"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story

directionless anger

(or, something like: the robin mantle is a curse, but that isn't inherently anyone's fault and someone has to wear it)

i adapted the two pages below the cut bc they were haunting me—tim having a nightmare the day of his mother's funeral, from Batman (1940) #455: “Identity Crisis, Part 1”, from this post

danmarch 🐉💎

Practising Goncharov Theme by @caramiaaddio on violin bc I thought it would add an extra layer of haunting…ness (is that a word?)

Here’s the excerpt I’m playing in the video:

Despite it being in a fuck off key for violin it is a really beautiful piece and it’s absolutely worth the trouble of practising in second position (world’s most hated position) and I’m HOPING 🤞 I can record and (maybe) post a full cover of it someday

you know it's bad when i read svsss and tgcf, stories about just two guys falling in love and getting together, and think, "god i wish i were in between them."

gay little domestic cottage core life with binghe and qingqiu? please and thank you. being sandwiched by hua cheng and xie lian, two pretty men who are hundreds of years old? i am blushing, kicking my feet and giggling

and again, it's not even that i would want only one of them. like in both of the relationships, the two love each other too much to the point it'd feel wrong if they were separated! it wouldn't feel complete, so you gotta be with both of them!

but that's the thing; i just?? i feel so incredibly guilty whenever i think about being loved by these mxtx couples??? like it's so stupid but i feel like i'm intruding in on something and it's like, everyone else seems to just want them together only, not wanna be with them. like it's fuckin taboo or whatever

i feel like with any other character from any other media it'd be fine to simp for and write/read x readers of them, but when it comes to these books, it's off limits! no way, what are you, crazy? yes, yes i'm unhinged and desperately want their love and affection simultaneously. i want to be in a happy little poly relationship with these overpowered beautiful men with long hair.

i can't be the only guy or whoever to feel this way?? to wanna be kissed by these characters? sandwiched?? i have two hands for christ sake and they all look so happy together and im just like "lord i wanna be with them so much". someone tell me i'm not alone cmon <\3

ok wait i need to hear more of your thoughts on peeta owning a bakery....

This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.

I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?

(This got so insanely long I’m adding a read more lmao)

I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.

Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.

And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.

I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.

(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)

I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.

We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.

On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??

So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.

It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.

Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).

But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.

Anyway!! Anyway… are you satisfied anon? Is this what you wanted?

Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?

[Tuvok & Janeway: Control, Distance, Duty & Connection.] Sources: St Voyager Transcripts / Mitski 'First Love Late Spring' / Disco Elysium

My last two brain cells being investigated for identity theft and corruption.

please draw more Vaggie (hazbin hotel) those are literally everyone’s favorite. I simp for her, ok?

But I think everyone agrees that you should draw more from hazbin hotel, it’s even your most popular posts

sorry if I spoke too much I’ll go now

i admire your dedication and determination to makr me draw vaggie .. lie you really laid out a few points to convince me to draw vaggie .. im not into hazbin hotel anymore but ill draw this one vaggie for you

I’m a sex-repulsed ace, and reading the latest chapter of 666 (as well as your analysis here on Tumblr) made me realize that I have been subconsciously thinking about MY OWN sexuality from an allo perspective? And that it has kinda been messing me up?? Like, ever since I learned that sexual attraction was actually a Thing and that it’s Important To People, I had been carrying around a fear of being deficient in some way and not being able to love to the same extent as allos. (1)

Even though I know logically that’s complete garbage and totally untrue, I felt left out of the loop because people seemed to care strongly about this thing I couldn’t even imagine. Whenever it looked like a relationship might happen I panicked for a reason that I couldn’t understand. But now I’m starting to realize that it’s because I was subconsciously terrified of an ‘ulterior motive’ behind the other person’s reasons for wanting to be with me. (2) That part of the reason they even cared was because of something I don’t experience. So thank you, because this realization just clicked into place while reading your work. The thing is, this way of thinking was just internalized in such a way that I didn’t even realize it was there until literally this week. And I think you’re right; one of the main reasons behind that is because I’ve always consumed media written from an allo perspective. (3) If ace/aros are shown at all, they’re depicted as “lacking” and their character development usually revolves around being “fixed” by the story. When I was ~10 years old my mom sometimes let me watch the Big Bang Theory with her (looking back, maybe not the best decision). Anyways, there was one episode deep into the series where Sheldon (who for the past nineish seasons was probably the closest thing to mainstream ace rep) has sex with his girlfriend for the first time. (4) Afterwards, he says something along the lines of “that was better than I thought it would be”, and it’s presented as a Very Good Thing and a big step in their relationship. I think a lifetime of stuff like that makes it very easy to internalize aphobia and feel like the lesser part of the relationship. Or to feel like the other partner is making a huge sacrifice to be with you. That got wayy too long, sorry. All that was just a lot of words to say that I appreciate you. Take care of yourself!(5)

The portrayal of asexuality that you see in media being almost exclusively as you described is very tedious to me because it presumes that something is inherently lacking in aro/aceness rather than that feeling of "lacking" being something that is induced by societal norms. Actually, one of the things that I find additionally alienating is that fandom spaces specifically have been getting better and better about ace characters - but got damn does fandom not jive with aromanticism. Like, a character doesn't want to fuck? That's becoming a liiiittle more fine, it's 2024, we stan consent. But not shipping someone romantically?? Not so easy, now.

I'm glad that my work has been something that resonated with you in this respect! Alastor cares a lot about his reputation as a demon but is pretty blatantly a person who could not possibly give less of a shit about being "wrong" for not being experiencing romantic or sexual attraction. The explanation Viv gave at one point for his own understanding of himself (that he thinks he's just "waiting for the right woman") actually stuck out to me a lot because it's a very "well, nothing is wrong with me for not feeling anything, it's the world that's failed to produce a suitable person" perspective.

But having that kind of confident perspective of your own rightness in the world is really not often portrayed in media, or even in fandom, which even ten years ago was still in the throes of standardizing "Oh, no! Me, gay? These feelings are so wrong!" style m/m content and is honestly not that far off from essentially that for aro/ace characters.

Anyway, all of that is to say that there's not yet much out there that doesn't frame allo/amatonormative values as the default that "even aro/ace people can (and should want to) achieve," and that it's really fun to write a fic that is unequivocally from the perspective of a character who is aroace and doesn't see it as even remotely a fault in himself. Does he have moments where he's a little confused and trying to process how things fit for him? Absolutely. But he just doesn't strike me as the kind of guy who thinks he owes romance to Vox of all people, hahaha. I've written him trying to conform to allo/amatonormativity more with Mimzy, because I think the social standards of their time could push him into it, but Vox? Absolutely not, he does not respect Vox enough for it to even enter his mind.

And then, on the other hand, writing it from an aroace perspective centers the way that romantic and sexual interest can feel like a betrayal of a good thing. With a character like Alastor, it frames romantic and sexual attraction the same alien way that we usually see aromanticism and asexuality framed as.

In the end, this is just one of a plethora of different experiences that aro/ace people can have, but it's one that I really wanted to see represented more, so I'm very happy to write it. I'm glad that you're enjoying it!

So i made this lil transparent worm-on-a-string Hiccup a while back

Im leaving him here for yall to watch while i go do a Thing

Im sure when i get back he wont be in any precarious situations, or unsavory circumstances, or anything of that ilk

Anyways

Have fun

Ill be back

hello lindi! i've been following you since you were starting out pulse, and it's been an honour to see you grow both as an artist and as a person⏤the way you approach sociopolitical issues with strength and optimism is simply incredible, and it teaches me a lot about my relationship with activism as well.

in that vein, i wanted to ask a question. on twitter, i've seen people asking others to completely cut down on posting personal art or about special interests and focus 100% on talking about palestine for the whole week. while i am doing it the best i can, i have some reservations and doubts about this approach of striking, especially since it's not a sentiment i'm seeing on any other social media platform or even on different twitter communities.

i just wanted to get your opinion on this⏤do you think it's effective or necessary? i fear i may be being too pessimistic about it, which is the last thing i want to do.

thank you always, i hope these asks aren't wearing on you.

hello anon :) It inspires a lot of awe in me that you're still here after four (five?) years - i'm extremely honoured and humbled to have earned your patronage for so long.

for the twitter/social media strike, I have the stance where I don't think the message for palestine is dampened by people still posting about their special interests, mainly for a few reasons.

While it would have been incredibly powerful to have a general posting blackout besides pro-palestine messages, it was never going to realistically happen. There are people who aren't online who won't learn about the strike until it's too late, people who maintain a main and an alt and only post fandom stuff on the alt (which is private or has 12 followers so who cares, they'll post their genshin husbands), people who just prioritise their escapism over anything else. I can't hold it against them too, because trying to impose a "you can ONLY post about palestine" decree (even for just a week) will breed resentment in droves, which i think would make the movement lose steam incredibly fast. For most people, social media is escapism. It's a privilege afforded to those who can turn off their phone, or close a tab and leave all the horrors behind. But at the end of the day, we all do it, and to some extent I think that balance is necessary so that you stay sane. Activism is a lifestyle, not a brief stint, where balance has to be maintained to make sure you can do as much as you can for as long as you can.

You kind of have to realise that nobody can reach through a screen and police someone's social media use or thoughts. I've been observing the general rules of the strike, but to be fair I'm in the boat where that's not very different to how I've been posting for the past few months anyway, so it's no big sacrifice on my part. There are people out there on social media right now who deserve shame for their "escapism". The type to proudly boast about muting words like "palestine", "israel", "genocide" - they're callous, and cruel, and lonely souls searching for a brief high in attention and outrage. But I am seeing people on my feed observe the strike, I am seeing more resources about Palestine, I am seeing dipshits get shamed. The strike's goal to push Palestine resources to the forefront of the feed, to get it trending, has (so far) been working.

So...this was longwinded but - tldr; we were always gonna have people who prioritised their fandom over a genocide so you can't really be too disappointed by it (well, you can, but I'm not since it's just a "*shrug* that's how most people are"-type situation) but there are people who are observing the strike halfway and people who are doing it all the way and they're lifting us all up, so the strike's call to action did work and is currently doing what it's supposed to.

I understand not wanting your party members to walk into a lake and drown themselves but also Laudna has the fuckin WORST bedside manner lol. Yes, your much-needed long rest was just interrupted in a creepy abandoned town where you know weird charm-shit happened and the LAST thing you need right now is for anyone to lose focus. But also "Can you not wait? You can wait 5 minutes." talking to someone who has waited months and doesn't know if their loved one is even ALIVE and has confessed to you how much he misses them and how much it hurts and they could be outside breathing alive right now—

And on the surface, it looks like Chet is enabling a bad decision when he says "You probably heard Dorian. He's probably outside." and yeahh, okay, maybe he is a little bit. But right after that he's about to protest with something about Orym and it's like yeah. ORYM said he heard something. When has there been a time when ORYM heard something, and it wasn't real? How many times has Orym heard something and it's saved our asses? Before Chet is being hit with his own need to check out the lake, he's giving Orym the benefit of the doubt. And while he is an enabler by nature, he's keeping his voice soft rather than his usual, over-the-top "let's fuck around and find out" energy that he brings to dangerous situations like this.

You can't have everyone in the group treating a dilemma with the same amount of sympathy and care. What makes the BH so fascinating to watch is the variation in responses and different ways they interact with each other. You need a balance of someone who will take the cold, unyielding stance against something that is so obviously a trap, and someone that is aware of the risks but willing to speak up for that person and humor them when they're so clearly struggling.

I have a lot of feelings about Laudna and Chetney's instinctual responses and I think both stances are fascinating and they've both shattered my heart to pieces

i kept trying to draw anything, literally anything but i feel like the little package of skill i have build myself just fell and scattered across the floor, anytime i try to grab ahold of a piece of it it slips through my fingers like wet soap

on days like these i wish i had been smart enough to be anything else but a mediocre artist, but im not, im not even smart enough to be decent at the only thing i call myself to be able to do, im never going to be able to draw like i want to and i struggle to make peace with it

i’ve been meant to talk about this but a lot twt stans have been agreeing to this which is we should boycott hybe fully and genuinely! they openly work with zionists (here's a thread that explains more about scooter braun and why you should boycott) and according to what i just saw… apparently yoongi’s movie is gonna have a screening in isnotreal and even after all the protests trucks and hashtags and emails that have been sent to this company this past few months, it’s clear they don't care about what we have to say and so, as much as we all want to support our faves, we have to make this company's pockets hurt. by that i mean, not buying albums or merch or stream music from their groups until something is done! unfortunately, these companies only gaf if money is not put in their pockets! so please download music listen to music illegally wtv you need to do we need to unite this time to make them open their eyes and realize we do not stand for this