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#i'm probably going to be a lot less selective this time
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Genuinely thank you so much to everyone who submitted swords and otherwise helped me boost the tournament after my whining and complaining yesterday I love you all so much
We're now up to 72 submissions which is a MUCH more comfortable number. This is a number I could hold a tournament with!!
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soy-sauce-and-mothra · 8 months
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Hey! Are there blacksmiths in your story? I'm a hobbyist blacksmith and I'm here to help!
Blacksmithing is one of those things that a lot of people get wrong because they don't realize it stuck around past the advent of the assembly line. Here's a list of some common misconceptions I see and what to do instead!
Not all blacksmiths are gigantic terrifying muscly guys with beards and deep voices. I am 5'8, skinny as a twig, have the muscle mass of wet bread, and exist on Tumblr. Anybody who is strong enough to pick up a hammer and understands fire safety can be a blacksmith.
You can make more than just swords with blacksmithing. Though swords are undeniably practical, they're not the only things that can be made. I've made candle holders, wall hooks, kebab skewers, fire pokers, and more. Look up things other people have made, it's really amazing what can be done.
"Red-hot" is actually not that hot by blacksmith terms. when heated up, the metal goes from black, to red, to orange, to yellow, to white. (for temperature reference, I got a second degree burn from picking up a piece of metal on black heat) The ideal color to work with the metal is yellow. White is not ideal at all, because the metal starts sparking and gets all weird and lumpy when it cools. (At no point in this process does the metal get even close to melting. It gets soft enough to work with, but I have never once seen metal become a liquid.)
Blacksmithing takes fucking forever. Not even taking into account starting the forge, selecting and preparing metal, etc. etc. it takes me around an hour to make one (1) fancy skewer. The metals blacksmiths work with heat up and cool down incredibly fast. When the forge is going good, it only takes like 20 seconds to get your metal hot enough to work with, but it takes about the same time for it to cool down, sometimes even less.
As long as you are careful, it is actually stupidly easy to not get hurt while blacksmithing. When I picked up this hobby I was like "okay, cool! I'm gonna make stuff, and I'm gonna end up in the hospital at some point!" Thus far, the latter has yet to occur. I've been doing this for nearly a year. I have earned myself a new scar from the aforementioned second degree burn, and one singe mark on my jeans. I don't even wear gloves half the time. Literally just eye protection, common sense, and fast reflexes and you'll probably be fine. (Accidents still happen of course, but I have found adequate safety weirdly easy to achieve with this hobby)
A forge is not a fire. The forge is the thing blacksmiths put their metal in to heat it up. It starts as a small fire, usually with newspaper or something else that's relatively small and burns easily, which we then put in the forge itself, which is sort of a fireplace-esque thing (there's a lot of different types of forge, look into it and try to figure out what sort of forge would make the most sense for the context you're writing about) and we cover it with coal, which then catches fire and heats up. The forge gets really hot, and sometimes really bright. Sometimes when I stare at the forge for too long it's like staring into the sun. The forge is also not a waterfall of lava, Steven Universe. It doesn't work like that, Steven Universe.
Welding and blacksmithing are not the same thing. They often go hand-in-hand, but you cannot connected two pieces of metal with traditional blacksmithing alone. There is something called forge welding, where you heat your metal, sprinkle borax (or the in-universe equivalent) on it to prevent the metal from oxidizing/being non-weldable, and hammer the pieces together very quickly. Forge welding also sends sparks flying everywhere, and if you're working in a small space with other blacksmiths, you usually want to announce that you're welding before you do, so that everyone in a five-foot radius can get out of that five-foot radius. You also cannot just stuck some random pebbles into the forge and get a decent piece of metal that you can actually make something with, Steven Universe. It doesn't work like that, Steven Universe.
Anvils are really fucking heavy. Nothing else to add here.
Making jewelry is not a blacksmithing thing unless you want jewelry made of steel. And it will be very ugly if you try. Blacksmithing wasn't invented to make small things.
If there's anything here I didn't mention, just ask and I'll do my best to answer.
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AITA for not having time to read my mutual's writing?
Met a mutual on here, bonded through fanfic, have been tight with them for a few years with pretty much no bumps in the relationship, just overall had a really good time hanging around them when I could. We both write a lot and share our writing, and occasionally we talk about that writing/workshop it in passing.
In the past few years I've gone through a ton of life changes. Most notably I went from a multi-person household to a single-person one, and I've been living alone in a prohibitively costly city for a while now working 40 hour weeks and barely scraping by. As soon as the transition started I spent the last of my free income on a shitty little laptop so I could still write, putting down words on my bus/train commutes in the morning and quite literally writing on my breaks at work because I feel insane when I can't create. I bring this up to really stress that I don't have the time for the hobby, I force myself to make the time and even then it never feels like enough.
The only thing I can really stand to do with my 3 hours of free time at night is hang out with my moots online. I'm an extrovert so being around people recharges me. If I don't have designated social time I get super depressed and can pretty much feel my soul withering away. I also feel like I should probably mention that I kinda have a slew of mental issues, personality disorders and PTSD and AuDHD and the works. Point being, shit is rough my dude, but I am a person who likes to work hard and face challenges head on and even though we strugglin, we doing it with a positive outlook.
But! I am an incredibly solution-oriented person and I have found what I personally believe to be a good balance. No one should have to live like this, but I do, and I have found a way to be happy. My writing and my social time is all load-bearing. It is not something I just choose to do on a whim, it's all planned and scheduled and I adhere to those routines very strictly because, I cannot stress this enough, I will go fucking bonkers if I don't.
I'm mutuals with a lot of writers obv, and I sadly don't have time to read their work anymore, unless I get some extra time on my days off or something gets cancelled or like, I end up taking a vacation. I carry a great amount of guilt for this, though, even though I logically know it's reasonable. I try to support them where I can, cheer them on when I see them writing and tell them how cool their ideas sound, hype them up even when I can't actually read & review.
One of the things I do is sometimes I leave a kudos on fic I haven't read. I'm not trying to be ingenuine, and if they asked me I'd tell them like 'Oh I didn't read it yet, just wanted to show support!' but to me it's kinda like ripping a paper tab off a poster so that other's feel inclined to do the same. Plus my pals get a little email and a hit of serotonin.
Except one of my acquaintances, the one I mentioned at the start here, saw that I left kudos on a couple pieces another mutual of mine wrote this year. They more or less blew up my DMs with a ton of accusatory (like, literally presented like a 'GOTCHA!') stuff about how I was selective in who's fic I read, more or less implying that I secretly held some sort of grudge or negative feeling toward them and was making the conscious decision not to read or interact with their writing because of. Something, I don't actually know what they were trying to say. They also told me they vented to their friends about this MULTIPLE times, but they never once approached me to let me know they were feeling paranoid or neglected, they literally just took the most bad faith reading of it possible and then presented that to me like it was something I intentionally did, while the whole time I was unaware.
I tried to explain to them the kudos thing, that I didn't do it to every story, just ones I caught/noticed in my busy schedule. And I laid all this out and asked, multiple times, what free time am I supposed to read with? They didn't answer, and doubled down, kept trying to show me 'proof' that I was shorting them and no one else. Once they started to realize how wrong they were they backed down, but they didn't really apologize, or admit they were wrong, and they tried to end our relationship and left every single server we were in together. Because of some other unrelated stuff going on in my life, I didn't really consider them to be a close friend, but they were someone I really held dear and would've walked through hell for if they'd asked.
I still feel like there is something I'm missing here, and that's why I wanted to ask if I'm TA. I'm a pretty good communicator but one of the things I told myself when talking down my disordered thoughts (guilt about this prior) was "no one in their right mind would use reading fanfic as a metric for friendship." Now that I've had that exact thing happen, I'm starting to think maybe those thoughts weren't so disordered. Maybe this IS a big deal, and I should think about it more, but I don't even know what the solution to that would be. I just. Don't have time to read something lovingly crafted and appreciate it for what it is. All the hours in my week are used up, I'd have to lose sleep for this and with my mental health the way it is that is not an option.
Feel free to be a brutal, my skin is thick. Thanks!
What are these acronyms?
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elexuscal · 1 year
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The "Top" fics in fandom are not the "Best"
I've seen a couple of posts here in there implying that the ways to find the best fics in fandoms are just to go to ao3, and sort by 'Most Kudoses', 'Most Bookmarks', 'Most Comments', etc. I've also seen some folks say they feel like their fics are failures if they don't make it to the front page(s), or at least near there.
But the simple fact: this is not true.
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Now, I'm not saying that the top-rated fics in a fandom are bad.
Far from it! They're often very popular for a reason. Well written, fun dynamics, cool plots, etc. A lot of my own favourite fics have made it to the first page when you sort by "Most Kudos"-- but then, a lot of mine also haven't.
Why?
Because those selections are inherently biased.
What do I mean by that? Just that there are other factors influencing what stories accumulate the most comments/kudoses/etc in a fandom, meaning none of these serve as a neutral metric of quality.
I'm going to explain some of these biases briefly, just so folks get a sense of what I mean:
Age Bias This, I think, is the easiest to grasp. A fic that is three years old just has had more time to gain views than a fic that's three days old. Also, consider that pretty much any fandom needs time to grow. If you're in the first days/weeks/months of a fandom, there probably just isn't that much content being made. If there's only 10 fics on the archive, then 11th one stands out. It'll get a lot of attention. But if that same fic were to come out a couple years later, when there were 11 fics published in a single day, well, people are more likely to miss it. If you doubt me, take a look at the front page of 'Most Kudos' for a fandom of your choice. You'll probably see a lot of the stories there are on the older side- and this is exactly why.
Multi-Chapter Bias There are a lot of ways people find new fics to read, and one of the most basic is just: look at the front page of the most recent updates. Now, this way of sorting fics is exactly what it sounds like. A list of fics in order of when they were most recently posted/updated. But, obviously, if a fic has multiple chapters, it's going to appear on that front page way more often. A 50 chapter epic has 49 more chances to get seen this way than a one-shot. This issue becomes even more intense when you consider the Most Comments sort option. For a one shot, a person is probably likely to only comment once. Maybe if they really love the story and revisit, they'll leave a second or third. But multi-factor fics? By design, people come back every update. And that means a lot of people leave comments every single time. (Or at the very least, after big plot developments and twists!) This is what leads to long-running multi-chapter epics dominating the 'Most Comments' rankings in most fandoms.
Popular Pairing Bias Again, this is just obvious. Some pairings are more popular than others. A rare-pair fic can be just as soulful, hot, and well-written as a story featuring the fandom's powerhouse fic, but if only 30 people are interested, well... [shrug] Less people will click on it, kudos it, and leave a comment. To a lesser extent, you can expand this to any trope. 'Coffee Shop AUs' just seem to be more popular than, say, '1930s Mobster AUs'. That effects what tags people search, and what fics they find. But shipping is such an important element of many fandom cultures I thought it would be the most illustrative.
Positive Feedback Loop Bias And honestly, this is maybe the real clincher. Because I've established some of the things that can cause a story to start gathering lots of kudos, comments, and bookmarks in a first place. But once that starts, you get a positive feedback loop going. Because what's one of the first things a person does when they're looking for good stories in a fandom? They sort by 'Most Kudos'. And then they select the first story on the list, and they like it. So they leave a comment and kudos and... Yeaaaah.
So... What do we do about it?
Well. Nothing really. This isn't really a problem. It's just something to be aware of.
Any attempt to put metrics on something as subjective as art is going to fall short. So don't go rating the quality of your own stories about how well it performs, and don't go chasing those coveted top spots. You'll have a lot more fun if you just write stuff that you enjoy, make some friends, and recognise a lot of factors influence fanfic statistics beyond just quality.
Searching via most comments/kudoses/bookmarks remains one of the easiest and quickest ways to start diving into a new fandom. It's often the first things I do, and found stories I love that way.
That said: I highly encourage you to search for fics beyond just that method. Here are some of my suggestions if you want to figure out ways to get started:
Search up Fanfic Rec Lists. Lots of people put them on their blogs, and websites like TVTropes even have that as a whole feature
Ask for fic recs! Seriously! Post about it in the fandom's tumblr tag, join Discord communities, etc, and just say, "Hey, I'd love to read a story where... [insert the general themes, characters, or plot points you like". People will be EXCITED to share.
Search by specific tags Like, do you really, really love time loops? Search the 'Time Loop' tag in your favourite fandoms. A lot of specific tropes, AUs, etc. are canonized, so you can find a lot of stuff up your alley that way
Browse the most recently updated fics Yeah, I know, it's old school. But seriously, you can find some awesome stuff there-- including stories from new authors just starting out, who could really use a boost!
And hey... if you find some stories you like... Consider writing some fic recommendation lists of your own. Spread the love!
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duhragonball · 2 months
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Akira Toriyama (1955-2024)
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I wouldn't say I'm feeling better today, but I'm feeling less bad than yesterday. So let's see if I can put some words together.
In case anyone still hasn't heard, Dragon Ball creator Akira Toriyama passed away on March 1, 2024. This news was made public on March 7 or 8. I woke up early on Friday morning and found out while I was checking Twitter. I had a long, busy day at work, and I kept getting on my phone to scroll through fan reactions and tributes.
I think that, more than anything, is what's gotten me so worked up about his death. My Twitter timeline and my tumblr dashboard were just chock full of touching message and images about how Akira Toriyama's work has changed their lives. I wanted to write my own tribute, but I'm not sure what else I can say that hasn't already been expressed by Archie Comics, professional wrestling trio The New Day, and the Republic of El Salvador.
There's this immense, global community of fans, and it's easy to lose sight of just how big it is. It's easy to get bogged down in the infighting and petty squabbles. I saw one tweet responding to the criticism of Dragon Ball not being like this "entry level" franchise compared to other, more high brow anime and manga. It's popular with so many people, that critics will assume it's designed to appeal to the lowest-common-denominator. But the opposite is true! Dragon Ball is accessible, which is how so many people from so many different places and walks of life can get into it. The guy telling the story was such a master storyteller that he could grab an audience's attention and make it look easy. So easy that the haters would start to think that it was a trick, and he must be overrated.
Let me talk about this panel for a minute.
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Last night I started going through the original manga, looking for panels to screencap. I wasn't sure what I wanted to do, but I thought maybe a selection of panels that really stood out for me might be worth posting. I'll probably still do that one of these days, but I got to this one, where Gohan tells Chi-Chi about Goku's death, and it hit me like a ton of bricks.
This was a powerful scene in the anime, of course, but in the comic it's even more profound. It's just one panel, no dialogue, because the reader already knows what's happening here. We know Gohan is telling his mother that Goku died in the Cell Games, and that he refuses to be wished back, because he thinks his presence on Earth will attract new enemies. It was hard enough to hear when Goku said it to Gohan and the others, and now Gohan has to relay that message to Goku's wife. All she can do is lie prostate on the floor and weep.
And look at the composition. She's surrounded by all that negative space. Gohan's there for her, but she still feels so alone, surrounded by her husband's absence. Pots of flour for food he'll never eat. An empty chair he might have sat in. Their son, who will have to grow up without him.
I saw this, as though for the first time, and it was so gut-wrenching that I had to post it by itself. I felt like it summed up my feelings better than any words could. We're all Chi-Chi in this panel, reacting to Akira Toriyama's death. And we're all Gohan too, each of us consoling one another with our own thoughts and tributes.
So what did Akira Toriyama mean to us all? Lots of people have answered this in a lot of different ways. Obviously his art, storytelling and cultural impact speak for themselves. I've seen people compare him to other luminaries like Jack Kirby and Osamu Tezuka. I'll try to add my own two cents with this:
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I wrote a post about "Dragon Ball Daima" back when it was first announced, and I led off with this image of a note from Akira Toriyama. I guess this was from some big fancy presentation about Daima at a convention. I forget which one. In particular, I was skeptical that the Daima rumors were even true, and if they were, the whole idea seemed half-baked to me. Turning Goku into a kid had been done before, and it wasn't exactly successful the first time.
But this note from Toriyama was very reassuring to me. More than the trailer clips and character designs, this was what got me interested in the show. That's because he took the time to not only hype up the show, but also to explain what's going on behind the premise. He took the time to tell everyone that he's working on this show, and what "Daima" means, and why all the characters get turned into kids. It's "due to a conspiracy", and the good guys will have to "fix things". In short, he established a plot, conflict, and resolution to the story. He didn't just slap this together to sell new merch. I'm sure that was part of the motivation to make Daima, but there's more to it than that.
I think that's the loss I feel with Toriyama's passing. It's not that there won't be new Dragon Ball stories in the future. I'm sure others will continue telling their own versions long after I'm gone. I'm not that worried about the fate of Daima. I'm sure they'll figure something out, whether it's delayed, rewritten, or canceled. But we'll never see another message from Toriyama to promote a new project, and that's what I'll miss. From here on, his credit will just be an acknowledgement of his past contributions.
There's this great credibility with Akira Toriyama's name. Fans will argue about how involved he was in a project as a way of establishing how good or bad it was. Dragon Ball GT has his name on the credits, and he provided some designs and artwork early on, and for some fans that proves the series has his endorsement. For others, the sole problem with the show is that he wasn't directly writing the script. There's similar debates over Dragon Ball Super, where he was involved, but only writing those mysterious "notes". So if a fan doesn't like something in DBS, who do they blame? Did Toriyama lose his touch, or did his co-creators fumble the ball? Dragon Ball Evolution basically ignored all of Toriyama's advice and bombed, while Battle of Gods, Resurrection F, Broly, and Super Hero all put Toriyama's writing credits up at the very beginning, and each film made plenty of money. I read his comments on the Daima confirmation, and immediately thought "Okay, this should be pretty good. Akira Toriyama knows what's up."
That's gone now. I mean, there's still a lot of talent out there, but we'll never again have the little gas mask-wearing robot telling us that this story will be good because he worked on making it good. I don't think I really appreciated how much I trusted that guy until now. I still can't believe he's really gone.
I'll probably have more to say about this in the coming days, but I'll stop here for now. Thanks for letting me ramble a bit on this.
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poetrysmackdown · 9 months
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hi hiii i wanted to say that your account is so refreshing to see, esp with the passion you have for the arts. as someone who's been meaning to read (and write) more poetry, do you have any recommendations? some classics that everyone and their mothers know? perhaps some underrated pieces that changed you? or even just authors you like, I'm very open to suggestions :]]
Hi! Thank you so much for this kind ask :) So exciting that you’re looking to delve deeper into reading and writing! I had to take a little time to answer this because my thoughts were all over the place lol.
For a review of notable/classic poems/poets, I honestly just recommend looking at lists online or, hell, just binging Wikipedia pages for different countries’ poetry if that’s something you’re into, just to get a sense of the chronology. I read one of those little Oxford Very Short Introductions on American Poetry and thought it was pretty good, but online is quicker if you’re just searching for poets or movements to hone in on. Poetry Foundation also has lots of resources, in addition to all the poems in their database. I guess my one big classic recommendation would have to be Emily Dickinson (<3), but really the best move is just to find a poet you already enjoy and then look around to see who their peers were/are, who they were inspired by, who they’ve maybe translated here and there, etc. and follow it down the line as far as you can.
For some personal recs, here are some collections I’ve really enjoyed over the past two years or so. Bolded favorites, and linking where select poems from the book have been published online. But also, if you want a preview of a couple poems from another of the books to see if they interest you, DM me and I can send them over! You can also feel free to pilfer through my poetry tag for more stuff lol
Autobiography of Death by Kim Hyesoon trans. Don Mee Choi
Conflict Resolution for Holy Beings by Joy Harjo
DMZ Colony by Don Mee Choi
Hardly War by Don Mee Choi
Whereas by Layli Long Soldier
Geography III by Elizabeth Bishop
Dictee by Theresa Hak Kyung Cha
Don’t Let Me Be Lonely: An American Lyric by Claudia Rankine
Mouth: Eats Color—Sagawa Chika Translations, Anti-Translations, & Originals by Sawako Nakayasu
The Selected Poems of Osip Mandelstam trans. W.S. Merwin and Clarence Brown
The Branch Will Not Break by James Wright
This Journey by James Wright
God’s Silence by Franz Wright
Duino Elegies by Rainer Maria Rilke (the translation I read was by Alfred Corn—I thought it was great, but idk if there are better ones out there!)
DMZ Colony, Hardly War, Dictee, Don’t Let Me Be Lonely, and partially Whereas are all book-length poems with some prose poetry and varying levels of weirdness/denseness/multilingualism—if you were to pick one to start with, I’d say do Don’t Let Me Be Lonely or Whereas. Mouth: Eats Color is some experimental translations of Japanese modernist poet Chika Sagawa, with other translations and some of Nakayasu’s original stuff mixed in—it's definitely a bit disorienting but ultimately I remember having such fun with it, as much fun as Nakayasu probably had making it. It’s a book that emphasizes co-creation and a spirit of play, and completely changed my attitude towards translation.
If you’re less interested in that kind of formal fuckery stuff though (I get it), can’t go wrong with the other books! Conflict Resolution for Holy Beings is the one I read most recently, and it’s great—Harjo also featured in Round 1! Franz Wright also featured, and God's Silence is the collection which "Night Walk" comes from. James Wright (father of Franz) is one of my favorite poets of all time, though his poetry isn’t perfect. Even so, I’m honestly surprised he’s not doing numbers on Tumblr—Mary Oliver was a big fan of his, even wrote her "Three Poems for James Wright" after his death.
I mentioned in another post that one of my favorite poets is Paul Celan, so I’ll also recommend him here. I read Memory Rose into Threshold Speech which is a translated collection of his earlier poems, but it’s quite long if you’re just getting to know him as a poet—fortunately, both Poetry Foundation and Poets.org have a ton of his poems in their collections. There’s also an article by Ilya Kaminsky about him titled “Of Strangeness That Wakes Us” (!!!!!) that’s a great place to start, and is honestly kind of my whole mission statement when I’m reading and writing poetry. Looking at the books I’ve recommended above, a lot of them share feelings of separateness or alienation—from others, from oneself, from one’s country, from language—that breed strange, private modes of expression. That tends to be what I’m drawn to personally, and that’s some of what Kaminsky talks about.
Sorry of the length of this—I hope it's useful as a jumping-off point! And if you or anyone ends up exploring any of these poets, let me know what you think! If folks wanna reply with recommendations themselves too that'd be great :)
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devildom-moss · 6 months
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I got one!! Lucifer with a GN MC who gets one of those silly chibi plush of him (in-universe maybe Raph made it) and he's low-key jealous they spend more time with it than him. (sfw please!)
I'm going to be honest, there is probably less MC (and Lucifer x reader interactions) in this than expected, but I hope you still like it! It's got a bit of fluff and a lot of jealousy. (Who doesn't love Lose-ifer being all jealous and stupid?) There's also a decent serving of Raphael in this. Oops.
Lucifer being jealous of a plush version of himself
(Lucifer x gn!MC)
(SFW)
Word Count: +1,000
Raphael knew what he was doing, Lucifer convinced himself. That wicked, lousy, no-good, rotten angel was doing this as revenge for something. Maybe leaving him behind during the war? Raphael was aggressive – but petty? Maybe not. No, perhaps he was just charmed by you, too. Now, Lucifer was being replaced.
Oh, no, not by the angel himself, but by some handmade plush – no bigger than a foot long – designed to look like Lucifer. Raphael had given you the plush last week, and while Lucifer had to admit that it was well-made, he didn’t appreciate that you had been carrying that small, poor excuse for a replacement around all week.
 It was embarrassing that Lucifer found himself so foolishly jealous. It was just a doll that looked like him, so why was he so upset about it? If anything, he should have been happy that the doll was crafted in his image. You could be carrying around a small plush effigy of Solomon. That would really piss him off.
What was Lucifer supposed to do with his childish jealousy? Set aside his pride and confront you about his desire for more attention? Admit that he wanted your eyes on him and the fact that you clung to a doll that someone – Raphael, no less – had made for you left him annoyed to the point that he had considered hiding the doll on three different occasions and burning it once – if only the opportunity to pry it from your adoring arms had presented itself? Could you just hold him in your arms for one night instead of that damn doll? Of course, Lucifer thought himself to be above all that honesty nonsense and decided to attack the secondary source of his irritation.
“A minute of your time, Raphael.” Lucifer physically blocked the exit from the House of Lamentation. The angel had been kind enough to drop some fabric scraps off for Leviathan. “Care for a glass of Demonus?”
“Do I have a choice? Are you interested in trying to drink me under the table again?” Raphael looked Lucifer up and down. “Sure.”
Lucifer brought Raphael to his study and poured the alcohol into two glasses. He had selected something a bit bitter – not that Lucifer expected Raphael to be opposed to something bitter.
“Here you are,” Lucifer hummed. There was an off-putting elegance in the gentle motions Lucifer contorted himself into when handing the glass to Raphael. While Lucifer was typically a class act, Raphael picked up on the exaggerated sweetness of it. Lucifer even offered him a polite smile. The Devildom could go through another deadly cold spell before that disingenuous smile would fool Raphael, who waited patiently for Lucifer to take a seat across from him before he responded.
“Thank you, Lucifer.” Raphael smiled and took a sip of his drink. Not half bad. It could be a bit more bitter, though. Then again, perhaps Lucifer is bitter enough. “I take it you have something to discuss with me?”
“About the doll,” Lucifer mused, trailing off to open the way for a confession – to what, he wasn’t sure.
“The one I made for MC?”
“Precisely.” Lucifer set his glass down and crossed his legs.
“I noticed MC has been paying it a lot of attention. What’s the matter, Lucifer? Are you jealous?” Raphael questioned him in a straightforward tone, but Lucifer understood that this constituted teasing.
“Is there a reason it looks like me?” Lucifer slipped around the question.
“That was my intention. It’s obvious that MC clings to you. They adore you. I figured a Lucifer-shaped doll would allow you a bit of space and keep MC from feeling lonely when you are too busy to pay them any mind.” Raphael’s words stung in Lucifer’s ears.
“How considerate of you. Mission accomplished.” Lucifer wished he had put a curse on Raphael’s glass – nothing deadly, just something that would make him feel a bit better about the honesty from Raphael. If only he had pulled a page from Satan and Belphie’s book.  
“Is it serving its purpose too well for your liking? Don’t tell me you’re honestly jealous of a doll, now. Isn’t envy supposed to be Leviathan’s whole shtick? You’re going to give him a complex.” Raphael let out a small laugh and cut it off with another sip of Demonus. “They’d never pick a doll over the real demon himself. Even I know that. As I said before, they adore you.”
Lucifer’s face flushed – and it wasn’t from the alcohol. He was moping, but he needed Raphael’s blunt delivery to knock some sense into him. If only Lucifer had asked, Raphael would have been more than happy to knock sense into him with a spear. That would have been less embarrassing.
“Sorry, Raphael. I forgot that I have business to attend to.” Lucifer stood up and smoothed his vest down. “Please be on your way.”
Raphael’s eyes widened. “I didn’t finish my drink.”
“A shame.” Lucifer smirked. “Next time, perhaps.”
“Based on today’s conversation, I take it that won’t be for a while.” Raphael stood up, glass in hand, and downed the rest of his Demonus. He exhaled sharply at the sudden, mild burn. That was not a chugging drink. “Until next time. Give MC my best.”
“Sure.”
Raphael headed for the door, stopping just short of leaving. “You should try honesty next time. It might save you a glass of Demonus. It was good, though. Thank you.”
With Raphael safely out of sight, Lucifer pulled out his D.D.D. and went into his messages. He couldn’t resist smiling when he noticed the last thing you had sent him was that flapping Blackjack with hearts sticker.
Lucifer: MC, come to my room when you get a chance. I require your presence to put me at ease. I would also like to provide you with a bit more attention than you can get from a doll.
MC: Are you jealous, Luci?
Lucifer: Perhaps. What will you do about it?
MC: I’m on my way, you big baby. I’ll cuddle with you for as long as you wish.
Lucifer: Does the offer extend to kissing as well?
MC: We’ll see.
MC:
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Lucifer broke into a large grin, melting at your replies. Maybe while you were cuddling, that plush could just get lost somewhere. Who knows?
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You're analysis are always very insightful! Your considerations about Malleus' restricted options in terms of partners made me wonder if Kalim would end up in a similar situation as him. This is of course entirely speculation, since we don't know much about how his parents got together, but to me it makes sense that in the future he might have to deal with something like an arranged marriage. He isn't royalty, but the Asim family still has a great deal of commercial and political sway in the Scalding Sands, so it's difficult for me to believe that they would just let the heir marry whoever he chooses. And despite how carefree he may act, I don't think he would reject an arrangement made by his family. He seems pretty aware of all the obligations that come with being an heir to the Asim. Besides, rejecting a spouse that was chosen for him might put said person under a lot of public scrutiny, and I don't think he would want anyone to go through that
[Referencing this post!]
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Oh, hmmm 🤔 I actually never really though about this kind of thing for Kalim so I guess now is as good of a time as any www.
I do think like there would be some selectiveness involved for Kalim too, given the financial power and political influence in the Scalding Sands that the Asims hold (and that's not even mentioning their connections via family, some of which are royalty, and business partners). There's also been several attempts on Kalim's life, so there would probably be an intense screening and background check process for anyone courting Kalim. Who knows if they're actually there to kidnap him or to take his life??? The Asims would have very legitimate concerns, so they have every right to be vigilant and suspicious of those who may try to take advantage of Kalim's kind-heartedness and gullibility.
Mm, I do feel like (overall) Kalim wouldn't be in as much of a tight spot as Malleus?? I get the sense that his parents are way more open-minded and truly care about his happiness (unlike the Briar Valley senators) so they wouldn't exactly force him to marry someone he doesn't actually love. Rather than a "you have no say in this matter" arranged marriage, they might instead present Kalim with a pool of potential candidates that have already been vetted and encourage him to try them out? Like, go on various blind dates and see if he "clicks" with any of them. There would be more trial and error, more exploration allowed (since there isn't as much of a demand for Kalim to have an heir, especially not right away; he has so many other siblings and family members who could help or assume roles in the business). I believe this is similar to how matchmaking is done in some Asian countries (although I'm not too familiar with the concept, I've only learned a little about it through some podcasts). From my understanding, they try to "match" applicants with someone of a similar social ranking as you (so in Kalim's case, he would probably be meeting people who are also mega wealthy) and based on what you (and oftentimes your family) are looking for. If it doesn't work out, then there's less of a chance for backlash since pretty much anyone can use these services and a perfect match isn't a guarantee, especially on the first attempt. Please feel free to correct me if I got any information here wrong!! ^^
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dresshistorynerd · 2 months
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Ranking Men's Costumes in Period Dramas - Part II: The Good
Part I: The Bad
This is the second part to my ranking of men's costumes in Renaissance period dramas. I selected 10 shows and films which I think have great costuming for the female characters and ranked them according to their costumes for male characters. I have noticed that even when women's costuming is great, men's costuming might be absolutely dog shit. And that's very much what we saw in the first part, where I ranked the five worst entries. For some reason shows and movies are afraid to put men, especially the characters who are supposed to be cool, manly and hot, into historical costumes. And I'm not even asking for historical accuracy, I just don't want my male characters living in the actual 1500s in basically modern leather jackets and pants. Like I don't watch period dramas for vaguely historically inspired modern fashion, I watch it for the historical setting, which costumes help create. This time we will be looking some rare gems that actually imo have really good costuming even for the male characters. For the five best entries, we'll go from worst to best.
5. Eizabeth R (1971)
Elizabeth R is incredibly committed to historical accuracy in it's outfits, especially for queen Elizabeth herself, many of her costumes being directly recreated from her portraits. It covers the whole reign of Elizabeth, so this commitment is especially admirable as the timeline is more than 40 years, including a stark shift in fashion from less structured and more toned down Tudor fashion to the extremes of the highly structured Elizabethan fashion. It's not perfect, The hair is not always great and like many others they fail at French hoods, though they are not upward pointing or pseudo crowns detached from the hood, so could be much worse.
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The men's costumes are also very good. They are faithful to history, they wear stockings, very short trunk hose, ruffs and even have some structuring in their doublets and jerkins. However, the reason this is not higher is that the men's costumes especially, but also many other costumes beside Elizabeth's are looking a little sloppy. There's some structure yes, but the men's silhouettes are just not bold enough and they end up looking a little costumy. Even the codpieces are shrunk so small I'm not even sure if they are the half the time. Cowardice. Here's two Robert Dudley's costumes and an actual portrait of him. I think the second costume is probably an attempt at recreation of that portrait, but it's just kinda halfway there.
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4. Taming of the Shrew (1967)
This film is set in Renaissance Italy, the women's costumes fit well to 1520s-30s. They are honestly really great and cohesive. My only gripe is that their bodices have a very 1960s shape and the make-up is a little distractingly modern. But the costuming is not attempting to recreate historical accuracy, rather they took the historical silhouette and basic elements and crafted a very over the top but cohesive look. I honestly love these very much.
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An interesting choice is made with the men's costuming, especially the main male lead, whose costume is based much more on the Renaissance German men's fashion of that period. His costumes resemble the over the top fashion of the German Landsknecht (first image below). In Italy (second image below) the doublets were also very voluminous and quite colourful but not to that extent as by the Landsknecht and literally no one, not even the other Germans, rocked that slashed style as hard.
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This is not really criticism though. In fact I respect that choice a lot. His costumes are certainly not historically accurate, but they do fit the bombastic aesthetics of the overall costuming, they are loud, large and not afraid to fuck around. This man oozes sex-appeal much more than any character with some modern plain black pants and leather jacket. This is how you costume a Renaissance man who fucks.
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3. Tulip Fever (2017)
I am stretching the definition or Renaissance here a bit, I admit. This movie is set during the 1630s tulip mania, by which point the remnants of Renaissance fashion had already been left to the previous decade. However, I do think most of the movies and tv set in Baroque era also struggle with the men's costumes. Though not as much, because black was fashionable for everyone, the cod piece was gone, trunk hose were replaced by more palatable Venetian hose, fashion was much more stripped down from embellishments, leather was not uncommon in jerkins and appeared even in doublets and hose and the Hollywoods beloved boots became as actual fashion items. The men's silhouette in this period is very silly in my opinion and people seem to agree because it's usually skipped in costuming, but overall the period seems to fit modern masculinity standards much more easily than Renaissance era.
But I just really wanted to include this because the costuming is absolutely stunning. I have not watched the movie and probably never will because the post production was an absolute mess and it apparently came out as just a bad movie, which is a shame, but the costumes are so good. The ruffs are perfectly crispy. The buttons are dense and look just right. The shoes, both boots and otherwise are exactly right. The fabrics are honestly perfect. The silhouettes are just as goofy as they are supposed to be. And the women too have perfect silhouettes. All the details are just simply perfect. You rarely find costuming this meticulously created with historical details and great construction.
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Honestly these top three could all be the best one. This final order was decided purely on which costumes i like more. And while I love the women's fashion of this period, I think the men's fashion is kinda stupid and boring, so I don't like these costumes on aesthetic level as much as the top two.
2. Romeo and Juliet (1968)
This movie is a perfect counterpart to the movie with the worst men's costuming which I talked about in the first post, Rosaline. They are both set in Italy around very end of 15th century and retell Romeo and Juliet. Both have very good costuming for female characters but obviously I think differ greatly in the male character costuming department. Romeo and Juliet costuming takes some artistic liberties to create a heightened reality quite similar to Taming of the Shrew costuming, but follows history much more closely. The colors are bright, the hose are tight, the giorneas are voluminous, the sleeves are long and massive and the cod pieces are prominent. Even the hair is perfect, even for women, they even use hairnets. I imagine the hair was quite easy to get right as hairstyles in 60s and 70s were basically lifted directly from 1400s Italian hairstyles. The men are even wearing appropriate hats??? Amazing.
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The costuming perfectly captures the era, but they still clearly had fun with the costumes too. Honestly even though I appreciate the meticulously recreated historically accurate costuming, like in Tulip Fever, I tend to like more costuming that does take some artistic liberties to create a distinct look and atmosphere for the movie or tv show. There's some small things they don't get quite right, like having standard lacing instead of ladder lacing, metal eyelets (which would become a thing as late as in 1830s) and most egregiously Juliet in one scene has this very dumb supportive undergarment without even shift under it (first picture below)?? The outer garments were supportive during this era, there was no such thing as supportive undergarment. Shift was the only undergarment. But I will forgive these errors because the costuming is overall so fun and gorgeous. And they did get some details so so right, like look at Romeo's arming doublet (second picture below)! It has Lombardian sleeves!! This was a very specific style of arming doublet for this era and place. However those errors does prevent it from taking the first place. Which leads us to...
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1. Orlando (1992)
This movie has Tilda Swinton in flamboyant Elizabethan men's clothing. That's all.
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Okay, I that is all that needs to be said, but I will say more. This movie spans centuries and shows excellent costumes from several different periods, but I will focus on the Elizabethan costumes only for the sake of this post. The costuming is not super historically accurate in all the detailing, and clearly not trying to be, but it is always impeccable. Even while it takes artistic liberties and the story has an immortality fantastical element it still captures the men's fashion's silhouette much better than any other movie or tv show I know of set in this period. It does that better than the "we recreated these portraits" Elizabeth R. But what really makes this the best in my humble opinion, is that the movie is not afraid of the effeminate and emasculated modern perception of Renaissance men's fashion, no, it leans into it. The thole story is very much about gender and gender fuckery. Tilda Swinton plays the titular Orlando who is a cis man in Elizabethan era, becomes inexplicably immortal and later inexplicably turns into a woman for the rest of their several centuries. He is the embodiment of "I'm not sure if they are a butch or a twink" and as a bisexual I can only be grateful. But in all seriousness I think the costuming and the casting (queen Elizabeth is also played by a male actor) are so perfectly utilized to highlight the arbitrary construction of gender without needing to say it explicitly.
Conclusion
I have some closing thoughts. I took on this task as a way to show a point, which is that for some reason in Renaissance shows and film especially men's costuming is piss-poor, even when women's costuming is great. Male characters tend to have very bad costuming in Medieval media too, though this is also an issue for female characters. I don't think I have ever seen a Medieval show or movie with truly excellent costuming for anyone. In Renaissance media the issue is clearly not lack of skill or knowledge, they choose to do so. My thesis was that the producers think that the Renaissance men's fashion is too effeminate and too unsexy for the hot male very heterosexual lead, who the mostly female audience are supposed fawn over like the female characters. I still think it's very true.
Though there's an interesting trend I only noticed while doing this ranking; every entry (except the least bad) in the worst five list are from 21th century, and every entry (except Tulip Fever which is a little bit cheating anyway) in this best five list are from 20th century. I have some theories on why it turned out this way. First is that the studios have become increasingly more concerned with growing profits so they don't take risks and they put pressure on movies and tv shows to be as broadly appealing as possible. This means they can't just make period dramas for the core audience of period dramas, aka mostly women who are history nerds, so they pander to the modern sensibilities in costuming and not to the people who love to see actual historical costuming. Secondly, I think this might also tie to the broader conservative backlash against loosening of gender roles and broader queer acceptance. Among the core audiences of period dramas there are two distinct groups, queer nerds and conservative/centrist women, who don't want politics in their media, which is why they love historical stories because obviously queerness wasn't invented yet and people of colour didn't exist yet (they were and did). (They are not always this extreme, but you get the point.) As men wearing dresses has become a culture war issue, I think the studio executives are afraid that anything not masculine enough in modern standards might cause the more conservative audiences to turn on them. Even if they knew about the queer nerds, they wouldn't care about them.
This bears repeating: cowards.
As a thank you for reading all the way to the end I will leave you with the image of Tilda Swinton in mid 1600s men's clothing. You are welcome.
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Part I: The Bad
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hoejosatoru · 10 months
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Got Game? Haikyu edition !
Ranking Hiakyu characters on how good they are at hitting on people. Basically does your fave has rizz or nah? 
A/n: there are sooo many haikyu characters so if I forgot your fave I'm sorry feel free to add them in wherever you want & if you disagree be nice about it or I'll bite you this took a long time there’s SO MANY OF THEM
33. Mad Dog
He’s scaring hoes. No explanation needed.
32. Aone
He was dead last until I remembered mad dog existed. He is scaring hoes as well. But like if someone could give him a chance I think he does have a good heart. He really needs to be introduced to someone or something, bc cold walking up to someone is never going to work for him I fear.
31. Ushijima 
More intimidating that scary, but still makes people nervous. He’s just like super dry and has bad social skills. Does not know how to be flirty at all. He’s cute so I think on occasion there’s girls that want him enough to look past all that but honestly he will almost always strike out unless he has a wingman (Tendo) to help balance him out.
30. Sakusa 
Bro is mean and grumpy. I also feel like he doesn’t really care for random hook ups anyway so he is not trying to pick up people a lot. On the occasion he does see someone he wants to approach, I just struggle to see him being flirty. Like you almost get the sense he is judging you when he’s talking to you. Which, to be fair, he probably is. He is another person who would benefit from having a wingman, though he won’t admit it. He’s getting past Ushijima by the skin of his teeth just because he isn’t as imposing.
29. Kita
Another one who I don’t see trying to approach too many people. I think he would come off as disinterested even if he did find you cute. Would probably try to flirt by asking weird philosophical questions. Does better than Sakusa bc his energy is slightly less intense. 
28. Yamaguchi
He’s just too awkward. He gets super shy and flustered around anyone he thinks is cute. Sometimes gets lucky when he goes for someone who finds his shyness cute, but often is shit outta luck.
27. Tsukishima
Of course Tsukki and Yams are next to each other. Tsukki is another grumpy one, but not as intense as Sakusa. He too doesn’t approach too many people, but more than Kita or Sakusa would. I could totally see him being one of those dudes that relies on being tall for getting girls. Like he thinks he doesn’t have to try that hard since he is over 6 foot💀 I think he flirts by being mean but it comes off too mean or condescending at times. Definitely tries to be more selective with who he approaches though, won’t approach anyone he doesn’t think he has a good chance with.
26. Goshiki
Talks a big game in front of his friends, but gets really nervous in front of the person. Blushes like crazy and trips over his words. Can get past that at times, but flirting definitely doesn’t come as naturally to him. 
25. Tendo
Tendo is fearless, which does help his success rate because he just will walk up to anyone he thinks is hot. Doesn't really get nervous at all. However, he is a little weird (I say that affectionately) so he's definitely not everyone’s cup of tea. Strikes out a decent amount bc of that, but honestly it doesn't really bother him at all. Will just move on to next one. He’s really just there for a good time.
24. Yamamoto
Gets very nervous around girls he thinks are hot. He gets loud when he is nervous which can freak people out. Tries his best, but either comes on really strong or really stiff. Sometimes can get past that if gets hyped up by his friends beforehand.
23. Kunimi
He’s okay at it. He’s quiet and a little snarky, which doesn’t alway connect well. I think if he is able to break the ice and get a conversation going, he has a good success rate. But if he isn’t able to get the person hooked into the conversation quickly, he fizzles out.
22. Asahi
He is like 50/50. He’s the guy who comes up to you and you get super excited because he’s cute, but he can fumble it. If he is in a nervous mood, it is really hard for him to get a convo going and be natural. Those days he is striking out more. If he is feeling confident that day, he has a really good success rate. Again, 50/50.
21. Oikawa
I know this is low but hear me out. Because girls were crazy over him in high school he really never had to try to get someone to like him. Therefore he really doesn’t have good skills in that area, especially when just approaching someone random. I think he would learn fairly quickly, but it would be a tough start.
20. Kenma
He’s kinda shy and doesn’t like approaching people bc he’s a lil lazy( but mostly nervous). However, he’s super smart and if he can figure out a way to get you to approach him, he’ll definitely do that. Can have trouble standing out to people since he is on the quieter side. But circling back to the smart thing, I think he is good at zeroing in on his type & what will get that person hooked on him. Definitely spends some time observing you before he makes a move. His success rate does go up a lot if he has a wingman, but he doesn’t NEED one like some people on this list.
 19. Tanaka
He’s very similar to Yamamoto, but I think he is just a bit better at staying calm. Just a bit. Definitely is nervous to start& can come off a little strong at first, but if you give him a chance he’s able to show he’s a good, genuine guy. Also feel like if he is with a friend his success rate goes up like crazy. Like he doesn't need the wing man to intervene for him, it’s more like having his friend there makes him feel confident and takes away his nerves. This is why he is always begging Nishinoya to come out with him.
18. Matsukawa
Middle of the road guy. I feel like he is bad at opening conversation, which hurts him. However, if someone gives him a chance for a longer conversation he does a lot better. 
17. Daichi
He’s not bad, but he’s also not amazing? Like I don’t really see him as someone who gets very nervous around people he finds cute. However, he’s not super flirty and can struggle to hold people’s interest if that makes sense? Just kinda mid tbh.
16. Koganegawa
He has like puppy dog vibes. He has a lot of fun flirting. I feel like he is a lil bit of an air head, so he doesn’t even realize he should be nervous. But since he has such positive, easy going vibes it’s super easy to talk to him. His down fall is that he can be a little too spacey and forget to follow through, ex forgets to ask for your number or tell you he thinks you’re cute.
15. Kageyama
He’s not super flirty either. But I feel like as he gets older he grows in confidence and gets better at approaching people. Let’s be honest them beautiful fucking blue eyes has him picking up most people he wants. His weakness is sometimes he’s too reserved and the other person thinks he’s not interested. Either than that a pretty solid success rate
14. Akaashi
Honestly bro is so fine he really doesn’t have to try that hard. Similar to kageyama in that he can struggle with coming off too aloof. Still, I think he’s super polite and engaging which makes him charming without even really trying
13. Lev
He also has some puppy dog vibes but I think he is more in control of it. Especially as he gets older he mellows out more. Being a professional model gave him a lot of confidence, but he still is a lil goofy on the inside, so it never comes off as cocky or anything. I could see him trying a little too hard to be suave at times that it works against him. Like it comes off a little disingenuous. But he’s a 6′4 model, he’s not struggling THAT hard to get numbers lets be real.
12. Nishinoya
He’s higher than Tanaka bc I think he comes off slightly less strong. Maybe it’s just because he’s small 💀. But he doesn’t feel intimidating even though he does come on strong. He’s able to do it in a way that’s very endearing. Also once he gets talking he’s able to reel himself in more. He’s also super funny which helps his success rate a TON.
11. Kuroo
Idk why but I can see him wanting to use like pick up lines 💀 like he thinks he’s being smoother than he really is. Kenma tells him he’s being a dork(which he is). He’s hot enough that most people will give him a chance, though. Once he gets past that he genuinely charming and doesn’t struggle to get someone’s number
10. Bokuto
Another one that can come on strong but in a way that works for him. I can deadass see him just walking up to someone and flat out telling them they’re gorgeous. And it feels so genuine(bc it is genuine) and not just like someone trying to get in your pants (even if he is trying to get in your pants). If he strikes out tho it totally kills his mood and it’s hard for him to recover.
9. Atsumu
He’s the opposite of bokuto where him calling you gorgeous sounds like he’s just trying to get in your pants 💀 but he is SUCH flirt oml. I think that can hurt him at times bc he’s laying it on a little too thick. But usually finds a good balance. Can charm the pants off most people if you give him enough time.
8. Aran
Solid flirter. Confident enough to approach you and make conversation without being overbearing. Chill and easy to talk to. Even if you don’t end up going out with him after, you still enjoy the talk you had. Also doesn’t make it weird if you decline him.
7. Sugawara
Suga is so good at getting your guard down. He’s just sweet and genuine you feel at ease with him (it’s those big brown cow eyes). So easy to talk to and is surprisingly funny. Plus when he tells you he works with kids it makes him seem even sweeter.
6. Terushima
And then we have to total opposite. Honestly he should be lower. He comes off strong to the point of being cocky but somehow makes it work. Let’s be honest it’s the tongue ring(he definitely makes suggestive jokes about it). I also hc that he’s super tatted as an adult. I think he does well because he’s superrrrr good at picking out the girls who would be into his vibe. Also like who doesn’t wanna hook up with a bad boy every now and then?
5. Hinata
Listen. This may be high but I truly believe Hinata has good game. So good that at times he doesn’t even realize the effect he is having. I think his favorite way to flirt is getting you to do something competitive with him. Has no issue walking up to you at the beach to ask if you wanna play volleyball with him or even just asking to play beer pong at a party. He doesn’t even really have to try once you agree because he is super good at everything he does (which is a turn on) and you have a lot of fun. Great at asking you on a date without even realizing you’re being asked. Like he’ll say you should go get something to eat after playing together and you immediately agree. Then you’re like wait a second... this is totally date. And you’re very happy about it.
4. Semi
I feel like we don’t know that much about his cannon personality, but he has such a cool vibe. Liken effortlessly cool so you’re naturally drawn to him. Plus he’s super good looking like come on. Really just knows how to curate his look. He’s someone expect to be a little mean but he’s actually a sweetheart. Has you head over heels in no time.
3. Osamu
Atsumu is punching the air rn. He’s got Atsumu’s confidence but is able to keep from being too much. Subtle flirt, but super good at it nonetheless. Loves flirting with costumers who come to his shop because it gets him extra tips but also you keep coming back to order shit just so you can talk to him more. He knows he’s got you right where he wants you. He gets soooo many numbers left on receipts and absolutely will call them if he liked you.
2. Suna
God. This man. He was born to flirt look at him!! He’s so fucking smooth. He’s sorta aloof but he is really able to work that to his favor. Definitely confident enough to just walk up to you and start a convo. He is a good talker but he almost doesn't need words??? Like he can just look at you a certain way and god you’re sweating (in the best way). Easily gets anyone he sets his sights on.
1. Iwaizumi
Iwaizumi has the best game idc. He’s equally hot and approachable. Has plenty of confidence but is never cocky. Truly has a kind, warm aura that makes you feel so comfy talking to him. He’s super smart and funny. Like you just feel like you’re having a conversation you don’t even realize he’s flirting with you but you’re absolutely developing a huge crush on him. The type you talk to and immediately feel like you’ve known him forever. He truly never strikes out. It’s a gift. 
Bonus: Coach Ukai
It didn’t feel fair to compare Ukai to everyone bc he is a few years older and definitely more experienced but I couldn't leave him out. He has INSANE game. Like just look at him. He’s fine, a lil bit of a bad boy vibe, has a heart of gold (LOVES dropping in that he is a volunteer coach with kids). I think he would be sexy n fun flirt like it’s just too easy for him.
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imtrashraccoon · 4 months
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This one was slightly tricky to write and I spent several days just writing dialogue whenever I was able to lol. Oh well, it's still something I'm proud of.
By the way, I think I'm going to call this "Have Some Empathy, Dear" and I have already started posting it on AO3. Some of you have already found it lol! There's additional lore bits that I'll probably post over there if you're curious.
CW: Not sure if this is needed, but there is some mentions of toxic family dynamics in this chapter. Classic family favorites one child over the other and makes negative comments about them as well.
@owl-bones
First Day & Next Day.
Bad Sansuary: Horror - Romance
Word Count: 2,087
You'd seen Axe a few times ever since the day you met him in the forest. Somehow, he'd figured out where you lived but had completely dodged the question when you asked how. You kind of just let it go after that as it was nice hanging out with someone after a long day of work.
Yeah, a smart person would've avoided the obvious red flags... Not that you weren't smart, maybe just selectively blind.
He seemed to be a genuinely nice guy, despite the mildly unsettling habits he had, like the fact that he tended to stare at you for long periods of time. It was like he had scary dog energy but without all of the bite, at least towards you anyways.
Today was a you day. No errands that needed to be run, no one requiring you to be at work, and no chores to do around the house. It was just you and the latest episode of your favorite historical romance show. The last episode had ended on a cliffhanger and you were dying to see if Madam Fratchurine accepted Duke Von Gossimer's proposal or not.
You were only halfway through the episode, without a clear answer to the 'Will they, won't they?' question, when a sharp knocking sounded on your front door. Pausing the episode with a frown, you emerged from your blanket cocoon to see who was outside.
Taking a peek through the peephole, your mild annoyance quickly evaporated when you recognized the person on the other side. Barely sparing a thought on how presentable you were, you unlocked and swung open the door to greet them.
"Axe! Um, hi! I, uh, didn't expect to see you today..."
He quirked a bonebrow when you nearly stumbled over your words and his smile morphed into one of mild amusement. You could feel how warm your cheeks had grown all of the sudden and glanced down at your socks.
Clearing your throat, you tried to start over. "Sorry, why don't you come in? Although I should warn you that I've been relaxing all day so the apartment might be a bit messy." You moved to the side so he could step over the threshold rather than remain standing awkwardly outside your door.
Axe chuckled and his eyelight briefly flicked past you into the hallway. " 's no problem, i didn't let you know beforehand. sorry about that..." he responded. He nearly had to duck his skull in order to come inside but thankfully the doorframe was still a few inches taller than he was.
You gathered up the fuzzy blanket you'd been snuggling in and quickly folded it up to make the room slightly less messy. While you were at it, you straightened the sofa cushions and deposited your blanket on the coffee table for now.
"heh, i didn't think you'd be the type to watch sappy stuff like this," Axe commented.
"Huh?" You glanced over and realized he'd noticed the still paused episode. "Ah, well... It's a bit of a...guilty pleasure of mine."
He glanced at you out of the corner of his left eye socket with a look that seemed to suggest amusement. You flushed and quickly looked away from him.
"I suppose you could say I'm a bit of a hopeless romantic..." you muttered. "The idea of finding your one and only? It was just a thing I fixated on when I was younger I guess."
"nothin' wrong with that," Axe said quietly. "a lot of folks look forward to meetin' someone special like that. soulmates or somethin'... i don't really care, but i suppose it would be nice. i'm sure it would all work out though."
You nodded slowly, "I guess so... Honestly, I kind of envy how carefree you are about it."
"well, i'm not in a hurry to settle down right now," he responded with a shrug.
He was right in a way. There was no hurry to find someone and you could always focus on your career in the meantime. Although growing up, there was always the pressure to find someone quickly so you could be taken care of and give your parents a couple of grandchildren. It was "The least you could do," your mother had said.
Of course, you'd then struggled with a string of bad relationships ever since getting out of high school. Not only had you gotten attached really fast whenever a guy ever showed you any modicum of attention, but you also weren't great at standing up for yourself. Your relationships never lasted longer than a few months and while you'd since learned what mistakes not to make, you were starting to wonder if you should swear off dating altogether.
"so, uh, other than shows like this," Axe motioned to the tv, bringing you out of your thoughts again. "what else do ya like to do?"
"Well, I read occasionally and have a small collection of fantasy type books. I used to be part of my school's chess club but I haven't actually had anyone to play against in a while."
You glanced around the living room before your gaze focused on two of your plants on the window sill. "Oh, I try to keep a few plants alive but I don't think I have much of a green thumb. I also like to press flowers or colourful leaves in the fall. They make some pretty collages but I have to make time to actually put them all together."
He nodded approvingly and studied the plants for a moment. "What kind are they?" he asked.
You pursed your lips in thought while you tried to remember. "The one on the left is a yellow Cala Lilly and I think the other is called a Christmas Cactus although it hasn't bloomed since last year. I'm not sure why as it has sun and I haven't forgotten to water it." You shrugged and added, "It's otherwise thriving so I guess I'm doing something right."
"can't say i'm familiar with either of those types so i can't give ya any advice," Axe hummed softly. "i'm more familiar with the kinds of plants ya can cook with, like vegetables or herbs."
"Do you like to cook then?" you asked.
"i do," he answered with a slight nod. "it's somethin' i just really enjoy doin' i guess..." His singular eyelight was still focused on the plants by your window as he trailed off.
When he didn't elaborate further, you couldn't help but feel a bit awkward. His tone of voice seemed to hint at a deeper meaning to what he'd said and you didn't know if you should ask or not.
So, rather than potentially making things more awkward, you decided not to ask and instead to talk about something else. "You know, I like cooking as well. Although, I really only cook for myself so I have limited experience."
Well that certainly seemed to make him perk up. Axe turned to actually look at you and his eyelight flicked over you in a way that you thought was him sizing you up.
"limited experience or not, it's still an important skill to know. did ya teach yourself or...?"
You shook your head, "No, at least not completely... I learned the basics from my mother but everything else I had to learn through good ol' trial and error." You rubbed the back of your neck and quietly added, "Granted, it was mostly by error..."
Axe let out a short chuckle at that. There was clear amusement written across his skull once again, yet it didn't feel like he was making fun of you.
"that's good, sometimes the best way to learn is to actually try your hand at somethin'. or at least it's the best way i know to figure things out." He lightly scratched the right side of his skull, although you noticed how his phalanges nearly hooked into the empty socket as he did so.
"Maybe we could cook something together sometime then...?" you asked.
To your surprise, he nodded vigorously and his permanent grin quirked wider at the idea. "sure, that could be fun. 's not every day i have the chance to cook with others."
"Awesome!" you exclaimed and gave a bit of a victory fist pump. Axe chuckled again although it was more natural sounding this time, like he hadn't expected you to react with this much enthusiasm.
This conversation made you remember something all of the sudden that you had to share. "You know what's funny? One of the things my mother used to always tell me was, and I quote, 'You gotta find a man who can at least cook because you certainly can't!'" With an awkward chuckle, you added, "In hindsight though, I realize she wasn't actually joking..."
That had been a bad thing to say apparently. His expression flickered between discomfort and concern before settling on a slight frown. You could feel a familiar pit form in your stomach as you realized that you'd basically stuck your foot in your mouth.
Axe let out a heavy sigh through his nasal bone and couldn't seem to meet your gaze all of the sudden. He shifted his weight from one foot to the other before finally muttering a response.
"your mother probably didn't have a guy who could pass for a slasher villian in mind..."
You felt bad for saying something so forward in the first place as it had clearly made him uncomfortable. So you resorted to damage control in an effort to ease tensions once again.
"Well, uh... I guess you're right... She also told me that drinking coffee stunts your growth, which I know isn't true now, but it still frustrated me when I was younger."
Well that got him to chuckle at least. He patted your shoulder in a way that was probably supposed to be reassuring, although it did feel slightly patronising seeing as how tall he was.
"are ya sure that isn't true?" he asked in a tone that sounded like it was supposed to be sassy, although his deep voice did just the opposite.
You crossed your arms and huffed in annoyance. "It isn't! I don't even drink that much coffee compared to other people..."
"what other things did she tell you? any other gems?"
You frowned and shook your head. "Nothing very helpful... She used to be obsessed with my weight growing up and never kept any snacks in the house. If I ever mentioned I was hungry, she'd just tell me to go eat a handful of almonds or something."
You sighed and dropped onto the couch. Steepling your chin with your hands, you tried to take deep breaths to avoid getting all worked up over what had happened in the past. You felt bad that you'd nearly just dumped a bunch of your own trauma on Axe when he was basically a complete stranger.
The cushions shifted as he sat down next to you. You glanced over at him and rather than annoyance like you'd expected, he looked slightly concerned. You very rarely talked to anyone about your childhood as they never understood and brushed off your mother's rules as well-meaning. He didn't seem to be like any of the others though and you started to wonder if he actually understood you.
"I'm...not on good terms with my family...in general," you muttered.
He seemed surprised if the way his left eye socket widened was any indication. "how come?" he asked quietly. "family's pretty important, at least to me anyways..."
You shook your head slowly. "I really don't want to get into all of it right now... But, the short of it is my mother was basically what some people call an almond mom and my older sister was seen as the golden child. I was basically dirt in comparison to her and my entire family favorited her."
"i don't really understand..." Your heart sank but Axe continued speaking before you could try to explain. "but i can tell this is a sore spot for ya, so i won't push ya to explain anythin' else, okay?"
You gave him a stiff smile out of sheer relief. "I appreciate it..." you responded with a sigh.
In an attempt to talk about something lighter, you tried to change to subject. "Do you have any family?" you asked.
His skull visibly brightened, somehow, at your question and he grinned warmly. "yep, i got a younger brother and he's the coolest dude i know..."
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misssmeat · 1 year
Text
30 Things I Learned Before Turning 30
In celebration of my next decade, I took some time to document some of the obvious and not-so-obvious pieces of wisdom I've collected in my life. I wrote this as an exercise to celebrate my own growth, but I thought I would share it.
I spent over half of my 20s with all of you, here on tumblr. It was a messy decade spent figuring out who I am, what I want, and how to create the life I dream of. I'm ending my 20s happier, more sure of myself, and excited for the future. Thanks for joining me on the journey.
Here's to the next decade of being older. Wiser. Sexier. Here's to 30.
Love and Relationships
Give it three dates if you’re on the fence about someone. Love at first sight (or first date) is rare.
If he’s significantly older and makes you feel special for being “mature for your age”… there is something very wrong. He’s gross, and I promise you’ll see it one day and be furious for your past self.
Co-dependency is not love. 
Your partner is not your therapist. Do not treat them as such. 
Holding hands is a superior form of intimacy. 
Sometimes love isn’t enough. 
As annoying and cliche as it is, self-love is the most important love you’ll discover. 
Be intentional in your relationships - intentionally make time, intentionally show care, intentionally respect your partner, intentionally adore. (This applies to friendships too.)
Strong relationships are built on strong foundations. Communication, trust, kindness.
Life is made of millions of tiny moments. The tiny moments make the difference more than the grand gestures. 
Sex and Kink
Sex is supposed to be fun. Too many people forget this. It’s adult playtime. Don’t take yourself too seriously. 
Your limits are sacred. Never let anyone convince you otherwise. 
There is no such thing as a “true” sub/Dom/etc. Do what makes you happy. It’s really that simple. 
Confidence is 75% of success in the bedroom. I never truly know what I’m doing, but if I act like I’m the hottest girl on earth… my partner goes nuts for me regardless.
Keep water near at all times.  
Bondage is much more physically taxing than you might imagine. A rope buddy taught me to keep chocolate near for the sugar boost after physically taxing positions. 
Sometimes things get messy. Don’t worry, it’s normal. 
Give feedback and be open to feedback. We are all different, so there should be a learning curve with each partner.
Butt stuff hurts a lot less if you train your muscles slowly over time. 
If you’re not in the mood, don’t feel pressure to force it. Respect what your body is telling you. Likewise, respect your partner if they aren’t in the mood. 
Everything Else 
Ladies - unlearn creating yourself for the male gaze. It’s overrated.
Western cooking isn’t always superior. See the fried egg in France vs. Hong Kong. I’ll die on this hill.
Your worth and value are not tied to anything you’re offering or producing. Existing is the most radical thing we can do. 
Find a hobby that doesn’t require the internet. I found painting and reading. 
Your energy is valuable. Be selective in where and how you invest it.
When washing your hair, go through your shampoo routine twice before conditioning.
Go on walks. Touch grass. Feel the sun on your skin.
When in doubt, adopt a cat. 
Go to therapy. No matter where you are on your mental health journey, therapy will probably be a game changer.
Do not underestimate the power of forgiveness. Holding onto anger is not as empowering as I once believed it was.
And one last bonus thought: no matter what, always make space for joy.
❤️.
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itsmebytch001 · 8 months
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How about a yandere Morales family x reader who is friends with miles because they used ti go to school together that is very clearly neglected. Sometimes sleeping on the streets, never home, always eats a lot at their house yet still remains relatively malnourished and Jeffe finally decides after seeing some bruises on the reader to take matters into his own hands and use his position as police captain to “foster”(kidnap) the reader who is very not onboard.
Or if ur not comfortable with that then they genuinely start fostering the reader and they are not having a good time adjusting to present parents that make them eat 3 meals and be home at 9 stuff like that
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You and Miles met at around 9 when your family moved to Brooklyn, he got on with you and once he started bringing you home it was instantly obvious to both Rio and Jeff that something was wrong, you were always messy and disheveled, wearing unwashed torn clothing with shoes with the soles beginning to come off You were 9 but could pass for 7 and barley knew how to use cutlery, and once they eventually met your Mom and Dad it became apparent that though they were not malicious of outwardly abusive, they were massively neglectful.
It became routine that you would come over every Friday, shower, and eat dinner, and take food home with you, Rio would hand you 3 tubber wear boxes full of all sorts of her cooking, and sometimes they would even give Miles old clothes. Jeff would always drive you back home since no 9 year old can be expected to trek it form one brough to another, and once he pulled up outside your building he would escort you back to your front door, and with the few gimpses he saw of your home, bugs crawling, a water collapsed ceiling tile, the brow carpet, not brown because it was brown, but the collected filth he knew that this place, and these people were not fit for a child to be raised.
Jeff entered his home, Miles had been put to sleep while Rio sat on the couch with a glass of wine.
Rio: "So how was it?"
Jeff sat down in a huff next to his wife.
Jeff: "That place looks like a trap house Rio, it had black mold" he rubbed his hands over his face.
Rio: "Is it possible you could just...take her?"
Jeff: "No, not yet not with out probable cause"
Rio: "Is a house with black mold and uncaring parents not enough?!"
Jeff: "No, not for awhile"
Rio: "Dios mío, well...the least we can do is keep her clean and fed huh?"
Jeff: "I guess"
Rio: "What about social services?"
Jeff: "That'll just mean to lose her to the system, we won't be able to keep an eye on her"
Rio: "Oh...I'll give Miles some extra lunches to pass on to her come Monday" She said gulping down a swig of red.
Jeff: "Good idea"
And it was because of their efforts to keep you fed that you finally grew, now you actually looked your age, and needless to say The Morales had brought you into their family not as a guest, but as a member. And for your 11th birthday since by this point you had turned up to school with solles shoes Rio brought you new trainers, while Jeff brought you a selection of new tops.
Of course you being uncustomed to such kindness you responded oddly.
Rio: "Happy birthday baby" She handed you a box, and once you opened it it revealed new shoes!
Y/n: "...are these for me?"
Jeff: "Of course there for you Y/n, it's your birthday!"
Y/n: "I'm not sure if I should take these, I'm very grateful I'm just not sure what my Mom will say"
Rio: "What do you mean?"
Of course you parents had noticed you putting on weight, coming home in new clothing and initally they were grateful to Rio and Jeff for helping out, but it felt more and more like they were taking you away, or like they were trying to replace them.
Miles had also reported you coming to school less at less by the time you were 12, your attendance got so out of hand that eventually Jeff came to do a house visit, he knocked on the door, Your Mom came to the door.
Jeff: "Hey Diana, uh I'm here to do a wellness check on your Y/n"
Diana: "Oh, Jefferson sure, I guess"
Jeff: "Can I come in?"
Diana: "Sure" And so your Mom escorted Jeff back to through your home, when you finally saw the extent of the condtions you were living in, and it was terrible. Opening the door to your room Jeff could see your mattress was on the floor with no sheet, all your clothing lived in pile since there was no wardrobe and you sat on the floor drawing in just a massive t shirt.
Diana: "See, she's well isn't she?" She sassed at him, all Jeff wanted in this moment was to snatch you up take you home and get you cleaned, and in some clothing that actually fit so you didn't look like just a head floating in fabric, but of course being a police capiatin made that legally impossible.
Y/n: "Oh, Hey Mr Morales"
Jeff: "Hey Y/n"
Y/n: "What are you doing here?"
Jeff: "just a wellness check"
Diana: "Your well aren't you Y/n?" She's not asking you, she's telling you.
Y/n: "...Yeah I'm fine"
Diana: "We good officer?"
To be honest, if he were social services he could take you but he simply did not have the authority, Jeff was hushed back into the hallway by Diana.
Jeff: "Diana, Y/n's been out of school for 2 weeks now, why hasn't she been in school?"
Diana: "She's been sick"
Jeff: "Well she looks fine"
Diana: "Then why are you here doing a wellness check?"
Jeff: "Ugh, Diana, If Y/n dosen't turn up to another day of school, I'll get CPS you under stand?"
Diana: "are you threating me?"
Jeff: "No, I'm doing my job" he said waving you goodbye as he exited the house.
Jeff and Rio sat with their son at the dinner table, Rio and Jeff had been cracking a plan to file for emergency custody of you for awhile now, but since you aren't blood they knew it wouldn't be easy, but they also thought it would be good as ask Miles what he thought about the idea of taking you in full time.
Rio: "hijo, what would you think about Y/n moving in with us?"
Jeff:" Full time"
Miles: "Like, forever?"
Jeff: "Yeah..."
Miles: "Is that possible?"
Rio: "It might be"
Miles: "I'd like that"
And so with Miles on board Rio and Jeff started the paper work process to file for emergency custody, and with the helps of CPS they finally had a case, but it wasn't enough, they needed proof of abuse not just neglect, and so they waited, 2 whole years for such proof to emerge.
You had come over on anther Friday for dinner as you often did and had been doing for the past 5 years now, but something was deeply off, you were quite, timid and apprehensive to speak, but the thing that really worried Rio was all the concealer you were wearing on your left eye, honestly it was strange that Jeff didn't notice since the makeup wasn't yours, it was yours Mom's the shade wasn't quite right and drew more attention to your eye, and what was underneath it.
She didn't want to adress it in front of everyone so she waited until later in the evening to confront you about it, while you wear in the bathroom, getting ready for your shower she knocked on the door, before you took off anything of course.
Rio: "Y/n...Can we talk for a sec?"
Y/n: "Uhh yeah I guess" You opened the door to her as she closed the door behind her.
Rio: "Baby, I can see your wearing a lot of makeup, especially round your eye, and I just wanted to check if everything was okay?"
Y/n: "Yeah Yeah...I was just trying to do come conclear"
Rio: "Uh huh...well, could you take it off for me please?"
Y/n: "...no"
Rio: "And why not"
Y/n: "I...I just want to shower Mrs Morales"
Rio: "Y/n we've been over this, You call me Tita, and really why won't you take off all that makeup?"
Y/n: "Tita...please I don't want to talk about it"
Rio:" So something is wrong, huh?"
Y/n: "...I don't want to talk about it"
Rio: "I don't care, your staying at my home I want to see whatever your hiding" she said sternly, handing you a makeup wipe.
And so you compiled begging to rub off all the makeup you had spent about half a hour applying, despite anticipating what she would see it still hurt her to see you with a black eye.
Rio: "Oh...Oh Y/n My poor baby"
Y/n: "Can...Can you please not tell Jeff"
Rio understood why, but this was the proof of abuse they needed.
Rio: "Was it your Mom?"
Y/n: "Yeah...but please don't tell Jeff"
Rio: "This is an assault, you need to tell Jeff he can help you"
Y/n: "I really don't want her arrested"
Rio: "I know... but if she's hitting you it's clearly worse than we thought"
Needless to say it wasn't a pleasant experiecne having to show your bruised face to Jefferson and Miles, though he obivoulsy wasn't happy that you were attacked but this was the proof they needed to push for custody, now all they needed was to report it and make a record of the incident, but it was so obvious you were tired and due to the circumstances, Jeff firmly belived the courts wouldn't to too upest if they kept you just one night.
Jeff: "Y/n...We think its best if you stay with us for awhile"
Y/n: "Like...this weekend?"
Jeff: "Well, maybe a little while longer"
Y/n: "But my Mo-"
Jeff: "If your Mom is hitting, I can't just let you go back"
Y/n: "But what about my stuff?"
Jeff: "I can drive over tmorrow and pick you up whatever you need"
Y/n: "I can't...I can't just leave what if she-"
Jeff placed a hand on your shoulder.
Jeff: "Y/n, we will take care of it, you understand?"
Y/n: "...okay"
Rio: "I'll pull out the couch for you M'kay? I'll lend you a pair of my PJ's"
Y/n: "Okay, yeah please""
It was all so fast, you didn't realise in agreeing to stay the weekend in their minds you were agreeing to being their daughter...
To be continued...
Feel Free to give me Dad! Aaron or Morales Family suggestions!
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qqueenofhades · 4 months
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as a starting history major i wanna ask how do you read/evaluate academic history papers/books? i'm trying to avoid just blindly agreeing with whatever the author is writing because it seems correct. how can you tell what is good scholarship and what is more shaky?
This is a great question for you as a freshman history major to ask (many of my toiling colleagues and I can attest that we wish more of you would!) and shows that you're already taking initiative and investment in your studies and want to be the best prepared you can. So truly -- thank you! Us on the faculty/staff/administrative end of academia can feel as if we are pouring into an empty bucket at times, and it's always gratifying to hear otherwise. We really appreciate it.
As a college freshman and/or underclassman (or so I'm assuming) your first job is learning how to collect basic information from the things you read, collate and cite them accurately, and make them converse intelligently with each other in an entry-level piece of academic writing (such as an essay responding to an assigned prompt). So before you have to worry about understanding complex nuance and granular-level fact-checking, the first step is just getting comfortable with academic forms, styles, and conventions. There's an occasional anti-intellectual strand of thinking that pops up on Tumblr, basically insisting that everyone everywhere should be able to understand everything in fifth-grade words and if not then it's Elitist Gatekeeping, but this is a symptom of TikTok brainrot where people's brains have been literally rewired to only process spoon-fed chunks of incredibly simplistic (and uh, often wrong) information, and literally can't parse anything longer, even if it's written in accessible language. Yes, many academics are not necessarily great writers, but you also have to let go of the mindset that you can speed-read once and understand everything. You will need to slow down, take your time, and make a note of concepts that are confusing or that you want to double-check, words you need to look up, and things that make you say "hmm I should look into that more," whether because you're interested or they seem questionable. I always read academic texts or papers (I prefer hard copy, because I am Fucking Old) with a pen in hand, because if I don't, I often feel like I didn't read it at all.
Basically, this is an interactive process between you and the text, and requires you to develop a different kind of reading mentality than just buzzing through a novel or fanfic for pleasure. You have to expect that it will take time and that if you regularly skive off the readings, you won't be prepared for class, your professors will be annoyed, and you won't be able to write good essays, because you haven't engaged with the material. In your case, it sounds like that will be less of a problem, because you are eager to know how to do it right, but I can tell you from my experience that nothing frustrates us more than students who just won't do the reading (and you know, use ChatGPT to write their essays) because then what are you even DOING here? What do you want to get out of this? Why are you wasting your precious tuition money like this? Yes, you probably have to fill a requirement, but STILL. It's disrespectful to your teacher, who has invested a lot of effort in being here to help you with this and doesn't want you to just quit because it looks hard, and your peers, and to you. So anyway, /Captain Holt voice/ apparently that's a trigger for me. Basically, if you learn nothing else from this ask: please do the reading. Even if it's only to admit you need more help or want to talk about this concept in class or otherwise take advantage of all the structures that are in fact there to help you understand it! Thankee.
Likewise, because you're an underclassman, you have an advantage in that your teacher will select the class readings for you ahead of time. That means you will be receiving things that a professional has already checked, decided are useful and trustworthy, and you don't have to do independent research and vetting yourself (that will come if you decide for some godforsaken reason to pursue graduate and/or doctoral study). So you don't need to spend tons of extra time and effort deciding if the sources given to you in class are reliable on a basic and functional level; your professor has already done the work for you to make sure that they are. Your job is now to read those sources, keep a record of what they say (hence the aforementioned pen or other way to make quick notes) and figure out how to put them together in an essay. For example, if Author A cites Factor A as, say, the main cause of the fall of the Western Roman Empire, and Author B insists that Factor B was in fact more critical, what is your best approach to reconciling that information? You would search in the rest of those texts to see what else they say in support of their position, and you would probably end up with a qualified statement to the effect of, "While Author A argues A, Author B thinks B, representing the lack of consensus and the difficulty in attributing one single cause to an event as complicated as the fall of Rome." (And then because you're smart, you would go on to mention Byzantium and the Eastern Roman Empire and show that you are aware of the further context.) All of which is true! Historians do that all the time! You don't need to select THE RIGHT ANSWER and vigorously discredit all other theories, ever, and we tend to look suspiciously on people who do (cough cough Philippa Langley).
In other words, we are certainly not expecting you as a freshman, and even as a more advanced student, to be able to pick out ONE ANSWER from the material. We just want to see evidence that you have in fact read it, are able to evaluate and place theories side by side and possibly make a judgment as to which one you find more compelling, and also to properly cite where you got that information. We've seen a lot recently about plagiarism and that being the pretext on which Harvard president Claudine Gay was forced to resign (which is a whole other can of worms, but never mind). A lot of professors think that saying "Don't Do Plagiarism" is enough, but then don't explain what it is and the different forms it can take. It's not just a matter of copying verbatim chunks of someone else's work (or you know, ALL OF IT, like certain recently discredited YouTube scumbags) and acting like it's your own. If you are relying substantially on someone else's work, whether in their wording, arguments, conclusions, structure, or anything else, even if you've changed some of the words (yep, still plagiarism!), that needs to be cited appropriately according to the relevant style guide. Direct quotes from anyone need to go in quotation marks or indented blocks and have the author cited immediately afterward. History usually uses Chicago, MLA, or MHRA, and you can find cheat sheets for how to do that online. It's a pretty simple and straightforward style, and your professor will be extra impressed.
If you're expected to do an independent project or a senior research thesis, as some undergraduate history students do, then it will come when you have already had three years of experience in reading, evaluating, and writing historical scholarship, you will probably have a faculty member assigned to you for one-on-one mentoring and personalized feedback sessions, and they will be able to provide suggestions and support for useful sources. So even then, you still don't have to do it entirely on your own. They'll probably also be MORE than happy to debate with you which ones are good and which ones are suspect, because it's all a part of developing your ability to flex that muscle for yourself. (And as noted, faculty members Will Have Strong Opinions.) That likewise doesn't mean you just have to copy whatever they say (at least if you have a good teacher who wants you to think for yourself and not just be a mini-clone of their pet theories), but it means that by the time you reach that stage, you will have been prepared enough to feel confident in taking more steps on your own. I think not enough people realize that studying history (or anything, really) isn't just throwing you out there and being like "tough luck sucker, do it all yourself."
That's why academia is so collaborative, why plenty of historians with doctorates and tenure will still have to say "I don't know, let me get back to you" when someone asks them a question at a conference, and you don't have to fear that if you don't have The One Right Answer, you will be immediately exposed as a fraud and thrown out. History as a discipline is also moving away from the 19th-century German approach that attempted to systematize it as a singular social science with One Right Answer, and to focus more on multiple perspectives and incomplete answers. That's why the goal is not necessarily to know everything (which alas, is impossible), but to make better sense of what we can know and search for ways in which the existing record is flawed and needs to be revised, expanded, or reworked with new perspectives (which have existed all this time, but haven't been privileged by the white male western academy for the obvious reasons). And that work is fun and important! I don't want you to be scared of getting to that point, because someone will be there to support you the whole way and by the time you do, it will make sense to you in a way it probably doesn't right now, just because it's a new skill and like any new skill, it takes a long time to learn and to be able to apply confidently, consistently, and at a high level. And plenty of us who do it as a career still often have to say "I don't know, let me ask Dr. So-and-so who specializes in this," so yeah. It's a process of becoming comfortable with both learning how to answer what we can, and to ask others for help with that, and it never really ends. Which is the fun part. There's so much more to do.
Good luck!
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What are your criteria for ambassador snakes?
I'm honestly really strict, I take the position of ambassador very seriously so I've probably failed twice as many snakes as I've graduated. A good ambassador snake can help people overcome their fear of snakes, and the experience peope have with ambassadors can get people interested in snake conservation. It's such an important job, so I have to trust my ambassadors 1000% before I put them in someone's hands at a program.
My criteria for selecting a potential snake to train as an ambassador:
The snake has to have a calm and outgoing personality. They're still going to be snakes and I'm not expecting perfection, but I do look for snakes with generally curious, easy-going personalities.
They're not unusually defensive (by their species' standards, I expect baby ratsnakes, for example, to be little spitfires).
They respond well to handling. I look for snakes who are calm in your hands and who enjoy exploring and sniffing around.
And my criteria for graduation:
They need to know basic signals; I expect my program snakes to be tap-trained, hook-trained, and target-trained. Some get more training and some get less but those are the basics.
They need to be trained out of being head shy and be generally extremely comfortable with people touching all over their bodies
They need to be comfortable with the hold I use during programs (it's just a way of holding them so they're easy for a crowd to see, and with a hand on their neck so if anything surprising or scary happens I'm the one who'll get bitten)
They need to do well in crowded situations with lots of people (I simulate this by bringing trainees to work, having them in the room during programs, etc.)
Snakes automatically fail out if they bite anyone, but that happens super rarely. I mostly fail snakes if they turn out to be easily stressed in crowds, don't like being handled for longer periods of time, or don't respond well to training.
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zalia · 4 months
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Experiencing Destiny 1 as a D2 player
I picked up Destiny 1 in a sale recently despite being told a lot about its problems, and honestly I'm really enjoying playing it! I feel a bit like a time traveller visiting important places and events from the past.
I also have friends who played Destiny nearly from the beginning and it's fun to go back and go 'ooooh that's what they were talking about!'. I am also very aware that if I had started playing it without already being invested, I would be having considerably less fun. (Also, being fair, much of the fun is doubtless novelty after playing *mumbletymumble* hours of D2 over the past couple of years).
But it's genuinely been really interesting from a design and narrative perspective going back to it and seeing where the story began and how things have changed and I wanted to ramble about it. Full disclosure, I have played up through the first couple of missions of The Taken King. There are also things I can't comment on such as Crucible (because getting enough players for a match has not happened yet), events (no longer happening) etc. Also haven't managed to run a raid yet but hopefully will eventually!
I will start with the bad, to get it over with. A lot of stuff here will be well known and honestly it's probably less interesting than the good/thinky stuff.
The Bad
Oh boy I have maligned D2's New Light introduction so badly since it is miles ahead of D1 just by merit of actually having one! D1 gives you the opening run through the Cosmodrome where they tell you what buttons to use and then refuses to explain anything ever again. (This very definitely ties into it being a game I enjoy now but would probably not have enjoyed if I wasn't already invested)
You don't realise how many QoL improvements D2 has until you have to go to orbit and select a new destination every single time. Also no fast travel points. And no you cannot just look at a map of the place you're traversing. Fashion is difficult too.
Up until Taken King, I am not sure why they bothered hiring voice actors for anyone except Ghost, Elsie Bray, and maybe the Speaker. And I have no idea why they hired Bill Nighy for that part (I mean I do, it's because they wanted to use Big Names for marketing but still...). The Vanguard could easily be replaced with cardboard cutouts because they are basically uninvolved in anything until Taken King begins. I know they aren't involved in every seasonal plot now, but they do appear and develop.
The story and writing is... well, it makes an attempt to exist. It does not succeed until The Taken King. I went in knowing what happens in the story and I'm still not actually sure what happens in the story because it is basically someone's pre-first draft bullet points of a narrative. The only reason I knew I was starting different storylines is because the mission popup tells you which storyline it is. 'I don't have time to explain why I don't have time to explain' is a meme for a reason, but another bit which I think illustrates the point well is from House of Wolves. Petra tells you that Skolas has entered the Vault of Glass and this is bad so you need to stop him. It is never explained before then what the Vault of Glass is, what it does, why it would be bad for Skolas to be in there, or... anything. While D2 can be obtuse, and sometimes leaves important info in easily overlooked lore tabs (or in vaulted content), it at least tries to tell you what the story is. I feel like D1 actively resents that players do not read the bullet points and fill in everything the writers had in their heads. Another example is the Devil's Lair strike. it's the first one you take on in D1, and after doing it in D2, I was expecting backstory and build up. Nope, you just get sent in with nothing to really explain what is going on, who the House of Devils are, what a Servitor is... I know it had troubled development and the story got torn apart and remade very close to launch, and it really shows in the early stuff. It's a series of missions that were made and then had to be strung together with the thinnest of threads. It gets better in Taken King, but at times is still not great. You first encounter the Taken on Phobos, I think Ghost asks about what they are. I was expecting more discussion about them and what they are and how horrifying it is. But nope, they just exist now and we're all fine with that.
So. Much. Grinding. The pinnacle grind was annoying in D2, the grind to just get your light up in D1 is so much worse. You will be doing bounties desperately to try to get your rep up with the various groups just so you can actually get fragments of story and quests. You will be grinding just to level up your subclass and it takes ages.
The places you visit are very expansive - even the Cosmodrome is significantly larger - which is great when they're used well, but a lot of the time they feel very empty, there to make you play for longer to get between areas than because there is anything to do.
The Good
The game is gorgeous! I'm loving getting to see Venus and Mars and the Dreadnaught. They're beautiful environments. Everything feels very expansive which can be very cool (as above, it can also be less good). When used well, it feels like there are so many mysteries and secrets hidden in this abandoned world. There are hidden bunkers and spaces, huge Vex structures and ruined cities, tunnels burrowed beneath the Cosmodrome and the Taken King's dreadnaught. It's genuinely fun to explore (up to a point).
It does an excellent job of making you genuinely feel like it's post-apocalyptic and the existence of humanity is precarious. And you, the Guardian, are brand new and everything is trying to kill you. You don't have multiple gods stored in your vault in the form of guns! Everything feels more dangerous. For example, I think if D2 is your intro, you look back at the Great Disaster and the first Crota fireteam and go 'but how did that happen when I go onto the moon and take out ogres with a single punch? The biggest threat in the Abyss in Crota's End is falling into a pit or getting hit by a pendulum! Yeah no I get it now. In D1 you are much less powerful and it makes swarming thralls and normal enemies much more of a threat. Things feel dangerous in a way that D2 rarely manages. I'll talk about this a bit more in depth later.
By making your supers and abilities less powerful, they have weirdly made them more useful. In D2 I usually save mine for bosses since it feels like a waste to use them on normal enemies. In D1, it makes absolute sense to use your abilities basically as soon as you have them. You should absolutely use your Golden Gun on a normal Hive Knight or Fallen Vandal!
There's some great atmospheric touches. I love hearing the snippets of distorted music when I'm near a Rasputin bunker. Going into some of the ruined buildings on Mars or Venus where it's dark and suddenly seeing so many red Vex eyes staring back at you is chilling.
The opening mission of Taken King is fantastic. Genuinely creepy and the Taken in general in D1 feel much scarier and threatening than in D2.
All the different enemy factions are different colours and designs! I love that!
Weapons still go brrrrr in a very pleasing way. And getting new gear feels genuinely satisfying in a way that it rarely does in D2. I junk 99% of the armour and guns I get in D2, in D1 I end up being much more considering of whether something is useful. Legendary weapons and armour feel precious!
I keep picking up random Warmind weapons to turn into Banshee that I know lead to an exotic quest and I am enjoying the feeling of that being another Secret Thing I am discovering.
Honestly, I really like Banshee's weapon bounties - you get given a prototype weapon to test out and gather data by doing certain things (killing X number of a certain enemy etc.) and that gains you rep. And you can then order a legendary version of the weapon from him to be delivered the next Wednesday.
Thoughts/Observations
Knowing that the 'original' story was seemingly going to focus more on Rasputin, and an exo version of him getting stolen by the Hive makes the appearance of some of the Hive areas on the Moon make more sense. There's some bits that are high tech in a way that feels very at-odds with what we see of the Dreadnaught and, other Hive locations which lean much more towards the organic and magical.
Similarly, Rise of Iron feels a lot more hard sci-fi than much of what Destiny has become, and has such a huge Rasputin focus. I believe it was partially developed by an outside studio, so I do wonder if it was based, at least in part, on the 'original' story of Destiny, and was either too far into development, or the other studio just never got the memo about the change in tone.
Vaguely related to the above, but way more speculative, I wonder if Banshee was originally meant to be a Rasputin exo, then that story got shifted to Felwinter, but the seeds were used for the story of Banshee having been Clovis Bray.
Honestly while it's fun to think about, in general I find the obsession parts of the Destiny community have with 'the original story' (of the 'maybe they're finally going back to the original story!' type where the unspoken idea is that this was the perfect undiluted pure story that was 100% planned and set in stone) to be fundamentally misunderstanding how creating stories work. I can guarantee that even if that first story had been used, after 10 years of multiple writers etc. it would still be in a very different place than where the people who came up with it initially thought it would go. It would have evolved and changed and shifted, even if it was following the same vague plan. That's just what stories do.
Oh wow, suddenly all the Nightmare Hunts in Shadowkeep make way more sense! I get it now!
Actually I get a lot of references now XD
Oh wow Shaxx sounds so depressed. I guess this was before he started therapy.
So many identical caves...
Thoughts on Power Creep
D1 leans much more into the post-apocalyptic setting and it does an excellent job of making the existence of the Last City, humanity, and Guardians feel precarious. Everything seems more dangerous, more of a threat. You really are part of the last bastion of humanity. And there's a few ways this is done.
First, you are much less powerful. Yes, you have supers and grenades, but they do much less damage (and are much less flashy) than in D1. There has been a huge amount of power creep! You won't be one-shotting bosses, even normal Vanguard Strike bosses with golden gun easily.
Legendary weapons feel rare and special, and I am still using Blue weapons at times because sometimes I have to just to get the higher light level. I have reached level 40 and have only just got my first exotic armour pieces which I bought from Xur! They are FR0ST-EE5, an exotic I have never bothered with in D2, but in D1 the recharge for abilities when sprinting is genuinely handy. I don't have any exotic weapons at all yet!
It leads to a very different playstyle - I play much more carefully because I cannot just charge in with something like Osteo Striga and wipe out a room with a few shots. In D2 we have killed multiple gods, taken down an Empire, and forged alliances. In D1, we're just some random Guardian and the gameplay reflects this.
And I hate to say this, but I also kind of get the YouTube/Stream BNFs who complain about things not being hard enough. It's just... they're completely wrong about the reasons and the solutions.
They seem to think that what is needed is more enemies with higher health, and nerf Divinity because it makes it too easy, and everything should be designed to stop normal players being able to do it. And it... it doesn't work? Ghosts of the Deep was fun, but holy fuck the health bars on the enemies make it feel grindy and dragged out. Legend Avalon was a slog because there's Too Much - too many elements at the same time so it's just overwhelming instead of fun. (Starcrossed on legend is tough, but feels more enjoyable and managable. I'm looking forward to doing it again instead of dreading it).
More difficulty isn't what makes D1 feel harder, being weaker is what does this. I have no doubt that if I could put my D2 stuff against D1 enemies I would decimate them. But in D1 I am a lone Guardian with scavenged gear and yes, I have the Light and can be resurrected, and it gives me an edge vs normal humans, but not a crazy amount.
In D2 I have so many exotics and weapons that I can just throw them away. I can have intricately crafted builds to take on any enemies! I am basically one of the most powerful entities in the solar system.
And that's not something you can really scale back. They did it with Red War at the start of D2. Maybe they could do it as a result of Final Shape and do smaller stories focused on Earth and recovery and what you even do after your purpose for fighting for so long is gone (and I think there is value in those stories! I would love it personally). But uh... I don't think most people would actually be happy having everything nerfed on such a scale. Give up your 999,999 Celestial Nighthawk boss damage, for a Golden Gun that with a bit of luck might one-shot a yellowbar?
Give up a lot of creativity in terms of what you use and how you play, in exchange for a tougher game with way less choice for builds, but one that is potentially more atmospheric and in-keeping with the post-apocalypse and the dangers of the solar system?
I don't have an answer for that! And it's not even the most important thing. Gamer BNFs gonna always want to prove that they're better than everyone at pressing buttons, and forget that the majority of players are casuals. But it's been interesting playing a different type of difficulty, rather than the forced difficulty of insanely high HP and Too Many Things.
Power creep is a real issue in a lot of long-running media (just look at superhero movies, or many many monster of the week TV shows). You're in a position of feeling like you need to one-up yourself every time. Every new villain has to be the biggest and baddest, and so you have to become more and more powerful to combat that, which means the next villain has to be even bigger and badder.
With Destiny we've gone from a scrappy underdog, to a god-killer.
I'm reminded of Osiris talking about Saint in The Sundial lore.
'I watched him grow from neophyte to demi-god'.
King of fitting for us to have done the same as Saint's inspiration.
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