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frozen-perceptions · 2 years
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ireland, may 2019. polaroid sx 70.
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35mmelissa · 9 months
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Boat trip
A year ago a documented my first boat trip to Isla Mujeres Mx where you can look around to find turquoise toned water.
Fujifilm C200 // Canon AF35M
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convexly · 9 months
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delicate by betulvargun
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akajustmerry · 3 months
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Anastasia 1997 is such a funny movie in that it's opening sequence is like, "the Romanovs died because rasputin put a curse on them AND NO OTHER REASON DON'T WORRY ABOUT WHY THE ROMANOVS ARE DEAD OKAY IT WAS RASPUTIN"
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burnt-squid · 10 months
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if we get some kind of reunion between these two in btsv i’ll bawl my eyes out
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I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"
Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.
imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws
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thebobbu · 5 months
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The good news about Hbomberguy's plagiarism video for everyone who used to like James Somerton (I recently discovered him and hadn't got to any of the misogynistic shit yet), is that the queer analysis we liked is still out there - just not written by the thieving little shite. Great place to start is the playlist Harry created of plagarised or otherwise hardworking (but underrated) creators:
https://youtube.com/playlist?list=PLRGz5EMig3r2ZDgeGzwUlSz-PzF-L1Xu1&si=KqFfYA1NntIA3JG_
Also, as he's gonna send the profits to the writers James yoinked (without the twist) from, if you wanna help financially, you could always just... Put the video on in the background on repeat...
Tangentially, I met Harry a few years back at WorldCon in Dublin, and thanked him for his videos. He gave me a hug. The guy is just as sweet and lovely, and delightfully wild-eyed*, in real life.
*Seriously, the magnificent bastard has beautiful eyes.
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sapphicweisz · 4 months
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bbreakingbenjamin · 7 months
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𝐓𝐡𝐢𝐬 𝐢𝐬 𝐭𝐡𝐞 𝐡𝐨𝐫𝐫𝐨𝐫 𝐬𝐥𝐚𝐬𝐡𝐞𝐫 𝐟𝐚𝐧𝐝𝐨𝐦 😂☠️🗡️
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writingwithfolklore · 2 months
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5 Tips for Creating Intimidating Antagonists
Antagonists, whether people, the world, an object, or something else are integral to giving your story stakes and enough conflict to challenge your character enough to change them. Today I’m just going to focus on people antagonists because they are the easiest to do this with!
1. Your antagonist is still a character
While sure, antagonists exist in the story to combat your MC and make their lives and quest difficult, they are still characters in the story—they are still people in the world.
Antagonists lacking in this humanity may land flat or uninteresting, and it’s more likely they’ll fall into trope territory.
You should treat your antagonists like any other character. They should have goals, objectives, flaws, backstories, etc. (check out my character creation stuff here). They may even go through their own character arc, even if that doesn’t necessarily lead them to the ‘good’ side.
Really effective antagonists are human enough for us to see ourselves in them—in another universe, we could even be them.
2. They’re… antagonistic
There’s two types of antagonist. Type A and Type B. Type A antagonist’s have a goal that is opposite the MC’s. Type B’s goal is the same as the MC’s, but their objectives contradict each other.
For example, in Type A, your MC wants to win the contest, your antagonist wants them to lose.
In Type B, your MC wants to win the contest, and your antagonist wants to win the same contest. They can’t both win, so the way they get to their goal goes against each other.
A is where you get your Draco Malfoy’s, other school bullies, or President Snow’s (they don’t necessarily want what the MC does, they just don’t want them to have it.)
B is where you get the other Hunger Games contestants, or any adventure movie where the villain wants the secret treasure that the MCs are also hunting down. They want the same thing.
3. They have well-formed motivations
While we as the writers know that your antagonist was conceptualized to get in the way of the MC, they don’t know that. To them, they exist separate from the MC, and have their own reasons for doing what they do.
In Type A antagonists, whatever the MC wants would be bad for them in some way—so they can’t let them have it. For example, your MC wants to destroy Amazon, Jeff Bezos wants them not to do that. Why not? He wants to continue making money. To him, the MC getting what they want would take away something he has.
Other motivations could be: MC’s success would take away an opportunity they want, lose them power or fame or money or love, it could reveal something harmful about them—harming their reputation. It could even, in some cases, cause them physical harm.
This doesn’t necessarily have to be true, but the antagonist has to believe it’s true. Such as, if MC wins the competition, my wife will leave me for them. Maybe she absolutely wouldn’t, but your antagonist isn’t going to take that chance anyway.
In Type B antagonists, they want the same thing as the MC. In this case, their motivations could be literally anything. They want to win the competition to have enough money to save their family farm, or to prove to their family that they can succeed at something, or to bring them fame so that they won’t die a ‘nobody’.
They have a motivation separate from the MC, but that pesky protagonist keeps getting in their way.
4. They have power over the MC
Antagonists that aren’t able to combat the MC very well aren’t very interesting. Their job is to set the MC back, so they should be able to impact their journey and lives. They need some sort of advantage, privilege, or power over the MC.
President Snow has armies and the force of his system to squash Katniss. She’s able to survive through political tension and her own army of rebels, but he looms an incredibly formidable foe.
Your antagonist may be more wealthy, powerful, influential, intelligent, or skilled. They may have more people on their side. They are superior in some way to the protagonist.
5. And sometimes they win
Leading from the last point, your antagonists need wins. They need to get their way sometimes, which means your protagonist has to lose. You can do a bit of a trade off that allows your protagonist to lose enough to make a formidable foe out of their antagonist, but still allows them some progress using Fortunately, Unfortunately.
It goes like… Fortunately, MC gets accepted into the competition. Unfortunately, the antagonist convinces the rest of the competitors to hate them. Fortunately, they make one friend. Unfortunately, their first entry into the competition gets sabotaged. Fortunately, they make it through the first round anyway, etc. etc.
An antagonist that doesn’t do any antagonizing isn’t very interesting, and is completely pointless in their purpose to heighten stakes and create conflict for your protagonist to overcome. We’ll probably be talking about antagonists more soon!
Anything I missed?
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notastranger · 4 months
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myjourneythroughfilm · 5 months
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North Cascades in Fall Camera: Yashica Mat-124 Film: Kodak Portra 400
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crucified-cam · 2 months
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christina ricci and vincent gallo in buffalo ‘66
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stevebuscemieyes · 1 month
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MAXXXINE
July 5 2024
Dir. TI West
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Watching two asian gay guys take down the model minority myth and a transphobic society with their small genderfluid child wasn't on my bingo but damn I'm glad that it exists
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ca-ravaggio · 10 months
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A League of Their Own (2022-)
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