no bc the way angelina johnson dated fred and then married george 💀💀 girlypop really said “oh no!! my boyfriend!! he’s dead!! that is so sad ☹️ oh well rip rest in peace frederick i’m gonna go fuck ur brother 😍”

oh to be at an irish pub right now

No it's not that I don't appreciate the flirting, I just wish you wouldn't do it while I'm in the middle of vivisecting you. Yes I know that it's really hot when I'm covered in your blood elbow deep in your chest cavity that's why I keep vivisecting you. But I keep getting flustered and dropping your liver and its really slippery so I keep dropping it over and over again leading to very comedic slapstick comedy where I slip on your blood and fall over really funny

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

It saddens me that Helen of SPARTA is mostly known as Helen of TROY. As if she wasn't born, raised, and most likely, died in Sparta. Yes, she was of TROY for a while...But she was able to go back home to where she WANTED TO BE.

(Edit: Hating on Menelaus is illegal)

what in the rom com did i just watch

Seeing comments on Facebook like “Buck was always a ladies man” or “he’s never shown any interest in guys before” is why this story arc is so important.

Bisexual people exist and so often get dismissed or told to pick a side or that they just can’t commit to being gay or some other shit.

Just because you show a preference to one gender doesn’t mean you can’t be attracted to another.

And you don’t have to have your sexuality figured out at a certain age! It’s fluid! It changes! You could not discover something about yourself until you are away from toxic noise and finally are in a place where you feel safe.

I’m just .. I’m so thankful for Oliver and Tim and how they’re wanting to tell this story.

Especially Oliver.

He loves Buck so much and he sees the bi community and he wants to give them the best representation he can.

*sighs*

just yeah .. this story arc is important and Oliver is cradling it so gently in his hands because he knows how precious it is

The genders? Yeah, I know those. I'm aware of them. There's:

Monster high doll

Mad scientist

Clown, or jester or mime of some sort

creature made of mist that sits and listens

the loch ness monster

supervillain

superhero

librarian with a mysterious white streak in their hair

box of deer teeth

robot from outer space

look it’s the girlies <3

Hey, Horrormaster Sims. I have a wildly different question that barely relates to TMA (Sorry about that) but its about your own process. Please, if you could, can you tell me how your first drafts made you feel? I'm on the fence about writing my own thing (not a podcast, and again, not Magnus related, though I have a million little aus for that delightful tragedy you wrote, thank you for that!) But I'm discouraged by the collective notion that first drafts are always terrible, because there's no ... examples I can solidly use to help the dumb anxiety beast in my brain that tells me everyone who is in any way popular popped out a golden turd and not, well, you know. One of my friends said 'Oh I bet Jonathan Sims's first draft was nothing like what he wanted' and I got the bright idea to just. Send you an ask, since you're trapped on this hellsite like I am. Anyway, thanks for reading this (if you do) and if you'd rather ask it privately, I am cool with that. Alternatively, you're a hella busy man with Protocol (you and Alex are making me rabid, i hope you know) and you can just ignore this! Cheers, man, and good words.

To my mind all writing advice, especially stuff that's dispensed as truisms (like "first drafts are always garbage") are only useful inasmuch as such advice prompts you to pay attention to how you write best: what helps your workflow, what inspires you, what keeps you going through the rough bits. There are as many different ways to write (and write well) as there are people who write and so always consider this sort of thing a jumping off point to try out or keep in mind as you gradually figure out your own ways of writing.

On first drafts specifically, I think the wisdom "all first drafts are bad" is a bit of unhelpful oversimplification of the fact that, deadlines notwithstanding, no piece of writing goes out until you decide its ready, so don't get too hung up on your first draft of a thing, because a lot of writers find it much easier to edit a complete work than to try and redraft as they go. It's also important to not let perfectionism or the fact your initial draft isn't coming out exactly how you want stop you from actually finishing the thing, as it's always better to have something decent and done than to have something perfect and abandoned.

But the idea of a "first draft" is also kind of a fluid one. The "first draft" you submit to someone who's commissioned you will probably be one you've already done a bunch of tweaks and edits to, as opposed to the "first draft" you pump out in a frenzy in an over-caffeinated weekend. For my part, my first drafts tend to end up a bit more polished than most, because I'm in the habit of reading my sentences out loud as I write them (a habit picked up from years of audio writing) so I'll often write and re-write a particular sentence or paragraph a few times to get the rhythm right before moving to the next one. This means my first drafts tend to take longer, but are a bit less messy. I'm also a big-time planner and pretty good at sticking to the structures I lay out so, again, tend to front load a lot of stuff so I get a better but slower first draft.

At the end of the day, though, the important thing is to get in your head about it in a good way (How do I write best? what helps me make writing I enjoy and value? What keeps me motivated?) and not in a bad way (What if it's not good enough? What if everyone hates it? What if it doesn't make sense?) so that you actually get it done.

As for how my first drafts made me feel? Terrible, every one of 'em No idea if that's reflective of their quality, though, tbh - I hate reading my own writing until I've had a chance to forget it's mine (I can only ever see the flaws). I suppose there's theoretically a none-zero chance they were pure fragments of True Art and creative perfection, but Alex's editing notes make that seem unlikely.

One in the Same

Hmmmm

Hmmmmm

So we know during the time Tim lost in spleen (his Red Robin run) and wakes ups next to the pit he almost believed he had been tossed in the Lazarus Pits.

What if

Now hear me out.

What if he actually was.

But what if instead of gaining Pit Madness, he unlocked his past life memories.

His memories of being Daniel 'Danny' Fenton and Danny Phantom.

And once the memories returned so did his ghost form and powers.

And as Tim sits at the bottom of the pits, crossing his legs and letting all his memories slide back into place he questioned what to do now. He pondered for a moment and hummed tapping a finger to his chin.

Maybe he'll play the Pit Madness card? After all Ra's chucked him in here to either turn him into a mindless rage machine he could manipulate or see what the Pits would do to a mind like Tim's. Or Tim could pretend to be a silent rage, a calm before the storm.

Well, Tim grinned his eyes glowing green as he stared at the surface of the Lazarus waters above him, he was very good at lying this life time around. After all he was Tim 'I can even lie to Batman and get away with it' Drake-Wayne and he did used to be Danny 'Commit to the bit' Fenton/Phantom.

He was going to have fun playing that fruitloop named Ra's like the cheap kazoo he was.

Robin and Steve playing a dnd character together because Steve said the only way he'd play is literally with Robin. They take turns each session for who speaks but always planning together. It's a teenage human, gangly and uncoordinated and a bit of a loner. Everyone sort of lets the "two people playing one character" issue slide, as they want to play a game with their friends.

Robin and Steve have wildly different character voices, and sometimes announce which way they are walking before stumbling in that direction, and also mutter to themself in character. when it's Steve's sessions to talk he flits with the NPCs Eddie plays, but Robin is just a little aggressive to them. The personality changes are kinda weird but everyone is just happy they're playing.

Everything is going well until the big bad of the short campaign they're all playing knocks them into a wall. Not hard, but hard enough they're scrambling and flailing and...splitting in half. By their own description. Immediately they start, with their respective character voices (they are committing to this bit) bickering about whose fault it is. And about what they should do now their cover is blown.

The table is silent.

Robin and Steve have been conning everyone the entire time. They're playing twin halflings, who alternated who sat on each other's shoulders pretending to be a human because they were goofing off the day they joined the party and were too embarrassed by the mix up to correct anyone about it until they had to. Their voices and personality changes are brilliantly embedded as not Robin and Steve not being able to keep consistent, it's because they've been playing different characters. It's brilliant. It's horrible. Everyone fell for it and the reveal essentially pauses play because everyone starts yelling at them.

We live such different lives... come with me I can show you the beautiful intimacy of literally holding someone's heart in your hands

Every character is aspec if you're not a coward 🤷

Rise Ramblings #612

Uh...yeah.

I believe that the order Piebald snatched up the boys is the same order in which they all died in the movie.

*tries not to cry*

*cries a lot*

A CITY RAZED OH, TO BURY YOU BENEATH IT THE BEST ENDURE WITH THE DEAD, OUR TRUE BELIEVERS