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#even if at this point it’s not a love story and more a healing ourselves away from each other without knowing we will ever meet again
werewolfpdfs · 1 year
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our guy dealing with his boarding school era in therapy!!
“We were awful to each other sometimes,” Adrik said. “And mostly it was because we were both hurting, but sometimes I feel like—like there’s just something in me, something that’s all vicious and cruel and vindictive and brings out the worst in people.”
the acknowledgment that BOTH him and kei were having a hard time with everything!!! the admitting his fears and anxieties!!! the digging into core beliefs that probably came from his massive parental Issues!!!
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yannaryartside · 11 days
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CARMY NEVER WANTED TO CREATE A MENU WITH SYD.
AND WHY THAT IS THE CORE THEME OF THE SHOW
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PART 1: THE LIE THAT CARMY BELIEVES
So, one of the bases of creating an efficient character arc is to give the character something they want, and something they need. In the pursuit of getting what they want, the theme of the show and obstacles will show them what they need. Most of the time, they need healing from an emotional wound that prevents them from growing into the ultimate version of themselves, capable of winning the challenges of the story. I will try to explore Carmy's wound and, more importantly, the lie that created that wound.
In 'The negative trait thesaurus" by Angela Ackerman and Becca Puglisi, it reads:
"Wounds are often kept secret from others because embedded within them is the lie-an untruth that the character believes about himself."
When I started therapy (disclaimer: this is not professional advice; I am just talking from how I interpreted all of this), I was introduced to the concept of "limiting beliefs:" lies we have told ourselves about our own nature or the nature of the world. The most difficult beliefs to leave behind are those established in our early childhoods, and we told ourselves those lies to make sense of the world, to make peace with realities we were not equipped to comprehend yet. 
Some examples of lies people belive:
"I am too stupid to learn anything; my teacher said so" "It was my fault that I was molested." "I am a bad person for wanting a different life."
When people believe these lies, they will act accordingly, maybe attracting situations that hurt them but keeping the lie active in their lives. They may self-sabotage or create bonds with people who also believe the lie, even if it doesn't seem this way. 
In some cases, people may develop complete personalities or behaviors to prove the lie wrong, but deep down, they still believe in the lie. Carmy falls into this last category. This is where we find the most contradictory parts of his personality, how he can act shy and insecure in some instances and appear confident and even aggressive in others. 
Long post underneath.
THE RESENT OF A MOTHER:
We can only assume here because I think Storer is gonna let us know more about this soon, but I think I got an idea of this wound when I saw the only moment Carmy was alone with Donna on "Fishes."
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I have a lot of things to say about Donna herself, but let's begin with the obvious: the conversation in this scene had little to do with the dinner itself. This was a woman stating that she felt alone and not valued, probably due to being abandoned by her husband and having to overwork herself at the beef to support her 3 kids, all while being a single mother. We don't know if this feeling of abandonment is something she has carried since childhood, but in the state of current womanhood, it wouldn't be uncommon. The work of women (especially mothers), particularly the emotional labor, is rather invisible and not valued at all.
But again, this is something she has used as fuel to resent her kids, who, at the end of the day, didn't ask to be here. Her anger has to go somewhere since she cannot direct it toward the people that ctually caused it. To get to the point:
THE BEARZATTO SYBLING DYNAMIC
Carmy said, "You are not alone; I am here with you." (This kind of comes back to telling Syd she was not alone at the end of the season.) This scene is about a kid trying to communicate to his mother that he loves her and trying desperately to connect with her, to get her to express her affection for him as well.
It tells me that growing up, he felt like he had to "earn" her affection. Donna likes to make her kids feel guilty about her unhappiness, so the kids feel that they are constantly walking on shells because they think their mother hates them, or at least that she resents them and that it is their responsibility to fix it.
In the scene, Carmy asked,
"What is so hard, Mom?"
I think what he was actually asking is, "What is so hard about being with us, to love us? What did we do to you that made you resent us this way?" He is asking because he wants to know, to finally understand. Why do you drink, Mom? Why do you yell? Why do you say such hurtful things?
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When she answers, "Nobody makes things beautiful for me," you can see in his face the disconnection. He knows he can't do anything about that.
Then, a crucial part in the scene occurs when Donna calls him "Michael, " which indicates that the only one of her children who could make her feel happy was Michael, or at least that is how the other two kids felt. You can see the hurt in Carmy's eyes in the scene because this answer dismisses his effort to connect to his mother in his own right. She asks him to just leave. He offers to wait to connect with her. Then, it comes to the most chilling moment on the scene, the "we have a problem" using his full name, with resentment in every word. She hugs him while crying, kisses him, and then slaps him.
This is rejection. There is a book called "The Five Wounds of the Soul": wich are Rejection, Abandonment, Humiliation, Betrayal, and Injustice. I think Carmy's wound is rejection, for never earning his mother's love, particularly comparing himself to Michael.
Michael took responsibility for the Beef, finally giving their mom a break. It was Michael's job to make sure everyone was having a good time, to compensate for the discomfort that caused being in Donna's presence, to make sure all of them stayed as a family, which was Donna's intention, so Michael thought he had to make that happen for her. Therefore, Michael is the only one of her kids who succeeds and makes her happy. We know Donna rejects Natalie and Carmy. About Natalie, we can write another whole essay.
THE LIE THAT CARMY BELIVES
According to this scene, I think Carmy thinks that her mother didn't love him because he is not Michael; in fact, he is the most "not like Michael" someone could be. He was shy and stuttered and didn't have friends or girlfriends, comparable to Michael's ability to control every room he was in. Carmy was sensible and no macho alfa as Michael presented himself to be. Carmy left home and the family business, and both Michael and Donna expressed that they feel like he thinks he is better than them. Michael admitted later to admiring Carmy's work in Copenhagen, but Donna never did. carmy grew up having to live with the crumbles of Donna's attention that Michael left behind, wondering every day what was so wrong with him that made her reject him, and wondering what he could do to change that.
The lie that Carmy belives, could be sumarize this way:
I need to earn people's love. I need to always go the extra mile, doing the most possible at all times to earn people's love.
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This all goes back to his trauma with Michael. It goes back to his career as a chef and how he became the best. He didn't need to succeed on a larger scale in the culinary industry to earn Michael's respect and love; he needed to be the best in the world, so he did that. He judges his own social abilities, comparing them to Miachae's. He left that promising career only because of Michae's death. He got the girlfriend Michael wanted for him (not saying it was the only reason, but it was there).
PART 2: WHAT DOES ALL OF THIS HAD TO DO WITH SYDNEY?
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Well, what does a person who feels they always need to do the most? They do the most. I want to bring you back to the moments Carmy had to develop menu ideas with Syd on s1 and s2.
When Syd suggested items for the menu in s1, he gave her an inconclusive, not enthusiastic "maybe."
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When she had to actually cook the thing for him to approve, he tried to make her feel small about it. He felt the need to remind her that she was "impatient and green," according to her previous bosses. He commented about her possibly ruining the flow by using time to cook her recipe. Yikes all around, but the core here is that he was treating her like an enemy, like competition, while she was trying to save the restaurant with what they had on hand to use the most efficient solution.
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Then, when Carmy tries the dish and feels stunned by it, he has to make an ambiguous excuse on the fly and just finishes every chance of them using the recipe by saying, "is not ready yet"
And what does he do next? He goes to show the crew a recipe that is extremely complicated for the level they are operating at currently—they said so themselves. I think the recipe is a variation of Donna's butter chicken recipe. To put a nail on that coffin of his intentions to earn her love and approval at the end of it all.
But why does he do all this? Because he needs to be the hero, subconsciously, he is still that small kid begging for acceptance and love; he must go the extra mile. He cannot accept Sydney's help and partnership, because that will take away from him earning what he wants on his own merit.
In S2, he seems unenthusiastic about starting the menu in the first place. Then Claire comes along, and he tries to make it work with Syd and the menu, but I think he subconsciously thanks the universe for not having to go to his core wound. That is what self-sabotage is. That is why he bailed on the food tour with Syd, using such a stupid excuse as helping somebody else move out and never mentioning it again. He never asked her what she liked or what ideas she thought of. For most of the creative process, Syd is alone, working on her own creative crisis. The menu ends up being like two recipes they made in collaboration and then all of his family's traditional recipes. It is two of Syd's recipes and the rest of Carmy's. Then, desserts Marcus did on his own. The collaboration was superficial at best.
All of this creates the core theme of the show. The Bear was once a chaotic place (like their childhood home) that needs to evolve into an efficient, peaceful place built on love, support, and mutual collaboration like a functional family should be. Sydney is the member of this found family that forces Carmy to confront his core wound and learn he can actually be good enough while still accepting help. Therapy probably will play an important part in this theme, alongside with Carmy learning there was nothing wrong with him in the first place, that earning your parent's love is not something a kid can do.
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Thankyou for reading. Gif and images are not mine.
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🌟🩺 Chiron Observations #1 🩻🌟
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In our natal charts Chiron represents where we have healing powers due to deep spiritual wounds. We may over-compensate in these areas of life or unconsciously put ourselves in situations that wounds us further. We become our own wounded healer, and learn to face and overcome issues of low self-worth and feelings of inadequacy and learn to rise above these issues.
Chiron in our charts is a place of great knowledge, experience, talent, and wisdom. Even if our own experience with the issues are problematic, our experience informs us, and we can be excellent guides and counselors in these areas of life.
In aspects to angles and planets it tells us a story of how we can learn understand ourselves deeply. Strong aspects (conjunction, opposition, or square) can be felt in great amounts and in polarizing ways, but softer ones (trines or sextiles) are like natural talents or ways of being so it can easily go unnoticed.
⬆️ASC/1H ⬆️: these individuals are more prone to acquiring wounds in a physical and/or non-physical ways. Similarly to Pluto in this aspect or house, you can have scar/s around your face or head area. There is a tendency to have a wrong perception of one’s body, almost to a detrimental point which leads to experiencing low self esteem during early life. The lesson Chiron brings here is to learn how to love yourself deeply despite how painful it might be. This is not an easy journey considering how damaging our current body standards are for both men and women, although more painful for the latter. Once you see and learn to love your own beauty it will be easy for you to be a role model for others, since you will shine from the inside out. You naturally have a healers energy and others are drawn to it, specially those who need healing in a metaphysical way. It is truly beautiful to see a Chiron placement like this one grow and develop throughout time. You proudly show the scars and don’t feel afraid of others seeing it. You value your vulnerability and compassion, and so do others. You are not your wounds, but the beauty in the scars that showed you survived.
🌞 Sun 🌞 : there is a wound that comes from not identifying yourself with your core energy, what makes you shine or your talents. It could also be a father wound, meaning your relationship with him might have no been great and needs/needed lots of healing. A sort of discomfort by not feeling entirely related to how others perceive you. Our sun sign is the aspect that shows up the most and easiest to pinpoint, so individuals with Chiron in close aspect to it feel pain from not feeling associated with those aspects of themselves. Ex: A Leo sun conj Chiron might not perceive themselves as someone who gets or feels comfortable with attention at all. They might not even notice their creative side. There is a need for integration within this person. The lesson is accepting all your parts, specially the ones that people point out the most and you just reject with little hesitation. Sit down and think of when and/or who taught you to reject these aspects of yourself. Someone with this conjunction will feel somewhat inferior or very uncomfortable next to those who share their same sun sign, since they feel pain when seeing the parts they deny themselves reflected in others with more ease. Once you radically accept your sun traits, there is high possibilities of becoming an unstoppable force full of confidence. People can feel like being around you helps them heal their father wounds in a way. These natives become the pillar and holding ground to those around them. Always wanting to protect and provide as well, if possible. Remember you are not your father, but the genetically better version instead.
🌚 Moon 🌝: the hurt comes with our emotional regulation here. You are naturally more sensitive than most to your environment and when interacting with others. There is also a common theme of mother wounds, and the rocky relationship being the main cause for developing unhealthy cope mechanisms. Ones that lead you to struggling with understanding your own emotions. It might be easy for you to be very emphatic with others wounds, and people would find being under your care as very healing. These individuals become the mother archetype for others, like the one they might have needed themselves growing up but didn’t get the chance to experience. Their relationships with women or their own soft/nurturing side might trigger these wounds for them. You must realize that the world will never stop throwing triggers your way, and the only way to cope in a healthy way is by learning how to regulate yourself. Breathing techniques, mindfulness, and yoga might be very useful for you. Teach your brain that there’s no fear in triggers, and that you’re stronger than any of them. You will not turn out to be your mothers negative traits. You will not hurt those around you and dismiss their feelings. You are destined to show others how resilient one can be, how emotions are here to just exist or experienced, and not to be rationalized or internalized. The beauty in living is feeling it all.
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scoonsalicious · 2 months
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Unwanted: Chapter 12, Unlucky - Pt. 4
Pairing: Bucky Barnes x Avenger!Fem!Reader
Summary: When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn’t be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust.
Warnings: (For this part only; see Story Masterlist for general Warnings) Language, mentions of violence.
Word Count: 1.2k
Previously On...: You learned the extend of Rhodey's condition and, based on Sam's testimony, Carthage is to be held responsible. When Tony ripped into her, Bucky came to her rescue. Much to your embarrassment, Tony called out his penchant for being there for Carthage over you in front of the entire team. Sam overhears how you want Carthage gone; he suggests you, he, and Natasha talk.
A/N: Some interesting information is revealed. Interesting information indeed. This is a scheduled post, so I hope I'm having a good time in NoLa right now! lol
Banner By: The absolutely amazing @mrsbuckybarnes1917!
Thank you to all those who have been reading; if you like what you've read, likes, comments, and reblogs give me life, and I truly appreciate them, and you!
Taglist: (Please let me know if you’d like to be added!) @jmeelee @cazellen @blackhawkfanatic @les-sel @marcswife21 @buckybarnessimpp @mrsbuckybarnes1917 @erelierraceala @hayjat @capswife @itsteambarnes @jupiter-107 @marygoddessofmischief @sebastians-love @learisa @lethallyprotected @rabbitrabbit12321 @buckybarnesandmarvel @fanfictiongirl77 @calwitch @fantasyfootballchampion @selella @jackiehollanderr @wintercrows @sashaisready @missvelvetsstuff @angelbabyyy99 @keylimebeag @maybefoxysouls @vicmc624 @sashaisready @j23r23 @wintercrows @crist1216 @cjand10 @doublejeon @pattiemac1
Moments later, the three of you were holed up in your room, as it was on the floor closest to the med bay. You and Nat sat on the couch while Sam, who had quickly rinsed himself of Rhodey’s blood in your shower, and was now wearing your terrycloth robe, sat in one of your armchairs. While passing Jade’s room, you’d put an ear to her door and heard her still crying, the low thrum of Bucky’s voice as he tried to reassure her.
“Spill,” said Nat eagerly. “Who knows how much time we have before Barnes gets back.”
“Yeah, on second thought, this might not have been the best place for a clandestine meeting,” Sam said.
“Just talk!” you urged him.
“Okay, okay!” he began. “So, I think we were set up.”
You and Nat both gasped simultaneously. “You’re not suggesting–” you said, just as Nat said:
“You think Carthage faked the intel?”
Sam shrugged. “I can’t prove it, but none of it adds up,” he said. “To be honest, she was pretty useless on the entire mission. Didn’t come up with a single piece of intel until that final night, and it just so happened to point to an abandoned Hydra base? Come on, man, what are the odds of that?” Sam scoffed. 
“We told her protocol dictated we report it back to command, then wait for back up if the intel was deemed worthy of investigating. She got real insistent we check it ourselves, told us it was probably nothing, but even if it was something, it’d just be an abandoned spot. Said her source told her it had a motherlode of dirt on Hydra operatives in positions in international governments. If we could bring it home, we’d be single handedly exposing the very inner workings of Hydra, and how could we not do that? Rhodey wanted to go interrogate her ‘source’ himself, but Jade wouldn’t give it up; said he just had to trust her.” Sam snorted. “Girl, please. You’re a fucking snake.” You couldn’t help but giggle at that; you’d had essentially the same thought, once upon a time.
“Everything we do to try to convince her to hold off, she fights us on. There was nothing we could say to get her to let go of the idea. But we’re thinking Probie just wants to prove herself in the field, right? We’ve all been there. When she took off, we followed her. Figured we’d at least have her six if something went screwy, and we weren’t going to get reamed out by Cap and Stark if something happened to her out there. But here’s the thing:” Sam scootched forward until he was sitting at the very edge of his seat. “She went in there well before us. By at least three, maybe five minutes, okay?” You and Nat both nodded. “So, my question then becomes, ‘how come the shooting don’t start until after me and Rhodey go in?’ ‘s almost like she went in first and gave them the signal to start firing.” You and Nat stared at each other, wide-eyed. It was speculative, true, but…
“And she don’t come out with a scratch, or a drop of blood on her.” Sam continued. “Plus, I checked her clips when she was sleeping on the flight home. Girl didn’t fire a single shot. Me and Rhodey are in a shootout for our lives, and she doesn’t fire one bullet? Almost like she knew she didn’t need to defend herself.”
“Or you,” Nat added thoughtfully.
“Sam,” you began slowly, “I hate her more than everyone else in this building, but you’re making a really heavy accusation. We would need real, hard evidence in order to do anything about it. She could just really be that incompetent.”
“That’s why I’m comin’ to the two of you,” he grinned. “Computer genius and a super spy. Shouldn’t be hard for the two of you to help Ole Sammy out.”
“Ugh, I hate it when you refer to yourself as ‘Ole Sammy,’” Nat bemoaned. “But I’ll reach out to some of my old KGB contacts. See what they drum up. Pocket, can you go through the Tower’s systems, see if she’s tried to access anything she shouldn’t have? Anything that sets off alarm bells?”
You nodded. “Yeah, that’ll be easy enough.”
“Good,” said Sam, standing up. “In the meantime, this stays between the three of us. Pocket, you gonna be able to keep this from Tin Man? He’s a little too cozy with her for my taste.”
You snorted at that. “Yeah, mine, too. Don’t worry, I won’t say a word.”
“Neither will I,” Nat promised.
“Alright then, ladies, meeting adjourned.” Sam said as he walked to the door. You followed him, wanting to see him out. As you opened the door for him, you met Bucky in the hallway, leaving Jade’s room. 
“Hey there, Buck,” Sam smiled cheerfully before giving you a peck on the head. “Thanks for the chat, Baby Girl. I’ll see you later.”
You and Bucky watched him walk down the hall before he turned to you, eyes narrowed. “Care to tell me why Big Bird is coming out of our room wearing nothing but your robe?” he asked carefully.
“We’re obviously having an affair,” you said dryly, walking back into your room, him right at your heels.
“Well, if it walks like a duck,” Bucky’s voice was angry as he entered your room.
“Are you serious with that right now?” you asked.
“In that case, you’ve been quacking like a duck for a long time now, Barnes,” Nat said from her spot on the couch.
“Oh, hey Nat,” Bucky said, relief washing over his features at knowing you and Sam hadn’t been alone.
Nat stood up and made her way to the door. “I’m gonna head out, let you two work through your ducking issues. See you later, Pocket. Barnes; nice projection work just now.” With a nod, she was gone.
“Listen, Pocket,” Bucky, blatantly ignoring Nat's jab, began, “about earlier…”
“I get it, Buck,” you said, sighing. “You were just trying to protect your friend. I’ll be honest and tell you that I didn’t love the way it looked, and it was embarrassing. But I’m not holding it against you. How can I when you wherefor looking out for someone you care about, even though I really wish you would care about literally anyone else but her? Sorry– that was petty.” You sighed. “Tony made it worse. He’s the one I’m furious with, not you.”
“Thank you for understanding, doll.” He kissed your forehead. “Stark had no right to yell at her like that. He was way outta line.”
“Oh, I’m completely on Tony’s side about that,” you said, holding up a hand when he began to argue with you. “But you and I are going to have to agree to disagree there.”
The corner of his mouth turned up in a cute half-grin. “Alright, sweetheart.” He pulled you to him. “I’m just sorry your special day got overshadowed by all this other shit. I know!” He looked down on you, grinning. “Why don’t you pack a bag and first thing tomorrow, you and I’ll drive Upstate, find ourselves a nice little BnB, and spend the rest of the weekend celebratin’, just the two of us? Maybe we can drive out to the Catskills, find a nice spot to look at the stars. You always complain how you can never see them in the city.”
“Yeah, Buck,” you said, snuggling close to him. “‘S long as we know Rhodey’s gonna be alright, I would love to do that with you.”
<- Previous Part / Next Part ->
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respectthepetty · 11 months
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Be My Favorite, I have something important to tell you.
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Seriously. Was it episode four that did it? Episode two? EPISODE ONE?! Or was it even earlier than that? I thought about you daily for a year and a half before you even premiered, so have I loved you all along? I DIDN'T EVEN MUTE THE SINGING! I knew as soon as Kawi was looking for a talent what the outcome would be BUT I DIDN'T PUSH MUTE!
I'm in too deep. I can't stop these feelings now. Not when you gave me this scene at the beginning of the episode where Pisaeng tells Kawi he will be honest about his feelings, and Kawi, looking so small, knows exactly what he is talking about.
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Or when you gave me this ENTIRE journey of Pisaeng seeing two men kiss with the multi-colored lighting, and the multi-colored neon sign asking him to evaluate his emotions, and the safe space he lands in front of!
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Only to have Pisaeng run away, but return in BROWN. I have a theory that Pear is peach/pink, Pisaeng is black, and Kawi is brown, so Pisaeng going back in the color of the boy who awakened these feelings in him . . . *opens up pint of ice cream and bottle of wine*
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Then the fear Pisaeng had running into Max while the song in the background sang, "I'm not afraid to love"
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But Piseang showing up the next day (with the closed sign sooooo appropriately placed on his body)
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Because Max is the perfect friend even when he doesn't want to be. He told Kawi that everyone treats Kawi with kindness while he is kind of a dick to people, and even though he snapped at Pisaeng for thinking the world revolves around him and his issues, he course-corrected and offered a kind ear to him.
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Max presents this character who is visibly queer, and to tell a straight-passing privileged boy that queerness is not a destination or a place, but an answer within ourselves is powerful. Max doesn't have to be kind to Pisaeng, but he is gentle because he realizes the struggle of being judged by appearances.
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Max states that he was wrong to judge Pisaeng by his cover, and we got several books in this episode which all showed depths to the characters:
Pear had Behind the Painting - Siburapha's famous work about an arranged marriage, forbidden love, social injustice, and inequality.
Pear also has Ujjeni's book of poems The Golden Horizon, which many of the poems encourage people to keep faith against injustices and to live with an open heart.
Not of all people wrote a book that deals with love.
Kawi has 1984, a story about a society who is constantly monitored by an oppressive government and the way the protagonist actively contributes to its control by rewriting the past.
And I think Max is reading a book about gardening or cooking, but I'm unsure.
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But this all leads to the overall point of this episode - Kawi's evolution. Magic won't help him find the answer. He won't find his answer in a destination or a place. The answer to how to improve his life is within him and has always been. Kawi is quick to judge everyone else, yet thinks he was unfairly judged, but the more he matures, the more he will realize HE contributed to his current situation.
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Pisaeng was bothered by Not laughing when Kawi sang (he looked over at Not several times). Pisaeng invited Kawi out after their freshmen interviews, but Kawi dismissed him.
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Kawi hasn't been kind. Period. He hasn't been kind to himself nor to others. Pisaeng rejected Pear with kindness. Pear rejected Kawi with kindness. But Kawi avoided Max in the past and Pisaeng because of . . . their queerness? What that would imply about him? There are several answers, but he never treated them with kindness. Not is slowly learning this lesson as well. Everyone hates his book, but the second he is shown kindness, he sends it Kawi's way.
Because the point of all of this is that magic doesn't heal people.
Kindness does.
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Random sidenotes because I can't be crying in the club: I'm obsessed with this woman and her big black eyes.
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And Be My Favorite hasn't faked us out once so far with these previews, so . . .
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*pushes play on Fluke Gawin's OST "Unable" while I think about Kawi looking at Pisaeng at practice as he sings about the other person unexpectedly changing his life because I'm UNABLE TO STOP LOVING THIS FUCKING SHOW NOW!*
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lychee-angelica · 1 year
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ashwini nakshatra 🍯
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please do not plagiarise or copy my work, thank you my loves
ashwini nakshatra occurs at 0.00° - 13.20° of aries, ruled by ketu and influenced by mars. it is the first nakshatra of the twenty-seven lunar mansions, in a sense marking itself as the original ascendant point. planet sun becomes exalted in ashwini specifically and funnily enough the sun rises on the eastern horizon - where all of our ascendant signs are calculated from. ashwini is the dawn of the sun x
the word ashwini literally means "horse-woman" or "a beautiful stallion". despite the yoni of this nakshatra being a male horse the word ashwini translates to something quite feminine. a horse is the main symbol of this nakshatra, making it very important when understanding the qualities of ashwini. horses are a symbol of good health, vitality, beauty and opulence. the quality of ashwini is light and swift, aligning well with horses characteristically speaking. this nakshatra is fast, powerful, wild yet elegant and graceful.
additionally, the bird that symbolises ashwini nakshatra is an eagle. a bird that represents a kind of fierce beauty, proud independence, freedom and strength.
i would also like to add that just as how not all aries people are the same, not all ashwini people are the same either. the padas distinguish the nakshatra further into fourths. each pada essentially is a sign that planet falls within in our navamsa charts. the pada will indicate certain traits attributed to the sign in our navamsa charts.
ashwini pada 1 falls in aries - lively, pioneering, energetic
ashwini pada 2 falls in taurus - materialism, down to earth
ashwini pada 3 falls in gemini - light-hearted, witty, friendly
ashwini pada 4 falls in cancer - emotional, compassionate
mythological significance 🍯
wife of suyra
the ashvini kumaras are the gods of ashwini, they are twin horse headed deities. their mother was wife of sun, suyra. she had once fled her husband due to his immense heat, taking on the form of a female horse, venturing far away into the woods in order to recuperate. she had casted a shadow of sorts or a clone of herself to take care of her affairs at home. although, suyra eventually figured the reality of the situation, from there he swiftly took form of a horse and ran after her. upon reunion the two made love in their horse forms and the ashvini kumaras were then born.
this story portrays many things, the first being a tendency to run-away from our issues in life whether literally or metaphorically. this can manifest in someone's life through forms of escapism and even deception. although this theme of running away from our problems tends to be for the purpose of regaining our own vitality and peace, finding ourselves once more.
the second key message in the story is that of loyalty and devotion. suyra's wife did not wish to leave his side, she temporarily distanced herself from her husband for her own health and well-being. this is why ashwini individuals tend to remain loyal in love despite their apparent independence, boldness and awareness of their own needs. for this reason, sun becomes exalted in ashwini nakshatra, specifically occurring at 10° of aries - pada four. ashwini pada four resembles the most softest and compassionate side of ashwini as it falls in the sign of cancer in our navamsa charts, this is why suyra thrives best here. ashwini is the true wife of sun.
another note is that suyra's wife married a man of high status, he is literally the hottest. this is why ashwini is often times attributed to opulence and luxury. additionally, horses are symbolic of wealth in society which has been quite a timeless association. although money and fame is not the motive of ashwini women, just a little side note.
miraculous healing
the asvini kumaras are celestial physicians to the gods. there are copious amounts of stories told of the twins performing medical miracles for others. they most notedly cure blindness specifically, but also regenerated the health, well-being, youth and beauty of others. the twins were knowledgeable on the sciences, medicine and art of surgical practice but had a thirst for divine and occult knowledge in order to 'cut to the chase' so to speak with their miracle workings.
the fact that the asvini kumaras primarily cure blindness is quite significant. when we think of eyesight, visible perception and light, suyra's exaltation within ashwini provides deeper reason. ketu on the other hand, resembles a dark force of ultimate nothingness, metaphorical blindness. it is just like to say that our literal pupils are just twin black holes of empty space, with those same eyes all that can be taken in is the immense light of suyra. the story portrays the act of curing blindness as miraculous, meaning attributed to divine working, acknowledging the divinity of our own vitality. in ashwini nakshatra health and well-being is expressed as something divine with a sense of regenerated youth. ashwini individuals are able to peer through beyond the veil so to speak, entwined with the affairs of tangible and internal realties, the seen and unseen.
characteristically the asvini kumaras are painted as youthful and delightful deities, even a mischievous and cunning pair with good intentions. they are interested in the secrets of divinity and are willing to take short cuts or loopholes in order to learn quickly. they are highly compassionate and in tune with the needs of others. ashwini people tend to be very light-hearted and don't take things too seriously. their cunning and intelligent nature ultimately negates any mistaken nativity in their character.
appearance 🍯
when discussing the physical appearance, it is important to note that our other placements will garner influence over the appearance in our charts too - specifically speaking our moon, sun and ascendant. i believe too that first or second house lord placed in ashwini will result similar features.
one of the most notable traits of ashwini women is their lips, they are usually wide, if not they'll be quite moderate in length, along with moderate plumpness. the cheekbones of these women tend to be high set too along with a moderately pointed chin - the face is usually tight in structure despite the overall length. the most common eye shape i have seen with these women is slightly hooded and large eyes, especially with ashwini ascendant and moon. overall these women physically possess a quite youthful and elegant kind of beauty.
suyra ashwini (sun) - gigi hadid & anya taylor-joy
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chandra ashwini (moon) - selena gomez & zendaya
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personality sun, moon & ascendant 🍯
when either sun, moon or ascendant is placed within ashwini the traits of course become personal. these individuals are independent and bold, they are the types to value their freedom and will prioritise their health and well-being. they have a quite cunning, playful and even mischievous side to them too. they are light-hearted, sweetly-spoken and don't take life too seriously. they are also very loyal and devoted to their loved ones.
people born under ashwini may have a tendency to become quite impatient, they may even speak or walk pretty swiftly too. they may love adrenaline and adventure. these people likely have a thirst for divine and occult knowledge too.
planets in ashwini mercury, venus, mars, jupiter & saturn 🍯
mercury in ashwini people are very friendly and good at communicating with others, most people will often find these individuals highly likeable. they can be quite witty, cunning and have good sense of humour. they are highly intelligent, skilful and have the ability to learn very quickly. they may also speak in a quick yet delightful and persuasive manner.
venus in ashwini people are highly compassionate and devotional lovers. others may perceive them, particularly the women as worthy of a very valuable or even high status partner. there is also something beautiful when it comes to their light-hearted and playful natures - especially when relating to love interests.
mars in ashwini people may be very self-made types, very strong independent streak can be seen. people with this placement can have a very stunning physique too, they may appear very healthy. similar to sun, mars in ashwini can indicate someone who possesses the characteristics of a pioneer or leader.
jupiter in ashwini people may be very intrigued with the bigger, over arching questions in life. they most likely have a thirst for divine and occult knowledge and refreshing perspectives and beliefs. they also tend to grasp these topics quickly, even through some sort of spiritual loophole. they are like pioneers when it comes to spiritual and existential ideology.
saturn in ashwini people may be quite impatient, they can be frustrated when it comes to their karmas and struggles in life. although saturn is not debilitated in ashwini, he still struggles within the sign of aries. unfortunately saturn's slow paced and patient nature is quite uncomfortable within ashwini.
© lychee-angelica 2023
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pastafossa · 7 months
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I keep having this weird feeling. Like, Netflix DD was/is my favorite series ever. My favorite fandom. My favorite story. It has my favorite characters, arcs, dialogue, cinematography, fight scenes, themes. It's helped me process and heal from a lot of shit, thanks to how I related to Matt. In short: the amount of love I have for it knows no limits. You all know this. Obviously. So when it was abruptly canceled in 2018, I was just gutted. And sure, I joined the SaveDaredevil campaign, but in truth, I kinda thought... that was it. It was over. I remember, viscerally, that sinking feeling. I knew I'd always love it, and I'd continue to follow Charlie through his other works, but after a year or so it just felt like it was clear it wasn't coming back. I either needed to move on, or find a way to allow me to spend more time in that universe even without the show - clearly I chose the latter, ending TRT's hiatus in 2020 when I had more time to write fic. But I cannot understate how I did that with the full knowledge that DD was over.
That went on for years.
Years of nothing.
Years of a tiny fandom on life support, grimly holding onto our love with the barest of fingertips, reblogging and writing for anyone still around, including ourselves.
Years of sweet interviews where the cast would mention DD, little scraps of dopamine and nostalgia that kept us warm.
Years where there wasn't much hope, but we loved it anyway, we did, we still did, even as we understood why people moved on.
What we loved was dead, but we picnicked on its grave anyway.
If you'd told me, at any point then, that one day as we sat on that grave, Matt's hand would come bursting up through the soil right through the center of our memorial devil cookie tray, I'd have given you a whole lotta side eye. Because that's what this feels like. We laid this series to rest, and now Matt's here covered in grave dirt, and he has promptly sat down to eat our memorial cookies with us like we didn't spend years mourning his death.
It's such an odd feeling. Suddenly there are new things to buy! New appearances! New gifs! New interviews and shows and old fans coming back and new fans coming in and new fics being written, and con events and behind the scenes clips, and this whole time I'm floating in this bright haze because this was all gone, it was all dead, you were dead, I wrote for you because I missed you, because I wanted to keep you alive, and now you're here again.
I have no idea what to do with this feeling. But it makes me very, very happy.
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emmartian · 5 months
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The three perfect things this year to keep me living much much more.
Armored Core VI Fires of Rubicon - From Software
I have a soft spot for games where “you” start so low: a corpse, an addict cop fell from grace, a drained bounty hunter sent to a planet alone to get her soul eaten by somehow gentle parasites. 
Armored Core 6 puts you in a body bag and promises to give you a meaning.
The game makes you feel in pain, both physically and mentally, yet you dance the fastest legs exquisitely, while the voices in your brain implants seem to notice you, to worry about you, to tell you you're an artist that can crave for even more.
You choose a how to see if you’re still here. And so, you fly high the miserable sky.
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The Boy and the Heron - Studio Ghibli
I’ve read a lot of words about The Boy and the Heron by this point, looking to praise it by finding hidden sources, mysterious meanings and cultural roots behind its attributed “unorthodox” narrative. But I doubt this given depth was THAT intentional.
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To me, this film might be the peak of Hayao Miyazaki’s philosophy for process and creation which is well known that doesn’t allow a glimpse of restraint. First and foremost, dealing with a canonical script.
A choice that brings freedom and obsession. A way to live, instead a way to create, to be the stories we tell ourselves. I strongly believe this is what the film exhales. Depth and meaning by making brilliant collaborators invested with the nurtured concepts in his brain. Depth and meaning by making us fall for the intense personality of such a hard work overall.
To grasp a gap in the system you have to be so bold. And I can't wait for what comes next.
A Guest in the House - Emily Carroll
As dear homie Sloane Leong says in her quote, a Guest in the House is a very sophisticated character study coded as a horror tale, with exquisite art, prose and pacing. 100% Emily’s trademark.
Personally, I still can't stop smiling at how it philosophically reads as an essay about evasion. On how skipping reality can be empowering and healing, and more than anything, romantic; even if, you know, it takes you to the grou… Please don't mind me.
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Hide from hideous, grasp a glimpse of justice, make the self you want to be, legit. Toxic. The knight or the ghost. In Emily’s safe HUB, the guts spill into refined erotic scenarios that make the average the most dreadful place to be.
Anyway. You don't do a book on this scale alone, to save the day. The accurate craft still feels like a scream. It's the kind of work that saves the medium by making creators unsafe. Please consider reading it and support it. Emily’s writing truly is precious.
She also did a beautiful Bloodborne short out of love this year. For the fans!
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vitaminseetarot · 7 months
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PAC: How Can Nature Heal You? 🍃💎🐾
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Hi everyone, I'm officially back from my long and crazy trip to the outdoors! If there's one thing I've learned from the trip, it's that yellowjacket stings are 10x itchier than mosquito bites!
And learned how to stay grounded.
Since the start of October, things have felt like a whirlwind, but knowing that I (eventually) get to come back and post some more feels strangely grounding. Right now, especially as winter approaches, it's important to find ways of keeping ourselves grounded. I don't know the exact astrology, or if it's just from eclipse season, but things feel topsy-turvy at this point in time.
So to make up for some lost time, I have decided to prepare three different PACs for you as we approach the full eclipse moon and end of the month. Here is my first of the three. I'll have something very different prepared for next week as well… perhaps a game or two? Stay tuned!
☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦☼♦
Try to find some moments out in nature, Autumn is calling. Take some time to head outside, even for just a few minutes, and find a natural focal point. When I went into the city to work, I'd find a rare bird who'd perch by a parking lot light just to say hello. Even rain puddles in asphalt may have something to say. Feel which way the wind is blowing. It's much easier to ground with natural focal points, and with camping they're everywhere, but surprises await you anywhere you are.
Nature can heal us all in different ways. While camping by the pond, I decided to create three piles to see how nature is able to help you when times get stressful. I consulted the sea, earth, and sky for these cards to find out new ways for you to refresh and recharge while outside. Please choose any one of the three pictures below for your reading: Origins, Reconnect, or Friends.
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Pile 1:
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Origins: Remember Your Roots; 46. Facing Your Fears, Service, Page of Swords, Tower, Nine of Cups
Nature heals you with its pleasing aromas. In the autumn breeze, the smell of fallen leaves can lift you away from the chaos surrounding you. Smell the crackling bonfire and listen to its ancient stories that have been carried through time. Let the old stories sustain you when the world feels like it's shaking.
The scents of nature have an immediate effect on you. Smell the hot cider from fresh tart apples, or the memories from the scarf your relative or ancestor left behind. Smell the dark October rain and the many chilly nights preceding the storm. Where does it take you? Do you let your lungs fill with the world's organic potpourri? Do you allow yourself the space to roam through the woods to find what you've never experienced before? Or give yourself the chance to reset your body through mindful breath as your worrisome thoughts are replaced with cool, misty serenity?
Take some time to name each thing you smell, perhaps in your journal. The more we are able to name what we smell or taste, the more we can establish a relationship with it, whether through hate or through love, brine or breeze. Welcome more fresh air into your life at this time. Breathe deeply in the smells of the changing seasons and infuse your affirmations with them, knowing that your intention will be carried away with the turbulent winds.
The lionfish is dangerous to many ecosystems through its invasiveness. Yet people have learned how to prepare lionfish as a meal. So now there are holidays dedicated to hunting these fish to reduce their effect on coral reefs. It says to you: "Look for ways to strengthen your connection to the Universe and others. Stay peaceful and calm in the knowing of who you are."
A necessity brought a community together for an important goal. You too have a place where your actions and desires are aligned with the universe; don't discount your capabilities just because things look too tough to tackle. When situations in your life seem out of control and overwhelming, take a step outside and connect to the smells of the woods, or an essential oil blend to safely diffuse in your room. I'm picking up on clove and cinnamon in particular but whatever blend works right for you.
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Pile 2:
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Reconnect: Secrets lurk in the captive shadows deep in the woods; 24. Love Where You Are, Bliss, Seven of Pentacles, Five of Swords, Six of Swords
Nature heals you with its deep underground connections. It lies dormant within layer upon layer of mineral, silicate, and pulsing soil. You can dig and dig for days because you've seen the glittering amethyst geode hiding beneath the surface of volcanic debris. You're adorned with the roots of a single glowing mushroom that splits in a thousand directions at the strike of lightning.
It seems as though there is no end to the digging, even when a dead end scrapes against your shovel. It may also feel like each direction you take on is limitless, stretching the roots as far as they can go. The desire to know and resolve tugs and pulls like a sprout emerging from seed. You're here to learn the mysteries of life, carve the revelation upon stone, and somehow hold them firmly in your hands. A pumpkin may not hold all the answers to our lives, it can make for a enjoyable pie with ice cream. And sometimes simple and pleasant things like that are all that's necessary in the time you have.
The earth calls you when you are in a fuss, when you can't see eye to eye with another. When things get tense, go for a walk. Imagine your roots traveling beneath the earth as a fish rides the deep currents. Remember there is always more going on outside the troubles of the everyday. All it may take is a morning in the garden, sifting through the dirt, and planting delicate seeds to clear your mind enough to make the next moves in your day.
Clams love the earth as well. They find a comfortable place on the ocean floor, slowly filtering sand and grit into incredible works of beauty. Each pearl forged is the result of a lifetime's worth of sustained effort. It says: "Use your sensitivity to know when to act. Connect your heart with your head when determining what you would like."
Sometimes, we can solve our problems by nagging over the details, but in other times, we must sit it out and let things unfold as they intend to. Sometimes it's best to settle matters rationally, but in other times emotional wisdom is required. Stay in touch with your roots in the present and move one muddy step after the other. Whatever the issue unfolding, let the earth heal you in the now.
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Pile 3:
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Friends: The most unlikely friendships can form; 16. Inner Desires, Family, Fool, Five of Wands, Tower
Nature heals you with its menagerie of connections with the feral world. A day where you learn about a new species is a jackpot; you bask in abundance through admiring the vast animal kingdom. There is magic to be found in the growth and decay of a beast. Joy emerges from its shells, which grows into a love that spreads its wings and flies west into eternal peace and infinite renewal.
In each paw print, you can see evolutionary fragments of your own. Hearing the birds call in liquid notes, you venture into the thicket in hopes of encountering a part of yourself once forgotten. Is it easier to relate to animal kind than it is to people? Even when their display is for tricks or camouflage, they will not misjudge or criticize against you for who you are. At the same time, each animal desires its own space in the wild in which it can't be disturbed. It can be difficult to leave behind a difficult situation at home to find anyone who will relate with you deep within the shadowy woods. But you are being called by the chipmunks and squirrels to carry your acorns to the next level, beyond the stress, and give yourself the chance to plant them in a more nurturing, caring land to thrive.
You are being asked to, as the birds and cattle do, migrate into a whole new feeding ground. You may be a fish that has grown too big for the pond and now must plunge into the waterfall, a snake ready to shed coiled skin, or a butterfly emerging from its cocoon into new heights. Are you in a transitional phase, like a job or school change, perhaps even a move? Wherever you end up in next, the resources and guidance you need will await you at the bottom of the pool. The place your heart seeks to go the most is where you'll find your unique calling for your next adventure.
This mollusc seems humble up front but carries a powerful and influential role; they are the creators of the cowrie shell. It has been seen to represent abundance, love, and connection to the ocean's splendors through the shells they leave behind. Many people around the world have used these shells as currency. It says: "Set your intentions. You are entering a phase of plenty or have a sudden windfall. Goals are within your grasp."
Transitions can always feel unsteady, but you have many helpful animal guides by your side. Even your pet can sense that change is in the air and wants to be there for you during moments of doubt and strife. And look out for the occasional ladybug, hare, or black cat as you map out your goals to prosperity and healthy social networks. The animal world trusts you to make the right decisions with its welfare in mind.
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This reading has not been evaluated by the FDA to diagnose, prevent, treat, or cure any disease or infection. Please ask your physician before going online.
2023, @VitaminseeTarot ™
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aspoonofsugar · 1 year
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Weapons Ever After
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In the story, Alyx fell from the sky and met with the Hunter Mice, got trapped in vines, fought the Jabberwalker and got her knife stolen by a Talking Racoon.
Alyx too gets her weapon stolen by Jinxy and has to offer both her saddest and happiest memories to get it back. In other wrods, she needs her whole self to find her knife once again.
This ties with something we have known for a while now:
Just weapons? They're an extension of ourselves! They're a part of us! Oh, they're so cool.
Weapons are symbolic of individuality, so it makes sense their price is a part of the person themself. Not only that, but what happens to them is indicative of what is going on with their user's inner world.
This is especially true for the Atlas Arc, which opens up with RWBY + JNR all receiving power-ups:
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The teams' weapons are modified and enhanced because the kids are growing up. And yet, by the end of the arc, they all lose their weapons or have them damaged because of their crushing defeat at Cinder's hands.
Let's analyze each character and how their weapon comments their arc in the current volume.
BLAKE - SELF-REPAIRING BOW
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Gambol Shroud describes Blake perfectly:
gambol means to move around playfully
shroud is a cloth used to cover things up
This name refers to our cat girl's tendency to run away (gambol) and to hide her true self (shroud). Initially, she herself is a little bow that moves around. As her arc unfolds, Gambol Shroud comments it faithfully.
Like its wielder, it is broken by Adam, but even if fragmented it keeps being useful and flexible. Blake has its pieces turn into a gun, a hook, a cleaver, a whip. They still work well enough to kill Adam:
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Blake is hurt by her ex-partner multiple times, but she is strong and resourceful enough not to let it define who she is. She is more than just her relationship with her abuser and is made of multiple wonderful parts. Just like Gambol Shroud is a katana, but also 2 swords, but also a sickle and his sheat can be used to steal an opponent's weapon. It is as variegated as Blake herself is.
In Atlas, Gambol Shroud is fixed with a technique similar to Kintsugi. This method uses powered gold, silver or platinum to mend breakages, so that they become part of the beauty of an object, rather than something to disguise. This is Blake's development in a nutshell: she accepts her past mistakes and shows a brand new self with no shame.
Blake and Gambol Shroud go through a process of death and rebirth and learn how to heal. Maybe this is why she seems to whitstand her defeat and fall slightly better than her teammates. She has built the inner mechanisms to keep moving forward without being completely crushed.
Similarly, Gambol Shroud is burnt by Cinder, but this time the damage doesn't reach its core. Not only that, but the weapon keeps being used even after Blake's fall. It briefly becomes a memento for Weiss, who wields it as if she were holding the hands of her teammates:
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Poignantly Blake finds it rather easily in Ever After precisely because Weiss has an idea of where it may be.
So, Gambol Shroud becomes symbolic of Blake's relationships with her teammates (Yang and Weiss especially). This is interesting because Blake is currently trying to guide the group and to keep it together.
Finally, Blake has to face the Hunter Mice to get her weapon back:
Mouse Leader: And on this day, we were not the prey, but the hunters!
Isn't it amusing that a Huntress's weapon is used as bait by a bunch of mice to trap a cat? Maybe the Ever After is trying to challenge Blake and her friends on what being Huntresses truly means and how it is easy to turn from hunter to prey, from human to monster.
YANG - DISARMING LOVE
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Ember Celica convey Yang's many layers:
they appear as bracelets, as Yang is an eye-candy hot girl
they turn into gauntlets, as Yang is a hot-blooded fighter
they become asymmetrical, as Yang loses an arm because of her hot-headedness
This last point is the most important and the focus in Ever After.
Little: Steal? Never! They just take the things we are not looking at. Fair is fair.
According to Little, Jinxy doesn't steal, but takes things which are not looked at. In other words, they go after whatever is neglected. It is then meaningful they choose to collect Yang's arm of all things. After all, our Goldilocks has had her arm stolen twice now and both times for the same reason. She loses an arm because she protects a loved one.
In Beacon, Adam cuts her arm off when she tries to save Blake. In the Ever After, Jinxy grabs her prosthetic when she is consciousless after protecting Ruby. This is probably why the price to get it back is:
Jinxy: Knowing what it is to feel loved. A fair price for some, I'd say.
Jinxy's request can mean 2 different things for Yang's character:
Yang lost her arm to save both Blake and Ruby's lives. Then what if she did not do it? She may still have her arm, but maybe Blake and Ruby would be dead. Is Yang ready to sacrifice her loved ones for her arm?
Yang is ready to jump into harm's way for Blake and Ruby. Does she do it because she loves them or because she is scared they would not love her back if she doesn't? Is love that needs her to give an arm for others true love?
This is the conflict the auction lies out for Yang. It makes sense for her not to give up on the feeling to be loved for a mechanical arm, right? And yet, why should she leave behind her arm so that she can be loved?
What is the right choice? And is there really no other choice?
As you can see, Jinxy's words highlight Yang's complex. She unconsciously sees love as conditional:
Yang: Do you… think she thinks less of me… for not helping out with Amity?
What if Blake stops loving her because they disagree? What if Ruby gets hurt in Mistral while Tai is looking after Yang? Would Tai love her any less?
In a volume which is clearly going to explore Yang's relationship with both Ruby and Blake this complex is bound to surface. Only in this way she can start working through it.
WEISS - EMPTY FLOWER
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Myrtenaster represents Weiss's duality:
It is a sword because Weiss is a knight
It works like a wand because Weiss is a magical girl
She is warrior and queen, male and female, anima and animus. At the same time, her weapon also shows her ice and sugar personality. It is apparently stiff (gray) and rigid, as it doesn't change form. Inside, though, it is full of colors and can be used in multiple ways thanks to Glyphs. Similarly, Weiss appears cold, but has a rich interior world, made of dreams and feelings.
This double side of Weiss can be found even in Dust, which is the key element of her fighting style. Dust represents Weiss's versatility, but also the privilege she was born in. And yet, the latter is gone right now:
Weiss: It's... it's all gone... There is nothing left for me to go back to.
And Weiss is out of Dust:
Weiss: Well, good news, I’m low on Dust.
For better or worse Atlas and the SDC are a big part of Weiss's life, but they are both gone. In this situation, it is interesting Weiss is the only one who so far has not lost her weapon. This can be read in 2 different ways:
Weiss's identity has grown strong enough not to be tied to Atlas and the SDC anymore. Obviously, she is shaken, but not completely broken.
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Weiss is currently clinging to an empty vessel of herself. This may be why she thightly grabs Myrtenaster the moment she admits how much she lost:
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Should she do it or should she just let go?
This conflict may tie with Weiss's weapon being the only one, which doesn't get modified in Atlas. It is because Weiss's fighting style is already perfect, but there may be another explanation. Weiss doesn't change in Atlas because she already has all that Atlas has to offer. Her real challenge is then to transform now that Atlas is gone. She is empty, but by letting go she can re-invent herself.
JAUNE - BREAKING DEATH
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Crocea Mors is linked to legacy in 2 different ways:
It is an object Jaune inherited from his great-great-grandfather, so it symbolizes the Arcs' history
It is later modified by using Pyrrha's metal, so it comes to embody what Pyrrha represents in Jaune's life
So, Crocea Mors is two legacies combined. Two people Jaune wants to become more similar to. At the same time, it parallels Jaune's development. As he grows, the weapon changes, as well. It is introduced as a lame hand-me-down, but both its attack and power (Mistral) and its defence and versatility (Atlas) get enhanced. Basically, as Jaune's identity becomes rounder and rounder, so does Crocea Mors.
It slowly transforms into the perfect weapon for a Knight. A sword and a shield ready to fight for the people. And yet, in the volume 8 climax, Jaune uses it to kill Penny. So, Jaune's identity as a Knight shatters, just like his sword.
What now?
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If Jaune is indeed the Rusted Knight, then it may be he is stubbornly clinging to an already broken identity:
Curious Cat: Time changes, you know? And so do we when it's our time to change, don't you?
In order to evolve, you must accept death,grief and destruction. Only if you do, you can be remade.
At the same time, the idea of a Knight trapped inside a rusted armor ties with Jaune's metal motif. In alchemy there is a scale of 7 metals: lead, tin, iron, copper, mercury, silver and gold. The objective is to transform the lead into gold. This is Jaune's arc in a nutshell.
He starts off as lead. He is inexperienced, ignorant and unrefined, but then he meets Pyrrha. Pyrrha is already gold by the beginning of the series. Hence why her golden armor, which contrasts with Jaune's white and gray one:
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Not only that, but Pyrrha's semblance is literally about manipulating metals. So, she sees Jaune's raw potential and decides to turn the lead into gold. She is the one who starts the process.
After her death, Jaune keeps on evolving:
He goes from lead to tin in Mistral, when he changes his armor
He strenghtens his sense of self and blooms into iron in Atlas, where he also gains more golden details
However, he then kills Penny, who represents the properties of Copper (love and beauty)
As a result, I would not be surprised if he were now stuck. Symbolically trapped inside an armour because he can't stop being iron, while he should keep on going to reach gold. In order to change, though, he should face what he has done and let go of his current knight identity. It used to fit him, but has right now grown too small, just like his previous armor. It may be time to look for something else.
Speaking of which, isn't this golden woman interesting?
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As @blue-cheeseinmyoffwhites noticed she is a blacksmith and may be the reason why Jaune is trapped inside an armor. In general, the idea of a golden woman, who is also a blacksmith (aka that works metals) reminds me of Pyrrha. Since Little may be in the story to help Ruby face her grief over Penny and her child-self, then this woman may have a similar function for Jaune. What if she is there to help him work through his guilt over Pyrrha's death and his hero complex?
We'll see how it goes, but so far Jaune is the only one whose weapon has been shattered and this might be his chance to build it anew. He might even make his own weapon instead of relying on someone else's legacy.
NEOPOLITAN - SELF MADE PARASOL
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Hush represents who Neo is: Hush is a parasol that can be used as a shield and with a blade inside. It is the perfect weapon for a student of an Academy that superficially teaches girls how to be ladies and secretely trains spies. It combines the elegance of an accessory with the lethality of a weapon.
At the same time, Hush is clearly complementary to Melodic Cudgel. The former is a silent blade, while the latter is a flashy and noisy gun. The former is Neo’s message to the world to shut up. The latter is Roman’s enjoyment of the pain of others that sounds like a melody. So, Hush is perfect for the partner in crime of Roman Torchwick.
It is a weapon that fits both Lady Beat’s spy and Roman’s friend. The point is that Neo can’t keep being both. She can’t keep being Trivia Vanille and Neopolitan. She must choose.
Neo's parasol is symbolic of Neo's real self and it combines her many layers. It is also something Roman gifted her with, so, together with his hat, it is part of his legacy to her. Just like Neo herself is Roman's legacy. She is a person Roman loved and helped grow. The key to overcoming her grief is for Neo to realize this. Yet, she can't and maybe this is why she doesn't look for her weapon, but simply makes a new version of it by using her semblance (or so it seems tbh).
This may very well be because Neo is not trying to change or to self-reflect, but is projecting her anger and sadness over other people. This is why she immediately transforms into the 2 people she hates the most: Ruby and Cinder. Then, she lets her semblance out and... be it because it naturally evolves or be it because of the place she is... a tons of Neo immediately pop up...
And yet, who is the real one?
The Ever After may be at the same time the best and the worst place for Neo, right now. It is the best fit for her semblance. Overactive Imagination is about projecting the inside out, after all. It is about letting everything she represses take a real shape in the outside world. So, it makes sense that the Ever After amplifies its effect. However, letting our emotions go rampant without filtering them may lead to a disaster.
Symbolically, Neo may very well lose her real self. Just like she has lost her weapon and is replacing it with an illusion. Will Neo find herself again or will she stay in the Ever After forever?
(On an unrelated note, I am looking forward to how Neo's semblance is going to influence the Ever After:
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Like, are these shadows all "characters" Neo creates? Is she gonna materialize the younger Ruby illusion on the bridge? Does it mean her semblance has evolved so that now her illusions can talk?
If Ruby and the others are stepping into the role of protagonists, then Neo may very well be using her semblance to step into the role of a writer:
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I would not be surprised if she conquers the Ever After, at least temporally. It would be fun to see if the Ever After conquers her in return.)
RUBY - GROWING MOON
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Crescent rose means "A growing-up Ruby". After all, Ruby herself is a rose (Ruby Rose) and crescent means "to grow up". So, her weapon describes Ruby herself: a young child, who grows up stronger and stronger... or does she?
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It is obvious Ruby is not a smiling growing up child anymore. But then, who is she? There is no answer and this is why Crescent Rose is still missing.
Apart from this, Crescent Rose is interesting because it is one of the many things that tie Ruby to the moon. After all, the moon has 3 phases (well, 4, but we only need 3 :P):
Crescent Moon
Full Moon
Falling Moon
These 3 phases are linked to the life of a person. The crescent moon is youth, the full moon is maturity and the falling moon is old age. So, Ruby is a crescent moon (crescent rose) because she is still in her youth.
An interesting thing is that all these ideas are expressed by the so called Triple Goddess:
The Triple Goddess is a deity archetype revered in many Neopagan religious and spiritual traditions. She is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon.
Guess who is an example of a Triple Goddess?
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Exactly, Trivia/Hecate is often considered a Triple Goddess :P And when she falls together with Ruby, she very conveniently turns into 3 people: Oscar, Yang and Penny.
Neo is supposedly Ruby's mirror, so these three characters should not only be important for Ruby's arc, but also represent part of who she is. As for now, several interpretations are possible. For example, Oscar, Yang and Penny are the protagonists of Ruby's major conflicts in the last 3 volumes.
In volume 7, Ruby and Oscar have a disagreement over telling or not Ironwood the truth. In volume 8, Yang decides not to follow Ruby's leadership and to take another path. So far, volume 9 focuses on Ruby's feelings over Penny's death. All these conflicts have built over each other until Ruby can't ignore them anymore.
They can also foreshadow future focus. Right now, Ruby is struggling with Penny's death, but later on she may also have to experience a shift in her and Yang's dynamic, as Yang enters a relationship with Blake:
Weiss: About time. Ruby: About time for what?
It may be nothing, but it is interesting Ruby seems oblivious to Bumbleby's clearly blossoming romance.
Similarly, once RWBY + J goes back, Ruby might share some focus with Oscar, since the 2 of them have clear parallel arcs.
Finally, these 3 people might also represent past, present and future:
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Oscar is waiting for Ruby outside, in the future. Maybe this is why in this shot, Neo gets far away from Ruby when she transforms into him. He is a person, who did not fall and one of the loved ones, who are looking forward to Ruby's return.
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Yang is with Ruby in Ever After. Neo closes up on Ruby, when she looks like her sister. Yang is a person who fell with Ruby and who is sharing her journey to go back home.
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Penny died. Neo goes behind Ruby while being Penny and tries to drag her down. Penny is a precious friend, who is now lost and also a symbol of Ruby's inner child.
Whatever the case, the metaphor is clear... all these conflicts and Ruby's past self are dragging her down. She needs to face all what is repressed to climb back up.
Maybe this is why even before Ruby can start looking for Crescent Rose, she has to solve her feelings over another weapon:
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Penny's sword symbolically works as a mirror for Ruby. By taking it, Ruby has the chance to grieve, to let her feelings out and to look at who she is. And yet, a couple of minutes after getting it, she is already moving forward. She is stepping into Alyx's role and getting a new purpose. Not only that, but her whole plan revolves around giving Penny's sword away.
The meaning is clear, Ruby is still not ready to let all her grief out. She chooses to ignore it and to start moving again. And yet, we know the sword is coming back for her:
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Who knows? Maybe, just like Pyrrha's metal, Penny's jade sword is going to get integrated into Ruby's weapon or attire, as well. As stated above, we have a blacksmith, after all.
What is sure is that Ruby can't hope to find Crescent Rose until she decides what to do with Penny's sword.
THE AUCTION - ITEMS AND PAYMENTS
Little: Hugs are very valuable!
Let's go back to the Auction. Jinxy is presented as a thief and as a crook. However, I think the story makes clear there is a meaning to their actions. Specifically, Jinxy looks after things people disreguard and makes them look valuable, so that people would try to get them back.
At the same time, Jinxy's prices are nothing, but what the person truly needs to get what they want. The price is the truly important thing in Jinxy's auction, not the item, which is a fake anyway.
The first item looks like a bunny made of diamonds, but it is actually a small mouse like Little. It is then a representation of the child self. And what should one do with a child-self, if not to hug it thightly and nurture it?
Let's look then at what Jinxy asks our 2 sisters:
They ask Yang's feeling of being loved in exchange of her arm. They do not ask for the love Yang receives, but for her inner perception of it because it is unhealthy. Yang will always sacrifice parts of herself in exchange of affection, unless she lets go of the idea love is conditional. She needs to build a new idea of love or she will keep on losing pieces.
They ask Ruby's hope in exchange of Penny's sword. This is because Ruby needs hope in order to overcome her grief over Penny. It is meaningful Little steals the doll, so that it can reveal itself to Ruby before she has the price to pay for it. Interestingly, she gets the sword, but still can't properly process it and gives it away 2 minutes later.
Ruby and Yang need to nurture their inner hope and self-love if they truly want what the 2 weapons represent aka a whole self.
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sjmgirlie · 3 months
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I don’t know why this even has to be said but I’m really starting to hate this fandoms negativity towards characters in ACOTAR. Specifically the Archeron sisters who are the main characters (yes, they are):
Liking one of the Archeron sisters does NOT automatically make you need to hate the other two???
Like.. their problems with each other (other than Feyre going to hunt but this is fantasy) are the dynamic of sisters.. one minute you hate them and the next you’re all laying in bed hugging each other thankful you have them.
The point of character plots, in my mind, past the fantasy world good/evil is to highlight very human themes. This is why we love the stories we read. They remind us of ourselves or others or perhaps give us another lens into something we don’t know.
I don’t know why reading Nesta’s book automatically makes us have to hate Feyre or Elain. Or vice versa. This definitely was not SJMs intention. They all do things that are wrong. This is human nature…
In the end, like real life, these sisters would die for each other and I have no doubt about that. In ACOTAR, Nesta ventured to the wall with a mercenary she paid to try and get Feyre back. In ACOMAF, Elain makes all the staff leave so Feyre can host her meeting, acknowledging that they had let their sister down. In ACOSF, while somewhat extreme, Feyre/Elain pulled the plug on Nesta’s destructive ways. She left her to do what she needed first did she not? But she was rotting away, and she couldn’t see her sister like that anymore. And based on Nesta’s personality, I do think the idea of “training” was actually fitting. She needed a physical release that was not harmful. And in the end we see that she needed that house too.
All these characters are flawed. Every single one. But that’s just what makes us relate and love them in the end. They may be in a made up world with powers, but the actual characteristics are not made up. They show true human nature.
So you can love Nesta more, or Feyre, or Elain, but in the end, they are just made up. We’ve seem a lot of Feyre and her self sacrificing tendencies. This is why her and Rhys are mirrors. We’ve seen Nesta’s self hatred, and her healing, and we know Cassian faced a similar struggle as well. Now we might see Elain, who is a wild card to be honest, but I’m sure it will relate to her being underestimated and undervalued. Each of these relate to how many of us might feel in our daily lives.
Please try and be kind to those who may relate to another character more, and not discredit their feelings. We all have our own mountains to conquer, just like these sisters. This is why we love them.
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icey--stars · 8 days
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Omg TELL ME MORE ABOUT BOTH 13 IDEAS RN … please 🥺
first off, i love you. thank you for the excitement XD
okay, the full overview of the idea is to be a sister to aelin or eris. onto the individual things... hehe. just did it in bullet points for my own sanity. (i went overboard, but YOU ASKED! i was having fun XD)
also please nobody steal these ideas without asking 😭 because i really like how unique i made it and i DO want to post it eventually
Aelin's Sister:
first off, she's the older sibling
i actually fully wrote out a timeline for this particular one because i felt like i had to get the ages right and stuff sooo lemme just give you this first off and then go over the points
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basically, i named the OC "Aeress" because yes. had to keep the "AE" vibe going.
Aeress is 9 when Aedion is born and 14 when Aelin is born
At the age of 21, however, Aeress basically went missing. She was with her family (mom and dad) in the Whitefang mountains when a tribe attacked.
She was determined to be dead after being missing for an entire month
HOWEVER, the real story is that she was captured.
Here's the actual written version:
“When I was in the White Fang Mountains, just a simple vacation if you remember, sidekick, a wild tribe attacked us. Humans, all of them, but some had ice magic. We defended ourselves and the guards got Mother and Father to safety. However, they didn’t notice me getting grabbed and thrown on the back of a horse, bleeding from my calf that’d been cut.
“They took me, traveling far. I healed myself when I could, but they put me in iron after the leader realized that I was with them. There was no returning me without full blown war, so instead they faked my death. They took me as a war prize and a slave.”
---
“For a year, they kept me in the Ferian Gap, hidden in the tunnels there. They didn’t even notice when I Settled. I was to mine ice for them, and to appease them. It was impossible for me, an untrained idiotic princess, to escape, so I stayed and waited. My chance came soon after when magic fell. I’d been unchained with only iron cuffs on at that moment. I ran in the chaos of the mountains shuddering, to where the witches trained. A mountain in the Omega.”
---
“After that, with magic gone, I was not skilled enough, I felt, to leave the Ferian Gap, and brave Adarlan with the news I spied on from the tribe. I survived off of them for a good six years, unwilling to brave the valleys and predators without my magic and without any skills of survival. I was untrained and very killable at that moment. I did my best with a sword I stole, but… an untrained arm can only do so much. The mining helped slightly, but not enough.
“Anyway, six years later, humans appeared at my little mountain hideout. These were the humans who created and tested out the current wyverns of the witches’. However, I was still a goddamn idiot, so I got captured. I was a prize for the wyverns and they didn’t even know who I was. But they kept me alive, so I lived like that for a little. 3 years or so, which wasn’t that bad. 
“The wyverns were useless for a while, but the humans seemed to not think of me like a slave after a little bit. I was a partner, who helped a little to improve them. Though, I never dared with their dark magic. 
“When the witches came, I escaped. And got captured again, by a Blueblood coven. I was pissed, but I was given as a prize to Petrah, the Blueblood Heir. Quite a nice female, actually. She wasn’t as bloodthirsty as the rest. She knew who I was based on scent, I think, but she never told anyone. 
“I stayed in her room and one day, she decided to teach me to fight. I learned later it was because of a foolish hope beginning in her heart. Of freedom. Then she taught me to ride wyverns, showing me in secret the beauty of a wyvern. One day, during the day of the games where the covens fought for Wing Leader, I tamed my own wyvern. His name is Ryder. Pitch black, small-sized male who was fast. Perfect for what I needed. 
“When the Yellowlegs witches went to Morath, I followed. I blended in quite well, actually. I could pretend to be a servant to the witches and a witch to the humans who knew none the better. When they flew for Adarlan, I escaped. I flew for Terrasen.
“From there, I supported the war as a healer,” I finished. “Took some time to build enough courage to see you, but I wanted to make sure I didn’t compromise your position on the throne, little flame. You deserved to rule. More than I ever did. I know a little about your history as an assassin, and I know you knew how to fight. How to lead, when I heard of your court. And I knew Terrasen was in good hands. I can offer you advice for the finer tuned things of ruling, but leadership was never my forte.” ("you" refers to Aelin)
So basically, that's that. that's how I inputted an older sister into the mix
HOWEVER! Aeress is the exact reflection of Aelin in power. She has majority water (like SUPER powerful) and a tiny bit of flame. Barely a candle light.
This is also where I inputted a very cool concept: the reflection of the powers means that if either of them died, they would've known because the little tiny bit of the power (aelin's water, aeress's fire) would go to the other sister. my previous-self explained it better so here:
“I knew, Aelin. I knew you were alive. I knew because of the goddamn magic in our veins. The small bits of our magic that we can barely use… the water piece you have… if it had come to me, I would’ve known.”
“But magic-”
“That feeling transcends magic being gone,” I cut her off. “It is a deep feeling, of something being lost and gained at the same time. It is rare for any fae to feel, but sometimes, when the magic is reflected, it happens.”
however, some cute things I think you'll appreciate are the NICKNAMES!!
Aeress calls Aelin "little flame" BECAUSE AWWW
And she calls Aedion "sidekick" while he calls her "Queen Bee"
And also like Aeress and Rowan actually get along so well
Aeress is kinda like Aedion in that way and saw Rowan as this powerful ancient fae warrior and is very surprised to find him to be quite chill. she's nervous at first and basically is like "Rowan, if you don't want your mate doing this then just tell me... I'll get away right now-"
but Rowan, at the end of what I actually have written (it is not being finished considering it has no plot XD), basically ends up making them siblings. brother-sister bonds!!
Also Ryder is the cutest wyvern of all time- the one that Aeress gets. pitch black, small, but fast and agile as hell. but he's quite literally a teddy bear. he likes cuddling. he's a ferocious beast who cuddles.
anyway let's stop talking about aelin's sister and get onto ERIS'S TWIN!
Eris's Twin Sister:
I wrote the most for this part, but I have the least amount of worldbuilding for it.
basically, it's a secret twin thing.
please note that "Merle" is the Lady of Autumn!!
“When I was young, I was married off to Beron Vanserra. I was soon pregnant with my first child. But what the healers told me only days before the birth was that there… I had twins. Fraternal twins. They didn’t tell me out of fear before then, but I knew right then and there, that I had to save them. Get them out of the Forest House. Both of them, if I could manage.
“Beron wanted the genders, so I told him one. It was a male. When I gave birth, I kept Beron out for a few days while I recovered. Long enough that he was antsy. I… I gave him the male because he’d wanted a son and winnowed the female to an old friend’s barn and left it, content with wards of warmth and a pacifier.”
Basically, that "old friend" is named Martha and raised Seraphine (OC for THIS one XD. nickname = Sera).
BUT... then Eris kills Beron. And the magic doesn't go to him and he goes on a hunt to find it.
Seraphine, however, has found herself bowled over and now with double the amount of power she had previously.
Now, mind you, she's quite ADHD, so she's not super confident, but she's stubborn as fuck.
Eris promises to help her as much as he can because he's ACTUALLY a good bro and doesn't want to make the same mistake with Sera as he did with his brothers.
Eris helps her get settled in, and Sera manages the court basically by signing random shit and having him help her because surprisingly, their goals align. like making the poor less poor
Sera has a lot of the skills required to be a High Lady, like writing, so luckily, she's quite good at what she's doing.
Eventually, because Sera is very forgetful and disorganized, they get an assistant, an older nanny figure who basically helps manage Sera's day so she doesn't get overwhelmed.
BUT! hehehe... Eris and Sera want an alliance with the Night Court.
The NC doesn't want her to die before their meeting, so they send Az to basically secretly protect her.
however... Azris is canon in this universe. Seraphine gets jump scared by Az because Eris basically wants to make sure that she knows the plan. and that plan is to reveal their mate bond at the meal >:)
Honestly, the NC is pretty chill about Seraphine. Sure, she's nervous, but everyone's pretty chill.
Rhys tries to read her mind one time cus he's suspicious, but they move past it. (Sera can shield her mind well) honestly, I wouldn't be surprised if Rhys would be scared in that moment.
Azris revealed... WOOOPEEE.
Anyway, that's basically that besides me quite literally just going off on an Azris spree and writing a wedding/mating bond scene 🤦
I went overboard, but honestly, these might be full-on wips probably never to be posted, but they're so much fun to tell you about.
thank you for the ask my beautiful anon. i love you.
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jojoma · 7 days
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Why Astarion x Karlach, part 3
FYI: I'm writing about my current favorite ship to help organize my thoughts part 1 / part 2 / part 4
Now I wanna talk about relationships. My favourite trope for any romance is from BFFs to lovers (honestly, I think it's good working for real life too, but I don't want put this topic here). It's clear that people and their relationships are changeable and we don't know what to expect from others (or even from ourselves). So friends can become a couple after a while. I won't mind the trope from enemies to lovers too, but with only sexual urge it's kinda not deep and lame. I adore when fictional lovers also are BFFs (for me It's also the same to "sibling" energy between them, ofc if we don't talk about real incest). I mean it's so hilarious and brings them even closer in a safe way. In the classic way of dating, characters (and real persons though) try to impress each other or at least hide their flaws. It's ok, but I find it boring (in rare cases it may be entertaining). Perhaps I need a comedy at the beginning and a drama at the end for full spectrum of emotions.
So when someone says about Astarion and Karlach “they are like brother and sister in communications” I agree in one way, but in the another they actually flirt from the beginning and at least Karlach tells Tav that she is attracted to Astarion — check this and this. Even if they just kidding I clearly see how they have a match for lovemaking. Come on, Karlach is a literally hot machine looking for an intimacy and Astarion trying to seduce anyone who can protect him. They have to end with sex in any script, if didn't find an another lover. So in my opinion their friendly/sibling energy doesn't interfere being passionate lovers (u can call me strange by the way, but I warned about my specific tastes).
Another point here is a depth of intimacy and acceptance. I like when a broken character found a support from a close person. I love vulnerable and heartbreaking moments between people who truly understand each other. And I adore when they are try to heal each other in the some way or keep safe from harm (occasionally it's mean do not push another person to change). I think, this level of relationship needs or some time or some kind of backstory. Astarion and Karlach do it in all ways. Thanks to Karlach's heart they can not have sex until act 2, and it keep them in safe "friend" zone ("non touchable" will be more correct). It means more time for talking. Just remember the funny first romance scene with Astarion in Karlach's orig playthrough. After his disturbances, he gives in and says: “But maybe that's not a bad thing. All right Karlach, let's try it your [he means just talk]”. We also know how much Astarion hates a sexual intimacy and needs time to rethink that part of his life. And in the romance with Karlach, Astarion can avoid any sexual interaction at all. And in both playthroughs they have options about slow a lil down (romance with Astarion, romance with Karlach). That's make so much sense.
I don't need talking about how their stories and dramas are similar. I also appreciate how they are different in ways to overcome, temperaments, lifestyles and etc (if you need more information read this and this). As they say — opposites attract.
I've already said so much, but not everything yet.
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richincolor · 1 year
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Book Review: Braiding Sweetgrass for Young Adults: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer, adapted by Monique Gray Smith and illustrated by Nicole Neidhardt
Publisher summary: Drawing from her experiences as an Indigenous scientist, botanist Robin Wall Kimmerer demonstrated how all living things—from strawberries and witch hazel to water lilies and lichen—provide us with gifts and lessons every day in her best-selling book Braiding Sweetgrass. Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults brings Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation.
My thoughts: I don’t know who had the idea to make this adaptation, but this book is a gift and we’re fortunate that people worked together to make this happen. Monique Gray Smith and Nicole Neidhardt have shared Robin’s words in an extraordinary way. They managed to maintain the message of the book while also making it accessible and visually appealing to a younger audience or even adult readers who appreciate fewer words with a larger font, more blank space, and beautiful images that support the text. This book carries so much meaning and love and I’m thankful that it is in the world for young readers.
Braiding Sweetgrass is about connection and being in relationship with the earth, plants, animals, and humans. It’s an inspirational book that is part memoir, part science text, and part love letter. If you’re thinking that the text is doing a lot, you are not wrong, but it’s never chaotic. The text, colors, and images are peaceful and encourage pauses and contemplation.
Readers begin with an introduction to sweetgrass and an invitation to remember our connection to the world and the beings within it. Throughout the book, there are quotes pulled from the text that are featured within a circle of sweetgrass. The first one really sets the tone: “Imagine how less lonely the world would be if we knew and believed that we didn’t have to figure everything out by ourselves.” Another explains about that honorable harvest is “to take only what is given, to use it well, to be grateful for the gift, and to reciprocate the gift.”  There are also small boxes that include definitions of key words like reciprocity or kin. Questions are also scattered around like, “What’s your first memory of being connected to all living beings? or “In what ways can stories be medicine?”
The reader is meant to think about the concepts in the book, but action is also strongly encouraged. When Kimmerer shares about trees that collectively fruit across the state, she explains that “all flourishing is mutual.” This is followed by questions about how to apply this to social justice and the current issues in our own neighborhoods. We have a responsibility to the earth and each other and are reminded many times through these pages.
One aspect of the text is about the contrasts between Indigenous ways of knowing and scientific (what is taught in typical US academic institutions) ways of knowing. Readers see how Kimmerer struggled with this in her college years and ultimately remembered how to learn from nature in a rich way. Native scholar Greg Cajete is referenced at one point. He wrote about Indigenous ways of knowing explaining that we understand something only when we have understood it with all four aspects of our being: mind, body, emotion, and spirit. The writings and stories in Braiding Sweetgrass show how to attend to all of the aspects and find the beauty in this world.
Speaking of beauty, the illustrations definitely help to express the wonders of our world and whether it be plants, animals, humans or anything else. They don’t just teach–many communicate healing and connection. Some are simple diagrams like when there is an eye and the parts are detailed, but others are art that illustrates a story or images that speak to the heart.
Recommendation: Get it now. I recommend this for any young person especially if you are interested in science and living beings. It’s also an excellent book for anyone who is feeling isolated or who is seeking connection. I think the words in this book can bring healing to readers and lead to healing in our world.
Publisher: Lerner Publishing Group
Pages: 304
Availability: On shelves now
Review copy: Purchased
Extras:
Visit the Lerner site where there is a download of the Thanksgiving Address illustration for download.
TeenLive Author Talk: Braiding Sweetgrass from The New York Public Library on Vimeo.
Watch a Kitchen Table Discussion with the authors and illustrator about the process of creating this book.
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astroismypassion · 2 years
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Rising signs
I STILL can't answer and publish answers to your questions from my mailbox. So here it's is, because I was fully writing a reply and couldn't publish it through. Blame it on retrograde? W'll push through it. @raginglilith asked: Pls rank the most powerful zodic rising sign ? If u feel uncomfortable, u can rank only the six or seven of all zodic signs. Hey and ty @astroismypassion answer: Hi! Well, this is just my personal point of view: Most powerful Capricorn Rising - very powerful, young entrepreneur, successful from young age, because of how passionate they are, but also DEDICATED to improvement, young CEO at heart or in the making, they are THAT bitch Virgo Rising - so much nervous energy that makes them productive, people smart, love to talk to others and get knowledge, always improving, the real leveling up much like Capricorn, they move so quietly and only show success once they have already achieve the thing and moved on to a new one, not at all that calculating, but more of a oversharer Libra Rising - people smart, know how to talk to humans, how to act around them, how to look, smile at them, when you are in their present you just FEEL beautiful and valuable as well, like it rubs it off from them what the hell, people just naturally gravitate towards them, yes also because they are conventionally attractive yes Gemini Rising - KNOWS some people and by that I mean A LOT of people, other people just want to go out with them, to the cinema, take walks, a lot of requests to hangout from other people, reallyy good at gatherings and group settings, knows a lot of gossip, but also facts about you, so they can easily turn that against you Cancer Rising - you just want to tell them your life story and you just feel comforted and nurtured by them, but you are just talking to them or sit beside them and that in itself is power to have, because people unconsciously tell you who they really are and things they are trying to hide Taurus Rising - for real has healing energy (it's not Virgo y'all), they just like to give items to other people or food and this is how they make new friends and meet new people Scorpio Rising - alright, so I might be biased, because I'm Scorpio Rising, but to me... we are semi powerful, we usually get ourselves in sticky situations, because we protest or rebel at inappropriate times, we are impulsive, impatient and at times even reckless, we are not that confident, but very self-conscious and SELF-AWARE and we try to use that in our advantage and that of others, I would say powerful through creative self-expression through clothing, yall's outfit literally burns people firee Aries Rising - can be really lazy haha, not what you expected, but if they don't immediately find success with something, they won't stick and have these intense bouts of just wanting to be spontaneous and reckless, but have STRONG knack for business, way too many people see them as competition, can too often feel like a child or not mature enough, probably a lot of people in their family treat them like they know better than them, but they are the leader of any friend group they are in Leo Rising - can really struggle with confidence, it really fluctuates, they don't want to be in the spotlight that much, but when they are they just fake it a bit, like they just love this spotlight, but usually need to withdraw soon after to recharge, they are really helpful, like they genuinely like doing things for other people, they have a huge humanitarian in them Pisces Rising - you just kind of feel like they are trying too hard to remain neutral, like they are really indecisive and don't want to pick side, on the contrary really not THAT compassionate, only compassionate to the point it makes sense to them, it makes logical enough to them, but over that point...no compassion at all, they are really stuck in their way of doing things, very unwilling to change, they want OTHER PEOPLE to change for them, pff Sagittarius Rising - they are all over the place haha, too much wanting to be everywhere and not miss out, so their energy is dispersed, they thrive off new beginning, but this motivation and excitement is often only present at the start, they struggle with going through with projects, actions, such big dreams and goals that almost seem unattainable, because they lack the follow through and forget ACTUALLY DOING IT Aquarius Rising - weirdos, they might get blamed for things they didn't even do by other people, they just draw so much, usually critical or negative attention from others, they might openly have enemies, like people openly won't like them (it's that Leo influence over 7th house of open enemies y'all), not really that humanitarian, but when does it, they do if for their own attention, like "look what i just did for you and how much i helped you", might throw that in your face later so expect it Least powerful Sorry in advance guys, if this was wayy too straight-forward, but let's call this post an honesty hour. I'll be more positive in my next one. goodbye for now from your pal from @astroismypassion blog, but also from life
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Doctor Who, but Chronologically: 36
It's such a treat to get sensible two-parters, look
And we're back! The cliffhanger is resolved by the Doctor sternly telling the gas mask zombies to go to their room because he's very cross, and they meekly do. This is actually a very clever way to get out of it, I think. It's nice when Moffat manages a genuinely clever twist.
Also, it means right before the opening credits roll, the Doctor breaks the tension by saying "I'm glad that worked, those would have been terrible last words." Eighteen years ago, in a student house in Rhoath, we shat ourselves we laughed so hard. Still a great line.
Anyway, fuck, this is SUCH a good episode. The plot is actually relatively brief (it turns out that ambulance Jack crashed here was full of medical nanogenes, and the first thing they found was a now-dead child still in a gas mask. But they'd never seen a human before, so they 'healed' him to a zombie creature. Now they're trying to heal all humans. The reason they're asking for their mam is because it's Nancy! Not his sister after all.) But, the episode contains multiple repeated creepy scenes to fill in for the lack of plot, and they're all bangers and all undercut with just the right amount of humour to be a foil. Love the Doctor replacing Jack's gun with a banana. Love the line "Rose, I'm trying to resonate concrete." Love Rose discovering that the future of the human race is to fuck its way across the stars and that Jack has probably fucked a space squid. All great
It's just a shame about all the cringeworthy sex and romance talk disguised as a dancing metaphor. That made me wince two decades ago and time has not made it better. Even editing doesn't give Moffat the ability to write anything romantic that doesn't feel like unsettling wet noodles. Sometimes, being synaesthetic is a curse.
Ultimately Nancy tells the Bluetooth zombie that she's his Mam and the nanogenes realise her DNA is the correct one. This means there's an absolutely delightful bit where Christopher Eccleston throws his whole pussy into yelling "Just this once, Rose, everybody lives!" and the day is utterly saved. It's true, that is rare. I am still haunted by Horror of Fang Rock. What an awful story. Never forget poor Vince.
This means Richard Wilson lives!
"Uh, all your patients will in fact be fully healed," the Doctor says. "Just quietly take credit and send them along."
"Doctor!" says a random woman. "My leg's grown back! When I came to hospital I only had one!"
"Well, there is a war on," says Richard Wilson, with devastating comedic delivery. "Is it possible you miscounted?"
And then Rose and the Doctor rescue Jack before his ship blows up, and then the episode ends EXACTLY ONE SECOND after Jack enters the TARDIS, yes that's right, there is NO MORE OF THE EPISODE. They most certainly did not ruin this incredible story with one of the most nauseating and awful scenes in televisual history that still gives me bone-creaking second-hand embarrassment. Nope. It ends when Jack walks in. He says "It's bigger on the inside" and we all just... move on. We're done. The end. Tidy.
Anyway!!! Only one new plot thread, I think - Jack reveals at one point that he used to be a Time Agent, but they stole two years of his memories. Exciting!!! That has also happened to the Doctor. I wonder if it's related?
“She” (an unknown person) is returning (perhaps River returned as Missy. Maybe Me? Maybe Clara???!)
There is something on Donna’s back
An entire planet, Pyrovilia, just… disappeared, somehow. (Maybe because the TARDIS is exploding??? Saturnine was also lost, and that WAS because of the TARDIS exploding. The lion man’s planet was also lost but he was a bit of a knob about it if I’m honest.)
Amy is maybe dead (she’s not)
The Doctor has been cubed (he’s out, but how?)
River is possibly blown up  (unless she’s Missy. NEW INFO: she is definitely not blown up)
The TARDIS has blown up  (It’s fine now. Except it’s sort of melting now because it’s corrupted, but it’s fine again)
The universe appears to have ended  (the universe is back again)
The Doctor has employed(?) Nardole
(And Nardole was “reassembled???” Nardole had glass nipples and invisible hair?? WHAT THE FUCK IS HE)
There’s a vault in the TARDIS and it contains Missy but we don’t know why (sometimes she knocks for the bants)
There’s an immortal Viking girl now. Her name is Me and she’s now looking after the people the Doctor abandons
Why was Rory entirely unconcerned by the entire world suddenly going silent when that is Not Normal and should have been, at the very least, extremely disconcerting?
What did the Doctor do to Queen Lizzie One?
Why is Amy seeing a one-eyed woman in a vanishing window? (She’s with the Silents, but we don’t know why Amy saw her)
Why is Amy’s pregancy inconclusive? (Maybe because the baby had Time Lord DNA?)
Who is Sarah-Jane Smith?
How is the Doctor Bill’s teacher and why/where does he have an office?
What is going on with the Cyber War and the Cyberium???
What happened with the Other Cyber War?
What happened with the Third War that deleted the void?
Why does Rose seem particularly important?
What order do these Doctors go in? (Eccleston, Tennant, uncertain, Smith, Capaldi, Whittaker)
Which companion just… forgot the Doctor, and how?
Yaz and Vinder are about to die as Mori/Mwri/Muuri
There is a Lupari shield around Earth.
What’s a Time War?
What’s the Rift?
What’s Bad Wolf?
In which war did the Doctor become a war criminal, and how?
Who is the Master?
Why has Amy forgotten Rory?
Is Rory plastic or not?
Why is the Doctor sulking on a cloud?
How exactly does the Doctor have a cloud?
What exactly happened with Strax to, uh, tame him?
Which friend killed Strax?
Which friend brought Strax back?
Where did this lesbian lizard and human couple come from?
What happened with Clara as Souffle Girl and the Daleks?
How does Clara actually join?
Why so many Claras?
Why is Missy apparently in robo-heaven?
Why is probably!Missy pushing Clara and the Doctor together?
What is Trensilor and what happened there?
Who is Handles?
The Doctor is about to be dissolved by a beautiful geode man
The universe is being crushed by the Flux
Will the Doctor open the fobwatch?
Sontarans are invading Earth again
Who is Kate?
Who is Osgood? Another name of Clara’s again?
The fuck is the deal with the Grand Serpent
Does Martha get to go to an ice cream planet with 12-fingered massage aliens?
How did the Doctor forget Clara?
Who is Bill’s puddle girlfriend Heather?
How did Nardole die?
When does Bill get Cyberman-ed and die?
When does the Doctor shrink and enter a Dalek called Rusty?
Whittaker is falling to her death rn
Was that ring relevant?
Does anyone know the Doctor’s name?
When did Yaz talk to Dan about fancying the Doctor?
When did Dan talk to the Doctor about fancying Yaz?
What’s happening with the bees?
What happened with Donna’s ex and a giant spider?
What war wiped out the Daleks, and is it one of the ones already mentioned?
What did the Doctor mean when he said “The (Daleks) always live, while I lose everything?”
If Dalek Caan is the last Dalek left why are there more now?
How did the rest of the Time Lords die?
How and why did Amy melt?
What’s the question that will make silence fall?
Why do the Silents… want silence to fall?
How and why are Silents at war with the Doctor when he… hasn’t even heard of them?
How does Hitler get out of the cupboard?
What’s the significance of fish fingers and custard?
Why does the Doctor feel guilt about Rose, Martha and Donna?
What happened with the space whale?
When does Rory defend Amy for 2000 years?
How does the Doctor survive River
How does he erase himself from history
Did Captain Jack lose his memories to the same people as the Doctor? What did he lose?
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