Grabbed these as a special gift for play friend, when I see her next.

still on with the vegetable debate 🥗🥬🥒🥦🚜🧑‍🌾

Spy X Family AU

So! Jack Fenton is a Super Spy/Scientist who is working on a mission to investigate Amity Park. The Government has put an Information Blackout on the entire Town, so he has been assigned to infiltrate the town. When he discovers that the town is contaminated with Ectoplasm, he asks to stay there to study the Stuff.

Maddie Fenton is an Assasin who used to work for the League of Assasins, right under Talia, before she deserted the League and ran away. She ran to Amity Park because of how secluded it was, and began working as a Mercenary Assasin to make a living. She is also a Scientist who discovered Ectoplasm and wanted to study it because it reminded her of Lazarus.

They meet while studying Ectoplasm and use eachother to cement their Cover Stories (and get a new study partner).

Jazz in the child Jack adopted from a nearby Orphanage so he could blend in with a "Normal Father" Facade. She is a Liminal with Telepathic Abilities who knows everything about the other two, but keeps it a secret because she wants to psochoanalyze them. Her real parents are unknown, but that's what's fun about making your own AU, you can mess around with it.

Danny is the dog.

Just kidding, Danny is actually a Hybrid child between a Human and a Ghost who was left on Jack and Maddies doorstep as a Kid. They understood what he was immediately and took him in so he wouldn't be taken and experimented on by the GIW, pretending that he was a normal kid (and forgetting to tell him that he is a Ghost to begin with)

He doesn't even know he is a Hybrid for a while, until an accident in the Lab when he is 5 results in discovering his Ghost Form but thinking he just straight up died and brought himself back. Oh and he can see the Future sometimes, just to throw that in there.

I wonder who the Ghostly Father of this Hybrid child who can see into the future and is very powerful? Surely not the Ghost who deals with time and is also very powerful? Sure, absolutely impossible...

Anyways, thoughts on the AU?

(More context in the tags)

Anyone ever think about how some people probably miss Shen Jiu in Svvss.

How some Bai Zhan dissolves probably attacked because they were jealous of the Qing Jing disciples who had a teacher for all his sharp tongue and non existent tact was actually there. Where for all his harsh punishments and glares never beat you into the ground in the name of training.

How some of the older Qing Jing peak disciples liked the old one better than the new one without memories because he understood and while he was not nice he was kind in his own weird way.

How some Qiong Ding disciples liked him better when he had his memories because there was a peak lord with eyes like theirs. Someone so unequivocally looks like a wolf and a snake so unafriad to hide how hungry he is for more. But still so loyal.

How someone of the older Xian Shu girls mourned the man who treated them as the hidden blades they were. Who looked at them with a weary sort of respect and never once thought of them as belongings or things to be owned.

How some of the older hall masters and sect cultivators miss the sharp tongue and un forgiving wit of their former martial nephew and shidi. Who for all he never asked for help was never rude when it was offered for all the used to bristle at the implications of him needing help. He never lied to spare their feelings.

How a few peak lords miss their sharped tongued shixiong. He didn’t look down on them for being in the lower peaks. They miss the way their verbal spars would go and even if they rarely won the challenge was fun. As no one wants to challenge the beat of the best and that’s what the peak lords were.

How they all collectively feel like Shen Jiu losing his memory was a slap in the face to the man. Because all through the body of the same, the sharp mind is the same, they aren’t the same. No more sharp eyes or poisonous tongue instead there’s something soft. Something that if pushed slightly would die kneeling and not with a broken or straight back.

They all know that this wasn’t the ending that he would have wanted or even deserved.

As know instead of dying and being known as Shen Qingqiu the master tactician and the Xiu Ya sword he is known as Shen Qingqiu the Qing Jing peak lord, empress of the demon realm, husband of Luo Binghe.

men without a bedframe

Vlad in Bitter Reunion was like: Hey, I've just met you. And this is crazy, but here's my number, so, call me daddy

That's—that's essentially what he said.

"RENOUNCE YOUR FATHER AND JOIN ME SO I CAN TEACH YOU EVERYTHING I KNOW IT'LL BE FUN DANIEL I PROMMY WE'LL RULE THE GHOST ZONE TOGETHER I'LL PAY FOR YOUR COLLEGE I'LL TAKE YOU TO THE STARS—"

a lot of people have said it, but I’m throwing in my two cents just to get it off my chest.

Picard season 3 was . Bad . For a LOT of reasons . It felt like - as many before me have expressed - a self-insert fanfic with the dullest self-insert in history.

Jack Crusher wasn’t much of a character but he could have had some promise if they hadn’t spent an aggravating amount of time having him decree how different he always felt, you guys. Did you get that part? He’d always felt different. That sort of dialogue might have flown if we were dealing with Picard’s adolescent son, but instead we’re dealing with a 24 year old played by a 35 year old who looks every bit his age. (It was a hard 24 years, we must assume.)

The reason that Jack Crusher didn’t work for me personally, though, wasn’t because of how cliché his character was. I would have let that pass much easier if it wasn’t for the big ol’ elephant in the room. And that is simply that :

JACK CRUSHER WAS NEVER NECESSARY

Jack may have served a purpose to the storyline that was presented if only because he was the sole reason there was a Big Bad to be defeated in the first place. Everyone wanted to kidnap him, he brought the old gang back together just to protect him and then later save him from said Big Bad which was also actually .. him. Everything Was About Jack. But I’m not talking about the main plot. I Really Don’t Want to Talk About the Main Plot. Ever. What I want to talk about is what Jack represented that made him so unnecessary:

He was intended to represent Jean-Luc Picard’s only reason to start living.

Personally, that really, really offended me. Picard didn’t need to have a biological kid to have a purpose. In fact, it’s been established time and time again that he wasn’t ever really dad material. More of a... weirdly intense uncle. For a while, he wasn’t a fan of kids at all. Eventually, though, Picard is seen to warm to the idea of letting children within his general vicinity. This starts in TNG and continues on in season 1 of Picard. The Only Categorically Good Season of this whole. show.

In season 1, we see flashbacks of Jean-Luc’s relationship with a young Elnor, how he would read him stories and have sword fights with him. He was an absent father to an adopted child he hadn’t even realised he’d adopted and yet Elnor still fought for his hopeless cause. In much the same way, Picard meets Dahj and then later, Soji. He feels a kinship with these androids because of their connection to Data. He wants to protect Soji becase he couldn’t protect Dahj and Soji even canonically questions whether she should allow Picard to act as her father figure before she begins to remember where she came from. Both of these dynamics were infinitely more interesting and a lot deeper rooted. Soji and Elnor were both young twenty-somethings without parental guidance but found that guidance through Picard. Soji had her connection to Jurati, too, and Elnor had his with Seven and Raffi and that’s what made the whole group so intriguing to follow. They all had interesting connections to each other that had so many avenues to explore.

Unfortunately, the show decided to more or less write Soji and Elnor out of the story come season 2. Elnor was killed off for the majority of the season and only brought back by Q intervention in the last episode. Soji wasn’t even a part of the story at all. And do you know what’s sad about that? What’s really sad? Season 2 was trying to sell us the exact same message as season 3. That Picard needed a reason to live. But, like, not that reason. Not the reasons he’d already been given in the form of his found family with his Romulan and android adopted children, or even the rest of the La Sirena crew. No no no, we can’t have that, better get rid of them. This time, Laris is the focal point. Picard had been avoiding a romantic relationship with her because of a never before mentioned dark history surrounding his mother’s suicide. Because, sure, at this point, why not? While we’re at it, let’s also kill off Rios in the most slap-in-the-face out of character way possible and fling Jurati at the Borg for good measure just so she won’t be around for season 3. Her character development into the Borg Queen was pretty intriguing, but we’ll totally ignore that they even exist post her departure, just for funsies. Oh, and Soji and Elnor? Best not mention them at all come that third and final season. Otherwise, people might get the crazy notion that Picard already had a reason not to hunker down and die at the vinyard at the tender age of 104.

Season 3 picks up where season 2 leaves off in that Picard is now in that aforementioned romantic relationship with Laris. Except, no he isn’t because he immediately gets an emergency call from his ex and literally never sees or talks to Laris ever again. There wasn’t even a throw-away line or implied reference to her, but by now I’m sure you know the reason for that.

That’s right, folks. Because if we were allowed to remember Laris and what she meant to Picard, then we might just remember that other thing. Say it with me now!!

JACK CRUSHER WAS NEVER NECESSARY!!

In summary, there were so many brilliant options to give Picard for signficant found family dynamics, but the show just wasn’t interested in any of them. Season 3 wanted a Picard who had given it all up, who was ready to die because he’d never had a family to pass on his legacy. They wanted him at his lowest so that we’d all rejoice to see him return to the TNG crew. Don’t get me wrong, I’m a massive TNG fan and I could rave about the fan service and nostalgia porn for hours on end. If season 3 had stood alone as a singular unconnected event, it might even have been passable as a warm hug from old and beloved characters with some fun new spins to their stories along the way, juust so long as you didn’t squint too hard at the actual attempt at plot writing going on in the background.

But the fact of the matter is, Picard season 3 came far too late into the game. Season 1 held the building blocks to something new and interesting. By the end of season 2, it was becoming clear we were never going to see those blocks stand. By season 3, those blocks were just scattered headstones in a graveyard.

They teased us with the potential new show of Captain Seven and her Number One Raffi Musiker and that might have just been okay. . .

. . .If the La Sirena Crew had been allowed to be a part of that future.

In closing: Picard season 3? Too little, too late, mate. 👎🏻

i would say jackgirls and casgirls and deangirls should unionize over the sixteenth season / movie / revival probably disappointing them for the last time again in the most horrible painfully avoidable way. but jackgirls don’t even exist to the rest of the fandom so like who fucking cares

Grandpas’ truce

Been thinking about them being dumb old men

Lost 3.13 | The Man from Tallahassee

and did bruce not, in the end, have a hand in jack drake's death as well? did tim becoming robin not seal his father's fate? we can talk in circles about the delegation of guilt but batman's quest to make no more orphans has, undeniably, made an orphan of robin

They gave Jack Crusher Soji's mysterious backstory, Rios's brooding habit and general status as a Han Solo wannabe, Elnor's combat skills, and Jurati's personal relationship with the Borg Queen; and yet he still manages to be considerably less interesting than any of them.

Tosh: You... spent your childhood in a place like this, didn't you? Ianto: Yeah, well, some of it. Sorry. Tosh: Don't apologize! I think it is - Ianto: Bleak? Solid? Wet? Cold? Hopeless? Tosh: No! Kind of beautiful. I mean, that mist - Ianto: Look, you don't have to try so hard. Tosh: Sorry? Ianto: To... like Wales. It'll cope. Tosh: ... Pull up. I'm getting out. [...] Tosh: *device bleeping* Minor Rift spike. Minor incursion. Ianto: *muffled by the SUV door* So they send the minor Torchwood people... Tosh: What? Ianto: *quickly* Nothing.

ok last thing i SWEAR im gonna shut up after this but i just wanted to post michael rianda's outline for the jack kerouac wendy episode that i mentioned. it definitely needed a lot of work but i do like it in concept. image ID/transcript below the cut (warning it's LONG)

[image 1 ID: a screenshot of a tweet from michael rianda. it reads: "I Found a Lost Wendy Episode of Gravity Falls! We were always trying to crack a Wendy episode. This was my favorite. I love the teenage feel of wanderlust + getting excited about reading "On the Road." I love the backstory and flaw. It didn't work but I always liked it." end image 1 ID.]

[image 2 ID: a screenshot of michael rianda's outline. from here i will simply transcribe what he has written, only fixing typos that interrupt screen readers.

Episode 3. Wendy's "On the Road" This is the first in a series I did where I wanted to get to know a character better, and I started with that desire, and followed it through.

Cold Open: A woman answers a phone at a Wal-Mart type superstore place. Wendy's on the other end with Dipper and Mabel. She asks to be transferred to extension 234. Extension 234 connects them to the stores loudspeaker speakerphone. Wendy starts making joke announcements over the loudspeaker: Wendy: "Clean up to aisle 6, customers seem to be projectile vomiting all over eachother." Mabel and Dipper are laughing hysterically. The woman can't hang up on Wendy so she calls the cops. Wendy's still going. Soos asks if she could get in trouble for it. Wendy brushes him off. Then the cops show up. Stan sees Wendy arrested and swells with pride- "she HAS been learning from me (quietly weeps) I'm so proud."

Act One: Open on Manly Dan... by his age it must be the past- he teaches his boys to chop wood and they're all struggling. A huge tree drops in the distance. When the dust clears... it's little Wendy. He tells her to climb aboard his shoulders my little axechild! They happily gallop off. They love each other. It's very sweet. Cut to present day: A confrontational Manly Dan is bawling Wendy out for getting in trouble for the prank phone call. He tells her not to be so impulsive and do the first thing that pops into her head. Wendy insists Manly Dan is the most impulsive person she knows, besides the cops left her off with a warning. She brushes it off by saying she has to go to work.

B story. (Not sure what)

Wendy's reading On the Road at work. She's getting progressively more pumped about this book. Mabel asks what it's about. She explains it all and the kids are pumped. They're swept up in this romanticized teenage vision of hitchhiking on the open road. Stan has to leave for some secret portal reason and Wendy's like: "Let's do this right now!" (Secretly she just doesn't want to go home and deal with her dad.) "Let's do it let's just hitch hike. Leave town! Start a new life! Like Jack Kerouac!" Mabel is enamored.

End image 2 ID.]

[Image 3 ID: picking up from the transcript of the previous image:

Soos is wary of leaving the shop at first. But Wendy talks them into it. A couple of her friends come. Lee, Nate, Thompson, and Tambry. They get on the road and are immediately having fun. Things are looking up. Soos is worried. Wendy: "Easy Soos, we're in Oregon... it's just going to be a bunch of nice hippies..." Cut to a terrifying crazy red eyed driver without a face driving towards them. Act break.

Act Two: Wendy and Co are having fun just like you should on a road trip/vagabond adventure. They're stopping at mini-marts and getting lame snow globes- and making fun of them. Things are looking good. It's like a road movie. They all relate to each other about problems with their parents. Wendy doesn't say much but she has a flashback to her and her dad drifting apart.

Stan B Story.

The scary faceless driver comes by and offers them a ride. (they can't see his ghoulish faceless self) Wendy immediately says yes before anyone else can decide. People are like "I don't want to go hitch-hiking." "Wendy: It'll be fine! Come on- this is the adventure of our lives. People in those stories never said, no I'm scared." She makes them all go in. It's creepy and tense in the car. Eventually the guy reveals himself to be a horrifying ghoul face and locks the doors. They all go screaming into the distance.

Act Three: He takes them to the "End of the Road" Diner. Or you hang a lampshade on it and have it be Bob's Big Boy but with a David Lynch head on the outside. There are other people that get taken there and stay forever and are sort of these lost souls that are stuck there. From all different eras. It's like this terrifying Lynch-ian dark version of an idyllic road trip stop. Basically it's a Lynch parody fest with Soos and Mabel. Like these little creepy old couple are walking in fast motion out of a wall and Soos is pushing them back in. "Whadda you doin grandma and grandpa... get outta that mouse hole. Get back in that mouse hole you goofs." (Probably too insane) Anyway, everyone wants them to have "the special" and after you eat the special, you stay there forever. Wendy's really guilty that all this is her fault.

End image 3 ID.]

[Image 4 ID: the last of the transcript:

Wendy wants to impulsively react, but remembers her dad. She thinks carefully what to do and comes up with a plan- and chops down a tree on the driver. They all come home- relieved to be back in Gravity Falls, and her dad is chopping wood in the back- he's still mad at Wendy.

Wendy: Hey... Dad? Manly Dan: (grunts) Wendy: Can I chop some wood with you? Manly Dan just nods and waves her off. They fell the tree. Manly Dan: Haha! That's my little axechild! Wendy smiles and keeps chopping.

Something like that- obviously a lot of variables to be figured out- but I love the teenage feeling of this and love that it gives Wendy a story and a flaw. Still needs work to make her better but it's a start.

End image ID.]

Okay but that scene in Titanic where Rose decides you know what no I’m NOT going to guarantee my safety by staying in this lifeboat and she jumps back onto the ship and she and Jack immediately start SPRINTING to try and get to each other and when they finally do Jack kisses her all frantically and calls her stupid…that’s true love baby

the trick to writing this fic is remembering that davey is in a gay tragedy that ended ten years ago while jack is in a gay romance that just kicked off act three