there must be hundreds that look at you as if you’re some kind of RHYTHM SECTION WANT AD!

image id: a digital drawing of kurier, benny and mister house from fallout: new vegas. kurier is shown to about her stomach, clutching a package in her arms and looking off to the right with an uncomfortable, nervous experession. on his left shoulder, pictured like a little devil, there is robert house yelling and swinging his fist in the air angrily. on his right shoulder there is benny, casually leaning on kurier’s head and talking, while doing a finger guns gesture towards him. above and behind kurier there is “rhythm section” written in red, and below and in front of him there is “want ad” written in yellow. the background shows a water ripple-like shape composed of different shades of blue. end id

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

> pull her into a hug

he’s like if a boy was a princess

new heart bong 🫀

Aziraphale: *defies God's will and gives away his Holy Weapon to protect 2 humans who God Herself literally just cast out of paradise* *has unwavering faith in a demon's kindness* *lies an archangel in the face* *saves Crowley's life* *is ready to fight Satan himself with basically a Stick* *protects the one person in the universe who has probably mistreated him the most at extreme risk to his own life* *ready to fight 71 demons with a candle holder to protect 2 humans and said person who mistreated him all his existence* *gives up literally everything he loves the most in the world for the slim chance that he might make a dent in a system that brings nothing but suffering hoping to make the world a better place for everyone in it*

People out there (nowhere near me, luckily for everyone involved): *talk shit about Aziraphale*

Me: What the FUCK

soriku week day 1- holy

yall know the "after first kiss" meme

there are three types of pairing

the meme:

Clark: “I can hear Bruce’s heart, and I think he—”

Hal Jordan, about to become superbat’s #1 hater: “WILL YOU SHUT UP ABOUT HIS FUCKING HEART ALREADY?”

What if aziraphale and crowley tried to postpone the second coming by finding increasingly ridiculous activities for jesus to do

an au where dovewing trains in the dark forest instead of ivypool....

how ya draw alastor is so cute!

Thank you Angie!! 💖 I always notice your reblogs you're so sweet 😭

Here's a quick little Angel Dust I made the other day when I was getting back on CSP!

yes I was inspired by the latest chapter of this fic, no I don’t want to talk about it.

(fic by @picturesofthegoneworlds)

Somewhere in the woods, a moth tires of seeking light

This is it. The last image I want to see.

Can we get some Dark Dan and Jazz?

oh you absolutely can. these siblings are not alright.