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the-hole-in-terzos-shoe · 1 year

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Taking Care

Papa Emeritus IV x Nanny/Sister of Sin!Reader

TW: smut obviously, cheating, mentions of alcoholism and drug use, child does get hurt at one point but they are okay!, mentions of pregnancy, breeding smut, mentions of condoms in case that makes you uncomfy. Let me know if there's anything else I need to add, things get a little heavy in this one.

Word Count: 10.4k

This started off as a dirty little scandalous idea, actually based on a previous fandom I used to write for, and it turned into a big thing... As all of my fics do. I don't think I'm capable of writing anything short anymore. Also @sweatandwoe came up with the title 😉

Anyway! Papa IV has a horrible Prime Mover who is never present at home, and it leads to him developing some feelings for the nanny. Enjoy!

𝘓𝘢 𝘢𝘮𝘰... Copia thought to himself as he fondly observed the sight before him, framed by the paned glass door leading to the balcony: his little one bouncing on your hip as you cooed at him, trying to get the bambino back to sleep. The antipope had returned home late from the ministry offices, as he often did, entering his suite completely exhausted, kicking off his shoes to let his aching feet relax, perking back up a bit upon laying eyes on you.

Eyes glossed over as a cheery little smile came to his face, he simply watches as you saunter back and forth, his progeny lulling back to sleep in your arms. Before he even realizes, his sore feet carry him right out to the balcony, making his presence known.

"Oh! Good evening, Papa!" you whisper, not wanting to rouse the little one.

"No need for such formalities, 𝘚𝘰𝘳𝘦𝘭𝘭𝘢..." he mocks you with a wink.

A faint blush colors your cheeks; always so charismatic, even when he's as tired as he looks. Luckily before you can put more thought into it, baby Giovanni stirs a little, sitting back up and eyes popping open.

"Sh, sh, shhh..." you hum pressing a kiss to his little head.

"D-deh..." he whines reaching out towards Copia.

Letting out a little shocked gasp, you feign, "Who's that? Who is he, huh? Is that Daddy?"

With the sweetest giggle, the little one exclaims for his Da-da, reaching out again.

Copia swoops right over, playfully bending down to smooch his only son, getting a bit of black face paint on the soft fuzz of the little one's head. "Whoopsies, we'll have to wash you up, piccolino," he runs a finger delicately over his little cheek.

As Copia stands up straight again, and his baby stretches right back out for him.

"I think someone wants Daddy, yeah?" you try to urge your boss to take the bundle in your arms.

Instead, he does the unexpected. Wrapping an arm around the small of your back, he pulls you flush to him, cocooning his son between you. You and Copia both have an arm supporting the baby, as he holds you both close to him.

"Someone wants Daddy, sì?" he asks, and you're not sure if that was for you or Gio. Either way, it draws another blush to your cheeks.

Copia looks you over, eyes softening now that his little one is safe between you. In your avoidance of eye contact, you didn't see him lean in, only feeling his lips press softly to your forehead; surely you would have a mark as his child did. The softest gasp escapes you; it isn't lost on you that things had not been well for some time between him and his Prime Mover...

Maybe you were reading too much into it. Perhaps he was just being affectionate. You knew he could be handsy, and he'd had a long day; he was probably just seeking a moment of comfort before bed.

"Let's go put him down for the night, eh?" Copia motions to his baby boy.

You were so lost in thought, you hadn't even noticed he drifted back off. Snapping back into action to take him to bed, Copia stops you, scooping the bundle from your arms, giving you a warm smile as he disappears back inside to the nursery connected to his bedroom. You trail behind the man to make sure he won't need help with anything.

Laying the little one in his basinet, Copia offers him one last goodnight kiss and jokingly promises not to disturb him again. The man turns to see you standing in the doorway, illuminated by the soft glow of the night light in the room.

"I should retire to bed before he wakes again in a few hours," you dutifully remark, eyes cast down and thumbs twirling together.

Gloved fingers brush your hair from your face, tucking it behind your ear, "It's a blessing having you here." Softly he cups your jaw, while his other hand grips your waist, effectively pinning you to the door frame. "May I kiss you, cara mia?"

Wide eyed, you stare up at him as about a million thoughts race through your mind. 𝘞𝘩𝘰 𝘸𝘰𝘶𝘭𝘥𝘯'𝘵 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘬𝘪𝘴𝘴 𝘗𝘢𝘱𝘢? 𝘓𝘦𝘵 𝘢𝘭𝘰𝘯𝘦 𝘩𝘢𝘷𝘦 𝘩𝘪𝘮 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘬𝘪𝘴𝘴 𝘺𝘰𝘶... 𝘉𝘶𝘵 𝘩𝘦'𝘴 𝘣𝘰𝘶𝘯𝘥 𝘵𝘰 𝘢𝘯𝘰𝘵𝘩𝘦𝘳. 𝘞𝘩𝘢𝘵 𝘢𝘣𝘰𝘶𝘵 𝘩𝘪𝘴 𝘗𝘳𝘪𝘮𝘦 𝘔𝘰𝘷𝘦𝘳? 𝘞𝘩𝘢𝘵 𝘸𝘪𝘭𝘭 𝘴𝘩𝘦 𝘵𝘩𝘪𝘯𝘬? 𝘐 𝘮𝘦𝘢𝘯... 𝘴𝘩𝘦'𝘴 𝘯𝘦𝘷𝘦𝘳 𝘩𝘰𝘮𝘦, 𝘢𝘯𝘥 𝘸𝘩𝘦𝘯 𝘴𝘩𝘦 𝘪𝘴, 𝘴𝘩𝘦'𝘴 𝘵𝘺𝘱𝘪𝘤𝘢𝘭𝘭𝘺 𝘥𝘳𝘶𝘯𝘬. 𝘞𝘰𝘶𝘭𝘥 𝘴𝘩𝘦 𝘦𝘷𝘦𝘯 𝘳𝘦𝘢𝘭𝘪𝘻𝘦? 𝘉𝘦𝘴𝘪𝘥𝘦𝘴, 𝘰𝘶𝘳 𝘤𝘩𝘶𝘳𝘤𝘩 𝘪𝘴 𝘣𝘶𝘪𝘭𝘵 𝘰𝘯 𝘴𝘪𝘯...

Copia inhales and starts to straighten up, "It's quite alright if you don't want to, cara. I do apologize if I made you uncomf-"

Snapping out of your thoughts, your arms snake around his neck and your lips crash into his. Immediately, his hands cradle the back of your head and your waist, keeping you flush against him. The way his mouth moves against yours is sinful to say the least; he's quick to use his tongue, tracing it across your bottom lip before giving it a quick nip with his teeth. It was masterful really.

Within seconds, your mouth was giving him access, his tongue desperately wanting to meet yours, which drew a small whimper from you. While he moved excitedly within your mouth, you were more hesitant. Stupid as it may sound, you weren't sure you wanted to tempt him more; you had already totally crossed the line and disrespected your Prime Mover.

You know Copia isn't the kind to cheat, but he's been so miserable lately, always arguing with her, only for her not to remember a thing because she's so intoxicated. She was always out at parties and hardly ever home, and when she was in his suites, she was practically out of her mind. He's been trying so hard to get her the help she needs, but she won't take it. She likes the money, the power, the drink and drugs her position can afford her more than the life she's made here in the Abbey. It's sad really, especially with the baby involved.

The heat of the kiss had simmered down a lot and Papa slowly pulls away from you, searching your eyes for what went wrong. "I'm sorry, Papa, I shouldn't have- It was completely inappropriate of me to-" You try to pull away from him, but you only manage to slide your hands down to his chest before his grip on you returns, holding you close.

He swiftly pulls you outside the child's nursery and lightly clicks the door shut, so as not to disturb him.

"Papa, I'm- I'm so sorry..." It barely comes as a whisper.

"For what, tesoro? Giving me the kiss that I offered to you first? Now that's the real slight against me," he quips playfully, giving you a warm smile.

You hated to admit it, but it felt so nice being held so close to him. He always smelled of expensive cologne, it was heady getting to take in the scent at such proximity. All that consumed your mind in that moment was laying your head on his chest, so you did. Forehead in the crook of his neck, your eyes flutter closed and take in the soft moment.

Rubbing gentle circles into your back, his voice rumbles against your ears, "You're probably sleepy, piccolina. Let's get you to bed." Without another word, he leads you right down the hall to the guest room that was all yours. You never really returned to the Sisters of Sin quarters since you were the full time caregiver to the Emeritus heir.

It could get lonely at times, so you were grateful for the days when other Siblings would be assigned to work with you, whether to give you a break or to take Giovanni on an outing like a picnic or to the beach. 𝘛𝘩𝘢𝘵 𝘸𝘢𝘴 𝘴𝘰 𝘧𝘶𝘯, 𝘴𝘦𝘦𝘪𝘯𝘨 𝘗𝘢𝘱𝘢 𝘢𝘵 𝘵𝘩𝘦 𝘣𝘦𝘢𝘤𝘩 𝘸𝘪𝘵𝘩 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘚𝘪𝘣𝘭𝘪𝘯𝘨𝘴 𝘩𝘦𝘭𝘱𝘪𝘯𝘨 𝘣𝘶𝘪𝘭𝘥 𝘵𝘩𝘦 𝘣𝘢𝘣𝘺 𝘵𝘩𝘦 𝘣𝘦𝘴𝘵 𝘴𝘢𝘯𝘥𝘤𝘢𝘴𝘵𝘭𝘦 𝘦𝘷𝘦𝘳... Sleepily, you yawn as you arrive at your door.

Copia opens the door for you, stopping at the threshold. A gentleman even in his own home. "Goodnight, cara mia."

"Goodnight, Papa," you mumble, hands returning to his chest.

He couldn't help himself; he leans in pressing another kiss to your lips, fingers tangling in your hair for a brief moment before pulling away again. You may have whined at the loss; you aren't sure in your sleepy state. Looking up at him, the man bites his bottom lip, and only then do you realize how smudged his face paint is, especially around his mouth. Copia simply nods at you one final time before closing you in your room, and you let out a groan, knowing you should wash all the black and gray off of your face before bed.

• • •

The next morning you emerge from your room a little earlier than normal and in a bit of a tizzy, because Giovanni is already crying and that's not like him. Turns out he just needs a diaper change, but of course he's hungry afterwards. 𝘐 𝘴𝘸𝘦𝘢𝘳 𝘵𝘩𝘪𝘴 𝘣𝘰𝘺 𝘦𝘢𝘵𝘴 𝘴𝘰 𝘮𝘶𝘤𝘩, 𝘩𝘦'𝘭𝘭 𝘥𝘸𝘢𝘳𝘧 𝘩𝘪𝘴 𝘋𝘢𝘥𝘥𝘺.

Baby in tow, you head to the kitchen to warm up his bottle. You pass Copia in the living space, adorned with a little couch and TV, as he's having his morning coffee and reading the newspaper; he really could be a stereotypical old man sometimes. 𝘛𝘩𝘦 𝘰𝘯𝘭𝘺 𝘵𝘩𝘪𝘯𝘨 𝘩𝘦'𝘴 𝘮𝘪𝘴𝘴𝘪𝘯𝘨 𝘪𝘴 𝘳𝘦𝘢𝘥𝘪𝘯𝘨 𝘨𝘭𝘢𝘴𝘴𝘦𝘴.

"Up so early, you two?" He sets his mug down, promptly following you to the kitchen.

"Yes, he was extra whiny this morning, so I couldn't put him off any longer," you explain.

It was pretty rare to see Copia before he left in the morning. He was always up so early and home so late. This morning he was already dressed and face painted; you were sure he was getting ready to walk out the door any minute.

As you reach for the kettle to warm some water for the baby's bottle, you feel a large hand on the small of your back, and suddenly you're acutely aware of the fact that you are only in your silky nightgown. You hadn't had time to put on your habit this morning.

"Let me help, Stellina, I don't get to do enough for the little guy," Copia chuckles at the little one, pinching his cheek before moving to warm up the water.

You turn your attention back to keeping the little one calm, as he could get quite cranky when he's hungry. The antipope stops to admire the sight before him as the kettle heats up: your undivided attention on his child, the curve of your hip holding him, the bare skin of your collarbones and shoulders. It has his mind drifting to all the places he'd like to mark on you; you were just so motherly, even though you had none of your own... He'd like to be the one to give you one, or many.

Just as the pot starts to spit and sputter, before it can reach boiling, Copia quickly pours it into a large bowl, submerging one of the many bottles you kept ready in it to warm the formula up.

You lightly press a kiss to baby Gio's head as he laughs at his father for some unknown reason.

"What's so funny, huh?" he turns and gets right in the baby's face, eyes wide and smile big.

"Who's that?" you coo.

"Da... D-" he babbles; he was still learning his first words.

"Close enough, eh?" Copia giggles before gasping and covering his face with his hands.

"Oh no, where's Daddy?!" you feign looking for him.

A burst of laughter comes from the little one when Copia reveals his face again. Peekaboo always did the trick.

By now the bottle would be warm enough, so the man slides an arm under his child, taking him from you. Quickly tossing him up in the air, the baby squeals happily, as he settles into his father's arms. As Copia reaches for a towel and the bottle, the infant points at you, "Mama!" It was the clearest word he'd ever said.

"Oh no, sweetie, I'm not-" you start, but Copia finishes it.

"Sì? She is kinda like your Mama, yeah?" He bounces the baby and gives him the bottle.

"Copia... I'm not his mother. She'll be pissed."

"She's never here. You're all he knows. Satanas, 𝘐'𝘮 not even here as much as I'd like to be. You'll be the only reason he turns out right," he ponders out loud, face looking forlorn at the thought.

"Well... Maybe we should plan something? Give him a Daddy son day, yeah?" you suggest.

"I shouldn't only be around for the fun times. You deserve more help, and he deserves for at least one of his parents to be here for him," Copia asserts, leaving no room for argument. "I'll go in late today. I want to help you get him ready this morning. And tomorrow, I'll come home early."

You weren't sure how Sister Imperator was going to like that, but it seems he's made up his mind, and you certainly weren't going to complain about seeing him more.

• • •

Copia kept to his word and stayed through the baby's entire morning routine, burping him, getting him washed up and dressed for the day. And of course he didn't leave you without a kiss.

The next day, he arrived to his papal suite early, just as he said, and helped you fix dinner. Normally it was just you and the baby, so you ate whatever was around; you weren't above eating sliced up hot dogs and applesauce. But since Papa was home and wasn't used to eating that way, he helped you cook, making pasta, alfredo sauce, and some broccoli and zucchini for a side.

You spoon fed Gio a jar of baby food while Copia worked his magic at the stovetop. Sleeves rolled up and apron donned, he checks every pot and pan diligently, tasting and adding ingredients where necessary. He really was built for this; it's a shame he isn't able to be home more.

Once he was done, your Papa insisted on you taking it easy for the evening. From pulling out your chair at the dinner table to fixing your plate, you weren't doing a thing. It felt unreal, like you shouldn't even be there if you weren't doing your job, but it also felt nice to have him doting over you, even if it was wrong. Copia even chopped some noodles really small for his son to try; Gio was going to be a mess later, but he needed a bath anyway.

Which after the delicious meal, Copia handled that too. He was perhaps a little inexperienced and ended up covered in water himself, but he was so happy to kneel next to you on the bathroom tile and take care of his little one. And seeing Copia holding a bundle of towels afterwards was probably the cutest thing ever.

"Go wash up yourself, Stellina. I'll put il bambino down, I picked out his pajamas and everything. Meet me back in the main room for a movie, hm?" The man softly grabs your hand, kinda like he was asking you on a date.

"Oh, o-okay," you bite your lip.

"You do not have to if it would not make you happy, tesoro." You were both treading new waters.

"No, no. I'll be there." You offer him a smile.

He returns it, happy you accepted his offer. "Bene. See you then," he gives you a wink before heading off to the nursery.

• • •

After your respective showers, Copia relaxed on the sofa in nothing more than a pair of silk pajama pants that left little to the imagination. You try to avoid eye contact with a certain... outline, as you enter the room, donning a few more layers than him. He didn't wear a stitch of paint and his hair was still damp.

He admires your look of cozy pajama shorts, a tank top, and a short robe loosely tied over top. Moving to lie on his side, Copia pats the spot in front of him, meaning you need to squeeze in right next to him on the little seat. It seemed especially small now at the thought of having to share it with him.

And it's not that you don't want to. You just knew what it could lead to, and that makes you hesitant. The thought of cuddling up next to your boss, your Papa, and his Prime Mover could walk in the door at any moment, although it was unlikely.

"Is okay, tesoro, I'm nervous too," the man admits to you, "but I desire to be closer with you." Apparently, he means physically closer as he slides an arm around your waist as you sit next to his lounging form. He quickly catches your hand, kissing your knuckles. "C'mon, cara, get comfortable," he urges you, "Lie down with me if you'd like."

You oblige him, laying on your back with him still on his side beside you, faces mere inches from one another. "Hey," you greet him, a nod to the nearness.

"Hi," he replies, looking over the features of your face that he adores so much.

You'd never really gotten to look into his eyes like this before and take in the lack of pigment in that white iris; it's fascinating the way it nearly glows, and so well balanced by the warm golden hues present in his green eye.

"You're a good dad, Copia." You're not sure what prompted it, but after all the work he'd put in this evening, he deserved to hear that. And you could tell the work wouldn't end there; he wanted to be more present in his child's life.

"Grazie, Stellina," he gingerly lays his arm across your waist, "I couldn't do it without you."

Between his praises and his fingers tracing shapes along your side, your cheeks betray you and blush a deep shade. Scanning your face for any indication he should stop, he slowly presses a few small pecks to your jawline, and he catches you in a passionate kiss before asking what movie you'd like to watch.

After settling in on a classic you'd both seen before, you turn to your side, so Copia is spooning his body against yours, propped up just so that you can both see the large screen. With his warmth settled all around you, worry crossed your mind that you may not make it through the entire movie...

He was just so soft and warm... inviting... His breath at the nape of your neck soothing your heavy eyelids-

𝘐𝘴 𝘵𝘩𝘢𝘵- 𝘪𝘴 𝘩𝘦... 𝘪𝘴 𝘩𝘦 𝘩𝘢𝘳𝘥 𝘳𝘪𝘨𝘩𝘵 𝘯𝘰𝘸?

Keeping your eyes glued to the screen, you subtly arch your back, pretending to stretch, feeling out the... 𝘴𝘪𝘵𝘶𝘢𝘵𝘪𝘰𝘯 behind you. When you receive a stifled groan from your Papa, feeling his erection pressed tight against your backside, your inquiry is answered.

His arm draped around your waist tightens its grip, keeping you oh so close to him; you feel him let out a hot shaky breath before pressing a kiss to your neck. The feeling immediately sends a spark running through you as his mouth warms up your sensitive skin.

Your fingers lace with his as your ass wriggles against him again, earning a wanton moan from your Papa.

"Dolcezza... Look what you do to me," he whispers next to your ear.

"Papa," you breathe out, turning to catch his lips in a fierce kiss, the movie long since forgotten about. Quickly into the kiss, you're shifting onto your back, fingers tangling in his hair, to give him better access to your body.

His fingers delicately trace your jaw and neck, a sharp juxtaposition to the way his lips attack yours, needy and starved for attention. His lips deserved to be kissed like this every day; you couldn't understand why his Prime Mover would throw away the opportunity. Speaking of...

"Copia," you pull away from him suddenly, chests heaving as you both seek to fill your lungs again.

"Sì, bella mia? What is on that pretty little mind?"

Between the way his words make your heart swell and the shaft trapped against your hip, what you need to tell him fumbles on your lips. "We, uh... Copia, we- we shouldn't."

"Mm..." he grunts, "we shouldn't." He leans up to kiss your forehead, "But I want to. I want you. What do you want, cara mia?" He caresses your cheek again.

"I-" you look up for a minute, taking a deep breath, "I want you, too," you whisper, looking right into his eyes, like you were afraid to admit that you wanted your boss. But you do. He's damn near perfect! He's your Papa. He's the one you swore your vows to when you became a Sister of Sin. He's so devoted to his work, to the church, to his followers. He's a good dad. Damn it, you can't understand how she doesn't want him.

If his Prime Mover wasn't going to take care of him, then you would.

Your lips crash back into his, fingertips raking along his scalp harshly, causing him to rut his hips against you, desperate for your touch. As you moan against each other's mouths, his hand explores your body, sliding down your side, your hip, your thigh. Fingers trail up inside your shorts, teasing at the fabric of your panties.

You nearly whine in anticipation, only just now realizing how much you wanted his fingers inside you. Taking your little noise as a good sign, Copia slides his hand between your legs, urging your thighs apart and fabric out of the way as he runs two fingers through your slick folds.

Just to accentuate his actions, he draws your bottom lip between his, nibbling at your swollen flesh, which leaves you room to let out a breathy moan. "Cara..." he pulls back just enough to look at you, eyes blown wide with lust for you, "so wet for me..." He bites his lip, pushing those two fingers deep inside you. Gasping loudly at the feeling, your hands roam his bare skin across his neck, collarbone, chest. He ruts into you at the same pace that he pushes his fingers in and out, eyebrows furrowed, clearly fighting the urge to rush right into things.

"... feels so good, Papa. So good," you praise him, fingernails scratching at him.

"Sorella... I could say the same to you," he pants, brows softening as he presses a kiss to your cheek. How he managed to be so soft yet build such a fire between your legs made no sense to you, but you revel in the dizzying feeling of it all. You feel your walls petal around his digits thats he works in and out of you, thumb frequenting your clit, making you arch for him. "So tight, so warm, Sorella. I can't wait to feel you fully, amore."

"Copia," you drag his name out, "Copia, I need you." His duochromatic eyes search yours, and when your hand snakes down to grip his hot girth, he doesn't have to be told twice.

He curls his fingers sharply one good time, making you mewl out his name again, and pulls them out of you. Quickly, fingers rush to shove your too many layers off to the floor; first the robe, then the shorts, before he pulls you up off the couch, walking you backwards towards his room, lips never leaving yours.

Upon the back of your knees hitting the foot of the bed, the antipope shoves you back on the lofty mattress. Immediately he's on top of you, moving you back onto the pillows. After throwing your tank top across the room, his mouth latches onto your collarbone, sucking a sizable love mark there, fingers tangling into your hair. His other hand found your nipple, rolling it between his fingers as his eyes flicked up to yours to make sure he wasn't going too far.

Your fingers grant him permission with a gentle scratch on the head, and his mouth moves to suck on the soft flesh of your bosom. Toying with the waistband of your panties, he tugs them down, sitting back on his haunches as he flings them off. He leaves you on the bed to free himself from those devilish silk pants, erection springing free, heavy with lust, as he reaches into the bedside drawer to pull out a condom.

𝘏𝘰𝘸 𝘭𝘰𝘯𝘨 𝘩𝘢𝘴 𝘩𝘦 𝘣𝘦𝘦𝘯 𝘱𝘭𝘢𝘯𝘯𝘪𝘯𝘨 𝘵𝘩𝘪𝘴? 𝘐 𝘤𝘢𝘯'𝘵 𝘪𝘮𝘢𝘨𝘪𝘯𝘦 𝘸𝘩𝘢𝘵 𝘭𝘦𝘯𝘨𝘵𝘩𝘴 𝘩𝘦 𝘮𝘶𝘴𝘵'𝘷𝘦 𝘨𝘰𝘯𝘦 𝘵𝘰 𝘪𝘯 𝘰𝘳𝘥𝘦𝘳 𝘵𝘰 𝘨𝘦𝘵 𝘵𝘩𝘰𝘴𝘦 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘢𝘯𝘺𝘰𝘯𝘦 𝘧𝘪𝘯𝘥𝘪𝘯𝘨 𝘰𝘶𝘵. 𝘔𝘢𝘺𝘣𝘦 𝘩𝘦 𝘩𝘢𝘥 𝘢 𝘵𝘳𝘶𝘴𝘵𝘦𝘥 𝘎𝘩𝘰𝘶𝘭 𝘨𝘦𝘵 𝘵𝘩𝘦𝘮; 𝘵𝘩𝘦 𝘳𝘶𝘮𝘰𝘳 𝘮𝘪𝘭𝘭 𝘫𝘶𝘴𝘵 𝘸𝘰𝘳𝘬𝘴 𝘴𝘰 𝘧𝘢𝘴𝘵 𝘢𝘳𝘰𝘶𝘯𝘥 𝘩𝘦𝘳𝘦...

"Are you ready, cara mia?" he prompts, almost like a nervous teenager doing it for the first time.

Scanning over his body, completely bare to you from his messy hair to his flushed chest, bushy happy trail, and leaky shaft, you nod your head, looking up at him through your eyelashes. "Please, Copia."

Without another word, he ripped the little package and rolled the protection onto himself before climbing back on top of you. It felt good to have him there, like he belonged this close to you.

Wrapping your legs around his waist, he lined himself up with you. He worked gently, as if he might break you if he did what he really wanted to do. Really, it was romantic the way he rocked his hips ever so slowly, cradling your head in his hand, his eyes fluttered closed as he exhaled what felt like all the air in his lungs, nose nuzzling against the side of your neck.

You whine for more as he languidly fills you, his girth pressing on all your walls; you were grateful to have been partially stretched by his fingers earlier. Looking down at him, you bite your lip before pressing a light kiss to his forehead. He meets your eyes, pressing a kiss to your jawline in response.

Finally, it feels like he's bottomed out in you, and his knees dig into the bed as he gives one final push, that last little bit feeling so much more sensational than all the rest as he makes contact with that sweet spot his fingers teased earlier. Letting out an airy whimper, your eyes screw shut as he stays put, taunting the spot without moving.

"P-p-mmm... papaplease-" you whine for him to end his torture.

His cock twitches inside you, and a wicked grin forms on his lips, knowing what he's doing to you. He hasn't even moved yet and you've probably already forgotten your name. It may have been a while since he'd gotten any action, but he was happy to see he hadn't lost his touch.

After what feels like an eternity, he pulls out a bit, relieving the pressure on that spot deep inside you. You let out a breath you didn't realize you were holding, and he slides right back in, his tip kissing your sweet spot. Gasping as your thighs tighten their grip around him, he grins again, this time settling just above you to kiss your nose as you take on his assault.

Moving slowly at first, he relaxes into the pleasure of you: the way your delicate fingers curl into his hair, the way your jaw hangs open in pleasure, your eyes looking up into his longing for one another... How long you'd pined for one another without even realizing it; he'd wanted you from the moment he'd met you, seeing the way you cared for his progeny better than anyone else could.

With each thrust he wants you to know how much he cares for you, wants for you, needs you. Tears of lust and longing stain his lashes as he loses himself in the feeling of you surrounding him. As if to add to what he was already feeling, you pull him into a sweet but spicy makeout. His hips pick up pace, needing more.

"Dolcezza... I don't think I'll last..." he lets you know.

"Me either, Papa. Touch me, please."

Obliging you, his hand snakes between your bodies, the rough pad of his middle finger sending a jolt through you as he finds your clit. Between that and the treatment of your g-spot, you're cumming in seconds, growing impossibly tighter around his length each time your muscles convulse.

His lips find yours again, hating to muffle the sounds coming out of you, but desperately needing to kiss you. "Stellina... Ti amo, Stellina. Così tanto... Ho bisogno di te nella mia vita," he cries out for you as he spills into the condom and goes limp on top of you.

You cradle his head against your chest, and for a moment, he wasn't unlike his little one sleeping in the next room, needing your affection. You kiss the top of his head, nuzzling into his messy hair, and he returns the sentiment by nibbling on your earlobe, earning a giggle from you.

With a quick peck on the cheek, he rolls off of you, heading to the bathroom to grab a warm washcloth to clean you up. His aftercare is nearly as good as the lovemaking, as his lips trail behind the terry cloth, leaving a kiss wherever he wipes and soothes your skin.

"Did you mean what you said earlier?" you blurt out.

"What is that, cara mia?" Copia tosses the rag aside and wraps an arm around your waist, cuddling into you.

"That... That you love me," you bite your lip, "and I think you said something about your life? I don't know Italian as well as you obviously..." you trail off.

"Mi dispiace, tesoro, I hope I didn't make you uncomfortable," he caresses your cheek, searching your eyes.

"No, no, you didn't," you tell him, also stroking his cheek.

"I just lose control of myself when I, uhhh, when mia signora makes me feel good," he smiles and taps his fingers on your collarbone, "I hope you know, cara, that I-"

"I love you, too." You stare at him like you'd just been caught with your hand in the cookie jar.

"Oh, Stellina... I didn't know you would feel the same," he admits.

"Of course, I do, Papa. You're... perfect. Who wouldn't love you?"

"Well, I can think of one person," he gives a disgusted half smirk before chewing on his cheek. It wasn't lost on you all the times Copia's Prime Mover had walked out on him, but not before screaming and arguing at the top of her lungs about how much she hated him.

"Hey, hey, don't let her ruin your night. She's ruined too many of them already." You pull him closer, seeing him fight off the anger.

He looks up at you, face softening, "You're right. I'm letting her get to me, when I should be confessing my love to you," he chuckles softly, fingers walking up your arm.

"Yes, you should, Papa. Confess away," you sigh and lean in for another kiss.

"Ahhh, ti amo, principessa mia," he starts dramatically, "sei la mia vita, the very breath I breathe..." You both share a laugh at his little act. "Really, cara mia, I've loved you a long time. And it's supposed to feel wrong, but instead it just feels like... Like what it should've always been. Like you should be the one I'm with. Like you should be il mio bambino's mother."

"Copia," you whisper, tears welling up. You know he shouldn't say things like that, but admittedly it felt nice to hear it. Actually, it made your heart soar.

He pulls you in for another fierce kiss, one that's let's you know exactly how much he means it.

• • •

"Mmm, cara mia... I think I'm calling out of work today," your lover chuckles, squinting in the bright morning sun.

"What's that, old man? Four rounds and the baby crying got you worn out?" you jab at him.

"Did we go four rounds?" He looks impressed with himself.

"Did you lose count?" You both laugh, him groaning at his tired headache. As you wiggle out of bed to go get the little one ready for the day, Copia grabs your wrist.

"Let him sleep. We should too," he begs.

"Are you really calling out today? I'm sure Sister Imperator won't be happy."

"That woman is never happy. Now get your ass back in bed," he pulls you back under the covers, holding you flush against him. "Your 𝘴𝘦𝘹𝘺 ass." He grabs your backside to accentuate his point, leaning in to kiss your neck.

"I thought you wanted to go back to sleep..." You bite your lip with a cheeky grin.

"Maybe we go for round five first, sì?"

• • •

"Sh, sh, shhhh... It's okay, baby boy, it's okay," you whisper into Giovanni's ear, kissing his head repeatedly to calm his tantrum.

Copia's Prime Mover had come home, which means everything is a mess. You'd had a peaceful few days navigating your newly admitted feelings for your boss, and he was settling in to a new routine of being home more for the baby. Of course it was an added bonus that he got to spend his nights with you. But now everything felt like it had been turned on its head.

"Oh, so you think you're the best Daddy in the world since spending more time at home, huh?! Look at you all high and mighty! Making me out to be horrible!" She screams at him, loud enough that you can hear every word from your spot of the balcony. The sound had been driving the baby crazy, so you brought him out here to try to drown it out. It wasn't working as he cried and cried against you.

"Someone has to be here for him! My being here for him says nothing about you. Your own absence says it all," Copia cuts back at her, but it was the truth.

"So... you do think I'm a horrible mother?" She shrinks, wrapping her arms around herself. You try not to look, but you can't help but be concerned for your Papa.

"Of course not, tesoro..." There it is. The little shred of hope he still has for the mother of his child. He steps towards her, gently rubbing his hands over her arms. "You need help. It's not your fault, but you need help. All that stuff you pump into your body isn't good for you. Please let me help."

Finally, the little boy in your arms starts to settle down. You just hoped they wouldn't start shouting again.

She really was a beautiful woman, Copia's Prime Mover. Tall, looks that kill, charming; she really had been a great match for your Papa. Of course that was before the pressure of her position got to her. You suppose you'd be upset too if you got forced into a marriage; you'd probably go off the deep end as well. Copia had his whole life to prepare for that fate; she had a few months, and so she makes herself numb, she runs as far as she can, she resents all of it, especially him.

• • •

You wake early the next morning to a light knock at your guest room door. The sun wasn't even up, so you immediately got worried something was wrong with Gio.

Flinging the door open, you're met with the sight of a broken man. "Papa? What's wrong?"

"She's gone... She left again." He wasn't even blinking, but tears streamed from his mismatched orbs.

"Oh, Copia," you pull him into a hug, supporting him as best you can.

"She said I could get her help. She was going to get help, but she ran away again." He rests his chin on your shoulder, staring off at nothing as you lead him to sit on the edge of your bed.

"Copia... You do everything right. You try so hard for her. And for him," you nod to the nursery, "You can only help her as much as she'll let you. If she doesn't want to change, then she won't. It's not your fault; I hope you know that it isn't your fault."

He takes your hands and nods at you. He didn't have much else to say. He'd dealt with this so many times, he was almost numb to it. Almost.

You look at the clock, seeing that it was only 4am. "Let's get some more sleep, Papa. You need to rest." You stand up to lead him back to his room, but he just sits, looking up at you like a lost dog.

"Can I stay with you, cara mia?"

The simplicity of the question cut you deep; he yearned to not be alone. He didn't want to wake up to a cold empty bed once again.

"Of course, you can."

You climb back into bed, Copia happy to spoon your body. Sitting in comfortable silence, he drifts back off, getting the deepest sleep he'd had in the days since his Prime Mover had come home.

• • •

"Knock knock!" you chirp, entering Papa's office with baby, diaper bag, and picnic basket in tow.

He looks up from something he'd been reading over, a smile spreading across his face at the sight of you, "Ahhh, to what to I owe the pleasure? It's a long trek across the Abbey just to come see me." He stands up from his desk, taking the diaper bag and picnic basket from you and setting them down.

"Da-da!!!" the little one exclaims; he was getting much better at his words.

"Oooh, piccolino, come here," he replies, scooping him up too.

"He wanted to see you," you start, "and I did too... I know you haven't been able to be home as much as you want because of work, so I thought maybe we would bring lunch to you."

Paperwork had stacked up since he was taking more time to be home; he was taking this week to just try to push through as much as he could. But he's also making a plan to hire several assistants and delegate as many of these menial tasks as he can.

"Dolcezza... That is so thoughtful of you," he cups your cheek, giving you a quick peck on the forehead. "I think I could sneak away for a little while." He gives you a wink, bouncing the baby on his hip.

"It's okay if you can't! We can eat in here too. I don't want to get you in trouble with Sister..."

"Silly girl, when are you going to learn I don't care what she thinks?" He smirks at you, returning to his office chair to sign a few more papers before heading out. Somehow him holding the baby while working made him even cuter. "Besides, technically she answers to me."

Out in the gardens, Papa plays with the child, keeping him occupied while you set up lunch. Watching the little one doddle across the grass, Papa towering over him but offering his fingers as support, warmed your heart; Copia had been trying to get him to take his first steps on his own, and he was hellbent on not missing it.

"Okay, boys, time to eat!" you call over to them.

Copia immediately scoops the child up, tossing him high in the air, watching him giggle the whole way. He does it a few more times as he makes his way over to you and the picnic blanket. "Sorella, this all looks so good. Grazie. I wish I could've been some help to you," he offers his gratitude as he sits next to you, baby in his lap.

"It's okay, Papa. We know how hard you've been working, and without you, this whole Abbey wouldn't run, so really I should thank you for making it so wonderful here."

He nods his head at you, silenced by your sweet words. "Still, grazie, cara mia."

Lunch goes by peacefully, enjoying the warm sun and the image playing out before you: Copia trying to get Giovanni to eat some cut up strawberries and the little one sputtering red mush everywhere, making a mess of himself and his father.

"You'll have to change your clothes after lunch," you giggle, taking a bite of your sandwich.

"Mm, what a shame... Won't he be taking a nap then?" Your Papa gives you a smug look.

You blush at his implication and look around to make sure no one could hear. "Papa..."

"Oh, don't be so coy, Sorella. You certainly weren't shy when you went down-"

"Papa!! Hush!" you whisper yell at him, hiding your face in your hands.

He waits for you to peek through your fingers at him, and you both burst out in laughter.

• • •

What was supposed to be a quick stop back in his suite of course turned into a heated make out session on the kitchen counter.

"Cazzo, Stellina, I would take you on the fucking dinner table right now if I could," he grunts, biting at your bottom lip.

"Hmm, guess you'll just have to daydream about it in your office, huh?" You tease him.

"I'll have you there, too, if I have anything to do with it." His hands pull harshly at your hair, smashing his face against yours again. Your tongues dance with one another as your fists crumple the fresh shirt he'd put on.

When you can no longer wait for air, you push yourself off of him, breathing heavy. "You're gonna have to fix your paint, you know that?" you chuckle.

"I can see that," he wipes some gray from your lip to show you.

You both fall into giggles again, staring into each other's eyes as you reluctantly release one another to return back to your duties.

• • •

"Mm, we've probably got a few minutes before little Gio wakes up, right?" Copia grumbles into your cleavage.

You swear this man will be the death of you. He finally gets a day off, to sleep in if he wants, and the first things on his mind this morning is pounding you into the mattress... Again. Like he didn't do that all last night.

"All you ever think about is sex," you chuckle, kissing the top of his head.

"When it's as good as you are, amore mio, sì. I think about it morning, noon, and night," he starts pressing kisses across your chest, grinding his growing hardness against your thigh.

"Copia-" you start, hearing a couple thuds down the hallway, "What is that? Do you hear that?"

Seconds later, a loud shriek comes from the baby's room. In an instant you're both jumping up to throw on some clothes.

Copia slips on some pants before bolting out of his room with you hot on his trail, tying on his robe. In the hallway, you're both confronted with Copia's Prime Mover with Giovanni on her hip and diaper bag slung over her shoulder.

"What are you doing?!" The man steps right in front of her to stop her from shoving further down the hallway.

"I'm taking him and we're going!! You've got some new life now, so we're gonna move on too!" She is clearly out of her mind, her eyes bloodshot like she hasn't slept in days and bruises all up her forearms.

"What are you talking about??" Copia attempts to grab the child from her, but she snatches him away, which only eggs on his crying.

"Oh, please! You think I don't know you're fucking the nanny?! I saw the condoms in the trash last time I was here, and now she's in your robe!"

Tears of anger build up in his eyes as he turns to look at you; he felt totally helpless.

It gives his Prime Mover just enough time to push past him and into the living area. "You just want to put me away so you can move on to your new life with your newer, younger little whore!"

"Do not talk about her! She cares for your child more than you do!! While you're out on the streets strung out, she's here, doing the job you took vows to do!" he shouts to defend you.

"That was before I knew you ran a cult! All of this is just some facade to make you famous! You're a selfish bastard, leading the blind just so you won't be lonely like when you were a kid," her words cut deep.

Copia clenches both fists, a fire you'd never seen in his eyes before, as he very evenly doles out, "Give me back my child and get the fuck out."

As if on cue, the little one reaches out for you, face red as tears stream down his face, "Mama! Mamaaa!!"

You step closer to her, wanting to reach out for the squirming little bundle in her arm.

"So you think you're his mama now?" she cuts her eyes at you.

"No, I- I tried to teach him... I would never," you stammer, not knowing what to do, "Please. Please just give him to me."

"What? Let you have my husband and my baby? I think not, bitch." She moves towards the door, but you move with her, body acting on pure adrenaline now. The child reaches out, little hands latching onto your robe, and you wrap your arms around him to slip him away from her, but her fingers lock tightly around his thigh, making him shriek once again.

"Please. Please don't hurt him!! Don't hurt him!" You raise your voice at her, holding the baby tight to your chest.

The next thing you know, Copia is letting Aether and a couple other ghouls in the room, and they swiftly pounce on her, pulling her away from you and the baby you care so much about. You look down to see that his little leg was already bruising from where she'd grabbed and twisted at his skin.

You held him tightly, bouncing him around and humming something to drown it all out as Copia and the ghouls dragged her out into the hallway. The antipope was absolutely seething, and you didn't care to know what he was screaming at her.

Looking out to the sunny balcony, you feel the urge to walk out there. Honestly it was probably to soothe you as much as it was for the screaming one in your arms. Before you can move a muscle, your lover bursts back into the room, making a beeline for you. Without a word, he wraps his arms around you and Gio, resting his chin on top of your head. Fighting back tears, he holds you like that for a while.

Finally comes a soft, "I am so sorry, cara."

Pulling away just enough to look up at him, you reassure him, "It's not your fault. Are you okay?"

"I will be. Please tell me she didn't hurt you," he brushes his fingers through your hair.

"No, she didn't, but we may need to have this looked at," you motion to his son's bruised leg.

A series of emotions flash across Copia's face upon seeing the injury. Part of him blames himself for ever letting that woman get close to either of you. But he also knew that without her, he wouldn't have either of you in his life.

"Well, she's not coming back. I won't let her hurt anyone here ever again. She needs help but I can't keep letting her come back, not when I have a son who needs safety and stability."

• • •

Months went by, and it felt like a whole new chapter for all of you. Copia officially separated from his Prime Mover, announcing it at Black Mass; he always felt transparency was important in his congregation. You had moved into his room permanently, and Copia had even hired another nanny to give you a break from time to time. He didn't want you feeling like caring for his son was the only thing you were good for. He also hired assistants for his office, Siblings of Sin who were honored to take some weight off their Papa's shoulders.

Now that the two of you had less worries, you almost didn't know how to fill your time. Almost...

"Your sidekick has Giovanni out in the gardens... What do you say we have our own playtime, eh?" Copia chuckles next to your ear as you recline back against his chest on the sofa.

"Do not call her my sidekick," you laugh at your lover, "She does just as much work as me, she deserves more credit than that."

"I don't know, dolcezza... She doesn't spend the night like you do."

"Oh, and look how much trouble that got us in," you smirk, turning to catch him in a kiss. "You're not going to start sleeping with the new nanny again, are you?"

"No, no, no, no, amore mio," he whispers right in your ear, "Il mio cazzo belongs to you alone."

You huff out a laugh, "That's all? Just your 𝘤𝘢𝘻𝘻𝘰?"

"Well, perhaps il mio cuore, too..."

"Perhaps, huh?" you tease him, turning to get on your knees in between his legs. Leaning forward, you give him a single chaste kiss. "Don't I deserve a little more than 'perhaps'?" You sit back on your heels, unbuttoning your shirt slowly.

"Dolcezza..." Copia pants, already excited just from seeing your lacy bra.

"Ah, ah, ahhh. Don't 'dolcezza' me," you wink at him.

"Please-" he whines in a way that was a little unbecoming of a Papa.

Your shirt drifts slowly to the floor, and Copia reaches out to touch you, but you swat his hands away. "I don't know, Papa. Maybe I don't mean enough to you. Maybe I should just go take care of the throbbing between my legs all by myself, huh? Make you sit out here and listen while I cry out, making a mess of myself..."

He feels his cock twitch at the thought of you touching yourself in his bed.

"Stellina, please, you know I love you so..." His eyes roam your body hungrily.

"How do I know you mean it, Papa? That you aren't just saying that? For all I know, you tell the other nanny that all the time..." You grin at him, leaning forward and propping yourself up on your knees. With your elbows propped on his shoulders, he has a nice view of your cleavage spilling out of your bra just the way he likes.

"No one else is worthy of those words, no one else is worthy of these feelings I have for you." His arm snakes around you, hand resting on the small of your back. "Let me show you, cara mia. Let me prove how much I love you. Only you."

You bite your lip. It felt good to make a powerful man like him crumble, to have him rock hard without even touching him. Your little teasing game is fun, but you know his words are serious.

"Take me, Papa. Make me all yours. Prove I'm the only one for you."

With that, he wraps his arms around your thighs, carrying you right to his bedroom and kicking the door closed loudly. Your back hits the bed and your torso is met by his hot mouth tracing all your curves. Impatiently, he pulls at your tight pencil skirt, needing to feel more of your skin.

Reaching down, you undo the zipper on your hip, "There." Another wink.

The skirt finds its place in the corner of the room as Copia kisses at the top of your panties. "Mia dea... ti amo con tutto quello che ho. Sei la mia dea."

A blush tints your cheeks, you'd learned a bit more Italian in the last few months.

"Worship me, then."

He looks up to meet your commanding eyes, freezing for a brief moment before working his own shirt to the floor and positioning himself between your sinful thighs. Kissing at the supple skin there, he hooks one of your legs over his shoulder. Hungrily, his fingers grab at your skin until they hook into the lace at your hip. A tearing sound rings out and you feel his breath on your core.

"Hey! I liked those!" you whine.

"I'll buy you another pair, principessa," he looks up at you through his eyelashes while placing a sloppy kiss right to your clit. You can't help but buck up into his mouth at the sensation.

He grips your hips firmly to hold you in place. You had taunted the beast and now you would reap what you sowed. His mouth latches onto you, sucking on your already swollen clit. The feeling is so intense, you instinctively try to push him off you, but he is having none of it.

"Oh!! Papa!" you cry out, one hand tangling in his hair and the other gripping his satin sheets.

He offers you some reprieve by backing off of your bundle of nerves and instead opting to flatten his tongue against you, licking a stripe. His tongue then traces your folds before teasing your entrance, threatening to push inside. And he does just that. Eyes rolling back in his head as he stretches you with his tongue.

It has you mewling his name and arching as much as his grip will let you. When his nose makes contact with your clit, your hand in his hair tightens as you practically fuck yourself on his face.

His lips move back up to suck on your clit again, and you whimper at the loss of his tongue, but it is quickly replaced by two fingers curling deep inside you, as deep as he can reach. 𝘎𝘰𝘥𝘥𝘢𝘮𝘯𝘪𝘵 𝘵𝘩𝘪𝘴 𝘮𝘢𝘯 𝘪𝘴 𝘨𝘰𝘪𝘯𝘨 𝘵𝘰 𝘣𝘦 𝘵𝘩𝘦 𝘥𝘦𝘢𝘵𝘩 𝘰𝘧 𝘮𝘦. Devious eyes watch your face as he curls his digits, scratching that spot that he finds so well.

"Papa- damnit! Satanas, Papa, I'm gonna cum," you warn him, but he's ready for it, only sucking harder at your words. You let out a needy moan as your body shudders around his fingers, juices coating his hand and chin. He doesn't stop until you're done riding out the wave of your orgasm.

Unexpectedly, he snatches you up in a kiss, forcing you to taste yourself on him. "Do you taste that, amore? You on my mouth. There will never be another, you are the only one, I could never want for anyone else." He has your head reeling; he's never been so possessive, and it's hot.

Pulling him down, you both fall back on the plush bed together. His fingers lace with yours and his erection presses against your thigh, still trapped in those unholy tight jeans. Wanting to offer him some relief, you tease your fingers over the large bulge, cupping at it and earning a groan from the man. Clearly, he was in need of some attention, so you pop open the button and slide the zipper down, taking his girth in your hand.

"Cazzo, baby, I need you," his eyebrows knit together as he begs for you.

"Then, take me, Papa," you wink at him, "No need to keep me waiting!"

He chuckles and gives you one more kiss before kicking off his jeans. "This needs to go," he snakes a hand behind your back to unhook your bra, banishing it to the corner with your skirt. His mouth gently teases your nipples as he stretches for the bedside drawer, fumbling for a condom.

Suddenly, he sits up, looking a little frantically at the empty box in the drawer. "Fuck!" He groans, head falling in his hands, "I forgot to send Aether for more..."

"Oooh so that's who does your dirty work, huh?" You tease, sitting up next to him, and giving him a kiss on the cheek. "It's okay, ya know... Maybe we don't need one."

He gives you a confused look.

"Maybe... maybe it's about time for little Gio to be a big brother, hm?"

His eyes widen, eyebrows raised drastically. He dips his head slightly, reading your face for any sign that this was a joke. "A-are you... Are you s-sure, amore?"

You love those funny little moments when the stuttering Cardinal jumps back out of him again. "Yes," you chew on your bottom lip, cupping his cheek, "I'm sure. Let's have a baby."

For a brief moment, it looked like his brain was short-circuiting. "O-okay," he nods his head, eyebrows softening and a big smile spreading across his face. "You're really sure, Stellina?" He takes his face in your hands, looking all sappy, "You want to have miei bambini?"

"Sì," you nod at his little switch to Italian, kissing him on the nose, "Now are we gonna get all lovey dovey about it, or are you gonna get me pregnant?" Your fingers tease at his erection, still standing proudly.

"Mmm, maybe a little of both, sì?" His lips catch yours again, and the weight of his body pushes your back down onto the bed. You spread your legs for him to get between them, but he simply shakes his head, flipping you over instead. When you look over your shoulder at him, feigning a snooty look, he chuckles deeply before growling in your ear, "You intend to be bred, do you not, Sorella?"

His words make your stomach do flips, and you clench your thighs together at the thought.

Now with you flat on your stomach, Copia's strong hands works the muscles in your back, slowly massaging up from the small of your back to your shoulder blades. "I need you nice and relaxed, principessa." His fingers lace into the base of your hair, tugging your head up to look at him, "You want it to take, sì?"

"Yes, Papa. I do," you moan for him.

"Bene..." He shoves your head back down in the pillows and lands a sharp 𝘴𝘮𝘢𝘤𝘬! on your ass, earning a squeal from you. After he smoothes over the red mark, he lets his hand dip between your thighs. His fingers moving over your folds at this angle feel impeccable.

You push your ass up in the air, trying to get more friction from him, not even understanding how he could be so patient right now. But as if reading your mind, you feel his warm thighs straddle yours and his tip line up with you.

"To feel you so fully and completely, amore mio... I know this will be spectacular," he praises you, pushing forward with a needy groan.

It does feel a little different than what you'd grown used to, hearing a little pop as the tip pushes through your entrance. Things feel somehow smoother than before, maybe from the lack of protection, but maybe you were just that wet. You take him all the way to the hilt, whimpering and moaning into the pillow.

He sets a devilish pace pretty quickly, barely giving you time to get used to the stretch. The discomfort quickly wanes, and you feel your lover's breath hot on your back as he fucks into you in earnest, losing himself in feeling your wet heat unshielded. He leans down to press a few kisses and small bite to your shoulder before he throws his head back, really picking up the pace.

Your hands reach back gripping at his thighs mostly, as your makeup smears across his satin pillowcases.

"Cara... I need- more," he grunts, a small warning before he sits himself up, dragging your hips up off the bed and slams back into you.

"Ah!!!" you scream at the sudden movement, trying to stabilize yourself on your hands and knees. The sound of skin slapping skin fills the air alongside your noises of pleasure.

One of Copia's hands leaves your hips to ponytail your hair, pulling harshly to urge you back on his girth with more force.

"Papaaa!" is the only thing you can manage, hardly able to form a thought at this point.

"Mia dolce dea, I'm going to fill you with my seed. I'll make you grow round with my child," he tells you between thrusts, "it will be... 𝘣𝘦𝘭𝘭𝘪𝘴𝘪𝘮𝘢, 𝘢𝘮𝘰𝘳𝘦, 𝘣𝘦𝘭𝘭𝘪𝘴𝘪𝘮𝘢..."

"Copia, please... Please, touch me, Papa," you cry for him.

Using the grip he maintained on your hair, he heaves you up so you're standing on your knees, back flush against his chest, "You think I would leave mia principessa untouched? What kind of Papa do you think I am?"

Finally releasing your hair, the rough pads of his fingers toy with your nipples. He can't wait until your breasts swell too... Holding you stable with one arm, the other searches for your clit, finding it in expert time. As his finger starts to circle it, you arch your hips back, also aiding him in finding that perfect spot inside you, "Oh! Oh, Satanas Papa! Right 𝘵𝘩𝘦𝘳𝘦- 𝘱𝘭𝘦𝘢𝘴𝘦 𝘥𝘰𝘯'𝘵 𝘴𝘵𝘰𝘱!"

Always a good listener, he does exactly as he's told, holding his pace, snapping up into your heat the exact same way every time. You feel your orgasm rapidly approaching under his ministrations.

"Vieni per me, amore, per favore, vieni per me. I'm cumming- cum with me," he loses himself in the feeling of you. And when you feel an unfamiliar warmth spread deep inside you, it sends you right over the edge with him.

Your lover struggles to hold you close to him as you double over, riding out your release. His hips continue to buck into you in shallow thrusts through his orgasm.

Finally, he sits back on his heels, pulling you with him, cock still stuffed inside you. He throws his head back and rakes his hands through his hair, jaw hung open as he catches his breath. "You are perfetto, amore mio. You know this?" He wraps his arms around you, hugging your torso.

"I'm far from it, Copia." You lean back against him, resting your head against his jaw.

"No, no, no. I will show you how perfect you are. Even if it takes our whole lives, you will know how much you mean to me." He kisses the top of your head, chest still heaving.

"Papa..." you turn, giving him a quick, sloppy kiss, "I love you."

"Anch'io ti amo, cara mia, ti amo così tanto."

623 notes · View notes

badnewswhatsleft · 4 months

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2023 september - rock sound #300 (fall out boy cover) scans

transcript below cut!

WHAT A TIME TO BE ALIVE

With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.

WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham

You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?

PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.

Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?

PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.

You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?

PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.

You seem generally a lot more comfortable celebrating your past success at this point in your career.

PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.

You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?

PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’

On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?

PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.

The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?

PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.

Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.

PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.

Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.

PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.

It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.

PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.

We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?

PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs). PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.

Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.

#the cover is so funny. like theyre cute but that is genuinely bug angle. that is bugs under a rock angle. THEYRE ALREADY SHORT KINGS #fall out boy #pete wentz #patrick stump #andy hurley #joe trohman #time capsule #read the charts #ANYWAY GO HERE. GO READ HERE. BECAUSE I SPENT A LONG TIME TRANSCRIBING EVEN THO TRNASNCRIBING SUCKKSSS #i looped the spell soundtrack like 5 times and got jusmpscared by track9 every time. and then i put on smfs<3 #patrick's comments about the mythologising of fob lore is so interesting #listen baby i know ur fed up and it's not ur fault but u have to understand. the story of ur band is on some genuine fanfic ass other level #the way they talk about neal avron is sooo funny #imagine being producer for this young band. and theyre brilliant but theyre also twentysomethings(derogatory)#also the way pete talks abt swift. lol. also why does he answer the q when patrick was the one in the studio lol???#ALSO also. pete being afraid of british ppl (valid and true)#and patrick pretty much taking to the uk like a duck to water (also valid and tru) is sooo funny #i rlly liked this interview i wiiiiish i got the bundle w the photobook and whatever but i was way too late :(((((((((

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multiland · 10 months

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best friend! nct dream when you ask them if you can suck them off

a/n: here's another one of my crazy ideas lmao, feedback is highly appreciated and could help me make more of these🥹

mark

renjun

jeno

haechan

jaemin

chenle

jisung

#kpop #kpop bands #kpop boys #kpop smut #kpop scenarios #kpop imagines #kpop idol #nct #nct dream #nct smut #fake texts #kpop fake texts #nct reactions

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americas1suiteheart · 6 months

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Better Off As Lovers

Patrick Stump x Reader

This was also posted on Ao3 if you prefer that platform, this whole text is the link. :)

[Summary; You and Patrick have been friends since middle school and have been going to tours with him and the band to watch their shows. At one of the shows, Patrick decides to play one unreleased song he just so happened to write for you to confess his feelings. (I dunno this is kinda the summary but I'm also dumb as shit and can't make a correct summary).

[Notes; I felt like writing a little something for him as I've been wanting to for a while now, and here it is! And honestly, guys, if I end up wring more Patrick x Reader fics they're all most likely to be song fics or fics based off of some of the music videos, sorry but man I'm a sucker for song fics.

[Warnings; Some cursing and some bickering back and forth between Pete and Y/n over stupid stuff. Really really cheesy and unrealistic ig. Also Y/n is kind of really fucking stupid as well, but for the sake of the fic.

[Word Count: 4,068 (This is literally the longest fic I've ever written oh my gods.)

<Playing- Bang The Doldrums by Fall Out Boy>

1:32 ────ㅇ────── 3:31

God, why are these tour bus seats so uncomfortable? You'd figure that because they were meant for people to sleep in, they would be more comfortable.

You get up and stretch, heading to the cupboard where the band keeps all of the snacks to look for your hidden stash in the back.

"Where the hell are they?" You say, muttering to yourself.

You continue to scrounge through the cabinet to try and find your two twin packs of Twinkies, only to give up and walk to where the boys were hanging out.

"Hey, did any of you guys eat my Twinkies?" You call out as you walk to where you can hear the boys talking; a curtain was the only thing acting as a door for the area.

Just as you open the curtain to the "room" (aka the six loft beds that were separated by just a curtain), you see Pete and Joe munching on your beloved creme-filled cakes.

"Are you kidding me?" You say, your mouth agape and eyebrows raised.

"I told you guys so."

The two boys look at each other and then at you, a twinge of fear apparent on their faces, the creme filling on the corners of their mouths, and the wrappers thrown onto the floor.

"You two so totally owe me two boxes of Twinkies, I mean it! One box from each of you two! How did you find them?! I hid them!" You flail your arms about towards the boys, the guilt becoming more apparent on Joe's face.

Pete and Joe shuffle in their spots, licking their fingers and corners of their mouths to get the creme off from their messy way of eating.

"Honestly, you're kinda bad at hiding stuff; it wasn't that hard to find them," Pete says with a shrug.

Patrick kicks his shin from where he was sitting from across, earning a hiss of pain and a dirty look from Peter.

"I'm gonna eat all of your fucking Blow-Pops." You say, leaving the sleeping area and heading back to the snack cupboard. You can hear Pete's shouts, telling you not to touch them.

Opening the cupboard, you immediately spot a party-size pack of Blow-Pops with a large piece of duct tape stuck on to the bag, big bold letters drawn with a black Sharpie reading 'PETE'S LOLLIPOPS!!! DON'T TOUCH!!!'

Pete really liked those things, and he would individually count them to keep track of how many he had, so that way, if someone decided to take one or two of them, he would know. Which is kind of insane of him now that you think about it. Actually, scratch that, Pete was insane—PERIOD!

You grab the bag and grab three handfuls of lollipops, shoving them into your hoodie pockets and putting the bag back into the cupboard.

"Give them back, Y/n!" Pete says, grabbing your shoulders just enough to keep you from moving.

"Hell no! Buy me back my Twinkies and then I might just give you all of them back." You say putting one hand into your pocket to take out a Blow-Pop.

"Those Twinkies were practically begging to be eaten by someone, man; come on, those were in there for days without being touched."

You unwrap the lollipop, pulling your hand up to pop it into your mouth, Pete's mouth falling agape as you do so.

"Was that one of the apple ones..."

You nod your head, taking it out of your mouth. "And I've still got more. And as I said, I'm not giving them back until you buy me back, my Twinkies,"

"God, fine! But promise not to eat anymore until we get to a gas station! Especially not the Apple ones!"

"Will do," You pop the Blow-Pop back into your mouth as he lets go of your shoulders, looking defeated as he walks back to the room all of the others were still in.

You smile to yourself, sitting back into the seat you were originally in.

------------------------------

You and the boys get out of the bus, heading into the gas station as the drivers fuel up. You immediately head for the drink section, looking for a can of Arizona tea.

What the hell man, where are they?

You continue to look for another minute or so until you finally give up, heading to the soda section where Patrick was.

You had somewhat of a crush on Patrick. You always have to be honest.

You went to high school with Patrick, so you've known him since sophomore year. You had a lot of classes with him too and often hung out with each other both inside and outside of school, making you closer to Patrick than you were to any of the other kids and considering him your best friend.

When he first started playing with Joe and Pete and officially being in a band with them, you started going over to practices with him, getting to know the two better, and when Andy joined the band, it was the same with him.

Now that you think about it, you have no clue how liking him could have been avoided. He's sweet and smart—a little awkward at times too, but nonetheless an incredible guy.

I mean, the whole reason why you started looking into learning some music technology was so that you could be with him more often. A lot of what you started doing was to get to hang out with him more often.

"Boo!" You say, grabbing Patrick's arm gently.

"N/n, there you are," Patrick says, turning around to look at you, holding out two cans of Arizona tea to you.

"What the hell, I just spent like, two minutes looking for these; where the heck did you find them?" You chuckle, taking one of the cans.

"I'll never tell.." Patrick chuckles, a cheeky grin on his face.

"Well, thank you Patrick. I appreciate your kind gesture very much."

Andy and Joe run by you and Patrick, with Pete doing the same shortly afterwards. Some screams and laughs came with that as well. You could see the cashier trying their best to make it through all the noise, with a look on their face that could only be explained as exhaustion and frustration, clearly not wanting to be at work.

You look at Patrick and sigh, knowing that you'll have to yell at the three once again as if they were children, regardless of the fact they were all older than you and Patrick.

You walk to the snack aisle, where you can see Joe and Andy crouching down, assumingly hiding from Pete for whatever reason, and walk up behind them. Andy had a bag of skittles in his hand and a sprite in the other, while Joe carried a twin pack of Twinkies—just as you asked him for—and a bag of chips and diet coke in his arms.

"What are we hiding from?" You whisper to the two, who jump slightly and look back in response.

"Pete," Andy replies quietly.

"Well, we've gotta go; you guys will have to finish this up some other time, preferably when we aren't in a public place."

You hear footsteps from behind and stand up, turning around to see Pete walking slowly, putting a finger up to his lips as to say "don't say anything," and you shake your head and mouth, "No."

"Come on guys, go check out we need to get back on the road," you say, turning back to Andy and Joe.

Pete groans and fully stands up, Andy and Joe doing the same.

"God, you're such a grump all the time, no fun," Pete says, walking up to the cashier.

Patrick comes up from behind you, putting his hand on your back. "Is everyone ready to go?"

You blush from the contact, nodding your head in response, and walk to the register where the boys were checking out.

"No, I paid the last time. It's Andy's turn to pay now, remember?" Pete argues. The cashier looked like he was about to snap; if it was a cartoon, steam would probably be coming out of his ears right now.

"I'll pay, fine dude, just chill out," Andy says, pulling out his wallet and handing the cashier his credit card.

The cashier puts their items into a plastic bag, and Andy grabs it and leaves with the other two.

You and Patrick walk to the register, putting your items down on the counter.

"Sorry about them by the way, they get rowdy sometimes," Patrick says, attempting to break the awkwardness by making small talk, leading it to get worse.

"Your total is $9.34," the cashier says with a deadpan look on his face.

The two of you pull out your cards and look at each other. "Let me pay for it, please; you had paid the last time, and it was almost 20 dollars," Patrick says with puppy eyes.

God, this guy always knows how to get his way with that look.

"Alright then, Pat. Thank you," You thank him, putting your card away.

Patrick pays and the cashier puts our stuff into a plastic bag, handing it to him, with him thanking the guy and telling him to have a good day.

You two walk back into the bus, and Patrick places the bag on the couch in the lounge.

"Do you want both of these in the mini fridge?" Patrick asks, taking one of the tea cans out of the bag.

"I'll have one now and save the other for later, if you can put one in though, that'd be awesome."

Patrick nods and puts one can and one of his sodas in the mini fridge plugged in next to the counter where the broken toaster sat. Now that you think about it, how long has that thing been broken? Why haven't any of us bothered to replace it?

You open one of the cans, walking into the bunk area, and sit on your bunk at the top, letting your feet dangle above the middle bunk.

"Y/n, here you go," Joe says, handing me two twin packs of Twinkies.

"Thanks, Joe. Here are your Blow-Pops back dickhead," you say, taking the wrapped cakes and taking all of the blow pops out of your pocket, handing them to Pete, who was sitting next to Joe.

"Jesus, dude, how many of my fucking Blow-Pops did you take?" Pete exclaims.

"A couple handfuls, I think," you reply, taking a drink of your tea.

-----------------------------

"Alright guys, we've got a couple more songs to play; are you ready?" Pete shouts into his mic, earning cheers from throughout the crowd.

The boys continue playing a couple more songs.

The band had been playing for an hour and a half now, playing some of their newer songs from the newest album they were working on, those of which you had the pleasure of getting to listen to before they played them for others, as well as songs from Take This To Your Grave and From Under The Cork Tree. The crowd was singing the lyrics along with the band, enjoying all of it.

"This is the last song for tonight and is another one from the album that we're currently working on; this one me and Patrick worked on together is called Bang The Doldrums!" Pete says, wiping some of the sweat off of his forehead.

Patrick adjusts the strap of his guitar slightly, walking up to the mic. Him and Joe begin to play together, with the rest of the band joining in.

You listen to it for a bit, you hadn't recognised the name but you figured that they had probably changed it.

'I wrote a goodbye note in lipstick on your arm when you passed out,'

What the hell? I haven't heard this one yet.

'I couldn't bring myself to call, except to call it quits,'

This is great; why hadn't they shown me this one? They all sound amazing.

Patrick looks at me as he sings the next verse; his face tinted a slight red, maybe from how out of breath he was getting? God, he always looked so pretty like that.

'Best friends, ex-friends till the end, better off as lovers, and not the other way around,'

You listen to the lyrics; why did he look at me like that in that exact verse? Maybe I'm just going crazy.

'Racing through the city, windows down, in the back of yellow-checkered cars,'

You continued to listen, enjoying the sound of the way they were playing.

Then once again, Patrick looks at you, looking less nervous and giving a slight smile as he sings the same verse.

'Best friends, ex-friends till the end, better off as lovers, and not the other way around,'

You can feel your face rapidly becoming warm, oh?

You think for a bit, your mouth slightly agape as you stand still. You just hope what you think is happening and what he's implying is actually what it is. No, no way. You guys have just been friends since high school; there's no way.

'..in the back of yellow-checkered cars. You're wrong, are we all wrong?

'Best friends, ex-friends till the end, better off as lovers, and not the other way around, ex-friends till the end, better off as lovers!'

The song ends, and the band thanks the crowd before exiting the stage, allowing the stage technicians to begin striking and taking everything down.

You were still standing there as the crowd began to clear out. Shit, you should get to the boys. What do I do about how Patrick looked at me? What if I ask him about it and I'm totally wrong? Oh god, I'm screwed.

You begin to head to the door that lead to the backstage lounge, a security guard protecting it from letting anyone else in. The guard immediately notices you and lets you in.

You nervously walk to the same area that the boys were in, knocking on the door and hearing Joe shout, "Come in!"

You open the door and smile at the boys, who were sitting down, drinking water and using towels to dry themselves off.

Where's Pat?

"Hey guys! You sounded awesome tonight, what was with that last song though? I'd never heard it before." You greet, sitting down on one of the metal pull-out chairs across from everyone else.

"Thanks! We were going to show you Bang The Doldrums when we were first working on it, but about halfway through writing it Patrick had said something about waiting to play it at a gig instead, something about surprising you, I dunno," Pete says in response, taking a chug of his water bottle.

"Where is Patrick, by the way?" You ask, rubbing your hands on your thighs.

"I think he went to go and look for you actually; try ringing him or go and look for him; he's somewhere around here," Andy says.

"Shit really? I'll go try to find him now. Do you guys need anything that could be outside of this room?"

"Can you get us some more water? I'm still totally parched man," Pete asks, taking the towel he had on his shoulder to wipe his face off.

You nod and get up, leaving the room and closing the door to go and look for Patrick.

How on earth do you know where every place in this theater would be? This place is huge..

After searching around, you finally decide to go outside to check if he was in the tour bus by chance, only to see him sitting on a curb next to the door hidden from all of the different fans still exiting the venue.

"Pat? What're you doin' out here without a sweater on? It's freezing right now." You speak out, walking to where he was and sitting to the left of him.

"Oh, I went to look for you, and when I came out here, it was way cooler than it was in the theater, so I stayed out here to cool off a little bit," Patrick says, straightening his back and looking at you.

You nod in a way of understanding.

"How'd you like the show, though?" Patrick says, after a few seconds of silence.

"It was great! You guys never have a boring gig; everyone was loving it. What was the last song about though? I had never heard you guys play it up until just now." You say excitedly.

Patrick shifts slightly, looking away from you as his face flushes, now looking slightly embarrassed.

"I mean, it's not that it sounded bad or anything; it sounded great, but, during that chorus, you kept looking at me and, well," You say awkwardly, avoiding saying what you actually wanted to say.

It stayed silent for a couple of seconds before Patrick broke it.

"Sorry about that, I don't know if it made you weirded out or anything." Patrick says quietly.

"'Weirded out?' Pat I don't think you can really do anything to weird me out honestly. I didn't mind the contact all that much really." You lightly laugh, quietly mumbling the last part.

After saying that, you notice Patrick relax a bit, as if he were relieved and a little bit of a weight was off his shoulders.

"Y/n, can I tell you something?" Patrick says looking down at his shoes, his voice shaky.

"Yeah, of course," You reply, anxious for his words, yet somehow excited at the same time, wondering what they might be.

"This is going to sound so stupid, gosh. Um," Patrick chuckles, trying to calm his nerves as he twiddles his thumbs together, then proceeding with what he was saying. "I uh, would you hate me if I said that I really liked you, and not in a friend sort of way but um,"

You stay quiet for a few seconds, mouth slightly open and eyes wide. You're glad that it was dim in the little corner you two were sitting at so that he wouldn't see how red your face was turning.

"I'm sorry, I shouldn't have said anythi-" Patrick apologises before getting cut off by you.

"Patrick, don't be sorry," You say.

Patrick furrows his brows, creasing his forehead slightly, turning to look at you with confusion clear on his face.

"You have absolutely no idea how long I've waited for you to say something along the lines of that," You continue, grinning widely.

Patrick's face softened, a small smile appearing onto his face.

"So, does that mean that, well, you know," He says, looking at some cracks in the concrete, kicking at a pebble aside.

"Yeah, it means exactly that, Trick," You put your hand on his shoulder, trying to get his attention back.

He looks back at you, smiling, his eyes that you looked into so often seemed to shine brighter underneath the dim light that the venue had over the door in the back that barely showed any light where you two were sitting.

Patrick brings a hand to your face, caressing your cheek. You lean into his touch, doing the same as he did.

His eyes glance at your lips for a millisecond, quickly returning to your eyes.

"Can I kiss you?" Patrick asks quietly, his voice barely above a whisper.

You nod your head and lean in as he does, fluttering your eyes closed.

Patrick closes the gap between the both of you, his breath warm. The kiss is soft and sweet, not pressed too hard against each other but still with passion. Your lips seemed to fit perfectly with his, as if they were made specifically for the both of you and just the both of you alone.

You two pull away, pressing your foreheads together, panting ever so slightly from the lack of oxygen the both of you got during the kiss.

There was a peaceful silence for a few seconds, you swear that if it weren't for the muffled music and talking of the crowd outside Patrick would've been able to hear your heart beating out of your chest.

"God, if I knew this would be the outcome I would've told you years ago," Patrick chuckles lightly.

You smile, now realizing that this wasn't a dream and that your best friend since high school really confessed what you dreamed he would for years now. That you two really kissed and it wasn't some guy that you pretended to love in hopes of letting your feelings for Patrick disappear, and you were so glad that your mind and heart didn't let that happen.

"Oh my god finally, you two are idiots," Pete says, standing on the steps that lead to the door to get backstage.

You and Patrick quickly pull away from each other, your face burning up quickly.

"What the hell do you mean 'finally'?" You say, looking at Pete in confusion.

"We've been waiting for you two idiots to finally say something to each other for years now,"

You look at Pete for a few seconds, the cogs in your head turning.

"What?"

"I mean, you two were so painfully obvious, I'm honestly surprised that you two didn't figure it out way earlier man. Oh! Wait, wait, who confessed first? Was it you Y/n?"

Joe and Andy walk out and stand next to Pete.

"Did it finally happen? Who said it first, do you know?" Joe asks.

You and Patrick stare at each other, completely baffled.

"Was it Patrick?" Andy asks.

You flush even more, looking back at the three, then quickly looking away.

"It was totally Patrick, I called it! Come on pay up you two,"

Joe and Pete groan, taking out their wallets.

"Did you guys place bets on us?" Patrick asks, getting completely ignored by them.

"How much was it again, I don't remember it's been like 5 years now," Pete asks, looking at Andy.

"I think it was either ten or twenty,"

"Can we just say it was ten? I don't have a twenty or two tens on me and I don't want to go to the ATM tomorrow morning." Joe says, rummaging through his wallet.

"Sure that works," Pete and Joe both hand Andy one ten dollar bill each.

"What the hell, was Andy the only one that thought I would confess?" Patrick says. He seemed more upset at the fact that Pete and Joe put their bets on you confessing first rather than him.

"Come inside, it's freezing out here and we still haven't gotten our waters yet," Pete says, holding the door open for Andy and Joe.

You get up and gesture for Patrick to do the same, walking to the doorway.

"I fucking hate you and I hope you know that," You whisper to Pete jokingly, proceeding inside with Patrick and Pete behind you.

"Love you too N/n.." Pete says sarcastically, walking to the table where a load of plastic water bottles were, grabbing three of them.

"I hate him," You say, looking at Pete walk away and disappear into the room the three were in before.

"Me too sometimes but honestly if it weren't for him I probably would have never said anything," Patrick looks at you.

"What do you mean?"

"He's the one that organized the whole plan of playing Bang The Doldrums and not showing it to you until earlier during the show," Patrick answers, rubbing the back of his neck.

"Huh, he told me you said something about not showing me until now. You know, maybe I don't hate him as much anymore now."

Patrick laughs, grabbing your hand and pulling you along to the table, grabbing two bottles for himself and you.

You smile to yourself, looking at your entangled hands then at him as he walked you to the room the boys were in.

You couldn't have been happier in all the years of your life up until now, and you wouldn't change or trade it for anything in the world. You were happy that you finally got to be like this with Patrick, the boy that was always so nice to everyone no matter what, the boy that knew exactly what to say if anyone was ever down, the boy that never left you no matter how difficult or bad it got.

This was the boy that you fell in love with since the moment you saw him, and he loved you back.

3:13 ─────────ㅇ─ 3:31

This took me forever to finish, and thank gods that I hyper fixated on FOB again (more than many times throughout the making of this fic,) because if not it wouldn't have ever gotten finished. I think I might end up writing more fics for Patrick, let me know if you would like for that to happen, send in some requests if you would like as well! Thank you for reading this seriously, regardless if your new or if you've been a follower since I started posting my fics on here, I appreciate you all for continuing to read my stuff because it makes me truly feel like I'm getting better and that people enjoy my stuff.