#I come up with concepts but I don't get a true feel for my character until at the very least halfway through a first pt | Explore Tumblr Posts and Blogs

morallyinept · 8 months

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I don't rant very often - it's negative energy that I don't want or need in my life - but I feel that as a fan of Pedro Pascal, I'd like to take a moment to highlight what being a fan actually means.

As clearly, some people, some "fans", have demonstrated having a hard time grasping that concept...

Being a fan of Pedro Pascal means I enjoy his career, his portfolio of works.

Sure, I enjoy his physical looks too; the man is certainly as handsome as they come, let's be real here. Yes, I find him attractive.

More importantly, I enjoy what Pedro stands for; his beliefs, his passions. He stands up for injustice, he is an LGBTQIA+ advocate and friend. He is a feminist. He is politcal. He's proud of his heritage.

Is Pedro perfect? Do I believe the sun shines out of his ass? No, he's human and has flaws and off days like the rest of us.

Ain't no-one that is perfect, babe. That's delusion talking if you truly believe that.

I enjoy that Pedro inspires me to be a better human being.

Being a true fan, to me, means only positive things.

It means respect.

It means respecting Pedro's boundaries, be that in person, or online.

It means respecting Pedro's privacy. He has the right, just like any one of us, to a personal life seperate from his career.

Pedro doesn't have to answer to you, me, or anyone else about his private life.

You are not entitled to him, or his time, just because he is a celebrity. (God, I fucking hate that word.) He does not owe you anything, and nor should he be expected to.

Pedro Pascal is a human being.

As a fan of Pedro, I will not write fanfic about him. Only his characters, because his characters are primarily the reason why I admire Pedro. His characters are how I discovered Pedro to begin with.

He can make me laugh, cry, fall in love, wince when he loses an arm, gasp when he double crosses the protagonist. I can survive a fungal apocalypse with his characters by my side.

That's an incredible testament to his talent as an actor that no matter what role he plays, I don't see Pedro on the screen. I only see his characters.

It's his job and he enjoys it. As a fan, I enjoy his craft.

If you do write about Pedro, that's up to you and I am not going to judge, but for me personally, it's a hard no. And I won't be reading any of it either, sorry.

As a fan of Pedro, I can draw the line between fantasy and reality. Meaning, I would never go out of my way to invite, devise, plant myself in deliberately, or exploit a situation where Pedro is in my personal space, or I in his.

Firstly, I'm a realist. And secondly if I ever met the guy, chances are I'd walk right past him and not even notice. (It's happened a lot, not with Pedro but with other actors etc... I live in the capital, there are a lot of them here.)

And thirdly, I am not a stalker.

I would never intentionally track him down in another country whilst he is working or vacationing, and then post about how slighted I am on IG that he told me to politely leave him alone because I was too persistent in getting too close. I would never relocate and uproot my life just to live near him in the hopes we bump into one another and fall desperately in love. 🙄

This is real life people, not a movie.

This kind of behaviour from Pedro's so-called fans is questionable, and frankly concerning to anyone with a sane mind.

I would also never bully or belittle anyone because their fan account is more popular than mine. I would never actively enforce or seek to enforce the deliberate closure of any fan accounts because I am petty or jealous.

Unfortunately this has happened and I am sorry to have heard about those who were affected by it - you did not deserve that.

Sadly, all these things have happened. For real. And it's utterly gross behaviour from, in most cases, fully grown women who are old enough to know better.

We are all here to enjoy and support Pedro, so why is that such a hard concept to grasp? Why does fandom have a toxic corner?

I'll tell you why.

Because thanks to social media, and platforms like Tumblr, it's all too easy to sit faceless behind a keyboard and do and say whatever you want, without any real consequence.

There are always a few bad eggs, in any fandom, who feel they are superior, that they know everything. That because they found a new image or a clip first that they are entitled to police everything. That they are entitled to dictate how fandom should be run.

I've got news for you; you're not.

Fandom is inclusive, sharing, a creative hub for ideas, inspiration. A place to forge friendships, relationships because you have common ground. The coming together of like-minded individuals to celebrate and endorse their admiration for their idol in a safe, non-threatening place.

A place for creativity to flow, for confidence in yourself to grow. To create original stories from canon, to create unique head canon because we don't want these lovable characters to die. To paint amazing pictures. To get excited over Pedro's new projects and discuss your favourites.

That's fandom. That's being a fan.

Being a fan doesn't mean creating, spreading, peddling or posting harmful material that 1) is frankly abhorrently disgusting and is not only insulting to Pedro, but also his family, his friends etc... and 2) could also be potentially damaging to his career.

I am referring to the vile deepfake of Pedro currently doing the rounds now on Tumblr because some idiot thought it was funny to clog up our timelines with it.

I don't want, or need, to see that, thanks.

And whoever created it originally should be fucking ashamed of themselves. I would wholly encourage you to report and block any accounts that have done this.

Imagine how you would feel if your face, your image was used and violated in that way.

You'd be outraged, right? Hurt? Sickened?

This kind of manipulation of AI is exactly what the WGA and SAG-AFTRA are concerned about and were/are striking for.

What Pedro is striking for, and then someone has the gall to pull this sickening stunt.

It's what artists are concerned about. What writers are concerned about. AI wasn't created to be abused in this way.

So, what makes you think that all this behaviour is acceptable to do to a man, who is nothing but generous and kind?

A man who would give you help, no questions asked, if he ran into you, in his own words:

And you have the audacity to call yourselves fans?

A man who, if he knew, what his "fans" do, I'm certain he would be absolutely disgusted and not condone any of it.

☝🏻Let me make it abundantly clear:

If you have looked for, deliberately searched for, posted, jerked off to, liked or shared that vile deepfake clip, video, pic - whatever the fuck it is - in any way then, YOU ARE NO FAN OF PEDRO PASCAL.

And I am certainly no fan of yours.

Do better. Don't be a dick.

#pedro pascal #jett has spoken

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hello-nichya-here · 6 months

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Did Sia insult topic of autism somehow?

Oh honey, it's sooooooooo much worse than that.

Sia wanted to make a movie about an autistic girl that manages to connect to people/feel safe and confident through music. So far, nothing outrageous, just a simple concept that would obviously put Sia's music front and center while doing something nice and educating people on autism.

There was controversy about her not casting an autistic actress as it would have been nice representation, but she could have totally gotten away with that since, come on, hollywood hasn't even figured out Rain Man isn't exactly true to life, they're not ready to have an autistic person playing an autistic character. Baby steps.

The real problem started when Sia started promoting the "charity/support group" that was helping "educate" her on the topic to make the movie. The "charity" in question was Autism Speaks - which is absolutely HATED by the autistic community for things like:

1 - Spreading the myth that autism is a mental illness that one can develop/catch like the freaking flue and potentially be cured of, instead of a neurotype, aka something starts in the woomb and cannot be "cured" because to do that you'd need to replace someone's entire nervous system, which is impossible.

2 - Using that myth to get outrageous amounts of money from people so they "search for a cure" - that doesn't exist and will never exist because curing autism is biologically impossible, AND despite the fact that the overwhelming majority of autistic people don't even want to be "cured" (plus, since said "cure" would essentially mean giving the person a new brain, it leads to the question of "Would I even be the same person, or would that just kill and replace me?")

3 - Using the myth of "We don't know what causes autism" (we do, it's genetic) to, of course, get MORE money from people so they can "do research to find the missing puzzle piece" (if you ever see autistic people complaining about a puzzle piece being used to represent the condition, that's why, it was started by Autism Speak's massive disinformation campains).

4 - Falsely "confirming" things like soy milk cause autism with one of the world's most ridiculous "research", losing only to "vaccines totally make kids autistic, buy MY vaccine instead, guys, I am totally not an unbelievably biased person, it's ALL the other doctors/scientists lying to you. GIVE ME MONEY!"

5 - Pushing the narrative of "autism is inherently a tragedy" to distract from the fact that all the money they waste on stupid shit could be used to help autistic people and their families. Instead, they focus on creating more and more panic, making parents in particular despair even more - to the point that one of their "awareness videos" includes a mother talking about how she wants to murder her autistic daughter and then kill herself... while sitting right next to said daughter.

6 - Promoting ABA "therapy" - which was created by the same guy responsible for the attrocity that is gay conversion "therapy." Both have led to unbelievably high rates of confirmed PTSD and suicidal ideation in patients (victims), and ABA in particular has been compared to literal dog training. Very fitting since it was created by a guy who famously did not believe autistic people truly counted as thinking, feeling human beings, and said as much several times. Despite that, it is still praised by some utter bastards because "it makes the patients act less autistic when they're not crying in the corner or trying to jump out a window"

So yeah, working with these guys is a genuinely horrible thing to do since they're basically a scam/hate group pretending to be a charity - and people were STILL willing to give Sia the benefit of the doubt, since Autism Speak uses all their resources to make sure they're the first thing people see when looking up how to help autistic people.

Lots of Sia's fans, both autistic and allistic, warned her repeatedly, politely, that she needed to supporting them IMMEDIATELY as their goal was the exact opposite of the one she claimed to have - aka raise awareness through an accurate portrail of autism. People were even kind enough to name organizations like ASAN as replacements to help her fix any damage done to the project.

And instead of being a decent human being, Sia decided to cry on twitter about how the mean retar-I mean, autistics were bullying her even when she was so kindly using them for her vanity project.

Because yes, that's how the movie turned out. An unwatcheable piece of garbage, with the autistic "character" being so fucking bad even the people who actively use "autistic" as insulted being offended on our behalf - and of course, she was used just a prop to show how awesome Sia's character was.

Seriously, it was so bad the actress playing the autistic girl was sobbing in between scenes because she knew how it was horrible and she didn't want to insult anyone, but Sia is literally her godmother and helped her career by putting her in nearly all her music videos so she felt obligated to go along with it.

So yeah, fuck Sia and fuck Autism Speaks.

#asks #sia #ableism #autism speaks #actually autistic #aba therapy

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daze4all · 7 months

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Sleepy! Jing Yuan, Dan Heng, Blade x Reader. Hug + Cuddles Honkai Star Rail Characters Concepts

Sleepy Hug + Cuddles Honkai Star Rail Characters Concepts

Snuggles with Sly! Jing Yuan + Mimi the snow lion

2. Sleepy Dan Heng + Soothing Nightmares + Clingy Dragon form Imbibitor lunae

3. Narcoleptic! Blade Grumpy Cat Cuddles

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Sleepy JingYuan + Hugs + Cuddles+ Mimi the Snow Lion + a bit spicy

- Starts with JingYuan whining for you to "Take a break from work and play with him and Mimi!"

-Sleepy! Jing Yuan totally the type to pick you up from your desk and plunk you onto Mimi to snuggle and cuddle

-Sly! Jing Yuan may pin you down so you cannot escape so that may get risque~

- Sly! Jing Yuan reminds you of a big cat lazily blinking up to you with his pleading golden eyes and lying on top you so you cannot escape.

Or Sly! Jing Yuan as the Big spoon will hold you in his arms so you hear his heartbeat with your head on his chest.

Sleepy! Jing Yuan nudging and cuddling up to you for attention often hugging you as the big spoon but sometimes lying in your lap as the little spoon

Sleepy! Jingyuan maybe even shameless hinting "I like it when you comb my hair" or "I get so stressed help me relax please~"

Sly! Jing Yuan nodding off during meetings or calling out to snuggle with you some more in bed or sneak off with you for a much-needed nap break

Sly! Jing Yuan playful pins you and may lead to more later without the big cat~

How much sleeping happens though is debatable as he seems type to push for more during cuddles but will relent and is content if you don't want to do more.

2. Snuggles with Sleepy! Dan Heng+ His Imbibitor Lunae dragon form

Alt Idea: Looking at his art what if Sleepy Dan Heng & you/Stelle are doing a rare species stakeout in a tree & you both fall asleep in tree and wake up to catch each other lol

Imagine: cuddling with Dna Heng snuggling under the futon squished together close to share warmth as he gets cold easily

Sleepy! Dan Heng snuggles in his sleep and wraps himself around you

Sleepy! Dan Heng relaxes and lets his true form show complete with horns and his tail wrapping around your leg or waist in his sleep.

Sleepy! Dan Heng Hugs you tighter in the night if you try to leave his protective draconic instincts flaring to protect his nest and treasure

You probably have to wake him up if you need to go to the bathroom and he seems the type to offer to go guard the door if you go as he secretly does not want to be left alone with his nightmares

He sleeps better with you around as his body pillow.

- The light blue waves of the flooring lull you both to sleep complete with ocean sounds of waves crashing across a shoreline

- Dan Heng would protest against sharing a bed but relent as feels it isn't proper even if you a couple at first but there isn't much room on the train and he doesn't want you to get cold

-Imagine: Sneaking into his bed at night and surprising him but he relents as he is so cold he needs a space heater... Somehow I could see a trash raccoon! Stelle doing this after being fed up with not getting a room lol.

-Soothing Sleepy! Dan Heng from nightmare and talk through it if need be. Until he admits "In my dream, I'm being hunted but with you here it makes me feel safe."

Sleepy! Blade Cuddles & Hugs

Imagine Sleepy! Blade hugs the reader like his blade and leans his entire weight on standing up while listening to the mission report.

He is scolded for sleepiness for dozing off during briefing which he brushes off with a harrumph and excises that the mara is getting to him.

A narcoleptic! Blade being the reason he is such an angry & grumpy cat cuz of his lack of sleep is cute to think of

Narcoleptic! Blade would explain his mood swings.

From berserker mode angry: I need my sleep blood type A personality vs now I'm chill & catatonic being soothed by the soothing trill by Kafka

Also grumpy cat! Blade begrudging coming to you to cuddle only when he feels like it and brushes you off if you approach him unless he wants it is a funny thought

yo if only this guy treated you as nicely as his sword or not considering it's cracked and the history behind it alll...

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blue-slxt · 11 months

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Settling In

*Request*

🔞Minors Do Not Interact🔞

A/N: Okay so I'm reposting this because I found out that the person who requested it was a minor and I don't play that shit on my blog. I am only for adults. So if you liked the old post, that one is gone now. All characters are aged up.

Pairing: Ao'nung x Fem!Sully!Reader

Warnings: Teasing, Smut, P in V, Rut Cycle, Breeding Kink, Choking, Creampie, Binding, Marking, Scenting, Blood, Belly Bulge, I think that's everything.

Word Count: 3.2k

Summary: Ao'nung has teased you relentlessly since your family came here. What happens when you stumble across him in the midst of his rut?

This felt like some kind of living nightmare. You and your family having to flee your home in the forest and come to the sea. Uprooting your entire lives, leaving everything you knew, forgetting who you were, and coming to start from scratch. The Metkayina way of life was beautiful and their village is wonderful in its own way, but it still doesn’t feel like home. Not even close. The one good thing that’s come out of this whole thing was meeting Tsireya. She’s been a welcome comfort for you and your siblings while you adjust to your new lives here.

She’s warm and bright and patient. It makes you wonder how someone so radiant could ever be related to someone like Ao’nung. Just the taste of his name in your mouth was enough to make you scrunch your face in annoyance. He was always just a pain to everyone, but a lot of times it felt like he put extra effort into tormenting you as Neteyam’s 5-fingered twin. The way your dad explained it, apparently twins are a human thing that can happen sometimes. The na’vi aren’t really familiar with the concept since it doesn’t occur naturally for them, but here you stood. The exception to the rule. And Ao’nung never let you hear the end of it.

Over the months, you learned to ignore him and tune out his endless teasing. Occasionally, when he would get tired of being ignored, he knew which buttons to press to get a response from you. Today was one of those days.

You sat out on the beach with Tsireya and Tuk and your mood sours when you notice Ao’nung walking your way. “Tuk, how about you go feed some of the ilu with Tsireya?” you suggested to her. You can tell what kind of mood he’s in from the mischievous glint in his eye. Her face lit up with pure joy.

“Can we?” she says to Tsireya.

“Of course. Come with me.” She holds her hand out for Tuk to take and you watch as she happily trails behind her into the water. The sight is enough to momentarily warm your heart before you have to harden yourself to deal with Ao’nung.

“Oh, am I not invited to join the party?” he drips sarcasm.

“I don’t need her getting caught up in your bullshit.”

He shrugs his shoulders and holds up his hands, “I wouldn’t mess with her. As far as I can see, she’s the only one of you that seems like a true na’vi.” You set your jaw and take a deep breath trying to center yourself.

“I mean the whole lot of you came out weird. Especially you. She wasn’t born with a weird extra finger or a spare copy. That child is more na’vi than you will ever be.”

He hit that button. You snap and hiss at him in warning. He’s unphased staring back at you with an amused smirk. He found it adorable to watch you get so worked up. And he loved being the one to get you worked up. “Fuck off” you snap at him before walking the other way towards the water with Tsireya and Tuk. Ao’nung turns on his heels and walks away feeling satisfied.

“I swear, Tsireya, I cannot understand for the life of me how you can be related to that!” you gesture back towards the shore at Ao’nung’s retreating figure.

“I know my brother can be a lot. He only teases because he thinks you are pretty.”

You roll your eyes, “That has to be the dumbest thing ever.” She giggles a little, “I never said he was smart, but it is the truth. Why do you think he’s always going out of his way to find you all the time?”

Tuk looks up at you, “Is Ao’nung going to be your boyfriend?”

You fake gag at her question, “Absolutely not Tuk Tuk. Now, show me how well you feed the ilu.”

…

Later on at dinner with the village, you sit with your family while they all talk amongst themselves. You’re not really paying attention to the conversation since you’re still a little agitated. Your eyes scan over all the people surrounding you and how happy they all look and wonder if eventually you’ll find that same kind of happiness. Or at least something close to it.

Rolling over the people, your eyes are met with a pair staring back. Ao’nung watches you from the other side of the bonfire. His face is serious and his breathing is heavy enough for you to see the dramatic rise and fall of his shoulders from here. What’s his problem? If anybody should be staring someone down, it was you. A nudge to your arm brings your attention back to your family. Neteyam is next to you giving you a questioning look. “It’s nothing ‘Teyam.”

“I think you forget, we have known each other since before we were brought into this world. I know you well enough to know that it is not nothing.” It was true. Neteyam knew you better than anyone. Whether that was because of him being your twin or because he took his role as the oldest so seriously, who knows. Most of the time, you’re actually pretty grateful that Neteyam could understand you so easily.

“Tsireya said something earlier and it messed with my head.”

“What did she say?” he scoots closer to you so that your conversation can be kept between you two instead of the whole family.

“She said…she said that Ao’nung thinks I’m pretty or something and that’s why he’s always teasing.” “Well duh. As much as I hate to say it, it is pretty obvious that he has a thing for you. And you’re not so innocent in all of this either.”

“’Teyam!” you are taken back by such an offensive suggestion. First Tsireya and now your own brother?

“You might not notice, but I do. Yes, he’s always picking at you, but you love this little game that you two play. It’s nauseating.” His tone is teasing, but he means it.

Ridiculous. How could you ever want someone like that? Your head turns to look back over at him, but he’s gone. You look around between the seemingly endless sea of people and can’t find a single sign of him. That’s weird, but you’re glad that maybe now you could continue on with your meal without eyes burning into the side of your face.

…

Looking around your marui, the rest of your family is peacefully sleeping. You had no idea how they did it. You couldn’t stop your mind from constantly analyzing all the ways that this place was so different from home and that thought literally kept you up at night. It had become something of a routine for you to sneak out on nights like this after everyone else was asleep. You’d tiptoe out of the pod and wander out into the forest by the beach.

It was nice here. It was the one thing here that reminded you of home. The plants and fruits were different, but the atmosphere was similar enough to give you some comfort. In particular, there was one large tree that you would visit most nights. You’d climb and sit on one of the giant outstretched branches and just listen to the sounds of the night.

This is everything right here. This is what helps you feel like you can finally breathe. At least, until you hear a scream in the distance. Immediately, your instincts put you on high alert. You stand from your spot on the branch with your knife in hand and look around as far out as you can see. A faint orange glow catches your eye from the mouth of a cave not far from you. That’s odd. Who else would be out here at this time? And why do they sound like they’re in pain?

You know that it’s probably not the smart thing to go investigate, but you’d also never forgive yourself if someone got hurt and you could’ve prevented it. You climb down and make your way through the forest towards the light you saw.

The closer you get, the more you can start to smell something in the air. It reminds you of fresh rain on tree bark. It’s almost sweet. You follow the scent to the opening of the cave, “Hello? Do you need help in there?” Your voice echoes around the inside of the cave and you’re only met with groans of pain for a response. “I’m coming in!” You grip the handle of your knife a little tighter before taking a step in. The glow grows brighter and finally a small fire comes into your vision.

You were already on edge, but the next thing you saw was what fully threw you off balance. It was Ao’nung. He was sweating so much you thought he might dehydrate himself, his hands were bound behind his back, and he was writhing around in pain. “Ao’nung?” His eyes snap to you and he looks completely different. Instead of his usual sea blue color, his eyes looked a deep purple.

“What are you doing here?” he’s out of breath trying to get the words out.

“I heard you yelling from almost a mile away, I thought somebody needed help. Believe me, I wouldn’t have wasted my time if I knew it was just you.” You cross your arms and shift your weight to one foot and his eyes watch the swing of your hips intently. He sucks in a sharp breath and doubles over. Your eyebrows knit together trying to understand what’s happening. “What is your deal?” You catch sight of a bulge poking through his loincloth and finally the last piece slots into place. “Oh shit…it’s your rut.”

He just nods his head since his mouth is too busy salivating.

Now it makes sense. The weird way he was behaving during dinner, the sweet smell in the air, and the hungry look on his face.

“Well, shouldn’t you be at home? I mean why the hell are you all the way out here like this?”

He shakes his head. “Too much…Need to stay away…”

Your chest tightens with a pang of sympathy for him. You’ve gone through many heat cycles without relief and it is excruciating. The suffering is unmatched. There’s only one thing that truly takes the pain away.

“This is crazy. I’m cutting you out of these.” You start to move towards him, but he tries to shuffle away from you.

“I don’t think you get it. If you cut me out of these binds, I won’t be able to stop myself. So don’t do it unless you’re ready to deal with what comes after.”

“I’m a big girl, Ao’nung. You think I don’t know what I’m doing?” you roll your eyes at him and move towards him again. “I mean it. This is the last warning I’ll be able to give you.” His tone is serious and his eyes are focused. But you don’t falter. You swallow down your nerves and continue forward. “Just shut up and let me do this, okay? Before I change my mind.” You crouch in front of him and reach around to his wrists. “Honestly, I don’t know why I’m even helping you. You’ve been nothing but a pain in my ass since I got here. But luckily for you, I’m feeling generous.”

You saw away at his bindings and your chest presses into his face. He inhales your scent and his hips twitch searching for something to grind against.

Before you cut all the way through, you pull back and look him in the face. His face tries to chase after your chest, but his restraints keep him in place. “This is the one and only time I’m helping your ass. Got it?” He can’t even bring his eyes up to yours when he nods his head. You tsk at yourself for getting mixed up in this mess, but there’s no turning back after your knife cuts through his ties.

His arms immediately fold around your waist and pull you into his lap so that you’re straddling him. He buries his face deeper into your chest breathing you in. “Chill the fuck out. Your scent is going to get all over me.” You try to crane your neck back, but a strong hand grips your throat and pulls you back forward.

“That’s kind of the fucking point.” His voice is a dark growl against your skin. His tongue drags a long stripe from the middle of your chest up to your collarbone and even further up to your ear. Your breath grows shaky. “You talk so much shit, but look at how your body reacts to me.”

“Shut up.” Your voice comes out more desperate than you mean for it to. He was right and you hated that fact most of all.

He’s growing impatient when his hands hold your hips and start grinding you into him. You let his hands guide you to where it feels best for him. His bulge presses against your clit with every drag.

He kisses and sucks on your neck and you just know he’s going to leave a mark. “Don’t…everybody will know…”

He only chuckles at your pathetic plea, “Everybody will know when you’re walking around carrying my baby.” He pushes his hips up against you and he can feel how you’re soaking through your own loincloth and his too. The waiting finally gets to be more than he can bear and he pulls his tewng to the side to finally free his impossibly hard dick. You feel yourself desperately clench around nothing. He pulls yours to the side and he lines himself up with your begging hole. You take a big breath to brace yourself, but you were not prepared for him to slam you down onto him in one swift motion and you scream out in surprise.

“Fuuuck…” he groans out feeling the way your walls frantically squeeze around him. You’re given no time to adjust before he’s lifting your hips up and down on his own.

It’s too much. It’s like he’s tickling the bottom of your ribs. When you finally take a real breath, all that comes out is a filthy moan. Looking down, you can see the imprint of his tip poking through your skin right at your navel. It’s unlike anything you’ve ever seen.

“Haah…fuck…Ao’nung…”

Ao’nung needs more. More friction, more of your sweet noises, more everything. That’s all his mind can think of right now. Just how much he needs you right now. He lays you down on the floor of the cave to give himself better access to pound into you.

His eyes are burning into your face and the eye contact is too much for you. It’s too embarrassing. You turn your head to find something else to look at, but he won’t have that. His fingers grip your jaw and turn your face back towards him. “Look at me. Take it.” He emphasizes his point by tightening his hold on your throat. Between his merciless thrusting, the intense eye contact, and his fingers around your throat, you can feel your orgasm quickly approaching. It makes you feel lightheaded and even as your vision starts to blur, you never move your eyes from his face.

Just before your consciousness slips away, he releases his hold on your neck and moves his hands down to massage your breasts. He nuzzles his face in the crook of your neck and bathes you in his scent to mark you even further. His teeth sink into your skin deep enough to draw blood. He goes mad at the taste of your blood spilling onto his tongue.

“Oh, I’ve always wanted to fuck this perfect little body. Just watch you take it over and over. Fuck, I want to give you a baby.”

Was this just his rut talking? Or did he actually mean it? You couldn’t be sure anymore.

His pace gets faster and his groans get louder. “Fuck, I’m gonna fill this little pussy up.” His grip on your body is so tight, the veins in his arm are bulging out.

“Ah! Ao’nung! Yes!” your head falls back and your legs shake as you fall into your release. The way you clamp down around his dick pushes him over the edge and thick ropes of white spill over into your womb. It feels like fire in your veins, but it’s addicting.

Ao’nung keeps thrusting into you languidly trying to ensure he fucks as much cum back into you as he can.

He collapses on top of your heaving chest with closed eyes and you stare down at his face to try and check his condition. When he looks back at you, you breathe a sigh of relief seeing his normal blue shade. Never did you think you’d actually be happy to see Ao’nung in any circumstance.

“You okay?” you ask cautiously. He nods still catching his breath. “Great…You wanna get out of me now?”

“Oh, right.” He lifts himself up and pulls out of you and a primal part of his brain is pleased to see that none of his seed spilled out of you.

You stand to fix your clothing and hair. “So, you can go home now, right?”

He scoffs a bit more to himself than at you, “My ruts last 3 days. I am fine for now, but there’s no telling how long it’ll last for. I have to stay here until I’m out of it.”

All the nerves in your body come alive with…something you can’t readily identify right now. “Oh…I see…”

“So you’ll know where to find me if you’re ever feeling generous again.” He winks at you and you know that your face is flushed.

“You wish, fish boy.” And with that, you turn and leave back to your home. Thankfully, it’s still hours away from sunrise so everyone is still asleep. You stealthily slip back into your marui, but of course one person’s ears perk up.

“What are you doing?” Neteyam whispers to you. Shit.

“Nothing.”

“Why do you smell like that?” he asks. Shit shit shit.

“Don’t worry about it, ‘Teyam. Just go back to sleep.” You lay down and hope that will be the end of it. Neteyam knows better, but he’s far too tired to go back and forth with you about it right now in the middle of the night.

You finally get the best night of sleep you’ve had since coming here.

…

The next morning, you all have the day off of training so you get to hang around at home instead. You sit on the edge with your feet hanging over into the water. Jake comes and sits next to you, “You okay, baby girl?”

You smile softly to yourself at the nickname. You loved it, but you also felt like you were getting a bit old for it. “I’m okay, dad. I’m just still getting used to it here.” He nods in understanding. “But I think I’m starting to settle in.”

#avatar #avatar the way of water #avatar fic #awow #avatar smut #aonung x fem!reader #aoung x reader #aonung imagine #aoung smut #aonung #ao'nung fic #aged up ao'nung #ao'nung #awow smut

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vasito-de-leche · 5 months

Note

I love how you write, your interpretations of characters are my favorite. If you're okay with it, may I ask for romantic headcanons of Horropedia (Reverse 1999) x Reader? I would love to know what he is like when he's developing a crush, how he confronts his feelings when he realized them, what he's like when in a romantic relationship, etc. Thank you very much!

;R1999 HORROPEDIA - Relationship Headcanons

Compilation of headcanons about Horropedia in a romantic relationship.

awe! i'm glad you like my stuff! and thank you for the lovely words and request, cause i've been itching to write for horropedia <3

i got a liiiiittle carried away with this one, hope that's alright!

Horropedia as a character is fascinating because at a surface level he's a mess and a walking stereotype - a "nerdy nerd" with a very specific hyperfixation on the horror genre, the tall guy with glasses who explains the plot and does his own thing regardless of how others view him, the first one to die in a movie solely because he's perceived as cringe etc, etc.

And yet, his medium is "logic" - he, better than anyone, understands the nonsensical laws that make up the concept of horror, he sees the patterns and the reason why some things are done this way instead of that way. Through logic, pattern recognition and analysis, Horropedia can pretty much understand anything and work his way around any problem, no matter how unorthodox his solutions may be.

In a sense, I'd compare Horropedia to Pavia. Both are characters who are subject to the stereotypes and images others assign to them - but whereas Pavia both fights and plays into all of these roles, Horropedia just brushes it off and continues doing his own thing, being genuine and unapologetically himself.

When it comes to romance, it's easy to assume Horropedia has no interest in it - they're two different genres that don't go together most of the time. It's also easy to assume that he would be a troublesome partner, due to the laser focus attention he gives to his interests. And the latter is partially true: his lackluster love life is entirely because romance hasn't entered his radar, at least not enough to pull his attention away from his one true love.

But I think this is where the aspect of "logic" comes into play. All Horropedia needs is that spark, to find something to truly become invested in when it comes to romance - once he finds it, he'll dedicate the same amount of attention to detail and care as the horror movies he loves so much.

On the subject of Horropedia developing a crush.

Similar to Click, Horropedia would need some time to start noticing the signs of a crush - the difference is that Horropedia is a little quicker when it comes to realizing he's fallen for someone. His forte is horror movies, but he still knows a thing or two when it comes to other genres.

When he cannot rationalize his behaviour around you in a way that makes sense to his current fixation or situation, that's when he knows. And given how straightforward (to the point of bordering on obliviously rude) Horropedia can be, I'd say he'd also be the type to address this crush right away. Now that there's this brand new thing in his life, he'd like to understand it better - to dissect and study the way romance is potrayed, explore how it feels and just analyze it to hell and back. Basically, he wants to know the rules, to figure out how to best proceed.

Of course, he wouldn't dream of confronting you directly, only an amateur would do such a thing. Instead, he asks his friends and pretty much anyone within his general vicinity. He wants to understand romance from every angle, to hear about it from all sorts of people until he feels like he knows enough to start forming his own opinions.

His questions are all theoretical situations that begin rather innocent, innocuous. What does the hero of a romcom do to get the romantic interest? Does it follow a three act structure? And should the third act climax start with a confession or the breakup?

Overtime, they become a little more specific. To the point where his closest friends might suspect something is up, until Horropedia finds himself asking about your interests so that he can figure out the perfect gift for you. Just in case. He finds himself watching romcoms and making extensive research and charts and essays into the genres.

The funniest thing to me is that Horropedia would be extremely casual about this whole ordeal, this crush makes him extremely intrigued in the concept of romance (an oddity for someone so themed around horror), he finds himself staring at you from across the room (this is the third time he's walked into a door because of it) and so on and so forth. But he's so chill about it.

When confronted about his crush - should Blonney or anyone else decide to tease him a little by prodding - Horropedia has no problem blurting out that he has, indeed, fallen for someone. But he'll take your name to the grave, not out of shame or embarrassment but because "he doesn't want to spoil the plot, as obvious as it might be".

On the subject of Horropedia confronting his feelings and some more insight into his mentality.

I'd say there is this small possibility of Horropedia feeling disheartened if he begins to neglect his real passion for the sake of his feelings - it's that sort of guilt and shock one gets when they realize they've forgotten their wallet the moment they're meant to pay for dinner, or when they realize they've forgotten to turn off the oven.

Horror is a huge part of his life and who he is as a person - literally look at the name he's chosen for himself - and given how heavily coded he is to be neurodivergent, I can understand this aspect of him. The feeling like one must choose between two things they enjoy, and all the other things that might come with hyperfixation, both positive and negative.

This is the biggest obstacle for Horropedia when it comes to finally taking the first steps into forming a relationship with you or confessing - the irrational thought that by doing so, he's prioritizing you and romance over horror, something that he holds very dear. One of his stories gives some insight about Horropedia's relationship with horror and how it's something he shared with (and possibly was started by) his grandfather.

I feel like he'll grow a little distant, as a way to set some boundaries for himself or draw a line between his identity and his feelings for you, separate the two so that he doesn't have to feel guilty for giving one more attention than the other. Maybe he simply stops bringing up films around you, because "you're probably not that interested anyway". Masking, he's masking.

But overall, I can see Horropedia being capable enough to get out of this mindset by himself - or with a little help from someone else. Either way, he simply loops back to realizing the obvious: you two were friends, before he realized his feelings for you. You were fine with the whole Horropedia Experience. You liked him for who he was. And he liked you just as you were.

Horropedia is the one who confesses first, the one who asks you out. 100%. And it's so unnecessarily dramatic.

I DO think that Horropedia would make sure to be the one who confesses, just so he can put everything that he's learned about romance into play. And he delivers the most award worthy performance. It would be all about redirection, an unexpected reveal - his skills and animations are also all about fake outs and misleading the audience, after all.

In my head, there's this whole scene about Horropedia asking everyone to help him out confess to you, and everyone is so excited for it - but then he just asks them to fuel this slow rift that formed between you and him, to act vague, distant and mysterious should you ask Blonney or Tooth Fairy about him. Again, unorthodox and weird, but he's cooking. This is all done with the intention of forcing a confrontation between the two of you, just so he can pour his heart out right there - it's all or nothing.

Again, I want to insist that Horropedia, despite being a logical man, still makes as many aspects of his life revolve around the things that he loves and is interested in - he likes films, he likes you. And while romance is not his preferred genre, he still wants to explore all there is about it all thanks to you.

That alone should tell you how much you mean to him. Even if his methods aren't the "proper" way, you know he's putting his whole heart into this. It's all over the top, there's fake rain, etc etc. Of course, your reaction to this is up to you!

If you're mad at him for such convoluted plan, he'll sit there and allow you to scold him to your heart's content - he's used to it as one of the many troublemakers that the Foundation failed to raise as model students. If you laugh at him because of how ridiculous this guy can be sometimes, he'll laugh along, trying to get you to tell him what he could've been done better to get a third act reconciliation. And if you start crying, jump into his arms and play along then he'll be over the moon, trying every single impactful one-liner from every romcom he's watched in the past few weeks.

On the subject of Horropedia and how he acts when he's in a relationship.

Dating Horropedia is pretty easy, because you're dating your best friend. However, it is very easy to misunderstand Horropedia's way of showing affection - those who are more on the insecure side or less receptive to his subtleties may feel like there's been absolutely no shift in the dynamic, that he's treating you the same way he'd treat Tooth Fairy or Vertin.

This is far from the truth! Once Horropedia finally settles into the relationship, he grows very comfortable and allows himself to just exist around you - which isn't saying much since he doesn't mask as much around friends, but it's all about the subtle things!

I like to think Horropedia is very particular about space, as in he makes a point not to invade people's spaces if possible and he'd rather remain in his little bubble. But when it comes to you, he's very casual with physical touch. He's not as cuddly and touchy as characters like, let's say, Matilda, Jessica or Pavia, but being able to rest his head on your shoulder means a lot to him, or just have you lean on him when sitting together. This is pushed to the limit when you two pull all-nighters, binging all of your favorite movies.

He's on cloud nine when you pay attention to his ramblings and makes sure to listen when you ramble to him as well. More than often, he'll do his own little research into the topics you like, just so you have someone to properly discuss things with! Horropedia more than anyone knows what it's like to be brushed aside for being too much or too weird, to have no one listen. Despite his confidence, he has had days of feeling like he keeps on talking to a wall, so he doesn't want you to ever feel like that.

It's all about sharing interests and recommending things that you may like, keeping up with the latest events and so on and so forth, having looong discussions at night about whatever topic you two are extremely invested in.

If these discussions get a little heated and end up as arguments, expect Horropedia to insist on arguing because he's just stubborn like that - it'll take him time to realize that he might've hurt your feelings, or that he might've be hurting too, but he'll come around eventually to talk it out.

Overall, dating Horropedia would be fun because he's full of surprises and excitement, but he's also considerate in his own way.

#reverse 1999 #reverse: 1999 #r1999 #reverse 1999 x reader #reverse 1999 headcanons #reverse 1999 horropedia #horropedia #hes autistic guys hesl iterally so fucking autistic im itching to write an analysis on him bc his quotes give so much. insight into #how the foundation treats arcanists AND their potential ableism BUT LIKE. HES SO AUTISTIC HES JUST LIKE ALL OF US FR

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aspoonofsugar · 2 months

Note

do you think the song out for love says something about Camilla and veggie and to veggies character arc

Hi!

Yes, it does. I want to talk about Vaggie in other metas too, so in this analysis I will focus on her relationship with Carmilla, since this is what you are mainly asking about.

Before I start, though, I am gonna link to you this meta by @hamliet, where she talks about the main message of the song:

You're gonna fight without gloves And when that push comes to shove Yeah, you just might rise above Long as you're out for love

If you love, you might rise above. So Vaggie, a fallen angel, regrows her wings by choosing love and protection over hate and revenge. The meaning is crystal clear. Love makes you worthy of Heaven. Just like in the finale Pentious ascends thanks to his selfless sacrifice.

This is the meaning of the song when it comes to theme and to the series as a whole.

At the same time it is not by chance this theme comes out so strongly in relation to Carmilla and Vaggie, as they are both tied to "love".

FAMILIAL LOVE AND ROMANTIC LOVE

Carmilla Carmine: So I, I'll be your keeper Do whatever it takes, I'll make the mistakes I'll keep you safe and keep this secret

Vaggie: So I, I'll be your armor Do whatever it takes, I'll make the mistakes I'll spend my life being your partner

Carmilla and Vaggie are set up as foils in episode 3, when they share the song Whatever It Takes. This ballad is a love song, but Carmilla and Vaggie express two different kinds of love:

Carmilla is singing to her daughters (familial)

Vaggie is singing to Charlie (romantic)

This is a pattern throughout the show:

There are two versions of More Than Anything - the first one is about a familial bond, whereas the second explores a romantic relationship

Sir Pentious gets redeemed after expressing his feelings for Cherri (romantic) and sacrificing himself for the Hotel Crew (familial)

So, Hazbin Hotel goes out of its way to celebrate all kinds of positive bonds: platonic, romantic, familial. All of these relationships are enriching and help people grow. Vaggie and Carmilla are two characters linked to this very concept, as they are ready to fight and suffer for their loved ones:

Both: Whatever we go through I know I~ (Carmilla: I'll be your keeper) (Vaggie: I'll be your armor) Whatever it takes (Carmilla: I'll make the mistakes) (Vaggie: I'll make the mistakes) Whatever it takes

They are both warriors, but fight for love. They are out for love. However, Whatever It Takes also highlights a major difference between them.

TRUST AND SELF-EXPRESSION

Scrambled Eggs is an episode about trust. This is true especially for Carmilla and Vaggie, who have opposite secrets:

Carmilla killed an angel

Vaggie is an angel

Throughout the song the conflict between Heaven and Hell is mentioned by Carmilla and is present in subtext in Vaggie's stanza, as she looks at her old home.

Both are struggling under the pressure of these truths and are confronted by a loved one:

Zestial: Carmilla, what troubles thou? Losing thy composure is unlike thee. Carmilla Carmine: It's nothing, Zestial, really.

Charlie: Vaggie, don't say that! You do so much! It's- Vaggie: I'm sorry. I'd… I'd like to be alone for a minute.

Carmilla chooses to open up to Zestial and tells her daughters how much she loves them. Vaggie instead closes herself off and refuses Charlie's attempt to talk. She is singing to Charlie, but Charlie herself isn't present to hear her out. Even when it comes to their respective secrets...

Carmilla says hers in the song:

Carmilla Carmine: I always thought that I would keep blood off my face But when that thing attacked, I had to act To cross that line and keep them safe But if anyone knew, then all of Hell would rise to war And who's to say who'd survive the fray? I might lose the ones that I was killing for

Vaggie only alludes to hers in the lyrics:

Vaggie: When I saw your face You made me feel like a stranger in a brand new place And it felt so good to be understood But there's so much I wished that I could say

Vaggie meets Charlie and feels like a stranger in a brand new place because at the time she is in fact a stranger in a brand new place:

So, Carmilla is able to express herself, while Vaggie can't. This isn't surprising, as Vaggie is basically a child-soldier:

Adam: Do you really think I wouldn't recognize one of my top girls just cuz you're out of uniform? You were on the front lines, I wouldn't forget a bad bitch like you. It's why I named you after the best thing ever. Vaggie.

She is brought up in Adam's army and is taught that love is conditional. She is one of Adam's best fighters, but the moment she makes a "mistake", she is discarded:

Lute: Sinful filth like you has no place in heaven.

This is why she feels Charlie will love her only if she is useful and never messes up:

Vaggie: I'm supposed to make your dreams a reality. I'm supposed to protect you. I'm supposed to never fail you. (...) If I can't help you, what's the point of me?

This fear of abandonement and rejection is also at the root of Vaggie's inability to tell Charlie about her past:

Adam: I guess I'll just tell little miss butterflies and rainbows that she's been fucking someone who's killed-- thousands of her people. I'm sure your relationship will be fine.

Still, despite her communication issues, Vaggie's heart is in the right place:

Rosie: If there's anything I've learned, it's that words are cheap, but actions, they speak the truth. So, what have her actions said?

Vaggie is a person of few words. This may be why she has less songs than other characters. Still, she lets her actions speak, so she is given a ballet lesson by a very talented ballerina:

DANCING THROUGH LIFE

Carmilla has a ballet motif, as her outfit resembles that of a ballerina and her two daughters are called after protagonists of famous ballets. So, it is only natural that she teaches Vaggie a new way to fight through dancing.

Vaggie was taught to fight with hate and anger. So, her fighting style is aggressive and focused on attack:

Carmilla: You leave yourself open with every swing. You fight like someone unafraid of harm, and this is what you'll take advantage of. Angels wield no shields, little armor and fight with reckless abandon.

Carmilla tells her she should instead dedicate herself to love, protection and defense:

Fuel yourself with the fear of losin' That somebody who's your reason to live Harnеss your heart and you can't help choosin' To fight with all you can give

Vaggie shouldn't just fight. She should dance:

She shouldn't hate:

I see you're driven by your detestation Your every step is stoked with animus You need a different type of motivation Or there's no way that you can handle this

She should love:

Out for love~ Love~ Think of who you care about Protect them and be out For love~ Love~

Vaggie listens to these teachings and applies them in the finale, in two ways.

She sings her love for Charlie in More Than Anything Reprise:

Vaggie: You've already done so much So many lives you've changed So many souls you've touched And in the end, if it's only me you've saved Charlie and Vaggie: There's something that I've been dying to say More than anything, more than anything Need you to know I love you more than anything More than anything

As stated above, Vaggie doesn't sing much in season 1, but in the final episode she gets a short moment to express how she feels to Charlie. This is in contrast to Whatever It Takes, where she sends her girlfriend away before she starts singing. More Than Anything Reprise shows Vaggie's progress when it comes to self-expression.

She follows Carmilla's advices while fighting

On a practical level she covers herself up in a battle suit inspired by Carmilla's outfit, she wears a harness on her heart and ties her hair:

Vaggie: I'm not used to fighting with long hair.

On a thematic level she reveals her wings and defeats Lute, when the exorcist threathens Charlie:

Lute: So, I'll spare you the pain of seeing your demon bitch die.

And Vaggie eventually chooses not to kill the other angel:

Lute: Do it, then. Correct your mistake. Vaggie: Seriously, you're pathetic, you know that? Ready to die rather than accepting mercy? No, live. Live knowing that you only do because I let you, the failure.

Vaggie is asked to choose between her hate for Lute and her love for Charlie and she chooses the latter. This is why the scene ends with Vaggie leaving Lute and flying to help Charlie. She is given the chance to get revenge, but doesn't take it. She is given the chance to hate, but she loves:

I know you're thirstin' for vengeance, Vaggie You're out for blood But you'll only stand a chance if you're out for love

This is important in two ways:

1- The macrochosm - Vaggie refuses Lute's ideals and defies her expectations. For Lute it is normal that Vaggie is going to kill her. After all, Vaggie is discarded because she shows pity to a sinner, which makes her weak. Still, Vaggie bests Lute in a fight, so she is now strong. It is only obvious then that Vaggie has snapped out of her foolery and is ready to kill. She can correct her mistake. She did not kill the cannibal child, but she can kill Lute. This is how Lute understands the world. And yet, Vaggie doesn't finish her off. By doing so, she moves away from the mentality Lute embodies. She is strong precisely because she can show mercy. Adam is wrong. Lute is wrong. Vaggie isn't out for blood. She is out for love.

2- The microchosm - Vaggie sparing Lute isn't just the morally correct choice, but it is Vaggie's first step into healing:

Husk: (To Vaggie) This one. Judges everyone and everything because she hates herself.

Vaggie hates everyone because she deep down hates herself. She despises Heaven and Angels because she can't forgive her involvement in the exterminations. So, Vaggie hurting Lute would be Vaggie hurting her past self. As a matter of fact Lute is Vaggie's dark mirror. She is who Vaggie might become if she gives in to hate.

A person who hurts others:

And herself:

Vaggie instead has to value her life, so that she can protect others. She must save others and heal herself. Only in this way she can be by Charlie's side. She needs to let go of self-hate to embrace a healthy love. Vaggie's arc is her learning self-love through her bond with the Princess of Hell.

Obviously this journey is just at the beginning and our Angel of Love has a long way to go. How will her story contiue? We can make some hypothesis, which once again stem from Vaggie and Carmilla's foiling. This is just a theory, so take it with a grain of salt, but Vaggie may have a secondary personal antagonist in Hell:

Why is that so? It's because Scrambled Eggs sets Vaggie and Velvette up as foils.

RESPECT(LESS)

Velvette and Vaggie are opposites in their interactions with Carmilla. Both girls are younger than the Dancer Overlord and could learn a lot from her. However, Velvette refuses any kind of mentorship and shows no respect:

Velvette: Mad that I acted respectless? Well, it's cause no one could respect this! You're long past trending! Sorry, bae, but I ain't swiping right! You've lost your relevance-

Vaggie instead comes to respect Carmilla and learns from her:

At the same time, both Velvette and Vaggie confront Carmilla about her secret:

Velvette: 'Oops!' Did I strike a nerve? 'Cause when I brought out the angel's head, couldn't help but observe, that your wrinkled face was turning red! And why are you avoiding war? That's what the guns you sell are for! Thanks to my being respectless, one thing I'm starting to suspect is You know why this angel's headless! Do you have a disclosure?

Vaggie: I know what you did on extermination day. We can talk about it inside, or I can yell about it out here.

They call Carmilla out on killing an angel and keeping this knowledge to herself. Not only that, but both argue that it is necessary to fight back to stop the exterminations:

Velvette: We found it during Extermination day. If these Holy Rollers can be killed, the game has changed. We can take the fight to them. The boys and I have come up with a full assault plan!

Vaggie: Miss Carmine, I'm here on appointment from the princess to enlist your aid in the defense of hell from the angelic extermination. We know an angel fell at your hands and we need to know how.

Still, Velvette fails to get through to Carmilla because she uses war rhetoric:

Velvette: Oh, I get it. So Grandpa is too pussy to fight, so I guess there's no point, right? Oh, what's the matter, Fossil? Too senile to make a real power grab...

She speaks of violence, strength and power.

Vaggie instead convinces Carmilla to help because she mentions the necessity to fight for loved ones:

Vaggie: We didn't pick this fight, but it's here now. And they aren't going to stop with us. You didn't see the look on their leader's face. With us out of the way, it's only a matter of time before they come for the rest of you. They won't stop until all of hell is wiped out, so you can help us make a stand here together, or you can stand alone tomorrow.

She speaks of protection, love and comraderie.

In short, Vaggie succeeds where Velvette fails. Of course, this is true for Charlie's group in general when it comes to the Vees:

Vox: My dear people! We at VoxTek Enterprises have always been at the forefront of innovation. And now, with this new oncoming threat, we are shifting our focus, to your protection. We are pleased to announce VoxTek Angelic Security is coming soon! Trust us, with YOUR safety.

Katie Killjoy: Breaking news - Extermination day is cancelled! Charlie Morningstar managed to fend off the angelic attack with more than just nice words.

The Vees make big declarations of how they are gonna protect the people of Hell, but in the end it is Charlie and her friends who fight for the sinners.

When it comes to Vaggie and Velvette specifically, it is going to be interesting if their foiling is expanded. If so, then I guess Velvette is gonna help Vaggie mature a little bit more, so that when our ex exorcist faces Lute (her nemesis) again, she is gonna be ready for it.

#hazbin hotel #vaggie hazbin hotel #vaggie #carmilla carmine #velvette hazbin hotel #chaggie #charlie x vaggie #hazbin hotel meta #my meta #asksfullofsugar #anonymous #hazbin lute

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mrsrookhunt · 1 year

Note

Hello! I saw your request was open and I wasn’t sure what to really think of

So maybe a general or simple nsfw hc of Yandere Chuuya?

My first ask! Of course! ❤ I added more characters for the sake of making a well-rounded post, but I gave chuuya a bonus scenario :) Enjoy!

Yan!Bsd Men in Bed

NSFW!!

(Short post, feel free to request more characters)

Pairings: Chuuya Nakahara, H.P. Lovecraft, Mushitaro Oguri, Jouno Saigiku

Chuuya Nakahara

Warnings: punishment, manipulation, yandere, kinks mention, violence mentioned/implied

Chuuya is nice in bed, mostly.

He's powerful, and not afraid to be the dominant one, but he is still very respectful of your boundaries. He feels very guilty for the way he's treated you, so protectively, in his eyes. But you've grown tired of it, and he knows; so, as not to anger you further, he tries to make you as in control as possible.

Chuuya will do whatever you'd like, so long as he still gets to be the one in charge. He'll indulge your kinks or let you explore with him, permitting it doesn't cross his own boundaries (but considering the fact that you're willing to be intimate with him at all, he isn't too picky).

Definitely into degradation and BDSM, but he's fine if you're uncomfortable with that. Only occasionally will he ask you to do something that steps outside of your comfort zone, and it's usually for special occasions, like his birthday or holidays. I feel like mirror sex would be a special anniversary treat with him.

He's only rough with you if you ask or more like plead, or if you need punishment .

Chuuya doesn't take sexual punishment (or any punishment) lightly, but if you've pushed him far enough.... He may torture you in very unexpected ways.

You think, for a moment, that you're in trouble. You fucked up, you fucked up so bad. Chuuya slammed the front door behind you, with a blatant fury that made you jump.

"Please, Chuuie, I'm sorry-- don't- don't do anything rash now-"

"Don't tell me what the FUCK to do in my own home."

He cornered you into the kitchen, snatching your arm and bending you over the center counter.

"Tell me how sorry you are.' His voice was soft, quiet. Testing.

"I'm sorry--I'm- really s-sorry" You choked out from between sobs. You had never seen it coming, the violence, the anger, the sheer reaction, to your misdeed.

The cold granite countertops cut into your stomach with the chill and pressure. You squeezed your eyes shut as he reached for his back pocket, the one with his knife.

You gasped when a small, shockingly fast-paced vibrator was placed on your thigh. Out of all the things you thought he could and would do to you, this was not one.

He put his hand on your other thigh, making you involuntarily moan.

"I'm going to show you the true meaning of punishment tonight."

H.P. Lovecraft

Lovecraft essentially has no idea what he's doing in bed; he understands the concept in theory, but he really still feels lost. His sense of clinginess and protectiveness doesnt carry over into the bedroom, and is lost on everyone but you, so you're the only one who can guide him in this matter.

He gives you the most doe-eyed look if you ask if he ever considered sexual punishments. He doesn't really understand why sex is used for pleasure or pain; he finds procreation to be the only benefit to him.

Overall, getting him into bed with you is the biggest challenge, but once you've got him there, you can change his life; and you certainly will.

He's not a man to make much noise or fuss, but he's absolutely blissed out, and wonders how he has not understood this aspect of life before.

By the time you're done, he's more attached to you than ever, curling you into his arms and refusing to let go. You've shown him just one more reason to love you as much as he does, and keep you from showing anyone else the same kindness.

Mushitaro Oguri

Mushitaro finds sex in general an indecent act for most anything. That isn't to say he doesn't have urges like everyone else, but for the sake of his meticulous regimen, he will squish them down until he absolutely cannot control himself anymore.

You're both the source of his frustrations and the perfect release. Mushitaro is completely in control in bed, just like he is in every aspect of your life together.

Mushitaro can be kinkier than most men; casual choking, roleplay, and some hardcore BDSM can be in the cards for you depending on how far he's gone to deny himself previously.

That being said, your needs also often don't get met. You don't like to ignore yourself the way he does, but he forces you to. You're not allowed any toys, he has SafeSearch on for google, and you are routinely scolded on the indecency of self-pleasure, regardless of whether he's caught you or not.

Mushitaro's demanding and high maitenence personality makes him one of the worst in the sexual part of your relationship.

He rarely considers sexual punishment, unless the circumstances are juussst right. I.e, if you've been caught touching yourself in any way, shape or form, and Mushitaro's already been hot around the collar, he may be rougher and more cruel in bed than normal just to teach you a lesson.

Jouno Saigiku

Joun-bug's high sex drive makes him a worthwhile adversary in the bedroom. Much like Chuuya, he wants to be in control; but more than wanting to, he will be in control.

He'll push you to the brink of absolute pleasure and then throw you down and tell you how worthless you are until you beg and plead and go through whatever torture he has planned to get him to finish you off.

Jouno is always going to be... well, Jouno. He'll sadistically torture you in every way he can possibly exploit in bed for his own pleasure, and he doesn't give a damn whether you're comfortable with it or not. Remember, his composure and sweet smile is a farce he hides behind; and he'll show you his true self when he feels it's appropriate and necessary.

Maybe he'll be gentle with you, if you've been put through enough and he feels you deserve it. He does love you, but his desires take priority. If you've gone through whatever he had planned for his own pleasure, he may indulge in yours.

Sexual punishment is the worst with him; he takes absolutely no mercy on you, and punishes you often, for the smallest of things.

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absolutebl · 5 months

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This Week in BL - Bit Slow Round These Parts

Organized, in each category, by ones I'm enjoying most at the top.

Dec 2023 Wk 4

Ongoing Series - Thai

Last Twilight (Fri YT) ep 8 of 12 - Mhok is about the most indulgent boyfriend on the planet. Why they dressed as 1930s gangsters for the wedding? I have no idea idea, but it’s adorable. IFYLITA mark 2? And they’re even dancing together using bits of the same steps that were used that show too. Cute nod.

The Sign (Sat YT) ep 6 of 10 - Everything but the kitchen sink includes lesbians apparently. Excellent. Carry on. Also a lot of filler about the sides. (Boring, stop that.) I wish the doctor were a little bit more of a multifaceted character (and less evil snakey), and that we had some of his backstory + Tharn. If we saw them as kids, having a longer true friendship, it would make Tharn’s attitude a little bit more sympathetic and forgiving.

For Him (Thurs iQIYI) ep 5 of 10 - I like this show, but it’s awfully one-sided in the romance arena. I mean shouldn’t they be trying to support and make each other happy? Why does it always have to come from Him? Also, I’m constantly worried about the fact that Nail doesn’t eat any vegetables. His digestive track must be in serious distress. And if the boy is a bottom?! Look I have concerns is all I'm saying, I hope he's getting his fiber along with the dk. Meanwhile... Mom confrontation! Always fun.

Twins the series (Fri GaGa) ep 9 of 10 - Now I’m having a hard time keeping the twins straight. Who’s getting beat up for whom, what’s going on? No matter who, First caught himself a live one. I like those bits.

Pit Babe (Fri iQIYI) ep 7 of 14 - I got little crumbs of my sides but not enough, and then they dropped the mpreg bomb. Kinda like blowing the BL diaper. Trash watch happening here.

Cooking Crush (Sun YT) ep 5 of 12 - They are so cute. And mostly such good communicators. Except evil dad is evil! I didn’t have OffGun tango on my bingo card, but I'm happy to check it off. After making everyone sing, GMMTV is now making everyone dance. I much prefer it. Kiss came a bit out of nowhere. But it was sweet.

A few minutes later...

Bake Me Please (Mon Gaga) ep 6fin - I don’t know, I feel like this just wasn’t good enough for the class of talent involved. Which means it’s mostly the story and script's fault. In the end I kinda just wanted Guy to get the guy.

In cluclusion:

A lack-luster story about a group of bakers coping with (mostly) a shoddy script that could not be saved by either the beauty nor the talent of the actors involved. It suffered for lack of narrative backbone and so did I. 6/10

Middleman’s Love (Fri YT & iQIYI ep 8fin - Mai is an adorable clingy boyfriend, and that bit was kind of cute.

Summation:

Office clown, Jade, a manic pixie dream dork, is courted by the new intern, Mai. This show is right in my wheelhouse but it fell flat for me. I wish it had lived up to the concept behind the title (if nothing else). If we had done more of Jade‘s family and the reasons behind his self-worth struggles and self-acceptance issues, they might have been easier to bare. Without backstory, the show had no through line. In the end, Jade was a largely intolerable character, and Mai felt flat and lacking in personality. I was disappointed with this show, and I hope they don't blame the pair for the poor ratings. 6/10

My Universe (Sun iQIYI) 1626 ep 19 of 24 - Meh. So dull.

Ongoing Series - Not Thai

VIP Only (Taiwan Fri Gaga) ep 7 of 10 - I’m not really interested in the late addition love triangle concept.

Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 4 of 8 - a bit too frenetic and manic for me, this one. Glasses boy is best boy. But I’m kind of confused as to was actually going on with this show. Including whether I like it or not.

I Became the Main Role of a BL (Japan Sun Gaga) ep 1-3 - AKA BL Drama no Shuen ni Narimashita: Crank Up Hen - it should finish airing at the very beginning of the year, so I decided to wait and watch all 3 back-to-back.

It's Airing But...

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

Night Dream (Sat YT) 6 eps - It’s a pain to track down and I really didn’t like the first episode so… DNF

The Whisperer (Sun ????) 10 eps - Thai horror BL that ALSO involves cheating (what joy is mine). I don't think even the perfect single dimple can motivate me to watch. Word is... it's terrible.

7 Days Before Valentine (Weds WeTV) 10 eps - Giving me Luminous Solution vibes. I'm waiting to binge if safe.

Dead Friend Forever (Thai Sat iQIYI) - horror, meh, tell me if it's worth my time?

It's done and I didn't, or we can't

Beyond The Star (Weds iQIYI) 8 eps - House of Stars meets Boyband. I was NOT impressed with ep 1. Been told I shouldn't bother. So I won't.

Behind the Shadows (Korea movie) - This is a historical I was interested in, but I've been told they kill the gay so I'm OUT.

[INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have a spare day.

Crazy work load right now so no idea when that will be. (End of year is a bear for me.)

Honestly I'm gonna have an epic number of dnf's this year for me.

Next Week Looks Like This

Original 2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED). With the end of the year upon us I'll do an "announced for 2023 but never happened list" soon.

Also my best ofs are coming.

Don't think I'll do a stats round up this year, everything progressing as before.

THIS WEEK’S BEST MOMENTS

(Last week) - sorry, forgot to link it.

It's 2024 people! Round ups are coming!!!! Leave a comment or an ask, if you have something specific you want addressed.

#Last Twilight #this week in bl #bl updates #the sign the series #Thai BL #for him the series #cooking crush the series #twins the series #Bake me please review #BL series review #Middleman's Love review #taiwanese bl #japanese bl #vietnamese bl #cooking crush #PitBabe

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devsgames · 6 months

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Playersexual

"Playersexual" is a term I only recently learned about and it's fascinating to me. For those who don't know, it usually means a character whose sexual orientation is basically open to whatever the player happens to be playing as. Trans? Yeah they're romancible. Man? Romancible. Woman? Sure, romancible. As long as you're the player they don't really care.

I think this term, combined with playing a lotta Baldur's Gate 3 and Starfield, sorta helped me come to terms with understanding why I often dislike really "open" romance systems where every character is Playersexual.

I'm a queer, bi/pansexual person, and that informs how I perceive interactions in and out of games. I totally understand the affirmation and liberation that comes with being able to romance whoever the heck you want. To some people, that's where the fun is at, and I get it. It's valid.

For me I just I feel weird when Playersexual is the orientation of characters in a game world that is also trying to get me emotionally invested. In my eyes, it tends to strip the perceived agency other characters might have; it makes them feel less like real people with wants, needs, attractions and preferences. They end up being more like a checklist or object to be interacted with until I choose all the right option and unlock the kiss or sex cutscene, or the mechanical bonus a relationship brings or whatever the case may be.

To me, characters that feel 'real' have sexual preference. Honestly I feel that if they lack that they sorta lack a fundamental element that informs them as a person and a character. Like, any queer person can tell you that when you're queer things are different. Interactions are different, how you act on the world is different, how you assess situations and the way you engage in conversations are different. Queer people interact with a predominantly straight world different than straight people do. Similarly, being a straight person in a world full of straight people affords interacting with the world fundamentally different than if you were queer. I think to say "every character is maybe queer" steamrolls this fact and sort of undermines that queer experience to an extent.

Plus I think its just like, a missed stroytelling opportunity! The straight dude turns my masc ass down because he's not interested in men? Oh hell yeah, if he's polite about it I think that's really cool! He feels like more of an actual person that way, and what might ordinarily be perceived as a 'failure to romance' feels like it could be spun into another step in our journey as friends together. Maybe we'll crack jokes about it later, or he'll have a change of heart once he gets to kmow me better. It might be awkward, but we had an experience together and set some friendly boundaries, and built an understanding. After all, people having boundaries are often what makes people people in the first place.

So when I play a character and a game tells me everyone in a game is queer, then I'm either lead to believe 1) my character is incredibly charismatic (trust me, that's not usually the case) 2) queerness doesnt exist as a concept in this universe (weird in its own way and also usually not true) 3) eh i dunno we didn't think about it too much just choose someone as a partner already (boooo!).

Look if everyone in my party has strong opinions about me pickpocketing someone and stealing 5 bucks from them, I'd expect them to have opinions about who they share a bedroll with >:(

#gamedev #game development #indie games #game dev #gamedevelopment #game design #indie dev #indiedev #thoughts #blog

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olderthannetfic · 9 months

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https://www.tumblr.com/olderthannetfic/727841287119814656/ehh-generally-they-were-like-ask-specifics-about Can you expand on writer’s block not being real?

Sure!

I think everyone who's ever made art has hit points where it's hard to go on making art or where a particular project isn't moving. So from that perspective, sure, a version of it is real...

But there's a particular version of it that's what a lot of people mean where you're A Writer™ and then the magic inspiration gnomes come and steal your inspiration juice. This is mostly nonsense, and quite a few author types who've actually finished long projects will tell you so.

When you sit down to a blank page and it stubbornly stays blank like your head, that's a symptom of something... and the something in question is often either depression and overwhelmed feelings that are taking over your whole life or an entirely correct instinct that your project is flawed and the next step is not writing that next scene.

Many people try to be pantsers instead of planners, get maybe a quarter into a project, and then choke. It's because they started with the kind of concept that requires planning, but they haven't planned. If your plot revolves around the characters eventually learning the meaning of life, you'd damn well better start with what you, the author, think that meaning is and work backwards. Same if your characters are solving a twisty mystery or complicated thriller conspiracy: you will not come up with a genius idea that ties everything together just by writing by the seat of your pants. If you don't go in with the ending in mind and some waypoints to write towards, you're going to choke. This is exceptionally common in grandiose fic concepts that are like "What if this true blue hero were a viiiiillain, oooooh!" where it's neat, but 99% of the point is showing us the work of getting from A to B. People write the prologue showing us the big concept and then flash back to how it all started... and then stop.

I see it a lot in projects that start with a character sheet for RP. Yeah, for RP itself, noodling along and figuring out what X would do in situation Y is great fun... but for many longfic/novel plot types, you will not arrive at a workable plot this way. You'll end up with a mess that can, at best, be used as brainstorming and completely rewritten from the ground up, using only key cool images or character observations. There are authors that start from individual characters and then see where they go. In my experience, they don't tend to be working in the genres that fic fandom types tend to want to work in. It's also something that often takes a lot more experience and skill than starting with a basic plot outline, and inexperienced writers often overreach.

It's not writer's block. It's a project that needs to be taken out back like Old Yeller.

Even the salvageable projects that are making you pause usually have some other issue like you not being clear on the central emotional themes even if you've outlined some factual plot. Or you've demanded that your characters do a particular thing for plot convenience, but you know deep down that it doesn't ring true. You can't write the next scene because there is no next scene. You need to rework the forced part till the rest can make sense.

And even more common than any of the above is people thinking that just because Danielle Steel sits down every morning and writes for eight hours, that means they can and should with no warm up or experience. Trying to force yourself to be a type of writer you're not—majorly overdoing it on any work, in fact—just leads to burnout and inability to function.

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theygotbitchesinmedia · 2 months

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okay so here is her review: https://arkadymartine.wordpress.com/2015/09/27/the-traitor-baru-cormorant-a-reviewresponse/

admittedly its from 2015- i haven't poked around to see how she may have changed how she feels about it, and i know she did blurb seth's recent scifi novel (Exordia), so there's no bad blood there or anything. it's also a positive review, in general- she ends with this sentence: "I highly, highly recommend this book; I have not thought so much about something I read in a long time."

i am also coming into this as someone who has read all of seth dickinson's work for the game destiny, where he was near-singlehandedly responsible for a good oh… 80% of the interesting women (& overall interesting concepts lol!) in the game, and his writing of one of those characters in particular as a complex and flawed character got him bullied viciously off of all social media. if you've tried to find his social media presence and havent found anything, that's why. so i mayhaps have a little more emotion in the game.

THAT SAID. here are some specific parts from her review i find really fucking annoying! and color the way i feel about Memory & Desolation, despite them being so incredibly targeted at me as a classics person AND someone who fucking loves the specific sub-genre of scifi her novels are.

"[Traitor] asks a question which I find compelling as a student of an empire and as a queer woman. That question is: what do we gain by complicity? What do we – we barbaroi, we women, we queer people, we imperialized – what do we get when we say yes? When we say yes I will hide my true nature? When we say yes I will subsume myself into the beautiful machine? When we say can we speak English? Or the literature I love just happens to be written by straight white men – and mean it, too, mean it with the kind of depthless love that a person can have for a text that speaks to them, which holds up a mirror to them?"

i dont think the use of the greek word for barbarian does anything here (she also keeps coming back to the greek term orthos in her review, which also pisses me off lol), i dont think empire is a "beautiful machine," and i don't think the invocation of identity politics is useful. like. i know she's a byzantine scholar but if your first association with empire is purely a finite Historical Empire instead of, like, modern US imperialism, or British colonialism, you are going into this discussion with a certain set of values and opinions! a set of values and opinions that let you call an empire a "beautiful machine" in all earnestness. this claim probably seems unsubstantiated and nitpicky now just from this excerpt but ill come back to it with more i promise. on the idpol front, she also says immediately after this that she does believe that straight people can and should write queer people, but that they should listen to queer people when they point out those errors. she then continues:

"But then, critique: there are two points on which I think Dickinson’s portrayal of a queer protagonist has faltered, and I think both of these errors arise from the fact that he isn’t part of – as far as I know at the time of writing this review – a queer community. Firstly, I disbelieve Baru’s awareness of her own desires… …For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person… Secondly, I wonder where queer people in Falcrest are…"

theres more to these excerpts, but. i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core? moreover i think the way seth does it with svir is very very well done, and illustrates the hypocrisy of empire in a way that does NOT seem like what martine is asking for here!!!

"Why am I invested? I myself am a student of empire. I’m a Byzantinist. My academic work is about empire and its seductions; it is the animating principle of my professional life. And: I am myself someone who loves order over disorder. Who looks for systems in all things. Who is comforted by structures; who is concerned deeply with propriety. But here’s my real criticism of this book: I don’t buy the seduction of the Masquerade. And I think if this book fails, it’s there: in that its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil." … "The Masquerade isn’t civilized. It’s civilization, but I don’t recognize it as civilized, and this is a problem with a constructed empire. An empire relies on itself as the definition of civilization – I would footnote here Ann Leckie’s Imperial Radch as a SFnal example of an empire which is built on this principle, and which, for this reader at least, achieves the facsimile. (But then my ancestors were not enslaved, we were exterminated; not annexed, but exiled. Perhaps I like the Radch better than the Masquerade because I can find a place for myself in it, and cannot imagine a place within the Masquerade someone like me would ever be safe –)"

and THIS. THIS RIGHT HERE IS MY BIGGEST PROBLEM. critiquing the masquerade as not "seductive" enough, calling it too evil to have people join it- how does someone miss the point THIS badly??? like. are you FUCKING serious??? how do you read a book about the immense violence of colonialism and your problem is that it is boohoo too violent for people to join willingly. google literally fucking anything the US has done ever!!! and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!

and i think this particular approach bleeds into her books. i read them at Least 2 years ago, so this is mostly vibes-based, and i will avoid spoilers.

there is such a focus on the allure of the imperial core, on the "beautiful machine" of the empire as she calls it. there is violence done, but it is abstracted away from the wealth of the imperial core. there are no economics there. the empire sees her independent station as a backwater, and there is some cultural tensions there, but there is no realistic violence and exploitation! it is not clear at all what maintains the empire, besides some abstract idea of trade. i also don't know what her Point is with the naming & language conventions, which are very clearly inspired in part by ancient Mayan- e.g. the empire and core planet are called Teixcalaan. and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan

and on the ~representation~ front, i also don't think she does a better job than seth tbqh!!! i felt like the characters getting together came out of nowhere and felt anticlimactic- there is also not the tension i think there should be with the main character being an ambassador-ish and the love interest being… idr. junior intelligence officer iirc? idk! and for all her critique of baru's desire for women not feeling "real" or present enough, i do not remember the main character in Memory having any real focus on it!

i enjoyed Memory just fine, but i don't think it says anything interesting or novel or even critical about empire, and i found her review of Traitor extremely shallow and useless, if very revealing about her own outlook on empire lol!!!

this has been at best Minorly proofread and edited but im not like, writing an academic essay on the matter and so i apologize for any inconsistencies.

oh man thanks for this this is really interesting. i went and read the whole thing and i agree a ton with your critique. i'm going to stick my thoughts below the cut because i went on for a bit here, in typical fashion.

i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core?

NO BUT EXACTLY... for starters this is explicitly a novel about colonized people taking place in a colony where none of the major characters are from the empire. where, when, and how would we take the time to explore what queerness looks like for them and more importantly, like you've asked, why the hell should that be a priority for the narrative in this case.

in terms of 'i found this to be an unrealistic depiction of queer desire' 9/10 times i feel like what that means is 'i found this to be an unrelatable depiction' which is an entirely different critique. i know i'm working with two additional books worth of context that martine isn't working with here. but even taking into account just the characterization we have for baru in traitor i think this is suuuuch an unfair complaint. i'm gonna pull the entire quote she says about baru's sexuality here because i have additional specific gripes with it.

Firstly, I disbelieve Baru’s awareness of her own desires. In the first portion of the book, I do not ever feel the weight of Baru’s own awareness of her sexuality; there is an absence of carnality, a kind of intellectual version of lesbian desire which is, to me, inconsistent with the sort of desire I expect. Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. Further, considering how very much the Empire of Masks and Increastic philosophy criminalizes the sin of queer desire, I wish Baru had struggled more with the nature of her desire. For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person. This markedly improved in the second half, where Baru notices women in a way she does not notice men.

For starters, it is insanely hypocritical to me to complain that her desire both isn't carnal enough and she processes it too intellectually, but that she isn't struggling enough with it. Baru intellectually processes things! That's her entire character from the getgo! She also has a difficult time conceptualizing other people as fully realized beings with their own agency. These character traits paired together don't make for a particularly passionate and carnal relationship to her sexuality. She is also, at her absolute oldest in this book, 21! (Or 22? I can't remember. I know she spends 3 years in aurdwynn) and has spent her entire youth being groomed to be a scholar. Of course detached intellectualism is her primary way of navigating all things. Why wouldn't it be?

Baru primary motivation is to save taranoke, she wants to save the taranoki way of life, and part of that way of life includes an acceptance of nonhetero nonmonogamous relationships. Sure, a different character arc may have involved baru actually internalizing and then having to break free of the trappings of race, gender, and sexuality that the empire tries to impose upon its citizens. but that's not baru and acting like this is a writing flaw rather than a character choice is insane to me.

There's absolutely no reason for Baru to lie awake at night pontificating about how wrong and dirty of her it is to want to have sex with women because we are never lead to believe even for a minute that Baru puts any emotional weight in incrasticism. She doesn't conceptualize it as sinful she conceptualizes it as illegal!

And "Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. " is killing me in particular because like. Yeah. Tain Hu is baru's first love. thats the point. But beyond that this is just not being able to see anything other than what she's looking for because i think the chapters covering baru's childhood make it pretty clear that her feelings for aminata and cousin lao (im not double checking the name but im pretty sure it was this) are deep and strong. the fact that they're not as explicitly and straightforwardly romantic and sexual as her relationship with tain hu doesn't change that, and in fact, points to baru's struggle with/development of her sexuality that she claims was somehow missing in this book.

like i just simply can't see anything here but someone who is seeing an emotional landscape they can't relate to and assuming that means it's flawed writing. skill issue frankly.

She's also fucking insane for acting like the masquerade is too cartoonishly evil to be appealing. once again im going to post her full quote here because i think its important to see

its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil. It punishes sexual “deviants” with mutilation and death. It murders children callously. It inflicts plague and withholds vaccines. It lobotomizes its own emperors for the sake of convincing its populace that the emperor is just. Most of all, the Masquerade is a eugenicist empire: it is explicitly founded on not purity of bloodline but on purification of bloodline, on making people useful to it. It makes people: it breeds them carefully, it indoctrinates them through schools, it uses drugs and operant conditioning to transform their minds and make them into automata tools. It commits every atrocity that a modern Western reader recognizes as abhorrent. This is a problem. It is a problem because we are asked, as readers, to believe that there are reasons besides blackmail that a person would willingly become an agent of the Masquerade. We are asked to imagine that the Masquerade is a beautiful machine.

for starters. "It commits every atrocity that a modern Western reader recognizes as abhorrent." MODERN WESTERN EMPIRES DID, AND OCCASIONALLY STILL DO, MOST OF THESE THINGS!!! THIS IS US! WHAT ARE YOU TALKING ABOUT!!! I FEEL INSANE!!!!

I think the book makes it more than explicitly clear why the empire is appealing??? it has all of the capital???? its building schools and sewage systems and importing food and goods and teaching reading and writing??? baru's own internal narrative often shows her own strife at the fact that the empire has made genuinely incredible scientific advancements that offer significant improvements in quality of life to many, many people. martine actually acknowledges this in the next paragraph of her review, and then brushes it away as not being good enough. why? what about that doesn't convince you?

she is seeming to hugely ignore the fact that in the case of aurdwynn specifically, the bureaucracy of the empire is coming in to unseat feudal aristocracy! what the masquerade offers may not be particularly tempting to most of that ruling class, but its economic opportunities are more then believably appealing to the common people. i think this is made pretty clear when baru's ploy to use the fiat bank to make loans to the aurdwynni people and basically lessen the massive tax burdens from the duchies wins her huge favor with the public.

and frankly even for the ruling class the potential economic benefits are massive too if you're willing to participate in the empire properly. yes the empire doesn't have Moral appeal. it doesn't fucking have to. it owns pretty much every economy outside of the oriati mbo. the fact that that's not enough for her is as you've pointed out really really showing her biases and blind spots. 'no reason besides blackmail' MONEY!!!! MONEY! IT'S MONEY! THIS IS A BOOK ABOUT ACCOUNTING! HOW DID YOU MISS THAT!!!

and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!

And this is really it for me too, yeah. It's gross. It's absolutely gross. "An empire isn't believably appealing unless I, personally, find it appealing" there are people alive who are eugenicists, who love community policing, who believe in race science. the masquerade is an empire for them. the thing about empires is that they are only actually empowering for an incredibly small subset of people, and the fact that You, Specifically, Arkady Martine can't imagine being one of those people in this instance doesn't make it not believable. This is a shatteringly individualist way of engaging with a work.

As for your points about the way she handles empire in her own book obviously i can't have anything to say there because i haven't read it yet, but i do absolutely agree with you on this bit:

and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan

1000% i don't think this is reductive of you. whether or not you're consciously saying anything is one question but it's a choice that absolutely doesn't exist in a vacuum. out of curiosity i googled her to see if she was of mayan descent or anything and maybe she chose that due to some personal ties to the subject matter but she doesn't seem to be. which of course i don't think means she can't or shouldn't draw any inspiration from there but i do think all of these sorts of choices are meaningful

i don't really have much to say here to round off a conclusion but. wow. deeply deeply telling review that does not particularly make me want to read anything she has written beyond this.

#long post #lb baru cormorant #ask

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pikahlua · 1 month

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I've been in the dkbk fandom for 3 years and my husband is an anime only. We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward. He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced. I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc. I told him what you said about Bk's death and Deku losing his arms as being symbolic but he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed. I wanna believe in Hori but I'm waiting for payoff instead of enjoying the story. Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?

I’m hesitant to answer this. I said I wouldn't answer any asks that were looking to me for reasons to keep liking MHA, and I really don't want to encourage more asks like this--and yes OP, I don't know if you realize it but that's basically what you're asking. You've framed this question around your husband's opinions, but you're couching your own thoughts inside.

If your issue is that you and your husband like different media, then that's a marital issue to resolve; accept that you shouldn't always watch all media together, particularly if doing so isn't fun for both of you. But your husband doesn't like what's going on in MHA, and this is enough to make you doubt whether or not MHA is written well? Despite the fact that many, many people like MHA in its current form? That sounds more to me like you agree with your husband. It certainly doesn't sound like you tried to sell this story arc to him.

I decided I'll answer a question like this this one time because it'll help me summarize my feelings on these topics, though I'm sorry to say the topics I address may not be what you expect.

"We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward."

Is this really a surprise? I don't remember anyone being all that into this arc when it first came out. Everyone was saying Star would die, and yet most people did not correctly predict the actual outcome of this fight--that Star's quirk would be eliminated and Tomura would be weakened. Most guessed Tomura would steal Star's quirk and become overpowered.

"He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced."

You mention sci-fi but uh, has your husband watched like...any other anime? Ever? At all? MHA is far from the first shounen anime to do this. You can't really make your husband like MHA if his problem is that he came to an anime restaurant and got upset when there was nothing but anime on the menu.

Seriously, MHA is not doing all that much different with its ending than what Fullmetal Alchemist Brotherhood did, and that's one of the most critically acclaimed shounen anime of all time. If he's predisposed to dislike the stuff anime does, that's not a writing problem. That's a mismatch of anime with his tastes.

It strikes a nerve with me because I grew up loving anime and was bullied for it by people with opinions such as your husband's. Now, the mainstream-ification of anime has drawn those same sorts of people to anime for whatever reason, and all they seem to wanna do is complain about anime being anime. Take sci-fi for example: I typically hate outerspace-themed media and the concepts such media often explore, and you know what I do? Not watch it. I've decided such media is not for me. Honestly, the same is true for a lot of anime too. I am very picky about anime because there are some tropes or themes I'm just sick of.

"I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc."

This is where it sounds like you primed him with your own feelings, because it certainly doesn't sound like you were selling him. I don't even know what this means. "A holding pattern"? Do you mean the arc has just been going on a long time (see: welcome to anime being anime)? Or do you mean not much has happened with Izuku? Because I am getting a bit of a sense that your issue is you're an Izuku fan and his growth has been slow because the arc has had to wrap up all the other characters' arcs first. Because a lot HAS been happening with all the other characters (and we recently got some Izuku progression too).

The only other thing I can think of is an opinion I've had for a long time. I think a lot of anime fans don't realize they're not actually manga people. You watch an anime you like a lot and you wanna get up to speed, so you go to the manga not understanding that the manga is different from the anime. The pacing is different, as is the presentation and focus on details. The manga presents one or two story points per chapter, whereas anime episodes are 2-3 chapters compressed into one sitting. The anime's major selling point is its fast pacing, but this is not a selling point of the manga--of ANY weekly manga. "2-3 years" means very little in the context of a 15-page-a-week-AT-BEST manga.

"I told him what you said about Bk's death and Deku losing his arms as being symbolic"

The symbolism angle is one thing. I've never really understood why people like any media without symbolism--that's what gives a story its flavor, isn't it? If we're talking about tropes and familiar story structures, the artist's approach to familiar items is precisely what makes it unique and interesting to me. I wouldn't become invested enough to care about Katsuki's death if all that mattered to me was the surface-level event.

But are you saying you spoiled the fact that Izuku lost his arms? That's...not that big of a plot point to spoil if you ask me. Certainly not one I'd bring up as one of the greatest hits of this arc. This is another detail that makes me feel like you're particularly focused on Izuku, which is not a bad thing nor is there anything wrong with that, but Izuku doesn't actually feature very much in this anime season all things considered. It's hard to sell anyone on what's currently happening with Izuku in the manga since we just got to his stuff and it's not complete.

Again, this was what happened with Fullmetal Alchemist. The last arc covered the events of one day that ended the final war. The main characters were only occasionally featured and didn't do all that much in the season until the very end, as one would expect. When it was coming out in manga form, the pacing was admittedly very weird because of this storytelling choice, albeit it felt a bit different from MHA since it was a monthly manga and covered more ground per chapter. But when the same arc was adapted to anime, the feeling and pacing were very different, and a lot of iffy elements improved on me as a result.

"he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed."

Is your husband someone who watches things only once and then can't rewatch and enjoy them ever again? Does he only watch stories for plot twists and once he knows the twist he stops liking it?

I don't understand this general obsession with consequences and stakes a lot of people have. Sure, they are elements that can contribute to a mood or feeling in a story, but they're far from the make-or-break linchpins so many people make them out to be. The "reversals" are major plot points too. I find much more enjoyment in trying to follow why a writer would do such things and what they're trying to say than wondering how likely some character is to die or how many people will be brutalized.

I'm in the camp that believes spoilers should not make a difference in whether or not I find a series "good" or whether or not I can invest in it. I personally have played video games specifically BECAUSE they were spoiled for me and it sounded like I would like them, and having those major things spoiled for me did not detract from my enjoyment at all. I'm not saying everyone has to be like me, but I do certainly think a story's ability to persist as an impactful and memorable work has very little to do with its stakes and everything to do with how it handles its story and characters. Was Star Wars memorable and beloved because of how many people were at risk of dying in it? Was something taken away from the story when Luke got a robotic replacement for the hand he lost?

Goodness, didn't the MHA fandom predict for years that Dabi was Touya Todoroki? And wasn't everyone just waiting for the reveal to fucking happen already so we could get it over with? And wasn't the entire fandom surprised and enthralled when the Touya reveal did happen precisely because it was handled in such a unique and cool way with Horikoshi's flair? Did predicting that twist really ruin anything for the story?

A good story is a good story.

"I'm waiting for payoff instead of enjoying the story."

I can't know what payoff you're waiting for. I've enjoyed all the events and details along the way, even if there were some expected dips here and there. When I went back and reread the entire arc in one go, the pacing really hit me differently and I got a lot out of it. If you're not enjoying the story, that's not about whether or not the story is employing "good storytelling." I've enjoyed plenty of stories that were told poorly and sloppily because there were other redeeming features that appealed to me. This is about preference. You and your husband have your own personal preferences, and that's okay! But you both have to manage your preferences with respect to each other and to yourselves.

"Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?"

If you're actually interested in whether or not MHA has "good storytelling," I'd suggest you take a creative writing class or otherwise learn about the way stories are told in different media i.e. novels vs comics vs TV shows vs movies vs video games. But I honestly don't think that's what you mean. I think you're looking for permission to keep liking MHA even if you personally don't like its storytelling or how Izuku's character is currently being handled. I can tell you from experience that yeah, you can. Plenty of people do it all the time. Some people get so frustrated with the stories they like they write fix-it fanfiction. Some people appreciate the way a story is so perfectly written that they cannot build a fandom around it because they can't come up with anything to add. It's going to depend on you and how you want to approach the situation, and while I'm happy to talk about what I like about MHA and which writing choices I think are well made, that's not going to get us very far if you don't like the same things.

I do often find media that I personally think is not written that well, and like I said, sometimes I like it and sometimes I hate it, but if it's a piece of media with a large fanbase like MHA, I have a hard time calling its writing universally "bad." If it speaks to that many people in some way, clearly there's something about it that reaches people effectively, and who am I to judge? I'm certainly no expert in quality of writing. All I have are what I've taken away from my education in literature/writing, my years of experience with many anime that came before MHA, and my thoughts on all the other media I've enjoyed. My experiences will lead to different conclusions than others'. I know I don't like a lot of what's popular with most people, so I certainly can't hold myself out as some paragon of good taste.

It's okay to like or dislike whatever for whatever reason. I don't always stay with the same fandom. I move around when I find new and good things. I sometimes come back to old things I loved and like it anew or find it underwhelming as I currently am. As of right now, I'm actually willing to say something I never was before, which is that MHA might be one of the best-written manga if not the best manga I've ever read. While FMA is top-tier, its themes are a lot safer than MHA's ambitious goals. MHA was always going to be controversial in some ways just because of what it attempts to do, such as telling its story through comic book-themed superheroes. It also says a lot of political things that risk alienating readers. The levels of risk MHA takes are part of what makes it amazing to me and what makes it a worthwhile piece of art to enjoy. I'm so happy it exists, flaws and all. No story will be universally loved, and that's something I accepted a long time ago when I decided I wouldn't let the bullying stop me from liking anime. All I can hope to do is have the courage to love the things I love and the grace to leave alone the things I dislike for others to enjoy.

#anon ask #ask pika #my hero academia manga spoilers #final arc spoilers

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lains-reality · 11 months

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nondualism and "manifestation"

okay so there was an anon question abt manifesting. i'll answer with this post. i barely proof read this so tell me if theres an error. if you need more (you don't) then there are relevent links at the end.

anon: Ima here with a question :) Suppose I'm manifesting my desired clothes , so I just be aware/know that I already have them in my closet ? And Whenever I think that nope it's not true they aren't there …I JUST USE MY IMAGINATION, SEE A PICTURE OF THOSE CLOTHES AND AGAIN BECOME AWARE OF THE FACT THAT I HAVE THEM ? Basically when I found myself thinking about them I just shift my awareness to that I have them ! is this all I have to do ? And what if I feel euphoric 🤧 knowing that I already those clothes in my closet ? Is it oky ig it should be bc feeling has nothing to do with it !? RIGHT ?

I'll ask these questions first: do you want the desire or to be free? could you let go of trying to get happiness from this item and sit in the happiness you are?

you don't use your imagination. you ARE imagination. you're living in your imagination.

you don't have to identify with those thoughts telling you, you don't have the clothes

you've asked this question to another blogger, so you're spamming, searching for an answer? not gonna get you anywhere .. also have u even read my posts?

are you the person that sent this? nondualism IS NOT A METHOD

first of all, i want to you to remove every information, believing that it's real, your brain, spiraling, wavering, blockages, the universe giving you what you want, someone outside of you, the 3d, the 4d, behind the scenes, the 3d mirroring you, saturating your brain, etc ... [choroukgod]

there's no manifesting.

you are not the manifestor. you are not the doer. i mean it as the character, anon, doesn't do anything. Self does. Self can also be called awareness or consciousness. for Self, all exists. its like a comb, there's the handle and then all the teeth. Self is the handle, you anon, are one of the teeth. you are Self imagining being a human with desires.

i'll give you a snippet of a draft post i made:

"they wanted to be the doer. the character doesn't do. it's not You, it's just a habit. when you know you are Self, then everything is harmonious and effortless. the Self does, it is under all the imaginary character - if the character isn't real, then it doesn't do, the Self does."

since you are Self, this means you are beyond time and space, body and mind. they're not real. only the character/mind thinks its real, it'll chat forever about how you need to do this and that.

this is because the mind only knows what it knows. it cannot know anything more than what it knows right now. it's a collection of thoughts, feelings and memories that you've collected and turned into a habit. it's a habit to go back to the memories as a reference point. its a habit to identify with thoughts that come into your awareness. when you stop the habit and don't identify as the character, it goes away.

abt the body: well when you dream, you might still think. you feel the body and all, all the sensations. it feels real enough. then you wake up. you didn't take the physical body into the dream did you? you just felt the sensation of having one. doesn't this mean it's a bunch of sensations, just like a thought in the mind is?

also the mind can affect the body (e.g. nervous feeling -> sweaty palms). the thought or feeling rising into awareness, the mind takes note and ownership "i'm nervous, my hands are sweaty", affecting the body. if the unreal mind can affect something, then is that thing also not unreal?

(try to observe the thoughts or feelings next time without attaching a story to it or resisting it. see whether it goes away quicker. being able to accept the present moment is essential for this)

extra note - you as Self is also imagining the concepts of manifesting and shifting (and all the concepts related e.g. states, 3d, persisting etc).

thinking they the reason why you can get what you want IS FALSE. THOSE ARE YOUR OWN CREATIONS, ARE YOU GOING TO CREATE SOMETHING OUT OF YOUR OWN CREATIONS? [choroukgod]

What is there to be saved from except illusions? And what are all illusions except false ideas about myself? My holiness undoes them all by asserting the truth about me. - acim workbook

so, you know now the reality of who you are and not to identify with the imaginary, lets talk about the desire.

desires are born out of not knowing who you are. if you think you're the body-mind then several hundred concepts are needed to be taken into account to just live.

another snippet

"all these memories, feelings, thoughts and subsequent stories create desires and fears. the mind will try and protect itself and plan for stuff, but it can't. because it's so limited in knowledge & power."

the character wants the desire because of the story it has, the feeling. usually of happiness, love, joy. what you don't know is that that's your standard way of being. so you search everywhere.

the characters main motivation is to find the truth and happiness, underneath the searching is the belief 'i am not okay' or 'i am not enough', which leads to several needs & fears but importantly, need of control, especially of the future. it refuses to sit in the present moment.

desire is completely fine actually, its the attachments to it that make it hurtful. when you don't understand that desire is just another passing sensation, you, as the character, think you NEED it and will not stop until you get it, or you suffer.

you think that theres a world to control. you think that its outside of you. you think that there is a physical world. you're missing the most important info of all: all is Self. all is consciousness. all is awareness. whatever you wanna say. all is you, theres nothing to manipulate now. theres nothing to force now. its all unreal. you as Self, are imagining to be a human with desires that now has to change stuff that they think is real! how exhusting! you don't even need to change yourSelf, Self is perfect!

there's nothing to do.

Self is all. Self is whole. Self is perfect. Self is who you actually are.

there's no transition to Self. you already are that. it's letting go of all the concepts of limitations that is a transition. - i don't remember who said this, maybe lester levenson?

manifesting is not the point. the point is to be free! it's to recognise your true self! not just to feel better or okay .. to BE freedom, to BE peace, love etc. do you want to keep going into imagination to fufilll yourself all the time? you don't have to if you understand that you are fulfillment, you are whole already.

the "world" changing can't sway you because you are complete as you are, when you manifest with the intention to fulfil the desire so you 'physically' get it - you're only gonna feel full when you get the thing .. and then it goes. things cannot fulfil you. what would happen if the clothes get shredded by a dog? your happiness goes. why? why would you place your happiness on a thing that is FINITE?

being in the present moment is best. its literally the only way you live. you can't see into the past or future, there is only now.

The best place to grow is right where you are. The best time is now.

when you're worrying abt the future, you're thinking more. when you're worrying abt the past, more thoughts. in the present moment, you slow down and see what is in front of you now.

when you get caught up in the mind, you can stop yourself halfway (or even after it happens) and go "oh the mind was doing ...", then you start to pick up how much your mind wanders back or forwards. you start to pick up how limiting the thoughts are when you remind yourself that you are not the body or mind. with the understanding that the mind is imaginary -> no need to listen or identify with what's happening. it just is. feelings or emotions that come up into awareness cannot do anything. you are never disconnected from Self.

'oh i want to go [x] but i have to buy a plane ticket and get this and that...' -> if you are not the body-mind you don't have to worry about physically travelling anywhere, you are beyond time and space naturally. you don't have to prepare anything either, the mind wants to plan, but Self is harmonious and all, so whatever you 'need' will come to you. lester actually did this once.

"With full confidence that “everything is A-okay and taken care of,” I packed a bag and walked out of the house."

when you catch yourself in the moment: release and disidentify. you can just disidentify with it immediatly if you want to.

to release a belief or emotion (probs also desires) (sedona method):

welcome the feeling. it doesn’t have to be strong. it is what it is. ask yourself: Could I let it go? Would I let it go? When? then, remembering that you are not the body-mind, answer. deep breath in and out, let relief come if you feel it. read the link for more.

when you ask yourself, “Could I let this feeling go?”, remind yourself that you can let any emotion go, like dropping an object. when you ask yourself, “Would you let the feeling go?”, consider whether you would you rather hold on to pain, stress, and suffering, or, would you rather be free? when you ask yourself, “When?”, what you’re doing is creating an invitation to do it now

it can take some courage depending on the emotion, the character'll want to run away. but sit in the present moment and observe the feelings. ignoring and suppresing is not healthy. the focus is to keep releasing the feeling when it comes up. you can also coax the feelings up yourself.

to disidentify: well, just don't identify with it. just go "oh that's a thought". maybe remember your Self. maybe say 'on this path i constantly give up trouble' and move on. a simple knowing that that is not You, is enough.

surrender. i used to be scared of surrender bcs i thought it'd mean i have to let go of control and i'd get nothing! or just the same thing or worse! i was scared, i as the character was in full force. then some days past and i calm down (and lowkey give up), then i get some experience where it feels like i'm saying 'yes you ARE your true Self, its natural!!' to myself. something happens w/ 0 effort and i'm never suprised tbh (i used to be), it only grows my faith in mySelf. i promise you when you go 'f it idk whats gonna happen, it'll be fine' it'll be okay. but first you need to understand who you are. you trust your Self and just release the stories that tell you you aren't, that you are stuck, that you haven't got it, that you aren't fulfilled etc.

let me rephrase that bcs ppl saying "just believe!" used to piss me off: surrender it all. just stop. on this path you constantly give up trouble. you give up entertaining thoughts that make you feel bad. stop getting annoyed at yourself. stop beating yourself up. stop trying. just let yourself relax. if you want to do something, do it so you can feel better rather than to fix, manipulate, control etc.

all this arguing takes effort. it takes energy to not surrender. its hard to be something you are not. all the effort is being put into being an ego or to resist being it. you're squashing god into a small box and going 'why won't i fit?!' - lester levenson (modified)

Self is perfection, you are not surrendering to get worse, you are surrendering to perfection. Absolute Perfection. your mind only knows like 20 years (less or more!) of experience, in only one way of being. to your Self, there is all.

if theres anything to "do" its recognising stories of limitation and releasing/disidentifying as them.

(although surrendering is put last here. it is actually the first step. it might even be the only step)

self inquiry pointers (do not skip)

could i let go of wanting to get happiness from [insert item] and allow myself to rest as the happiness i am? can i turn [desire] into a desire for freedom? would i rather have the desire or would i rather be free? am i longing for the desire or to get out of pain? can i let go of wanting to change this and let it be as it is? could i let go of [belief]? would i rather believe in [the belief] or know the truth? would i rather believe in [the belief] or be the truth? am i arguing for my limitations?

letting go of ego | haven't read yet, but the skim looked good.

detachment | edwardart

what is the main difference between the now and old? | nisargadatta

go all the way, not just tolerate and endure | lester levenson

the true you | 4dbarbie

self surrender | edwardart

things come to die | heavenlythea (use of the word 3d, but still great post)

manifesting is struggling, life is effortless | 4dbarbie

how did i get something random? | 4dbarbie

attachments | 4dbarbie

some pics to read

after thoughts

i talk abt a method after my you don't need a method post lol, but that method is actually completely for the mind, says it upront and isn't just used for manifesting. in the end you'll stop using this too

could this be a guide to recognising your greatness? maybe?

let go of the insane amounts of responsibility, pressure, and personal attachment you've put on yourself.

#lainsmail #lainsreality #nondualism #nonduality #manifestation #spirituality #do not tag this as any law i will hide in ur walls #self inquiry

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novlr · 3 months

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I have so many story ideas but I can't just write them. Moreover, coming up with tye plot is what I struggle with. I know my idea, but where do I start it, or when do I end it. My ideas are mostly YA romance but I don't know how to make the story more interesting then a simple Fall in love story.

You have a notebook full of amazing YA romance story ideas, but when you sit down to write, you struggle to turn those concepts into well-structured plots. You want to write stories that are deeper than just “boy meets girl, they fall in love.” But how do you take your ideas and flesh them out into interesting, multi-dimensional narratives? Many aspiring writers get stuck at the plotting stage. The good news is there are some key strategies you can use to build your ideas into rich, engaging plots that will keep your readers turning pages!

Start with a central conflict

Every good story needs a central conflict that drives the plot forward. In a YA romance, this is usually more than just “will they or won’t they get together.” Think about what is keeping your characters apart. Some ideas:

They’re from different social circles or cliques at school

Their families disapprove of the relationship for some reason

One of them is already in a relationship

There’s an imbalance of power or popularity between them

They have opposing life goals or plans for the future

They have clashing beliefs, values, or cultural backgrounds

Develop your main characters

Compelling characters are the heart of any good story. In a YA romance, you need at least two well-developed main characters that readers will root for. Here are some ideas:

Give them unique personalities, quirks, talents, flaws, and backstories

Develop their individual goals, motivations, and fears – what do they want and why

Highlight the ways they are similar and different from each other – what attracts them, and what causes friction?

Have them make difficult choices throughout the story that reveal their true character

Give them opportunities to be brave, vulnerable, kind, and selfish – let readers see all their sides

Avoid clichés unless they serve the characters or the story

Use the supporting cast

Don’t just focus on the two main characters. Develop an interesting supporting cast of friends, enemies, family members, teachers, etc. Here are some ideas on how to utilise supporting characters:

Have them provide advice, support, or a listening ear for your main characters, helping them navigate their feelings and conflicts

Use them to introduce new complications or obstacles in the main relationship, like disapproval, jealousy, or misunderstandings

Let them be comic relief or a source of levity to balance out the heavier emotional moments in the story

Have them act as foils to your main characters, highlighting their strengths and weaknesses through contrast or comparison

Give them their own subplots and character arcs that intersect with and impact the main storyline

Use them to raise the stakes by putting them in danger or jeopardy as a result of the main characters’ actions or choices

Raise the stakes

Think about how you can raise the stakes throughout the story to keep readers engaged. What’s at risk if the characters don’t get together?

Put the relationship at risk — make them choose between love and something else important to them (family, friends, dreams, etc.)

Introduce a ticking clock element — give the characters a limited time to overcome the obstacles or make a crucial decision

Have actions or choices unintentionally hurt each other or the people they care about

Raise the external conflicts to be life-or-death, not just inconveniences – put characters in physical danger as a result of the romance

Reveal new information that changes everything the characters thought they knew, forcing them to question the relationship

Make the characters sacrifice or lose something important to be together, and make them grapple with whether it’s worth the cost

Add twists and turns

Don’t let your plot be too predictable. Throw in some unexpected twists and turns in the relatinoship to keep readers on their toes. Some examples could be:

Reveal that one someone has been keeping a major secret that changes the relationship when revealed

Have a supporting character turn out to be working against the central relationship for their own reasons

Introduce a love triangle, forcing the main characters to question their feelings

Reveal a shared history or connection they didn’t know about, casting the relationship in a new light

Have the characters break up or be separated due to a misunderstanding or outside force

Include a major plot twist that isn’t directly related to the romance, but that impacts the characters and their relationship in a significant way

Create a satisfying resolution

Ultimately, readers want to see the characters end up together (it is a romance, after all). But that doesn’t mean the ending has to be all sunshine and rainbows. Here are some ideas for a satisfying resolution:

Have the characters end up together, but make them earn their happy ending by overcoming the conflicts and growing as individuals

Show how the relationship has transformed the characters for the better, and how they’re now stronger together than apart

Resolve the external plot conflicts in a way that feels authentic and earned, not just convenient or contrived

Give the characters a moment of romantic triumph where they declare or demonstrate their love in a meaningful way

Hint at the future and the challenges they may still face, but make it clear they’ll face them together

Leave the reader feeling like the characters are going to be okay, and that their love story will continue beyond the final page

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