, roads, travelers, thieves athletes, shephards, commerce, speed, cunning, wit, and messages. Hermes was considered the messenger of the Olympic gods. According to legend, he was the son of Zeus, king of Mount Olympus, and Maia, a nymph. As time went on, he was also associated with luck, shepherds, athletes, thieves, and merchants.
Dionysus: god of wine making, orchards and fruit, fertility, festivity insanity, tuition insanity, religious ecstacy, and theatre. The son of an immortal god and a mortal princess, Dionysus’ role forged a crucial link between humanity and the divine, serving as a force of cyclical, unbridled nature who drew men and women out of themselves through intoxication. In that sense, Dionysus, a genial but wild and dangerously ravishing intermediary, represents one of the enduring mysteries and paradoxes of life.
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lizstcore · 4 months
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Helga Sinclair x fem! reader
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(part 1??)
this is literally my first time writing something and posting it,and it's not too good (+, English is not my first language).And nothing much happens,sorry 😭 . I can make a part 2 tho! Also,very ooc.
` When you accepted joining a mission on discovering the lost city of Atlantis and getting a bunch of money for simply doing what you know best,you couldn't be happier. Of course,you didn't expect to actually find living atlantians in there,but that's a story for another day. Now you were busy trying to get out of an active volcano.
"Milo!" you all desperately screamed,as the linguist tried to attach a crystallized Kida to our vehicle. You turned around in a hurry, wanting to see if there was anyone left. You felt your breath get stuck in your throat at the sight of the woman who betrayed you all,the cold hearted mercenary that was willing to wipe out an entire society for some money. The woman you unfortunately fell in love with, bleeding out in the crater of an active volcano that was about to erupt.
You stopped dead in your tracks, considering your options . In a moment of desperation,you jumped out of the vehicle,despite everyone telling you to get back and drive away. You ran to Helga as quickly as you could, struggling to pick her up over her shoulders. The blonde woman looked like she was trying to say something, presumably some snarky remark,but she only managed to let out a few painful sounding coughs and whimpers
Her eyes opened and widened momentarily, her face turned from an unreadable expression into a grimace. She was visibly uncomfortable, her teeth gritting painfully and her eyes closed in pain. She gave a sharp intake of air, which triggerd a deep, harsh cough. The red blood which stained her lips made her look almost demonic as she opend her eyes again and fixated your gaze for a moment. She did not appear to recognize you at first, but then the color began to slowly return to her face.
"Get me...out of here.. I'll be fine." she mumbled , trying to avoid your gaze
You immediately panicked and rushed to your vehicle, quickly pushing Helga inside while you put on your seat belt. Even as she laid hurt and half unconscious next to you,she was still very intimidating.
A few days passed by quickly,and everything was going pretty well. You and the crew returned from the Atlantis mission with more treasures than you've ever seen before,and an incredible discovery. While the others were busy trying to forget about everything Rourke did to the entire Atlantian civilisation,you spent most of your time in the hospital with Helga.
"I got you some stuff....check this out, it's an Atlantian dress! This would look beautiful on you!" you said excitedly, showing Helga the beautiful item of clothing. She scoffed and closed her eyes.
"Not my style. How long 'till I get out of this nightmare?" she asked, clearly done with everything that has happened in the past days
"A few days, don't worry... it's a miracle how you managed to survive that fall. The doctors are super shocked about your recovery." She chuckled,which was surprisingly attractive.
"I'm a tough gal,eh?...." she chuckled,then paused, looking like she wanted to ask something. Before she could open her mouth,you interrupted her.
"Yes,Rourke is dead. Yes, you're the one that finished him off,more or less" you smiled softly as you saw the corners of her mouth turn upwards. You haven't seen her actually smile in a while,it was a beautiful sight.
"Is that so?" she mumbled softly, clearly trying not to grin but failing miserably. Yeah,no one liked Rourke. You let your hand fall by your side,not noticing Helga's hand resting against the side of the hospital bed. Your hands brushed against eachother,and your touch starved ass immediately started sweating nervously. Yet no one moved.
"I...really like you, y'know... you're very strong. Emotionally and physically." you felt the urge to compliment her,and couldn't help yourself as you saw a literal goddess in front of you.
"Thank you,little girl" she smirked, teasing you.
"Hey now, I'm only a couple years younger!"
"Mhm..."
You couldn't help but look at the way her muscles flexed against the thin material of the hospital clothes. In fact,you looked so much you forgot you were even having a conversation with her.
"Getting quite distracted,I see. Just wait until I get out of here, sweetheart" she knew how much her teasing was affecting you,yet she continued. How awfully cruel... You felt your face getting red,and ignored your heart beating faster and faster.
You kept awkwardly chatting,until...
"They hate me, don't they?" Helga blurted out suddenly,as you bit you lip. She probably won't care less,so you decided to tell her the truth.
"They haven't forgiven you for betraying us... neither have I. You're lucky I get attached too easily. They got a bunch of treasures and valuable junk from Atlantis while I was busy getting Joshua to treat you...but I can't say I regret it" her emotions visibly changed all throughout your small explanation,but she finally looked at you with some sort of appreciation. She would never admit it though.
"If I knew you'd be here to annoy me all day before that motherfucker threw me out of the air balloon,I would've thrown myself" she joked with a smirk on her face. She was still cold... alright...you could work with it. It was getting pretty late,and you felt a bit nervous about sending more time with her. Even if you wanted to.
"I'll think I'll go home... goodbye,Helga. I really hope your recovering goes well."
The second the word "goodbye" came out of your mouth,she wanted to jump off the hospital bed and push you back on the chair (or in bed with her). She wasn't used to so much loneliness,she could usually get men at her feet whenever she wanted (either wanting to kiss her,or begging for help). Even if she did prefer being alone ,not having anyone to talk to was different. Especially if that someone was you. She hated it,but she was starting to get attached.
"... goodbye. You'll come visit,yes?" she asked trying to cover her nervous tone .You chuckled. Obviously you would.
"Yes."
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bzhitstruth · 7 months
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DD and volcano
Everything that is written here is my fantasies that have no relation to reality, I am the clown turtle.🤡🤡🤡
Photos of DD on the volcano in Inner Mongolia left no one indifferent.
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MTJJ and "shrimps" are trying their best to "wash" this, claiming that DD went to inspect locations for "Mermaid", that this has nothing to do with GG, that he went with Cheng Er, some even say that DD went there in 2022 (by the way, violating quarantine restrictions!).
But, firstly, the supposed shooting location stated in the information about the film is too far from the place where DD was photographed. Secondly, it’s unlikely that DD would reveal the filming locations of the film that hasn’t even started filming yet.
And thirdly, all this is not important at all, it doesn’t even matter much when he went there, and whether GG was there or not.
Because the most important thing is the very fact of publishing such photos. If you think about it, DD just threw a huge lightning bolt at those who are trying to create a false impression about him.
The day before, someone started another malicious rumor about him involving a woman. A week ago it was GG’s birthday, he published the vlog and photos about how he walked in the mountains. Even Beijing sparrows know that GG is filming in Inner Mongolia. MTJJ have recently been very sensitive to the words “Inner Mongolia”; even DD's wardrobe account, when publishing the location of DD’s photo, did not indicate these words, leaving only the name of the place itself.
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And DD, knowing full well WHAT kind of reaction this will cause both from MTJJ and from CPF, and what explosion of emotions from all sides will follow this, immediately publishes: 1. Photos where he climbed into the mountains (and even wrote in the caption to the photo: “Climb the mountains”). 2. From Inner Mongolia. 3. In that place there is a sign that reads: “Ten thousand years of the volcano have witnessed thousands of years of love.”
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Would the person who does not want to be associated with GG and who wants to avoid suspicion do this? And is it so important now to prove why he went there and when exactly he went there?
In my opinion, he spoke very eloquently on this topic. I love him very much.
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BJYXSZD 💚❤️.
source: Weibo.com
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kaypeace21 · 2 years
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Mike's "superman' reference may be pro byler (mini analysis)
The more I think about it the weirder I find it , that Mike compared El to super-MAN. For a few reasons ...
1.Because mike is a comic book nerd who should be able to select a hero/heroine who is more similar to el, than superman. in s1 he was into fantastic 4, and the xmen. Will in s1, wanted a xmen comic about Jean gray ( a telekenetic woman). Mike could have compared El to her , or various other characters, like "wonder woman" (who max compared El to) or literally "supergirl" (which is what argyle called El). He's a comic book nerd who chose superman (instead of a more similar hero). Despite the fact el and superman are very different from one another. But oddly enough, superman and Will actually parallel more...
2. superman & el have opposite backstories/childhoods - which greatly shaped them as characters . Which is why superman is an awful comparison, especially in a season that explores el's childhood.
Superman had great power but : he had a relatively normal childhood. He, from birth, was placed in the care of human parents. He was raised human,despite his powers.
El has great power but : beacuse of it, was raised in a government lab with no parents, and dehumanized and raised to be a weapon - it's the opposite of superman's childhood.
Superman became a hero , because he was raised to be human. El became a hero inspite of others trying to strip away her humanity. They're literal opposites.
3. The st comic" zombie boy " : has someone mention "superman" to Will. Both "superman" scenes happen because of Will showing his art.
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And if Will ends up having powers- the superman parallel would make a bit more sense for him . Because Will & Clarke kent (superman) both had similar childhoods.
- Clarke's adopted dad is named Jonathan. And will's brother / psuedo father figure is jonathan.
-being poor small town boys. Who were bullied
- superman has the "fortress of solitude" . WIll had 'castle byers".
-And the (comic) plotpoint of Clarke's first day of kindergarten sounds very similar to byler first meeting in kindergarten: "Clark's first day at school isn't as difficult as he expects and he ends up making many friends at school, until he notices a girl, Samantha, sitting alone in the playground; ostracized for being different. Clark decided that he wants to befriend the girl, but feared that if he did, he'd lose all the friends he'd made up to that point. Consulting with his parents, they advise him to befriend the girl regardless of his classmates' opinions"
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Mike doesn't even realize he channeled Clark kent when first meeting and befriending Will. It's almost the opposite of how Mike feels about first meeting El . Mike's insecure and says El is superman, and he's inferior to Louis lane (superman's human love interest). Then he says about m*leven "it wasn't fate" and he just got "lucky superman landed on his door step". The first byler meeting parallels a scene that shows Clarke's humanity as a normal person- clark kent. M*leven's first meeting parallels " superman landing on Louis' door step": which shows mike still hero worships el , a struggle that Louis had in some versions. The movie scene mike mentions is where she was obsessed/loved the idea of superman the hero (who landed at her door), but was oblivious to clarke the human being , right beside her. I feel like mike does struggle to see El (the person) and not El (the superhero). He called her a superhero 3x in s4...
-Also "batman v superman " was comfirmed inspo for s4. It's the sequel to " man of steal". In man of steel: clarke (like Will) has a supernatural episode at school-and starts seeing things others can't. And their moms have to rush over to the school to snap them out of their episodes . The staging is similar and both boys love plaid and bowl cuts lol.
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(in man of steel) we also see a photograph: both boys win the science fair with a volcano project... the photographs are so similar ...
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Clarke kent is also like Will in obvious ways: he usually blends in the crowd, is considered nerdy in some versions, no one assumes he has powers, and often people underestimate or belittle him. He was even bullied as a kid/teen (again depending on the version,in 'man of steel' he was bullied alot) . And not exaggerating clarke (like Will) sems to really love plaid in almost every version Haha
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we-love-morioh-cho · 17 days
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Random speculation on the possible climax of The Jojolands -
The boat out at sea was one of the first visuals we got of Part 9 and, in the intro to Chapter 1, we see it again being ridden by Jodio and Dragona alone. We also get this imagery of Jodio ascending a volcano when he talks about the Mechanism - and while I think it's possible these are just metaphorical, I think it's also possible that they're hinting at the climax of the story.
I say this because Jojo loves its ocean and/or boat endings. Just off the top of my head and without going into spoilers - the endings of Parts 1, 3, 4, 6 and 7 all feature the sea or characters on a boat in some way. It's not always the literal last page, but it's definitely a motif.
The volcano erupting clearly ties into the lava rock and the lava tubes. A volcano erupting would also resemble the end of Part 2 and maybe the natural disasters / calamities of 7 and 8's endings. And with the set-up that is hasn't erupted in a long time, I feel like this is a safe assumption.
It's way too early to theorize any more, but I have some random loose thoughts. With the endings we've had from recent parts, I'm guessing Part 9 will be tragic or at least bittersweet. While the story so far resembles Golden Wind a lot, I wouldn't be surprised if it incorporates some ideas from Stone Ocean's ending. We also only see Jodio and Dragona on the boat and none of the other protagonists which probably means something 😢
The Jojo Wiki claims that in an interview with Noriko Narumi, the woman who designed the Part 9 logo, she listed some proposed titles for the part. The most interesting was "MADE IN JOJOLANDS". This title was scrapped and it's possibly just a reference to the term "Made in America / the USA" - but obviously it's reminiscent of Made In Heaven. It could've just been a throwback, but if Part 9 is the conclusion to the series / the alt. universe trilogy, then I really think it's possible we might get something similar to the Part 6 ending.
A tragic ending involving two siblings out at sea? Phantom Blood and Stone Ocean both have similar conclusions and, if we are to believe that The Jojolands is the last part, I at least think it would make sense for it to follow this trend and reincorporate these ideas. I can't say if Araki would actually do something like this, but I just noticed these little connections and wanted to put them somewhere.
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bella-rose29 · 2 months
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episode 2 commentary - Let Go of Me
major spoilers for show and books, swearing, me obsessing over lockwood's hands probably (edit: definitely, and George's)
why did I immediately think jellyfish
omg the flowers
Luce you really shouldn't have taken that
just like @demigoddess-of-ghosts said, why tf are deprac asking if there's anyone else there when Lucy is quite literally screaming 'lockwood'
"miss lockwood" and "lockwood's my partner" 🤭
"we called your mother" ok well her mother is a Bitch so that wasn't a good idea
"rest up until he's given you the all-clear" like fuck she's gonna do that
omg the flowers!!!
ooo spooky green lighting
omg the ghost lock victims ward 🥲
I would love to know what they were planning on doing with this scene actually bc I feel like it sets up some sort of ghost lock victim storyline for the future - maybe using them for science? idk I'd just love to know
oof lockwood's hands
just this whole scene of lockwood
hands
barnes is not fucking around lol
HANDS
HANDS
the way he sits back in the chair has me WEAK
THE JAW MOVEMENT
can you tell I'm going feral
George's lil run omg
George is so neurospicy I love it
George your posture needs sorting out my love 😭
"You're meant to say no, Lucy" well it's difficult to say no to lockwood when he looks at you with his beautiful eyes and smile and-
"I'd say like a house on fire" 😭
my poor baby looks so tired :( and he definitely needs a shower oh dear
I didn't think I would hear lockwood with his queen's English call someone 'mate'
I love that George just says straight up facts
"posh one who thinks he's god's gift" sounds about right
"his weird mate with zero social skills" also sounds about right
I love that they included the tapes for norrie bc actually it's a great way of adding to the narrative (bc we don't have any voice overs) and we get lucy's view on stuff
and we see her survivor's guilt too - "like how I should have helped you" omg 🥲 (excuse me while I go cry in a corner)
ruby stokes the woman you are
"no it doesn't, it looks like I cooked it in an active volcano" pfffft George I love you
"Andrew lockwood"
"girls are funny about baths" he's trying goddammit
HIS SMILE
"she's not unhinged" "you're hardly the best judge of these things" "you need normal people around you" "you really think you're normal?" your honour I love their friendship
"the world's mad, and normal never fixed anything" gonna make it my motto
"let me... sleep on it" BOY YOU DON'T EVER SLEEP
oh Luce
okay but these special effects are so fucking cool
hang on why the hell did Lucy go to sleep holding the ring
Jesus Christ that scared the shit out of me
ooo green lighting!!!
pfft goes to hold his hand to wake him up
HIS FACE WHEN HE WAKES UP OMG 😭😂
also: NECK and THE FACT HE SLEEPS WITHOUT A SHIRT
I love the disgruntlement of george
WHITE T-SHIRT LOCKWOOD
"trousers are for wimps" ICONIC
omg I love that we get to see George's Touch!!! also his hand??? brb gonna go melt
LOCKWOOD'S HANDS AND FOREARMS WITH THE CHAINS
FOREARMS
omg Georgie it's not a wasp I'm sorry
ARMS
I am dying how the hell did Ali manage to make his voice say "oh shit" like that
LOCKWOOD HAS A RAPIER I'm gonna faint
"I can't believe you stole a Source" GEORGE YOU ARE ONE TO TALK
yeah Luce call him out
"we need to destroy her source and move on. let her go" I have so much to say about this omgggg bc on the one hand the episode is called Let Go of Me and rn I'm 1/3 of the way through this episode and they've repeated those words in different ways so many times it's unreal. and then on the other hand (spoilers for the books) there's the way that Lockwood isn't doing this himself, because he hasn't destroyed the source in his house and let his own ghosts go 😭
omg George loves an experiment you can hear the joy in his voice
NOT THE WAY HE PHYSICALLY MOVES TO PROVE HE'S ON LUCY'S SIDE omg they're becoming friends even if they don't know it yet
ARMS
OH LORD THE HOODIE??? I wanna steal it
NOT THE WAY HE HANDS HER THE RING AND LETS HIS TOUCH LINGER AND LUCY DOES THE SAME OMGGGG
THEY LITERALLY JUST STROKE EACH OTHER'S HANDS I CAN'T TAKE THIS
his smile omg
ruby stokes the woman you are omg
lockwood's face omg he's so conflicted bc on the one hand he's worried but on the other he's trying to not say yes when she goes 'you love me don't you?'
lockwood immediately pushing her aside
HANDS
HANDS
lockwood you need to stop taking sole responsibility for things
the sadness in his voice when he says 'this place is all that's left of my parents' omg
"Jesus, lockwood, we're screwed!" yep (also the way George says it is so funny help)
HANDS AND RING
barnes isn't taking any shit omg
such an ominous phone call
George's prison outfit (I can't remember who called it that)
omg I want lucy's playsuit
PINK SOCKS
also lockwood get your shoes off the table you heathen
no bc I actually want her playsuit
HANDS
HANDS AND RING AAAAA
:3
HANDSSSSS
"not a braying gallery for bellends" George I love you
BOBBY!!!
Lucy going straight in with the hard facts I love her
omg the scoff
THE SIDE PROFILE OF LOCKWOOD IS KILLING ME
kipps is such an arse
THE STANCE HE TAKES WITH THE SPARE HAND AND UGH
AND YOU NEED A LADDER
the way he says "yes you do" has me in a chokehold
the sMIRK
"irrelevant prick" love it
when the mutual friend leaves and you're left with the one you don't get on with
George you might be a weirdo but I love you for it
Lucy getting the juicy gossip and immediately becoming besties with george
ok well your mum is a bitch
oh lockwood wtf are you doing
"he's a little shit sir"
lockwood why
he looks so proud of himself I can't help it
"you're our biggest asset" oh boy
the regret on his face oops
"my judgement's been a little off recently" yeah bc you just met the love of your life
ok but women with swords 👀 bonus points if they're angry
HANDS
pink socks again
barnes once again not taking shit
she is a child sir you can't just spring that on her
omg Lucy :((((((
"let me go" - is that another reference to the episode title I see?
"lockwood's a charlatan" pfft
DONT YOU TALK ABOUT MY LOCKWOOD LIKE THAT
"they always make the most boring, unimaginative moves possible, don't they" - it's giving Cameron saying that everything is basic
lockwood read the room (cab)
"You were brilliant" boy's in love
"can we talk about this in the car" *taxi drives away*
"you might be able to turn your feelings on and off like a tap, but I am drowning here, lockwood" 😭
"You know sometimes I just... I just think I'd be better off dead" oh Luce 😢
also lockwood's reaction to that omg he pauses for a while and is all glassy eyed and then: "I understand that"
never mind them I am drowning here (in my tears)
"We need you, and it's not because you're an asset" "why then?" "because... because you're..." *looks away and clenches jaw* "Lucy Carlyle" *smiles really widely (I feel like he was considering telling her his feelings)
"we can't let you go" ANOTHER REFERENCE TO THE EPISODE TITLE
"that's why I went on tv, silly" WHERE IS MY BUCKET??? I DONT KNOW WHY HIM SAYING 'SILLY' LIKE THAT PAIRED WITH HOW HE WALKS TOWARDS HER MEANS I NEED MY BUCKET BUT I HAD TO PAUSE THE EPISODE TO MELT A LITTLE
"We're lockwood and co. you, me, and George" FUCK YEAH YOU ARE
"please stay" 🥺 (anything for you my love)
"so you'd look cool" lol
greeeeeeen
"you're more of a liability than an asset, Lucy" HE SAYS WHILE LOOKING AT HER WITH HEART EYES
oh Georgie
OMG HE HAS A PLATE OF BISCUITS AND A TINY GLASS OF MILK
GEORGIEEEE NO DONT YOU HURT MY BOY
green lighting!!!
"I'll take him" says boy with immense confidence
"can I offer you a cup of tea while you ransack my house? one lump or two" *throws torch and misses*
HNNNNNNNN THE NOISE I MADE WHEN HE DOES THE RAPIER THINGY AND GETS INTO HIS STANCE AND TWIRLS THE RAPIER AND PUTS HIS HAND UP
AND THEN WHEN HE DODGES THE TORCH??????? SIR WHO GAVE YOU PERMISSION TO BE THAT FINE DODGING A FUCKING TORCH?????
oh my god the still I paused it on to write the above comment is gonna make me pee myself with laughter 😭😂 I wish I could screenshot to show everyone
ooo I might be completely delusional but Lucy smashes the mirror with her elbow in this scene (and the camera pauses on it for a good couple of seconds) and then plays a part in smashing the bone glass later on??? am I delusional or am I making connections???
Georgie omg
LUCY PICKING UP HIS GLASSES!!! I love this omg I would be lost without mine
HEHEHE STAB THAT INTRUDER
fuck me that neck crack was hot (also could lockwood fuck me please?)
green lighting!!!
also how did I never notice the stairs were spirally?
George you are so funny and I love you
I AM SORRY. WHAT. EVERYONE GO WATCH THIS FIGHT SCENE AND STUDY THE WAY LOCKWOOD FIGHTS/MOVES THE RAPIER IN HIS HAND BECAUSE- I need my bucket holy shit
George hauling those chains around like it's nothing 👀
green lighting!!!
yeah you better run bitch
"we should have people round more often" lolllllll
lockwood can kick me-
"why are you making that face?"
"that's not your normal face, that's your 'I know something you don't' face"
sweaty lockwood
George's face when she pulls the ring out is so funny to me 😂
"you lunatic" *lockwood grinning widely* I love their reactions
aww let Georgie swear :(
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musei-thoughts · 1 year
Text
𝘏𝘰𝘮𝘦 𝘐𝘐.
𝙥𝙖𝙞𝙧𝙞𝙣𝙜𝙨: 𝘝𝘰𝘹 𝘈𝘬𝘶𝘮𝘢 𝘹 𝘧𝘦𝘮! 𝘳𝘦𝘢𝘥𝘦𝘳
𝙬𝙤𝙧𝙙 𝙘𝙤𝙪𝙣𝙩: 1007𝘸.
𝘨𝘦𝘯𝘳𝘦: 𝘫𝘶𝘴𝘵 𝘢 𝘭𝘪𝘵𝘵𝘭𝘦 𝘢𝘯𝘨𝘴𝘵 𝘪 𝘴𝘸𝘦𝘢𝘳.
𝘸𝘢𝘳𝘯𝘪𝘯𝘨𝘴: 𝘪𝘧 𝘺𝘰𝘶 𝘥𝘰𝘯𝘵 𝘥𝘳𝘪𝘯𝘬 𝘢 𝘨𝘭𝘢𝘴𝘴 𝘰𝘧 𝘸𝘢𝘵𝘦𝘳 𝘳𝘯, 𝘴𝘭𝘦𝘦𝘱 𝘸𝘪𝘵𝘩 𝘢𝘯 𝘦𝘺𝘦 𝘰𝘱𝘦𝘯 🙂🔪
𝙖/𝙣: 𝘪 𝘸𝘢𝘯𝘵 𝘵𝘩𝘦 𝘴𝘩𝘶 𝘴𝘰𝘭𝘪𝘥 𝘱𝘦𝘳𝘧𝘶𝘮𝘦 𝘧𝘳𝘧𝘳😔
𝙩𝙖𝙜𝙨: 𝘯𝘰𝘯𝘦.
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Balloons and streamers cover the ceiling as people cheered.
"HAPPY 1 MILLION KINDRED!!!"
Vox watched with contentment while people—HIS people—celebrated its 1 millionth member. In the span of 8 months, he regained what he lost.
What he and his beloved had lost.
Their family.
"If only you were here, my love..."
After the celebration, Vox steps out of the venue to get some fresh air. As he walks on the sidewalk, he couldn't help but wonder...
What now?
He thought that he could fill the emptiness in his heart by finding and reviving his clan. Don't get him wrong, he's contented with what he has and the people that loves him but there's still this itching feeling of longing in his chest that he couldn't get rid of.
A type of longing that for 400 years of searching, he couldn't fulfill.
But alas, this was not a predicament he hasn't been in before. Vox had felt this feeling and questioned it quite often in the past but he eventually finds a distraction that leaves those questions unanswered.
What's the point though? He already has the people and things that he needs and wants, what more could he ask for?
He wants to be satisfied, and that's what he plans on doing.
As he crossed the street, he catches a glimpse of a really pretty woman.
You.
Scratch that, you were beautiful.
So beautiful that he stopped in his tracks to admire you as you crossed the street.
Was this all that's missing? A woma-
"HEY YOU WEIRDO GET OUT OF THE WAY!! ARE YOU TRYING TO GET YOURSELF ISEKAI'D?!" a truck driver yelled at him from his vehicle, beeping his horn at him aggressively.
Vox snaps out of his thoughts and got out of the way. He looks back to where you once stood and saw that you were gone.
'Damn it.'
"Vox! What happened back there?! Were you trying to get killed?!" Onigiri pants as he approaches the said male. "I told you to be more aware of your surroundings and don't get so lost in your thoughts! Are you even listening to me?"
Vox just stood there, staring at the other side of the crosswalk with a bit of wonder in his eyes.
"Let's get you home, Vox."
Days passed.
And you're still in his mind. He thought he could easily forget about seeing you but it seems that he can't stop thinking of you.
From all the women of women that he finds 'pretty', there are only a few selection of women in his life that he found... beautiful.
So.
What was it about you that made him think that you're beautiful?
He tries to remember what you looked like. You had luscious h/c hair, sparkling e/c eyes, and a really captivating smile.
....so that's why he finds you so beautiful.
You looked exactly like his wife.
He doesn't want to stop thinking about you, the woman who he saw on that crosswalk. You were the same but different at the same time. As if you were the reincarnation of his deceased wife.
Now he sits in his room questions rising in his head. Leaning on his chair, he stares at the ceiling, "What should I do, Y/n?" he mumbles his wife's name, shutting his eyes frustration. He just wants to be at peace. He doesn't want to think anymore. He doesn't want to hurt anymore.
He did everything to move on.
But did he really?
"I guess not." He chuckles.
She was too important to him to even forget.
His shoulders slumped helplessly, not knowing what to do. 'Just come back to me...'  If only it was easy, he would've had her in his arms. You don't know what this man would do for you. He'd jump in a volcano just for you, embarrass himself just to make you laugh, and sacrifice giving you baba for the night to cuddle with when he couldn't be there with you.
He'd take such good care of you.
Now he stands in the same place where he last saw you and waited. If you appeared, maybe you were the answer to his dilemma. If you didn't, then he'd get help. All he needs to do is stand there for five minutes and then he'll go.
Five.
Kids happily cross the road as they walk home for the day.
Four
Couples pass, arms linked with each other as they cross with such contentment in their eyes.
Three
The light turned green and vehicles began to move.
Two
Cars and trucks passed, leaving a cloud of dust behind.
One
All the cars stop as the stoplight turns red once again.
"...and zero." Vox sighs, a tinge of disappointment laced his voice. He turns to leave and get back to his life. Maybe this is just another one of those moments that just had to happen and pass.
"Well, I guess that's that."
With a heavy heart, Vox walked home.
Vox had scheduled an appointment with a therapist for next week. When you didn't appear the other day, he was pretty convinced that the past was still haunting him and he's been feeling down since then.
The tall male entered the café, his gold eyes fixated downwards, "Welcome in! What can I get you today?" Vox mindlessly orders, paying no attention to the things around him. For the past few days, the kindred took notice of his sullen mood and advised him to go to this café in hopes of making him feel better.
So, here he is.
Vox stood there waiting for his food, looking around the place while he did. A hand comes into his view, handing him his drink, "Two shots of espresso and a lemon cake for a-" He grabs the drink from the barista's hand before she could finish her sentence, "-Vox Akuma?" For once in all those days of looking down and getting lost in his thoughts, Vox lifts his eyes to the sound of a really, really familiar voice.
There you were in all of your glory,
"Y/n...?
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𝘢/𝘯: 𝘴𝘰𝘰𝘰…𝘱𝘢𝘳𝘵 3?
← 𝘗𝘳𝘦𝘷𝘪𝘰𝘶𝘴 │ 𝘕𝘦𝘹𝘵 →
← 𝘗𝘳𝘦𝘷𝘪𝘰𝘶𝘴 𝘗𝘢𝘳𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘦𝘳𝘪𝘦𝘴 │ 𝘕𝘦𝘹𝘵 𝘗𝘢𝘳𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘦𝘳𝘪𝘦𝘴 →
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slippinmickeys · 6 months
Text
Proof of Life (7/8)
1. The phone trills from his pocket, startling him. He hasn’t yet received a call on it, and he hadn’t taken to carrying it with him until recently, when the urge to maybe move on again was starting to take root. Only one person has the number.
“Langly,” he says into the receiver. “Everything okay?”
“Are you near a television?” Langly asks him, dispensing with formalities.
Mulder turns on his heel, he’s on a street about a block from a hotel.
“I could be…” he says. The thought of going into a hotel again gives him the briefest pause.
“Turn on CNN,” Langly says. “Right now.” He disconnects.
Mulder trots to the hotel entrance and pushes quickly through the double doors, wonders what human tragedy is unfolding that Langly thought he needed to witness. Mulder could be on a plane in less than three hours — two if he needs to head to a region that’s relatively popular and not beset by turmoil. He’s almost feeling like himself again, and the thought of getting back to work, while holding less appeal than ever, would at least afford him something to focus on rather than the empty place he still feels deep in his chest.
Turning a corner and into the hotel’s bar, which is empty this time of morning, Mulder locks eyes with the bartender, who is polishing glassware. He asks if he minds turning on the TV that sits black and silent in the corner of the room. The bartender nods and pulls out a remote, switching the channel to the international feed of CNN when Mulder politely requests it.
The program is coming out of a commercial, and so Mulder lowers himself into a seat nearby, asking if the barkeep minds turning up the volume.
And when the program comes back on, there is not human atrocity on the screen, nor the eruption of a volcano, nor even a child stuck in a well. There is Dana Scully, thinner even than she was the last time he saw her, but real and true, her sharply cut face looking intently at Maureen Dunshee, who is sitting across from her as if they are both in en-garde. In the top corner of the screen, there is a tiny chyron that says “pre-recorded.”
“Did the picture give you hope?” Maureen asks. They are obviously mid-interview.
“Did it give me hope?”
“When they took the picture. The Proof of Life. Did you know then that we were trying to get you home? Did it give you hope?”
They cut briefly to a full-screen image of Scully holding the foreign newspaper, him standing behind her looking stunned. It’s the first time he’s seen it.
“He gave me hope,” she says quietly, looking down. Something inside Mulder blossoms.
“Fox Mulder?” Maureen asks her. “The other hostage?”
Scully nods, then looks away from Maureen to a place just off camera.
“Yes,” she says, sitting up straighter, speaking a little louder, more clearly. “The other hostage. We leaned on each other.”
Maureen leans forward eagerly. “Why don’t you tell me about that, Dana.”
Scully meets the other woman’s eye. “No,” she says. “I don’t think I will.”
The shock of seeing her has worn off, and suddenly, Mulder wants to cheer, to outright whoop. She has startled the interviewer, and you can see the woman glance ever so briefly at what Mulder assumes to be the segment’s producers on the other side of the room. Still, the woman tries to recover.
“Okay,” she says, a little bit of the kindness gone from her voice. “Then why don’t you tell me about him?”
“If you want to know about Fox Mulder,” Scully says. “You’ll have to ask him yourself.”
“We’ve tried,” the interviewer says, cocksure. “He’s a hard man to find.”
“Don’t I know it,” Scully says, giving as good as she gets.
Watching this is like reading a whodunnit and slowly figuring out the mystery, Mulder thinks, discovering that the character you suspected was innocent the whole time.
Maureen seems to realize she’s interviewing a hostile witness, but to Mulder, Scully seems to be unfolding, coming back to life before his eyes.
“Well,” Maureen says. “What can you tell us? What are you willing to share?”
Scully looks at Maureen appraisingly before answering.
“He saved my life,” she finally says. “In more ways than one. And I don’t know how, but some day I plan to return the favor.”
“Romantic,” Maureen says. Mulder can sense distaste in her voice.
“You can call it what you like.”
“Love?” There’s a gotcha tone if he’s ever heard one, but his heart leaps into his throat.
“Yes,” Scully says with conviction. “Like I’ve never known.”
Mulder stands from his chair so fast he knocks it over. He looks around for he’s not sure what—someone to talk to, someone to tell, someone to whom he can point at the TV and say “did you hear that?”
He doesn’t know what to do with himself, with his energy, so he runs for the door.
2. When he walks through the door of Langly’s Paris apartment, there is an extra person in the kitchen and an odd, buzzy feeling in the air.
Langly and Asuka are seated at the kitchen table, across from a person whose hands are wrapped around a chunky coffee mug. All three of them look up as if startled to see him standing there.
“Mulder,” Langly says, half-rising.
But Mulder connects eyes with the third person and walks up to them until their toes are practically touching.
“Mulder,” Frohike says, his eyes wary but hopeful.
“Frohike,” Mulder says, smiling. He’s genuinely happy and relieved to see him and clasps the little man’s elbow to pull him up into a hug.
“Where have you been, man?” Mulder asks.
He releases Frohike, smiling, but that’s when he notices the steaming mug at the empty fourth seat at the small table. Byers? he thinks. These three men have not been in the same room since he met them in 1989.
And then he smells it; sun-dried linen. Eucalyptus. His blood floods with euphoric hope and he turns, slowly, so slowly toward the parlor just beyond the kitchen.
Standing in the mouth of the hall, a little tentative and unsure, is Scully.
He opens his mouth, closes it. Not a sound comes out.
Then, in the span of one breath, they collide. The kiss is dizzying. Sibylline. It is the past and the future and all the terrible, terrible things in between.
Asuka rushes everyone out of the kitchen so quickly that the mugs are still steaming when they break apart and turn to find the table empty, both of them panting, lips swollen and wet.
“I’m so sorry—“ they both say at the same time, then chuckle shyly.
“Don’t be sorry—“ she says at the same moment Mulder says, “I thought you—“
Mulder reaches out, gently puts a finger over her lips.
“Come with me,” he says, like a fairy in a forest. He takes her hand.
3. They are standing in the room Asuka has made up for Mulder; robin’s egg blue, plaster detail on the tall ceiling fine as a Faberge egg. It is not large; there is a single bed in the corner, a small antique dresser next to the door, but it has a long window that opens to a not-quite balcony looking out over a Parisian street, which is as noisy and nostalgic as a stereotype—there could be a foley operator the next room over—a truncated horn, someone shouting in French, an accordion playing two streets over.
He feels suddenly shy, but also magnetized toward her like a compass seeking true north. He could never really keep his hands off her, and now is no exception.
He grips her hand tightly, holds it between both his palms. He’s a little afraid to let go.
“I saw the interview,” he says.
“I hoped you would.”
“I’m still spinning,” he admits breathlessly.
“Me too.”
She reaches forward, thumbs the mole on his cheek. The heat of her palm feels volcanic and he realizes a little clumsily that in all the time since they’ve seen each other, not a single person has really touched him, except for a quick, tight hug from Asuka in Charles de Gaulle. He leans into her touch.
“How did you find me?” he asks.
A dozen emotions sweep over her face before she answers.
“First I found Byers,” she finally says, dropping her hand from his face.
He raises his eyebrows at this.
“I went back to the naval base,” she explains. “I traced your phone calls.”
“That was months ago,” he says, impressed.
“I’m a reporter,” she says primly, “I have investigative skills.”
“I’ve got some game myself,” Mulder says, his voice a little bit in awe. “And coming up against the Navy is like… trying to sail a ship on land. Metaphorically.”
At this she finally looks a bit abashed.
“Perhaps less so when your father is a decorated Captain.”
Mulder smiles at her. “So you found Byers.”
“I found Byers. Then I found Frohike. Then we found Langly.”
Mulder stares at her blankly, impressed and a little scared. “Scully, these men are ghosts. To the world and to each other. If they don’t want to be found, you don’t find them. Full-stop.” He knows that Langly was absolutely a rock about protecting him.
“I beat them about the head and neck,” she goes on. Shrugs. “Metaphorically.”
He continues to stare at her, one of her hands still clasped in his own.
“Frohike noticed Langly was harder to find and being less forthcoming than usual,” she goes on. “So… Asuka.”
“Scully,” Mulder says, “if the guys are ghosts, Asuka is a god. There is no Asuka.”
Scully turns tender, reaches out once again to delicately run her fingers over the skin of his jaw. She has never seen him clean shaven before, and seems fascinated by it.
“Mulder,” she says, softly. “She found us. She’s worried for you. She said you were broken.”
He closes his eyes. “I am. I was,” he amends, and reaches out to pull her closer to him. “I’m not anymore.”
She sighs contentedly.
“What about you?” he asks, his voice barely above a whisper. He thinks of her coming back to life during the interview with Maureen Dunshee.
“I am,” she breathes, placing the softest kiss on his cheek. “I was.” Another kiss. “I’m not anymore.”
He leans down until his forehead is resting against hers.
“Maybe there’s hope,” he says.
“Maybe there is.”
They breathe each other in, the sounds on the street below quiet to near nothing, as if the universe is pausing to listen.
“Tell me,” he says then. “Tell me everything.” And she does.
***
Once they have tearfully covered the events immediately following their rescue—both apologizing profusely—Mulder tells her about his days in the Marché d'Aligre, and the pictures he’s taken, about his recent, secret desire to perhaps change careers.
They are sitting on the bed, as close as they can possibly be. And Scully does something he suspects she has maybe never done. She opens up. She tells Mulder about the weeks with Ethan, when everyone pretended she was the same person she’d always been. She tells him about Murray, about Mikey. About the baby. It all comes howling out of her.
He holds her through all of it, tries to process it all; the thought of a child, their child. He’d never wanted children before, but he’s sad for what might have been.
“If I had gotten to the base five minutes before, none of this would have…” She sniffs and swipes at her eyes, presses the back of her wrist to her streaming nose. She takes a deep breath, regaining some of her composure. “I can’t imagine what you must think of me.”
He stands and watches as a flicker of apprehension flits across her face, but he reaches down and grips her hand hard.
“Come with me,” he says again.
***
She stands in the little room, walking along very slowly, following the line of the wire that surrounds it, taking in each picture individually.
“I remember you taking them,” she says. “But I…”
He hopes she understands what this all is.
He has hung the pictures chronologically. From the first photo—her standing in her oversized Press jacket, dazed, stunned—to the picture of her in front of the window when they first heard the Chinooks coming. The intimacy grows with each picture, a long, burgeoning crescendo of the artist falling in love with his subject.
“This tells the story,” she says, dawning realization. “This tells the story of what happened.”
“This tells the story of us,” he says.
4. He takes her to the Louvre. Two pyramids on top of each other, covered in plate glass rhombi. Historians believe that ancient peoples erected pyramids as an expression of the universal desire to reunite with heaven, and something about that feels right.
All around them are tourists of every stripe and nationality, as interesting as the art on display. They’re all toting cameras, some are holding hands. He and Scully fit right in.
They are standing in front of Michaelangelo’s Prisoners, those unfinished statues forever trapped in the marble from which they will never be released. One, Rebellious, writhes, struggling to free himself. The other, more flexible and sensual, capitulates to his death, expressing peace, harmony.
Scully looks them over, her eyes roving over the sinewy tendons, the unfinished feet.
They were prisoners themselves, a block of stone where an arm should be, where a heart should be, struggling for freedom, eventually surrendering to the sensual.
“I had a few people,” she starts to say, her eyes still on the sculptures. “After the interview, try to tell me that what we feel for each other is just the social glue of trauma bonding. That the link that bonds us will eventually snap. That we can’t base an entire relationship on the fact that we were both victims of the same crime.” She finally turns to him. “ Are you afraid that’s what this is?”
He thinks it is both more simple and vastly more complicated than that.
“All I know,” Mulder says, “is that when I was down, you lifted me up. When I was weak, you made me strong. I don’t see why we shouldn’t be able to keep doing that for each other.”
She is a pattern that’s been inked on him like a tattoo. Deep. You’d have to cut her out to remove her.
“That’s what I think, too,” she says, turning away.
He grabs her hand and they move on, rejoining the current of the moving throng.
“What would you do,” she asks, “if you stopped photographing conflicts?”
There is a group of goth kids in front of them, their clothes and hair all black as a raven’s wing. Scully’s russet hair among them gives his spirit a quick pop of lightness.
“I don’t know,” he admits, swinging their arms a little. “I have a buddy who’s a wilderness photographer. He thinks I’d be good at it.”
“Sounds like it might be peaceful,” she says.
“Or boring,” he admits. “But I’d no longer be a slave to Newsweek.”
Suddenly, the crowd around them disappears, like a tide racing back out into the sea, and he and Scully are left standing alone against the backdrop of a gold-plated colonnade. Mulder, inspired, raises his camera and takes a picture. She could be a sculpture here, he thinks. She could be a painting.
She smiles at the floor shyly, and he steps into her space, his confidence of place by her side returning. He puts a finger under her chin and lowers his lips to hers.
“Didn’t I tell you,” he says. “You belong in the Louvre.”
She leans in for a kiss of her own. “Fuck Newsweek,” she mumbles into his lips.
5. He has his long heavy leg thrown over hers in the narrow bed. They are fully clothed, but tucked in toward one another like the lovers of Valdero. They can’t stop touching; the newness of being back together has yet to wear off.
“Do you think,” she starts, her fingers playing a modified thumb war with his. “We would have met if not for…”
“I’d like to think so,” he says, not letting her finish. “I’d like to think there’s a universe where nothing bad ever happens to us. Where we’re… I don’t know, FBI agents. Partners. Solving crimes by day, making love at night.”
“FBI agents?” she says dubiously, but laughing. “What would we investigate?”
“Bigfoot,” he says, invested in making her laugh again. “UFOs. Werewolves. Psychic photography.” With each suggestion, he kisses another part of her, working his way down her neck. She laughs under him, squirms in a thrilling, delicious way.
“Psychic photography?” Her dubiety reaches a level of sass he’d like to discipline out of her in a way he knows she likes.
“Yeah,” he says, canting himself up onto an elbow to look down at her. “Also known as Thoughtography. Practitioners possess an apparent ability to place images on film with their mind using psychic energy.”
She laughs. “Have you tried it?”
“I tried to imagine Penny Willmington’s breasts while in the high school dark room, once,” he says. “Didn’t work though.”
Her laugh settles into a pleasant, throaty hum.
His body responds, and he leans down to press a wet, lingering kiss into her lips.
She sighs, stretches luxuriously under him.
“I’ve missed this,” she says, a little shy.
They’ve been listing toward the inevitable for hours, and it’s not like they haven’t had sex twenty times before, but this time is different and they both know it.
Mulder puts a hand over the tight drum of her stomach, her shirt bunching slightly under his hand. The length of it, from pinky to thumb, practically spans the whole of her midriff.
“I missed it too,” he says, brushing her lightly with his thumb. “But we don’t have to do anything you’re not comfortable with.”
“I want this,” she says, levering herself up towards him.
“I want—” he starts to speak but she slides her lips over his, her eager little tongue chasing his words away.
He wants. He has so many wants.
He wants her hot little mouth wrapped around him; he wants to lick the ambrosial seep from her core. But he also wants to read next to her in bed, wants to chop vegetables in her kitchen, clean her gutters, dig his thumb into the high, aching arch of her foot.
What he doesn’t want is to run anymore, not from her.
She’s slick and hot under him, the foxy muff of her center gripping him like nothing he’s ever known. Her nails are crimped in his back, her breath a tremulous pant in his ear, her kisses so earnest it brings tears to his eyes.
They rock into each other for hours, talking, laughing, gasping in the air. There isn’t a militant pacing outside their door, and the freedom gives them an exultant, adolescent vim, and it isn’t just sweet, it isn’t just fun, it’s clumsy and solemn and pure. It’s reconnection and passion and the looping buoyant feeling of a cartwheel in the summer.
They lock eyes and they never look away.
They deserve a happy ending. They’ll get one, he thinks.
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jukti-torko-golpo · 10 months
Text
Kolam : Part 1
So this is my first PS fanfic.... A two-shot. Kinda ended up long. I hope people like this. I do not know if this turned out well. I had a lot of fun though.
It was day 1455 of Arulmozhi pretending like she does not exist, she had cried herself to sleep and woken up with a splitting headache, the kingdom was gearing up for festivities and she was entrusted with the duty of decking up the palace. There was way too much noise everywhere to help with her headache and she had to use every ounce of her energy to focus on a work and get it done. So our doe-eyed docile damsel was a volcano about to erupt for the day.
Vanathi was trying to finish an elaborate Kolam at one end of a corridor. She was almost done with the job and at her wit's end. That is when Universe orchestrated the volcanic eruption.
The Chola prince and his newly found confidante, a certain Vana Prince, rushed through the corridor and before our hero could stop himself, he stepped on the Kolam and ruined a part of it. He froze.
Vanathi's eyes snapped to the ruined bit of the Kolam. It was one thing to ignore her during conversations but ignoring her entire existence and work while she was sitting there was a new low.
She stood up sharply and the expression which crossed her face reminded him of sudden tempests in calm seas. He had no idea from where did this inner poet wake up in him but he was kicked out of his mind very promptly by the sight of Vanathi striding towards him. With a short seething 'Ilavarasar...' she shoved the bowl of rice flower into his hands and marched off leaving behind two dumbstruck princes.
And the sound of a pair of anklets approaching just signalled the second onslaught of the storm.
'What has been happening here, Thambi? Where did Vanathi go? Thambi...' she trailed off when her brother turned towards her with a bowl in his hands and a messed up kolam at his feet.
'First you annoy me the entire morning delaying all my plans, then you mess up my uyir thozhi's work!! What has gotten into the both of you?? Have you forgotten your age Thambi?? What is this mischief that you are stirring up? Are you imagining yourself as Maya Kannan just because there will be a play...' a livid Kundhavai thundered.
'What Maya Kanna?' Arulmozhi was really confused now. 'Nothing...' pat came her reply trying to cover up what she had just blurted out. 'Vanathi was working with a headache and you ruined her work!' Kundhavai swiftly changed the topic.
'How would I know Akka? I was running thanks to you and I didn't notice the kolam,' the prince said as guilt started settling in his mind. He had no idea about the head ache part. 'I...well..I am really sorry,' he mumbled. 'TELL THAT TO VANATHI, THAMBI...UGHHH,' Kundhavai whisper-shouted at her brother.
Now begins a new adventure for our dashing Chola scion...apologizing to a certain woman for whom his heart acted very weirdly and he could not point out how and why it was weird to save his life. He walked to the chamber of the royal doctor and asked him to prepare some medicine for curing headache. With great impatience he waited for the doctor to be done with making the balm for the Ilavarasi.
He took the perilous nerve-wracking journey to Vanathi's chambers very uncertain of how she will react. He stood in front of her door and with a sheer lack of better judgement and and his brain ceaselessly rehearsing what to say, he walked in without announcing himself.
The curtains were drawn and the few rays of sunlight that could enter the room lit it dimly. 'Akka I am fine. Just a bit of headache. I will join the preparations right when this headache goes awa...,' the princess had been lying with her face buried into her pillow. She turned towards the door as she was speaking and she FROZE. Her anger had subsided and now she was very aware of the fact that she had stormed off from the very person who was now standing at her door.
Seeing her shocked and flustered face Arulmozhi panicked and launched into and apology while Vanathi started her own stream of apology. In her haste to get out of her bed she almost stumbled over her own dress and her cheeks reddened immediately. 'My apologies Ilavarasar, I will move the curtains...it is too dark,' she said as she drew the curtains open. She winced as her headache flared up due to the light.
'I don't mind the drawn curtains at all, Devi. I know that you have a headache. I have bought some balm for you from the doctor. please apply it. You will feel better.' These words from the prince made her face grow warm. He had thought about her? This was not a dream right? The Arulmozhi Varman had brought medicine for her? She extended her hand for the bowl rather bashfully. 'Thank you, Ilavarasar. I am very sorry for acting like that before. It was very wrong of me to speak to the Prince like that. Forgive me,' Vanathi said as her eyes teared up with guilt.
Her tear filled doe eyes sent a strange new ache to his heart and he said, 'No Ilavarasi it was my fault. I should not have ran into your hardwork. It was such a beautiful design. I will now take your leave and let you recover from the headache. I hope you will forgive me and join the preparations soon. I cannot wait for the festivities to begin.' Arulmozhi departed leaving a tear-choked Vanathi in her room.
After almost two hours of rest after applying the medicine Vanathi woke up. She emerged out of her room feeling much better. She was determined to finish the kolam this time. She made her way to that corridor and the sight that greeted her left her surprised ever so pleasantly. The ruined part of the kolam was fixed, maybe with slightly wobbly lines but fixed. And there lay beside the design Arulmozhi's ring. Maybe he had opened it while fxing the design and then forgotten about it. Vanathi picked up the ring, held it close and smiled to herself. She then happily completed the design and set off to return the ring to it's glorious owner.
Arulmozhi was reunited with Vanthiyathevan and they were overseeing the decoration of the palace courtyard. He raised his hand to direct one of the decorators and noticed that his signet ring was gone!It was his favourite ring. Where could he have left it? He was about to excuse himself and go looking for the ring when a soft voice called out 'Ilavarasar!'
'Aaah how is Maya Kanaa feeling now?' Vanthiyathevan exclaimed. She grinned up at him as he patted her head with affection. Maya Kanna? Again? Since when did the two of them get so close? Why was his heart acting in the weird way again after seeing her smile? What was up with everybody going Maya Kanna around him?
'I am sorry Kamsa Mama. I should not have stormed off from there,' Vanathi apologised to Vanthiyathevan, her voice laden with sincerity. Why Kamsa Mama? This was all too confusing. The dramatic Vana Prince feigned being deeply hurt by Vanathi's behaviour but Immediately dropped his charade when she pouted and said,' Anna please don't do this. I am already really sorry for behaving that way.' She took a quick glance at Arulmozhi and blushed deeply. His heartskipped a beat. But why? ' I am fooling around, little one. How can your Anna ever be angry at you?' Vanthiyathevan laughed and patted Vanathi's cheeks before he was called by someone to check a certain flower arrangement.
Vanathi turned towards him and her blush deepened. She was desperately trying not to make eye contact with him. Arulmozhi had given up hopes for his heart as it was wildly acting weird now. 'Ilavarasar I have something to give you...' she started. She held out her hand and on her palm was his ring. 'You had left it near the kolam,' she added coyly. 'Thank you, Devi. I was about to go looking for it.' Saying this he reached for the ring and his fingertips brushed on her palm. Her hand shook ever so slightly at the contact and she took off the moment he had taken the ring. She suddenly turned, walked up to him and mumbled a very shy 'Thank you for fixing the kolam.' This time she took off for good before could say anything.
Why did he spend the rest of the day twirling the ring in his hands and thinking of two shy doe eyes? Why did his heart start acting all strangely? Why did he find himself smiling when he thought of her blushing face? Why was she called Maya Kanna? All these questions swirled around in his mind. Would he never find the answers out? Or would he find them out very very soon?
@nspwriteups @thelekhikawrites @whippersnappersbookworm @harinishivaa @thirst4light @yehsahihai @nirmohi-premika @shaonsim I do not know who else to tag. Please tag anyone who you think would like to read this. And please leave your reviews.
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