Vampire

Also. All these bitches on tiktok who hyped it up to be the most shocking film ever seen are weak as fuck. Getting naked in the pouring rain and fucking the fresh grave of your deceased best friend/homoerotic idol is the tumblr girl's bread and butter

"I just thought, 'I really want to go and lounge around on some sofas and do absolutely nothing and drop some funny lines.'" ROSAMUND PIKE on playing ELSPETH CATTON in SALTBURN (2023)

me in buckingham palace dancing naked to 'murder on the dance floor' after i infiltrate the royal family and pick them off one by one until i am the last one left

SCENES FROM A MARRIAGE | 🫦 LUST Felix & Oliver · Saltburn (2023) dir. Emerald Fennell

he’s like if a boy was a princess

all these gif sets of felix catton softly gazing into the camera with dark hooded eyes. 6’5‘‘ princess stretched out in the dewy grass. dead wife in a movie coded fr

cannot stop thinking about saltburn in the context of the growing trend of criticizing movies for having sex & nudity. there’s all of this fucked up sexual stuff happening, but it’s all one degree removed from an actual sex scene. where we would expect to find nudity, we instead have blood (venetia) & shadows (farleigh) as our visuals. where we do see nudity, it’s either in a sexless context or it technically amounts to masturbation rather than sex (looking at you, grave scene). we never get the standard sex scene modern audiences seem to hate so much or anything even remotely resembling it. it’s what was asked for, and it’s also so much worse. you’re deeply disturbed, but thank god you don’t have to see tits

saltburn 2023 / the lament for icarus 1898

[saltburn characters + text posts]

Oliver Quick Being Obsessed With You Would Include...

A/N: Watched this recently and got too many ideas because it's what I do 😀 if you've got any requests for the Saltburn crew then drop them in my inbox and I'll get round to them. Have fun reading- just know that there are obviously spoilers for the Saltburn movie here, so if you haven't watched it, zip to the cinema and come back 😎 or don't.

☓• It's hard to know where to start with Oliver... all I can say is that once you're in his sights, you're never getting out of them. Big never. Even if he has to wait years to get what he wants, he'll wait, and he will get it. And of course, the it we're talking about here is lucky you. So lucky you 🙃

☓• Say goodbye to your close friends and possibly your family if they're taking up too much of your time or happen to see through his harmless, quiet, normal act to something a lot darker and obsessive tainting his pure blue eyes every time they latch onto you. No one's managed to get in his way yet, and it stays that way.

☓• The first unknowing encounter with Oliver must have been somewhere around Oxford Uni, where you all go to and study. Maybe in the library, outside talking to friends - doing practically anything and making it look amazing and beautiful and something to be wanted above anything. He watches you a lot, a lot a lot, before you bump into each other, because the meeting has to be perfectly natural and it's his only chance to start things off on the right foot.

☓• Coincidences happen a lot and no one can be called out on them, because nothing seems to be wrong yet. You'll end up spending the majority of your time with him, maybe even without realising, whilst he finds out ways to know more about you and get closer to you. Oliver's not so good when it comes to talking about himself, telling you with one of his awkward but earnest half-smiles that he's not half as interesting, and so the conversation ends up steering back to you. From family life to friends, growing up, hobbies, favourite colour, tell him anything and everything. Because he won't forget a single thing.

☓• He's easy with where you want to go to hang out too, so long as he's there. You could just be talking with your friends in the nearby pub or at a party where the invite was extended to him as he's with you, or studying together at the library. Ignore the weird looks from Michael.

☓• But what Oliver prefers above all that is just being together and alone, maybe in your dorm room, or just out somewhere at a park or at the bridge, sitting and talking, opening yourself up more and more to him. This boy is an incredible listener. If your voice trails off when you become self-conscious of how much you're rambling, all you'll get in response is Oliver blinking out of his trance and giving you a calm smile and a shrug. "No, it's fine, I don't mind. Carry on."

☓• Number one supporter, naturally. Oliver tries to be the best friend and more, so hard, with you. He'll be anything you want and need him to be without you even having to mention it. Whatever club or team you're on, he'll give you a little wave and small grin from the sidelines... take a few pictures when you're not looking. For safekeeping.

☓• It can get more than a little frustrating for him when you're distracted by your other 'friends' at Oxford, even if it's something as small as looking over essay answers and revision notes with Farleigh. There's always a back-and-forth thing happening between those two, and so when Farleigh starts becoming friendly with you and outrightly mocking with Oliver, to you, all that will happen is Oliver giving him an unblinking, blank look that looks a touch too cold and repressive, before he ignores him. And that's all you'll ever know about it.

☓• If you happen to stick up for Oliver when someone brings up how different and odd he is, a bit awkward to talk to and a cheapskate or whatever, he'll never get over it. You stuck up for him. That just proves that he was right about you, from the second his dark gaze latched onto your unknowing self just a few weeks ago. He was right. You're... perfect.

☓• There's so much good about Oliver, that if you ever hear anything different, it's hard to actually believe it. It's just Farleigh causing trouble, or gossip that has gotten out of hand again, not actual hints of something deeper bubbling beneath the surface. Oliver would never watch you outside your dorm room at night, what are they on about? And when Oliver hears of them too, or gets the worries out of you when he instantly notices that something's up, he'll act as effortlessly, convincingly confused as you are. If there's the slightest bit of proof in the accusation, he'll cover it up with a flawless explanation that swerves away from him and onto someone else within a second, while still seeming without grudges towards anyone. "You shouldn't listen to them, they're just trying to get in your head. Or maybe they want you for themself or something. I mean, I can understand that. Completely."

☓• You will eventually notice just how clingy Oliver can get when he seems to be everywhere around you, and you might be looking for a moment to yourself. If you gently bring it up, he'll reluctantly go on the promise that you'll text him back, which gives him time to change tactics. He will go as far as saying someone in his family died, or as small as admitting that the isolation from everyone who is so different to him in this place makes him feel a bit broken up. Maybe he should leave? And you, being you, encourage him to stay on and hang out with you and your friends, and boom, his back in.

☓• It's so easy for Oliver to subtly manipulate his surroundings and its people. Everyone, except for you. With you, the manipulation comes in seemingly natural events, nothing too forward. Because what he likes the most is you coming to him with whatever, problems, thoughts, feelings. Then he's done his job, and everything else that will build up a beautiful, beautiful relationship, will slip into place for him.

☓• Again, everything has to be perfect, and it will be. Maybe your first kiss with him is on your birthday, or out somewhere nice as a treat with some other rich friends. Or it's just you two having a movie marathon or pulling an all-nighter. Every time, he'll inch closer with little sweet, honest lines spoken in a calm, low tone, his eyes locked with yours and scarcely blinking. "Do you know how loveable you are?" "I think that your smile is something to live for." "I never want to be without you."

☓• Oliver will edge closer and closer, holding hands, brushing your hair back from your face when you're reading with a tender touch, meeting your eye and not letting go until you smile in bashful amusement and look away. He'll meet you outside all your classes and bring you your favourite drinks and study notes that he got from his work, so that you never fail an exam. Oliver's a lifesaver, one of your closest friends, someone who's always there for you to be whatever you need whenever you need. A great comforter, supporter, study buddy, moral support, you name it. He created and adapted himself to be boyfriend material especially for you, and so it happens, and he's won, like he knew he did the second he saw you. Now he can be as clingy and overly affectionate and outwardly obsessive as he wants, all day, all night, tirelessly. And don't think he won't.

☓• Straight-up, he's a starer. And I mean starer when you think you're alone in your room, starer when you were with a fling or someone you might have been interested in before... before Oliver worked his magic behind the scenes. Now it's a lot easier to, when you're in a relationship, because he can pass off his staring as something romantic, which it kind of is, without the dangerous obsessiveness lacing it. You'll look up from your phone or wake up in the night to see Oliver's eyes on you in wonder and something else you can't quite place, before you smile and ask him what it is. It's always the same answer with the same soft, adoring smirk that manages to make your cheeks flush with colour and smile back. It's not 'nothing.' It's always, just, "You."

☓• Once he's got things how he wanted them, if anything tries to ruin it, they will have literal hell to pay. He did not come this far for nothing. It's an agonising process of waiting and being patient so he wouldn't scare you off, getting gradually and naturally closer to this point. So whether it's Farleigh telling his tales or playing off his tricks, or someone else pointing out the unobvious obvious, good luck to them, because one of his special coincidences will fall right onto their heads.

☓• And if, by a twisted turn of events, you walk into one of Oliver's schemes, and see flecks of his true, darker self and violent, delusional side unearthed from his usually calm and easy way, he'll beg you with racking tears and heaving breaths and literal vomit to stay. He'll do anything, just as he has been doing anything, for you. What he's saying and doing is suddenly terrifying, and whether or not you want to accept him as freely is your choice, but if not, Oliver won't go away. He'll wait some more if you manage to escape his grasp this time. See you in a few years as an adult, maybe. When you're vulnerable in different ways and water's gone under the bridge. He'll slip right back into your life like he was always meant to be there, with his earnest, devoting praise and comfort and support, and that's Oliver Quick's life come back together yet again, with you lost at its centre. Trapped.

thinking about barry keoghan just saying he wants to "try something" on set and then fully stripping down and masturbating on a fresh grave

Rewatched Saltburn and I'm obsessed with Farleigh and Oliver's tutoring scene. The essay specifically. For those who don't remember: Oliver did his homework and all his assignments and genuinely gave a well thought out essay for their summer assignments. Farleigh shows up hungover and late and didn't even read the books. But the teacher immediately loves Farleigh and is chatting him up with an interest he barely tried to show Oliver. Even after Oliver gives his presentation and shows that he's clearly a much better student than Farleigh. Obviously this is the real start of their rivalry. But it's also such a beautiful look into their characters and how they mirror eachother. Farleigh understands Oliver's essay, I believe. But like the teacher he's bored by it. The knowledge and work is there, but the presentation of it is boring and strange. Academic and correct, but lacking the appeal to the audience. (Which, can we talk about the fact Farleigh was genuinely listening at all? The teacher zoned out and switched channels, but Farleigh was interested and paying enough attention to know the exact number of times Oliver used the word "thus" in his essay. They respect each other truly even if they despise eachother at this point, and refuse to acknowledge the grudging respect.) So Farleigh does what he does best, he gloats over Oliver. He picks apart the style of the essay and it's presentation rather than addressing the central argument or topic. This delights the teacher and frustrates Oliver who is like, "so you're going to critique the style of my essay rather than it's substance? Seems a bit lazy" and that's the core component of these two characters.

Farleigh is ALL about presentation. He knows how fragile his pedistal is placed up and in view for everyone to see. He's a charity project, just like every other rando of the month. Sure he has some familiar connection, and that's given him a leg up in this world. But it's still shakey at best. He always has to give the correct performance, say the right words, keep his audience on HIS side. Unless he wants to get knocked down with the rest of the common rabal that he knows he's belongs with, but can't stand the idea of. So yes, of course he picks apart the one thing he knows Oliver is failing at. He takes his one advantage over Oliver and uses it mercilessly to both entertain and secure his audience on his side. (I wonder if the positions had been different some how, if Farleigh would have had anything to say about the substance of the essay itself. He was paying attention to it, did he want to have a real academic conversation? Did he possibly want to try and connect to Oliver in that way? A real and non performative way with someone who's so similar to him?)

As for Oliver, obviously his character is intelligent. He does the readings. He does the research. He puts the time and effort in to *learn* in the way Farleigh never does. And it must infuriate him that his essay is so easily pushed to the side for a cheep critique that doesn't even address the central argument of his essay. Of course he would hate Farleigh from the start for that. It's such a quick negation of all that Oliver has to offer and give just because it's not wrapped up in a pretty bow. And that's just his character. The substance is there, the intelligence is there. But it's not enough. It will never be enough. Because Oliver doesn't know how to translate it to his audience in a way they'll care about. He learns and tries to mimic, but it always falls short because he just can't seem to figure out the way to blend in and present himself so seamlessly as Farleigh.

And that's why they're such perfect mirrors of each other. They're both intelligent and clever. But they've found different ways of getting what they want and proving themselves. Farleigh is the face and the presentation, Oliver is the substance and body. In another world imagine what these two could have done and been if they hadn't been pitted against each other for the same prize. And the fact Oliver definitely deliberately shoved Farleigh out at the perfect time so he wouldn't get hurt and killed? Oliver and Farleigh respect and admire the other. But their tragedy is they can never be on the same page or team because the world they're in says there is only room for one. And they'd both do anything to get that title.

SALTBURN (2023) dir. Emerald Fennel

Watch out for thistles, mate. Thistles, they're everywhere. Seasonal. ↳ Saltburn (2023) dir. Emerald Fennell

🎀 pretty boy