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#I just could not let it go
aboutdifferentthings · 10 months
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Jess never stood a chance with Lorelai. 
I have read a lot about Lorelai trying to be nice to Jess and trying to help and what a douche bag he was because of the way he talked to her in 2x05. I will not say that he was not  harsh and rude but, honestly, I get it. In fact, I do not only get it, I find him quite restrained during the episode until it is just too much. His wording was far from best but  he was completely right about he said.  
What happens in 2x05 is  what sets the path of their relationship because as Lorelai herself said once.  
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And Jess is not what she wants him to be. She wants Jess to be like she was at his age but he is not and that is what she never gets. 
She has a bad disposition towards him even before she meets him. She tells Luke  if he needs her she will be there but it just sounds forced because she only says it after not getting him to say she is right.
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But what I think is the key are these two sentences.   
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These sentences show how Lorelai has no faith in Luke doing this but guess who is a great communicator? Guess who is going to be able to straighten him out with her charm? Yes. Exactly.
When Lorelai and Jess meet Jess is being polite enough.
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He says ‘hi' he waits (more or less patiently) while she says her daughter can show him where the wilding takes place   ( half joking, assuming he is wild). He goes after  ‘the class is dismissed’ line. She gets upset. She was expecting him to  laugh around her jokes because she was being cool and nice?  He is angry, he is hurting, he has all the right not to be happy but she is not taking that into account because she is in the ‘I know what to do’ mode. 
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When Jess meets Mia, he acts more or less the same than with Lorelai . It is not personal, it is how he is feeling.
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However the difference between Mia’s and Lorelai’s reactions is huge. I am Happy Lorelai found Mia, I wished Jess had found someone like Mia too.    
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Luke and Jess make it to the dinner (the worst of the nightmares for a socially awkward teenager)  but he stills holds it. Lorelai’s face when she does not get him to be supper happy because he got invited to her house with a bunch of strangers after being kicked out from his home says it all. 
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She is so ready to fix this boy and his situation because she knows.  
Jess still behaves when he meets Sookie and Jackson and he gets to interact with Rory and ask her to bail with him ( he needed hardly one minute to ask her to walk around with him or sit on a bench and look at their feet, just saying). 
He stays, and he would have made it to the table but he needed some air, and he took the beer and she finds him. If she would have just said. - Sorry Jess no beer allowed today, we are waiting for you at the table, I am sure  he would have come in ( not in the best mood, probably but he would have). Instead she goes with the fake tone again, half joke, over acting ‘refreshing’ and from there to the you are not hungry. And Jess talks. 
He says he is not hungry but she does not listen and she ‘guesses’ ‘you do not want to be here’ and he talks ‘I doesn’t matter’ but she is still not listening, she goes on 'in Star Hollow'…. Of course he doesn’t want to be in Stars Hollow, he wants to be home, and she does not get it because she ran away from home and was happy to find Stars Hollow and Mia and she assumes it is the same for him. She run from home but Jess wished he had one. And here comes it, The little advice….  
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No Lorelai, you have not been there. This kid was abandoned by his father when he was a baby, this kid has been kicked out of his home by his neglecting addictive,  abusive mother because he was being a nuisance she didn’t need. You have been in a bad place but it was a different place, you have not been in his place. He is not playing the ‘my parents don’t get me thing’ he is not maybe screwed,  his feelings are not maybe valid instead his parents do not love him, he has been living in a traumatic situation you can not imagine all his life, his feelings are totally valid. Are you really telling him he is lucky? Yes, she is.
Here is the thing, she tried to be Mia but the problem is that she is not being genuine. She is doing it because she wants to be the cool understanding adult who totally gets this rebel boy and to show Luke how well she can handle the situation and how clueless he is, but it backfires because she is the one being clueless:  Jess is a high sensitive boy who is going  through a lot and she has zero empathy with him. She patronizes him and what happens is that he can see through her, he can feel no connection, he could never trust her because she thinks she already knows everything so she does not listen, she has zero interest is what is really going on with him.
You can see the change of expression in Jess’ face the second Lorelai says Luke is very special. He detects something but she is so absorbed in her own discourse she can not read Jess and she still has the audacity to say ‘you are so lucky’. That is the last straw. He snaps at her with the 'you are naive or you are getting some’ but really, what did she expect? 
She expected him to say: ‘yeah, thank you, you are right I will give it a chance I am sorry I took the bier’. And when this does not happen she wants to smash a pie in his face and decides he is screwed forever. 
She is completely overreacting because she can not believe he has not surrender to her. And she decides to hate him from here to the end of times. She will never accept he might have a good side. She will hold onto this conversation and build her own image of Jess. No matter if he, Luke or Rory try  to change her mind, she will always think the worst of him. 
Let me show you what Mia tells Emily about the day she met Lorelai.  
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And what Emily answered.
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Emily would have wanted Lorelai to find someone who did not listen to her and sent her home. She never listened to Lorelai. Lorelai never listened   to Jess (and very little to Rory). Lorelai wanted to be Mia  but she turned out to be Emily.
 He never stood a chance with her. 
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dkettchen · 11 months
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cursed construction core hi vis bra that came to me in a dream
In the dream I saw it in the window display of a hardware/DIY/trade shop, implying it was meant to be a practical garment designed for actual female constructions workers in a Female Armour level missed-the-brief attempt at gender inclusion
The practical support from the visible underwire combined with the hi vis implying it’s not meant to be worn as an undergarment, I just-
I blame my binge-reading ND Stevenson’s gender comics talking abt masculinity and femininity incl the one abt Victoria’s Secret lingerie yesterday for this monstrosity x’D
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lancteu · 2 months
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this has drained me of my will to live
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cherries-and-knives · 4 months
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Matthias: *has one Unholy™️ thought about nina*
Matthias to himself: TAKE A WALK YOU ABSOLUTE WHORE. AND WHILE YOUR AT IT YOU MIGHT AS WELL JUMP IN A RIVER YOU SLUT.
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puppetmaster13u · 5 months
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Prompt 113
“I seem to have been taken hostage.” Batman’s words almost had Superman panic if not for the wry tone, a tone which the others didn’t know if their freaking out was to go by. Clark sighed through the comms, tired after battle and honestly wanting to go to bed now.
“I’ll be right over, what child has latched onto you now?” He asked while switching to a more private channel. 
“I can already hear you making fun of me…” Wha- Oh. Clark bit his lip to keep himself from laughing as he took to the air. “They appear to be a pair of twins with…” 
“You gotta’ say it Bruce, you gotta’,” Clark couldn’t stop the chuckle when he saw his friend on the top of a building, cape curled around his form in a way usually reserved for the robins. 
“... with dark hair… and blue eyes…” That was it. Clark absolutely lost it in laughter. 
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spectral-honey · 2 years
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AU where Jason gets his revenge by becoming a lawyer and getting joker sentenced to the death penalty
Bruce is conflicted about it but any time he tries to say anything on the subject Alfred just talks over him like "oh we're so proud of you master Jason you finished college and you didn't even use your father's extensive resources that could've easily gotten someone in this family a degree aren't we so proud master Bruce that Jason got himself a respectable profession--"
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2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered
Tommy's family arc
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Imagine Annabeth and Percy have a kid early, unplanned and it kinda fucks with their finances so Percy drops out of school to get a job so he can care for the kid and support Annabeth in school. At first he gets a job teaching kids sword fighting but then he hears about underwater welding which pays well because it’s dangerous but Percy is a child of the sea so it’s much less so for him. His boss is even willing to give him flexible hours which means Annabeth doesn’t have to take their kid to class anymore and they can actually afford daycare (why does is it the price of a mortgage nowadays???). A huge financial burden is lifted and Percy doesn’t mind the work so it’s good all the way around.
Fast forward to when Annabeth is done her masters in architecture and lands a job at a top firm. They’ve got savings and have Annabeth’s income to rely on. Percy heads back to school and finishes a degree in marine biology, going on to research some really niche topics like how underwater welding impacts the environment and shifting from there until he’s a well known expert in the field.
Just them finding their way. Supporting each other and landing on their feet no matter what
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confessedlyfannish · 25 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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knifearo · 11 days
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this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...
#and also. not the direct focus. but love doesn't make things good. you can be in love and do terrible terrible things.#people do bad things in the name of love and in despite of love all the time.#but!! imagine a world where people could exist as people and not be demonized.#sex positivity means being cool about All sex. reexamine your internal systems of moral judgement.#this goes for sex workers. for aroallo people. especially aroallo men. for aro people in general who might enjoy sex.#and frankly i think it can easily bleed into discussions about mental health disorders around 'not feeling' certain things#especially demonizing ppl who don't feel as much empathy. i think there's definitely a correlation between that and the emphasis on love.#our support needs to go out to Everybody and i think these things are all structured together in one way or another!!#it might not be immediately obvious but when i tell you it all leads back to amatonormativity..... little bit wild.... large bit wild....#anyway. horror movie psychopath 'oh he can't feel emotions or love' damn alright. well. let's take a closer look at that.#silly that there's an association between lack of love and Murdering. feel like that might affect some stuff.#love is just an emotion/a feeling it doesn't mean anything about you one way or another#same with empathy. you can feel it all you want but it doesn't inherently change the actions you choose to take#anyway. thesis statement. there is a socially constructed link between love and morality. unlearn that.#kiss kiss (<— lovelessly)#aromantic#aromanticism#arospec#talking#aroace#aspec#sex positivity
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chiptrillino · 2 years
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By any chance do you have a larger photo of those Yue designs? I'm absolutely digging them
uhm... sadly i didn't at the time you asked me. but i do have now! so sorry for the longer wait;;;
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the one i posted were really tiny and i was working anyway on these. it just took me a bit to get it done :D uhm... so here me playing dressup... with yue... again... sorry yue...
if i have to explain mayself... my thought process is basically... yue is the moon. so her dress is either the moon or the enviorment around or below her. and.... you know... fish... -tries not to feel my ex profs glaring at me like "elaborate more dang it"-
also! all these option but if someone tells me to draw yue again i would still give her... a new outfit or just idk... because i can't pick!!!!
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rileyclaw · 2 years
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the first night
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phoenixcatch7 · 7 months
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Dp x dc twin au where Danny and Damian were in fact conjoined/siamese twins, but the most dangerous type - one head, two bodies.
Their early removal from talia being because their shape would not have allowed for natural birth, they were written off but talia begged for the chance to send them off in the lazarus pit.
By some bizarre miracle, before she turned to leave, two small bodies bobbed to the surface - identical in every way, except for the eyes. The previous blue eyes now split in two, one left, one right, and the new eyes, pit created, a bright green.
She took her child, her two children, and together, they survived.
Being removed prematurely, their early years were tough, but soon they blossomed into promising heirs for the league. In sync with every step, the closest of brothers, the league was certain the old fairy tale of twins being telepathic had been granted by the pit that separated them, the remnants of being born as one mind, one brain, one skull.
But then Danny had to flee, and leave his other half behind. Stretched by distance for the first time, the bond grew thin and stretched, and Damian grieved his brother as dead. When he started being sent on public missions, he hid his distinctive heterochromia, choosing the green in memory of the pit that had given him and his brother life.
Danny, hiding his pit aura in the ocean's worth that was Amity park, took to blue, the colour that he and Damian were born with.
Damian moves to Gotham, and continues to mourn his brother as dead, right until one day when he is twelve, when he learns what the death of your other half truly feels like.
-
Their reunion is a thing of family legend. Violence runs hot in both bloodlines, ghosts are highly emotional and prone to fighting a the drop of a hat for bonding, playing, testing, every reason under the green sun. Their training and play often consisted of friendly spars, competitive spars, furious spars, venting spars. Both have been exposed to unhealthy amounts of ecto since before their birth.
There is a long, long minute of staring, before they rip themselves away and lunge at each other like wolves.
The bat family are horrified by their brutally efficient youngest suddenly barreling towards a clone (?) and trying to claw his throat open with his bare hands while openly sobbing.
It ends with them wrapped around each other crying into the others shoulder as their minds finally meet again and relax from the painful stretch for the first time in years.
But nobody else has any idea what to do.
#Idk I just really like slightly codependent twins#Talia and ras had to put so much work in to prevent them from developing separation anxiety like dogs from the same litter#Also I like Damian thinking Danny is dead until he very abruptly finds out he is now via soul mate agony. Someone did a fic with that idea#It was really good. Let's dial it up to eleven#Danny and Damian having different eye colour and it being the fault of Damian's extra exposure to the pit is awesome too#But I wanted to see if there was a way they could both have the same eyes. Well. Close enough.#Same eyes + twin telepathy + the birth complications people like to give Danny = siamese twins#Also the portal accident happens two years early so there's that#I can't decide whether I want the first meeting to be alive Danny or dead Phantom#Or whether it be a summoning or something#I just need Damian and Danny to lay eyes on each other and immediately go feral#They still don't want to share a room though#dc x dp#dp x dc#dpxdc#dcxdp#danny and damian are twins#twins#twin au#dp x dc crossover#dp x dc prompt#dc x dp prompt#dc x dp crossover#It's not like telepathy it's more if one twin has seen it so has the other#It's not conscious on their part. They don't choose to share things usually. It's been that way since they were born.#That's what they think twins are for the longest time until talia realises and explains#Ras genuinely thinks Danny died because of how devastated Damian was and how he stopped knowing things he shouldn't#1k
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kate-bot · 1 month
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a few more little pizza animations!!! they're a little rough around the edges but they were a lot of fun to make!!
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scrimmification · 1 year
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r/ramshacklelivingspace
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aroaceleovaldez · 6 months
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Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
#pjo#percy jackson#nico di angelo#Percy shows up at CJ and squints at Nico like ''hm. why do i feel like i hate you? like i just wanna punch you in the face?''#and Nico just immediately goes ''huh no idea anyways i have to go-'' and jumps into Tartarus#but not before he gives Hazel essentially a detailed explanation of ''this is Percy i cant say much but please dont let him die <3''#and Nico's whole Tartarus trip was basically a whole ''im doing this so no one else has to''#only for Percy and Annabeth to fall in like one book later and Nico proceeds to spend the next book internally screaming about it#and then Cupid calls him out on it and the next book#Nico's just like ''at this point im hoping i keel over within the next week just so i can force this dumb crush to chill the fuck out''#Nico staring pointedly at Will: ''For my own sake i need to form another crush RIGHT NOW so i can finally get over Percy.''#''this has been so bad for my health''#Nico's crush on Percy is just too funny to me. horrible pick my guy. terrible job. love that for you. he could not be less interested.#Percy LITERALLY TRIES TO KILL NICO and ditch him in the underworld and Nico is somehow STILL like ''but i love him''#Percy basically chokes him. beats up his dad. tells him ''go get smited by your dad for me.'' and ditches him.#and Nico's opinions/crush on him DO NOT CHANGE#though also Nico's reaction to Percy beating up his dad + skeletons is SO funny. his jaw is on the floor. he's flustered about it.#he just witnessed Percy be incredibly hot and proceeded to go ''yea i'll do anything for this man. collect reinforcements of 3 gods? sure''#nico you absolute DISASTER with HORRIBLE TASTE. you can do better. raise your standards.#which tbh is funnier when you factor in sun and the star. Nico just wont stop crushing on guys who dislike him and everything he stands for
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