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#cause if you have a character who has good intentions but goes about the wrong way

abruisedmuse · 3 months

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Yall are delusional if you think Nesta is going to leave Cassian or the night court. First, they are mated. Not just mates. Mated. They accepted the bond, and SJM loves her Heas. It's a done deal. So either keep reading and deal with it or drop the series and find something you enjoy. Not to mention if they even could break the bond, how empty and broken Nesta would be for eternity. You really want that for her?

HOFAS happened three months after acosf. There's still alot of healing on Nesta’s part. Just because she saved Rhys, Feyre, and Nyx doesn't mean things are swept under the rug with them. Her and Cassian are both fiery and stubborn. They are going to have arguments. Honestly, it's perfectly normal for them to argue on occasion.

This. What Nesta did in HOFAS. Went beyond her and Cassian, beyond Rhys. This was a decision that Nesta should not have made herself. Yes I understand that she saw Bryce's desperation and understood her. She probably put herself in Bryces shoes for a moment. She took a chance. But it's a huge fucken chance because they don't know nor trust Bryce fully. And if she failed the whole of Prythian/Midgard is fucked. They have nothing to defend themselves against the weaponry Rigelus has. They will all die. Including Nesta Archeron.

Rhys had every right to scold her. And Her saying he's not her High Lord isn't accurate. She lives in his lands. Whether she wants to admit it or not. If any of the courts got wind of what was happening with Bryce or that Nesta gave this mask up to a stranger from another world do you know who would be faulted? Not Nesta. Rhys and Feyre would. They would suffer the consequences because Nesta falls under their lands. Their rule.

And now Cassian, who apparently had never defended Nesta once. Again. Nesta was In. The. Wrong. Her actions were beneficial and understandable but wrong. Cassian being upset and disappointed in her would absolutely make sense. Think of times in TOG, when Rowan wasn't happy with Aelin. He stood there silent until they were alone. That's more than likely what happened. Cassian didn't say his piece until everyone left. It's an argument between Nesta and Cassian and no one else.

That argument. The one that happened off page yet everyone wants to fucking crucify Cassian over cause you think you know what he said. When in reality you don't. Is wild. Three months ago, when she was with Emerie and Gwyn, they were taken and placed in the Blood Rite where he was helpless in going to her. He lost her briefly in the bog, watched her put her life at risk. How many times in acosf? He went a year or so watching Nesta absolutely ruin herself, had her lay over his body in front of Hybern, almost losing her, them, then too. Now, someone, a stranger and someone potentially dangerous, opened a portal in his living room where his mate was. And he wasn't there. All that trauma and ptsd he keeps on lock was blown wide open.

So now Cassian is a storm of emotions when he arrives home. Probably arrived mid argument between Nesta and Rhys, and the entire flight was given brief details of what's happening fueling his emotions. His fear, trauma, concern, disappointment, and anger. When Rhys leaves, Cassian and Nesta got into it. Sure he was pissed about the mask anyone would be. I would be. I personally think it goes on beyond that. Far beyond it. Nesta’s life, once again, was put a risk and no one knew what Bryce wanted. Cassian’s worst fear when the portal was open, was Bryce taking Nesta and never seeing her again. All that came out in their fight.

As readers, we know Bryce's intentions are good. They as characters who haven't been given the best view of Bryce dont believe it. Yes, I do think there needs to be more trust in Nesta. Especially where Rhys is considered. Cassian, as her mate, blowing things out of proportion is logical cause all mates have done it at some point. But yeah he needs to trust her a bit more too. He trusts her more than Rhys does that's for sure.

To play devil's advocate, I could be wrong on Cassian and Nesta and their fight. Absolutely. Im not Sarah. But neither are you who are wishing he dies, and Nesta leaves him over a risk that was never hers to make alone when it involves the whole world of Midgard.

If you read this entire thing and disagree. That's cool. The unfollow and block buttons are right there.

#im so fucking tired of seeing this #leave Cassian alone jfc #until we have confirmation of exactly what went down its all speculation #hofas spoilers #nessian #nesta archeron #cassian #rhysand #feyre archeron #feysand #bryce quinlan #pro cassian #pro nessian #acotar #a court of thorns and roses #crescent city #house of flame and shadow

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piracytheorist · 1 year

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A few notes on trigger discipline, with examples from Spy x Family

One of the first things you learn when learning how to use a gun is that you absolutely do NOT put your finger on the trigger unless you're 100% ready and willing to shoot (and deal with whatever the consequences may be).

Accidental fire is extremely easy to occur. If your finger is touching the trigger, a simple spasm of the hand, a sudden sound or movement in the environment, or jostling from moving can cause the finger to pull the trigger. If you haven't aimed correctly at something that you want to shoot at, you'll very likely shoot something you don't want to shoot, including your own body parts. That's not even counting the fact that you may not properly control the recoil.

So normally, you need to train your discipline so that your first instinct when picking up a gun - especially during a stressful moment - will be for the finger to not go on the trigger until the gun is properly aimed at who/what you want to shoot.

I only trained with air guns some years ago, but discipline was still important; you wrap your hand around the handle with the index finger away from the trigger, make sure you have a good grip on it, raise the gun from the counter, aim, align the sights, and then you put the finger on the trigger and shoot. The one (1) time I accidentally put my finger on it before raising the gun, I shot at the wall while raising it and got a very angry look from my instructor. I was lucky that's all I got.

Since then, I've been noticing trigger discipline in media, and a lot of those get it very wrong.

To his big credit, Tatsuya Endo gets it right.

Twilight's finger is resting parallel to the barrel of the gun, away from the trigger. While this entire pose is more artistic than realistic, it was still important to Endo to portray correct discipline. You don't do that if you don't know about it.

Similarly with Nightfall in the cover of the sixth volume.

Again, artistic, not realistic pose. Still correct discipline.

More examples of artistic depictions with correct discipline:

And then! An action pose!

Twilight has a clear ready-to-shoot pose; he has a target, so finger goes on the trigger. (Normally the gun should be a little higher so he can properly align the sights but he's TwilightTM so I give it a pass)

Even Bondman has good discipline!

Seeing correct discipline in those pictures piques my interest a lot, because it shows that the artist is consciously choosing when he'll show a finger on a trigger, making such a moment more impactful.

Twilight aims his gun right on Edgar's head, his finger on the trigger. Again, you don't put your finger on the trigger unless you're about to shoot. If you're only threatening someone, it should still be off because one single unintentional fire can kill your target when you didn't mean to. Now, I can suspend my disbelief and say Twilight has super duper control over his body to the point of not being jostled or his hand not spasming suddenly because he's TwilightTM. So I instead focus on how serious Twilight was here about killing Edgar. Should Edgar do any movement, he's dead.

Again, it's about the knowledge of trigger discipline itself. When you portray a character not touching the trigger when they don't need to, showing the opposite hits harder.

The Handler prepares the gun ominously, her finger off the trigger.

But when she aims it at the student's head...

She's serious. She's made sure the students heard her prepare the gun, so when she threatens the student, he knows what he's facing despite wearing a blindfold.

Again, in a realistic scenario, in both cases their fingers would rest away from the trigger, because their intention is not to kill their targets unless absolutely necessary. But that might have confused the readers who don't know about trigger discipline, and might have made for less impactful moments. So I give that a pass, especially since Endo is shown to be aware of correct discipline.

The anime is also aware of this.

Twilight is assessing the situation; finger is off the trigger.

The Handler prepares the gun; finger off.

She threatens the student; finger on.

(Of course, there have been moments both in manga and anime with incorrect depictions. But I can let those pass cause I know there's a lot of people involved in creating the art and things can get complicated)

A few more examples, from the Imperial Scholars meeting:

Those are very short moments, but someone drew those stills and intentionally had the guards' index fingers extended and not around the trigger.

As I said above, those examples pique my interest because they are conscious, deliberate choices... and good use of that can make for an impactful scene... say, identity reveal happens, Twilight is aiming his gun at the Thorn Princess, but his finger is off the trigger. He urges himself to put the finger on it, but the damn thing won't move... she also cannot bring herself to stab him even though her dagger is right at his throat, and she notices his hesitation... Endo-sensei I am begging...

(don't spoil me if it happens in the manga, let me live in ignorance)

#Spy x Family #tw: guns #guns tw #sxf meta #500 #1k

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kalims · 8 months

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kiss your best friend | ignihyde

kiss your best friend and see how they react!

parts. one , two , three , four , five , six , seven

characters. idia, ortho

content. gender neutral reader as usual, platonic for the bby, wingman ortho at it again, forgot about this ngl

note. sorry guys idia's part was messy but I mean, I'm just portraying his chaotic feelings ig. I SWEAR ORTHO'S PART MAKES UP FOR IT SINCE HES THE CALMER ONE

damn part six finally hear after almost a year (I'm so sorry help)

idia

is having the fastest inner monolog you will ever hear in your life, if it was being read out loud that is. could be nominated as rapper of the year with how fast he's blurting out thoughts in his mind.

also probably vocals of the year too with how high pitched, and small in range it is. what a versatile king 🔥

'anywaysitooklike10yearstryingtofindthisitemcausetheysaidtheysawitbutohmygodwhatinthethreehellsishappeningOMGaretheykissingmechatamidreamingOMGimnot??WHAT WARAAAAAAAAAAAAAAA'

to make your life easier 'anyways it took like ten years trying to find this item cause they said they saw it but oh my god what in the three hells is happening OMG are they kissing me chat am I dreaming OMG I'm not??? WHAT *incoherent screeching.'

probably has never kissed anyone besides his body pillows which is just one sided making out so completely forgets his 'lessons on teaching himself how to kiss' and freezes up. comically gets goosebumps and remains frozen even after you pull away.

then starts turning red from feet to head??

he has so many questions that he in fact, does NOT want to ask cause even if it cost his life he can't question you if you guys are dating now cause YOU JUST KISSED HIM SO THAT MEANS YOU BOTH UPGRADE LEVELS.

wait he can't call it friendship level. clearly you're both past level 10 now right?? INTIMACY LEVEL???? HE DOESNT KNOW HES PANICKING.

is too awkward to ask and acts even more awkward as the time is more prolong during the time he's just left wondering what the hell you guys are now cause he's too pussy to do anything without confirmation that you're both duos for life now.

ortho

is the one idia rants to about his predicament right after you part ways.

like, idia doesn't even try to call or contact ortho through the means of technology even if it meant getting to talk faster. he's BOLTING to the dorm with his unathletic ass (with breaks in between.) because the tea he was going to spill was that good.

listens intently and goes :O when idia finally mentions the part where you randomly kiss him out of the blue, by the way only getting to the point after idia spills.. umm.. the wrong thing to be honest, literally retold the whole day until that point.

yeahhhh.. he has the energy atleast.

idia is probably telling ortho about how it meant nothing even though you literally outright kissed him, to the cheek, mouth, or something and he's still gonna say it didn't mean anything.

ortho gotta be the one telling idia to make the move cause no idiot would mistake that for nothing (except idia apparently but he'll have everyone know that his brother is a tech genius!!)

they both do one of those scenes in movies where P1 - idia, is talking to you in real life with an earpiece, and P2 - ortho is said person behind the earpiece. basically the one telling idia what he should do because that guy is too lost for his own good.

"brother move closer!"

"... isn't this too close already though--" <- embarrassed and regretting everything

in the end he did manage to get a label on the two of you, no thanks to HIM and all the thanks to ortho <3

note. ortho's part just ended up as an extension of idia's part but I always love to include him in everything :') just some behind the scenes on how idia actually got a relationship (ITS ALL ORTHO)

not pr, who prs anyways cries

#ㅤ◜◡◝ . . signed #twst x reader #twisted wonderland x reader #twisted wonderland #twst #twst fluff #twisted wonderland headcanons #twisted wonderland scenarios #twisted wonderland imagines #idia shroud #idia shroud x reader #ortho shroud #ortho shroud x reader #x gn reader #ignihyde

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immaturityofthomasastruc · 10 months

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IOTA Reviews: Derision

Well, here we are. This is the episode you've all been waiting for me to cover. The one people claim is the cream of the crop when it comes to badness, not just for the insane amount of retcons and cases of character assassination, but for how it retroactively makes one of the most criticized parts of the entire show worse by comparison. If you've seen the episode, you know what I'm talking about.

Let's get into the fourteenth episode of Miraculous Ladybug's fifth season: Derision

We start off with Marinette waking up for the day before getting a call from Adrien, who gives one of the clunkiest pieces of exposition I've ever heard on this show, and that's saying something.

Adrien: I was just going to tell you how excited I am that we're meeting at the swimming pool later, and to wake you up just in case you were still sleeping.

youtube

Just as she hangs up, Marinette's hands start to tremble, having visions of a locker, hinting at some old memories resurfacing. Just to get this out of the way, but one thing I want to give this episode props for is the way these panic attacks are portrayed. The colors change, the environments warp around, and it gives off a very uneasy feeling. It kind of reminds me of this one episode of The Twilight Zone, “Little Girl Lost”, which used similar visuals to depict the otherworldly atmosphere of another dimension.

Marinette meets up with Adrien at the local pool, and has another panic attack. Kim and Ondine seem to notice this.

Kim: Woah, Adrien. That must've been some prank you pulled to make Marinette freak out like that. What did you do to her?

Ondine: It's not funny, Kim! Can't you see Marinette's not okay?

Kim: Oh, come on. She always reacts like that when someone pranks her.

Kim then proceeds to tell Adrien and Ondine (and by extension, the audience) about what he means. I'm going to talk a lot about this, so to make things easier for all of us, I'll give you the short version so you have an idea of what happened.

About a year before the events of “Origins”, we see Chloe was bullying Marinette even more than she did before then, constantly pulling sadistic pranks Megan from Drake & Josh would find to be overkill, while making her late to class. To make things worse, none of her teachers believed her and took Chloe's side all the time, giving her detention on the weekends. Mylene, Rose, and Juleka try to help Marinette, but apparently, Chloe orders them to not talk with her before saying that “she'll be there to make Marinette's life a nightmare”.

The only person with the common sense to help out Marinette is Socqueline, that girl from “Jubiliation”. Socqueline learns that Marinette has a crush on Kim, who is even more of a jerk than he was during the first half of Season 1, and when Marinette thinks about asking him out to the swimming pool after school, Socqueline advises Marinette to be careful. Sabrina tips off Chloe to Marinette's plan, so Chloe goes to give Kim advice to pull a prank on Marinette. At the pool, just as Marinette confesses her feelings to Kim, Kim gives her a box full of spiders, causing her to panic and fall backwards into the pool. Chloe films the thing with the intent to make it go viral, but Socqueline stops her plan before she can upload it. Kim doesn't seem to see what he did was wrong, seeing it as a harmless joke as Socqueline tells him to piss off.

It's here that Marinette determines that if she ever has feelings for a boy ever again, she'll need to be super prepared, explaining how much she knows about Adrien and his schedule in later episodes. Chloe then gets Socqueline expelled from school just a few weeks before the end of the school year. Marinette blames herself for what happened, but Socqueline tells her that sometimes, no matter how dire the odds seem, she needs to muster up the courage to fight the good fight.

Oh, and Marinette was almost akumatized by Monarch again, but it's really just an excuse to keep her away while Kim tells the story.

So... let's talk about this flashback. Clocking in at about ten minutes, almost half of the episode's runtime, this is easily the part everyone (myself included) seems to have problems with, for all kinds of reasons. Let's break down each and everything wrong with this flashback.

#1: The Portrayal of Chloe

Surprisingly, this is the least of my problems. Compared to Kim (who I'll get to later), Chloe is mostly in character with how she's usually portrayed by this point in the series. She's egotistical, she orders Sabrina around, she hates Marinette, and throws her father's name around over and over again like it's a boomerang. My feelings on the wasted opportunities with her character aside, this does make sense seeing how this takes place before Season 1.

But there's the problem. This takes place before Season 1, and Chloe does things she never did in Season 1, or any of the other seasons for that matter. She clearly has the teachers and principal doing what she wants, she can boss the other students around (which I'll also get to later), she pulls sadistic practical jokes on Marinette, and even uses her dad's name to get Socqueline expelled. In the show, she doesn't really do any of this. Sure, she can occasionally use her dad's influence to get what she wants (Lady Wifi, Rogercop, Frightningale, Determination), but it was never to this extent. While she also tried to act like she was better than the rest of her peers, barring Sabrina, nobody ever listened to her or took her seriously. Chloe also tended to focus on bullying Marinette, but she didn't do these kinds of practical jokes. Usually, it was either sabotage (Mr. Pigeon, Despair Bear, Gabriel Agreste) or just general name calling, and she picked on other students too (Dark Cupid, Reflekta, Antibug, Sole Crusher, Penalteam, Deflagration).

The point I'm trying to make is why the hell did Chloe stop acting this way? What caused her to stop being as bad as she is here? I get the whole point of this episode is to show how terrible Chloe is, but you're showing off all her bad moments in a flashback and never considering the other things she's done that would be just as effective. Wasn't the main idea behind Chloe's “damnation arc” that she started to change, but went back on her ways and became worse than before? If that's the case, I have to reiterate, why was she even worse in this flashback?

I also have an issue with making the cause of all of Marinette's trauma because of this prank by Chloe. Yes, the prank was terrible, and trust me this isn't me once again going “GRR! CHLOE STAN ANGRY BECAUSE RICH GIRL IS EVIL IN FLASHBACK!”. It's more along the lines of “Really? We're really doing this?”. While I'm glad that after Chloe's betrayal at the end of Season 3, the show is finally considering the idea of making her more than just comic relief as a villain, it feels like a case of too little, too late.

After so many years of making Chloe out to be harmless unless she screams her daddy's name, now you're treating her like a serious threat who traumatized Marinette for life? Chloe is the cause of Marinette's trauma? This is like if the person who killed Bruce Wayne's parents turned out to be a joke character like Egghead or Crazy Quilt. Just because a serious villain does something important to the story, it doesn't automatically make their prior unfunny antics go away.

But my main gripe with the portrayal of Chloe here is that this flashback fails to do something that still hasn't been done in almost five seasons and eight years: Explain just why Chloe hates Marinette so much. Chloe is unusually cruel here, and doesn't even have a reason to torture Marinette like this. Usually, Marinette gets in the way of what she wants, but here? Marinette doesn't do anything to warrant this level of dedication. You would think for a flashback sequence focusing on her and Marinette's history, they would actually explain why Chloe likes to single out Marinette, but they don't. The writers would rather take time out of the episode to remind the audience of why Chloe is the way she is, and why it isn't acceptable, than clarify what Chloe's deal with Marinette is.

Rose: She’s this way because her mother left her when she was young.

Mylene: So did mine, and you don't see me having fun bullying Marinette.

Gee, I wonder if Astruc himself had a part in writing that exchange or not.

If you're willing to acknowledge previous episodes while also discussing how poorly Chloe treats Marinette, it would help if you finally did something to inform the audience about why Chloe likes to torture Marinette in the first place. Did Marinette show Chloe up at a fashion show? Did Marinette impress Chloe's dad one time? Did Marinette just spill coffee on Chloe's shoes? I will take literally anything, no matter how stupid the explanation is, over getting nothing after eight years.

It's also pretty rich that that scene was trying to say that what happened to Chloe doesn't justify her actions when not only do we never get a scene like that pointing out how creepy Marinette obsesing over Adrien was, but later in the episode, Marinette specifically pins all the blame on Chloe in one line.

Marinette: Adrien! I know what's wrong with me! It's not my fault, and it's not your fault, either! It's all Chloe's fault!

So remember kids, just because bad things happen to you, it doesn't excuse your unflattering actions... except when it does, and in that case, it's all the fault of the person who wronged you in the first place.

#2: The Portrayal of Kim

I'll admit, I'm not really the biggest fan of Kim as a character. I don't hate him, but it feels like after Season 2, he just became that guy who really loves to swim, where even characters like Max, Marc, and Nathaniel had more depth to them. This episode however? Yeah, I couldn't stand Kim here.

Just like with Chloe, Kim is sort of in character as the same eccentric dude who has a habit of being insensitive and accidentally upsetting people (Animan, Syren), and I need to emphasize the “sort of”. Just like Chloe, this goes against his characterization in Season 1, where he was shown to be a bully like Chloe was (Lady Wifi, Timetagger, Origins) before later episodes made him a nicer person. However, unlike Chloe, the show sort of tries to retcon Kim's rude behavior to be more in line with his Season 5 self by portraying him as more of a bully who simply isn't aware of how harmful his jokes are, but it doesn't work because of how cruel he seems, and he doesn't have the excuse of knowing how terrible he is like Chloe does.

There's also how easily he goes along with Chloe's prank when she literally insults him and Marinette to his face.

Chloe: I heard Marinette asked you to go with her to the swimming pool.

Kim: Yeah, we’re going swimming together. Cool! 'Cause I love to swim!

Chloe: That’s not why she asked you, dummy!

Kim: It's not? Then, what are we going to do? Chloe: She wants to declare her feelings for you! Kim: For me? But why?

Chloe: Probably because she's utterly ridiculous, and so are you, which makes you two perfect for each other!

Kim: Oh? You think so?

There's not being aware of how insensitive of how you are to others, and then there's not being able to comprehend basic insults. Chloe doesn't even try to give Kim a backhanded compliment or secretly insult him (“You really like swimming, don't you? Good thing you can swim better than you do in class.”). She just calls him a dummy, and Kim still falls for her trick. If you want to have Kim fall for Chloe's plan, don't make her so obviously cruel. For God's sake, you're making the class in the Lila episodes look smart by comparison.

And even after retelling the story, Kim still thinks Chloe highly, not only saying how pretty she is right in front of his girlfriend, but he still thinks the joke was the funniest thing ever. After five seasons, Kim of all people should know about how mean Chloe is, given he was literally kidnapped and brainwashed into serving her while she sided with Hawkmoth (Miracle Queen).

The worst part is that Kim has nothing to do with this story at all. You could literally replace him with any other guy, even a nameless background character with no lines, and nothing would change. Hell, I'd argue it'd be even better as having Marinette be embarrassed in front of some rando would highlight the impact it had on her self-esteem when she tries to go after someone of a higher social class. It would also better justify the spider prank if someone else pulled it because “Darkblade” established that Kim was afraid of spiders.

And if you think I'm talking about Kim after this part, believe me, there's more to this schmuck than meets the eye.

#3: The Way Everyone Just... Lets This All Happen

Look, I get what the episode is trying to go for, narratively, and realistically. Sometimes, teachers and other authority figures just don't do their jobs when someone gets bullied. Hell, I was bullied for years by someone who liked to take advantage of my anger issues, and it wasn't until my last year of middle school that the faculty finally decided to do something about it. I also get that this entire flashback wouldn't happen if the teachers realized how cruel Chloe was and got her expelled. What I don't get is how the flashback portrays anyone who was there as unwilling to do anything to help.

First off, Marinette claims that the reason none of the teachers believed her was because they're all too afraid to stand up to Chloe, since she can call her dad and cost them their jobs, but that's far from the truth. The only time we see anyone actually being afraid of Chloe was when Mr. Damocles went back on refusing to expel Socqueline before Chloe threatened to call her dad and get him fired. Other than that, while we only see Ms. Mendeleiev and Mr. Damocles in this flashback, neither of them really show any signs of being afraid of Chloe. They just go along with what she says, and they don't even try to take Marinette's side. Just like Kim, this would be more understandable if these were different characters who were never shown to be this cruel to Marinette in earlier episodes.

Second, while I can sort of buy the teachers not caring about Marinette, the fact that her classmates don't do anything is another story. We saw Mylene, Rose, and Juleka trying to help Marinette, but right after they talk to her, Chloe just orders them to go away, and it's never explained why. Marinette said the teachers were afraid of Chloe, but does that mean the students are too? Again, later episodes would establish nobody takes Chloe seriously as a bully, so this part of the flashback makes no sense. What changed to make them stop being afraid of Chloe anyway? Once again, if these were a bunch of nameless characters who were more apathetic to Marinette's situation, that would make sense, retroactively showing how much Marinette's friends care for her. Instead, it's like that scene in RWBY where the main characters watch a student being bullied by a racist classmate, and all they do is say “Wow, racism really sucks, huh? Anyway, not our problem.”

Third, you're telling me that Marinette came up with multiple excuses not to go to school even with a few weeks left in the year, and Marinette's parents didn't see anything weird about it? They didn't think that something must be making Marinette want to do anything but go to school? I don't think they were even informed about the situation at school, unless you want to be generous and say they knew Marinette got detention. You can't even make the excuse that it would work if these were different characters, but these are Marinette's parents. You know, the same characters the show portrays as loving and affectionate to their daughter? You're telling me they didn't even think to look into the situation, much less talk to Marinette about school?

The problem with all the other characters in this flashback is in order to make what happens possible, they have to be as apathetic as possible. There's being unaware of a situation or being too afraid to stand up (which is unfortunately something that happens when people bullied sometimes), and then there's just not caring about the bully victim at all. It's ironic how even though a big part of the flashback was to show how awful Chloe was, it unintentionally make everyone else in Marinette's life seem just as cruel to let her suffer like that.

But I know what you're thinking. “What about Socqueline? She was there to help Marinette, so why didn't you mention her?” Well...

#4: Where the Hell Has Socqueline Been All This Time?

Like I mentioned in my “Jubilation” review, Socqueline is yet another unnecessary addition to the already overcrowded cast of characters in this show, and it seemed like this episode was meant to justify her inclusion, but it only raised more questions.

Just to remind you, this flashback establishes that Marinette was constantly bullied by Chloe until a nice girl in glasses stood up for her, and inspired Marinette to be more confident.

SOUND FAMILIAR?

Yeah, this flashback is pretty much the same as Marinette's arc in “Origins” was, only with Socqueline in Alya's place. We get it, writers, Season 1 was good. Constantly repeating stuff like what happened in “Mr. Pigeon 72” isn't going to win you any favors.

This really highlights how pointless of a character Socqueline is, as despite supposedly being a really important person in Marinette's life, Marinette herself never thought to tell anyone about her, and judging from how Marinette described her to Tikki in “Jubilation”, I don't think she even stayed in contact with Socqueline after she was expelled. It's not like left Paris afterwards. All we know is that she went to another school and got a job at a local arts and crafts store, so why did Marinette just stop talking with her? Even with Felix and Zoe, they had the excuse of being in different countries, but you can't say that with Socqueline.

Also, this was something I just realized, but if Mr. Damocles got her expelled, why the hell did Socqueline treat him like he was any other customer at her job, much less compliment him as a principal?

#5: The Handling of Trauma in General, and How This Impacts Marinette as a Character

Like pretty much every other serious issue it tries to tackle, Miraculous Ladybug has always had a poor understanding of mental health. When it comes to portraying characters who struggle with some form of grief of trauma, like Adrien, Felix, Chloe, Zoe, and even Marinette, the responses usually amount to some variation of “Grow a pair and get over it, you big baby!”.

With Felix, Chloe, and Marinette, even if their actions are partially motivated as a response to either losing a loved one, trying to emulate their neglectful parent, or as a defense mechanism to avoid repeating an already traumatic experience, they're all proven to be in the wrong, and it's not to teach a lesson about alternative coping mechanisms or support systems. The show just says that they're automatically wrong for what they do, what causes them to act the way they do is never acknowledged, and instead, we're supposed to just act like they're being jerks for no reason. Compare this to Adrien and Zoe, who both had rough lives losing their mother at a young age or living with an abusive mother respectively, and rather than go into detail how it affected them or how they managed to become decent human beings in spite of it, the show just says that they're nice people, so people like Felix, Chloe, and Marinette have no reason to be mean to others.

This is honestly why I feel like this episode's depiction of mental health and dealing with trauma falls flat. In case you didn't know, I asked my followers who had to deal with some form of trauma to share their experiences and how it compared to what Marinette went through in the episode. For the most part, the common consensus seems to be that while the symptoms of Marinette's trauma and her reactions to it are very believable, a lot of it is contradicted by previous episodes, and it seems like it was only there to do a story about dealing with trauma.

So many episodes across Seasons 1 through 4 show Marinette dealing with Kim and Chloe without really any issue, and she showed no problem with starting relationships with Luka and Cat Noir, to say nothing about Nathaniel's brief crush on her in “The Evillustrator”. If Marinette was so traumatized by this prank, why did she want to go swimming in episodes like “Gorizilla” and “Mr. Pigeon 72”? Why did she bother to help Kim confess to Chloe in “Dark Cupid”? Why did she team up with Chloe to sabotage Kagami in “Animaestro”? Why did she suggest Chloe could change for the better throughout Seasons 2 and 3? Why did she continue to let Chloe and Kim use the Bee and Monkey Miraculous respectively, even after they got them from outside sources? This flashback is desperately trying to tie previous events of the series together together, but it only works if you ignore all the times Marinette has interacted with Kim and Chloe without having a panic attack.

Then there's how the flashback tries to connect this to Marinette memorizing all of Adrien's schedule to make sure he won't hurt her, an obvious attempt to rebuff one of the biggest criticisms of her as a character. Here's why it doesn't work.

First off, the setup doesn't work because while Marinette vows to do a better job getting to know the next person she falls in love with and how, in her words mind you, “He isn't friends with Chloe”. Putting aside the kindness he's shown her in “Origins”, she kind of failed to really consider her choice to pursue him if he stayed friends with Chloe if we're going to believe Chloe traumatized Marinette so much.

It also doesn't really explain the more predatory actions Marinette has taken whenever another girl tries to get close to Adrien (The Bubbler, Volpina, Animaestro, Oni-Chan, Heart Hunter), or how she tries to rig up situations to get closer to him (The Gamer, Gigantitan, Backwarder, Party Crasher, Felix, Psycomedian, Glaciator 2, Simpleman). And that's not even getting into how obsessive she is with him in other areas, like repeatedly playing a commercial he was in (Gorizilla), making a bunch of presents for him in advance (Christmaster), trying to kiss a wax statue of him (The Puppeteer 2), sniffing his pillow (Cat Blanc), or all the other times she's creepily obsessed over him.

But of course, you've probably noticed that I've forgotten to mention one key thing about what this flashback means: You know how Marinette tends to act nervously and stumbles a lot around Adrien when she isn't meticulously documenting his schedule? Yeah, they were essentially panic attacks brought on by her PTSD, and the episode tries to act like Kim did to her wasn't funny afterwards. Here's the problem with this.

YOU MADE MARINETTE'S TRAUMA YOUR PRIMARY SOURCE OF COMEDY FOR THE PAST FIVE FUCKING SEASONS!

You do NOT have the right to act like what happened to Marinette was bad when you were constantly playing her anxiety up for laughs for almost EIGHT YEARS at this point!

In addition to all the other examples I mentioned, we had episodes like “Psycomedian”, which confirmed that the same behavior that this episode is trying to say is connected to her trauma was hilarious to Adrien, as well as “Backwarder”, which thrived on playing up Marinette's anxiety towards Adrien and was said to be one of the funniest episodes of the show to work on by Astruc himself.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES

#6: Why This Flashback Is Ultimately Pointless

But above all, the biggest problem I have with this flashback is because of how pointless it is. It's trying to better go into detail about why Marinette acts the way she does around Adrien, but did we really need to do that?

This flashback doesn't really reveal anything that we didn't know already. We know Marinette was bullied by Chloe, we know she was a lot more meek and needed others to stand up for her, and we definitely know that we're not supposed to like Chloe. Adding to my earlier point, if we actually got more insight into the origin of Chloe's obsession with Marinette, that would have at least made this flashback important to watch, but once again, despite being a flashback episode, we learn nothing about the characters that we don't already know.

But this flashback is also meant to explain why Marinette is so hesitant to embrace her new relationship with Adrien when we already got a reason for that last season. The first half of the season has made a big deal about how much her feelings for Adrien cost her the Miraculous, so why not focus on that? This flashback just feels like it's here to give more Marinette angst instead of focusing on the things they've already established. And that's not even getting into what she saw during “Cat Blanc”.

Why couldn't we just have a story about Marinette's own insecurities causing her to doubt she can make her relationship with Adrien work, seeing how poorly things ended with Luka? Have her worry that something could go wrong as a result of her need to overcompensate, or worry that Adrien could betray her. That way, you could have Adrien supporting Marinette in a way that reflects their partnership as Cat Noir and Ladybug respectively.

But no. Instead we have this flashback that's taken me about ten pages to fully dissect. And the worst part is that I still have the rest of the episode to talk about. God help me...

So after Adrien and Ondine explain how this prank could have done a lot of damage to Marinette's psyche, Kim decides to find Marinette, and apologize for being so—Ah, I'm just messing with you guys. After all, that would actually make Kim likable. So what does he say instead?

Kim: Come on! Loosen up, you guys! It's like you can't even speak your mind these days.

Ondine: That doesn't give you permission to hurt other people!

Kim: Whatever! I'm the way I am and I'm fine that way! It's not my fault you guys have no sense of humor!

Yep, rather than having Kim realize the error of his ways and maybe be akumatized out of guilt, Kim just whines about how everyone else is just a humorless pansy these days. The writers pretty much made Kim's motivation boil down to “It's just a prank, bro!”. Even Monarch seems to go along with this, as he refers to Kim as “A free spirit feeling unjustly rejected”, when this was right after he called Chloe the prettiest girl in front of his own girlfriend's face. So Monarch sends his Akuma to Kim's goggles, akumatizing him into Dark Humor. Yes, that's really the name they're going with.

Dark Humor is a pretty forgettable recolor of Dark Cupid. Other than inverting the red and black color scheme and giving him a targeting scope on his right eye, there's not much else to say other than the incredibly on the nose name they gave him. His powers are sort of like Dark Cupid's, only now, instead of turning people heartless, they now share his soulless brand of “humor”. At least, I think it is. His Alliance power is the Monkey Miraculous's Uproar, but it's not really clarified if he's only using Uproar arrows or not, judging from the use of the rubber ducky that we've seen King Monkey use before.

Marinette and Adrien transform into Ladybug and Cat Noir respectively, but once they meet up, we get the most controversial part of the episode that isn't connected to the flashback scene: Cat Noir gives Dark Humor the beatdown of his life and is about to Cataclysm him, for pulling a bad prank on Marinette a year ago. Yeah, a lot of people have pointed out that Adrien felt a lot of remorse for Cataclysming Monarch earlier in this season, yet here, Cat Noir looks like someone told him that Kim just shot the Pope. For God's sake, writers, you're five seasons in! How hard is it to determine whether or not you want your hero to be okay with killing people or not?

And of course, this bites him in the ass, as Dark Humor stabs Cat Noir with an arrow, not only changing his Cataclysm into something that creates a bunch of balls from his hand, but also making him just as insane as the rest of Dark Humor's victims. You know, I'm this close to starting a “Remember Season 1” counter, because this is just glorified fanservice.

Ladybug tries to summon her Lucky Charm, but is stopped by Dark Humor, so Ladybug transforms back into Marinette, transforms into Ladybug again, and summons her Lucky Charm for real this time, getting... a toilet. Of course, the only way to combat Dark Humor's bad jokes is by using even worse jokes! Genius! Ladybug places the toilet over Dark Humor's head and breaks it along with the goggles, freeing the Akuma.

Ladybug de-evilizes the Akuma, uses Miraculous Ladybug to fix the damage, gives Kim a useless Magical Charm, and Cat Noir apologizes for murdering Kim by saying his emotions got the better of him, which is like saying OJ Simpson and his wife had a minor disagreement.

Kim apologizes to Marinette for traumatizing her, and I guess that's enough for Ondine to forgive him for saying another girl is prettier than her.

After Marinette sort of explains what happened to Adrien, he goes over to tell Chloe to apologize, and we get... this scene.

Adrien: I know about everything that you did to Marinette last year, Chloe. You're going to go and apologize to her and prove to everyone that you can change. I'm sure she'll forgive you.

Chloe: (laughs) Forgive me? What do I care about her forgiveness? I couldn't care less about Dupain-Cheng's feelings! She and the likes of her only exist to suffer for my entertainment. Why bother having power if you can’t use it against those who don’t have any? You’re the one who’s getting things wrong, with your baker girl! You’re a prince! You belong with me, the princess! You’re in this world to shine! To make fun of all the losers who are only good enough to be used as doormats!

Adrien: You're nothing like a princess, Chloe. I supported you. I gave you multiple chances to become a better person. Everyone reached out to you, including Ladybug and Cat Noir when they gave you the Miraculous of the Bee again. But all you ever think about is yourself.

Chloe: And what else IS there to think about? Losers and nobodies? The little bees? The planet?

Adrien: We will never be friends again, Chloe. You and I are done.

Chloe: Traitor.

Okay, first off, “She and the likes of her only exist to suffer for my entertainment.”? That's the line you're going with? She sounds like a dark lord in an RPG game. How is this the closest thing we ever get to an explanation to why Chloe hates Marinette so much?

Second, ignoring the fact that we already had Chloe end her friendship with Adrien last season (Queen Banana), it's pretty weird that this is the breaking point in their friendship. Adrien doesn't mention all the other times she's bullied people or when she sided with Hawkmoth even when he brought up her time as Queen Bee. He saw her being mean to so many people over five seasons, yet only when he learns Chloe did something to his girlfriend that he decides to finally confront her. If we at least got a line where Adrien acknowledged that he essentially enabled Chloe for so long by thinking she could change, that would have at least sort of worked. Instead, he makes it about how she refused to change herself. Dude, you had the chance to stand up to her for years, and you even did so in one episode before you went back on it (Despair Bear). You have nobody to blame but yourself.

Finally, Chloe is pretty out of character here. She's way too calm about ending her friendship with Adrien compared to what happened in “Despair Bear” and “Queen Banana”. You'd think if the writers wanted this to be a big moment of catharsis for the audience, Chloe would at least beg Adrien to stay a little. But no, Chloe brushes it off when it could easily justify her getting worse in later episodes, and even Adrien doesn't even consider how much he thought Chloe's friendship meant to him. Because these writers are dedicated to making sure that any identifiable trait Chloe once had is removed so you have no choice but to hate her.

But hey, at least the episode's over. What did I think of it?

youtube

Yeah, it wasn't very good.

I just... what else do you even want me to say here? I spent about ten pages going over why the flashback sequence doesn't work, I've already ranted about Cat Noir trying to kill someone with his Cataclysm in previous episodes (Hack-San, Jubilation), and I think you all know what my feelings on the portrayal of Chloe and Kim are.

I guess I can answer one question you may have: Is this episode worse than either “Penalteam” or “Queen Banana”? Eh, not really. Let me explain.

The problems with “Queen Banana” and “Penalteam” went beyond the treatment of Chloe with the way the stories were handled, with “Queen Banana” being a cheap jab at critics and TV executives while propping up their new character Zoe, and “Penalteam” being an excuse to have a soccer episode while making Cat Noir look like a buffoon right before the finale. Most of the problems with this episode have more to do with how they affect the way we see previous episodes, and why some scenes that were already unfunny are even less funny now.

With this episode, you can at least tell there was some effort being made to tell a more serious story here that went into what made Marinette tick. Yeah, it and the themes of mental health and trauma were handled about as gracefully as a ballet dancer trying to get a bear trap off their leg, but there's at least an attempt here.

Of course, this episode is still awful. The conflict with Kim not getting how much of a jerk he was after a year was dumb (as was him being even more of a jerk as Dark Humor), the fact that Marinette's trauma seemed to come and go when the plot needed it to really showed off how forced it is, and it only ends with you having more questions about Marinette and Chloe's rivalry rather than answering them.

While I'm still not a fan of this episode, and would still place it in my top five least favorites, I don't think it's the absolute worst. Although it's still the worst one so far this season from a technical standpoint.

THE BIGGEST IDIOT OF THE EPISODE IS...KIM

It says a lot when Cat Noir actually tried to murder someone in this episode, yet not only is he not even considered for the award this episode, the person he tried to kill ends up being the bigger idiot. Not only did he easily fall for Chloe's plan when she insulted him to his face, he failed to understand how it affected Marinette for a year, and when he was told about how bad it was, he refused to take responsibility for his actions, blamed it on other people not being able to take a joke, and only gave the smallest apology after he was almost killed for his attitude. It's honestly funny how he somehow comes across as more unlikable than Chloe, the character this episode was made to make you hate even more.

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hms-no-fun · 7 months

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What's your opinion on the new HS^2 update? I'm really excited it's back but I'm a little worried. Like, the fandom has had a real problem with pretending all the horrible shit that caused it to end in the first place never happened. Is this just gonna sweep that under the rug even more? Is James Roach heading the project because he's less "problematic"? I love James roach and I'm sure he'll do great but what about all the transphobia? I just hope they finally fulfill the Toblerone Prophesy and make June Egbert cannon.

short version is, i'm cautiously optimistic! but this is a loaded question you've given me on a lot of fronts, so i'm gonna try to take it piece by piece.

to start with, the sudden revival of Homestuck^2 (now minus the squared) took me by surprise because to my knowledge, it was entirely dead in the water. my involvement with anything Official ended at Pesterquest, and pretty much the entire post-canon crew i was friends with in 2019-20 has moved on to greener pastures. i share a similar sentiment with @pochapal in that i would have put money on hs2 staying dead forever. i have, quite frankly, dreaded the inevitable day when official Homestuck media would resume production, because the fandom at large seems quite eager to sweep the ceaseless harassment and transphobia that ended hs2 under the rug and pretend that it just, like you said... never happened. when that california cafe used older Pesterquest-like character designs that omitted short chubby Terezi and black-coded Roxy, however well-intentioned and ultimately harmless that was, it felt like a sign of things to come. that, as you fear, the sharper & more personal queerness that we tried to bring to this series would be erased, in favor of something meant to simultaneously appease both tenderqueers and redditors, two sects of the fandom most responsible for the aforementioned harassment.

luckily, that really doesn't seem to be the case!

to your worry that James Roach was made director because he's "less problematic," i'll just say that's entirely the wrong way to look at it. it's not like WP (such that it even still exists) were cruising to get HS2 back up and running. by all accounts, James is the only reason it's happening again in the first place. i can't stress enough just how small an operation this Homestuck business actually is (or, at least, was when i was involved). this is not a Huge Corporation making cynical cash grab decisions. this is someone who cares about the material pushing to get something made where otherwise there would be nothing. check the new About page, where the principles of the so-called Homestuck Independent Creative Union are laid out in plain terms. this is something the original hs2 team fought for, so for this new version to start from there as square one is huge and a good sign of the possible longevity of the project.

next, let's talk about the question of this new team erasing the legacy of the old one. Kate Mitchell is on the record that she was reached out to about this new hs2, approved it, and declined to be involved. i don't know if the other writers were reached out to, but i have no reason to believe they weren't. this is a tremendously important gesture of good faith and goes a long way towards easing some of these worries.

but let's look at the composition of the team itself. do you remember The Perfectly Generic Podcast? originally hosted by future hs2 writer Kate, pgen became a flashpoint for community discourse, often opening doors between official homestuck and homestuck fandom. what made that show special was that, rather than relying on the imo tired genre of the liveread, pgen focused on a different topic each episode and explored it with one or two qualified guests. Kate's goal with the show was to encourage a more adult and quasi-academic discussion of homestuck, of its successes and its failures. if you weren't there, the weight i'm putting on pgen might seem overblown (not least because you can't find it anywhere anymore except on the internet archive). but it's not! when they decisively criticized the wild contents of the Skaianet debacle in episode 19, Andrew listened and worked to bring a more diverse group of creators into the fold. in the months after the Epilogues were released, Andrew issued a statement through pgen on episode 52 about how the Epilogues are meant to create bridges and offramps for the post-canon fandom. it's an essential piece for understanding the epilogues and their relationship to fanworks! that it wasn't included as the author's introduction to the Epilogues in the book version remains to my mind an astonishing oversight, but whatever. point is, pgen mattered to the folks in charge.

so let's look again at the writing staff of this new crew. James Roach first guested on pgen in episode 7, and would go on to be a regular. Haven, who did the Vriska and Roxy sprites in Pesterquest (and probably more stuff i don't remember), guested in episodes 81 and 87. Miles guested on episode 87 as well (unless it's a different Miles, i'm not familiar with their work and ugh this damnable linkrot). Floral, creator of one of my favorite hs fanworks & huge godfeels influence Liminal Space, first guested on pgen in episode 47, and would go on to be a regular (including once during my tenure as host to talk about Jade). on the technical staff side, Kohi built the hs2 website and has remained a backend mainstay both on the WP side and on Vast Error.

all of which is to say, if you were looking for a crew to cynically erase the past and appease the haters, these probably aren't the folks that'd be at the top of your list. of course, if you *really* wanted to cynically erase the past and appease the haters, you wouldn't bother reviving hs2 in the first place!

and that's the crux of the matter here. what cash is there to grab? what clout could possibly be chased? i struggle to think of a decision less obviously profitable and popular than continuing hs2 with a new crew right where it left off. i have to believe this is happening because the people involved want to make it.

so, yeah, i'm cautiously optimistic. i like this crew, i like the contents of the first upd8, and i'm glad as hell it's not a reboot! i'm grateful that by reviving hs2, the hs:bc crew have instantly yanked the epilogues & the post-canon project back into relevance in the broader community. and i always liked hs2 a lot! i was excited to see where they were going! i'm really looking forward to seeing more YIFFY!!!!!

but the thing is, this won't be the hs2 i wanted. i know that, and i'm not expecting it. my greatest hope for hs:bc, for this crew, is that they get the chance to take up the reins and drive this thing in whatever direction they feel most passionate about. if that winds up looking like the hs2 that was originally planned, great-- but more than anything, i want everyone on this team to feel just as empowered to leave a profound and personal mark on this series as the original team did, as i did working on Pesterquest. i hope the outline changes! i hope they take some really wild swings! i want to be surprised!! i want to be challenged!!!

above all, i want them to have the chance to pick a course, sail it, and see it through to the end regardless of what the public thinks. they deserve the chance that the original crew didn't get.

i have plenty of bitterness and cynicism in my heart over the events and circumstances of 2019-20, but as far as i'm concerned it has no place here today. i would never, ever wish the trauma and stress of that era on anyone. let the fandom at large react in whatever way it will, but i want things to be different this time. this is a second chance-- not just for hs2/hs:bc, but for all of us. even people who hate homestuck post-canon! this is an opportunity for everyone to choose to be better this time, and to push back when others might squander that opportunity. this team is not a group of celebrities, not an abstract fiction on the other side of the world, they are human beings who took a job. they've earned the opportunity to do that job, and they deserve to be treated with the respect and dignity that was so often absent a few years ago.

as to your last point, about june egbert and the toblerone. i've been saying for years that andrew's confirmation of june was less "the granting of a wish" than it was "a spoiler shared without input from the creative team." that there is any doubt about june's providence in hs2 can only be attributed to willful, aggressive ignorance on the part of people who refuse to engage with the written word in any way other than plodding literalism. the original team didn't unveil june ~immediately~ because they didn't think of june as a wish, they thought of her as a character in an ongoing story who needed time to develop naturally. i have never not felt entirely crazy about how thick everyone has been about this!

but will the new team make june canon? obviously i have no way of knowing for sure, but i'm gonna go out on a limb and say that probably the answer is "yes, when they're good and goddamned ready." just, please, for the love of god, don't go after every upd8 like "where's june? where's june? why hasn't june yet????" this was one of the worst results of the toblerone spoiler and it put INSANE pressure on the hs2 team. so just... just let this story be what it is. let this new team make the homestuck continuation they want to make.

and in the meantime, if you're really hungry for june... there's always godfeels :)

#homestuck #homestuck 2 #hs2 #homestuck beyond canon #hsbc #upd8 #pgen #homestuck renaissance #sarahposts #what pumpkin #hom3stuck

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twitteringthings · 1 month

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Fresh Thoughts Chapter 57

After reading spoilers on twitter (no spoilers here though^^)

The way Yoneda uses bl stereotypes as a tool while also rejecting some aspects of the genre is so interesting to read. In most bl I've read, sex is seen as the epitome of love - the culmination of two characters' pining and is seen as the end goal that suddenly fixes everything. The dick and brain are one and suddenly everything magically makes sense. But in Saezuru, Yoneda uses sex to unravel the characters while twisting them up even more-so. I believe that sex has never been and will never be the answer for Doumeki or Yashiro, and I think that is what she’s getting at. That is the point of all these sexual encounters that yield no real progress. You need more than three words and some head, ding dongs!

Doumeki thinks that all he has to do is give Yashiro passionate and gentle sex to make him realize that he loves him and imo he has it all wrong. It’s almost like Doumeki doesn’t truly hear Yashiro when he speaks. There's a pause and then a kiss or a continuing of sex as we've seen. I really wish he would’ve probed even further with the questioning instead of giving into desire and kissing Y. To me, it looked like Y was ready to talk more or hear what Doumeki had to say in response to his ‘confession.’

I don’t think D realizes that this is about Y and his view of himself. It doesn’t matter if Doumeki treats him kindly and calls him beautiful. Every person in Yashiro’s life has had an agenda against him or a plan to use him for something (nana excluded). There are always, always strings attached and his heart cannot accept anyone having no intention at all, except to love him purely. I do think D is on the right track though, making Yashiro chase him in a way. Not giving anything away as to make Y either trust his intentions or distrust him, Y needs to choose for himself.

It’s so interesting how the relationship between the two of them is outwardly focused on the physical aspect (which is definitely important), but the story is about the hearts of men. Twisted and broken men. Men with baggage and secrets and deep wounds. Men who seem to be the upmost composed but in reality, the soft touch of a feather can send their entire fortress crashing down. That's what we have here.

Yashiro’s coping mechanism protects him but is also the cause of his continuous pain. Saezuru is about choosing the right pain, the pain that will numb you and have you walk through life as a ghost, or the excruciating discomfort in accepting a foreign act of kindness that you know will save you. And for Yashiro, being saved means there was something wrong done to him in the first place - which I don't think he completely realizes yet. This would mean everything he ever told himself was a lie, and that he deserved none of the cruelty. The truth that would destroy him the most if he truly chose and accepted kindness, is that he is a good person and that he deserves to love himself and to be loved. With Doumeki, this has always been Yashiro’s battle.

Vile actions accompanied by cursed words are what has held Y back all his life from the moment he was raped by his stepfather and throughout the continued abuse, even up to the most recent events post-timeskip. And I think the exact opposite is needed from both sides to finally free both of them from their mental prisons. They just need to hold out and to talk to each other for more than five minutes. I hope they'll get there soon.

Lastly, I'm sure it wasn't her intention to make such an impactful story that subverts a genre and goes against the grain - in a wonderful way. I saw something another person posted that said this story and these characters are just a result of good storytelling and great care and I could not agree more.

I haven't posted anything of actual substance in a while (stupid work is stopping me from my true passion - alas!). These are some messy thoughts; I can't wait to read the actual chapter for true understanding! I need to analyze every pen stroke, blush, and body placement. I just had to get this out of my head, now back to my essay that's due at 11:59 *sobs*

Edit 1:55 am: Still have not started essay

#saezuru tori wa habatakanai #twittering birds never fly #doumeki x yashiro #yoneda kou #saezuru spoilers #saezuru fandom #messy thoughts #twitteringthings rambles

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bo0tleg · 5 days

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Despite being head over heels in love with Ice and Mav's dynamic in the original Top Gun, the same dynamic in Top Gun Maverick with Rooster and Hangman never worked for me. This is my attempt at voicing why:

DISCLAIMER: This was not created with the intention to offend anybody who ships Hangster/Sereshaw. It is simply my understanding of their relationship, and why it doesn't appeal to me. Opinions are like the butthole, everybody has their own. By all means, continue shipping them if you want to, this is only for fun.

Hangman and Rooster's entire relationship is based on resentment.

Unlike Mav and Ice, they have history. There's something from the past that lingers in all of their interactions, poisoning all of their words and actions.

Hangman is frustrated with Rooster, all the time. Of course, he banters with everyone, Phoenix about her gender, Bob about his callsign, but those are more 5th Grader Playground insults than anything. It's different with Rooster, and not in a good way.

When it comes to Rooster, Hangman goes straight to insult his character. He doubts his judgement, insults his way of being and flying, prods about how he needs to change if he wants to fly the mission.

With Ice, he was criticizing Maverick, not insulting him. Hangman is both criticizing AND insulting Rooster because he perceives him in a less that ideal light.

Hangman doesn't understand why Rooster flies the way that he does, and doesn't try to either. He just sees it as wrong and doesn't think twice about it. He goes straight to insulting him because he thinks that it's wrong, and that it's something about Rooster that needs to be fixed.

And Rooster is constantly exasperated because of it. Hangman prods, and jabs, and insults Rooster, but it never works. The more Hangman pokes, the more Rooster closes up, frustrated. He gets angry, pissed and becomes much LESS inclined to listen to anything Hangman is saying.

Rooster doesn't work well under pressure. And that's the only way Hangman operates.

Throughout the movie, Rooster doesn't listen to Hangman once. He might've been right about Rooster being too slow, but it only fell on deaf ears (not to say that he was right to bring up Goose's death, he was defo wrong about that one). All it causes is strife, to the point where Rooster almost punches Hangman because of how infuriating he was to him.

The entire movie, Hangman provoked Rooster to get him to stop being the way he is, because he sees it as a flaw of character. And it doesn't work.

Rooster only drops his need for playing it safe when Maverick tells him to 'Not think, just do'. Because Mav only gave him a push in the right direction, not throw in his face all of his flaws.

(Side note: This is also the reason Rooster doesn't listen to Mav in their argument, because he thinks Maverick was insulting his way of being by saying he wasn't ready. On the mission, by selecting Rooster as his wingman, he recognizes that he is ready, and that he trusts him with his life. Making him more inclined to listen to Mav once in the canyon.)

A relationship where one person is constantly frustrated by the other and the other is constantly exasperated by the former doesn't work.

Because that's how they are, and that's how they function, and it isn't going to change.

Rooster isn't going to stop frustrating Hangman because that's how he works, and Hangman isn't going to stop making Rooster exasperated because he doesn't know how else to voice his feelings.

I can see where the ship comes from, because obviously. Their homoerotic tension could be seen from space. I totally believe that they might have had a fling in the past that ended badly, and that they possibly could have hooked up at some point in the movie in the 'Hate Sex' vein of things. I just don't think it'd be anything beyond that.

They wouldn't work in the long haul, is what I'm trying to say.

They're too similar, and too different at the same time.

They're both hothead stubborn motherfuckers that couldn't come to an agreement if they tried.

And you might show me the scene where Hangman is happy about Dagger 2 hitting the target, and him being absolutely devastated when the same hornet is shot down. I recognize it, it demonstrates care. Hangman cares.

Thing is, that doesn't change anything that I said prior to that.

It's possible to resent, despise, be bitter towards and irritated by someone and still care about them. It's possible to hate them and still care. Hate them, and feel like you don't hate them all the time. Human emotion is a funny thing like that, nothing is ever black and white, always varying shades of gray.

Just because they hate each other (and yes, that is the reading I have on them, doesn't stop them from being horny fuckers about each other tho) doesn't mean they want the other dead.

I believe it's similar to the sentiment of "I hope you get everything you ever wished for, and that I never hear a word about it". Similar, but not the same, in a way I do not know how to describe. Thus, I used that to give the same vibe.

I can't see any future for them, in any shape or form. They hold too many grudges against each other, and both of them have a tendency of holding on to old (bad) feelings far too strongly. Even if they work through whatever problems they have now, new ones would emerge and they would go through the same process again and again and again.

That isn't healthy nor stable. It's not what either of them should strive for in a relationship. With that, I'd probably say that both of them need stable people that hold logic to high regard, and that are easy going (I say that in general terms, with no one specific in mind for either of them).

All that being said, this is my opinion. This is how I view them, and understand their relationship. They don't work for me because I see no logical way they could.

If they work for you, that's great! Enjoy the air gays 2.0 to your hearts contentment, I'm happy for you.

This was just a fun analysis of my vision, with no intention to diminish anyone who might enjoy them.

#top gun #top gun maverick #tg:m #jake seresin #jake hangman seresin #top gun hangman #bradley bradshaw #bradley rooster bradshaw #rooster top gun #rooster x hangman #sereshaw #hangster #icemav #only a lil mentioned icemav #idk if i should tag any of the ship names #im scared to post this #Im probably gonna get roasted for this #But oh well

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mintacle · 8 months

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My hot take is that the same people who call Jason copaganda, pr-gunviolence or etc are from the same vein as people who blame schoolshootings on videogame violence, who blamed crime on Metal and satanism.

Instead of taking a critical look at a system within which a symptom of a problem is making itself known, you look if there is an outside influence, a kind of "virus" that you can blame for making it "sick".

DC comics are a little fucked up. That's the agreement you entered when reading them. All characters are inconsistent and sometimes in the wrong. Jason is a Bat, so at least it feels like he's maybe substantial enough to blame for the whole batclans issues, in a way that Helena Bertinelli (for example) can't be, because she is less closely tied and has less appearances. Congratulations, you have an identified patient! Jason is the problem that is rippling out and causing all these nasty and unsatisfied feelings the readers have about how crime is handled in these comics.

We see crime being fought in imperfect ways and our current cultural consciousness goes off with warning bells to identify the problem. But what you were taught was to identify what outside influence happens to be present and connecting the issue, and how to justify that all evil stems from this malignant influence. So surely if we could just remove this bad thing, we could go back to the wonderful world we knew where everything was ok.

That world never existed. The thing we are nostalgic for, is the world before we became aware of it's flaws. The problem has always been there, has always been an integrated part of this whole you used to love and admire.

But because the kind of people blaming Jason for "copaganda" do genuinely and truly come from a good place of wanting social justice (I'm saying you are good people. I disagree and think you are making a logical error, but we do care about and want the same thing. Good People) because you come here with the right intentions, you use the buzzwords of copaganda. Or gunviolence. You know from what you have heard that the issue is systematic, but you are struggling to find what that system equivalent is in DC comics. You are falling victim to the fallacy of assuming a main narrative perspective. Just as irl cops are hard to identify as the problem bc you might have to first struggle through the cognitive dissonance that your old worldview of good cops was wrong (so so wrong), you experience cognitive dissonance if trying to read comics with someone like Batman being wrong and flawed.

Looking beyond any superficial similarities to cops Jason is called out for (uses a gun, kills, enforcing his vision of justice) he really doesn't have much more similarities. He isn't a figure of authority, he lacks the nigh god-given justification to do whatever he wants whatever the outcome and is questioned at every turn. Just the sheer instances of Batman or another Bat showing up to beat Jason up and lecture him on what he does.

Extending this, he does not have the pervasive and persuasive power to shape a narrative. Jason's narrative is so far out of his hands. Which has been a core truth about him since for ever. From his maleable origin story, to his death, the years of him being gone and having No Voice Whatsoever, his resurrection in utrh showing him trying, struggling to have a voice against Bruce's story and being drowned out and denied his perspective, the inconsistency of his character after, each writer trying to shape him into something. Now cops fucking have a narrative. Their narrative is the main one we are fed. Their violence is structured and oppressive. Jason is neither a structural systemic power, nor is he oppressive of anyone. If you disagree with his violence for the sake of the moral highground of condemning killing.... Then, just, there are other media, you know.

Cop violence is systemic violence. It is violence that is "justified" to the extent it requires no justification. It is above being questioned. I am genuinely willing to hear an argument how Jason is cop-coded. But to me he is the punk resistance based "violence" that is only organized in the anarchical but organical sense of caring to protect the community that surrounds you. He doesn't approach Gotham as a paternalistic force of protection shielding it from above, but as one of them from within, showing up for the people who are suffering the way he has suffered too.

#rambling #this got way too long and inceherent #man I'm just talking #jason todd

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literary-illuminati · 7 months

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Book Review 49 – Some Desperate Glory by Emily Tesh

Introduction

I forget who initially recommended me this book, but I owe them an incredible debt. Really the only disappointing thing is that I hadn’t heard of it even sooner, as this really is just perfectly tailored to appeal to me specifically. First science fiction/fantasy novel I can remember reading in a long time that I actively wished was longer. As a testament to how much I liked this book – this review is long enough to need subheadings.

So! Some Desperate Glory is a space opera, following Kyr (Valkyr, technically), a 17-year-old cadet and genetically enhanced ‘warbreed’ golden girl of Gaea Station – that being the quasi-fascist statelet of militant dead-enders who fled to a desolate planetoid in a dead system to continue the war after aliens destroyed the earth/most of humanity. After she gets assigned to Nursery (read: breeding the next generation of soldiers) instead of a combat wing and has a crisis of faith, she talks herself into running away to help her brother on the suicide mission terrorist attack he was deployed on. With the help of one of her brother’s friends and a captured alien, she manages it, discovers that her brother had absolutely no intention of actually following orders once he’d made it out, and take it upon herself to do her own, better, terrorism. From there the plot gets weird, and I’m going to spoil it shamelessly talking about it, but if you value surprises when reading at all just stop this review and go read it.

The Heroine

Kyr is, and I say this lovingly, the most insufferable bitch of a 17-year-old military brat I’ve ever spent time in the head of (at least at first). Even compared to the other indoctrinated child soldiers she’s the cop nobody likes. She then spends the first third to half of the book unlearning this indoctrination, by which I mean very arduously and painfully reaching a point of ‘the fascist cult was a corruption and black mark on the good name of the death cult vengeful crusade, I’ll do it better’ and ‘it’s probably okay to not, like, personally hate aliens who were too young to have been alive when the earth was destroyed. Torturing them for no reason is wrong, like abusing animals was, back when there were animals’. She spends the entire book expecting on a bone-deep level to get herself killed for the cause, and at the end of the book is only like 10% of the way better (one of the last beats in the entire story is, standing with one of her only friends and sure they’re both about to run out of life support, offering to snap their neck for them because ‘asphyxiation’s a nasty way to go’). Whenever she is confronted with the idea that some people aren’t constantly aware of the possibility of physical violence or get to live their lives as something other than a bullet in the gun seeking vengeance for a dead planet she wants to scream and smash things at the unfairness of it all. I adore her.

Honestly my only real complaint is how quickly she starts mellowing out in the second and third acts of the story. There’s extenuating circumstances (whole extra life of memories, time loop bullshit, forcibly confronted with what she said she wanted and what it looks like, etc), but past the one real big hump it did rather feel like her character development suddenly became a bit smooth and easy/. This is one of the things I’m talking about when I say I wish the book was longer – everything after the first big climax and the time travel/universe editing felt kind of rushed and abbreviated.

As far as being a #problematic fave goes, Kyr was also very carefully kept from being, like, directly personally culpable for anything really unforgivable. Which I do understand why from a wanting people to sympathize with the racist homophobic fascist child soldier, but like – you’ve already introduced time travel and retroactivity. C’mon, don’t get cold feet now. Let her and Avi really share the ‘killed trillions in a universe that retroactively never happened’ credit.

Also, and entirely tangentially – you know how in a lot of action shows, the hero has incredibly emotionally tense rivalries and/or camaraderie with other guys, and then also an extremely conventionally feminine girlfriend off to the side somewhere who does like two things in the entire story and mostly seems to exist to prove he’s straight? Kyr has that, except she is textually gay (if incredibly repressed about it and like 90% of the way to asexual in terms of libido). Sorry Lis, but you are literally barely a character. Cleo’s right there, and already has a personality that’s more than two bullet points and is actually involved in the plot in ways beyond ‘love interest’.

Gaea Station

The shitty fascist asteroid habitat that Kyr grew up on is (if barely) the primary setting of the story, and as far as portrayals of incredibly unbalanced and fundamentally broken society just full of cultlike and ultranationalist neuross. I kind of love it as a dystopian setting, though I feel like the author kind of over-egged the pudding on it by the end of the book.

Society is organized into what feels like an intentional parody of a lot of YA dystopia setups, where you live in a tightly integrated mess all through adolescence (each with their own heraldic animal to idenity with!) but then at 17 your exams determine the branch of society you will be assigned to for the rest of your life to do your duty for humanity. Of course, unlike most YA dystopias, the System isn’t the result of some leviathan-state ruling the fates of millions or a tradition that’s going back generations upon generations – it’s a ramshackle mess that can barely consistently feed its warrior elites enough protein slop to take advantage of their genetically engineered hormone levels for muscle growth. It’s all so clearly and intentionally artificial and fake that it loops around to feeling extremely realistic.

Also do love how the elder generation all have names like Joel or Ursa or Elena, while the younger generation are all Valkyr and Magnus and Avicenna and Zenobia. The only really surprising thing is that they don’t specifically call out how children are raised in common and without individual families as following Plato’s Republic – it’s exactly the sort of attempt to create a grand unifying mythology for all of Earth’s true and vengeful children.

I really do wish Tesh had trusted the reader a bit more about it, though. Like, we can tell that almost all the names of the younger generation are either historical figures form the Mediterranean/Greco-Roman world or Norse mythology (with a few exceptions like Avicenna who fit the general aesthetic if not those exact conditions), which puts a bit of a lie to the whole ‘pan-human’ bit. It’s a clever bit of characterization through worldbuilding! You don’t need to call it out twice in dialogue between characters and then again in an in-universe scholarly essay excerpt at the start of a chapter. I can’t complain too badly though, she’s really not even close to being the worst for that I’ve read recently.

One thing I did like especially because I don’t think it was ever called out and brought front and centre is just the sort of, like, perfect irony of both Kyr and her brother Magnus – ‘warbreed’ engineered supersoldiers with physical capabilities beyond any baseline human, blonde aryan ubermensch, the golden children and eugenic future of Gaea Station/true humanity – both being queer and totally unsuited to their assigned gender roles. If it was, like, specifically brought up in a big monologue as disproof of the Gaean ideology or something it’d feel much too on the nose, but as just a set of facts underlying the characterization of the protagonists I liked it quite a lot.

Trio Dynamics

They don’t actually have all that much pagecount spent together, now that I think about it, but as far as I’m concerned the absolute heart of the story is the dynamic between Kyr, Avi (Avicenna, genius-level hacker and cynical rat bastard discontented Gaea Station restaurant) and Yiso (young and rebellious Prince of the Wisdom, taken captive by Gaea when they’re personal ship came too close and then liberated/kidnapped by the other two in their escape attempt). It’s peak trauma-bonding in that the first time it involves a) Avi torturing Yiso to force the alien supercomputer to let him access it and b) Kyr shooting Avi in the head after he uses access to the supercomputer to wipe out 90% of galactic civilization as payback for the whole ‘destroyed Earth with an antimatter missile’ thing (she got a case of morals when confronted with what ‘winning’ would mean. Also her brother shooting himself.)

By all rights they should absolutely hate each other and after two temporal recursions and oceans of retroactively unspilled blood on all their hands they’re the only people who even slightly understand each other. At one point Kyr tells Yiso ‘just so you know, I don’t really care about you as a person,’ and then immideately thinks ‘that was a lie. Why did I say that?’ Avi and Kyr both deprogram themselves from the cult that raised them but only the ‘loyalty to the cult’ bits and not the ‘alien race war vengance death cult’ bits. Yiso meets Kyr in an atemporal training simulation and gets retroactive Stockholm syndrone even though the first time they actually meet she breaks their ribs for repressed teenager reasons. They all drive me absolutely insane and I absolutely adore them. Even if Avi’s redemption felt waaaaay too rushed and unjustified in the final recursion, willing to forgive it here.

Time Loops

The big twist of the story is that, having fucked up and enabled Avi taking vengeance for Earth by doing the same thing to every other alien species, Kyr jumps into the alien supercomputer time manipulation buisness wholesale and goes back to prevent the destruction of Earth. Which then fast forwards to her being a newly minted officer in the Terran Expeditionary Fleet that is the imperial power dominating the known galaxy in increasingly high-collateral damage ways as time goes on. Yiso, in this timeline the beating heart and soul of the main alien resistance group, seeks her out and restores her memories and they go back to try and hijack the alien supercomputer before the government office whose hijacked its crippled remnants (as helmed by the alternate-timeline version of Gaea Station’s great leader, now a fleet admiral of the ‘Providence’ division) manage to literally destroy the universe.

It is mostly down to all the fanfic I’ve read, but I really, really adore timeline divergences that ropagate out and leave all the major characters different but similar people in alien yet appropriate situations. I also adore time travel stories about someone turning the timeline into swiss cheese trying to brute force their way to the one and only golden ending. So I adore this whole conceit. Really my only complaint is that there were only two (one and a half, really) recursions. Not that I’m demanding a full groundhog day here. But, like, it’d have been nice. And Kyr/Avi/Yiso continuously bumping into each other in different configurations and usually ending up at gunpoint would have been ann absolutely amazing bit.

Space Orcs

I can’t be sure Tesh actually had any exposure to the whole online meme of ‘humans as space orcs’, but I do and it’s really impossible to read the book as anything but an examination of the idea. Compared to every alien species ever encountered, humans are tall, heavy, muscular, impulsive, and violent. In a one-on-one confrontation they’ll snap any other species’ neck. The very first pages of the book are an excerpt from an in-universe text writing for an aliens about how actually really humans are very intelligent, and then talking about how threat displays and ‘human culture’. In the original timeline they even fit into the usual social niche of orcs in a lot of fantasy these days – the scattered and diminished remnants of a brutal empire that was defeated and mostly-exterminated in their attempts to conquer the universe.

The book’s handling of this doesn’t really have a point, as far as I can tell – the worldbuilding’s sufficiently divorced from anything real that trying to call it a commentary on racism or genocide or conquering empires is a stretch. (It is after all a fundamental point of the book that the obliteration of earth and extermination of the vast majority of humanity really was the only way the Wisdom could prevent the Terran Federation from conquering the known galaxy. Which is I’m extremely sure not something the author intends to be a historical analogy.) I found it a fun bit of worldbuilding and interesting subversion of normal space opera tropes regarding humanity’s relative abilities, anyway.

Theodicy

Is an incredibly pretentious way to title this section, but also in a sense kind of the core of the book’s plot? In an interesting way, and I think it’s really the book’s greatest weakness that it doesn’t explore or grapple with it enough.

Which is to say – the Wisdom is at the heart of galactic civilization. It’s an alien AI with vague but vast (though limited) reality-warping and precognitive powers. It does not rule the civilizations that accept it, but guides them as a benevolent god towards best, happiest outcomes with whatever support they ask for or need. To determine what ‘best’ means, it creates its Princes, vat-grown heirs to the dead species that created it, with a lifespan of millenia spent going through simulations and interacting with the world to provide the data and decision-making it requires to make that sort of strategic decision.

The Terran Federation’s attempt to reverse-engineer or hijack the Wisdom put it in a situation where the only solution its princes could find was to destroy the better part of humanity and even more of their industry and culture. Through the plot of the first acts of the book, Kyr and her genius-level-hacker friend hijack a node of it and Kyr convinces/forces it to accept her decision-making instead of its prince (who they just killed). This results in an explicitly colonialist human empire ruling over aliens as oppressed subjects, and using the half-wrecked and poorly understood Wisdom to eliminate threats before they occur (shunting the reality backlash off to alien worlds they don’t care about). The next acts of the book mostly resolve around fixing or reverting this, and end with Kyr diving back into a node and having another conversation with it.

A conversation which is basically it giving up. It reverts things back to the human-genocide timeline, then shuts down its infrastructure and goes dark, leaving the entire mostly pacifistic and loosely governed galactic civilization it had protected suddenly on its own. Humanity were such assholes we found a loving god and then convinced it to kill itself.

Which, like, could 100% totally work. As far as high concept short story prompts go its incredible. But as far as actually driving the action goes the Wisdom is the one who makes the most important deciisons in the entire book, and determine the entire shape of the plot. For it to land, it really really needed more than two and a half short conversations on screen, at least to me.

TL:DR

Good book, lesbian doing space atrocities, should have been longer.

#book review #sff #some desperate glory #emily tesh #lesbian space atrocities #space opera

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arashi-no-saxlphone · 20 days

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whats your opinion on asuka r kreutz

Buddy. Oh man. Either you know me and went on anon to enable me (in which case, thank you) or you're newer here and haven't seen me cry about Guilty Gear's saddest wettest cat yet.

I fucking adore Asuka R Kreutz. I think he's one of the most tragic and complex characters in Guilty Gear. I was gonna put "Well-written" too buuuut... it's hard to track down clear answers for some of the stuff that covers his time with Freddy and Aria as scientists and so I generally extrapolate what feasibly happened to the best of my ability based on what we have. (I am by no means a full-on expert, but I know enough to tell you this man does not deserve all the flack he gets).

In general, I find Asuka to be an immensely tragic and complicated man who at his core, just didn't want things to change and didn't want to lose his only and most dear friends in the whole world. Every single thing he has ever done was fueled by one of two things - his curiosity (which you can consider a flaw, as it often by his own account causes him to neglect right and wrong) or his deep love for Frederick and Aria (I find this to be his driving force for most of his actions in the story of Guilty Gear, right up until shit becomes so absolutely fucked that he has to spend most of his time trying to fix everything that goes wrong and banking on Sol to come through for him as a warrior). Asuka is the embodiment of the phrase "The road to hell is paved with good intentions" and that's probably why in lore he's labelled as "The Devil" in addition to "The Gearmaker."

When Aria gets sick, he suggests putting her in cryosleep until they can cure her disease. She refuses because she doesn't want to miss out on her time with Frederick. "Ok," he says, "well I can do something about that so please agree." And she agrees. And Asuka makes Sol a Gear and fucking immortal without telling him. Then all that crazy bullshit that kickstarts the crusades happens and Sol has to kill Aria because Asuka made her into Justice. This part is fucked up. It's a major fuckup on Asuka's part. In a drama CD, it's highlighted how important Aria's humanity and personhood is to her, and Asuka takes that away when he turns her into Justice. "What's the justification then?"

When Asuka found out that the government was going use their research to create gears as weapons and use them for war, he did EVERYTHING he could to try and stop that. Asuka isn't stupid - he's smart. He's a scientific genius. He could've easily taken the sleeping Frederick and Aria and fucked off, but he wanted to right a wrong. And it just... didn't work. He turned Aria into Justice, and though I think he probably intended to turn her back (after all, we see him demonstrate the ability to undo what he did to Sol at the end of strive) he never got the chance. Because the Universal Will overloads her and Justice just starts the Crusades.

In Overture's story, Asuka makes it clear to Sol that he needs him to be a warrior in order to be prepared for more horrors to come. Asuka realizes after the crusades that he can't fix it alone - everything he's done to solve a problem has so far ended up with him making things worse. Sol hates him. He knows Sol hates him. You know what's fucked up though?

He wants Sol to hate him. He feels like he deserves it.

I feel the need to point out that the crusades last over a century - Sol is immortal because of the gear cells and flame of corruption, but Asuka was just a normal guy - why/how is he here? Asuka created a synthetic body for himself that would not age, and transferred his consciousness into it so that he would not change. So that no matter what, Sol would recognize him. Knowing Sol wouldn't forgive him, knowing that he would always be able to find him, he didn't care - he never ever wanted to lose Sol.

Asuka clearly cares about people. He realizes the consequences of his actions, and he's clearly capable of feeling guilt over them. Look at what he does while working with I-No and Raven: He builds the Jack-O unit in the hopes that he can bring Aria back. He builds the Happy Chaos unit in the hope that he can help I-No regain her full self without going insane. He's Raven's only friend, a man who has been cast aside countless times and used for his powers. Those aren't the actions of a selfish or wholly callous man. If he was callous, he wouldn't try so hard to make SURE he could never escape Sol's anger by making himself permanently recognizable.

"Well maybe he just selfishly didn't want to let go of Sol." This is a legitimately fair point. However, let's recall what happens in the strive story: Asuka offers Frederick a choice between letting him remove the gear cells and flame of corruption from him, or letting Sol kill him.

I need you to look me in the eyes when I tell you I can't handle this part. I can't. Well over a century of fuckups and shit going wrong while Asuka desperately tries to make a million things right that weren't even entirely his fault to begin with - he didn't want to make Gears as weapons, hell he didn't even want to be a scientist! He laments about not having any control over his life and certain decisions. In all of that though, he fucking loves his friends Frederick and Aria. Now one of them's dead because of him, and the other one hates him, and after over 100 years of planning and thinking and work-

Asuka R Kruetz has no idea how to look Frederick Bulsara in the eye and tell him he's sorry. He only knows how to fix it, and also how to offer Sol a chance to feel better about it - I think he truly believes that after everything, if Sol killing him will make Sol feel better, that that's what he should let happen. I'm so fucking ill. Asuka thinks the fucking WORLD of Frederick - listen to this bit of his Strive theme, "The Gravity:"

"As the universe turned black / did the sun ever defy fate? / beyond it all do you recognize me?"

In case you aren't familiar with how Sol Badguy got his name, the government gave him the codename "Badguy" while he was running around wrecking gear compounds. "Sol" is a name given to him by Slayer, because he "shone brightly like the sun."

Now look at that snippet from Asuka's theme again - that line about the sun defying fate? That's about Sol. That's about how much he loves and values Sol, someones he repsect and looks up to, and the only person he had left to count on to fix the world that he feels like he fucked up.

As we know, Sol chooses to let Asuka just un-gear him, but after that Asuka just... leaves. He goes to the moon with the tome of origin to protect it from falling into the wrong hands. Do you know how fucking badly it fucks me up, that after everything, Asuka just ends up alone? He spent over a century trying to fix the world, nothing he did worked, and when it finally did everything was different. Everything. Aria is gone, Frederick is happier but not in his life anymore, and Asuka is alone. Everything he ever did started with his love for Frederick and Aria, and at the end of it all he's alone. And he feels guilty.

His Strive arcade Story rips me to fucking pieces - Asuka clones himself and when he does, the clone Asuka R # mentions specifically that Asuka made him "Chattier." He mentions that Asuka "Doesn't like himself." I read that as Asuka making an idealized version of himself - a self that wouldn't fuck up, a self that wouldn't be hated, but also

A self that would carry on his work.

This is where it gets heavy, but I personally believe Asuka intended to kill himself initially. He has no idea how to say sorry to Frederick, no idea how to atone, and no idea how to exist in a world that so far, he feels he has only ever fucked up in. Another snippet from his theme: "does existence have meaning? / the reality or the truth, the reality of the truth / what fact should we accept? / The reality or the truth? reality" He's trying to figure out if he can still live, if even if he wants to live, does he even deserve to? Have the right to? How can he atone?

The clone states, though it dances around it, that it's worried for Asuka - worried that he's hoping he'll lose the fight, hoping he'll die. But two of the possible outcomes (as strive arcade mode dialogue tends vary based on performance) are listed below:

In both of these conversations, the clone cites a desire to exist - which to the clone, since it is also Asuka in way, means that the original Asuka wants to exist too - and therefore that he can, and is trying to figure out how to.

I think Asuka, like a lot of Gear characters, is about trying to find a place in the world - even if the whole world feels like it's not built for you. All Asuka has ever done is tried - and failed. But he's still here. He DID manage to unfuck everything, and he did it because he DID still have Sol. Another bit of insight his clone dumps on him:

that bit there: "I know you can't affirm yourself. But at least tell me you’ll keep walking. Even if you lose your way. As long as one person out there cares about you… It’s worth it just to try to keep them happy." This is a common theme in Gear: relationships, both romantic and platonic, saving people; connections to others giving people a reason to go on or to see a new perspective that makes life worth living. Jack-O found Sol, who treated her like her own person and made her realize she was more than just a replacement for Aria. Dizzy found Ky and vice versa, changing Ky's perspective on Gears and having Dizzy realize she could be happy even in a world that treated her like a monster. Here on the moon, creating Asuka R# to talk to, Asuka is trying his very best to see and understand the world through Frederick's eyes - a world that Frederick saw as worth fighting for:

Asuka is a character who hasn't found his way yet, but all that matters is that he keeps looking.

Uh so to answer your question, I love Asuka R Kreutz - maybe you can tell by the fact that I dumped an absolute trainwreck mess on you after one small ask. Sorry! I apologize about this being a little all over the place and not having as much cohesion as I would've liked but this character is very dense and complicated and I did this kinda quickly so I had to sort through a bunch of weird feelings as I typed - I hope you found at least some of it interesting.

Thank you for the ask!

Ah, and a big fat huuuuuuuuge thank you to the stellar and amazing new Gear wiki, which is where I pulled those screenshots of his arcade mode script from! It's really a wonder how fast the wiki was put together and just what a fantastic resource it is for stuff like this; it saved me having to watch a video or, god forbid, try and do Asuka's arcade mode myself. Below is a link to the wiki page I pulled Asuka's stuff from - please check it out cause I didn't even come close to covering the full depth of what's talked about in his Arcade mode story and also because the wiki is glorious and deserves love:

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yumeka-sxf · 1 year

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A chronological analysis on Twilight and Yor - Part 2

*This is part of an ongoing post series. If you missed the Introduction/Part 1, click here*

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The Forgers' first family outing is when we start to get an idea of how well they complement each other. When he realizes that Anya and Yor aren't exactly Eden tier citizens, Twilight is understandably upset. He even goes so far as to think he may have chosen the wrong child and wife for the job (also the last time he ever thinks this).

As for Yor, we see that she has a noticeable liking for weapons, which makes sense considering her job as an assassin. She stares almost longingly at a painting of a guillotine at the museum, and fondles her knife at the restaurant, much to Twilight's confusion.

But what's interesting is that this is the only time we ever see her exhibit this behavior, and I think it's because she's since found more important things to feel deeply about, like motherly love for Anya and tenderness for Loid (she's always had Yuri, but she's not together interacting with and observing him as often as she will be with Anya and Loid). Whether this was an intentional tidbit of character development from Endo, I can't say, but from a narrative perspective, it definitely fits.

This episode also shows the first of many eventual times where Yor has just the right words of comfort for an exasperated Twilight. Despite the fact that, at this point, she hadn't fully embraced her mother/wife role yet, she takes notice of how worked up he had gotten at the restaurant and suggests that they go outside for some air.

When they see the old lady being robbed, Twilight shows no intention of getting involved – spies aren't supposed to attract attention to themselves with showy heroic acts after all. But once Yor rushes over to help, he decides to follow her lead because, again, he's a decent guy who wants to help people even though he prefers doing it secretively. There was no benefit to Yor for helping the old lady except for the fact that, like Twilight, she's a good person who wants to help others, but isn't inhibited by having to keep up a spy persona like he is. But as for why Yor is so quick to react when others need help, but is at a loss when she herself is a target, like when her coworkers were insufferably rude to her at the party, is a part of her personality that I'll discuss more later down the line.

This is also the first of a few scenes where Anya insists that Loid and Yor are flirting/going to kiss, and they immediately deny it, in an almost uncharacteristically abrupt way.

While it's a very short scene, it's especially strange for the calm and collected Twilight to get worked up about some silly thing Anya says. I don't think Twilight and Yor are romantically in love this early in the series, but the fact that they reacted like this does hint at the possibility that they know the other is not a typical man/woman (in a good way) and they're not sure how they feel about it. Hence the exaggerated reactions when confronted with those ambiguous feelings.

Later that day, as an exhausted Twilight tries once more to go over the interview questions, we get a scene from his POV of Anya and Yor happily sitting on the couch with their teacups. This causes Twilight to think back to the old lady's words about what a nice family they are, to which he tells himself that means they must have made some progress. There are several scenes like this throughout the series that show something from his perspective that is, what I like to call, "softly emphasized." The scene itself doesn't seem like anything major, and Twilight isn't making a big deal about it, yet the scene covers a decently sized panel in the manga and has a sort of "fuzziness" to its shading, conveying a warm, gentle feeling (the anime usually lingers on the scene for a few moments and/or may add fuzzy, warm filtering to the colors and sound).

While other characters do occasionally get scenes like this too, I think the reason Twilight has more of them is because of the kind of character he is, namely, an unreliable narrator. For most characters, even if they lie out loud, we as the audience get insight into their thoughts, and typically that's where we know what they're really feeling. But because Twilight is such a competent liar, and has spent much of his life donning one false identity after another, he insists on deceiving not only others, but himself as well. As a result, even his thoughts are not a reliable source for his true feelings. So to me, Endo includes scenes like this – something that seems mundane, but for Twilight, it's triggering feelings of warmth and comfort, despite whatever his expression, words, or thoughts might tell us – as a subtle yet more sure way of knowing what he's really feeling. In this case, despite his sour expression, he's slowly starting to feel comfortable with Anya and Yor, especially when he recalls that someone saw them as a lovely family.

Continue to Part 3 ->

<- Return to Part 1

#twiyor #spy family #spy x family #sxf #spyxfamily #loid forger #yor forger #sxf analysis #loid x yor #loidyor

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saltyr3mix · 8 months

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EVERYONE ELSE GO HOME YOU ARE MY FAVORITE PERSON IN THE ENTIRE WORLD FOR THE NEXT HOW EVER LONG THIS TAKES YOU TO READ. THANK YOU SO MUCH FOR THIS.

Ladies, gents, all of the above below and in between here is my rambles about new life sparrow because he has infested my mind like the skulk that infests him.

OK WERE DO I EVEN BEGIN WITH THIS GUY

Okokokokookokooo SO

We love a flawed character who has good intentions and a not so good way of showing them. he comes off as over enthusiastic and insensitive at first with his studies of hybrids. which is....just a tad bit relatable as someone often seen as energetic i can be too much for people at times so i get it.

Also everyone that drew the parallels between the way Sparrow talks about hybrids and O!Owen talked about demons is correct. it's terrifying. and if sparrow ever goes down that arc i will write incredibly angsty fanfiction about it and cry.

If you haven't already im going to point anyone reading this in the direction of my New life smp fic, Storming sacrifices on ao3 by Salty_R3mix cause thats where a lot of this next part comes from.

i head cannon that on New life when players die/switch hybrids they have to fall into a coma like state to do so and it takes time in between those shifts. Sparrow is on the longer side of these shifts for the more drastic the change the longer. to go from human to machine and then machine to skulk. thats like a solid month or two of their body just reforming and recreating. both times.

ALSO THE MOST RELATABLE THING ABOUT HIM.

HE DOESN'T WANT TO BE HUMAN.

WHICH IS JUST SO SAME BESTIE LIKE IF I LIVED IN A WORLD WHERE PEOPLE GET COOL TRAITS AND MAGICAL POWERS AND I WAS JUST BORING? YEAH I WOULD STUDY THEM AND TRY TO BE ONE TO! BOLD OF YOU TO ASSUME MY LOVE FOR FANTASY AND MAGIC ISN'T ALREADY BASED OFF THE NEED TO ESCAPE THE REAL WORLD BECAUSE IT SUCKS AND ITS BORING ANDGHYKULKNBVGVUKL

Anyway hes also insane. like, i get it. but also you could have found a away to make the process less painful im sure. hes smart. but his egarness got the best of him.

Anyway one of my favorite things to think about and debate is the 'chip' in his head. cause to me and my messed up little mind that has read well over at least 20 hours worth of sbi hybrid fanfiction in the summer of 2022. to me that just sounds like instinct. hot take but i don't think it was that big of a deal. what was wrong with the situation was prior to becoming a copper golem, Sparrow was human. if any other hybrid became a copper golem. they would be a lot less bothered by it. Sparrow was not used to that sheer level of inhumane instinct that it overwhelmed him and he just let it. t Not knowing what else to do. until eventually getting so lost and consumed by it that he had to you know....blend himself.

I miss him though. i like robots. and he was so fun to draw. i draw him all the time. just because the design i made for him is one of my favorite things ever.

OH AND SKULK SPARROW. THIS MAN. HE IS SO MESSED UP. THE NARRATIVE CAME CRASHING DOWN IN FRONT OF HIM AND SCREAMED THAT HE IS DOOMED.

I haven't seen a character so demised by the narrative that wasn't my own since outsiders Apo and maybeeeeeeee Celio form wtd. beside the point.

He is so overwhelmed and underwhelmed at the same time its iconic. one seconded hes lonely after copper literally abandoned any former relationships. the next he can hear things through the skulk. but then he brings a guy down. kills him. decides to build a gate. AGAIN. WE KNOW HOW THIS ENDED LAST TIME OWEN. WHEN HAVE GATES EVER WORKED IN YOUR FAVOR. i think it's just a cannon event for them at this point. Owen with gates and Apo with levers. (GUYS IM JOKING HERE. DON'T CARY THIS CURSE INTO PIRATES PLEASE LET THEM BE HAPPY FOR ONCE)

Ok yeah. Im really excited to watch skulk and other versions of sparrow later realize that no matter what monstrosity he ends up as. he'll never be as free as he was human again. Every hybrid comes with their own form of instinct that he will be forced to follow. some lighter than others. and hell, even if he does end up as human again the effects are still there forever lingering.

ALSO I AM HEAD OVER HEELS IN LOVE WITH THE 'Wait? His name is sparrow but he still answers to Owen. this clearly must have lore implications.' PEOPLE. To anyone who has ever had that thought you are the best. i've read i think 3? fics based of it and oh my word im obsessed with that idea and the different takes on it.

and here is where i come to a close. do i have more to say? probably. but my hands hurt and my thoughts are slowing in pace so if you want more feel free to ask id be overjoyed but ask another day. i mean i didn't even touch on his interactions with the other players.

i am so clearly sane and stable about this character btw. i don't know what made you think otherwise.

#new life smp #new life owen #new life sparrow #Thank you again for sending me off on this ramble i think i needed to get it out of my system.#And thank you for anyone that took the time to actually read this! it means a lot to know im not the only one that wants to violently shake #this character.

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lovingdabeessss · 15 days

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i will keep that in mind. Tbh, I've actually started writing right after I asked if I could. I just kept taking breaks because horrible attention, and I was stuck in Blake's part until last night. Now I'm kinda stuck on the Blacksmith's part. I have no idea how to write them... Though I have started writing their part, it is somewhat slow going, because of unfamiliarness with the character and irl stuff like tests.

On an unrelated note. Can we talk about the fucking symbolism?? Parallels??? Between Yang's death in this au and Ruby's in canon??

Because in Ruby's eyes. Yang, who did nothing wrong, who did not indanger their team, was the reason for a *kingdom* falling, didn't cause Penny's *death*. Had chosen to ascend and come back as someone else.

Whereas *Ruby*, who *did* do all of those things, at least in Ruby's eyes, chose to *not* ascend and came back as herself!!

Can you tell I love these fictional sisters?

FUCK YEAH PARALLELS!!!!!!!!!

She has none of the reasons ruby decided to go to the tree and yet she’s the one who ended up gone

CRAZZYYYYYY

For the blacksmith thing I say make them as unsettling as possible go bananas do something crazy

Yang is so interesting in the sense of her motivation is more people based like she didn’t come out post v3 to save the world she left to go help Ruby and that just happened to be what they were doing and Yang goes 100% because that’s just how she is like of course she’s helping people what else would she be doing kinda thing

When she thought she was dead at the beginning she didn’t seem particularly upset about it she just was there was nothing else to do anymore she’s done she fulfilled her little life’s purpose of protecting Ruby and saving people along the way and she’s done now time to look for all the people who she knows who died or something

She was DEEPLY upset when the rest of her team was dead for obvious reasons especially because stopping Ruby from dying was WHY SHE DIED but whatever moving on

I think Yang sees living as a never ending list of things to do and people to love so she’s always doing something and caring about someone like her whole life she was taking care of Ruby then in beacon she was helping Blake and along the way she was working to be a huntress which came easy to her and it was all good then she was looking for Ruby and then she was defeating Salem (which she may or may not have ever thought was possible but I doubt she cares)

Then she dies and she’s just

Done

She was in a good place to not want to die but I don’t know how much the thought bothered her cause of how risky she’s always known being a huntress is

But when she went to the ever after there was something to do and it was ascend

So of course

She did that

I think maybe Ruby has always hated how Yang reacts to her own danger

Because Ruby and Yang love each other so much but they actively exist in each others worst issues in a way that’s almost fine cause it’s them

Ruby abandoned Yang after she lost her arm but Yang was never mad at her she never even saw it like that she should’ve been able to follow her (plus Ruby’s thought her semblance was running away for the longest time)

Yang sacrifices herself all the time especially for Ruby and Ruby’s biggest thing is being abandoned unintentionally (as a parallel to Yang intentional abandonment problem) like through death however it’s their dynamic it’s what they do Yang will always do this because she’s her older sister

I love their parallels

ALSO IM SO SO SO EXCITED TO READ WHATEVER YOU MAKE HEHEHHEHEHEE

I’m so excited to see your take on how she’d be feeling and how everyone reacts and just everything I’m just so excited to see it and all your interpretations

I love when people make stuff of my posts ss

#rwby #yang xiao long #blake belladonna #ruby rose

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hexhomos · 1 year

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What’s the best way to write an unreliable narrator? How can we communicate to the readers that it is an unreliable narrator, without bluntly stating that in the author’s notes? How can we make sure we’re writing the “correct” narrative versus just mischaracterizing someone? What are the biggest mistakes when writing for it and how can we avoid them? Lastly, what do you think makes an unreliable narrative story compelling (or not compelling, depending on your stance)?

This ask has been in my backburner for a good number of months, partly because I think it's a really good (and really difficult to answer!) set of questions. It goes back to the original debate over how to spot or define an unreliable narrator, what difference the medium they exist in makes, what can be taken as authoral intent and what can be written off as the audience's projection, etc. This varies depending on the story. This is all complicated stuff people have written entire books on -a lot of which I have not read, so I'm no particular authority- but I DO happen to frequently enjoy unreliable narrators and tend to gravitate towards them in most stories that appeal to me. I like how they embrace the idea that No Point Of View Is Ever Neutral, that the act of writing itself or telling a story in any way IS choosing a side, a scope, a voice, a point you are trying to make or sentiment you are trying to evoke, and that "neutrality" is a flimsy illusion. In its most literal manifestation, neutrality is just... centrism. Centrism *is* taking a side. It just happens to be the side of pissbabies, most of the time.

The unreliable narrator throws away any pretense of narrative neutrality by way of Existing and hemorrhaging their opinions all over a text. And I think that's compelling, because in many ways they're the MOST honest type of character in fiction. They just also achieve that by lying???? It's that central contradiction which makes them incredibly fucking funny.

So yesterday I stumbled upon these tweets:

And they started marinating in the back of my head. That's sort of the whole thing, right? Its hard to give you a bullet list of "Things To Do When Unreliabling Your Narrators," because that depends on the type of person they are and what, specifically, causes the unreliability. A child who knows less about the world is unreliable in one specific way, an adult who knows too much and has an specific agenda is unreliable in ANOTHER way. They may be completely or partially unaware that the reality they describe is fabricated. They may be fudging the line of fact and fiction to save face, make a point, or convince you of a belief. And the thing is that... you cannot always tell? Sometimes a character is just stupid. Katniss hungergames is famously unreliable for just reading people wrong and having a shit judgement of social interaction; you could also argue that every character is a bit unreliable in that way.

In a lot of cases it takes a second perspective to show how someone's account of an event is flawed. Visual and written media can do this in different ways, and it only expands if you consider things like audiodramas or interactive games. (Consider how viktor's bio presents him as a prince of logic and measurement, whereas his voicelines have a deeply unreasonable guy ranting about his Absolute Truth having to be imposed on everybody, or have it destroy them altogether.) Personally, I can't really think of a way this could be done 'wrong' - it comes down to boring stories vs interesting stories if you truly need me to find examples, but that's a failure of things BEYOND just the unreliability of the narrator. Like structure, pacing, clarity of message, that kind of stuff. The only way I believe you can ever 'fail' at doing one is if you, as an author, notice that details you WANTED readers to take from your story are not at all present on readings of your text.

And even that is hard to quantify! People will misinterpret texts even at their simplest level, like ~'American Psycho Is not about a mass murderer, the murders never happened (despite them being described or shown in detail) that was just all in his head!' is an actual argument you will find on the internet. At a certain point you can't take responsibility for those who don't get it, or you'll never write anything out of fear. I DO think that fandoms tend to make that conversation a lot harder and run with most things at face value, and I worry about that a lot, so I plaster my stuff with context tags. Not everyone may enjoy this, but it makes me feel less insane when putting stuff online and fearing that.. it won't be properly questioned.

TL;DR - Find what makes your narrator unreliable. Exacerbate it when writing their point of view. What things do they emphasize? What things do they hide, through incompetence or omission? Why? What contradictions can be found in the things they say VS what they *actually* do? The biggest mistake any author can do IMO is to make shit boring. Aside from that, I think any sufficiently fleshed out character can be compelling, they just need to given a corresponding narrative to excel on.

#hexposts #meta tag #writing resources #resources #long post

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syrena-del-mar · 4 months

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Thank you for being one of the only people not to immediately jump Day and Night’s mom. It’s kinda frustrating for me because I can see that she clearly cares about them and she’s just going about this the wrong way. One thing about parents that don’t spend a lot of time with their kids (in her case because of her career), it’s hard to recognize that they aren’t children anymore but are fully grown people who can make decisions. I just think the outright demonization of her from some people is a bit too far imo. She really does care but that doesn’t mean what she’s doing is right. Like you said, it’s from that place of caring that she’s unintentionally doing MORE damage

Hey Anon! Thank you so much for sending this is in, I love the conversation that my post has created and I’m glad that you were able to connect with it. You make such good points that I’m going to expand a bit on my thoughts that I don’t think I explained fully well.

I agree! The vitriolic reaction Day and Night’s mother has received has been disproportionate to the intent behind her actions. I get the disgruntled reaction about how she goes about taking care of Day (and Night by extension), but people forget that intentions do matter! An actual narcissistic mother uses manipulation tactics and maneuvers their children to meet their own needs, prioritizing her desires and using her children to enhance herself. That’s just not the case here. In my opinion a lot of people wish parents were infallible, so the moment a parent makes a choices that results in hurting the child, they want to believe that it was a conscious, planned choice to cause the harm rather than accepting that just maybe the parent fucked up.

She’s scared about Day’s vision loss, what it means now that he has to be dependent on people. On one hand, I understand her fears about Mhok. Day needs someone dependable and stable, and while Mhok may be dependable, he’s is on her payroll, so how can he truly be stable? He’s not and that scares Day’s mom. But she fails to understand the actual value of Mhok in Day’s life. In her love for her children, she’s letting fear control her reasoning. She’s misguided. She’s a businesswoman, she places value/analyzes risk in her field and she’s doing the same for Mhok, but fails to consider that the scale of value should not be based on her opinions but rather on that of Day’s.

I think you make a good point that as a single mom, and a career woman, she probably didn’t see her kids grow up. I mostly overlooked that and didn’t even consider that angle since I just took it for granted that she was infantilizing solely because Day’s her youngest and plainly because his newfound disability. But you’re absolutely right, the fact she was not around leads likely adds to why she finds it hard to accept Day’s independence.

Like many of the tags on the post said, I don’t think she irredeemable as a character and as a mother, but I do hope that the story acknowledges her mistakes and the pain it inflicted on his children rather than having Day and Night just brush it under the rug.

#anon ask #asked and answered #last twilight #last twilight the series #last twilight episode 10 #last twilight night #last twilight meta #last twilight day #last twilight mhok #mhokday #mhok x day #day and night #steph rambles

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