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#third spirit animals arc
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THERE’S A THIRD SA SERIES??? I THOUGHT IT WAS JUST THE ORIGINALS AND THE WYRM ARC????
Hi!
The funny thing is, it's not actually a "third series", it's more a continuation of the second series. But I've always thought of it as a completely separate series, because it has a completely different arc.
So there are eighteen books total:
First series:
Wild Born
Hunted
Blood Ties
Fire and Ice
Against the Tide
Rise and Fall
The Evertree
Second series:
Immortal Guardians
Broken Ground
The Return
The Burning Tide
Series break (or start of third series):
Heart of the Land
The Wildcat's Claw
Stormspeaker
The Dragon's Eye
Special Editions:
Tales of the Great Beasts
Tales of the Fallen Beasts
The Book of Shane (sometimes you'll see it split up into Venom, Vendetta, Vengeance, and Venture, because it was originally four e-books that got made into one physical copy later)
Hope this helped! If you haven't read it, I highly recommend reading the third arc, because it does go into some stuff that you may consider to be the "culmination" of the main four's character arcs. There are some out there that do think that the way it was executed was a little bit weird, but I think it was definitely worth the read.
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sepublic · 1 year
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Post-Hoot with Dana Terrace!
            Dana’s put over 200 hours into games she’s missed since the finale; Octopath Traveler, Little Nightmares, etc. Sarah Nicole-Robles cried harder than she ever did when she said I learned a language I’ll never forget, a whole chapter of my life is over, during the King-ceanera. She said the line once and was suddenly sobbing because of how meta it was. 
         Rebecca has a ‘sona during the bit with Barcus in the epilogue sequence. Cissy also cried when watching with her family, her kids asked her about it; Sarah was really excited as she watched the finale.
         No sequel happening, but we can always hope; Dana would like to do more, but Disney owns the IP and needs to give them permission. Dana knew the prequel line in the finale was ham-fisted as hell but still went with it because she was pissed (she said Fuck to express her rage). Rebecca went back to the Anger phase of grief after watching the finale after realizing what they missed, but Sarah was also in Acceptance because it was hard to regret something that ended so well.
         Dana doesn’t cry that much, but TJ’s remix in the soundtrack made her cry. Dana brought back everyone for BBBYYYEEEEEEE, noting this was every character’s last line, and wished Hooty had more lines. Alex improvised a cut line after the Bye with Hooty expressing appreciation for the finale and readiness for his spin-off.
         Dana won’t say much in hopes she’ll get to do more for TOH in the future; A Youtube reviewer (shoutout to all, Zachary Ax, Man of a Thousand Thoughts, Rebecca herself), the Third Bill got it right on Hooty, and Dana won’t be more specific about that.
         They found out about the shortening during S2; They had an ending in mind that Dana had in mind since development, but it needed too much setup and so they couldn’t pull it off. All of Season 2A was written before knowing the cancellation; Follies at the Coven Day Parade was the first episode fully written knowing the show was shortened, hence the tonal change. The Galdorstones was an arc Dana planned more on, as well as the Coven Heads; Bat Queen; It was a hard situation choosing what to leave out.
         There weren’t whole episodes written that had to be trashed; Just one-sentence ideas on a whiteboard never fully outlined or scripted. But Dana is still happy with what came out, because it was pretty damn cool.
         Rebecca Rose once saw someone with a King sweatshirt like hers at Disneyland and said hi, but they just side-eyed her and didn’t respond; Despite this, Rebecca hopes they had a happy day and believes they were just having a bad time. Sarah joked about not being so forgiving.
         String Bean’s inspiration: Owlbert is in the title of the show, String Bean indeed was there the whole time! The S wasn’t completely intentional at first, but Dana flipped the logo around and figured it out. When making the first episode, the logo wasn’t finalized. They always liked the idea of Luz being connected to snakes, it’s what she brought to school and they liked her reclaiming something she terrorized her classmates with. The Snake-Shifter idea specifically; Zach Marcus just said “Snake-Shifter” as they brainstormed ideas and Dana, being a sucker for lame puns, was sold.
         That was indeed Dana being represented as a student in the epilogue! She was Beastkeeping and Oracle; Dana can see the future of the show, and really likes animals. Raine’s palisman was indeed hidden within the violin’s design; Hunter and Dell worked to fix the palismen after Raine broke it trying to stop Belos. The violin is more akin to the staff, anyhow. Dana considered responding to a question about general Caleb, Evelyn, and Flapjack lore, but Sarah insisted she stay silent in case they get to answer it as an actual story later.
         Dana liked to think while writing Thanks to Them; No, Evelyn’s spirit isn’t in Flapjack. But to Philip, he saw Flapjack as the culmination of the corruption in his brother Caleb; He saw Flapjack, if it weren’t for YOU. You can see a hint of it in Masha’s story, Evelyn entices Caleb with Flapjack, who was Caleb’s introduction to magic. Evelyn was probably disguised as a human, and trusted Caleb for seeming reasonable and less violent. Perhaps like Dog owners passing each other by and suddenly becoming friends over this.
         Evelyn and Caleb’s relationship was sweet, from platonic curiosity to romantic. Eda doesn’t know she’s descended from them, nor does Hunter; And Dana has more to say, but will keep it hidden. Luz will stay the majority of her stay in the isles as she goes to college. Camila bought the shack leading to the human world, which allowed Luz to visit during holidays, weekends, etc.
         They never got to explore it, but it could’ve originally been the home of Philip and Caleb, long abandoned; Eda emerges after discovering the portal. In the next thirty years, she fixes up the shack as she builds the Owl House. Dana also advised fans to google Death of the Author, since she’s technically no longer working on the show, and thus gives permission for fans to write their own answers.
         Eda became the Owl Lady before Owlbert, due to the curse; They planned to do an episode where Eda learned palismen carving with Dell, and how Eda reclaimed the Owl identity to carve Owlbert. Dana stills has the outline of that episode in her head…
         According to Rebecca, Caleb and Philip’s graves were in the basement of the shack, based on this church in New Haven Dana passed by every day on her way to school (Gravesfield is based on some places in Connecticut). However, Dana realized the graves didn’t fit into the story. They also had an ‘original’ Belos design for him taking over animals. Marina Gardner did some amazing Belos designs, and Thanks to Them alluded to it.
         The Portal’s eye comes from the Titan’s missing eye!!! Hunter is bisexual, Willow is pansexual, this is how Dana always wrote and imagined them in her mind, but it’s not explicitly stated so technically it’s more headcanon. Dana noted how some people just picked it up. Dana likes to think Amity and Lilith rekindled their student-mentor relationship. Having worked in the library, Amity was interested in Lilith’s knowledge of history. Dana suggested to Zarya(?) from the design team to add notes to Lilith’s museum blueprints. A helicopter passed over and they joked it was Disney trying to stop spoilers.
         Cissy only got her lines and didn’t know any other details about the finale, to Dana’s surprise; Dana explained that people not getting a full script is due to the pandemic. Before quarantine, actors would get the full script. They have to rely on Eden Riegel and Dana for context a lot. Bosook Coburn spoiled Luz’s death to Rebecca Rose during the celebration party. They came up with a lot of designs for dying Luz, trying to figure out how they can hollow out her head how much. Dana mentions it’s up to the showrunner to show how much they want to the actors.
         Thanks to Sarah, they kept in Luz saying her own SFX during her fight with Eda in O Titan, Where Art Thou; She heard someone do it as part of the mock script and wanted it. When Dana voiced Eda and Luz at the end, Dana was crying. There’s a recording of Season 2B and Season 3 of Dana doing a voice-over of the script to get approved by executives.
         Dana clarified everyone would’ve had more of a chance to talk with each other, such as Hunter and Amity; Hunter would’ve talked to Vee, as well as more human realm kids, literally everyone would’ve had a little more time with each other. Dana loves Luz and Hunter’s sibling dynamic. Dana was sorry they couldn’t have Luz and Raine hang out, but they had the Hexsquad storyline. Luz finished high school in the human world, with the renewed motivation that she’ll go back to the isles. Knowing she has a safe space outside of high school made it more bearable, as was the case for Dana growing up.
         Cissy brought up Gus’ hair in the epilogue, which she loved; Emmy Cicierga did the design for Gus and Raine. Harpy Lilith was by Emmy; Dana did Emira, Eberwolf, and Skara’s timeskip designs. The name of the Titan is unpronounceable for humans.
         Dana can’t say much about the Archivists; The Collector never had a flash-forward design, as they age much more slowly than everyone else. Maybe the Collector got just a tiny bit taller. The idea of the Collector came from creepy dolls, as well as a nightmare; John Bailey Owen had a google folder filled with cool references of creepy dolls with a starry aesthetic, liminal minimalist nightmare-scape. They knew who the Collector was gonna be, what role they’d play, but the vibe still needed to be decided.
         Dana confirmed the Collector was always a part of the show before the shortening, and they solidified their placement after the announcement. The Collector has indeed stayed connected with the others, visits occasionally. Dana has seen fan comics on this and teared up.
         Hooty doesn’t have to be vacated from the Owl House if he doesn’t want to; When the door isn’t active, Hooty could be present. The new portal can probably fold up, and Hooty is busy as a curator for Hooty’s new museum.
         Dana said Raine and Eda’s business is their business; Not all love stories end in marriage. It’s their thing and it doesn’t diminish any love, but they do live in the Owl House together (Raine moved in).
         Mattholomule getting a palisman is something Zach Marcus can answer, since he made the character and Dana respects the lore he made. It’s hard to say for Dana if Vee and Masha are dating, since Masha didn’t show up in the finale, but Vee definitely has a crush on them. Again, Dana encourages the Death of the Author approach, if the headcanon makes you happy.
         Alador and Odalia got officially divorced after the finale, and the kids happily lived away from her. They might visit her if they have the energy, but also recognize she’s a toxic influence they can cut off at any point. Dana gave a shoutout to Rachel McFarlane’s voice acting, praising her performance for Odalia.
         In regards to the tower King was born in, Dana has an answer; It was related to a character we all know, who now may have amnesia.
         There was a plan to explore Gus and Willow’s glowing eyes, and do it for other characters; Amity wasn’t going to have that, strong emotions are indeed connected to magic. It was mostly a worldbuilding magic rule they could’ve expanded on, that Dana wishes she did early in the story.
         In the boards, Dawn Han(?) did Clouds on the Horizon, and did the scene of Amity and the twins hiding in the factory as their parents talk about the Abomatons, Alador is worried since it seems like a tad much. Alador had T-rex arms in the storyboard, and it reminded Dana of Remy from Ratatouille, so when they got to the scene of them looking into Alador’s lab, Ratador was drawn in his place as a joke. Dana laughed so hard she decided to keep it in, with Dana handwaving it as Alador’s palisman.
         According to Dana, a show should be appreciated for as it is; But the other way to enjoy it, under the context it was made, is also important to her; Both ways are valid. It was easier for Sarah to voice depressed Luz since she was also depressed. The writers preferred to put their feelings into the show, VS a more happy-go-lucky approach as others did; It was kind of dark for a bit, especially during quarantine. Sarah felt her own experience validated with Luz’s depression, but she and Dana appreciated the balance of having a happy ending too.
         What made the crew hopeful was knowing the characters would always have a happy ending; Luz could continue her studies in full-force, a new family. They KNEW it would end happy. Dana acknowledged how the fandom misinterpreted “I hate the term happy endings,” and Sarah knew about the quincenera when asked during previous Post-Hoots, but couldn’t answer.
         Rebecca commissioned 3D-printed Funko Pops of S2A Lilith and S1 Luz, and gave them to the others as gifts; Rebecca didn’t know about Avi’s appearance until two days before the Post-Hoot, otherwise she would’ve had a Funko of Raine made. Dana’s stand for Luz had to be made with painter’s tape (she appreciated it) due to Rebecca running out of the other kind, and planned to place it beside her Peabody award. Elizabeth Grullon, Camila’s VA, had to call her mom in the middle of a session to translate her line about maduros into English.
        Cissy clarified this wasn’t intended to be the final Post-Hoot! And the video was ended with a BBBBYYYEEEEE!!!!!
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howlingday · 5 months
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Jaune Arc fell into ice. That's the last thing he remembered. Now he's in a strange grove with spirits watching him all the time.... He thinks they might be broken.
Team RWBY are faunas researchers who've found the discovery of the century. A human man still alive in ice. It's a contested theory that ancient humans eventually evolved into faunas and with a member of the previously thought extinct species they might just be able to prove it. Now how to get closer to him
(tldr stone age jaune dealing with modern day faunas RWBY being horny on main for him. The spirits must be crazy)
Last Man Standing
The last thing Jaune remembered that cold winter evening was sulking across the ice to get away from his cheating ex-girlfriend. What was supposed to be a romantic night of welcoming in the new year instead became the worst heartbreak of his life, made worse when she called him out as a spineless nobody that no woman would ever want. She also said his hair looked shaggy, which didn't hurt as much as the betrayal itself, but it still stung.
Then everything got fast. Then everything got cold. And then everything got dark.
When he awoke, he took a deep breath through his nose, inhaling a sweet scent of strawberries. His eyes still shut; he leaned forward to get closer to the smell. This earned him a yelp, a slap, and a scream. As his eyes adjusted to the light, he saw a girl in a red hood running around the corner. Did she have dog ears?
"Where..." Jaune groaned as he leaned forward, noticing the hot air blowing over him. Though he was still partially frozen in ice, he managed to push his way through the, at best, hard slush of his cocoon. He looked down to see his clothes were soaked. "Ah, man..."
"I'm telling you, Weiss, I know what I saw!"
"Ruby Rose, the specimen has been frozen for at least a thousand years! Even if he did manage to thaw out, he wouldn't... be..."
The two young women stared at Jaune as he twisted his hoodie like a used dishrag, water spilling onto the floor. He turned and saw them, his eyes nearly as wide as theirs as they stared at one another.
For Jaune, he'd never seen anyone like them before! It was like something out of an anime. Two beautiful girls, one with pointed, dog-like ears, while the other had a long and bushy tail twitched back and forth. For them-
"CODE GRAY!" Screamed the tailed girl. She then rushed out of the room, dragging the other girl behind her. The dog-eared one glanced back with sort of sad eyes. None of it sounded good to Jaune, and considering the wailing sirens and flashing lights, he had to get out of wherever he is and fast!
Tossing on his still damp shirt, he made for the exit, accidentally knocking over a poor girl with rabbit ears. He gave a hasty apology as he continued to bolt down the hallway. Unfortunately, this caught more people's attention, and eventually a woman came barreling after him, hand on her beret to keep from flying off her small, round ears. He couldn't see much of her eyes past her designer shades, but what he could see spelled death.
"Incoming!" Jaune looked ahead, flipping backwards as his neck slammed into an extended arm. He gave a hoarse groan as he looked up to see three women towering over him. One was the same woman as before with round ears poking from her beret, the cute appearance contrasting with her snarling scowl. Another had gave a cheeky grin as she leaned forward a bit, showing off her cleavage to her catch, all the while a long, blonde tail swished about.
But the third and final woman gave no hint of any sort of emotion. Neither anger nor joy, but simple indifference. She reached behind her and pulled out a pair of handcuffs, tethered by a thick cable with glowing blue lights that ceased and revealed an opening with the click of a button. Her pointed, red dog-like ears made her look all the more intimidating.
"You're under arrest."
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secretsofdbz · 23 days
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How old is Gohan (or DB fans can't read and Toriyama can't (couldn't) count)
It’s common knowledge people disagree with how old Gohan was during the Cell Games and during the Buu arc. His usual name for those two sections of the story, Teen Gohan and Adult Gohan, don’t seem to make any sense. 
Let’s start counting. (TLDR at the end with a ref chart)
When Gohan is first introduced, Bulma asks his age and he states he is four years old. 
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The training period between Raditz’s death and Vegeta and Nappa’s arrival is shortened because the two Saiyans arrive one full month earlier than anticipated (making the training period 11 months long and not a year long). 
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Kaio-Sama knew the Saiyans would arrive the next day, but forgot to factor in how long Goku would take to travel back from Snake Way. Oops.
That makes Saiyan invasion Gohan probably five years old. 
Bulma, Gohan and Krillin land on Namek about forty days later (2 days at the Hospital, five days to repair the Namekian ship, one month to travel to Namek and the entire stay is about a week). 
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It'll take 5 days to repair
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Let's meet in 10 days (repair + learn Namekian + Gohan and Krillin need to be released form the hospital)
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It’s been 7 days since we left, we still have 20 days to arrive to Namek.
The forty-ish days are confirmed when Bulma says there are 20 days left until they arrive on Namek, and at the same time, Vegeta arrives to Freeza Planet 79 “18 days after his departure from Earth.” (chapter 246). If Gohan hadn’t turned five during his 11 months of training with Piccolo, now it’s been 12 months so for sure he’s five.
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Same chapter, Vegeta arrives to his destination 18 days after leaving Earth.
When everyone is transported back to Earth from Namek about a week later (6 days for Goku to arrive + a little rest time after the Ginyu fight), Gohan is still five years old. 
When they are transported to Earth from Porunga’s last wish and Guru dies, transferring his power to Moori, the Namekian Dragon Balls are inactive, so they need to wait one Namekian year to use them again. A Namekian year is 130 days.
Everyone waits at Capsule Corp. They wait for 130 days (one Namekian year), summon Porunga and make three wishes: bring Krillin’s soul to Earth, resurrect him, and resurrect Yamcha.
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(Notice Gohan's hair, as well as Bulma's hair has grown quite a bit in these 130 days)
They wait another 130 days, resurrect Tenshinhan and Chaozu, and the third wish is used to transport the Namekians to a new planet Namek. This means the Namekians stayed 260 days, or about eight months and a half at Capsule Corp.
Then, the panel says “about a year later”, when everyone senses Freeza. If we add that to the 8 months and change from before, we can round it to about 20 months (that’s almost two years!).
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How old is Gohan then? He was quite a bit over five years old before, we can safely assume that if he’s not seven years old, he’s really close to it (his hair has also grown!)
Considering Capsule Corp is having a Barbecue and Krillin and Gohan complain about being "hot" (Trunks pops out a fridge with cold drinks), it's safe to assume the Meca Frieza thing happens during the summer.
The next timeskip is “about three years, on May 12th”, but let’s keep some elements in mind from that section. We need to take note of some elements we know from 17yo Trunks and what we see in the Android Saga: 
For the first trip to the past, Trunks comes from “roughly twenty years in the future”.
Trunks will be born “two and a half years from now” (= he's 17 years old). 
The cyborgs/androids appear “in roughly three years, on May 12th.”
We don’t officially know Gohan's birthday from the manga, but we do know it from the Anime as being May 18th (he celebrates it during the 9 days between the announcement on TV and the Cell Games). Due to the “about three years” skip, Gohan is about to turn 10 years old at the start of the Android Saga. 
His stay in the Room of Spirit and Time lasts under a year. Give or take a few weeks to his biological age, during the Cell Games, Gohan’s biological age is almost 11 years old, while his calendar age is 10. Hardly a “teen”!
Now onto the 7 year timeskip. 
This is where things get complex, and we need to state some key elements: the school year starts in April in Japan, and the Tenkaichi Budokai always happens on May 7th, which means the Saiyaman Arc happens during the month between the first day of class and the Tournament. 
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However… The manga does not say it’s been seven years. It says “years have passed” and “Gohan turned 16”. 
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Here’s the big question: Is Gohan about to celebrate his 17th calendar birthday, or his biological one? Or is he actually about to turn 16 and the panel just anticipates his upcoming birthday?
We don’t know. This means we have no idea how long has passed from this information alone. This is why we need to find other clues.
Thankfully, we took note of some dates and other elements prior, and to solve the mystery, we will use Trunks. 
Trunks is stated to be 8 years old, and Goten is stated to be 7 years old during the tournament. 
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Trunks was born “in about two and a half years” after the Meca Frieza situation, and the Androids attacked “in about three years”, making baby Trunks between infant and ten-ish months old by the time the Cell Games rolled around (both main timeline Trunks and Future Trunks have different birthdays actually, but they’re both in the second half of the year so here it does not matter). 
As such, Trunks’ birthday has to be after the Cell Games (he holds his head but can't walk, he grabs but can't talk, making him younger than a year old). This means his birthday has to be after the Tenkaichi Budokai (which is always on May 7th). That means Trunks will be turning nine years old during that calendar year (otherwise the Announcer would say "he's about to turn 8" or something like that).
If you believe Trunks may have been a year old already by the time the Cell Games rolled around, that’s fine! Let’s use Goten then. 
Goten was born after the Cell Games, which is after the Tenkaichi. However, during the Buu Tournament, he is clearly stated to be seven years old. This means the Saiyman and Buu saga cannot be “a little under seven years after the Cell Games (which was at the end of May)”. 
Even if Chichi gave birth to him the day after the Cell Games, it’s not possible for him to be already seven years old on May 7th during the Tenkaichi.
(and in this house we do not doubt the Announcer’s ability to give accurate info)
If we want the boys’ ages to make sense, we need to think they’ll be turning 8 and 9 respectively. 
And the Tenkaichi Budokai is traditionally held every three years so the Buu saga needs to happen “just a little under 9 years” after the Cell Games.
The problem is that if that’s the case, no matter how you add it up, May 7th, “a little under 9 years after the Cell games’, makes Gohan’ calendar age 17 (almost 18 since his birthday is coming up soon), but his biological age is almost 19. This means unless the Saiyaman arc takes place over a year and they train for that long for the tournament, his age doesn’t work. 
Though that does mean “adult Gohan” for Buu Gohan actually works…
There is no way to make both these elements work… unless we question Gohan’s initial age.
He is holding three fingers up, not four!!
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Indeed, Toriyama changed his age in the following chapter. His 3 years old situation was corrected in the volumes, but the artwork was NOT corrected. This is how you show 3 and 4 with your fingers in Japan!
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If Gohan starts at 3 years old, then everything falls into place just fine.
And this is why many of us say Gohan was 10 when he killed Cell.
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TLDR:
Recap chart n°1
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Recap chart n°2 with Gohan being 3 when Raditz lands:
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mirpuzzle · 13 days
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I've been really curious about this, who are your top ten Yu-Gi-Oh characters?
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Hello! 🌷 Usually, I only have a few favorites. So, aside from the first three, the rest is constantly changing. I'll try to put them in order (all under the cut).
♡. 10 ── Carly Nagisa (5Ds)
What's not to love about her? She's funny, pretty, and a complete mess of a person. She gets in all sorts of trouble, all because she's trying to make a living. I like it when she gets screen time.
♡. 9 ── Noa Kaiba (DM)
He was my favorite as a kid, so I still have a special place in my heart for him. His story made me cry. He did not deserve that. He only wanted others to understand him. You're valid, Noa.
♡. 8 ── Yusei Fudo (5Ds)
It's rare for me to favor a protagonist. That's how you know he's good. This man is a blessing to Yugioh. He has a natural charisma that's impossible to ignore. He's perfect.
♡. 7 ── Bandit Keith (DM)
...I think. I have mixed feelings toward him. I don't even know why he's on this list. I keep going to him in games where Kotsuzuka is not there. So, that must mean I like him, right? I'm confused.
Cross Duel showed me he can be really nice to you if you help him win. I appreciate how he helps other duelists fortify their decks, using the themes they originally had instead of giving them a completely new deck. He cares.
While there's no excuse for what he did to Kotsuzuka and the boys, the fact that, behind that 'bad guy' front, there's a sad, broken man makes me feel bad for him. He deserves to heal.
♡. 6 ── Ryou Bakura (DM)
The anime doesn't do him justice. The more I learn about him through other fans and Duel Links, the more I like him. He's a precious cream puff who likes spooky stuff and is treated terribly by almost everyone. He deserves better (friends).
♡. 5 ── Divine (5Ds)
This man is terrible in every way, and that's the point. I hate that his character was designed to be hated. He gets no backstory, no redemption arc, no nothing. He's just there to be blamed for every bad thing that's ever happened. I pity him. He's the worst. I love this guy.
♡. 4 ── Thief King Bakura (DM)
PLEASE give this guy a break. He has gone through enough. The way he pulled himself back up after all that tragedy is impressive. Imagine how one skillful Thief became a Pharaoh's major threat. A Thief who brings up important moral questions that society seems to ignore (deliberately). He deserves to be heard.
♡. 3 ── Kiyoshi Takaido & Satake (DM)
They share third place because I can't have one without the other. I automatically started loving them because they're close friends with Kotsuzuka. I like that they care about him. These guys have so much potential to explore, and it's a shame we see so little of them.
They're not 'Keith's lackeys'. They're duelists in their own right. They have ambitions and aspirations. They just didn't get to be in the spotlight.
♡. 2 ── Yami Bakura (DM)
Sometimes switches places with Takaido and Satake but usually stays in second place. He's wickedly perfect. From his gorgeous design to how he pretends everything is part of his plan, even though he's literally dissipating into nothingness. He has the nerve to make empty threats that he never carries out. And I love him for that. No one can deny that he looks cool when he shows how evil™️ he is.
There's something beautiful about this ancient evil spirit dedicating his existence to fulfill his objective - all while showing us that he can enjoy normal human activities, like playing games. The complexity of his character captivates me. You can study him for hours, and it will still take you a while to figure him out due to his confusing lore. I like reading what other fans have to say about him.
The way he makes others suffer causes me to have mixed feelings. Sure, I love angst. I just wish there were some feelings involved.
Seeing him make enemies with almost everyone he crosses paths with makes me think he wants to keep everyone away, and that's sad. I want him to care about someone other than himself. I want someone to care about him.
♡. 1 ── Ghost Kotsuzuka (DM)
Yes, that one guy who's known for using Zombie-Type monsters. That short, spooky 15-year-old who walks around hunched over pretending to be a ghost, not realizing he's too cute to be scary. That naive boy who trusted the wrong person and then was unlucky enough to cross paths with the main antagonist. He's my favorite.
I love him. The way his eyes light up when he talks about the things he likes is adorable. I could listen to him gush about ghosts for hours.
His character tends to be frustratingly misinterpreted and overlooked. It's sad that some people think of him as nothing more than collateral damage to Yami Bakura's 'mischief'. He deserves better than that.
When you see past his 'side antagonist' role, you realize he's a precious little guy who's trying his best. Behind that ghostly, mischievous smile, there's a lost youth looking for guidance from a 'big bro' figure he can look up to, whether he realizes this or not.
Despite the differences in his characterization between the manga, anime, and games, one thing remains consistent. He grows into someone who wants to prove he can duel by himself.
But what does he get? Nothing but pain. Betrayed, deceived, ending up dead or lost in the darkness, condemned in almost every canon, with only his sentient Duel Links data to remember him by.
He only wanted to duel.
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I'll stop here. Otherwise, I'll be talking about Kotsuzuka for hours. Thank you so much for the ask! ♡ Sorry that it took a while. I was struggling to organize what I wanted to say for some of the characters, and I wanted to add some art :3
Keep in mind that I've only seen Duel Monsters and the first half of 5Ds, so there are many characters I don't know yet.
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yyh4ever · 5 months
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What did you think of the live-action yu yu hakusho I confess that when I finished watching the first episode I had good expectations for the next ones but from episode 3 onwards they lost their hand.
To be honest, I loved it! They skipped all the introductory parts and got right down to the point. It's a rough adaptation of the original, but the action scenes are amazing! I felt the love of everyone involved towards Togashi's work. There were more highs than lows.
*CONTAINS SPOILERS*
Togashi wanted to draw a battle shounen, but since it was his first battle series, his editor advised him to take it easy at first. The first chapters were stand-alone adventures of Yusuke's spirit helping others. They weren't even adapted into the anime. Although I love those early stories, I don't think they are crucial to the story. I missed the comedy aspects though, that's what makes Yu Yu Hakusho so appealing. Yusuke's resurrection was a bit rushed, but I loved that "Hohoemi no Bakudan" (anime opening song) was playing on the truck's radio. I also didn't mind a 17-year old Yusuke or Kurama.
Even though they gave a more actual look to the characters, like Botan wearing peep-toes heels and Kuwabara with a dyed blonde hair instead of his iconic pompadour, we can still feel an atmosphere from the 90s in the scenery.
The stealing of the Artifacts of Darkness was so well adapted. Yusuke VS Gouki was an impressive fight. Masaru finally got to thank Yusuke, something that I missed in the original. Kurama telling his story to Yusuke at the hospital was genial as well. I think the motive that driven Hiei to steal the kouma sword in the live action suited him better. Togashi only made Hiei a main character because his editor told him so. That evil Hiei who kidnapped Keiko is so different from the Hiei who showed up later. Making Elder Toguro do the dirty job was more interesting! I'm just curious what they are going to do about Shigure in case of a second or third season. They probably have something in mind already!
Genkai's Tournament/Training was there in a different way. I don't care that much about Rando, but I missed all the pain the original Yusuke went thought to master the reiko hadouken technique. It was a little disappointing to see him absorbing the spirit wave with just an "okay". But, I'm glad they included some iconic moments of his training, like when he's upside-down balancing himself up with only his index finger on a needle.
Probably, what I missed the most was The Saint Beasts Arc. It was during this arc that the four guys got to know each other better and form a bond. Keiko and Botan also worked together and became friends. Considering the budget, I'm aware the live action didn't have time and money to produce it, they had to focus on the first big villain of Yu Hakusho, Younger Toguro.
Filming a whole Dark Tournament would be too hard, expensive, and maybe a little tiring to watch. Although the Rescue Yukina Arc and the Dark Tournament Saga were re-written, all elements from the original series were there:
They showed both Tarukane's mansion and The Hanging Neck Island;
Sakyo needed money to open a big hole to the Demon World. Goro Inagaki also slayed as Sakyo;
Younger Toguro wanted the same thing, he became too strong for the Human World;
Elder Toguro was insanely crazy. Probably, the best villain of Kenichi Takito's career;
A bunch of rich old dudes from BBC gambling;
Tarukane making Yukina cry to sell her hiruseki stones;
The random guy trying to help Yukina. Instead of killing her bird friends, Elder Toguro killed him.
There wasn't Botan and Keiko helping each other, but instead Keiko and Yukina teaming up, and I really enjoyed it;
Kuwabara falling in love at first sight, and asking Yukina to not hate all humans;
Best scenes and lines from Hiei VS Zeru and Kurama VS Roto were incorporated in the fights against Bui and Karasu;
Youko Kurama appeared! Jun Shison nailed it!
In the original, only Kuwabara didn't know about Genkai's death, I liked that in the live action Koenma kept it a secret from Yusuke as well. Elder Toguro making a puppet of Genkai out of his body was amazing!
Younger Toguro "killing" Kuwabara;
The memorable 100% Toguro VS Yusuke's spirit gun;
Sakyo telling the original plan was to make Toguro lose on purpose, so he could collect money from the rich. Also, betting his own life in front of Koenma;
It was interesting that Sakyo told his story and how he had bet his own life a few times to Tarukane instead of Toguro. I felt the Tarukane from the live action was a little bit more human. The actor did a pretty good job. Genkai's dead by the hands of Younger Toguro happened too quick and was disappointing, but they made up for that by showing their amazing goodbye scene in the Spirit World. Young Meiko Kaji was dazzling.
In the first episode, Koenma had sadness in his voice when he mentioned the former spirit detective. There was also that post-credits scene with Elder Toguro. I really hope there will be a second season. I think the Black Chapter Saga is much easier and more interesting to adapt.
I think those who have already read the manga or watched the anime, felt the love all the cast and staff have for Togashi's work. The new generation will probably buy the manga and watch the anime. The live action will surely bring new fans to the Yu Yu Hakusho franchise!
Netflix announced a new One Piece anime by Wit, made in partnership with Toei Animation. I'm also hoping that with the huge success of the live action, some anime studio or even Studio Pierrot will produce a remake of the Yu Yu Hakusho anime too.
By the way, I recommend watching the "Making of Yu Yu Hakusho". The main cast talks about all the trial-and-error process during the shoot. Action Director Takahito Ouchi also shares behind-the-scenes stories. They gave their blood to shoot this series! RESPECT!
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welcometoteyvat · 7 months
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waterborne poetry reactions (belated) (long post)
XINGQIU GOT FUCKING SMASHED IN THIS EVENT. BULLYING XINGQIU HOURS I LOVE TO SEE IT (affectionate)
bro got roasted for his handwriting, is Baffled by the mondstadters, then spends an entire day missing out on [whatever that was] and STILL DOESNT HAVE A CLUE WHAT HAPPENED HAHAHA im sorry i love bullying him
please never tell xingqiu whats going on it's payback <3
CHONGYUN DIONA AND MIKA. i need to hold them omg,,,, i was using freminet to wander around so in my heart they r just 4 cryo kids in a terrarium what will they do!! that combo was quite cute
CHONGYUN YANG MODE?!?!?!?!?! ON SCREEN??????? WAAAAHHHHHHHHH
he was adorable ;;;;;___;;;;; his little eye sparkles and the jumping T_T also the near-rap speed that his lines were delivered in was hilarious (thank you kinsen for ur service)
my son.... please never feed him chilis again
CHONGYUN IMPACT. that's all
now full of unfounded hope that chongyun will someday get an event about his pure yang spirit since they mentioned it a fair few times here
give him the deep lore he deserves
also XIAOYUN?!?!?!?! (only seeing what i want to see) THEY TALKED!!!! IN PERSON ON SCREEN THEY TALKED AND XIAO WASNT DISPARAGING!!!! im sorry this is what a rarepair with no food does to a mf
xiaolumi so strong (or xiaother if u prefer)
oughguhguhg the rhyming couplets part was SOOOO CUTE!! idk they did good with the pacing of the banter i think 🥺
adding onto that the camera angles and cuts this event were actually really nice and creative i think. they made it more engaging (the quick pan from chongyun to xingqiu at the end of the 3rd act, hu tao popping out from behind venti's shoulders during the couplet exchange, etc) it was REALLY good really funny. added to the experience a lot <3
Also venti zhongli are truly the most archon old friends ever
that cutscene was actually so pretty. It's drawn in the same style as Lyney's: very textured lines, slightly reminscent of linocuts, quite a few handdrawn parts, especially where there's water/liquid movement present, etc. Maybe this is a Fontaine style animated cutscene, since the oceanids and lyney are both from there? anyways. i'm intrigued—I wanna see if there are regional cutscene styles or something (that'd be very impressive)
the "close ur eyes paimon/diona" line was so fucking funny. traveler's been the third wheel a bunch of times but never this explicitly
also ! for people icked out by the morality of kid finch's crush on the oceanid: it is Fiction with a capital F
on the one hand I agree with the above sentiment, but it's also just funny to think about. first canon monsterfucker ? /JJJJJJJJJJJJJ don't kill me for that joke
Real thoughts: I think it was actually really sweet how he fell in love with a fairytale. Someone said the oceanid could've been aromantic coded to make their love story more morally palatable; I agree, it would've been cool if she was aro, but I don't think their romantic relationship is like somehow terrible and gross either
overall ending was really mid tbh, I appreciate the character growth of everyone who was on screen but literally all the other characters just disappeared. It was really unsatisfying lol especially for an event that was supposed to be hte gathering/unison of mond and liyue
would've been better if the second day's rhyming couplets ended the event I think; you'd have to tweak it to fit the mood of the oceanid/finch reveal but literally anything works, the ending was so anticlimactic
overall event: 10/10 for giving me the character interactions I wanted, and those that I never knew I needed, 5/10 because the minigames are. not the best, I get the intentions but the execution could've been better. And then 5/10 for story arc (heavily influenced by how mid the ending was LMAO)
I want to go through all the poems and their english translations because I Know somethings gonna get screwed up and I'm also just curious as to how they translated it
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orion-s-things · 3 months
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Decided to finally finish up my Karasuno team name explanation, sorry for the wait ! For this post, we'll look at the supporting characters for the team.
The first one is Takeda Ittetsu, 武田 一鉄。
The first Kanji of his last name is 武 'Take', meaning warrior or military man. It's also a Kanji used in the word brave. It's interesting to see this Kanji used for this character, since he's one of the only ones who don't actually play any sports, ever, in the whole manga. But one of the points Furudate wanted to make with him is that his job for the team is also fighting for them. 田 'da' still means field, and is the same Kanji as in Tanaka, here pronounced da instead of ta.
The first of his first name is 一 'It(t)' - complicated Japanese pronunciation rule that you probably don't care about - and it means one, or the best at, the most something, as in number one [...]. The second, 鉄 'tetsu' which means iron. That's probably a representation of his will and his fighting spirit, as he is one united iron, in a way. Furudate really wanted to put his warrior mentality forward :')). Edit : Also !! Ittetsu, written 一徹 means obstinate !
Ukai Kenshin is next, written 烏養 繋心。
His name makes me laugh, but the first Kanji is 烏 'U', otherwise pronounced Karasu, which means crow or raven. The second is 養 'kai', and means to nurture, to bring up. So basically, the Ukais nurture the baby crows. It's also used in 養成 'Yousei', training.
The first Kanji of his last name is 繋 'Kei' here pronounced Ken, which means to tie, to tether, to connect. The second is 心 'shin', sometimes pronounced 'Kokoro'. You might think it means heart if you've watched enough animes, and it does, but the cultural meaning goes further. 心 is someone's core spirit and motivations etc. He connects the hearts of the team together to reach their goal, which is also interesting when you think he came in at a point of the story where the team was very divided and especially Nishinoya and Azumane, the complete opposites, couldn't get along.
Shimizu Kiyoko is next ! 清水 潔子 is her name written down.
清 'Shi' is to purify, to cleanse. It's also used in the word fresh. 水 'mizu' is water, and could be referring either to her eyes (blue and all) or to her quiet and calm nature etc. Both of them together mean spring water. It's a name that fits her personality and appearance.
潔 'Kiyo' is pure, righteous, and the Kanji 清 can also be pronounced Kiyo. However, this Kanji, when in the word 潔い 'Isagiyoi', means manly, sportsmanlike, brave, gracious, gallant. That double-meaning suits Kiyoko well, especially since she's also a very talented athlete which we don't know at the beginning of the story. 子 'ko' is child and as such is very common in Japanese names. We can also note that, like every other third years, Kiyoko is called by her first name.
Last is Yachi Hitoka, 谷地 仁花。
Her last name is composed of 谷 'Ya', the same as in Nishinoya, meaning valley. 地 'chi', like in Daichi, still means ground or earth. Both of them together are another word for swamp, which can both refer to Karasuno as a whole and her whole villager B arc. Like Daichi, she is a support of the team and the ground on which they grow.
'Hito' 仁 is benevolence, compassion, humanity. It can also simply mean human being. 花 'ka' is flower blooms or beauty. Her first name shows her kindness and the help she gives to the main characters. It also shows that that kindness is what helps her grow and blossom in life.
That's about it ! If you have any request for teams, put it in the comment, otherwise I'll just do whatever I want :').
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dimple is a great fucking character and i will fight anyone who says otherwise. specifically i will fight them by making them read this masterpiece client-crashing god-tackle effortpost about dimple
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ive deliberately put off watching the telepathy arc episodes so i could finish this. i like tome So Much. you have no idea how much willpower it took. but it is done and its abt dimples like whole story and purpose and life and i think its a real good thing for you to read and enjoy
im so serious about this that I'm gonna capitalize and punctuate. My sorta thesis here is that Dimple's goals of manipulation are an expression of the basic act of choice that Mob Psycho 100 defines as living, but caring for Mob freaks him out because it distracts him from that purpose, and that contradiction and desperation to choose to live through control is tragically what ends him. Dimple is a friend. Strap in, motherfuckers, we're going for a ride.
Dimple's Goals (Dimpoals)
This is kinda an easy one.
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I'm gonna be using images from the show and the comics but I'm not talking about anything past season three, episode six, so no worries anime-onlys. I describe all relevant visual info for each image, though there are also extra IDs in the alt text--I try not to repeat information.
Dimple wants to be a god, "the ultimate being in all creation," "the greatest power in the whole world," and "an object of devotion for all humanity." This dovetails with ideas about superiority and idealism in other parts of the comic but this post ain't about that. It's important that he never says what he'd actually do as a god. Like what is the power for? This comes up in his final confrontation with Mob, too.
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Dimple claims that Psycho Helmet leads "people onto the right path," but the second Mob interrogates that he admits he has no plan, "no codex of any kind" from the comic. I don't think that's entirely true, though. Clearly Dimple doesn't care about ruling, because he doesn't actually know what he'd do with the power. But he does want to be revered--he wants positive attention!
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Dimple's LOL cult is all about people laughing, and in this panel he says he chose that so he could gain a following without violence. Dimple's attempt with the divine tree is the same, he's trying to keep people the same besides their worship of the tree, make them feel happy in togetherness, help them "find peace at heart." I think there is a reading where making people happy is just a means to an end for Dimple. He for sure tries to kill Mob the first time they meet. But he doesn't have any logic for why he's not, like, using his powers to threaten people and demand tribute. He wants to become a god by making people feel good.
All this said--he's not gonna do it by being himself.
Identifying as evil
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When Dimple meets Reigen he identifies himself as an evil spirit. Obviously this is sort of a joke. Like the idea that Mob's pet/mascot is actually an ancient malevolent ghost is pretty funny. But it's meaningful for Dimple's character too, so let's talk about what "evil" looks like. First, obviously the possession thing. How good is it that among all the people trying to manipulate Mob, one of them wants to literally control his every move? Second, here's a bunch of bad stuff Dimple did that Mob thinks about right after Teru tries to exorcise him:
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Bro! She's like fourteen! (Dimple makes a lecherous comment about Tsubomi in this image.) He threatens Reigen, he tells Mob the body improvement club is a waste of his time, he straight up asks Mob if he can possess him... He's vindictive, pushy, mocking, and transparently manipulative.
Now to be fair lots of Mob Psycho characters are Like That. But there are some other things more specific to Dimple. Third, he tries to possess Ritsu, taking advantage of his fear of Mob. Fourth, again, the attempting-to-kill-Mob thing. Fifth, here's a bit from a recent side story:
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My god. Dimple is terrifying in this. If you haven't read it, Uu is a little dog spirit that Reigen's been keeping around as a pet. Dimple notices that it's feeding on Reigen's energy so he gets rid of it. In these panels he waits until Reigen asks him where Uu is before telling him that he ate it. He has all these lines on his face and this expression of like hostile delight. There are creepy effects blobs behind him. He burps! He does a thing he knows will hurt Reigen and then rubs it in his face, acting like he takes pleasure in it. And finally from one of my favorite scenes in season 2:
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I love love love this scene, when Mob is asked to exorcise the ghost family and he refuses. It takes the existing tropes in the story and introduces this like moral complexity and thoughtfulness, it communicates a change in stakes... "They won't have to exorcise you if the clients are dead." Again Dimple is smiling maliciously. He tries to manipulate ghost dad into attacking the college assholes, which is the one hand, for the purpose of getting him exorcised by Mob, which is the other hand. Harm in both directions. There is a third hand! We'll get to it.
But I want to summarize this section first: Dimple's default tool for dealing with adversity is manipulation. He, unlike, say, Reigen, is very comfortable looking like the bad guy, and to some extent he believes he is one. He wants to reach godhood by making people feel good, and he's going to do that not through bloodshed or by being a paragon of virtue but by using other people's flaws to control them.
The Living Spirit
Sorry, I want to do some more stuff before I get to the third hand.
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I'd like to think I've been helpfully analytical up to this point, though probably not too novel. But I haven't seen anyone talk about this. Dimple is the liveliest dead guy in the comic, by a wide margin. He has multiple genuine relationships with people, he gets embarrassed, he gets happy, he fears things, he fully laughs. Sure in-canon this might be a proximity thing but in a narrative context I think it's significant that he's so much more of a character than other spirits. Here, in essentially his introduction as a significant character, he says, "I don't want to spend the rest of my life as a ghost!" There's also a great pun he makes in the Dark Horse translation when Reigen questions the existence of urban legend spirits--"Look, pal, just because you're a fake, don't disrespect the lived experience of the dead!" He thinks about living a lot.
Dimple comes back from apparent evaporation more than once, first when Mob exorcises him at the LOL meeting, second when Teru exorcises him in their first encounter. He really really wants to live.
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Then there's the brief conversation between him and Reigen about the woman being stalked by what appears to be a spirit, but ends up being a neighbor astral-projecting himself. In this panel Dimple denies that spirits get horny. "It's not like we can do anything about it." He doesn't even think about like romantic love. So most importantly, canon aroace Dimple. But also Dimple believes that being a ghost reduces your existence. It's not even a possibility to do certain things, whether you want to or not. There's a tension here, Dimple craves life but knows that as-is he can't have it.
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And then there's this six-page omake at the end of volume five. Please please read it if you can, it's not in the anime and it's such a good little story. When Dimple is almost exorcised by Teru, he only just manages to pull together an ant-sized form, and is rescued from being eaten by a pig ghost by a tiny human spirit called Stubble. The above image is an abandoned house in the woods, with Stubble, off-screen, monologuing, "I simply don't want to perish. I don't hold any grudge against this world. Neither do I have any dreams. Years have passed, without a clear goal." Stubble lives an extremely reduced existence, figuratively and literally. He rides around on the back of the ghost of flea, i.e., he is dependent on the echo of a thing that needs to latch onto something else to exist. He has no agency at all.
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It's disconcerting, how Dimple starts at Stubble's size and slowly grows--or, reframed, Stubble slowly shrinks. Here Dimple accuses Stubble, "You died, even before your death. But I on the other hand..." Stubble gets angry. "You're dead too!" Again you should read the story, the way it concludes really blows me away.
Remember in the first episode of season three the S&S crew help the bald guy out of his funk, and at one point he says, "Am I doomed to just repeat these meaningless days until my death?" And then, soon after, "Wait, is my life already over?"
This is about the desperation of agency. Because like, Stubble is right. Dimple has been dead for a long time. His goal is ridiculous. His existence is scraps, yet he's clinging to them with everything he has. What's the point? Lay down alone among the insects, shrink and fade.
Dimple doesn't have a counterargument to Stubble. He doesn't justify "why." But the last sentence he says in the omake is, "I want to stay alive." Dimple, and by extension this omake, and if I may be so bold all of Mob Psycho 100, identifies agency with life. It's not even that life is about making choices, it's that life is literally the act of choosing. You have to choose to live. And Dimple does.
He likes control. He likes choice. He may not be alive but he chooses to live every day. Why? Because he has a purpose: he's going to become a god. And he's going to take Mob there with him.
The Third Hand
Are you good? You're like 1500 words in, feel free to take a break, drink some water.
Maybe you're starting to sense where this is heading. On the third hand, Dimple manipulates ghost dad to help Mob. He attempts to take away both of their autonomy in order to ease Mob's obvious distress. Let's talk about Dimple's evolving relationship with Mob.
I say this a third time, Dimple tries to kill Mob when they meet. Then, despite a positive spin on his initial pitch to Mob, he's pretty transparently evil about it.
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These frames of the show are from that introduction, the first with Dimple surrounded in stars and bright colors saying "Let's shoot for the top of the world together," the second with Dimple thinking, face lit from below and body language full of menace, "I'll just wait for my chance to possess him." To be fair again, lots of Mob Psycho characters are Like That. Compare this to the first episode of season two: when Mob tells Dimple the story about Emi, Dimple, excited, assures him that they should keep sticking together so Dimple can help him out with these things. The animators even use the same image of Dimple with the stars and colors:
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"Looks like you'll always need an advisor like me!" But this time he doesn't have the sinister turn he did when they first met. This is how Dimple keeps acting throughout season two. He helps Mob, apparently so that Mob trusts him so that in turn Mob can help him reach godhood. But he goes so far above and beyond without any malice: he keeps Banshomaru safe, he possesses one of the high school kids bullying Mob, he eats the curse off Reigen's back, he tries to defend Mob against fucking Toichiro.
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Here's a great couple panels: after Dimple explains the deal with urban legends becoming real, he reiterates that he wants to be a god. Then Mob asks Dimple to "make sure [Banshomaru] won't get hurt," and little surprise lines come off Dimple. He agrees but says, "You gotta do me a favor sometime too." Dimple is a little struck by Mob's trust, but maybe more importantly this is the first time in a while, and I think the last time in season two, that Dimple suggests Mob do something for him. It only comes after he reiterates exactly what his purpose is. Dimple's priorities are a little unstable.
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Yeah this is just a full comic page from the encounter with Mogami but it's meaningful as shit. Dimple has just suggested taking over Mob's body to protect it. The first panel is Dimple looking away and down, deflated, ashamed. A few sweat drops come down his face. He says, "but something like that..." And to his surprise (action lines, closeup, wide eyes) Mob agrees. Dimple puts on an evil affect when he responds: a horizontally squashed panel shows his backlit face. He smiles unpleasantly and laughs a little, "Kuku..." But his heart clearly isn't in it! His eyebrows are worried, not hostile. There's no pleasure in his smile. He's covered in sweatdrops, eyes wide. When Mob assures Reigen, "It'll be okay," there's another panel of Dimple where the remnants of that affect slide off him. The backlighting is still present but not as severe, the echo of that smile is on his cheek. He's openly worried and covered in sweatdrops. Mob's speech bubble covers a large portion of his face.
Points about this. First, by now Dimple has given up on possessing Mob. This thing that seemed like the main path to his goal is not an option. Second, while both Dimple and Reigen believe that this is a bad idea for Mob, Mob disagrees. Dimple identifies as evil. Reigen identifies him as evil. Mob no longer does. This is classic Shigeo Kageyama behavior, being generous to people even when no one including themselves thinks they deserve it. And the worst part for Dimple is he's starting to agree with Mob. When the option he'd dropped is handed to him on a silver platter, he finds he doesn't want to take advantage of this kid that way. He's a different person than he was.
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I don't even know how relevant this is but. Look how much fucking fun Dimple has when he's possessing Mob to protect him. He's doing all these flips and kicks. His smile when he's fighting Mogami!Asagiri is so funny. He does the wildest mid-air combo I ever did see when he attacks the Claw guy as Mob.
Mob becomes such a top priority for Dimple that in the first episode of season three he realizes he forgot that he wanted to become a god. Not only that, but when he comes to Mob to convince him to lead the cult together he's immediately distracted by Mob and what's going on in his life. Mob has to prompt him for him to remember that he's there about the cult.
All this is why Mob's mistrust of Dimple in this conversation is so tragic. Dimple has helped Mob so much, and been so much of a genuine friend, because he knew that Mob trusted him. Where did it go? What happened? Mob's parting words to him are, "Why don't you give your schemes a rest already?" What schemes?? This is the first he's had in months. The translation in the comic, though, is so much more brutal:
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"Why don't you stop doing bad things?"
Dimple is
Dimple is terrified of Mob. When Mob wonders if Dimple is scared of him, he's right, of course he is. He has lots of reasons. Mob almost evaporates Dimple when they first meet, threatens him multiple times. Dimple saw him at 100% rage, Mob's first on-screen. He watched Mob hit ???% without being knocked unconscious. This is all especially threatening given Dimple's drive to live. He's terrified when Ritsu tries to fight Mob, he's terrified when Mob asks him if he had anything to do with Ritsu's kidnapping, he's terrified when he thinks Reigen is about to tell Mob that they don't know what happened to his family. But I also read his fear as a symbol of how important Mob is. Dimple attached himself to Mob as the way to achieve his goal. Dimple helps Mob out in so many ways, putting off his goal, so that eventually they can fulfill his purpose together. Then he starts caring about this kid so much that he forgets his purpose! Of course Dimple fears Mob, because their relationship threatens what drives him to live. As much as Dimple is a manipulator, Mob is the one who ultimately has power over him.
Dimple so easily reverts to an evil persona once he leaves Mob because without Mob that's all he can be. If he can't get to the top with Mob, then he has to do it the old way, by using people's flaws to manipulate them. He's able use the broccoli to become a physical presence and get around the "amazing power" problem--though the broccoli's presence and power are still kinda Mob's! But why does he need to become a god at all? Because that's all he is. If he doesn't have Mob and he doesn't have his purpose, then he has nothing.
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"Don't go casually denying the thing I've been wanting so badly!" Dimple gets so angry when Mob tells him he's being fake because first, Mob is denying Dimple's manipulative tendencies, which are really important to Dimple right here because he feels his identity is so precarious. And because second, Mob is denying Dimple's purpose. Dimple is in equal danger from Mob's physical attacks and Mob's denial of what he wants. What he wants, what he chooses, is what living is. Dimple doesn't want to die.
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Here's a lot of a comic page again, from the final confrontation. Dimple tells Mob that he's just been using him the whole time they've known each other. Mob says, "I'm sad... Does that mean it's time to say goodbye to Dimple?" He steps towards Dimple, who screams in fear and anticipation. I think this is basically the worst thing ever, because god, Dimple is so afraid. Mob is justified in what he's doing but Dimple's desperation is what stands out to me, how hard he's tried to cling to agency and life and how sincerely he believes Mob is about to take it all away from him anyway, to disappear forever and ever.
And then Dimple insults Mob's shirt.
Dimple insults Mob's shirt
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Fucking kills me. These are two frames from episode six, Dimple sees how much Mob suddenly trusts him and his reaction is anger, "You okay with leaving me like this?" His eyes are wide, brow down in anger. And then what he says next, "I'm... a dangerous evil spirit!" Here the anger is present but has softened with worry on his brow. The lines by his nose and his pouty lower lip make him look scared and sad. This fight has made it important to Dimple's identity that Mob try to stop him, because he's evil, and Mob stops evil spirits.
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Panels from the comic where Mob tells Dimple, "You weren't doing bad things. You were just doing what you wanted to do. Together with me. You trusted me before I trusted you, Dimple. Thank you." Mob doesn't think Dimple is evil, but he identifies how important Dimple acting on his wants is, and he tells him that he still values their relationship. He denies that he has to hurt dimple but affirms his power to choose.
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I maybe could've skipped a lot of BS if I put this page further up but I wanted this to get felt, what Dimple's admitting to himself here. It's another section of a page. Panel one, a white splotch in darkness with Dimple's thoughts, "It felt like my ambitions would fade away. Did spending time with unselfish Shigeo cause even me to lose sight of my goals?" Panel two, Dimple is the white splotch. He's scared. "...eh? Wait, that's a problem...!! I'll lose my reason for existing!" So Dimple tells Mob, angry, "No, not yet... I'm not done yet! Even now... I've still got... plenty of things I want to do! And ambitions!" Mob agrees, with that tired, frank look. "I'll hear you out for real. As your friend." Accepting Mob's friendship like this is terrifying, because it means what it always has, forgetting about this purpose. What if Mob stops trusting him again? If he really, consciously abandons his purpose, will he still have agency? He wanted a friend, always wanted a friend. Will it be enough? Will he disappear?
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Dimple takes Mob's hand anyway. This was such an amazing shot, I've reproduced its animated glory here, Mob and Dimple reach towards each other, Mob weakly, so Dimple closes the gap and grabs him. The hand grasp of all time. I'm not gonna talk about how this fits into all the other Mob Psycho hand symbolism, that's another 4000-word megapost.
It's worth it. I'm convinced that by involving yourself in a network of people and creating some sense of obligation to others you can actually give yourself an even deeper kind of agency than you could achieve alone. And this is awful, terrifying. Because it involves giving yourself up a little bit. You have to give up some control. Dimple wants to be a god, to have ultimate power and control, so much of him is his manipulation, but he has to give that up for this. Goals that may have guided you for a long time can become irrelevant--and then who are you? If you've defined your life by something for years, and at the end of the decade you realize you don't fit your definition anymore, where do you go? Dimple tells Mob, "Let's go home." But...
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Panels from the comic, where Dimple carries a sleeping Mob and thinks, "I said 'let's go home,' but I don't really have any place to 'go home' to... And I don't have anything to aim for from here... I wonder what I should do now." That Dimple is allowing himself to think this is really powerful. I don't think this has to be a sad moment. Like obviously Mob thinks that Dimple's home is his house. He just asked him to stay away until he reverts to his smaller form, as in, he otherwise would've expected Dimple to stay with him. I appreciate the larger point that now Dimple feels unmoored, and deciding on a new purpose is existential. But I think Mob also has a larger point that he believes he can help moor Dimple. I think allowing yourself to wonder where to go next is so important. Dimple is where Mob was a few months back when he decided he wanted to join the body improvement club! He has a future, even if he can't see it very well.
Or, um.
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I keep fucking crying while I'm writing this. I love the translation in the comic here. Dimple kneels before a prone Mob and, finger touching his forehead, says, "Listen well... I'm giving you orders for the first and last time. First, wake up. Stand up, Shigeo." Mob is still for a moment and then says, "...it's no use. I can't put any strength into my legs. I can't move my arms either." Dimple is very serious now as he relays, "Your body may complain, but still... stand up. Even if you cannot stand... you must stand." God damn it, god fucking dammit.
Sometimes it's not so easy to change. Your actions have consequences. Your history follows you. Dimple's desperate attempt to keep his old wants comes back to kill his new ones.
Dimple's final act is the same thing he always does, he manipulates Mob to protect him. And it is good and kind. Suddenly his reason for existence is paradoxical: he's going to have to die to fulfill it. Who exists to die? But that's not what it is. Because he's making a choice. He denies death, he says, no, you can swallow me whole, you can annihilate me, but even then you can't take my agency away from me. And I will use this final choice to protect someone I love.
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Dimple was a friend.
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mariacallous · 5 months
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The Muppet Christmas Carol has been voted the best Christmas film of all time in our annual readers' poll – knocking previous winner It's A Wonderful Life off the top spot.
Frank Capra's iconic 1946 drama starring James Stewart has consistently been named the winner of the poll in the many years that RadioTimes.com has been running it, but has to settle for second place this time around, after securing 16 per cent of the vote - compared to 20 per cent for the winner.
Brian Henson's irreverent take on Charles Dickens's classic Yuletide yarn – which famously starred Michael Caine as notorious miser Ebenezer Scrooge alongside a cast of Muppets – had previously finished runner-up, but now tops the poll one year after it celebrated its 30th anniversary.
As it was crowned, Henson spoke exclusively to RadioTimes.com about topping the list – describing the result as "wonderful" news.
"I'm very proud of the movie and I'm thrilled that people appreciate it so much," he said. "It was a very special piece, it took a lot of people working really hard and we really put our hearts into it. And I'm thrilled that it's so popular and it seems to be even building the popularity, which is great."
It's a fitting year for the film to have won the poll given Caine recently announced that he was retiring from acting, and Henson paid tribute to the star and his "incredible body of work", calling him the "quintessential working actor."
He added: "It was really fun doing Christmas Carol with him because he so appreciated all of the humour around him. But he played his part very, very seriously. He said to me, 'I'm going to act as if I'm working in the Royal Shakespeare Company and that's only going to make the Muppets even funnier and more delightful.'
"And he was absolutely right. But it was wonderful because he'd do a take where he's so severe and dark, and then I'd call cut, and then he just start laughing at everything that was going on around him. So he was really just a delight to work with."
Meanwhile, Henson also urged fans to watch one version of his film in particular – specifically the longer cut containing the previously lost song When Love Is Gone, which was added to Disney Plus for UK viewers a few years ago.
"When [the song] is in the movie, the structure of the movie is much, much better," he said. "And the emotional arc for Scrooge and Michael's performance is much, much better. He tuned his entire performance going into that moment and coming out of it and then to sort of cut the meat of it was a real shame, so it's great to have it back in!"
In total, there were 27 films on our shortlist – from classic Hollywood fare such as White Christmas all the way up to last year's Spirited.
The third place position went to 1990's Home Alone, which gained 8 per cent of the vote, while Love Actually came in fourth – also with 8 per cent, but marginally fewer votes – and Die Hard rounded out the top five with 7 per cent of the vote.
Interestingly, Elf, which has regularly been a fixture in the top five and celebrates its 20th anniversary this year, dropped down to eighth position, with Miracle on 34th Street and animated gem The Snowman both coming ahead of the Will Ferrell classic in the final results.
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skysiren41 · 5 months
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My thoughts on Kung Fu Panda 4 trailer
So kung fu panda 4 finally released its first trailer and too say that people have been split on it would be an understatement. All and all I'm still keeping my expectations modest I thought this trailer was actually pretty ok, I've have seen a few people say that it looks awful and while I do think it's a bit overblown, I would be lying if I said that I wasn't still worried about this film, so I wanna share my thoughts in the most neutral way possible while also being fair with both its positives and negatives as a Kung Fu Panda fan
●I've seen a few people say that the animation is a downgrade from the others I have to disagree. From what I've seen it mostly looks similar to the third film, the colours especially are quite nice, though I did notice some on the movement be a bit janky. I've also seen some say that the models look bad but I don't see it, there are some changes like they seem to be a lot more expressive but I wouldn't go far as to say that it's a bad change
●One criticism I do agree with is that the furious five seem to be absent in this film, not even Tigress. I do hope they do appear or at least explain their absent because it is weird not to include or even mention them but there apparently gonna have both of Po's dad's appear (don't get me wrong I love Mr Ping and Li Shan, it just I don't think they have a point to be in the story from what I've seen)
●The Chameleon honestly has a lot of potential, not only is it nice to have a female villian in the film, but also the whole concept of her being able to bring people back to life but also even transform into her enemies is such a brilliant idea and really plays into her species
●Tai Lung fans are eating good tonight with him finally being on screen again since the first film. I'm curious if he's only gonna appear in that one scene we see only to be sent back to the spirit realm after the Chameleon takes his powers. If that's not the case I'm curious if there gonna go with the route of giving him a redemption arc. I've always been split on the idea, on one hand I think the tragedy of Tai Lung and how he could've changed is what made him a fantastic villain as well as show the flaws of Shifu as a character, but on the other hand GIVE THIS BOY A HUG! HE DIDN'T DESERVE WHAT HE WENT THOUGH!
●In general the movie seems to be keeping the lighthearted tone from the first film which I'm kinda mixed on, don't get me wrong I like the third film but I do wish they went with a similar tone with the second film, where it was able to be both funny but also wasn't afraid to get dark. I understand that Kung Fu Panda is for the most part lighthearted but its shown multiple times to be able to be lighthearted while also handling mature themes
To close this off I think there are some people are overreacting when they say that the trailer is awful but I also see why a lot of people are unsure about this forth film myself included
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whosname · 5 months
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Oh, yeah, here's a second post about Gintama's Live-action adaptations. I'm a total completionist so I not only watched the second movie, I had to find the Mitsuba arc and then @sebfreak pointed me to the other miniseries, so... (sorry if it's a long post, while I'm not drawing my brain can't stop)
Right, the Mitsuba arc
Loved they include the spicy parfait scene, I mean, the cgi is what it is, but I have a lot of respect for 'em even trying,
Zaki's afro? chef's kiss, simply delicious
I mean:
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Also, Hijikata's reacion to the spicy snacks? delicious. These guys are good at funny faces.
Loved the Gin's pretending to be sleeping scene, missed the part about the black circles under his eyes, tho.
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(Look, it was very difficult to find the three parts of the drama, I got 'em from 3 different places and every place has it's own subtitles on indonesian or french. Also, the quality? oh my, the quality was terrible by the third part)
This is a fucking sad arc, daaaamn, and this being a drama... well, it's even more dramatic. I mean, that last scene on the roof? it always breaks my heart.
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And now, for something completely different, the mini-series thingy.
The episodes they choose to adapt are... interesting, I mean who in their right mind chooses those three? okay, I love how weird the decision is.
I love the details on the one were Kagura can't sleep, I mean, the Dragon Ball mangas, the justaway alarm clock, Gintoki's pajamas.
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Holy shit, the make up, the Napoleon thing, the radio drama, "I didn't get enough sleep, and I'm starting to hear strange things"; I love this episode.
And then, the one were Hijikata can't smoke, maaaan, this episode was like a fever dream in the anime and the live-action is so on point. The whole Namek planet thing, "I'm going to defeat Breeza!", "I'm trying to revive Grillin!", the cgi is not that bad, I mean, slimy grimmy Shen Long could've looked worst. Also, I insist, Hijikata's actor is so stupid good at expressions.
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And, finally, the dentist episode, another fever dream. I'm very afraid of the dentist so, yeah, can confirm that People of All Ages Hate the Dentist!. Also, again, their expressions!; Hasegawa!; the treatment! This episode may have worsen my fear of the dentist
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I love the way this live-actions thingies keep the whole Gintama spirit, I love that the first scene on the Rules are Made to be Broken movie is the still shot from Yorozuya HQ and it's just these idiots talking over it. If I've watched this on the cinema I would've cheered like the stupid weeabo I am (I told a friend yesterday "I went from 0 to otaku in like 3 moths" so there).
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I'm so thankful for Zura's piracy thing disclaimer.
Otose!!! OMFG, I love her!
"Work! We have to find work, Gin-san!" "I don't want to!" MOOD FOREVER!
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I love how they all try very hard not to laugh in the scenes with this guy, they failed, but I love it.
We've already talked about Zura's gender but... come on! how fucking amazing they are??!
Oh, and the Katsurap and then Pako (I mean, they changed her name here, but I still like Pako more 'cause Ginko is a different character, come on!) carrying her on her back.
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"It's the Shogun!" aaah, you didn't fail me, Rules are Made to be Broken.
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And then the hairdresser thing. I can't stop thanking you, Rules are Made to be Broken.
I guess the whole chip on Toshi's neck is weird, but maybe the whole sword thing would've been longer to explain so probably it was best for simplicity.
On that note, "Sakatashi"
"You're a Neet. You're thinking like a total Neet!" "Is that so? You guys look like pretty big Neets too." "Who the hell is a Neet?! We are hard-working workers now!"
So, yeah, I can forgive the the chip thing ONLY for the scene at Gengai's shop. Toshi, pilot the EVA.
I can't believe how close to the original is the scene were Gintoki catches Toshi by his neck and they all run away from those Shinsengumi guys.
"You tax thieves" <3
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this look badass, I mean...
We have little Takasugi action in this one, but hell, I don't care, I love his scenes with Bansai. Also, Bansai, of course.
Now, this is were I feel this goes weird, Bansai's gonna try to kill the (freaking) Shogun in a total different location form the train thing. It's... weird. Tho, Bansai looks amazing on his motorcycle.
I've said this a thousand time already, but I don't care, Kagura's really Gintoki's clone, I bloody love her.
Now, I don't fell Gintoki has a real motivation to go a fight Bansai in Edo, it never convinced me. I grateful for the Raccoon Bus scene, tho, I laughed like a maniac (look, I know I need to sleep more), but... dunno "then Takasugi Shinsuke will start killing people!" wasn't enough for me. Oh, and Zura, I love that they use every excuse to use Zura but still... weird?
I really like to like the first part of Gintoki vs Bansai but... too matrix~y too... the choreography is kind of cool, the shots between fights too but the whole matrix thing... I didn't like it.
BUT! the strings thing, that I liked.
And then the last scene at the dango place, I liked it a lot, I love when they did that on the anime averytime.
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gaysails · 11 days
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what is yu yu hakusho
best beloved 90s shounen of my heart. broadly speaking it's a story about second chances & found family & proving yourself to yourself after the world has shunted you into the "bad guys" category. the catalyst of the story is that the protagonist (a teenage delinquent) dies by accident in the first five minutes and when the spirit realm offers to bring him back to life this 14 year old kid is like "eh what's the point I was a punk and nobody's going to miss me." spoiler alert: he is wrong and he finds reasons to keep living. like all good shounen it is also intensely homoerotic.
the anime is divided into four story arcs. the first two (Spirit Detective and Dark Tournament arcs) are your much more standard "action" beats with our heroes having to battle their way through to defeat the final big boss etc. lots of fun but very par for the course. the third arc (Chapter Black) begins the same way on the surface but then twists and evolves into something genuinely inspired and subversive for an early 90s shounen, that really confronts the moral lines we draw between good & evil. the fourth arc (Three Kings) continues down that path but unfortunately the author was dealing with health issues and was in conflict with his publisher over opposing visions for the story, so he ended up cutting it short (I personally have no beef with the final arc but many fans found it unsatisfying). the manga also has several one-off side plots that don't appear in the anime and leans more heavily into the "detective" genre than the action genre
it's aimed at a teenage/young adult audience so YMMV but I would recommend it to anyone who's a fan of the medium. really fun stuff, some really deep stuff, and lovable characters who I carry with me 20 years later ❤️
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artsywriter25 · 1 year
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Let’s talk about Kung Fu Panda 4
Okay, so we finally got some updates on KFP4, the plot, the director and what to expect to see in the film. My reaction to this is….mix.
On one hand, I’m so happy we got something! But on the other hand, I’m just really nervous and I don’t like this deflated feeling. So I’m writing this out to share my thoughts and wanting to hear what the fandom thinks. I’ll try not to make this too long or sound like a rant, I’m going straight to the point and talk about the good and bad about KFP4.
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So first let’s talk about the director: Mike Mitchell
……Oh boy.
Ok I’m not gonna give the guy any crap, I’m willing enough to give him a chance. Yes I know he directed Trolls, but he also directed Shrek Forever After. I looked back at that movie after The Last Wish and it’s not really that bad. It was actually sweet and serious in some parts. And that’s what I hope this director will do, have the 4th film at least serious in some parts and don’t make it too goofy or jokey where it feels awkward.    
Now on to the story and this is the best way I can summarize this from a few articles I’ve read:
“ Po is getting promoted to be the spiritual leader of the Valley of Peace, but he has to choose someone to take his place as the new Dragon Warrior. He catches a theft fox who he could see potential in their skills but they don’t get along. But Then a Chinese sorcerer known as ‘The Chameleon’, has summon Po’s past villains from the dead. Now Po and his (student?) must journey together and stop this new villain. ”  
So judging by the information that we got, it sounds like many years have passed since the third movie. Po becoming leader actually worries me because it’s probably hinting that Master Shifu may pass away and now Po has to take his responsibilities (This is just a guess so sorry Shifu fans!).  
There is also this fox character they have mention in the articles which they can’t seem to get the name right and they keep flipping their gender. First it was misspelled as Shen, then it was Chen and Zhen so I’m just gonna call them Fox for now on.
I wonder what kind of story arc will they give Fox. What’s their backstory? What kind of lessons they must learn? Does Po see himself in them or are they both different with different views? These are some questions I hope they answer. Giving Po a student to teach was a direction I theorized DreamWorks will go down and I’m glad they did. The trilogy had Po as a student, now taking the role of masterful teacher, it make sense to passed down those experiences to someone. I can really image the funny shenanigans they can get in to, along with the Furious Five. I think it would have been awesome if they each had a student too and they all come together fighting the villains with the skills they were taught. If there’s one thing I’m really worried about is the Five getting pushed aside for this new character or Fox ending up being a perfect character. Have Fox be flawed, have them be a kid we can relate and root for and something that the kids will like too.
Now let’s talk about my most favorite thing of all: THE VILLAINS!!!
OH MY GOD MY FANGIRL IS TRYING TO TAKE OVER! TAI LUNG, SHEN AND KAI ARE COMING BACK!! AND I DON’T KNOW IF THIS IS A GOOD OR BAD THING!!??
I am shock, like I never expected they go down this route. Story wise, I understand why the three shouldn’t come back as they served their purpose as villains, but no, they are bringing them all back. A actual animation studio is listening and giving the fans what they wanted??
DreamWorks must be watching their fandoms, that’s the only explanation I can think of. They must have saw all of our fanarts and fanfics and went like “Oh damn, they really love are villains…you know what, let’s bring them back.”
So how will this affect the story? I honestly don’t know, maybe Fox has to learn all body, mind, and spirit in order to help Po and the Five.
Now what I’m really surprised is they choose a chameleon to be the forth villain. I did some research this morning, and there’s not that many species that look intimidating. But if they could make a peacock threatening, I’m sure they can make a chameleon threatening too. I even looked up about sorcerers in China and I think they meant shamans. Chinese shamans are known to be wizards or spirit mediums, this could mean the Chameleon may have some connection to the spirit realm, which I hope they explored more on. I read some of this under Wikipedia, its very interesting.
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And that’s all I have to say for Kung Fu Panda 4. I am a little worry for this film but I’m not gonna get worked up about it, I’m gonna stay positive that it will work and I’m sure it will. The only thing that could save this film is the animation. I think KFP is perfect for that hybrid spiderverse animation.  
But what do you guys think and are you still excited for the sequel?? If you wanna discuss anything about this I’m all ears. 
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danwhobrowses · 3 months
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One Piece Chapter 1108 - Initial Thoughts
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And we're back
Some battle lines have been drawn and the Blackbeard pirates made a move, though some people are still in battle or still in pursuit. What more can Oda throw at Egghead? Let's see
Spoilers for the Chapter, Support the Official Release also
Colorspread of some lovely ladies in a dog manor, all in fancy red dresses (except Robin and Reiju). Would've been cool to include the likes of Vivi, Carrot, Bonney etc. but I'm not gonna be unhappy with seeing Uta, Reiju and Tashigi all getting to join Robin, Nami and Boa
Wonder if Reiju's a frisky drunk or just likes making Tashigi flustered, I'm sure all the fanfic writers are having a field day
We pick up where we left off with Caribou, begging for his life
Van Augur notes how even though it's a government island, they can't trust Caribou to not be after Blackbeard's head
To Caribou's credit Augur at least knows who he is
But there it is, Caribou states he has valuable information, information which will very much endanger Luffy's new territories and allies
Stick him in a fucking barrel
The Vice Admirals continue to lament fighting the Pacifista, and decide to target Bonney to eliminate the authority she has
Got some new Vice Admiral names though; Hound and Guillotine
And that was Vice Admiral Doberman! Looking worse for ware, and also is a stooge
Vice Admiral Tosa is still on the island, and is looking to launch a haki-induced 10-fingered Shigan at Franky and Bonney
Buuuuut rather than give Franky some shine in the Vegapunk arc, Tosa gets flattened by a giant
The giants don't recognize Franky, since he doesn't look like his wanted poster, so ask if they're researchers
Franky does clarify he's among the crew, and Bonney beseeches them to help Luffy, Sanji and Vegapunk - proving some validity to the statement
A scholar also mentioned Vegapunk so there's plans to bring him too
Atlas, Bonney, Kuma and Franky get an escort to the Giants' ship, wonder if this will be Oda's latest divided crew method
More names: Vice Admiral Urban and Pomsky, wondering about Tosa
Bluegrass hijacks a surviving weaponized sea beast and rides to the shore with Doll
Doll was Saul's subordinate 20 years ago, interesting thing to note
That's a thing, the giants can't exactly reach the labophase either way you look at it
Luffy wants to pick up Vegapunk and run, but he's bleeding out and accepted his fate
Luffy doesn't take that for an answer though he made a promise, Vegapunk asks him though to look after Bonney
As much as she has an army of pacifista her high authority still makes her a target for life
Also Saturn is looking more and more like a Yokai painting, probably going full Zoan form
Completely coated in venom, Saturn attacks, with Sanji picking up Vegapunk and Luffy easily dodges
Sanji eats a boot from Kizaru, but in dropping Vegapunk the admiral finally impales his target
Angered, Luffy goes giant and grabs Saturn and Kizaru in place so Sanji can run
Despite being stabbed twice, Vegapunk seems to be in high spirits
Oh we have a THIRD CONTINGENCY!
Vegapunk's got a message out to the world, he's about to spill everything
Like how Shadow the Hedgehog is a punk ass bitch who pissed on his wife
Well this may be the 'incident' part. Just how much can you censor when it comes from Vegapunk himself? Though it'll likely be vague, since I doubt Vegapunk will have all the details to trash the WG and say the Straw Hats were saving him. His word may not hold much weight as an enemy of the state too. Strange Shaka didn't follow suit though.
Alas, Sanji still isn't getting that Kizaru fight it seems, Luffy's going at the double, but I doubt he'll stick to fight. Saturn seems like he's gonna go even crazier at this stage, looks like a wild animal. Bonney may have more crew endorsement mind you, but I still think she deserves a childhood rather than more piracy.
Giants will be a help though, still want Franky to show off a bit, but with Vice Admirals circulating still there is time. The plan is to get off the island, but at the same time everyone's having the same plan, will the Buster Call even succeed? What about the Seraphim? The CP agents? The Sleeping Giant? York? Stussy? Kaku?
Still things floating around, not enough pages to cover them all atm.
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yyh4ever · 4 months
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Hi, I'm rewatching the anime and am already in the three kings arc. Just a bit confused with Kurama and Yomi's timeline. Please correct me if I'm wrong. Kurama has been gone from the Makai for as long as his human age, while he and Yomi haven't seen each other in a thousand years? Does that mean Yomi would have heard news of Kurama's escapades and known that the latter wasn't looking for him?
According to Yomi, 1,000 years ago, after being blinded by that youkai he captured, he waited for Kurama's help, but he never joined him. After that, he heard on the grapevine that Kurama had disappeared into the Human World. Yomi found interesting that Kurama had given up the Demon World when Raizen and Mukuro were becoming the two major forces.
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As the Human World is monitored by the Spirit World, Youko ended up having trouble with them and got injured by Shunjun 15 years ago (his human age), but he had been in the Human World as Youko for about 1,000 years. It's just a pity that we will probably never know what Youko was doing here. I've read some funny doujinshi though.
I think after having understood that Kurama discarded him, Yomi just focused on becoming stronger and building his own country. He eventually became the third force in the Demon World. I also believe Yomi had always looked up to Youko, learning to be less impulsive and more cautious. He got so many of his men killed in the past.
It might be interesting to read Kurama's Personal History from the official databook.
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