yet again emerging from the depths to post my last bits of fable art :,)

also throwing in a large sappy paragraph (slight cw for some discussions of family issues):

being a part of fable smp was such a privilege. when i first joined, it was just me and a couple of my irl blorbos deciding it would be a fun quirky idea to start an smp our own, and now it has become something truly impressive and heartfelt.

specifically from my perspective, playing c!momboo meant a lot to me. she’s similar to me in a lot of ways, obviously she is an extension of me, but i think she’s way more than that. c!momboo was based on another story that means a lot to me: Oneshot. if you’re familiar, her character is extremely influenced by not only the plant woman in act 2, but the world itself that communicates with you throughout the game. the idea of the world itself becoming so vulnerable and weak it becomes sentient really struck me, and I knew immediately that’s what I wanted c!momboo to be. what i didn’t expect was how much of a turn her character made early on, when jamie and swipn approached me half joking about her being their mom within lore. i think that’s what really ended up bringing her to life, and what overall became her main driving force: being a mother.

i’m gonna be kinda vulnerable for a second here: i never thought of exploring motherhood in any story i’ve been a part of, even before fable. the idea always scared me, since I don’t have the best relationship with my own mom, and i thought i would end up doing things wrong. but i think that’s kind of the point. there is no guidebook on how to be a good mom, you have to figure that out yourself, along with help from your kids. c!momboo wasn’t a perfect parent, far from it. she made some pretty intense mistakes, especially early on, and i’ll be the first to admit that playing her through those times was rough. there were moments where i felt i was leaning into the exact parent i would never want to be, and it was scary, but eventually c!momboo learned from those mistakes, making an effort to regain her kids’ trust over time.

c!momboo holds a special place in my heart because of all the things i stated, and while her story is over, i think she’ll always somehow end up in things i create. not by name, but her own courage and strength infused into what i do.

before i wrap this up, i want to mention the one story that really stands out to me from the process of working on fable: when the famous haleygar herself and i the night before the server released were scrambling to help sherbert figure out a title (not only that, but knowing this title would end up being the name of a certain major character later on lol) and eventually settling on Fable, not just because it sounded cool, but because that’s what this server was always meant to be: a story. a story filled with heart and soul poured not just from the cast, but from you guys. i think my favorite part of this project was always seeing what you all created, and how you guys ended up influencing us. our stories wouldn’t have been the same without you guys there, whether that be in chat, or even simply lurking. i’m grateful for all of you who were there, and i really hope you enjoyed the story <3

Until next time,

Momboo <3

BG3 mutuals I am climbing down into the brain worm pit to see what all the fuss is about and aye...the bg3 brain rot is creeping in. I am excited to join you in the mayhem & shenanigans!!

this was my realest post ever but i regret posting it every single day bc it got like 1k notes (big for ninjago textposts.) and never seems to die

What about Lor'themar? He still talks to her and isn't incompetent. They're practically best friends by Horde standards.

Ehhhhh sort of. I'll pull the relevant Lor'themar quotes:

Sylvanas could command from the rear, but that’s what Lor’themar is for. She’s far too useful in the front lines to seclude herself, and she…trusts…Lor’themar. Mostly. Enough. He can handle command.

“Without you to lead? Who did you leave in command, Lor'themar?” “Who is a competent, if not inspired, general.”

Proudmoore snorts. “Would she listen to Lor’themar if he told her to fall back?” Under her eyes, the Stormwind infantry moves forward and the orcs charge without waiting for orders. To the rear of the Horde a figure just identifiable as Lor’themar begins gesticulating angrily. Geya’rah listens to Sylvanas because she values her own life. Lor’themar doesn’t inspire that sort of fear, and Geya’rah, like so many orcs, suffers from an excess of honor and a remarkable lack of sense. Grudgingly, Sylvanas says, “She would not.”

Will Baine and Lor’themar care enough about the Forsaken to support their position? She can’t say.

So what can we take from this?

Sylvanas is comfortable leaving Lor'themar in command of the Horde army, even though there's no real sin'dorei presence and so he's technically outside his bailiwick. She has faith (borne out in Interlude 1) that he won't get too creative or reckless and will do the best he can, but she also doesn't believe he can keep Geya'rah in line.

Overall: Pretty good confidence in Lor'themar as a military leader.

Unfortunately: Approximately zero confidence in Lor'themar's willingness to go out of his way to help the Forsaken.

In other words, Sylvanas trusts Lor'themar to help her when it's in his own best interest. She does NOT trust him to do anything even moderately inconvenient that would benefit her, which is fair because he wouldn't.

Trust is easy when you're trusting someone to do something that benefits them. It's much, much harder when you're hoping they'll put themselves at risk to help you.

how they fall in love - tokrev boys

aka the april 14th "i made it through valentine's day AND white day without any romantic attention" special. happy singles day to all who celebrate. hcs for a selections of my personal tokyo revengers blorbos, including: Mikey, Draken, Baji, Chifuyu, Kazutora, Hakkai, Taiju, Koko, and Inupi.

Mikey falls in love with uncertainty. He’s used to feeling so much all the time at once that he isn’t sure he could pinpoint love in the middle of all of it. But until he knew you, it didn’t matter. As you get closer to him, he becomes more acutely aware that he definitely has positive, pleasant feelings toward you. He may even get himself in trouble by picking fights with others who steal your attention from him. It probably takes Draken, Takemichi, or Emma to be like, “So, about this crush you have….” and he’d be like, “...the what.” Be patient with him, he’ll come around, and when he realizes both his own and your feelings, he’ll be the sweetest boyfriend. Please do not accept anything he cooks for you though. No chance in hell that he can cook.

Draken falls slowly. He starts by noticing how cute you are when you do mundane tasks, or the little things that make your eyes sparkle, and he finds himself wanting to know more. He’s very observant when it comes to details, and might surprise you here and there by bringing you your favorite drink or a treat of some sort, but his love language is definitely quality time. Whatever your hobbies are, he’ll definitely start feeling a stronger attachment to you if you do that thing in his vicinity while he’s working on fixing up a bike or something. It’ll take him some time to come to the conclusion that it’s love, but in the meantime he’ll settle for the warm swell in his chest that he feels when you’re around. 

Baji falls quietly, behind the scenes. If he doesn’t know you like him back, he’ll operate under the assumption that you don’t and just be content with just being by your side and will express his feelings via little gestures that show he cares and listens to you. This can range anywhere from noticing you’re warm and turning on the AC, or torching a vending machine that ate your change. Depends on his mood. Another way he’ll show his affection is by sharing things with you; food, beverages, etc., yes, but also hair ties. And he won’t even ask for them back. If you keep the hair tie he gave you and wear it on your wrist? He’s as good as gone. Please confess to him soon, this boy is down worse than he lets on.

Chifuyu falls in love like an idiot. He doesn’t fall for just anyone, but when he does, he’s immediately head over heels. In a borderline insufferable way, too. We’ve seen how clingy he was with Baji. He is gonna make himself your personal guard dog, whether you want it or not. He’s gonna go out of his way to bring you tokens of his adoration like a courting magpie. I’m so serious, this is the boy who will bring you a really fucking shiny rock he saw that made him think of you. If you try to talk to him normally, though, you’d better be prepared for him to get all flustered and formal about it. But once you get him out of his own head about it, he’s loyal and dedicated and affectionate. 

Kazutora falls in love like he isn’t sure what love really is. Sweet boy has been through so much, especially growing up in a family situation like his. He doesn’t know what love looks like, and he worries that if he were to be in love, he wouldn’t do it right. He’s one you’ll really have to take initiative with imo. But if you show him your love, he’ll slowly but surely follow suit. Show him that love can be gentle and playful and fun. Show him that it can be tender or sweet or passionate. Show him the love he’s never gotten, and he’ll learn to show you his love in return. 

Hakkai falls hard and fast, but you wouldn’t know it. He knows he likes you the moment he sees you, but if you so much as make eye contact with him, he freezes and is immediately beet red. It will take at least three people shoving him directly at you and coaching him through what to say to actually ask you out. 

Taiju falls in love stubbornly. When love isn’t what he thought it would feel like, when it ends up making him feel all mushy in his core, he rebukes it. He denies it. He tries anything in his power to keep this weakness from entering his body. He’s never known what it is to be soft and doesn’t understand why you make him feel this way. He might be cute and a little tsuntsun about it, but you’ve already cracked his shell and he can’t deny it forever.

Koko falls hesitantly. He’s nervous when it comes to vulnerability, but devoted nonetheless. Think toned down and bottled up version of Chifuyu. On the surface, he seems like he has mad game, but we all know he’s a weenie at his core, and he knows it too. He’ll seem calm and collected around you, he may even be a little flirty, but just know he’s dying inside. I suggest putting him out of his misery and confessing first, but c’mon, we all know it’d be so much cuter if he accidentally blurted it out and then was all surprised when you tell him you feel the same way. But he’s most definitely gonna keep it bottled up until he bursts.

Inupi falls in love quietly, similarly to Baji. He trusts quickly, and when he knows, he knows. He’s not going out of his way to make some big, dramatic confession, though. But he will absolutely be glued to your side. Just existing near you. He won’t be the chattiest person, but you’ll find that he’ll always have something meaningful to say. You’ll probably get more out of him if you can get him alone, honestly. Let him take you for a ride on his bike to someplace you can just enjoy each other’s company and he’ll bare his soul to you. 

cross posting yesterday's rambling thread for posterity and because tumblr lets me edit things. anyway this is a sorta long thing and i might add things i forgot to mention in the twt thread

i tend to draw on-model canon because im a coward + just personal preferences. but the way i convert the canon designs into my artstyle is that i take the distinct features oda gives them and then combine it with personal headcanons to complete what should look like a unique human. Starting with Trafalgar Law, who is unfortunately a bland-ass conventionally pretty boy

someone commented a while ago the law hat drawing tutorial i made a while ago didn't make much sense and i realize its bc of the specific way i draw law's face: heart shaped (ba-dum-tss). That meaning, a narrow chin widening into a mild defined jaw, wide cheekbones, and up to his know-it-all brain dome.

given that, the pudgy guitar pick shape of his head i mentioned here should make a lot more sense.

i don't think this design point is unique to me, as most conventional pretty anime boy gets given jaws like this. a lot of law artists tend to veer into this head shape. just how life be sometimes. other points: flat, thick eyebrows is bc im a hairy gal and i need to feel better about myself.

Killer gets to be more interesting, because he shouldn't be considered conventionally attractive. my idea behind killer's is that those individual features is smth he would be insecure with enough to hide himself in a helmet but i draw him with all the love in the world actually. i'd like to think its how kid sees him or yknow, law, bc he's my kin assigned blorbo and maybe you ship lawkill as a guilty pleasure too i mentioned before (and ruined people's days) when i said whenever i draw killer he looks like griffith before i put on his goatee. the upper half of his face is distinctly feminine, with the lower half kinda over compensating. other than that uhh...idk. stan killer

Kidd is the bane of my existence, i feel like i can never draw his face consistently. yet at the same time he's so damn fun to draw everyone gotta try it.

my problem with kidd is that this mf does have eyelids. most kidd painters out there interpret this as him having deep set eyes (think Matt Smith or jeffrey star) . and yeh skill issue on me i should practice that. other notes, i try to make him younger than canon makes him look. he is my babygirl and he deserves to look cuddly. my band au kidd version has the honor of being allowed some chubs. he's just tries to look older and more menacing with edgy makeup. also i try to give him dimples when i can because, well i can.

Rosinante last bc i lost steam after kidd. the thing abt cora is that aside from not having eyebrows, everything is structured with the generic one piece man template. which means i gotta do everything myself doffy is there bc the way to figure out how to draw these two is to give them minor differences from each other, that being doffy gets slightly sharper features. in canon, these two are also rly wide boys (more of an oda style feat tbh) but i make them long. though bigger brained donquixote artists know that of these two brothers, doffy should be the wiry-er built. anyway that's it. in conclusion, i need to draw more girls actually i feel like im becoming misogynistic by osmosis from oda's style and now i draw girls all looking the same too.

Warning, fandom rant.

I was gonna piggyback ride off Tagedezorns post about falling out of love with the fandom.

Dont get me wrong, I still fucking LOVE 40k.

Im having a great time painting my minis, reading the lore, reading and talking with the BL authors on twitter or talking the ears off the staff in my local GW (don't worry, they love it, and they have some fantastic HC’s too!)

But the rest of it is sadly losing its appeal for me as well, and it saddens me to see other fan artists or writers feeling the same, I thought it was just me.

When I first started to become active in the shipping fandom about a couple of years ago it was fantastic. I felt so welcome and wanted, I had never gotten a reception like that in any fandom before. I even faced my fear and started writing fanfiction, and people seemed to love it.

But the last months/year it feels like it's all gone. As if Tumblr has died, it feels like I'm shouting into the void. (I have a few people who still interact on my posts and I see you and I love you). But I have eightdoubled my followers last year, but that hasn't resulted in any more interaction, other than a few more likes. But to be fair, likes does nothing.

Im not an influencer or a content creator, and I have zero aspirations to become one. That is why I stopped doing tiktoks. I do not want to chase trends or algorithms, I want to be unhinged about my blorbos and see people being unhinged about their blorbos in turn.

I love the intense passion fandom can have, even when it's not a character I'm personally into.

I really don't want Tumblr to die. I have tried Discord and it was the most alienating and disheartening experience I've had since like high school.

When I first tried it out it was soo much fun, but as time went on, more and more people who seemed to like me stopped posting on there, and more and more whenever I posted I just got straight up ignored.

I could post in a channel that had been dead for weeks, and suddenly people started posting about other things, everyone ignoring what I wrote. If it happened once or twice I wouldn't have bothered, but a dozen or more times? It just fucking sucks. I noticed how it started affecting my mental health, trying to reach out and talk to people, but just being talked around and over. So I just stopped posting.

If someone doesn't like me on Tumblr I won't notice or get sad, but seeing it happen in real-time just fucking sucks.

And also, on Tumblr there is always the off chance that your post gets necromanced. That just doesn't happen on Discord.

And another thing that has happened a lot is I write a fic or a Tumblr post. It gets zero interaction, and I'm like “oh I guess no one is interested about that,” and then I see that someone has just reposted my fic/post in a discord and people are geeking out over it over there.

I'm not a paid artist/writer. I do what I do because I want to geek out over something, preferably with someone else. But I effectively become removed from my art. People are discussing it, just not with me.

Dealing with being unliked as a person fucking sucks. Especially when it's supposed to be your hobby-fun-time. And it is making me not want to post stuff anymore.

i've been feeling horrendous about my writing for months now after finding someone writing the same pairing as i was and everyone just... likes her so much better than me. people are drawing fanart of her works and she's gotten so popular and i know i'm not entitled to fanart - that's not what this is about. i feel like a complete failure compared to her and i'm consumed. it feels like everything i ever wrote about that pairing is pointless and that i should just delete it all because honestly, who would care anyway? i don't like writing anymore

I think you will find fandom experience a lot more enjoyable if, instead of looking at it as a competition where there must be a winner and a runner up, you try looking at it as a community where people who share the same interests come together to talk and post about their shared interests.

personally, I like having lots of people write about my comfort ship, because that means I can enjoy more content about my blorbos. I’ve briefly talked about how hits and kudos aren’t everything when it comes to writing fanfics, so maybe you could check that out and see if it can help you feel at least a little better?

but if seeing that person’s work become popular still bothers you, maybe you can mute or block them for the sake of your mental health?

again, fandoms should be about joy and fun, not competition or anxiety. if what you’re doing costs you your mental health, maybe it’s for the best you step away for a while and see if you feel better? I’m sorry to hear you’ve lost interest in writing. but I will not advise anybody to force themself to keep writing if writing comes at the expense of their mental health. fanfics, just like fandom, should be about joy and fun and it should be your getaway. not a job or a competition. so maybe some time off could benefit you. and you can always come back anytime you’re ready.

my advice, though, is that you write for yourself because you love your comfort characters (and the act of getting to write about them alone makes you happy), not for strangers’ approval.

your mental health should always be the priority. I wish you all the best, anon.

I wanna know what Ikkaku knows about Urahara:

[Bleach 087]

Like, do they... know each other? The visual suggests that someone in the scene knows Urahara was a captain, and it sure ain't Ichigo. So I feel like we're meant to understand that Ikkaku knows this.

Urahara's name also holds weight in terms of Ichigo's viability as an opponent, which suggests Ikkaku knows Urahara as someone other than some rando criminal, or just as a Mad Scientist type. It's Ichigo's movement that impresses Ikkaku, not his strategic craftiness.

I don't try that hard to keep the Gotei's 20th Century straight in my mind, but we do know that during TBTP Zaraki wasn't 11th Captain yet, and therefore Ikkaku may not have been in the Gotei at that point then, ether. (There's a whole dispersal of 11th backstory filler eps, which I've been assuming aren't in the manga in any form, but who knows, maybe some of this backstory info also holds true here, too. In the anime, Ikkaku and Yumichika follow Zaraki into the Gotei.)

In any case, apparently Ikkaku has a whole Seireitei family (see: TYBW), so maybe they were well-positioned for all the hot TBTP goss regardless of whether Ikkkau was enlisted at the time.

Or does everyone just know who Urahara is? Obviously, he's a poorly kept secret at least as far as his outpost goes; he's made a whole business out of it. But if Rukia knew he'd been a captain she doesn't harp on it.

And if there's something you can count on me for, it is knowledge of random-ass Hitsugaya panels:

[Bleach 237]

Hitsugaya says he doesn't know who Urahara is. Well, he's heard the rumors about Urahara, but says Urahara is someone whose true nature can't be ascertained. He probably does know what Urahara used to be a captain. He's heard that he's formidable, and probably isn't someone to let your guard down around. Which, really, is all the things we know Ikkaku knows about Urahara. Hitsugaya's just not willing to extrapolate further based on rumor alone. Maybe Ikkaku is.

But based on how Urahara's name influences the way Ikkaku chooses to fight Ichigo, I feel like Ikkaku is not operating solely on rumor, either. Someone's battle prowess/skill as a mentor doesn't seem like something he'd accept without firsthand knowledge, even if he's willing to roll with it for other stuff. So I feel like it's perfectly defensible to argue that even if Ikkaku wasn't actually in the Gotei while Urahara was in the picture, he still had an ~encounter (and probably not while Urahara was in his Innocent Shopkeeper era).

Maybe Ikkaku ran into Urahara in the woods when Urahara was off making an impression on Kuukaku [1][2]. Or Ikkaku's Seireitei family sic'd the Onmitsukidou on him while he was off playing hooky in Rukongai! Tons of fun possibilities!

Of course, this raises the time-honored question of what, if anything, anyone in the current Gotei knows about TBTP. Because it really seems like they know nothing, and didn't even know there was something to not know. But for a lot of them that might be an effect of their willingness to pretend they know nothing? So I feel like you could go in a lot of directions with that. Not to have blorbo disease again, but Hitsugaya seemed like he was learning Vizard Lore in real-time during the Winter War, so apparently it's not like, part of some kind of Area 51 folder you gain access to when you become a captain lol. YOU HAD TO BE THERE. (BUT ALSO SOMETIMES NOT EVEN THEN)

🔥 each member of vox machina

Vax: really the sadboy narrative for Liam has always been stupid but it's egregiously bad that it started with Vax, who is like, sad for maybe a fifth of the episodes and largely because Liam O'Brien's actual mother was dying, like, with all due respect what the actual fuck, fandom.

Vex: I am the founding and probably only member of the "Vex is my favorite character and also I am 100% cool with Colville's depiction of her." The generosity she shows even very early on in C1 is still a generosity borne of some degree of security - they have a keep by then - and I also just don't think you have to like a character to write them fairly. Granted it's been a minute since I read early VMO but nothing stood out to me as out of line with my understanding of Vex.

Pike: repeating myself once again but I like Pike a lot and wish we could have seen more, but because we didn't, people who say she's their favorite in C1 do tend to turn me off in that I feel they're looking for a relatively flat and widely praised character to project onto rather than a character who goes through more messy development.

Grog: I think he's often underestimated and I was guilty of doing so myself, to be honest, until I saw Travis play more and until I personally got better at D&D. Also I still maintain that playing INT 6 sensitively and well is infinitely harder than playing INT 16, all things considered, and this is yet another reason why people should play high INT more often.

Scanlan: Also underestimated; I do understand being turned off by the whole extremely horny playboy thing but as I've said before Bard's Lament is a major litmus test for me: if you think Scanlan is completely at fault here, you are wrong, and if you think he's not partially at fault, you are also wrong.

Tary: I genuinely love him and think he's a great character and one of Sam's best, but while his character arc is strong the Taryon Darrington Arc of the VM Campaign, through no fault of his own (and partly bc I personally think D&D Hell, especially pre-Descent Into Avernus publication, is kind of boring), is one of the weakest parts of the campaign because it's kind of a grab bag of loose ends. With that said I would happily watch more Darrington Brigade-one shots.

Percy: Percy is also generally a litmus test in that it's like. Is he a good person? Eventually I believe he becomes one, and even before that I think he's very sympathetic and deeply traumatized and like, 24, so I get it, but also, who the fuck cares. This ties into the Essek and the Ashton opinions and all kinds of other stuff but why are people so invested in fucking absolving their blorbo of all sins? I want someone who's lived enough of a life to have done some heinous shit because that's fun and interesting and it's pretend and also because then they can have a rewarding character arc by either working towards redemption or coming to terms with who they are or spiraling into tragedy.

Keyleth: I like Keyleth a lot but I am, as this post indicates, far more sympathetic to Vex, and so while I do think Keyleth is a fairly good person she is also extremely sheltered and naive and terrified of doing the wrong thing and I would have, like Vex, wanted to scream at her half the time were I just a random NPC wandering about the campaign. On the other hand C3-era Keyleth? fantastic no notes she has grown up in such an interesting way.

Tiberius: I think we, and by we I mean people capable of separating the art from the artist, can recognize that his concept actually fucking slapped and unfortunately he was played by someone who absolutely sucked in a myriad of ways. I would love to see the alternate universe in which the same general concept (prodigy sorcerer from Draconia who is full of themself) had to face not just the destruction of their civilization but the realization that they were taking advantage of the Ravenites and while they did not deserve to be killed by Vorugal, had done nothing to justify aid from those they had subjugated either. Like, the alternate world in which one of the current cast members or like, a close friend of the main cast (Ashly, Erika, Mary Elizabeth) played this is one I'd love to see.

lord help us all I've been given a reason to think about Dracula novel/Drizzt series crossover

I love following canyourfavesurvivecastledracula (I especially love seeing characters I'm not familiar with on there) and they recently got an ask about my little guy Drizzt Do'Urden but didn't know all that much about him BUT YOU SEE (unfortunately for everyone who knows me in any way) this is a crossover of the two major fandoms that have become my entire personality in the past year or so! so as someone who's eagerly awaiting the return of Dracula Daily Season AND reading multiple of the Drizzt series books as we speak (simultaneously! help..) and considers him a blorbo to tenderly and lovingly put in the microwave to watch him dodge the radiation like an ant, I'm taking a crack at it because this looks like fun :D

Making my own post because this is purely to be enrichment in my enclosure and also it's.. gotten So So Very Long.. also pouring one out for my other account where I normally would post this sort of thing that I simply cannot log into anymore for mysterious and unknown reasons. (Literally it's still like There and I can See It but trying to log in takes me to 'make a new blog' pages and... wait I'm silly I think I know why. the email died. no idea how to get back in without the email.)

ANYWAY

To the thought experiment:

Could Drizzt Do'Urden Survive Castle Dracula?

Short answer: Yes, it's not a fun time for him, he saves the baby though!

Long answer:

Using the blog's stated general criteria...

Overall approach to the supernatural:

Is an elf, knows what a vampire is, however D&D vampires work differently from Dracula vampires so he would not have all the information on that front if it came to a confrontation. (Knowing the Drizzt books, it would definitely come to at least one fight or at least a tense chase sequence.)

Also depends on how quickly he clocked that this is, in fact, a vampire, and whether Dracula could catch on to him catching on and spin things in a way that kept Drizzt relatively chill OR decide it's time to strike (which he could probably escape) (though now I'm thinking about Vampire!Drizzt....... no no I shouldn't.... unless.....)

The presence of Guenhwyvar (constellation panther BFF my beloved) would afford him some protection other than Dracula's whims, and companionship which is Very Important as he has been known to go feral without sufficient friendship.

Probably takes all the local superstitions very seriously because where he comes from if someone's like "there are ghosts that come out on certain days" and "there are monsters in these woods" they mean it very Very literally.

Dracula's general inhuman behaviors he could take in stride and adapt to pretty well I think, he's known a lot of really eccentric people and is from Fantasy Zone, so the idea that Dracula isn't human wouldn't be scary or even all that weird. Vampire, yeah that's sus, but just non-human? you walk past a hundred non-humans on a single street in most cities where he's from. Many of the eccentricities might be explainable just by going "Ah, he seems to be some kind of wizard. Yeah that checks out." Doesn't seem to be sleeping on a normal schedule or at all? Drizzt does that too! Sees too well in the dark/doesn't seem to use lights much? Darkvision and light sensitivity, same! Moves inhumanly fast? A little concerning but why not. Tells stories from centuries ago as if he was there? Elves do that all the time and it's because they were, in fact, there. (Also some human wizards do all of that too, just because.)

Now because things work differently between these two settings I'm not sure how much his general familiarity with things in the Forgotten Realms would help him here, like he's taking it all in stride but does he know how to protect himself against a Dracula-type vampire? Does he know magic is so incredibly rare and (apparently) usually evil or does he think this is just an unusually magic-less region?

Whether they would accept the crucifix from the old lady:

He is a polite young man so yes of course he would, and because the lady doesn't know what a drow (or an elf?) is, she probably wouldn't think "evil!!!" like most of the common folk in the Realms do, so much as "weird-looking (yet androgynously beautiful) young man" or depending on the local superstitions may assume he's some sort of fey being? or just like, really exceptionally foreign foreigner.

Assuming she still offers it, he would accept it despite not knowing what sort of deity it's for, because he recognizes it's a token of goodwill and he loves expressions of goodwill. Would definitely go and write about it in his little diary to both wonder what she's so afraid of/what sort of protection it affords, and also gush about the kindness and possibly whether this expands or aligns with his current understanding of morality.

This plus the other Superstitious Behaviors would clue him in that something's up so he'd be going in with that knowledge, prepared to figure out what's going on and what the villagers are so afraid of.

Whether they would go exploring after being told not to:

100% and he might even be stealthy enough to mostly get away with it!

Demonstrably does not like being restricted, only went along with this stuff when he was younger because the indoctrination ensured that he literally had no idea there was any other option (also his dad sparred with him daily to get his energy out so his zoomies were managed)

If Dracula really truly wanted to discourage him from any particular places he might just need to come up with an explanation, but he might also be entertained enough by Drizzt's sneaking and snooping to let him roam and see where it goes. Drizzt is better at stealth than Jonathan but they have different flavors of wet cat charm which Dracula may want to handle differently.

Depending on how you read the scene with the vampire ladies trying to "kiss" Jonathan, like how much of it was vampire charm making him feel kinda into it or potentially more of a paralysis situation, it could go differently just because Drizzt may or may not be able to break out and run away very fast, or just kinda endure it while feeling Really Bad And Gross about the sexual overtones. (Based on instances such as him resisting drugs and exiting the room as fast as possible when a priestess was coming onto him, and going feral to push through a paralyzing poison to prevent an assault on another person.) (I read him as incredibly demisexual and he demonstrates being sex-repulsed to everyone outside of the very short list of people he's actively very close friends with and attracted to.) (His feral side has been known to come out in these types of situations but not all of them and it wouldn't necessarily always work either.)

The girlies would not put him off of exploring for very long but he would likely be trying to avoid all possible run-ins with them from that point forward. Unfortunately for him he is a tasty little guy and I think the girlies would actively mess with him against Dracula's orders, perhaps in part because he's an elf and they find that interesting and engaging. Enrichment for their enclosure! Horrible time for Drizzt. Exactly the way the vampire squad likes it!

Verdict: He has a bad time but he's gotta run around he has the zoomies. Dracula could possibly prevent this, if he wanted to prevent it, by letting him into a training yard of some kind so he can get out his energy.

Ability to manage the whims of a Rich Jerk / hold Dracula's interest:

This one is harder and probably depends on the circumstances of him going to the castle, like what his goal there is, and around what point in the timeline he's at. I haven't gotten through all 30-something books just yet but my answer is Probably?

Just the fact of him being an elf and having some innate magic abilities could possibly be enough for Dracula to find him interesting enough to keep around. He's not a wizard and his innate spells are mostly harmless, more battlefield management than anything, so he's not magically a particularly powerful threat to Dracula, just decently interesting. He could also go on about how magic works where he's from, though going on too much about his inherent drow magic would make him uncomfortable (which Dracula would probably like) and especially like, if he got into the ins and outs of Menzoberranzan specifically.

He would definitely bring out the active listening skills for Dracula's history and war stories. Might want to get examples of any particularly interesting fighting maneuvers. I wonder if Dracula would indulge him in a spar or let him practice? The castle must have a training yard somewhere, but would he let Drizzt keep his weapons/borrow some?

Usually good enough at reading the room to determine when is or is not a good time for the scimitars and the panther (combat mode) to come out.

Not the most charismatic, but insightful and clever. (autism-ass elf. elftism.......)

Raised in a very controlling environment with a strict social hierarchy where he was simultaneously part of a high-ranking noble family but also as far down the social ladder as he could be otherwise (male, youngest child, was supposed to be assigned spell component at birth, doesn't like conforming) so, again, he wouldn't like it but he could probably manage it.

Partly depends on how much effort Dracula is willing to put in to make the Friendship believable and keep Drizzt in the dark, or if he's interesting enough to more carefully balance a web of manipulation around.

I'm gonna say this point gets a Yes

Assuming he realized the vampires are Bad but too dangerous to 2v4, he would be so uncomfortable for most of it but is also funky enough that Dracula would probably find his discomfort and weird-but-trying-to-be-so-polite mannerisms entertaining. Dracula would decide this is his blorbo now. I may be biased but this is tumblr so actually Dracula himself said all of this to me personally in DMs.

Facility for climbing without gear (free soloing):

Lizard fashion? Spider fashion...

He Is On The Walls

Multiple points in the books involve him sneaking around places by climbing on walls and I believe elves are canonically, in general, weirdly good at parkour. So yeah!

Whether they would choose to risk being eaten by vampires over the certain death of being eaten by wolves:

IF he has weapons, the wolves aren't really certain death because he is a whirling tornado of death, I am so sorry wolves. If not then he might be able to parkour out of their way? He probably wouldn't want to fight the wolves though, because he is a disney princess nature lover and would rather free them from Dracula's control if possible.

Depending on how much he could figure out about how vampires work here, he may have some ideas for how to turn a fight against them to his advantage or otherwise.

Wait, this happens after the baby incident, right? If so then he's not getting to this point plot-wise, though he might have come back to try fighting the vampires after saving the baby, and depending on how he's doing that, he might still have to contend with the wolves at some point.

Decision: Doesn't want to go against the wolves at any point, but if necessary, he can out-parkour them.

General analysis from Me:

Main counts on the original post are accurate! He accepts the cross, survives the social situations as long as necessary, and escapes with the baby to give it back to the villagers upset but otherwise intact.

As soon as he realized the vampires were menacing the locals to any extent, he would decide to figure out a way to free the area of their evil. Unfortunately the best way for him to figure out anything about the vampires is to stay in close quarters with them for a little while. He has been known to pretend to side with an enemy to gain information or an advantage in a fight, but I'm not sure how long he could keep it up.

Dracula might string him along with Friendship (Drizzt loves friendship so much if he doesn't have friendship he will explode) but he would have to get his baby-eating roommates to play along and behave or else they could easily freak the guy out too much for it to remain believable.

Either way, Drizzt is not staying in that castle beyond the point of another person (the baby) being put in danger. There's at least one point in the books where he's protecting a baby while fighting some enemies and he always puts the baby's safety first. Also Guen can respawn, so if it's absolutely necessary to, she can get taken to 0 HP distracting the vampires while Drizzt improvises some way to get out of there with the baby intact.

That's as far as "survive Castle Dracula" usually goes because well he got out of the castle alive but now I am also thinking about possible plot beyond that point...

First of all the villagers?? Assuming they saw him as Really Weird Foreigner or perhaps some sort of fair folk rather than Literal Demon Spawn the worst they'd do is probably be very tense and silent after taking the baby back and let him leave uncontested without welcoming him in. Best case scenario is some or all of them, or at least the baby's mother, being grateful enough to help him out a little. But like what's he gonna Do after that? (Also if the villagers think he's some sort of fey guy then would they think there's something up with the baby now...)

I mean he knows there's baby-eating vampires in that castle now and he's very against the idea of leaving baby-eating vampires around. Even if he can't 2v4 all of them plus their minions he'd wanna do something about that. (2v4 rather than 1v4 because Guen counts as one) Would he try to gather allies to assault the castle? If he learned that there's times when he can expect them all to be asleep in their coffins would he try to just go back in and stab them in their coffin-sleep? Would he leave the area if he knows the local people are still in danger or would he reason that he needs to find help and come back?

(Also raising to myself the question of whether this is "specifically only Drizzt has been isekai'd into the novel Dracula" or if there's perhaps a little more crossover type setting blending, or if others from the Realms are in there, is Elminster around I know he's canonically been to Real Life Earth, would Van Helsing have some kind of tangent about how this has allegedly happened before, there's an implication that vampires aren't even Van Helsing's favorite cryptid what if d&d type elves are actually higher on that list and he knows all about them, is it even possible to put something resembling the plot and characters of Dracula into a D&D setting, what if I could make a Domain of Dread out of this–)

No matter what happened, Drizzt would be writing SO many diary entries which is perhaps the true main reason why he would survive, he's got that journaling and diary-keeping swag just like my good friend Jonathan Harker

(This is all assuming he has Guen because if he didn't have Guen he would wilt away of the Miseries. Might un-wilt specifically to save the baby and then re-wilt as soon as he remembered there's no kitty.)

✨ Hey you! yes, you 🫵✨

✨Do you like getting monthly drawings of your blorbo?✨ Maybe some stickers in the mail? ✨How about your name in a game or even full early access to the whole process of said game?✨

✨Boy have I got a place for you! ✨

If you've read this far, hi! I'm Lev, local eldritch horror who draws silly little guys and I've got a deal for you! My husband @thecoffeerain and I run a patreon/Kofi where you can support our household and visual novel game just by giving £1 a month or more (if you are so inclined)

✨ The Fun Stuff ✨

Our Visual Novel in development is called Beyond Blood and it's all about supernatural creatures finding love in a small town + some vague apocalyptic events possibly. By becoming a member you can get full updates of the project all the way up to voting on characters and story elements, and get bonus content you won't see on social media!✨ You also get optional access to the equivalent patreon tier, if you'd like to see our non Beyond Blood content or even get more goodies!✨

(below is concept art for the game and only one lineup of many for Romance Options)

Beyond Blood Kofi✨

(click to view tiers in full res)

We also have a generic patreon filled with fanart, oc content, a sticker club, exclusive drawings, monthly requests, and voting on lots of different things! Even from just £1 you get access to sketches, full wips, early access to full illustrations, and voting on collabs between myself and Jack!

(ex. Of monthly sketches for patrons. On the left is Ellinor for @bitchesofostwick done by me and the right is an oc for @anonbea done by Jack!)

Patreon link ✨

(click for hi res! Here are the descriptions of the patreon tiers)

✨Not so fun stuff (why I will be queuing this every other post for a bit)✨

Both of us work grueling jobs that we are severely struggling with. We are both disabled, trans, and Neurodivergent. I work 8-9 hour days on my feet constantly to the point I've developed a need for a cane just to be able to get by. I'm also AUDHD and have begun to experience symptoms of severe burnout but I cannot stop working retail. Currently the NHS has decided I'm too high functioning/not bad enough to qualify for CBT or other therapies for my PTSD as well, despite the fact I've recently undergone traumatic events and have had multiple breakdowns. So if I want to treat these things I have to pay for it out of pocket and I cannot afford that.

My husband is in a job that has him constantly exhausted from early days and late night shifts, and the environment is not only discriminatory towards trans people but also to those with mental health issues. But again he can't leave his job.

Both of us are at our limit and we need something to change.

Anything helps, even just a reblog.

I wanted to reply to this post by @italianpersonwithashippersheart and it turned out to be a very long text, so I'm posting it separately 😉

I have a tactic of reading posts on Tumblr, that as soon as I start reading and see that the author is going in a direction that I know I won't like, I immediately stop and move on (ALTHOUGH sometimes the author writes something I don't agree with in such an engaging way that I read it to the end for intellectual pleasure, or it's someone I like with whom I disagree just this time, but I read it anyway because, after all, I like that person for a reason 😚). That's why, fortunately, I usually (<- key word, usually) avoid fandom wars and problematic fandom behavior. I do this because I know how irritating fandom can be sometimes, especially when a it goes to war to defend its blorbo, or ship, or the entire series. And I regret to say that defenders are the most aggressive... Personally, I don't mind fans living on ships, their blorbo, squealing about them and so on. (I mean, I do that!) Unfortunately, as I'm sure you all know, so many fans who live it, LIVE IT and it's not just fun for them, it's the meaning of their lives. This is where the attacks on actors come from, like the recent attack on Nut, a homewrecker 😆 in Pit Babe, having the audacity to be friends with the actor playing Alan AND HE BELONGS TO SOMEONE ELSE!, or, as in the case of DFF, tearing Ta into two parts by his ukes two fandoms lmao. Unfortunately, such behavior poisons a positive fandom experience and even I can see it, even though I try very hard NOT to see it.

It also seems to me that DFF viewers could be divided into two distinct groups: DFF fans and BL fans 😉 I'm a DFF fan and that's why I'm interested in meta, theories and Tan. I like PheeJin for their dynamic, but, I don't really care if they end the series as a couple. Besides, for me DFF is a mystery/thriller/slasher/social commentary series with BL elements, in which I DON'T HAVE to have a happy ending for BL relationships to be happy, I only want Tan to be happy. However, someone for whom DFF is only a BL series could be frustrated because 1) there is no monogamy 😬 2) there is "cheating" 3) the characters behave unpleasantly 4) the characters behave in ambiguous ways and it's often not clear what they think and whom they truly love 5) the characters behaviour becomes unpredictable and non-standard and often problematic 6) the plot keeps getting weird, instructions unclear 7) what about my ship?? *panic*

Regarding the concerns about the ending of the series: in any other series I would have EXACTLY THE SAME worries. But I look at DFF in two categories:

as a slasher

as a story about life, without a moral lesson

This makes me NOT worry about the ending because:

if you look at it as a slasher and my favorite film of this type, i.e. Scream and to some extent also Final Destination, there is no moralizing here, because the victims are often innocent and still die, because this is the rule of this genre: people die in masses

if we do NOT look at it as a story with a moral lesson, we also get rid of the compulsion to judge, like, did they deserve or not to die?

I know that in the DFF fandom we often joke, more or less seriously, that we would like this one or that one to die, or for everyone to die, but this is completely normal behavior when consuming media in which someone gets hurt. In the case of DFF, emotions are high because we naturally stand on the side of someone who is bullied and we see how others, through their actions or omissions, or often making stupid mistakes, saying cruel words in anger, contributed to the great tragedy of the entire family. But what I noticed is that the series does not actually moralize. It emphasizes very clearly that Non is a victim, but he is not entirely innocent and has made many stupid decisions himself, having had other choices, while also showing why he makes such choices. It shows Por as a complete asshole, while showing his environment and expectations towards him, but it does not absolve him. It even shows Keng not as a typical sweaty, brutal pedo, but someone who is genuinely concerned about Non, AT THE SAME TIME showing the issue of his pressure on Non, the money, the grooming.

The series presents dry facts, shows characters from different sides, in different situations, it also shows how events move from point A to B and further along the letters of the alphabet :) all the time discovering new facts that explain more and more, sometimes posing a seemingly already explained situation in a completely new perspective.

Personally, I don't get the impression that the series even WANTS us to moralize in our high glass tower, because the series clearly shows that the innocent, defenseless and vulnerable suffer and no one helps them. That a stupid event can lead to tragedy with the butterfly effect. That sometimes things happen beyond our knowledge, that we are just a pawn in someone else's game and, despite our sincere intentions, we cannot stop the course of events. And that the poor have a hard time and lose entire families and their future, with the first fatality in the series being the only son and the future of the richest family.

Therefore, I am 99% sure that:

we do not know all the facts that can turn all our predictions, judgments and faith in what is happening on the screen 180 degrees

whatever happens to Tan, Phee and Jin, I doubt it will be presented as a punishment/reward for anything

Tan can kill them all and not be the winner, Phee can kill Tan and live with it for the rest of his life as a loser

there is no way for the series to end sensibly AND with "the victory of good over evil" and"justice", because evil has been winning all the time and every kick to Non's face, the death of his parents, Tan's "madness", the death of two young people, the trauma of the others were proof of that, also all the lives lost and their future in which change for good is possible

At the moment, I have nothing to complain about the 10 episodes so far, for me the series is run logically, and any question marks that appear in my head, I am calmly waiting for their answers in the next episodes. THERE IS HOWEVER ONE THING THAT WILL ANGRY ME ABOUT THE ENDING: IF THE SERIES MAKES TAN A CONVERTED SINNER WHO CHOOSES LOVE, PEACE AND FORGIVENESS AT THE LAST MOMENT 🤮 I don't even want to think about it. This is the worst thing that can happen.

Despite everything, I still believe that the series will not do something so stupid at the end, that from a painfully realistic story about life with hints of a thriller and a slasher, it will turn into a fairy tale with a moral lesson, in which good (the established social order) will be rewarded and evil (anarchy represented by Tan) will be punished.

I have my dream ending, but whatever, it's my fantasy 😍 But at least 3 BL series from recent weeks ended exactly NOT the way I wanted, so I'm resigned to the fact that DFF may also fail in this matter 🤡

tl;dr everything will be fine, and if it's not fine, we have a great team to sit together and bitch together 🥳

@italianpersonwithashippersheart I fucking love rant posts 😤😤 I LOVED YOURS 💖💖💖

what order would you recommend reading the batman comics in? also where do you find the comics?

"What order would you recommend reading the Batman comics in?" only has one answer and that answer is for me to immediately burst into tears. Okay, this list is designed around what I think is most likely to get you into comics and having a good time, if you're enjoying the kind of posts that appear on this blog: - Nightwing 2016, you can start from issue #1 and just keep reading (well, once you hit the Ric Grayson arc, you can skim if you want) because it's a fun, light-hearted series that's just very easy to read and is my comfort series in a lot of ways. I enjoy Dick Grayson's character, it does a lot of work to establish him in his own city, but also touches on his relationships with his family, and I think is a great starting place. You can start with Better Than Batman, Back to Bludhaven, Nightwing Must Die, Blockbuster, Raptor's Revenge, The Untouchable, The Bleeding Edge, Knight Terrors (not to be confused with the 2023 event of the same name!), Burnback, The Gray Son Legacy, The Joker War, Fear State Then there's something of a 'soft reboot' where the volume numbering starts over (but issue #s keep going) with: Leaping into the Light, Get Grayson, The Battle for Blüdhaven's Heart - Robin & Batman (2022), a beautifully illustrated series from the early days of Bruce and Dick, where Bruce is not exactly the world's greatest parent, but he's trying, there's an amazingly emotionally satisfying hug, and it shows what a delightful hurricane child Dick Grayson was. - "The Murder Club" is just one story out of many in Batman: Urban Legends but it's a fantastic one, with beautiful art and a story that's about Thomas and Martha Wayne traveling forward in time to see what's become of their son, and they don't necessarily approve--until Dick and Damian are basically impossible to ignore and they see what Bruce is fighting for. For more general Batman stories (rather than ones focused on my Blorbo), I'm enjoying: - The Court of Owls [vol. 1][vol. 2] by Scott Snyder, which is a solid case story and introduces the Court of Owls, which I genuinely like as a relatively recent addition to Batman's rogues gallery! - Batman 2016 is a bit of a controversial pick, because not everyone enjoys the authors writing for this series, but I've had a blast with a lot of Tom King's writing, personally. I especially enjoyed a lot of the run-up to the Bruce/Selina wedding with Rebirth book 3 (there's a double date with Bruce/Selina and Clark/Lois that's just a silly, fun good time!), The Rules of Engagement, Bride or Burglar, The Wedding, and Cold Days. I wasn't really a big Bruce/Selina shipper before those issues, but they really won me over because I love a good hot mess of a couple that have a bunch of thorny issues between them, that Selina loves Bruce not as some mythic figure but as the dumbass guy she loves, and then some bonus quality content with Bruce's kids, especially once the wedding falls apart and he's in such a bad place and Dick Grayson is so good at stabilizing Bruce that it's unreal. (You can also read Preludes to the Wedding in around here, if nothing else the Dick + Hush one was really, really fun! Clark and Dick take Bruce to Batburger for his bachelor's party because they're horrible people who think they're funny, and it's DELIGHTFUL.) - Batman/Superman: World's Finest (2022) by Mark Waid is also more light-hearted, but is so much fun, the characters banter with each other, but you can see their genuine friendship and how it became to be one of foundational relationships in both their lives, and plus Dan Mora's art is always TOP NOTCH. (Plus, volume 2 is out as well.)

I limited myself to anything from the 2016 reboot ("Rebirth") because I think that's easiest to draw someone in and these are the starting places that I would enjoy, though, they do assume a fair amount of pre-knowledge about Batman characters, like personally I enjoyed Batman & Robin Eternal but I don't think it's a good starting point for what the comics are actually like. As always, if someone has a good suggestion for a newer fan, I'd love to hear them! Especially since I tend to be Nightwing-focused, that's where my area of expertise is, if you have some good Tim or Jason or Damian recs, feel free! Though, in general, I think you can pick up almost any trade paperback and it'll be designed to be read without too much confusion, so just find a character you think you'll like and jump in! :D (p.s. I'm linking to Hoopla pages because, if you have a library card with your local library, you can use it to sign in to Hoopla!)

speaking strictly from a plot & writing perspective here, not a commentary on characters or who or who is not my favorite blorbo (they all are). it's gale time and I wanted to get down everything I thought about this go around with his romance & the writing before it escapes me.

so I once again had a ton of fun of course, the game is still a blast, and several arcs were way more satisfying this time around simply because I ... did not skip the creche, unlike my very first run (I was an idiot) (I didnt think it would be that important) (it really really was). love it 10/10. I cannot WAIT to do my gith run & really focus in on that because the lore there is just, so cool, and that subplot was really rich & rewarding this time around since I had someone who was not orpheus become a mindflayer instead.

as for Gale, Thank Fuck I started before they bugged him up again too much. but let's deep dive into The Material.

shoutout to Tim first of all, he's a legend, dreamboat, superstar. there are so many lines delivered so effortlessly when they would sound ridiculous in anyone else's mouth. he gives gale so much soulful intensity and subtle, nuanced gravitas befitting someone like gale; with enough of Gale's own moments of silliness, cheekiness, wry wit & understated sarcasm, to outright flabbergasted at times, I was Giggling every conversation fr. I'm not usually prone to the "I LOVE YOU" Romances that come earlier rather than later, but ohhhhhhh tim gives each line with all the weight & agony that you can feel inside Gale when it comes (the looming death; not knowing what the end may bring; not wanting to leave any regrets behind) so like. MWAH to him. MWAH MWAH. all the kisses in the world.

okay mandatory compliments to the actor aside. I came out of the whole thing with breadth of new appreciation for Gale as a character in terms of the... concepts, threads, that make him up, and act 2 is where he REALLY shines overall.

I didn't necessarily come away from it with the same... weepy...... done-no-wrong? interpretation of Gale that I've seen floating about. he's lovely. he's intense. he's got soul-crushing devotion on his mind, no doubt. but for every fracture of tenderness, raw sincerity, & off the cuff soliloquy, he's got a lot of interesting flaws/characteristics I'd love to unpick with a fine-toothed comb on some replays or rewatches. Still trying to turn over in my brain exactly what that is, but it's there, and I love it. will say I'm really glad I played it mostly in a vacuum rather than getting too into others' thoughts on him, because What I Had Seen on the Webbed Site had near put me off entire (seeing someone say he's not prideful or pompous at all... when he self-describes as pompous?) -- maybe it's my tendency to focus in on what makes a character tick, when are they sharper, or harder, or meaner, and I enjoy watching that play out a lot, but? yeah. I didn't come away thinking him a super soft mushy mwahmwah -- ROMANTIC, yes, but overall as a character not nearly so lovesick and in desperate need of some protector. in fact when you tell him you don't want to be his crutch, he says as much too -- you've helped him, but you're not the sole focus of his person or the only thing keeping him alive.

there's enough of the humanity in his cheekier moments (stop licking the damn thing!!) and plenty of tear-jerking aside all of that. gale my canon-depressive-episode, mildly suicidal, chronic pained up, still-kind-of-full-of-yourself king. I adore you I love you I cradle you softly in my arms. he charmed me entire! I think that the themes hey were trying to tackle are really interesting and nuanced and I do have some thoughts on the success of the game in actually tackling those, what is there is really wonderful. some gorgeous writing in act 2, especially, and it was sold so well by the voice acting & sincerity in the writing I was just like. PERFECT. 10/10. NEED TO WRITE 98 FLUFF PIECES RN. which does not happen often, to me, as a person.

with. some exceptions, going back to critiquing act 3 as a whole.

act 1 & 2 are both strong, really nice. however this romance definitely needed at least one or two more scenes in act 2 to pad out the space between awkward flirting at the party to "I like it when you're sweaty and bloody-- sorry who said that" to "I LOVE YOU. I LOVE YOU." -- these scenes should've elaborated on Gale's personal feelings; of mystra, of what's been asked of him, of Tav. they should've set in threads of Gale's anger earlier, rather than the jarring shift from late act 2 "yeah I'll kill myself" to "actually... mystra fucking sucks! lol!" in act 3 at sorcerer sundries. yeah babygirl, mystra DOES fucking suck, wish I could've listened to you as you arrived to these conclusions rather than connecting empty character lines between act 2 and 3. and act 3 desperately needed more space to talk gale in or out of the crown. because by the time we get to the end, if he's really into the crown, he's into it beyond the focus of all else. but in the scenes where you talk him off that particular ledge, it doesn't even take very long to do so, and leaves kind of a weird... gap of intention.

I feel like they wrote themselves into a bit of a corner, honestly. because Gale's personal quest literally cannot be resolved until 5 minutes before the end, any climax wouldn't have much space afterward to pad the aftermath. so the solution to that would've been more character focus scenes, more flavor text depending on how you've influenced gale, something that actually makes the choices feel rewarding -- some hurdles to cross too, checks of some kind. but there really isn't any of that, and so the conflict is almost nonexistent. you squirt gale with a water bottle and he gives up the crown with no real additional dialogue. or you tell him "ma...maybe???" and he's suddenly a power obsessed little freak (complimentary) with no recourse, and in either case, we never got much dialogue to get some insight into his personal thoughts on it. this doesn't make Gale a bad character, but it does leave the narrative to be lacking in some regard.

like, for example. Astarion gets dialogue changes depending on the quest outside of character-specific moments (such as a spawn Astarion changing his dialogue after you help Aylin with Lorroakan), post-quest conversations, PRE-quest conversations with his siblings, moments where he reveals more of what he thinks (such as "You're... you. no one is like that.") etc., Gale gets None of that. the only other characters who really do are Lae'zel and Shadowheart; everyone else is either shafted or resolved in the last few minutes too. I came out of this most satisfied as a player overall with LAE'ZEL'S conclusion (also at the end of the game!!) because we had gotten a few more moments where her focus is obvious and her motivations are clear.

anyways, those are just general writing issues. Act 3 overall is the weakest, most agree, and that's still true here. Sadly it kind of takes some of Gale down with it in this case, because his personal quest is both so removed from the overall plot (despite him being a literal fixture as the only character who knows anything about the crown & was decreed by a literal god to take out the absolute).

however none of this is related to Gale as a guy. as a guy I'm Fucking Obsessed With Him. taking him with me everywhere was so rewarding especially in act 1 / 2. his commentary & insights, when they were there, ranged from funny as fuck to genuinely insightful & interesting for the overall plot. the ideas behind him, the glimpses we get of the life he led before, and the life he wants to lead after with Tav -- or what he alludes to wanting to lead with Tav, thinking that he'll still probably die at the end of this -- are lovely, interesting, TOUCHED MY SPIRIT. he's such a neat version of how to do a character that is as endearing as he can be foot-in-mouth, and as intelligent as he can be a little belligerent. I looooved every moment I could talk with him about magic in act 1, see his passions (beyond mystra), argue with him about how to do something (I'M the magical wonder here actually and I get to make the shadowlantern), all of that really MADE the romance for me in the lulls where his Silence or the gaps in his writing were more clear. 10/10 would kiss that fucking wizard again and cry a little bit thinking about exploding with him aboard a giant alien brain while one of those "ITS YOUUU I LIE WITH" songs plays in the bg

I almost forgot.

^ I'm curious so THOUGHTS ON FUKUCHI, GO!!

no pressure btw, feel free to not answer :)

this post has been cooking in my drafts because my thoughts were so scattered, but now, with the release of 114.5 and two shots of espresso in my system, I am ready.

Something I really liked about Asagiri's approach to Fukuchi's character is that he's one of the only ability users to have a power not derived from a novel. Mirror Lion is based on the kabuki play 春興鏡獅子, Shunkyō Kagami Jishi, in which a woman becomes corrupted by a lion spirit ( through a headpiece ) and eventually succumbs to the aggression and pride of the mask. Her dance, resistance, and eventual defeat are accompanied by butterflies, who dance and taunt the lion's spirit. Butterflies represent feminity and grace ( the woman's original personality ) but also, notably, the souls of deceased persons. First, Fukuchi's ability to disguise himself, pull off multiple personalities, and perform is a clear reference to this theatrical/kabuki/mask basis for his ability and personality. He wears his mask ( lion mask ) so well that he loses sight of himself. He believes he was born on the battlefield, and that he's the only one who can take on the burden of saving the world, and in many ways he is. I don't doubt or see his logic as flawed, I think for some his character falls flat because his goals are so grand in comparison to some of the other bsd characters and antagonists, who often have more personal motivations alongside their 'greater good' justifications. But moving on.

In further reference to the play, Fukuchi is haunted by the people he killed in battle, he's haunted by the people he's going to kill to secure world peace ( those 500 he'll sacrifice to save the 210 million ), and by the people he knows will die if he doesn't take action. He's haunted--teased--by butterflies.

Like I said before, he's definitely not blorbo material. but man, I just love how you can tell that Asagiri does a deep dive when creating these characters. Even the OG Fukuchi's work as a translator, his visits to Europe, his short-lived political efforts . . . you can see it in bsd however faint and subliminal.

also of COURSE i'd answer jay thank you so much this was so fun i am literally pacing around my room as i type this