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fannyrosie · 8 months

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Back in August, my mother, my sister and I did a three day roadtrip to Lake Placid in New York State, where the 1932 and 1980 Winter Olympics were hosted. We hiked and visited Adirondack natural wonders the two first days, but because my health was starting to fail me on the second day, we kept the third one for visiting the Downton Abbey costume exhibition at the Lake Placid Center for the arts.

On our way to the exhibit, we passed by the Pines Inn, formerly known as the St. Moritz Hotel, a hotel built in 1907. I had wanted to stay at that hotel, but my mom refused, saying it was in poor shape and looked haunted on the hotel booking sites (she wasn't wrong, but I love that stuff, as you know). I still insisted for us to at least visit it, and we sure did NOT regret it. We stumbled upon one of the concierges (or new owners, correct me if you see this!), and he loved my outfit so much that he gave us a tour of the hotel, including in areas closed to guests. He told us that Albert Einstein and the Kennedys had been guests at the hotel, that there was n*de sunbathing on the roof in the 1930s and that a lot of the furniture was original. Sadly, after the 80s, the hotel slowly went into decrepitude and abandonment, and many things got stolen and damaged. The new owners are currently working hard to restore the hotel, and it's indeed a lot of work.

Outfit rundown Dress: vintage Ingeborg (Pink House) Velvet michiyuki: vintage Hat: Rudsak with added brooch by Fuwari Gloves: vintage Shoes: old Clarks Bag: second-hand Vivienne Westwood Belt: thrifted Big British stamp brooch: second-hand Jane Marple Small marine cat stamp brooch: Via Carousel Anchor and crest brooches: vintage Earrings: old Dracolite

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bluewinnerangel · 1 year

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FITF Tour exit songs

- NA LEG - Uncasville: Tina Turner - The Best

Gilford: The Smiths - This Charming Man

Laval: Petula Clark - Downtown

Toronto: Bryan Adams - Summer Of '69

Cuyahoga Falls: The Verve - Bitter Sweet Symphony

Sterling Heights: Shed Seven - Chasing Rainbows

Cincinnati: The Killers - All These Things That I've Done

Columbus: R.E.M. - The One I Love

Indianapolis: Joy Division - Love Will Tear Us Apart

Maryland Heights (St. Louis): Chuck Berry - Johnny B. Goode

Kansas City: Van Morrison - Moondance

Milwaukee: Johnny Nash - I Can See Clearly Now

Chicago: Earth, Wind & Fire - September

Minneapolis: Sinéad O'Connor - Nothing Compares 2 U

Council Bluffs: Buzzcocks - Ever Fallen In Love (With Someone You Shouldn't've)

Sioux Falls: Don McLean - American Pie

Seattle: The Smiths - There Is A Light That Never Goes Out

Vancouver: The Police - King Of Pain

Troutdale: Elvis Presley - Always On My Mind

Berkeley: INXS - Never Tear Us Apart

Los Angeles: 2Pac - California Love

Las Vegas: The Killers - Human

Phoenix: Spear Of Destiny - Liberator

Irving: The Doors - Hello, I Love You

Austin: Wheatus - Teenage Dirtbag

Houston The Woodlands: The Police - Walking On The Moon

St. Augustine: The Police - Every Breath You Take

Hollywood: Elton John - Your Song

Tampa: Pat Benatar - Hit Me With Your Best Shot

Atlanta: The Rolling Stones - You Can't Always Get What You Want

Nashville: Duran Duran - Hold Back The Rain

Charlotte: Lou Reed - Perfect Day

Raleigh: Van Morrison - Moondance

Columbia: Commodores - Easy

Boston 1: Boston - More Than A Feeling

Boston 2: Pixies - Here Comes Your Man

Philadelphia: Sinéad O'Connor - Nothing Compares 2 U

Asbury Park: Bruce Springsteen - Dancing In The Dark

New York: Queen - We Are The Champions (dj elf asked a fan to pick between this one and David Bowie - Heroes)

- EU & UK LEG - Hamburg: Joy Division - Love Will Tear Us Apart

Copenhagen: Queen & David Bowie - Under Pressure

Oslo: Green Day - Wake Me Up When September Ends

Stockholm: The White Stripes - Seven Nation Army

Helsinki: Elvis Presley - Always On My Mind

Tallinn: Smash Mouth - All Star

Riga: AC/DC - Thunderstruck

Kaunas: Elvis Presley - Can't Help Falling in Love

Krakow: Iggy Pop - Lust For Life

Łódź: Ramones - Blitzkrieg Bop

Vienna: Oasis - Supersonic

Ljubljana: The Killers - Smile Like You Mean It

Budapest: Bloc Party - Helicopter

Bucharest: Foo Fighters - My Hero

Sofia: Rage Against The Machine - Bombtrack

Bilbao: Pixies - Where Is My Mind

Lisbon: White Lies - Farewell to the Fairground

Madrid: Editors - Munich

Barcelona: At the Drive-In - One Armed Scissor

Turin: Lenny Kravitz - Are You Gonna Go My Way

Bologna: Bloc Party - Helicopter

Luxembourg: Pixies - Where Is My Mind

Antwerp: Queens Of The Stone Age - My God Is The Sun

Paris: Biffy Clyro - Bubbles

Amsterdam: Blur - Song 2

Cologne: The Libertines - Can't Stand Me Now

Prague: Jet - Are You Gonna Be My Girl

Berlin: The Cure - Friday I'm in Love

Munich: Fatboy Slim - Praise You

Zurich: The Strokes - Last Nite

Dublin: Inhaler - These Are The Days

Sheffield: The Killers - Mr. Brightside

Manchester: The Smiths - This Charming Man

Glasgow: The Snuts - Gloria

Brighton: Ramones - I Wanna Be Sedated

Cardiff: T. Rex - 20th Century Boy

London: The Libertines - Can't Stand Me Now

Birmingham: Boyz II Men - End Of The Road

- ASIA & AUS LEG - Jakarta: Iggy Pop - Lust For Life

Melbourne: Jet - Are You Gonna Be My Girl

Brisbane: The Temper Trap - Fader

Sydney: Oasis - Rock 'N' Roll Star

- LATAM LEG - Panama: Hard-Fi - Living for the Weekend

San Juan: Pixies - Where Is My Mind

Rio de Janeiro: Nirvana - Heart-Shaped Box

Like last time the plan is to keep editing this post as tour goes on - 2022 LTWT here

Apple music playlist here

#spotify #fitf tour #exit songs #exit song #louis playlist #playlist #i dont have a consistent tag bjt that should hit it

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shakespearesdaughters · 6 months

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What kind of books by Dark Academia do you suggest to me? At the moment I’m on Tolstoj but I wanna to know much

The Secret History by Donna Tartt anything by Donna Tartt (praying we get another book in the next 5 years)

Maurice by E. M. Forester

Brideshead Revisited by Evelyn Waugh

The Patrick Melrose series by Edward St Aubyn

Confessions by Kanae Minato

In the Name of the Rose by Umberto Eco

Piranesi and Johnathan Strange and Mr. Norrell by Susanna Clarke

The Picture of Dorian Gray by Oscar Wilde

Frankenstein by Mary Shelley

Dead Poets Society by N H Kleinbaum

Never Let Me Go by Kazuo Ishiguro

An Interview with the Vampire by Anne Rice

A Little Life by Hanya Yanagihara

The Idiot by Elif Bautman

The Talented Mr Ripley by Patricia Highsmith

Babel by R F Kuang

Jane Eyre by Charlotte Bronte

The Song of Achilles by Madeline Miller

Wuthering Heights by Emily Bronte

The Bell Jar by Sylvia Plath

Stoner by John Williams

The Queens Gambit by Walter Tevis

The odyssey by Homer

Carmilla by J Sheridan le Fanu

We Have Always Lived In The Castle by Shirley Jackson

Picnic at Hanging Rock by Joan Lindsay

Labyrinths by Jorge Luis Borges

The October Country by Ray Bradbury

Inferno by Dante Alighieri

Just to name a few!

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ellethespaceunicorn · 1 year

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Hold Me Til I Scream For Air To Breathe

Rating: Explicit, 18+, Minors - DNI

Pairing: Sub!Clark Kent x Domme!Reader

Word Count: 1.7K

Summary: For @sillyrabbit81’s follower milestone celebration; Clark needs to give over to his submissive urges, specifically he yearns to be tied up and owned.

Prompt [screenshot at the end]: Slow & Romantic, Tied Up, Clark Kent

Warnings: Subby Clark should be considered a warning, rope bondage (Shibari), poorly hidden Anakin Skywalker quote, oral sex (f/m receiving), cum swallowing

A/N: Unbeta’d, we die like people who tried their best. [I promise I am working on Bright Like The Moon still, but Sub!Clark though!]

Dividers by: @firefly-graphics

Support/Reblog banner by me

My Masterlist

It had been days of him dropping hints. He was sending me links to shibari websites, referring to me as Miss without provocation, and kneeling at my feet when I entered a room.

The man was relentless, but I understood it perfectly when he explained it over dinner. He was calm and collected, but I’m sure it took all of the Kryptonian’s strength not to melt.

“I save people all of the time, it feels nice to be so needed. It feels amazing to be in control, don’t get me wrong,” He looks at me while rising from his chair and coming to kneel next to mine, “But I want to relinquish control. I want someone else to have power over me. I want you to own me, Miss. Please, will you help me?”

His politeness always went straight to my pussy. This man could hold the planet but needed to feel protected, I could do that. “I’ll help you, Clark. On one condition.”

“Anything,” he whispers, already slipping into submissive mode.

“You give yourself over to me completely. From this moment on, until you can’t take any more, and I’ll be the judge of that, you are mine to do with whatever I please. Do you understand?” I ponder aloud, my hand ghosting across his jawline.

“Yes, Miss. I understand that you are in control,” he breathes, his blue eyes blazing in the low light of the dining room. Damn, he is such a good little sub already.

“Good boy,” I hum, running my fingers through his curls. Now, I expect a response and when I didn’t get one, I let him know what happens when he does the wrong thing. Grabbing a fistful of his hair and tightening my grip, I growl in his ear. “I didn’t hear a thank you.”

“Thank you, Miss. I’m sorry, Miss,” he whimpers, eyes remorseful.

“Now he gets it,” I purr, releasing my grip on his hair. “You’re going to go to the guest room. You’re going to crawl on your hands and knees. When you get there, you’re going to strip completely and wait for me. When your head is down and your hands are resting on your thighs, I’ll know you’re ready to begin. Do you understand?”

“Yes, Miss, I understand,” he affirms, looking down in servitude.

“Good boy,” I beam, getting up to stand over him, “Go on then, show Miss that you can follow directions.”

“Yes, Miss,” he says, hands going to the floor in front of him as he begins to crawl on his hands and knees through the house, looking for all intents and purposes like a cat stalking after prey. But this time, I was the predator. Watching his shoulder blades shift through his tight dress shirt, his perfect ass swaying in those perfectly tailored dress pants. The man was a vision of lust. And I was ready to tear him apart.

In truth, I did make him wait for just a hairsbreadth longer than I intended to. I took my time getting ready, slipping into some new lingerie Clark had never seen and dabbing his favorite scent on my wrists and neck. I grab the rope and my Hitachi and put on my highest stilettos. I walk slowly to the guest room, letting the click of my heels alert him that I was coming.

Entering the room, I see Clark kneeling with his back to the bed. Head down, hands resting on his thighs. My sub is so good at following the rules. And by the way his cock hangs heavy between his legs, I can tell he is beyond excited to start.

“Such a good boy, waiting so patiently for me,” I purr, stalking over to him and placing one hand within his curls and one on his cheek, “We have a few things to go over and then we can get started, ok baby?”

“Yes, Miss,” he acknowledges his understanding, turning to my hand to kiss my palm.

“That brings us to Rule #1: You don’t get to touch unless I give you permission. I will allow you this one mistake, but be clear that is the only one. Rule #2: You cum when I say you do, no sooner or later. Rule #3: If I ask you what color, you respond with green for good, yellow for slow down, or red for stop. Do you understand these rules?” I step back and raise his chin so he can look me in the eye.

“Yes, Miss, I understand these rules,” he sighed, pupils blown and wild.

“Good boy. To make sure Rule #1 is followed to the letter, I’m going to take away your ability to use your hands. May I begin to restrain you?”

“Yes, Miss,” he agrees, watching me as I pick up the red rope I brought into the room with me.

“Good boy. Stand for me so I can tie your chest and arms,” I croon, waiting until he was at his full height to kiss and nip at his jawline as I untwined the rope slowly.

I find the tails of the rope, holding onto the bight, and begin to tie the Shinju harness across his broad chest. As I tighten the rope every so often, I also tease Clark’s nipples with the soft pads of my fingers. I lean in and lick and bite at his pectoral muscles until he squirms. I connect his arms to the harness, keeping them straight to emphasize his chest as he is forced to stand straighter. I finish and stand back to look at my work.

“We both know you can get out of the rope if you need to. But in keeping with the rest of the night, I’m going to let you out of the ropes if you need to be rid of them. Color?” I prod, suddenly feeling the reality of domming Superman.

“Green, Miss,” he assures, cock bobbing happily between his legs.

I reach down and lightly squeeze the base of his cock and he whimpers. “On your knees facing the bed,” I insist, pushing down on his shoulders. I sit on the bed after taking off my lace thong and I put my shins on his shoulders. “You look hungry, Clark. Why don’t you eat my pussy until I cum on that pretty face of yours?”

“Yes, Miss” he breathes, getting to work with that wicked tongue of his. I don’t understand how he is holding himself up without the use of his hands, but it must be a balance thing. I don’t put too much thought into it as my focus is elsewhere.

Before I know it, Clark is humming around my clit at just the right decibel to have me screaming his name. He then laps up my juices as they flow uncontrollably from me, leaning back after I push him back.

“Thank you, Miss,” he says, ever the polite submissive.

“Such a good boy, you are, Clark. I think you’ve earned an orgasm,” I praise, getting up to grab the Hitachi. I play with the settings, letting the lowest setting stay on while I tease Clark’s nipples. When he starts to wriggle at the sensation, I push the head of the Hitachi against the underside of his balls. This is where the fun begins…

With his balls being stimulated, I lean down and wrap my lips around his cockhead, swirling my tongue. Clark groans so loud and for so long, it feels like his entire being will explode.

“May I please cum, Miss?” he yelps, his breathing fast-paced.

“Cum for me, Clark,” I confirm, watching as Clark’s tension ebbs away. His tightly shut eyes pop open and he cries out as his cock erupts into my eagerly awaiting mouth. After a few seconds, I realize he is still cumming and turn off the Hitachi, putting it to the side. I wait until his cock only twitches but doesn’t release any more spunk and I pull off of him in enough to catch him as he pitches forward.

“Clark, I’m taking off the ropes, ok?” I don’t wait for an answer as I make quick work of releasing his arms and sliding the ropes off of him. I roll him over on his back and see his eyes searching mine. “I’m right here baby, are you ok? I think that orgasm might have been a little too intense.”

“I’m…k. Yeah, in…tense. Thank you…Miss,” he stutters, a lazy grin on his face, cock still twitching.

“You did so good baby, I am so proud of you,” I croon, leaning Clark into my lap while I check his arms and chest for rope burns. When I see nothing to worry about, I run my fingers through his curls. “How are you feeling now, Clark?”

“I think a few brain cells are gone completely but it was so worth it. I think I was deep in subspace for a second there,” he smiles up at me, love beaming in his eyes.

“Yeah, I would say so. That means you really needed it,” I kiss the tip of his nose, “So, I think I know the answer, but for my own ego, how did I do?”

“You took such good care of me. I felt so safe with you. And the way you took charge and realized I needed to end the scene? That was perfect. I couldn’t ask for a better Domme. Thank you, baby,” He brings my face down to his and kisses me.

“You are very welcome. What do you say we go take a bath together and then watch some bad tv?” I smile down at him and wiggle my eyebrows at him.

“That sounds wonderful,” he chuckles and gets up from the floor, reaching his hand out to me.

I take his hand and allow him to lead me to the tub. We bathe and get dressed in comfy jammies and spend the rest of the night watching tv and cuddling.

**Tag List**

Henry Fanfiction: @astheskycries @enchantedbytomandhenry

Prompt screenshot:

#rabbitsmilestone23 #henry cavill fanfic #henry cavill #henry cavill characters #henry cavill fanfiction #henry cavill smut #henry cavill x reader #ellethespaceunicorn fanfic #clark kent #clark kent x reader #clark kent x black reader #clark kent x black!reader

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augustinajosefina · 6 months

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A request

Please suggest books to me! Preferably in the glove kink/lesbian space atrocities, urban fantasy or dark academia genres but I'll happily try any SF/fantasy at least once.

So far I've read and loved:

Before 2023

The Imperial Radch (Ancillary Justice/Sword/Mercy) - Ann Leckie

Jean le Flambeur (The Quantum Thief/The Fractal Prince/The Causal Angel) - Hannu Rajaniemi

The Windup Girl/The Water Knife - Paolo Bagicalupi

Memory of Water/The City of Woven Streets - Emmi Itäranta

2023

The Locked Tomb (Gideon/Harrow/Nona the Ninth) - Tamsyn Muir

The Masquerade (Traitor/Monster/Tyrant Baru Cormorant) - Seth Dickinson

Teixcalaan series (A Memory Called Empire/A Desolation Called Peace) - Arkady Martine

Machineries of Empire (Ninefox Gambit/Raven Stratagem/Revenant Gun/Hexarchate Stories) - Yoon Ha Lee

The Murderbot Diaries (All Systems Red to System Collapse) - Martha Wells

The Broken Earth (The Fifth Season/The Obelisk Gate/The Stone Sky) - N. K. Jemisin

Klara And The Sun - Kazuo Ishiguro

Xuya universe (The Citadel of Weeping Pearls/The Tea Master and the Detective/Seven of Infinities plus short stories) - Aliette de Bodard

This is How You Lose the Time War - Amal El-Mohtar and Max Gladstone

The Goblin Emperor/The Witness for the Dead/Grief of Stones - Katherine Addison

Some Desperate Glory - Emily Tesh

2024

The Invisible Life of Addie LaRue - V. E. Schwab

The Craft Sequence (Three Parts Dead/Two Serpents Rise/Full Fathom Five/Last First Snow/Four Roads Cross/Ruin of Angels) - Max Gladstone

Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution - R. F. Kuang

The Luminous Dead - Caitlin Starling

Last Exit - Max Gladstone

Dead Country - Max Gladstone

Read and liked:

The Moonday Letters - Emmi Itäranta

Great Cities (The City We Became/The World We Make) - N. K. Jemisin

Piranesi - Susanna Clarke

Autonomous - Annalee Newitz

Dead Djinn universe (A Master of Djinn/The Haunting of Tram Car 015/A Dead Djinn in Cairo/The Angel of Khan el-Khalili) - P. Djèlí Clark

Even Though I Knew the End - C. L. Polk

Station Eternity - Mur Lafferty

The Mythic Dream - Dominik Parisien & Navah Wolfe

Shades of Magic (A Darker Shade of Magic/A Gathering of Shadows/A Conjuring of Light/Fragile Threads of Power) - V. E. Schwab

The Stars Are Legion - Kameron Hurley

Ninth House/Hell Bent - Leigh Bardugo

Machine - Elizabeth Bear

Our Wives Under the Sea - Julia Armfield

She Is A Haunting - Trang Thanh Tran

Sisters of the Revolution - Jeff & Ann Vandermeer

Station Eleven - Emily St John Mandel

Was uncertain about:

Light From Uncommon Stars - Ryka Aoki

The Kaiju Preservation Society - John Scalzi

Paladin's Grace - T. Kingfisher

The House in the Cerulean Sea - TJ Klune

In the Vanishers Palace - Aliette de Bodard

Uprooted - Naomi Novik

And read and disliked:

To Be Taught, if Fortunate - Becky Chambers

A Psalm for the Wild-Built - Becky Chambers

The Priory of the Orange Tree - Samantha Shannon

The Calculating Stars - Mary Robinette Kowal

The Space Between Worlds - Micaiah Johnson

How High We Go in the Dark - Sequoia Nagamatsu

Shadow and Bone - Leigh Bardugo

(My pride insists I add that I have, in fact, read other books as well. Just to be clear.)

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todaysdocument · 9 months

Photo

Treaty Between the United States and the Quapaw Indians Signed at St. Louis, August 24, 1818.

Record Group 11: General Records of the United States Government

Series: Indian Treaties

File Unit: Ratified Indian Treaty 96: Quapaw - St. Louis, August 24, 1818

Image description: Detailed map of the area of Arkansas River and Mississippi River, with boundaries of red and blue; with an eagle on top left carrying olive branch in its beak; a Native American with a peace pipe on the left, presumably of the Quapaw tribe, pointing to the inscription:

Map of the Territorial Limits of the Quapaw cession

Compiled & Laid down by Rene Paul

August. 1818

Transcription:

[image: Detailed map of the area of Arkansas River and Mississippi River, with boundaries of red and blue; with an eagle on top left carrying olive branch in its beak; a Native American with a peace pipe on the left, presumably of the Quapaw tribe, pointing to the inscription:

Map of the Territorial Limits of the Quapaw cession

Compiled & Laid down by Rene Paul

August. 1818]

A treaty of Friendship, Cession and Limits made and entered into this twenty fourth day of August Eighteen hundred & Eighteen, by and be-

tween [between] William Clark and Auguste Chouteau, Commissioners on the part and behalf of the United States of the one part, and the Undersigned Chiefs,

and Warriors of the Quawpaw Tribe or Nation, on the part and behalf of this said Tribe or Nation of the other part. -

Art: I: The Undersigned Chiefs and Warriors for themselves and their s'd [said] Tribe or Nation do hereby acknowledge themselves to be under the protection of the United States, and

of no other State, Power, or Sovereignty whatsoever.

Art: II: The Undersigned chiefs and Warriors, for themselves and their said Tribe or Nation do hereby, for an in consideration of the promises and stipulations herein after named, Cede

and relinquish to the United States forever, all the Lands within the following boundaries, viz: Beginning at the mouth of the Arkansas River, thence extending up the Arkan-

saw [Arkansaw] to the Canadian fork and up the Canadian fork [to its source, thence south to Big Red river and down] that river to the Big raft, Thence a direct line so as

to strike the Mississippi River, thirty Leagues in a straight line below the mouth of Arkansaw, together with all their claims to land East of the Mississippi, and north of the Ar-

kansaw river, included within the couloured lines, 1, 2, and 3 on the above map: - with the exception and reservation following: that is to say, the tract of country bounded as follows;

Beginning at a point on the Arkansaw river opposite the present post of Arkansaw, and running thence a due South West course to the Washita river, thence up that river to the

[in pencil, faint] mouth of the Saline [/] Saline fork, and up the Saline fork to a point from whence a due North East course would strike the Arkansaw river [insert] at the little rock [/] and thence down the right bank of the Arkan-

[in margin, circled] 2-9 [/] saw to the place of beginning, which S'd [said] tract of land, last above designated and reserved, shall be surveyed and marked off, at the Expense of the United States, as

any State or Nation, without the approbation of the United States, first had and obtained.

Art III; It is agreed between the United States, and the said Tribe, or Nation, that the individuals of the S'd [said]Tribe or Nation shall be at liberty to hunt within the Territory by them

ceded to the United States, without hindrance or molestation so long as they demean themselves peacefully and offer no injury or annoyance to any of the citizens of the United

States, and until the S'd [said] United States may think proper to assign the Same, or any same or any portion thereof, as hunting grounds to other friendly indians.

Art IV; No Citizen of the United States, or any other person shall be permitted to settle on any of the lands hereby allotted to and reserved for the S'd [said] Quawpaw Tribe, or Nation, to live and

hunt on; Yet, it is expressly understood and agreed on by and between the parties aforesaid, that at all times the citizens of the United States, shall have the right to travel

and pass freely without toll or exaction through the Quawpaw reservation, by such roads or routes as now are, or hereafter may be, established.

Art V; In consideration of the cession and stipulations aforesaid the United States do hereby promise, and bind themselves to pay and deliver to the s'd [said] Quawpaw Tribe, or Nation, immediately

upon the execution of this Treaty, Goods and Merchandise to the value of Four Thousand Dollars, and to deliver, or cause to be delivered to them yearly, and every year, Goods and Mer-

chandise [merchandise] to the value of One Thousand Dollars to be estimated in the city, or place in the United States, where the same are procured, or purchased.

Art VI; Least the friendship which now exists between the United States, and the Said Tribe, or Nation should be interrupted by the misconduct of individuals, it is hereby agreed, that

for injuries done by individuals, no private revenge, or retaliation shall take place, but instead thereof, complaints shall be made by the party injured to the other. - By the Tribe, or

nation aforesaid, to the Governor, Superintendant of Indian Affairs, or some other person, authorized or appointed for that purpose, and by the Governor, Superintendent, or other person authorized

to the [crossed out] said [/] Chiefs of the S'd [said] Tribe, or Nation. And it shall be the duty of the Said Tribe or Nation, upon complaint being made as aforesaid, to deliver up the person or persons against whom the complaint is made, to the end that he or they may be punished agreeably to the Laws of the State or Territory where thee offence may have been committed; And in like manner, if any robbery,

violence, or murder, shall be committed on any indian, or Indians belonging to the Said Tribe, or Nation, the person, or persons so offending shall be tried, and if found guilty,

punished in like manner as if the injury had been done to a white man._ And it is further agreed that the chiefs of the said Tribe or Nation shall to the utmost of their power

exert themselves to recover horses or other property which may be Stolen from any citizen or citizens of the United States, by any individual or individuals of the Said Tribe, or

Nation, and the property so recovered shall be forthwith delivered to the Governor, Superintendent, or other person authorized to receive the same, that it may be restored

to the proper owner. And in cases where the exertions of the Chiefs shall be ineffectual in recovering the property stolen, as aforesaid, if sufficient proof can be obtain-

ed [obtained], that such property was actually stolen by an indian, or indians belonging to the Said Tribe, or Nation, a sum equal to the value of the property which has been stolen, may

be deducted by the United States from the Annuity of S'd [said] Tribe or Nation. And the United States hereby guarantee to the individuals of the Said Tribe, or Nation

a full indemnification for any horse, or horses, or other property which may be taken from [insert] them [/] by any of their citizens; Provided, the property so stolen cannot be recovered, and

that sufficient proof is produced that it may actually stolen by a citizen or citizens of the United States.

Art VII; This Treaty shall take effect and be obligatory on the contracting parties, as soon as the same shall have been ratified by the President of the United States,

by and with the advice and consent of the Senate.

[left column]

Done at St Louis in the presence of

[signed] R. Wash Secretary to the Commission

[signed] R. Paul Col. M. M.

C. I.

[signed] Jn Ruland Sub Agent & c

[signed] R Graham Ind Agt

[signed] M Lewis Clark

[signed] J. T. Honore Ind Intpr

[signed] Joseph Bonne Interpreter

[signed] Julius Pescay

[signed] Stephen Julian, U.S. indn interpt.

[signed] James Loper

[signed] William P Clark

[middle column]

[signed] Wm Clark

[signed] Aug. Chouteau [seal]

Kra-ka-ton, or }

the dry man } his + mark [seal]

Hra-da-paa, or }

the Eagles Bill } his + mark [seal]

Ma-hra-ka, }

or Buck Wheat } his + mark [seal]

Hon-ka-daq-ni his + mark [seal]

Wa-gon-ka-datton his + mark [seal]

Hra-das-ka-mon-mini, }

or the Pipe Bird } his + mark [seal]

Pa tonq di, or the }

approaching Summer } his + mark [seal]

Te hon ka, or the }

Tame Buffaloe } his + mark [seal]

[right column]

Ha-mon-mini }

or the night walker } his + mark [seal]

Washing-tete-ton }

or mocking bird bill } his + mark [seal]

Hon-te-ka-ni his + mark [seal]

Ta-ta-on-sa or }

the whistling wind } his + mark [seal]

Mozate te } his + mark [seal]

#archivesgov #August 24 #1818 #1800s #Native American history #American Indian history #Indigenous American history #Quapaw #Indian treaties

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thatslayer · 13 days

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Always and Forever. That was the promise made, and yet the Mikaelsons have gone their separate ways. Klaus is rumored to have remained in New Orleans, but he so rarely leaves The Abattoir that no one knows for certain. The city thrives under the heavy hand of Marcel Gerard, and all is humming along smoothly until the ground starts to rumble beneath St. Anne's church. A new mouth of hell bubbling up power like a beacon, attracting vampires, demons and the forces of darkness.

Immortal Beloved is a casual panfandom group verse and discord server spanning The Vampire Diaries, Buffy the Vampire Slayer, Teen Wolf, Supernatural (other like-fandoms welcome) and is vaguely set in the first two-ish seasons of The Originals. Plot-heavy group. Accepting canons and OCs are welcome and encouraged to join! Note: OCs must not have pre-established relationships with canon characters without prior discussion. Group is friendly and supportive! Contact @thatslayer or @phdinrage for info, or just add faithlehane on discord!

THE CAST

The Originals/The Vampire Diaries

Klaus Mikaelson ; @thisbloodlust Elijah Mikaelson ; @enduringlystoic Rebekah Mikaelson ; Discord Muse Kol Mikaelson ; @worthbeinggoodfor Finn Mikaelson ; @astormymind Stefan Salvatore ; @destroyedbyguilt Damon Salvatore ; @damonstevedore Bonnie Bennett ; @littlebennettbitch Katherine Pierce ; @bourbonandheels Marcel Gerard ; @onegativeandtequila Davina Claire ; @fallenregent Hayley Marshall-Kenner ; Discord Muse Jackson Kenner ; Discord Muse Kai Parker ; @sociopathicryanreynolds

Aya Al-Rashid ; Discord Muse

Buffy the Vampire Slayer/Angel

Buffy Summers ; @insufferablemonsters Angel ; @shanshu Faith Lehane ; @thatslayer Willow Rosenberg ; Discord Muse Xander Harris ; @strangeandoffputting Rupert Giles ; Pending Spike ; Discord Muse Whistler ; Discord Muse

Teen Wolf

N/A

Supernatural

Dean Winchester ; @pulledfromhell Sam Winchester ; @samattheend Rowena MacLeod ; Discord Muse

Grave Encounters

Lance Preston ; @demcnsinmymind

Percy Jackson

Lou Ellen Blackstone ; @nosestealer

The OCs

Maria Gonzales (Vampire Slayer) ; Discord Muse Robin Clark (Human) ; Discord Muse Jedi Collins (Witch) ; @jedicollins Chase Preciado (Werewolf) ; Discord Muse Gael Morrow (Psychic Medium); @misfitpuzzlepieces Irina Rybar (Feral Revenant) ; @misfitpuzzlepieces

#{ ------------time out. ( ooc )#v ; immortal beloved #Find me here on discord!

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worldgonewrongpod · 2 months

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TIME FOR A PARTY! APRIL 6, 2024 in CHICAGO IL

If you're in the Chicago area, we hope you'll join us at Whiskey Girl Tavern to celebrate the launch of World Gone Wrong: a fictional chat shot at the end of the world!

It's a lovely space with lots of comfy seating, and we'll be hyping up the show and sharing a set from Olivia and the Lovers- who wrote the song we're using as a theme!

tl;dr: Launch party for World Gone Wrong

Saturday, April 6 at 8pm

Whiskey Girl Tavern- 6318 N Clark St, Chicago, IL 60660

Free!

Music from Olivia and the Lovers, good times, etc~

An RSVP here helps us plan with the venue

#world gone wrong #world gone wrong podcast #unwell podcast #live events #audio fiction #chicago

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theodorecanaryhood · 2 years

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The SuperBat story

Batboy and Superboy love story!

Jonathan Kent x Y/n Wayne

‘Your left’ Superboy shouted as you back flipped over a machete, giving a swift roundhouse kick to the thugs chest.

Superboy grabbed a guys collar as he lifted off the ground, dropping him down onto a car bonnet.

You threw a Batarang as a distraction as you jump kicked then threw a hard punch, the last thug you kicked in the face then slammed his head into a window. Knocking him out.

‘Emotional damage’ Superboy exclaimed as you smiled a little.

‘Hungry?’ You asked him, to which Superboy nodded.

…

Shirt and trousers, slicked back smart hair as the two of you sat in the Iceberg lounge, Jonathan ordering your drinks.

‘So, gonna explain why this is your favourite bar considering it’s owned by your Dad’s enemy?’ Jonathan asked you, you only smiled.

‘I like the atmosphere’

Your drinks came as you clinked your glasses together, taking a swig when one of your favourite songs came on.

‘Oh, I love this song. Want to dance Kent?’ You asked, cheerful as Jonathan seemed reluctant.

Taking your hand and walking with you to the dance floor, the two of you danced together with your drinks.

It felt so satisfying to be able to be open and free without judgment. At least for now, the two of you could be each other’s and do normal couple things.

‘Feels so good not hiding’ Jonathan smiled, leaning down and kissing you.

‘I love you’ you slipped out the words as Jonathan went wide eyed.

You panicked internally as you saw the look on his face change, you couldn’t take back the words as you’d already said them out loud.

‘You don’t have to say it back, just wanted to let you know’ you saved yourself, Jonathan still stared at you.

Almost like he was trying to detect a lie in you while he listened to your heartbeat, hearing it stayed the same apart from when it jumped as Jonathan took your hands in his.

‘Y/n, I think it’s time we become official, like to the families’ he spoke clearing his throat, insinuating he and yourself finally tell everyone the truth.

Your ‘friendship’ has been going on a while and no one knows, even your Dad being the worlds greatest detective and your boyfriends Dad being Superman. They still could never see.

‘I think you’re right’ you nodded, kissing your boyfriend deeply, him smiling into it and kissing you back.

The two of you carried on drinking a bit more and dancing along to the music, an older guy kept staring at the two of you. Standing hand in hand as you both smiled.

‘Some people are gay dear’ you laughed as you walked out with Jonathan.

Arriving at Wayne Manor in your Uber it was a weird feeling, usually the two of you would arrive and get out separately. Walk up and act like you were both just friends.

The last kiss being before you left a bar or club, but this time you felt brave enough to walk up holding Jonathan’s hand.

‘Right, ready?’ He asked you as you walked in together.

You only nodded as Alfred approached the two of you, with his gentle smile he always carried.

‘Evening Sir’s, how was your night?’ Alfred asked you as you stood in the hallway.

‘Was great Pops, is everyone still here?’ You asked as you saw Alfred notice the two of you, holding hands.

‘Yes master y/n, in the dining room’ Alfred said as he pat you both on the back.

You walked in first not holding hands as to not get questions asked straight away, taking a deep breath as your heart thumped.

‘Babe, relax, my Dad will hear your heartbeat straight away’ Jonathan said, running your arm to calm you down.

‘Ok’

‘Hey you two, have a good night?’ Dick asked as he leaned back in his seat.

Everyone turned to face you both as you stood in the walkway to the dining room.

‘Come in y/n, no need to be shy’ Clarke said as the two of you walked into the room and stood in front of everyone.

‘We need to tell you all something’ Jonathan broke the silence, everyone stared intrigued.

‘Dad, I’m bisexual’ Jonathan blurted out, Clarke didn’t seem angry. He smiled and pulled his son in for a hug while Clarke stayed seated.

‘And Dad, I’m gay’ you spoke to your Dad, and your Brothers who all smiled gently to you.

‘And?’ Jason said, shrugging his shoulders as you choked up a little.

‘There’s also something else, Dad, Bruce, me and y/n we’re uh, together’ Jonathan said as he intertwined his fingers with yours.

‘And I love him, he also loves me’ Jonathan finished as he looked in your eyes.

‘You do?’ You asked, Jonathan nodded as he gave you a kiss.

‘Well, that’s a turn of events but I can’t say I’m surprised’ Bruce said as he stood up.

‘Y/n, when you were younger you used to be obsessed with boy bands and you even said you wanted to marry someone like you’re school friend Kyle. I’ve also had a theory for a while that the two of you would be a cute couple if you ever had the chance’ Bruce said, Dick smiling at you the whole time.

‘You’re still my son, and I still love you no matter what’ he continued as he pulled you in for a hug.

‘And Jonathan, you know you can talk to me about anything and I will never judge you, I’d never judge you for this, y/n is an amazing man and so are you’ Clarke said to Jonathan as he hugged him.

Jason and Dick stood up to hug the two of you as Bruce then hugged Jonathan. Following with Tim, Damian and Alfred following after.

‘Ok, so I guess there’s no need to hide anymore’ Jonathan laughed, taking your hand again.

‘But know this Kent, you hurt my little brother I will show up to your apartment with my favourite pistol’ Jason stepped in, you looked at Jonathan.

‘He means it’ Tim whispered, Jason then cracked a bright smile as he urged the two of you to sit with him.

‘So, tell us about how you guys got together’ Clarke said as the two of you spoke the rest of the time, telling everyone about how you got together.

It felt indescribable to have your family sitting with you, listening to you and your stories, still wanting you to be in the family.

Love was always around and is in many different forms, sometimes you don’t always have to travel far to find it.

#superboy #superboy x reader #superboy x male reader #jonathan kent #Jonathan Kent x reader #Jonathan Kent x male reader #superman #batman #gotham #lgbtq #lgbt rights #lgbtq positivity #gay fanfiction #bisexual #gay superheroes

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heavenlyyshecomes · 10 months

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can you please ecommend your most well-loved sff books? 💙

remembrance of the earth's past trilogy, cixin liu tr. ken liu + joel martinsen

the broken earth trilogy, n. k. jemisin

the green bone saga, fonda lee

sea of tranquility, emily st. john mandel

annihilation, jeff vandermeer (part of the southern reach trilogy but i haven't read the entire thing yet)

piranesi, sussanna clarke

spirits abroad, zen cho

blood over bright haven, m. l. wang

invisible planets ed. ken liu

the paper menagerie and other stories, ken liu

rolling in the deep, mira grant

the memory police, yoko ogawa tr. stephen snyder

the luminous dead, caitlin starling

severance, ling ma

#please dont come for me w this isnt sf(f) lmao i barely read this genre #asks #book recs #ref: mine #ref

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ifuckinglovestvincent · 1 year

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St. Vincent on How Her Love of Podcasts Led to Narrating Audible’s Rock History Series — and Why She Relates to Skynyrd’s Episode as Much as Bowie’s

By Chris Willman

Annie Clark, better known to most as recording artist St. Vincent, first took a step out of rock ‘n’ roll and into “voice work,” as it were, when she wrote and recorded a compelling original audiobook, “Words + Music,” for Audible in 2020. Now she’s taking a step further into the realm of pure narration as the host of a new six-episode podcast series, “History Listen: Rock,” which premiered on the Audible service in January. She didn’t write the series, which produced by Double Elvis, creators of the lauded “Disgraceland” podcast, among others. But f you’re a fan of St. Vincent’s through material like “Daddy’s Home,” there’s a good chance you’ll take to her intonations as she speaks into life some well-crafted mini-histories of rock, from the R&B of the ’40s and ’50s through folk, psychedelia, punk, metal and (the arena where she’s picked up her three Grammys) alternative rock.

Variety spoke with her about her love for the medium and some of the genres and artists covered in the new series, which can be found here.

Was doing the autobiographical audiobook a few years ago the thing that was a gateway drug into narrating something that’s not about yourself?

No. I mean, honestly, I probably listen to more podcasts than music, so it’s just a genre and a medium that I am intimately involved with and intimately familiar with. So, you know, there’s certain things I’m aware of that, if I’m listening to a podcast, I cannot abide — like a dry mouth. I stay very hydrated. You’ve gotta have that Poland Spring, just right there at the ready.

No, really, I listen to so many podcasts, and I was also a fan of “Disgraceland” and some of the other Double Elvis things — that brand, shall we say, of podcasters. And I love narrating, and I’d love to do more of it. I was excited when they asked me to do it, and I learned things too, definitely, doing the podcast, so for sure that’s a two-thumbs-up for me.

It is a medium that I’m kind of obsessed with. I mean, I just consume an insane amount of them. But not the murder ones anymore. I’m good on on female pain as entertainment for a minute. That’s stopped feeling OK, personally.

Does developing a speaking style differ from the work any singer does to find his or her own voice?

It’s a bit more like acting. The only tool you have at your disposal is the tone of your voice, is the inflection, is the cadence. So in that way, it was a discovery, a little bit, using my voice just.as a different kind of instrument. I found it really informative. I think everybody remembers the first time they heard their own voice back, on an answering machine or something, and went, “Ooh, I sound like that?” In terms of the actual narration part, I had a couple hiccups there. I was like, “Oh, no, just go a little lower.” The podcast voice is a little lower than my, natural chit-chat. It’s interesting to discover that. I was lucky enough that I was able to record it by myself in my studio, so I got to experiment and play and not worry if I messed up on some of the tongue twisters, and to make sure that the meaning of the words was never lost in my inflection.

I didn’t know if you were the kind of person who reads a lot of music biographies or just picks things up through other means.

I’m more of a person who has the kind of stories that you swap in the studio. And of course those are stories that don’t necessarily have a journalistic rigor that these do. But I definitely liked reading the Miles Davis autobiography by Quincy Troupe — I know thst sounds funny, to say that his autobiography was by Quincy Troupe. I found that very, very fascinating, and I recently read the Sammy Davis Jr. autobiography. But for the most part I kind of like to engage with it in a more organic way than necessarily reading autobiographies.

I’m not a historian. I am obviously very knowledgeable about what I know. But this is, I think, a nice overview for people who are fans of rock music, from a very casual fan to someone even more invested. Because you get the real stories and kind of the guts and the glory of the different scenes, and also so much of the roots of rock and roll. There’s so many things that it’s sort of crazy that they were even able to distill it down to what they were able to distill it down to. I think it’s a good, fun listenand overview for people who really care or are just casual listeners and just want to have a little bit more context.

Did some of the episodes appeal to you more than others? People would think, well, of course, she has a gravitation toward punk or alternative or glam, and maybe less so, say, Southern rock…

No — I mean, hey, I learned “Sweet Home Alabama” on the guitar when I was 12! I know it well. I’m well-versed in the classic rock staples.

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Is there anyone that jumps out at you from the early days of rock ‘n’ roll as someone especially interesting or a kindred spirit?

Of the stories that we covered, I’d say there is no Prince and there is no Bowie without Little Richard. I mean, he was so slick, and such an incredible performer, and to be playing with gender and sexuality and all of those things at that time was just pretty staggering. You don’t have rock ‘n’ roll without Little Richard, that’s for sure.

How about the folk era?

I’m more a fan of the politics of that man-on-the-street style of songwriting than I am necessarily aching to put on an Arlo Guthrie record. But I appreciate its point in history.

There is an episode on what is described as psych-rock, and having seen your “Daddy’s Home” tour, where it feels like you mixed in some of that along with the soul-revue aspects, it seemed like you might have some affinity for those late-’60s sounds of early Pink Floyd and such.

I think harmonically, it really started to just blow wide open in the ’60s, whether it’s the Beatles or the Beach Boys, and then add a healthy dose of acid into that, and people were like, “I want to see colors that don’t exist yet,” you know? To me that music is very visual. I mean, you go, like, “This guitar’s melting, and then those drums are dripping, and then the bass is all swirling around with it…” I’m sorry, I’m going poetic with it.

Since you mentioned the Beach Boys, you just performed one of their songs at the taping for a “Grammy Salute” special (airing later in the year). How was that?

It was really sweet. Brian Wilson looks great, he really does. “You Still Believe In Me” was the song I sang, and I’ve always loved that song so much. It’s amazing to get to sing the song for the person who wrote it, to say thank you. I mean, I’m not supposing that’s some big gift. [Laughs.] “You’re welcome, Brian Wilson!” But just to honor and get to kind of do your best in front of the people who made it is very special. I did one last year when I got to sing “Court and Spark” for Joni Mitchell [at the MusiCares person of the year dinner]. It’s very moving personally.

Going back to the episodes of the podcast: You mentioned earlier that Southern rock is in your wheelhouse, or at least was part of the wheelhouse of growing up.

Yeah, it totally is. I mean, I’m a kid from Texas. I know the Skynyrd catalog. I’m a guitar player — you know what I mean? I know “Free Bird.” So of course that was just part of the canon. And Duane Allman, I always loved his playing. So I know it, yeah. To me, the sort of current Duane Allman is Derek Trucks. Jesus Christ, what a beautiful player. You see the sort of Allman to-Trucks kind of line. I’m a guitar player who doesn’t care that much about guitar, but I’m just truly just like, what a transcendental player, Derek Trucks. Such a voice. Oh man, what a stunning player.

Glam is something that people automatically assume is part of your background and what informed you. Did anything from that episode bring up any particular love of yours?

Yeah, I mean, I think I always have just thought of Mark Bolan as cool. I didn’t realize that there was such a major kind of backlash against him where the British press really kind of went after him. It’s Mark Bolan — what’s the problem? And I know he died young anyway, but it made me quite sad for Mark Bolan. As far as the Bowie glam era, obviously that is unbelievable and iconic. For me, I’m a kind of Berlin Bowie gal, if I had a gun to my head. I’m kind of a “Low” gal… or a “Station to Station” gal, shall we say.

But I mean, just the theatricality of it… it’s the age-old question of: What are you selling? Some people are selling you authenticity, and then some people are selling you a dream, selling you magic. And I’d rather be kind of in the latter camp. We’ve talked about this with “The Nowhere Inn” [her satirical film that deals with issues of authenticity]… So, I sell the magic.

Finding authenticity in showmanship is one of rock ‘and’n’ roll’s great tricks. And certainly something you’ve been able to do is write emotionally meaningful songs, presented in a way that takes you somewhere else other than basic street reality all the time.

I mean, that’s the call, to just absolutely go for the heart and go for the jugular. But with some acid dust kind of sprinkled on top, it’s more fun, you know?

Anything about punk, metal or alternative, as explored in this podcast, you would want to speak to?

Yeah, one thing from punk that I will say… You know, again, it’s not a complete history of anything. It’s really entertaining, bitesize chunks of a trajectory. But I wish we could have talked more about bands like the Slits or Siouxie and the Banshees or the Raincoats. So if anybody sees this article, also go check out the Slits, Siouxsie and the Raincoats, et cetera, et cetera, forever and ever.

Last summer you finally wrapped up several rounds of touring behind the “Daddy’s Home” album. Any quick promises you would want to make anyone for 2023?

It’s gonna be a great year. Gonna be a great year. I’m in my studio right now.

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#ily #st vincent #annie clark #interviews #audible #❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

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queeryouthautonomy · 1 year

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State march masterpost (updated as information comes in!)

All times are local time unless otherwise specified. Reblogs are off because this is a living, regularly updated post; please see our website or send an ask for more information! Post you can reblog is here. Alabama: Florence—114 W Mobile St -> 200 S Court St, 3/31, 3:30pm (link) Montgomery—Alabama State House, 3/31, 1pm (link)

Alaska: Anchorage—Dimond Center -> Costco Wholesale, 3/31, 12pm

Arizona: Prescott—Prescott Courthouse, 3/31, 2pm Sierra Vista—Fry and Coronado -> City Hall, 3/31, 3pm (link) Tuscon—Tuscon City Hall, 3/31, 4pm (link)

Arkansas: Eureka Springs—Basin Spring Park, 3/31, 6pm (link) Little Rock—Lucie’s Place, 3/31, 6pm Marion—Brunetti Park -> Marion City Hall, 3/31, 5pm

California: Castro Valley—Castro Valley High School (non-students please join in once the protest has left school grounds) -> Corner of Redwood Rd and Castro Valley Blvd, 3/30, 3:35pm (link) Fresno—N Blackstone Ave & E Nees Ave, 3/31, 4pm (link) Hollywood—Corner of Sunset & Vine, 3/30, 4:15pm Merced—3055 Loughborough Dr -> Laura's Fountain -Applegate Park 1045 W 25th St, 3/31, 4:30pm (link) Pomona—Pomona Pride Center 836 S -> City Hall, 3/31, 4pm (link) Riverside—Back To The Grind Coffee Shop –> Riverside City Hall, 3/31, 4pm (link) Sacramento—Capitol Complex, 3/31, 12pm (link) San Diego—Balboa Park at the Bea Evenson Foundation -> El Prado, 3/31, 5pm San Francisco—Corner of Turk & Taylor -> City Hall, 3/25, 11am (link) | Patricia's Green -> City Hall, 3/31, 2:15pm (link) San Jose—San Jose City Hall, 3/31, 5:30pm (link) Santa Ana—Brad Brafford LGBT Center on 4th, 3/31, 6pm (link)

Colorado: Denver—Civic Center Park, 3/17, 8:30pm | West Steps of the Capitol, 3/24, 11am (link)

Connecticut: Bristol—131 N Main Street, 3/31, 1pm Fairfield—Upper Quad of Sacred Heart University, 3/31, 4pm New Haven—corner of Chaple and Church St, 3/31, 4pm

Delaware: Wilmington—Delaware Historical Society –> Rodney Square, 3/31, 6pm (link)

District of Colombia: Union Station -> US Capitol, 3/31, 3pm (link)

Florida: Altamonte Springs—3/31, 9am (link) Naples—Cambier Park, 3/31, 6pm (link) Ocala—Pine Plaza -> City Hall, 3/31, 3:30pm Orlando—Dr Philips Performing Arts Center, 3/31, 11am Port Orange—Corner of Yorktowne Blvd. and Dunlawton Ave -> Port Orange Regional Library, 3/31, 4:30pm Tallahassee—state Capitol building, 3/31, 2pm (link) Venice—Town Center -> Venice Beach, 3/31, 10:30am

Georgia: Atlanta—state Capitol building, 3/31, 12pm (link) Dalton—3/31, 11am (link) Gainesville—Gainesville Square –> Jesse Jewell Parkway (in front of CVS), 3/31, 5pm Savannah—Forsyth Park -> City Hall & back, 3/31, 6pm

Hawaii: Honolulu—state Capitol building, 3/31, 3:30pm

Idaho: Boise—TBD Shelley—Shelley City Park, 3/31, 2pm

Illinois: Champaign—McKinley Foundation Church Chapel, University of Illinois, 3/31, 5:30pm Chicago—Grant Park, 3/31, 5pm Rockford—1005 5th Ave, 3/31, 5pm (link) Streamwood—7 Augusta Dr –> 7 S Sutton Rd, 3/31, 8am (link)

Indiana: Fort Wayne—Boone Street Playlot -> Allen County Courthouse, 3/23, 3pm (link) | Allen County Courthouse, 3/31, 5pm (link) Hanover—Hanover College Quad, 3/31, 1pm Indianapolis—433 N Capital Ave -> 1 Monument Circle, 3/31, 3pm Terre Haute—Terre Haute Courthouse, 3/31, 5pm

Iowa: Des Moines—state Capitol building (West Capitol Terrace Stage), 3/31, 6pm (link) Dubuque—Dubuque Courthouse -> Washington Park, 3/31, 4pm (link) Iowa City—Pentacrest -> Wesley Center, 3/31, 6pm (link)

Kansas: Lenexa—Lenexa Rec Center -> City Hall, 3/31, 5pm Topeka—state Capitol building entrance, 3/31, 5pm (link) Wichita—121 E Douglas Ave, 3/31, 4pm (link)

Kentucky: Frankfort—front of Annex Building, 3/29, 9:30am (link) | Kentucky State Capitol, 4/8, 1pm (link) Lawrenceburg—Anderson County Courthouse -> 44 Anna Mac Clarke Ave, 4/3, 3pm (link) Lexington—Robert F. Stephens Courthouse Plaza, 3/31, 4:30pm | Outside of the Old Fayette County Courthouse, 3/31, 6pm

Louisiana: Lake Charles—Prein Lake Park, 3/31, 12pm New Orleans—Washington Square Park 700 Elysian Fields Ave, 3/31, 5pm (link)

Maine: Bangor—West Market Square, 3/31, 6pm Portland—456 Congress St, 3/31, 6pm (link) Rockland—Intersection of Main Street and Park Street (near Walgreens and Maine Sport) –> Chapman Park, 3/31, 5:30pm

Maryland: Baltimore—400 E Biddle St, 3/31, 5pm Oakland—32 Oak St –> 305 E Oak St, 3/31, 3pm (link)

Massachusetts: Boston—state house, 3/18, 11am (link) | state house, 3/28, 10am (link) Sunderland—North Star, 45 Amherst Road, 3/31, 12pm

Michigan: Detroit—Woodward-Warren Park, 3/31, 5pm (link) Fenton—Rackham Park, 3/31, 6pm (link) Grand Rapids—Downtown, 3/31, 5pm Lansing—state Capitol building, 3/31, 11am

Minnesota: Saint Paul—state Capitol building, 3/31, 9am (link)

Mississippi:

Missouri: Columbia—701 East Broadway Blvd, 3/31, 5:30pm (link) | Uptown Columbia –> Downtown Columbia, 4/15, 9am Jefferson City—Missouri State Capitol, 3/29, 2pm (link) St Louis—11911 Dorsett Rd –> 715 NW Plz Dr, 4/27, 1pm

Montana: Missoula—Missoula Courthouse, 3/31, 5pm (link)

Nebraska: Lincoln—state Capitol building, 3/31, 5:30pm

Nevada: Las Vegas—Las Vegas TransPride Center -> The LGBTQ Center of Southern Nevada, 3/31, 11am (link)

New Hampshire: Keene—Keene State College Campus Main Entrance -> Center Square, 3/31, 5pm (link)

New Jersey: Flemington—Flemington Historic Courthouse -> Flemington DIY, 3/31, 3:45pm (link) Trenton—State House, 3/31, 3pm (link)

New Mexico: Albuquerque—Civic Plaza, 3/31, 5pm Santa Fe—State Capitol -> the Attorney General's office, 3/31, 11am

New York: Albany—Washington Square Park -> Capitol Park, 3/31, 1pm Canandaigua—7 Mill St, 3/31, 3pm Forest Hills—Forest Hills Station, 3/31, 2:30pm New Paltz—SUNY New Paltz Campus, 3/31, 3:30pm New York City—Union Square -> Washington Square Park, 3/31, 5pm (link) | Times Square, 3/31, 5pm Penn Yan—Yates County Courthouse, 3/31, 3pm (link) Plattsburgh—Hawkins Pond -> Samuel Champlain Monument Park, 3/23, 3pm Utica—Genesee-Parkway Intersection, 3/31, 5pm Westchester—SUNY Purchase College, 3/31, 5pm

North Carolina: Asheville—TBD Mooresville—Freedom Park -> Town Hall, 3/31, 2:30pm (link) Raleigh—John Chavis Memorial Park, 3/31, 1pm Wilmington—Historic Thalian Hall Steps, 3/31, 5pm (link)

North Dakota:

Ohio: Cleveland—Free Stamp @ Willard Park -> City Hall, 3/31, 4pm Cleveland Heights—City Hall, 3/31, 11am (link) Columbus—Goodale Park, 3/31, 5pm Dayton—Lily’s Dayton (329 E 5th St) –> Courthouse Square (23 N Main St), 3/31, 4pm Lakewood Park—Lakewood Park, 3/31, 4pm (link) Madison—Madison Village Square Park, 3/31, 4pm (link)

Oklahoma: Oklahoma City—Supreme Court of Oklahoma -> state Capitol building, 3/31, 5pm Tulsa—Central Library, 3/31, 4pm (link)

Oregon: Bend—Drake Park, 3/31, 5pm Hillsboro—Civic Center -> 145 NE 2nd Ave, 3/31, 5pm Medford—Vogel Plaza 200 E. Main Street, 3/31, 4pm Portland—Tom McCall Waterfront Park -> Pioneer Courthouse, 3/31, 2pm

Pennsylvania: Harrisburg—state Capitol building, 3/31, 1pm (link) Oil City—Oil City -> Franklin, 3/31, 8am Philadelphia—Temple University Bell Tower, 3/29, 1pm (link) | City Hall, 3/31, 6pm (link) Pittsburgh—City County Building, 3/31, 5pm (link)

Rhode Island: Providence—the Wheeler School -> state Capitol building, 3/31, 11:30am

South Carolina: Columbia—State House Grounds, 3/31, 2pm Greenville—300 S Main St, 3/31, 3pm (link)

South Dakota: Brookings—City Council Building, 3/31, 5pm (link) Rapid City—Main Street Square, 3/31, 5pm

Tennessee: Knoxville—Downtown Hilton, 3/31, 10:30am (link) | Gay Street & Market Square (where the water fountain markers are), 3/31, 2pm Memphis—Civic Center Plaza, 3/16, 4pm

Texas: Amarillo—Amarillo Chamber of Commerce -> Potter County Courthouse, 3/31, 5pm Austin—state Capitol building, 3/20, 9am (link) Dallas—Main St Garden Park 1902 Main St, 3/18, 12pm (link) | Pacific Plaza, 3/31, 3pm Houston—Discovery Green Park -> City Hall, 3/31, 11:30am Killeen—101 N College St -> 1114 N Fort Hood St, 3/31, 5:30pm Lubbock—Mahon Library parking lot -> county Courthouse, 3/31, 5pm San Antonio—San Antonio Courthouse, 3/31, 6:30pm (link)

Utah: Salt Lake City—state Capitol building, 3/31, 5pm (link)

Vermont: Montpelier—Montpelier State House, 3/31, 12pm (link)

Virginia: Richmond—Open High School -> state Capitol building, 3/31, 3pm

Washington: La Center—by the bridge into town, 3/31, 5pm Olympia—Heritage Park -> state Capitol building, 3/31, 3:30pm Seattle—SeaTac Airport Station, 3/31, 1pm | Volunteer Park -> Seattle Courthouse, 3/31, 4pm (link) Spokane—Cracker Building, 3/18, 12pm (link) Walla Walla—Pioneer Park -> Land Title Plaza, 3/31, 3:45pm (link) Wenatchee—Memorial Park, 3/31, 4pm

West Virginia: Charleston—3/31, 4:30pm

Wisconsin: Appleton—Houdini Plaza, 3/31, 10am (link) Janesville—Corner of East Court Street/Jackman Street -> Corner of West Court Street/South Locust Street, 3/31, 2pm Kenosha—Civic Center Park, 3/31, 12pm Madison—Library Mall, 3/18, 2:30pm (link) | 534 State St –> Wisconsin State Capitol, 3/31, 12pm Milwaukee—TBD

Wyoming:

CANADA: Toronto, Ontario 3/17, 3pm, US Consulate (link)

#queer youth assemble #march for queer and trans youth autonomy #queer youth #queer pride #queer #trans healthcare #trans rights #trans #trans day of visibility #transgender #activists #activism #youth rights #protest

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