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#basically there are certain ones I will write and others I won't
Recently, through Twitter, I have become aware of the fact that modern American parents have been very ignorant of their parental duties when it comes to their children. Parents are banding together to complain about the schools their children attend because their kids are getting bad grades in class, or they're getting detentions for doing bad consistently, or they're being held back because they're just not at the same level as their peers.
There was an entire thread of some woman whining about how the school was failing her kid, because his English class grade was so bad. There were thousands of comments agreeing and various reposts with anecdotes from other parents with similar experiences.
"My 26 y/o son can't even write a check for God's sake!"
And one single person finally replied with, "Do you guys not teach your kids anything at home before they start going to school?" Which then spawned people with actual common sense questioning the level of involvement these people had in the lives of their kids.
This is what led to a large surge of people complaining about how it's the school's job to teach them everything and they did their job just keeping them alive.
Now, I don't want to be mean, but it's gonna come across that way.
Parents are lazy these days.
When I was a child, my Nana and mom had me learning with Hooked on Phonics before I entered pre-K. I was 3 years old and already sounding out words that rhymed. I was practicing how quickly I could say them in under 30 seconds so I could progress to the next lesson.
mat hat sat that cat vat pat bat fat lat rat brat
etc...
When I was in pre-K(4 years old), they had a single, really old computer that had a bunch of Winnie the Pooh CD-ROM games. Because I always got my work done faster than everybody else, they let me use the computer because I could actually read and follow Pooh's instructions, and it kept me busy.
And when I entered kindergarten for the first time, I was really surprised to see that Hooked on Phonics was actually part of my curriculum and I was already very well ahead of everyone else. My mom and Nana took traching me very seriously. They not only read to me, but they would also get me Madeline books and cassette tapes from the children's library downtown. And then I would listen to the cassettes telling the story while reading the book at the same time to get used to the words.
At three years old, I was helping out in the kitchen, learning all of the different kitchen utensils and types of measurement. My mom often went between English, French and American Sign Language at random times so I picked up a lot of stuff that way. We never had a computer in the house for the first 12 years of my life, but I did have an old keyboard to learn how to type. Nana gave me basic piano lessons for a couple years. Mom taught me how to hem my clothes because she would buy me bigger clothes, hem them to size, and then let them out as I grew. Hell, Sperm Donor taught me how to write a check when I was 8. He was also a Financial Adviser, so I got a lot of lessons on money management, investments, and 401Ks and shit.
All these incredibly simple things ended up benefiting me later on, because I was so far ahead of all of the other students that it consistently put me at odds with them. I was better at reading, cooking, sewing, music, languages, etc... I was allowed time to do whatever I wanted while the rest of them had to catch up.
There is a lot more to being a parent than just making sure your kid eats three meals a day and doesn't die in a stupid way. And it seems like a lot of parents these days have completely forgotten that they have a duty to their kids beyond the feeding and clothing thing.
Certain things SHOULD be taught in schools, like how to balance a checkbook. But if it's clear that the school won't cover it, why aren't YOU doing something about that? And why do so many parents have no clue what the hell their kids are even getting up to in school? Why don't y'all get involved in your kid's lives?
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ranticore · 3 days
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reading your pern fic (OBSESSED btw) and you seem to have a really good grasp on flight / flight dynamics & the physics of it. and it's incredibly hard to find a resource for more realistic dragonriding - would you mind sharing some of your knowledge, terminology, that sort of thing? i guess this is me asking you to infodump about dragon flight/riding to your heart's content lol
>:) I waited until I was on pc to answer this one
Background information about me is that I've a long history with horse riding, a love for birds, and a special interest in.... aviation (in case that wasn't obvious)
to write a dragon riding scene I kind of synthesise all of these elements - to know what it's like to work alongside a steed (balance, cooperation), to know what it's like for a bird to fly (responding to the shape of the air) and also to know basically how flight at speed affects people (g-forces, air pressure, hypoxia) as well as essential flight mechanics (the basic 'how do wings work' thing)
So for a wing to work, the air must be flowing over its surface at a speed which creates a pressure difference which then causes lift. That's very simplified but u get it - the low pressure that develops on top of a wing kinda sucks the wing upwards. That means that in flight, you have a minimum speed where lift can persist. Dropping below that speed will cause a stall (lift stops) because that pressure difference won't exist. When you climb, you lose speed, which means at a certain critical point, the wings stall. Diving back down again will increase speed, increase lift, and then you'll go up again. I recommend looking up some videos or something because i'm not the best at explaining it haha
The air itself is also important to consider and i think it's the key of what brings it all together. Air is always spinning around the margins of a wing. It's why I always use descriptions like "whirling" and "churning" and stuff like that, it's to evoke the spirally vortex that generates in the wake of a flying object. You can see the vortexes sometimes when the low pressure over a wing changes the dew point in the air, causing condensation to form:
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this "tube" of air is a rapidly spinning vortex which forms when lift is happening - it's always there, but only this condensation makes it visible. next time you're on a plane coming in to land, watch and see if you can spot one, and notice that the moment the spoilers come up on the wing, the vortex stops, because lift is no longer being generated. The wingtip vortices cause drag which is why many planes have devices at the wingtips that point up, it reduces the vortices and saves on fuel!
Big wings make bigger vortices and this is what causes wake turbulence.
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you can see here really clearly the shape of the air in the wake of the plane, two big churning vortices that grow and spread out with distance until they're negligible. But flying directly into these vortices will cause a smaller aircraft (or dragon) to experience that turbulence, think of it like the wake of a large boat causing waves that might capsize a kayak. Turbulence, wind shear, etc these are all fluid dynamics in the air. Something that bores me in flight scenes (and sooo many flight scenes are guilty of this) is "dead" air, air which doesn't exist as anything other than an empty medium for something to basically levitate weightlessly through. It takes power and effort.
Back to birds - unlike planes, birds have a great degree of flexibility over how they approach the air, but their wing mechanics are convergent. Birds also extend high-lift devices to fly slowly without stalling (their alula). They can catch and exploit many of the wind forms which would throw a plane of similar size out of the sky. Thermals are an obvious one to write about, these are columns of rising air that form over a warm surface. Soaring birds use high-lift devices on their wings (the slotted primary feathers) to catch the thermal and ride it without having to flap at all. This is how the bronzes work.
Queen dragons in my story fly at the bottom of the column when in battle, really close to the ground - they actually exploit the ground effect to fly that low. Within one wingspan of the ground, the high pressure zone that forms under the wings acts as a cushion, because there's nothing under it but solid ground. This means lift can be maintained in conditions where normally it would not work - low in the air, the air pressure is dense and drag is a major factor.
Air pressure is another thing to consider but that's relatively intuitive. More pressure, more drag, slower flight, more energetically-costly flight, etc. The ceiling for 'breathable' air is about 10,000 feet. Now we have to think about the rider - have you ever stuck your head out of a car window at high speed and tried to breathe? If you've ever cornered fast on a bike you'll know how it feels to bank, more or less. Your weight increases the more Gs you pull, because gravity is intensifying for you. For the physical effects on the riders I looked into fighter pilots, stuff like G-lock, what kinds of forces someone can withstand before their body starts hurting lol.
in short: flight is a complicated battle against gravity and the air is alive
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This might be a little broad, but what are some approaches to creating a world without Evil? Basically, would I have no other choice than to write the world as a utopian society? Because Evil doesn't exist there? I'm not a fan of utopia so I'm wondering if I have to discard this. The plot was about bringing Evil back to restore balance. I wanted Good and Evil to be personified entities but that might just make it more complicated... What's your take on it?
Would a Setting without Evil Have to Be a Utopia
My understanding of the utopian mindset is humans aren't inherently bad... they won't do evil for the sake of doing evil. Evil would only exist in response to certain conditions. A person wouldn't rob someone for no reason, or just because they could and they felt like it. They would only rob someone because they needed what the person had in order to meet a basic need that couldn't be met in any other way. For example, someone is hungry and has no money or way to make money, so they rob someone to get money to pay for food. In a utopia, everyone's needs would be met--basic and otherwise--so no one would need to rob anyone. Everyone would have what they need. It's probably even more nuanced than that, but that's how I understand it in a nutshell.
Also probably more nuanced, but the way I recall it, is the whole point of a utopia is that it can't exist. Because humans are complicated, society is complicated, people fall through the cracks, and people get greedy and spiteful, and a million other things that cause them to do evil things. So, even if you met everyone's basic needs and no one wanted or needed anything, there are still going to be people who muck it up for everyone else.
So, I don't know... maybe that actually works with your story? It's not that you're writing about a true utopia... you're writing about a place that strives to be a utopia and appears to be on the surface but really isn't? Or maybe if good and evil are personified and evil is indeed absent, maybe it really is a utopia, but it's off-balance... and that's the part I'm less sure about. I am sure there are all sorts of philosophical possibilities for why a wholly good society would be off-balance, or why you need evil to balance good, etc. It could be just that you need to research this topic more. I wish I could help, but it's a bit out of my wheelhouse. Keep an eye on the comments/reblogs, though, on the possibility there are philosophy enthusiasts in the community who might be able to weigh in!
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front-facing-pokemon · 11 months
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#solrock#now *this* is the fucker that the one raid battle NPC had in swsh that everyone hated. including me. he served only to remove lives#fuckin mashing the rock polish button the whole time or whatever it was. doing Nothing Else. i feel like a lot of people who usually did#raids offline had that fucker's name and face memorized. cuz they'd see that they got him and just give up right then and there#at a certain point i feel like offline raids were just not very viable. the NPCs they'd give you to battle with were just so bad#and some of the higher star raids you really needed the extra firepower you just couldn't get from those NPCs#but also they kinda removed a lot of the incentive for joining other people's raids considering your catch chance was lowered by like 9000%#if you weren't the host of the raid. and if you were the host the percentage chance was so high it was basically guaranteed#i don't think i ever ONCE caught a pokémon successfully when i'd joined someone else's raid. and i don't think i ever once failed to catch a#pokémon when i was the host of the raid. it's just. i dunno! i stopped doing raids at a certain point. some people can get a pokémon game#and play it long long after the main story bc they get invested in raids and shit but i just lose interest at a certain point unfortunately#as much as i enjoy the game while i'm initially playing through it#hff. anyway. i'm queueing this up the morning of june 30th‚ aka the day of my first flight in 10 years. so. this won't post until mid july#and i'll have been back for a while by then but for right now‚ me writing these tags‚ i am very Anxious#saur. haha. y'know how it is. have solrock
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veterveter · 1 year
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Happiest of birthdays to the most dearly beloved @sorrydearie !!!
I have written for the occasion, yet again ill-advisedly. For being lovely & being my friend, you get the *checks notes* angst you pitched to me. There is fluff there though, if you make it to the end. (It's like a reward.)
So it takes Andrés a month before he cracks, all because it becomes tiresome, in the end. To tell Martín a story, and repeat it, and repeat it, and repeat it. To watch their plan turn from a near-complete masterpiece to a work still in progress, to witness their greatest discoveries become undone.
#Happy 🎉 birthday 🎉 I hope you have a wonderful one!!#favourite girl - the girl - 🍀💖✨#look I may go ahead and be the first to admit that this story was above my skill level and resources / w.e. but I still wrote some stuff#berlermo#lcdp#the 'strange stylistic choice informed by the themes' of this one is the immediate repetition of certain phrases - like an echo#yes that was indeed a choice I made and I stuck to it#also mileage may vary on whether my incredible disinterest in all side character etc. is a choice or a flaw#to me it's just how I like it ✨ yolo thankfully there's other people in the fandom who'll write that stuff because I likely won't#I'll eternally be nostalgic for that time you taught me to tell a story in 600 words it seems a skill I lost and now I just#[música romántica] is my cause of death would you believe I actually rewatched parts of S3 for this too wow#also - since this is my blorbo show and tell - at the start it's mostly evenings and at the end it's mornings yish thematic choices#this one has a title so short I might actually be bothered to type it out and idk how I feel about that#I tried to stick to the timeline and then I gave up don't mind me it's not my fault that parts of it mismatch and others don't spark joy#technically I should've probably edited this more heavy-handedly - at least 3 or 4 k could stand to go - but I didn't have the resources#it's all yolo in this house tonight okay#my fics#I am actually so honoured that I can write something for your birthday do not even look at me but it means a lot to me basically
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3hks · 3 months
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How to Write REALISTIC and SMOOTH Dialogue
In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!
*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***
>> Keep your characters in character:
Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)
Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!
>> Take the situation into consideration:
This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.
If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.
>> Don't take too long with their words:
Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.
If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.
*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***
>> Having a variety of dialogue tags:
This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!
Examples:
Beginning - She tilted her head, "What are you talking about?"
Middle - "Oh," he blinked, "I actually never thought about that."
End - "Wait up!" She exclaimed loudly, waving her hands around.
>> Using no dialogue tags to create a smooth conversation:
Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.
Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.
*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***
Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.
>> Pauses and stutters:
When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.
>> Filler words and slang:
Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!
Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!
*** CONCLUSION ***
Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!
If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!
Happy writing~
3hks <3
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ao3commentoftheday · 6 months
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I've got a question about the general feelings? etiquette? of commenting on in-progress fics with "so excited to read this when its completed" or something along those lines. Because I personally like them, and thought they were generally well recieved and encouraging, aka I've seen authors replied positively. But then the one time I tried to leave a similar comment, the author basically went "I don't know why you comment if you hadn't read it." So, whats the general feeling?
Oof. This is one of those things that's kind of a crap shoot anon. Some authors will take it as a compliment, others will absolutely hate it. It all comes down to how that author feels about readers who don't read works in progress.
Some authors don't post their works until after they've finished writing them - or at least not until they have enough chapters finished that they have a buffer built up and then they can post on a schedule. Other authors post each chapter as they write it.
In either case (but maybe more so for the latter group), authors rely on getting feedback as they post a work in order to know that the work is being received well by its intended readers. If there's silence (a lack of kudos or comments), the author might decide to stop posting the work. They'll assume no one wants to read it and therefore they shouldn't bother to post it.
For a writer in that mindset, someone saying they won't read it until the work is complete feels... bad. Like that person doesn't want to support you during the hard part (writing and posting) and is only going to show up when the work is done.
An even bigger factor, and one that could be in play no matter how the author goes about writing their story, is that comments are kind of a big deal to most writers. They're few and far between and each one is precious because it's a signal that someone is reading and they care and they're telling you that they're reading and they care. But your message explicitly says that you're not reading (yet) - which some authors may take to mean that you don't care, but which either way means that they saw that wonderful comment notification only for it to be "check back later".
Obviously not every author is going to feel this way about things, but I hope that by explaining why some might you can understand it a bit better? Some suggestions for other comments that might be more universally appreciated:
this is just the kind of fic I love!
this one's going in the bookmarks!
this is such a great premise!
All of which you might mean, but they leave out the part where you won't be reading the fic itself for weeks and/or months.
I will caution, however, that if you leave a comment like this when they post chapter one and you don't come back again within a couple of chapters, a certain percentage of authors (and it's not a small percentage) will assume that you loved chapter one and hated chapter two and that's why you didn't come back to comment again.
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addledmongoose · 5 months
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Best of 2023 Good Omens Fanfiction
This is my list of the 20 best Good Omens fanfiction works I've read in 2023.
A few notes:
These are all complete works; there are no WIPs in the list.
Please feel free to let me know if a link stops working
It's not an ordered list. That would be far too difficult.
You'll probably recognize some of the most popular ones. They're popular for a reason, after all, but I hope you find something you haven't yet read.
The majority are full-length works, but there are definitely some shorter pieces.
These are certainly not the only good works I've read, but they are the ones I'm most likely to read more than once
Click the Keep Reading to see the list
If you're the author of one of these, first off, thank you! But second, if you want me to add your tumblr name to your story, let me know, and I'll edit.
This first section, all the stories are canon-compliant or canon-adjacent. In other words, it's at least somewhat set in the Good Omens universe.
a lighthouse (burning) (108K; Rated M)
This one is canon-adjacent and set in the 19th century. Aziraphale goes to a lighthouse to figure out where all the lighthouse keepers disappeared to, and Crowley follows along. This one is a bit of a spooky mystery along with the romance, and the writing style is simply beautiful. You really get a sense of being trapped in this lighthouse in the middle of nowhere.
***
The Grindr Logo Doesn't Even Have a 'G' In It (79K; Rated E)
It's honestly hard to remember that this one isn't human AU, but they're still just as angelic/demonic as ever. Aziraphale joins Grindr and starts texting (and then sexting) with a charming young man. It's no secret to the reader who this new hookup is. This story is genuinely funny at times. I like the funny ones.
***
The Whole Damned World Seemed Upside Down (103K; Rated M)
This is one of the best reverse omens stories I've read that isn't technically a reverse omens. Crowley wishes things were different after leaving the bookshop, and the universe gives him his wish. He finds himself in a world where Aziraphale hates him, Death has trouble taking lives, and basically everything you knew about the world of Good Omens is upside down. It's very funny. It uses inline footnotes (which is good, because it has a LOT of footnotes), and Death is hilarious.
***
it's a new craze (5K; Rated T)
Another one that seems like it should be human AU but isn't. Crowley and Aziraphale start up a podcast after the Notpocalypse and gain a loyal fanbase who can't figure out if they're a couple or not. They often forget who their audience is and often reference events in their shared history that make no sense to the humans listening.
***
It is a truth universally acknowledged, that a demon in possession of a mobile phone, must be in want of attention (6K; Rated G)
And yes, that is the entire title. Another funny short story where a couple of podcast hosts receive a call from a certain angel whose demon trapped himself in his phone and won't leave.
***
In Mixed Company, or the Corporate Retreat of Heaven and Hell (52K; Rated M)
I've read this one at least three times, and it's probably my favorite of all. Every 300 years, Heaven and Hell share a company retreat on Earth during which angels and demons surrender their celestial powers and hold retreats. It has a great new angel friend of Aziraphale's; Hellish Powerpoint presentations; Gabriel being annoyingly chipper; and Aziraphale and Crowley sneaking around like teenagers trying to find some alone time.
***
How To Woo A Demon (24K; Rated T)
Aziraphale researches demonic courtship rituals and starts implementing them in order to convince Crowley he wants to take their relationship to the next level. Crowley is very confused by Aziraphale's actions. Another cute, funny one.
***
Factory Settings (107K; Rated T)
This one is famous for coming out practically as S2 dropped, making people think whoever wrote it (the author is anonymous) had something to do with the production of the show.
This is the only one I'm going to say anything negative about. There are a lot of spelling errors and typos in it. It needs a hard editing pass. Despite that complaint, I devoured this story as fast as I could scroll. It's that good, and even knowing all the errors are there, I'll probably still re-read it. I'm usually pretty picky about errors like that, so for me to overlook it and even recommend it, means I really liked it.
Crowley gets reinstated as the angel, Raphael, with no memory of his time as Crowley, and Aziraphale struggles to return him to his demonic self. It's heart-breaking and wonderful and I absolutely loved it.
***
One Night In Bangor (And the World's Your Oyster) (17K: Rated E)
Much like In Mixed Company, Heaven and Hell come together for a corporate retreat on Earth. In this one, some totally random demon who's name definitely doesn't rhyme with Bowley created a wager in Hell to see which demon could bed an angel first.
Another funny one. This time, a lot of the humor comes from the demons doing their best to pick up the angels with really bad pickup lines.
***
We Only Said Goodbye with Words, I Died A Hundred Times (9K; Rated E)
If I could learn to write even half as good as this, I'd be ecstatic. The emotions the author packs into this story are mind-blowing.
Crowley receives a cursed amulet that creates an ever-increasing need for the person he wants the most and goes to see Aziraphale.
***
To reveal my heart in ink (29K; Rated E)
Aziraphale starts writing letters to Crowley by mail. The letters they exchange slowly get more and more explicit.
***
Pray For Us, Icarus (66K; Rated G/T)
The author wrote this one as a series, so each one varies in chapter count and rating, but they tell a single, contiguous story.
This was the first long-form GO fanfiction I read, and it was way too close to the ending of S2. I really should've waited a while, because holy cow, is this one heartbreaking.
For three hundred years, Crowley has been reincarnated over and over as a human with no memory of his past. Aziraphale has spent those three hundred years trying to restore him to his true self.
The author, Atalan, is probably one of the best writers on the site. This story is stunning in the quality of its writing, in the pacing of the story, and in the emotions evoked. I normally don't like being sad (like I said, I like the funny ones), but I've saved this story off to make sure I always have it.
***
Pretend For Me (53K; Rated E)
In a panic, Aziraphale tells the archangels that he survived hellfire due to his soul mixing with Crowley's because they're in a romantic and sexual relationship, but now they want them to prove it.
I'm a sucker for fake relationship stories, and there aren't a whole lot of them where the characters are still angel/demon, but this one is. It's another fun one, though a bit more angsty than some of those I listed above.
***
The following are all human AU. Good chance you'll recognize all or most of these.
Married At First Sight (147K; Rated T)
One of the most recently completed stories in the list, this is a fake relationship story where Aziraphale and Crowley join a reality show that marries complete strangers off to each other. Their new marriage starts off on a less than idyllic foot and they decide to fake it for the show. The author is a master of making you want to scream "for fuck's sake, just talk to each other, you walnuts!"
Probably one of my favorite fake relationship stories.
***
Postcards From Paris (12K; Rated G)
The author, ghostrat (@mrghostrat), is a fantastic writer of human AU, and it's worth going through his entire backlist (and read his current WIPs, too).
Crowley moves into his Mayfair flat and starts receiving postcards addressed to the previous tenant from one A.Z.F., who is in Europe hunting for bizarre bibles and rating wine. Sweet and fluffy and the perfect antidote if you've just been on an angst binge.
***
Or Be Nice (151K; Rated E)
I stayed up until 6:30 in the morning reading this one, crashed for three hours, then read until I finished it. Then that night, I started it again.
This is, without hesitation, my all-time favorite human AU. It's funny. I love the author's version of the characters, and I will probably end up reading it again in just a few months. I probably already would have if it wasn't for the length of my Mark For Later and Subscription lists.
Crowley and Aziraphale are neighbors who get into a noise war. They both have their reasons for their actions, though to be honest, Crowley is a bit of an ass at first. Once they really start talking, though, they are absolutely wonderful together.
Even if you've never read a human AU, I recommend at least giving this one a try.
***
What We Make Of It (Shotgun Wedding) (213K; Rated E)
This is the third charlottemadison work on this list. 15% of this list is just this one author. That's how good they are.
Aziraphale works as an English teacher. Crowley is the guardian for his nephew, Adam, and works for a school testing company. Crowley can't risk his job dating his nephew's gorgeous and charming teacher. Unless...
Crowley comes up with a crazy plan. Now he just has to convince Aziraphale to go along with it.
Again, another very popular human AU. One thing I love about this story is how there's a lot less angst between the two characters, and how they both really care for Adam.
***
Slow Show (95K; Rated E)
The very first human AU I read. Didn't even think I'd like that specific genre until I read it. Now, as you can see, it's about half of my reading list.
This is an actor AU. Aziraphale (named Avery here) and Crowley are actors working together on a new show. Avery is an award-winning, straight-laced, well-respected actor; Crowley is a mess who immediately falls head-over-heels for him and somehow has to get through the show without letting his (apparently straight) costar realize that.
***
South Downs (76K; Rated E)
Another actor AU. This time, Aziraphale is an openly-gay actor, well-respected for his period drama work. Crowley is a once-blackballed actor who jumps at the chance to star in a gay Regency romance with Aziraphale in the hopes it can restart his career. The trouble is, Crowley is struggling to play the romantic lead opposite a man.
I love the growing friendship between these two as much as the romance. I love how comfortable and confident Aziraphale is here; and how caring he is toward Crowley's growing awareness of his sexuality.
***
This one doesn't really fit either category, so I'm putting it here.
The Rose and the Serpent (56K; Rated M)
By the same author as Pray For Us, Icarus comes a GO retelling of Beauty and the Beast. Aziraphale is sent off by his older brother, Gabriel, into the forest to be held hostage by a giant snake in a cursed castle. Turns out, neither the snake nor the castle are what he was expecting.
Light-hearted and with very memorable characters, the relationship between Crowley and Aziraphale is simply stunning. I love how Newt and Anathema are used here. The quality of this one is as good as Icarus, and I loved this one so much I could easily have read 300K more words.
***
And bonus: mine!
The Beginning of the End (Again) (79K; Rated M)
The first fanfiction I've ever written and the first book I've written in a decade. I had the first two chapters in mind after finishing S2, and the story grew from there. I actually have a sequel in mind after I finish another, separate fake relationship story.
Crowley spends months drowning his sorrows after Aziraphale accepts the Supreme Archangel position, until a group of demons shows up one day and tells him the Second Coming is nearly upon them, and they want him to stop it. Turns out being a demon isn't much fun if there are no humans left to tempt.
Aziraphale has spent these last months in Heaven looking for ways to stop the Second Coming while mourning the way he and Crowley left things. After discovering that Hell's minions have been tasked by the Metatron to escort the son of God on a tour of Earth in preparation for his Second Coming, he hurries down to see what's going on, fearing the worst.
Instead he discovers Crowley escorting the Messiah around Earth. Is his demon taking the son of God on dates?
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sukunasweetheart · 8 months
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👀👉🏾👈🏾 Sukuna x Reader ex's to lovers?
wowowow i cant believe im doing like another celebrity au again but here goes nothing ahaha...
i love this trope, i ended up writing a WHOLE, lengthy ass, detailed plotline on it i hope u dont mind <3 (A WHOLE WHOPPING 6K WORDS YALL)
prepare for hella angst, OOC sukuna, insecure fem!reader, ghosting, messy break up, conflicting and complicated feelings + sexual tension and then intense smut @ the end (make up sex)
imagine sukuna being like, an amateur model-turned-actor, with you being his highschool sweetheart, who was there to support him since day one
a very happy, fulfilling relationship for the most part-- until he starts gaining huge amounts of popularity.
youve always known that he was meant and born to reach sky-high levels of success, and you were certain he was going to make it one day
but things get rockier by the second, and insecurity is such an ugly, ugly thing
seeing him model with other beautiful celebrities, acting in roles where he had a love interest to kiss and fondle, reading those gossip scandal articles involving him and another party every few months or so-
it all got too much for you.
all you needed was some reassurance... but young and vivacious sukuna, drunk on this fame and attention, failed to recognise that and left you feeling neglected.
not on purpose tho, he's never engaged in infidelity, he's never gazed upon someone else with lust or love on his mind - he was using everyone around him as a stepping stone towards his own career
sukuna's known you since forever, and he was confident that you knew his affection for you was unwavering... so he failed to understand where you were coming from whenever you brought these things up
arguments after arguments after arguments
the worst part of it was that he wanted to keep his relationship with you a secret. saying something about how having a significant other would slow his progress in his career down... the decision was urged on by the entertainment company that he was in a contract with
it hurt so damn much when he was being interviewed on tv about his romantic life, only for him to tell the world he was single.
it leads to more arguing.
of course, as a rising celebrity, he was quite awfully busy with many business trips and attending a lot of parties and galas
another terrible fight occurred right before he had to leave for a flight overseas but by then, youd pretty much already decided that you were going to leave him
you basically ghosted him, packing all your belongings overnight, blocking his number and all his social media accounts, making sure even all yours and his mutual friends didn't know of your whereabouts. you're going to start fresh. and give him no closure.
it was petty revenge, and maybe immature of you, but you were just as young as he was, and you wanted him to hurt as badly as you were hurting back then.
sukuna's still overseas, having just come back from another fancy gathering and is fresh out of the shower, in his hotel room... he decides he's gonna try and give you a call, but ofc you don't pick up
he sighs and convinces himself that he'll sort things out with you later when he gets back, not knowing that there won't be a 'later'.
meanwhile you're dragging a suitcase out of the apartment, taking a taxi somewhere else far away, crying as you pass by giant billboards that have pictures of sukuna plastered all over
he feels like such a faraway person now. no longer someone who you used to cuddle closely in bed, or hold hands with. you're not even sure of who you are without him anymore.
you could imagine his reaction when he came home, only to find your entire existence missing. seriously, it was like you were never there. you left nothing of yours behind, and the place was cleaned spick and span, not a hair of yours to be found.
when was the last time sukuna felt so panicked?? this dull ache in his chest, as he spams you calls and texts that never reach you
he contacts mutual friends in rotation but everyone is absolutely clueless... he considers filing a missing persons case but then a trusted friend of yours tells him to not look for you... and that you wanted them to relay a message to him, just a simple goodbye.
what the fuck are you talking about?
oh, here comes a severe headache.
his mind is whirring with overlapping memories, thoughts, regrets, thinking about any clues that might give away where you couldve gone, but theres simply nothing
the shock moves into sorrow, then denial, and then it turns to anger. does he mean nothing to you? so much so that youd abandon him without saying a word?
its like he was going through the five stages of grief, but for someone who he knew was still alive..
eventually, he finds a rebound out of spite. if youve left him, then it's means he's free and single, right? he gets himself piss-drunk, and beds another, only to wake up feeling absolutely disgusted. it feels like... it feels like he's cheated on you. even though you're already gone. he's just a mess of conflicting emotions, and it lasts for so long.
the reason why he doesnt hire someone or use some other underhanded method to actually look for you is because of a weird mixture of both his pride and feelings of insecurity, thinking that maybe, just maybe, you do deserve someone better, someone who understands you more... (and he's also fearful that someone like you, might've already found love somewhere else, and he's definitely not confident that he'll be able to act maturely if he sees its true)
eventually, acceptance does come... but does it really?
i like to think he went through many failed relationships, his partners always leaving him upon witnessing him getting intoxicated and calling for none other than your name in his state. someone who no one around him knows anymore.
years pass, and time really does allow you to forget. for both you and sukuna alike. in your mid thirties, both of you are single at this time.
you've been busy with your new job at some company (dont ask me, i was too lazy to decide what kind, so u guys can make this one up bye), and he made sure to keep himself busy as well. no time for fleeting romance.
of course, until fate does that weird thing where it pushes people together again... a new project lands in your lap, where it involves some kind of collaboration with THE celebrity, ryomen sukuna. of fucking course.
you really did desperately try to get it off and pass this off to some other colleague but they insisted your involvement was necessary. what are you supposed to do? you almost decide to quit... but this job means a lot to you... you can't just throw everything away because of an ex... right?
and, oh my god, when the first meeting does happen, involving the celebrity himself, you and a couple other coworkers to discuss the project, sukuna sees you and his brain short circuits for a moment.
he starts doubting his own vision, and then he reminisces, in the middle of whatever the fuck everyone else was talking about during the meeting.
"... Mr. Ryomen?" one of the other participants ask.
he clears his throat, regains his composure and regathers his focus. he's an actor for god's sake. and he starts speaking, with thoughts of you in the back of his mind. about how much youve changed, but also remained exactly the same...
during introductions, you shake his hand and act professionally. his eye twitches. will you continue to pretend not to know him even afterwards? should he talk to you separately after this? no... doing that would mean he's the desperate one...
when you saw sukuna hesitating, part of you felt relieved. so you're not the only one getting freaked out. you don't expect him to acknowledge you anymore, though.
after the meeting, he walks out feeling confident that he's going to ignore you back, if this was the kind of game you're going to play with him. you mean nothing to him, just as he means nothing to you.
but he remembers the shock that went down his spine at the feeling of the warmth in your hand. he watches you take an elevator by yourself, and tries to make a split second decision on whether he wants to let you go, or if he wants to chase you down.
he probably shouldn't bother.
but he impulsively speed walks down towards you, anyway.
youre startled when the elevator doors are blocked from closing just at the last second, with someone's arm coming through between. your heart skips a beat seeing that it's none other than sukuna.
what is this sensation? this mix of fear and... excitement. you should be unperturbed. you're over him. he's someone from the past. you're buzzing with these feelings, but there also comes a creeping resentment that finds its way to you again, as you try to remember why you left him in the first place.
he unclicks whatever level you were heading to, and clicks on the highest level instead. he's gonna take you to the rooftop of the building, where he can confront you peacefully.
"Mr. Ryomen? Is there something wrong?" you ask him. still feigning ignorance. like salt to a wound. you know its another petty move from your part, but you can't help yourself.
"Don't call me that. You know damn well why I'm here," Sukuna drawls, sounding more sad than angry. they've really become strangers.
you grow silent, being hit with a pang of guilt. deep down, you knew you shouldve handled it more maturely than that. he deserved closure, and you needed it too. but isn't it too late for all that now?
the conversation flows tense, but unravels slowly. there's still a lot of questions being withheld though. he wants to ask you how youve been. were you able to sleep peacefully after you left him? why did you have to leave in the worst way possible?
a familiar headache creeps up.
simultaneously, the anger finds its way in his heart all over again. he knows he didn't do much good towards the end of their relationship either but ghosting him was plain disrespectful and childish.
you surprise him when you give a sudden heartfelt apology.
you tell him that you know apologising now after all these years is frankly almost meaningless but still, he didnt deserve to be left behind in that kind of way. you admit that you should've communicated with him properly that you were breaking up with him.
he's left kinda speechless, bc he was so ready to be all snarky to you after everything.. he's still mad, but he can't really say shit anymore without sounding like too much of an asshole.
truth be told, if you did stay around to tell him that you were breaking up with him beforehand, he probably wouldn't have let you go... where would you guys be now, if you never separated?
"i've always wanted to apologise. it's been weighing on me ever since i left."
...and yet, you didn't ever think to call or text him even once afterwards? he never changed his number in hopes for that, and he hates himself for it.
"i understand that you hate me now, but let's try to get through the collaboration without trouble. and then we can part ways again."
that one pierces his heart, like a bullet. you haven't said anything technically wrong. he should hate you. or at least, he should feel indifferent by now. and yet... the way that you automatically assume so irks him badly.
"do you really believe that i hate you? aren't you the one that hates me?"
it's a stupid fucking question. what the fuck is he even saying? he wants to kick the elevator door.
"...i left because i thought you hated me, that you didn't need me anymore. and i tried to convince myself that i hated you too. but that couldn't be further from the truth. even now, i don't ha-"
before you can say any more, the elevator doors open, and a small group of employees are standing outside them, looking curiously in at you and sukuna. then, they realise who he is. they come flocking in, asking for autographs and pictures.
you quietly slip out of the crowd, and after giving one quick glance at sukuna, who visibly wants to pursue you again, you walk away to avoid gathering attention on yourself. wait-! dammit- he thinks.
he can't chase after you. he can't call out for you to stop. he can't push all of these people away. if he did, it will cause rumours and unfavourable articles to fly out. let's try to get through the collaboration without trouble. his own fame becomes another obstacle between you and him.
back then, you were his whole world, yet somewhere along the path, he started to fail in making you feel like it.
he watches you take the fire exit towards the emergency stairs, while he's surrounded by overbearing fans who beg for his attention. you're going to have to walk down in your heels, all because of him. as he catches the final glimpse of you, as he's reluctantly dealing with his fans, he begins to understand, a little bit. he didn't want to understand why you decided to leave him. but he does now. a little.
a couple of stairwells down, you eventually pause for a moment and sit down on the last step to take a breather. you wipe your sweaty palms against your skirt. the familiar tug at your heart, in which your insecurities come flowing back to you, seeing him surrounded. you need to build higher, stronger walls around you from now.
when sukuna is done on his end, and sends them off down the elevator, he goes off to check down the stairs you went, but you've already booked it. slipped right through his fingers. you were about to say something important. with unresolved feelings, sukuna also takes the stairs down, with a heavy heart. each step down brings him another old, nostalgic memory of you to him.
from then on, the more he interacts with you during work-related matters, the more apparent it becomes that he still harbors feelings for you. he tries to ignore it, push it back down, but it only returns twice as overwhelming.
your voice. the way you smile. the scent of your perfume. exactly the same as back then. yet, he also observes the changes that have occurred in you; how you act, speak and the kinds of words you use, as well as seeing you in such a professional setting rather than personal - everything is coming together to allure him more, and he's in a state where he's unable to resist this attraction, but also unable to act on it, because he's not sure how you'd react to it.
he knows it's not just him getting drunk on nostalgia.
the next time he catches you alone, he makes sure to tell you that he doesn't hate you like you believe he does. you'd never admit it, but that gave you butterflies in your stomach.
in fact, everything sukuna does, even just locking eyes with you for a few seconds, is enough to make your heart rate increase, intensifying when he looks at you almost like... almost like he wants you. you must be imagining things.
he finds himself doing uncharacteristic deeds, like sending coffee for all the staff members. his manager passes them out to everybody, including you. he doesn't know if you still like your coffee the same way as he remembers, but he makes sure that yours is a little different, a little more specific than everyone else's, in hopes that you'll notice these small gestures of his.
over the course of the project, he inches closer to you, ever so slowly. but you don't seem to budge. even worse, you seem to be avoiding him as much as you possibly can. you avert your gaze from his. stagger away when he gets close.
he brings it up on one occasion, when he's able to approach you at the back of the building, where there's no one around, and no watchful eyes of a nosy audience. it's definitely frustrating and unpleasant- when he wants to speak with you, he has to keep distance in case another scandal rises. he doesn't want to drag you into the spotlight, without knowing if you're okay with it first.
sukuna only really talks to you when there's nobody around. maybe he's being considerate of you, but it gives you the impression that he doesn't want to be seen hanging around with you. it makes you remember things you don't want to. it makes you remember that being with him now requires a courage that you're not sure that you have. at the very least, you know you definitely didn't have it back then.
you keep conversations short with him, and try to leave. but he keeps at it persistently. what is he trying to do? is he toying with you?
"you're acting like you want us to get back together. don't do things that'll make me misunderstand," you tell him. you were trying to provoke him. expecting him to deny it harshly and back away, because you knew he was prideful- he'd never be caught being hung up over an ex.
"...and? what if i told you that i do want that? would you stop avoiding me then?" he takes one step forward, and you take one back, proving his point.
why is he pushing aside his ego for you? where did all his arrogance go off to? this isn't how the sukuna in his twenties would've responded. his answer makes you waver, and you don't appreciate that. you try not to show it.
"no. i'd only begin to avoid you even more. so don't start."
"i'm not," you deny, but your voice betrays you. he clings onto that.
"why? ...afraid that you'd cave in to me?"
like the way he's already pretty much caved in for you?
"you don't sound very convincing."
"...would you want someone who'd choose their career over you?"
that stops him in his tracks. he has nothing to say to that. because he did make that mistake. where he prioritised his job over your feelings.
"i don't hate or blame you for that anymore, sukuna. but you have to understand... i don't want to go through that pain ever again. i don't want to hold you back. we both deserve more compatible partners."
your own words sting yourself, and you try to go again right after saying that, because it's getting too much for you. his hand flies out to grab yours out of instinct, to stop you from leaving. leaving him again.
it's really not like him to be the clingy ex, pathetically begging to be taken back, but he's willing to throw such pride away if it means you'll be appeased. if you'll let him back into your life again.
"don't say that. you never held me back-- you were my home and my everything, and i was the one that started to take you for granted," he says gently, his low voice laced with sorrow, so uncharacteristically. you've only ever heard this kind of tone from him once before, and it was when his grandfather, who was like a parent to him, had passed away. his thumb brushes over your hand.
"give me another chance. this time i'll let the whole world know about us. about how much you mean to me."
he gets in close ever so slowly, and you let him, for only a moment, before gently pushing him away, with a hand on his chest.
sukuna hitches in a breath, heart sinking to his stomach. he wants to embrace you so, so, so bad. he needs your warmth. always has been. always will. but he sees that you're unrelenting, which breaks him.
"no, stop... i'm sorry, i can't."
you're still scared. you keep thinking about how lonely you felt when you were with him, at least right before the break up. seeing him laughing through the tv screen. alone in the living room. and all the arguments.
your hand slips out of his, and he lets you go. he feels empty when you walk away. hollow. the similar feeling he felt when you first left him, but less anguish and more despair. when he gets home, he tries to drink those feelings away. something he rarely does. old regrets and heartaches return, and he drinks until he passes out.
while he drinks, you weep. crying into your pillow, wondering if you're doing the right thing. wondering if this is how it's supposed to be. terrified of being with him again, but also terrified of losing him, like a hypocrite.
from then on, sukuna keeps a respectful distance from you... no longer trying to make approaches in secret, no longer pursuing you every chance he gets. but he still sends out coffee. even provides snacks to the crew. little do they know, they're the kinds of snacks that he knows you loved. hopefully, you still do. he'll keep his distance because it's what you want, but he wishes to keep doing these little things for you. subtly.
and you notice it, too. you have vivid memories of telling him about your favourites and preferences back then, and you recognise what he's trying to do. you drink the coffee. and you always grab a handful of the snacks. you do appreciate it. it makes you happy that he remembers. on a few occasions, you turn to look at him, only to witness him looking away at the last second.
it's not too long before the project is successfully finalised, and all their efforts have been rewarded. a celebration is due, and your boss throws a party at a fancy hotel for everyone to enjoy themselves at. sukuna had stopped going to so many gatherings and parties quite a while ago, but he attends knowing that you'll be there as well. he'll see you for the final time before he'll lose any excuses to be around you ever again. it'll be the final night.
you exchange a few words with him at the venue, but the two of you leave each other to mingle with other groups reluctantly, to avoid suspicion. both of you are quite tense all throughout the night, sipping on some wine to ease it, but it still doesn't relax the tension you feel, no matter how far away sukuna stands from you.
a few hours in, and you decide to excuse yourself early to head up into your designated hotel room. your boss covered the expenses for a night, and it would've been a waste to decline it, so you decided to stay. sukuna isn't around anywhere at the venue anymore, so you assume he's already left. you thought about saying farewell, but it didn't seem appropriate after you flat out rejected him. you still have doubts about the decision. because you miss him. but what's done is done, and you can't take back what you've already said.
however, getting to the hotel elevator, you notice he's standing there, with miraculous timing. you awkwardly "hey" him, and he says it back, hands in his pockets.
the two of you step inside when it arrives, and the thick tension remains.
"i'm surprised. i thought you'd be staying around longer for the party," you tell him.
he can't tell you that he found it unbearable, to see you hanging around other people, but being unable to get closer to you himself.
"i just got a bit tired," he lies. "did you have a lot to drink?"
"not at all. i had a few glasses, but i'm still sober."
"same here."
as the lift gets closer to your level, you get antsy, thinking about what to say before you leave, but your thoughts get interrupted when he asks you something abruptly.
"...can i walk you to your room? for the last time."
you swallow thickly on nothing, and feel how your chest aches at the words. last time.
"alright. sure," you say.
he wasn't expecting you to say yes, but he's glad you're letting him stay beside you a little longer. you're staring at the elevator doors, but he's looking at your face from the side. if only the lift would malfunction and stop, right here.
but it doesn't, and soon, he's really walking beside you as you get to your hotel room door, in silence. you unlock it using your key, and then that's it.
"thanks for walking me here," you say rather sheepishly. the thought of him wanting to spend even a few more seconds with you... your hold on the door knob is tight as you stand, face turned around to look at him. it's taking everything in you to stand your ground. last minute guilt and regrets are bombarding your thoughts, and...
"i'll say this now because i probably won't get another chance again," sukuna starts, looking directly into your eyes. his eyes are mellow, and he looks wistful.
"i'm sorry. i realised i never apologised, even though that's the first thing you did for me," he starts. he knows there's a mountain of reasons he is apologising for, but he decides he'll keep this short for your sake.
".. i can't lie to you and say that i wish for your happiness with someone else. 'm not that nice." you know it the best. and you understand, because you don't think you'd be able to withstand seeing him happy with someone else, either.
"find your happiness elsewhere, thanks," he grunts humorously. for god's sake. he's never been good at things like this. being heartfelt. at least it made you chuckle a bit. his expression of indignation melts away into a melancholic one again.
"i still love you." (always have, always will.)
you fight back sudden tears, and your throat begins to ache. sukuna unclenches his fist, and tries to relax himself more.
"and...i'll miss you," he breathes the phrase out. says it so quietly, like it hurts for him to say. (i don't want to let you go.)
something snaps within you and everything starts to scream at you to take everything back, and stop him from going away. don't go- don't go- don't go-
"...goodnight."
he notices your wet eyes, and he has to fight back against the urge to reach out and wipe it away. to rescind his farewell, and pull you into his arms again - forcefully, if he has to. he needs to leave, before he loses control.
you're panicking, and your vision is swimming, and you don't think you'll ever be happy again if you let him go like this-- you're gonna be heartbroken in the worst way imaginable. you want him back, and you know you're being unreasonable after turning him down like that, but you don't care anymore. you want to go against your fears. you want to try being with him again.
before you can stop yourself, your hand catches onto the hem of sukuna's sleeve, seconds before he takes another step away from you.
his eyes widen, and he looks at your grip on his sleeve, like he's checking to see if it's real, and he's not making this shit up in his mind. his heart beats impossibly fast. his hopes skyrocket. the world decided to have mercy on him.
"...you're being unfair, grabbing onto me like this. after i went through hell just now, trying to say goodbye." he's being awfully patient right now.
you don't respond, only silently weeping.
he waits to see if you'll let go, whether this was just an act out of a temporary fickle in your heart, but your grip remains tight, and you're now just looking up at him with tears rolling down, eyes glossy and desperate, pulling at his heart strings. you only let go when he comes back to you, not hesitant to brush his thumbs across your face now, wiping the wetness away.
"what do you want me to do? tell me, and i'll do it. leave? stay?" sukuna coos at you, like he's always done before, waiting patiently until you've calmed down enough to respond properly.
"i shouldn't... i shouldn't let you in. not after how much i'd pushed you away," you whisper. today was supposed to mark the end of it all.
he doesn't even give a fuck about that anymore. what matters is now.
"...but do you want to let me in?"
"...yes," you hic.
he takes a couple of steps forward, making you step back with him, his hand on your waist to make sure you don't trip on the way. he goes past the doorway and into your hotel room slowly. one- two- three- steps. he closes the door behind him quietly.
"and..? what next?" he asks in a low voice, standing close to you, one hand still remaining on your waist, and the other on your upperarm.
"i... i don't know. i just need you," you mumble, looking up at him, eyes red from crying and half-closed. your hands inch up along his back, grabbing handfuls of his suit jacket. sukuna hitches in a breath and something dark flashes across his eyes. they reflect his desire, his almost carnal desperation for you-
"forgive me. i don't think i can hold myself back, anymore."
he captures your lips in his, and groans shamelessly into you. you grip onto him tighter, heart beating so rambunctiously that you fear he can hear it too. it feels too good. the moment he reached you, it felt like the final piece of a puzzle clicking in to complete a full picture.
you part your mouth, and he wastes no time in slipping his tongue inside, kissing you in the way he knows you love, in the way it makes your lips tingle, and, oh god, even after all these years, he still knows how to get you going like no other.
sukuna tastes the traces of wine on your tongue, and even better, he tastes you, the one he'd been missing and craving all this time, the warmth of your skin and touch, your scent, just everything about you, you, you.
he backs you towards the bed, without breaking this breathless, hungry kiss, where he softly lays you down, with him being above you, chest to chest, arms supporting his weight. he momentarily pulls away from you simply just to breathe, and the two of you gaze at each other for a hot second, full of love and lust, breaths overlapping one another. he attempts to ask you "do you still wanna continue?" just in case, but before he gets to say a word, you grab him by his tie and pull his lips to yours again, beginning to loosen it and take it off.
he understands that you want it, now. you successfully manage to untie it, somehow, with just willpower alone, and you start aiming for his buttons next, undoing them one by one. your actions send sparks down to all of his limbs, and he feels so fulfilled by your desire of him, being as intense as how he obsesses over you.
soon after you're done with it, he takes them off and chucks his own clothes away, rendering him half-naked. your hole clenches around nothing at the sight once he pulls away again, his firm muscles and the same old tattoos that you vividly remembered the patterns of. you greedily run your palms across his pecs, eyes turning to hearts. he smirks at you.
it's his turn now, and he doesn't hesitate to start undressing you as well. sukuna gets dizzy at the thought of being able to feast his eyes on your body. he dives in to keep kissing you, and then begins to unbutton you with such speed, it almost startles you.
it's off. your breasts are out in the open now, and sukuna has his fill with massaging them with his large hand, having missed them so much. his palm feels so hot, and your nipples pebble up at his touch, making you gasp into his mouth.
his kiss moves over to the side of your face, it glides down your neck, shoulders, and eventually reaches the swell of your chest. your fingers brush through the pink of his hair as he does so, and you purse your lips together, basking in the feeling of his warm kisses littering your skin. he leaves you hickeys-- the same shape and size and same locations as he used to even during your days in highschool, and you chuckle to yourself at the thought.
it's not long before he's loosening your skirt and slipping your undergarments down, getting rid of your slick-stained panties, much to his satisfaction. sukuna rubs a thumb over your aroused clit, and you whimper, having missed the touch of a man- his touch specifically.
"fuck... you're so wet.... all for me?" he asks, proceeding to slip two fingers into your weeping hole. you arch your back at the feeling, how his thick digits scissor inside of you and press up against a particularly lovely spot. he watches your every response as he does so, watching how you moan because of his touch, and how you're grabbing at his wrist because it's getting too intense. his cock prods uncomfortably against his pants. you're producing so much slick, and his fingers are getting absolutely drenched.
when he takes them out, you whine a little in disappointment.
"i know, i know. i'll give you something better," he whispers, kissing your cheek.
he unbuckles himself, and lowers his boxers to reveal his aching dick, tip wet with precum, veins bulging out the sides. looks the same as you remember. he pumps it a couple of times with his hand that's still covered with your slick, and he twitches. this isn't a dream, is it?
"oh god, please, i need it-" you plead, your hole feeling eager and empty.
"it's all yours," he mumbles. your begging makes him lightheaded as he lines himself up at your weeping cunt.
"i'm all yours."
when he sinks in deep to the hilt, you cry out at the fullness, as his tip pushes the spot inside you that had been feeling so lonely for years. your hands finds themselves against his back, feeling for his tight muscles.
"shit- 'm gonna lose my mind," sukuna groans as he gives a few shallow thrusts into you, cock so hard and throbbing wildly as your plush walls clamp on him and coats him with your arousal. he grabs one of your hands from his back and interlocks his fingers with yours against the mattress, before leaning down to bring his lips against the side of your neck.
"oh, thank god... thank god, you changed your mind. i love you. i would've been so fucking miserable without you, doll. for the rest of my life," he croons, breath fanning so close to your ear. you shudder at the tone of his voice, tearing up again, mixed with pleasure and relief, and you grab his hand tighter.
you turn your head a little more to the side, making it easier for sukuna to bite and suck on the sensitive skin of your neck, as his thrusts increase in speed, nudging your g-spot with every movement.
soon enough, he's bringing his attention back to your tongue, which he caresses with his own, nibbling on your lower lip, maintaining this same perfect pace in his thrusts that brings you closer to your orgasm.
"sukuna- i'm- i'm gonna-" you say breathlessly.
but he merely kisses you again, swallowing up any words you could say or moans you could let out, not minding the gasps and whimpers that you make.
sweat beads on his perfect body, and he makes out with you through your high, groaning back when he feels your walls flutter around him. he's close. even once you've finished cumming, he begins to pound into you quicker, wanting to get to his own orgasm. you claw at his back, crying out in pleasure, as sukuna's tongue lathers your jawline.
he wants to breed you so fucking bad. but no, that'll have to wait. he can't do something to jeopardize your trust in him. he'd rather die than endure another second of being distanced from you again.
right before he's pushed off the edge, sukuna pulls out and desperately jerks himself off above your stomach, panting as his cock throbs in his hand with every spurt that coats you, feeling so hot against your tummy.
you feel a twinge of disappointment, because you also wanted to feel that in your womb...
his dick twitches weakly after being spent, and he breathes heavily, liking the sight of you being covered in his seed for another time. (and many more from now.)
" 'kuna... it's a safe day for me today," you suggest to him without thinking. "i want it inside me..."
the phrase is enough to get heat pooling in his abdomen, and he feels himself get hard all over again.
"you sure, doll? if it's what you want, i'll..." he begins to say, almost flustered by your suggestion. you know you shouldn't say this next line, but it's so easy to get carried away with this man... get caught up in the heat of the moment.
"i want your babies so bad."
you've hit his switch. sukuna growls and puts you into a mating press instantaneously, making you squeak.
"no takebacks," he mutters dangerously, beginning the second round.
the night is long, but heavenly, as soon after he dumps everything he has into your womb, then proceeds to eat you out, making you cry for the third time before sunrise.
when you're awake, it's already heading past midday, and you're relieved to see that yesterday's happenings were not a dream, seeing as the large man is sleeping with an iron hold around your body, as if subconsciously afraid you'd leave him before he woke up again.
he awakens from his slumber to your light, feathery touches on his face, which puts him in a good mood from the moment he opens an eye. it was the scenario he's always dreamed of. waking up next to you, smiling.
there's much to talk about. about what's to come next, future plans, worries, and things they need to do to make amends for all the lost years between each other. but you decide to take things slow.
back to bullet points again bc im lazy to write it properly now
you spend the weekend w him at the hotel and stuff, just playing eating and sleeping, catching up yk
he tells you on his own accord that he wants to let everyone know that he's with you now, but he's worried that it'll bring backlash to you but you tell him you're going to be brave and take it, bc you WANT everyone to know
anyway prepare for turbulence
but everything'll be alright bc hes with you
im thinking about how mopey he'll be when you have to separate from him bc you each have your own homes rn, hes always asking you to come over or if he can come over to your place
and he'll be begging you to move in soon, like old times (he lives in a rich man house now tho)
and also thinking about how its a fresh start, but they also go through old memories and now reminiscing isnt painful anymore bc yall are back together
sukuna also says he's stopped doing romance genres in acting bc he had felt annoyed acting in lovey dovey scenes when his own love life used to be in shambles all the time
and bc hes at a point in his career where he has more choice in choosing between scripts that are offered to him, he's going to continue to decline the ones that have love interests, it doesnt affect him that much anyway
he's just being more considerate of your feelings now... and you promised him that you'll never just disappear like that again when you're upset haha...
sometimes when you still have a few disagreements with him, he keeps subtly checking up on you (hes traumatised, leave him be)
lots of facetiming when he has to go overseas for filming purposes <3
okay, thats all, bye <3
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pinkchrissysposts · 3 months
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☆LAST POST,THE FINAL ADVICE☆
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(Basically answers to asks I got)
Ok first thing first there is no one here to help you manifest,not the bloggers,not me, no one,if reading multiple post on same topic can't help you then why do expect bloggers to help you who are gonna give you same advice,they have been mentioning on their posts. It's not like they are writing about different things,every bloggers are telling you the same thing YOUR 4D/imagination is the true reality,you just have to PERSIST and be CONSISTENT. No like seriously I really feel like you guys are just lazy,why are you depend on bloggers,Im not saying that you can't ask for help and by help i mean understanding certain concept or doubts but you straight up ask to help you manifest or coaching don't do that until and unless they themself mention about being a coach,because see we have a life of our own too,we are God but also human who are busy in their life. Bloggers post this amazing posts talking about law and how beautiful it is. But y'all are so into the victim mindset,as if you are the only one suffering,which is correct YOU are the reason you are seeing the person taking away your sp,you are so into imagining yourself in a broke state and dwell in it,because you feel comfort in it,get a bit uncomfortable dear,you'll endup being comfortable.
You cannot just get comfortable when you are transfered in a new school,new class and the new environment,you first adjust,you go to the school everyday and get used to the new environment then you get comfortable isn't it guys. Manifesting is exactly like this you get in the state of having the desire,it feels uncomfortable,fake,delusional but the more you persist the more you get used to this feeling of knowing. It's not even necessary to be in the state a 24/7,because we are in different state all the time,just when you remember about the desire get in the state or do whatever fulfills you.
No amount of methods won't be useful if you are not even persisting and keep look for 3d validation. To sum up everything all you have to to is persist. Bloggers won't be there for you all the damn time,most of you want to manifest being independent but with a mindset of a dependent person,who are depend on other's for method and doesn't even persist in it then cries,and trauma dump on other's dm.
There is no use of DMing us too you know,we as bloggers are the one end up getting bored or annoyed,because I'm telling y'all legit leave another method and come up with a new one,I have about 50+ dms and asks asking me how to manifest or trauma dumping telling me how they aren't able to manifest,dear of course you won't be able to manifest if you keep looking for validation. I'm not saying that your circumstances aren't that bad,it's probably really hard for you but darling,everyone had faced this challenge,it's hard but learn to ignore the 3D even if it was right on your face. Be stubborn when it comes to manifesting,it took me alot of time as well to adapt that mindset,so I read alot of fanfics where reader gets whatever they want this really got me into the brat mindset,you can also find methods or ways that you help you feel fulfill,I don't care what method you are using JUST DO WHAT FULFILLS YOU NOT ME,I've got alot of asking if they should do or this,you know honey do what you believe is gonna work for you,I'm not the one using that method,i purposely don't even reply because I want you guys to try it out yourselves. That's what every bloggers did too,they learn to trust themselves and their imagination.
OK here, since most of you ask me to help manifest I'm challenging you,for the next two weeks,affirm robotically for your desire,lazy to affirm? You shouldn't be,because majority of you complain about not being able to get in a state and endup saying you'll affirm,then do exactly that.
Wavering? Keep affirming and persist.
Don't believe the affirmations? Keep affirming and persist.
Seeing the opposite? Keep affirming and persist.
Make those affirmation your dominant thought,you will know when it will become your dominant thought when it come up on it's own and you don't get effected by the negative thoughts.
But Chrissy some say affirmation don't work. SO? Keep affirming don't be a weakling just because it didn't work for them doesn't mean it will not work for you,you are not them,you are YOU ,they probably didn't even affirm enough or probably checked their 3D,there are many successful people who affirm Jennifer Lopez,Ice Spice and my fav Taylor Tookes despite being petite she still become a model and even walk on runway and now in cover magazines,if they can do it why can't you,they also affirmed right? Not gonna lie majority of the successful people who are into manifestation are into affirming.
Also log out of X and Tumblr,yes it can be motivating to see success stories or reading motivation but they are of no use,you might see a new post talking about a new method and end up leaving affirming and start following that method. Instead you should've scroll on tiktok,or youtube or making vision board while affirming,it's way easier to then wasting your time here reading posts on same topic written in different ways or perspective. So instead just log out and affirm and PERSIST.
If you are so stubborn about the fact that you can't manifest,then start being stubborn about the fact that you can manifest.
This is now my last post I will be logging out might come to check in sometimes happy manifesting🪷.
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ceesimz · 2 months
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Panna!
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Not my best work, but it was fun to write nonetheless. FYI: panna means nutmeg, but it's also a playground/street football game where it is either a 1v1 or basically a huge free-for-all and you had to get as many nutmegs/pannas as possible - great memories :)
Living with Leah was a much different experience than you thought it would be.
The first time you met her she was a little shy but the more you got to know her, the more enamouring she was and before long you had completely fallen for her, as had she for you. Each date, you peeled back another layer of each other's personality and you saw a side to her that was inexplicably softer than the sometimes rather grumpy, stoic demeanor she had for her career. It was easy to like her, adore her, and eventually love her, and you made sure to offer her a safe space for her to let go in when she was away from the view of the public. She did the same for you, allowing you to switch off when you needed to in her presence. Ultimately, the relationship was so rewarding and comforting, it seemed almost too good to be true. In moments of self-doubt and insecurity, you felt like you were just waiting for the shoe to drop.
And when you moved into your new house together, that shoe did indeed drop, but in a way you didn't expect.
As time went on of you sharing the same space, an extremely irritating side of Leah came out in full force. You had seen glimpses of it so far of course, and it never failed to make you laugh, but living with her? It was next level.
Leah seemed to embody the nature of that of an annoying younger sibling or a tiresome teenager who had a maddening addiction to just being absolutely infuriating. When she was in a certain type of giddy mood, this habit seemed to reach new heights. You loved it, but sometimes it felt like you were going to explode with the aggravation you felt towards her.
You know that saying of if you don't react, they'll get bored and stop? Yeah, that didn't apply to Leah.
"Leah, I'm trying to cook dinner, put the football away please." You started out by asking her politely as you manned the pasta in the pot on the hob, your girlfriend doing kick-ups by the fridge.
"I'm alright here, babe. I won't get in your way, swear. Just wanna be with you, and I am bored." That's kind of sweet, you guess.
Deciding that the pasta can survive without constant surveillance, you step away from it to unload the dishwasher but clearly Leah doesn't agree with that.
"Nah, forget that, I'll do it later. Come here, one versus one." She grins, quickly flicking the ball between each foot.
"And why would I do that as someone who doesn't even know which foot to use?" You raise an eyebrow and stand across from her with your hands on your hips.
"Bit of fun, babe, lighten up. Let's do a game of panna." She teases, passing the ball to you. "You first."
"What is panna?" You frown, confused.
"Just try to nutmeg me." Leah rolls her eyes, though she knows your knowledge of football lacks compared to her as someone who lives and breathes the sport and has done all her life.
You squint your eyes sceptically at her, before slowly inching towards her and attempting to dribble the ball the way you've seen her do it probably a million times. However, as soon as you get close, she removes any gap between her feet and instead stands like a penguin.
"How am I supposed to nutmeg you when you stand like that?" You scoff, but she just smirks smugly at you and shrugs.
"No one likes a quitter."
"No one likes a stubborn girlfriend that forces her girlfriend to play a game that's impossible to win." You hit back, and a smile tugs at your lips as you see Leah suppress a laugh.
"Fine, let me go against you." She steals the ball from your feet in the blink of an eye, and now the cards are stacked impossibly against you.
"Right, 'cause this is totally fair."
You roll your eyes but nevertheless prepare to defend your pride against the decorated footballer that stands before you. This little stand off lasts all of two minutes as Leah performs as many standing tricks as she can - it's hard not to laugh because, despite the talent she's portraying, it just looks like the result of a button-spamming FIFA player.
Finally though, you gain the confidence to lunge at her to get the ball back, but Leah of course spots this immediately, and flip-flaps the ball straight between your legs.
"Panna! You just got your shit rocked, baby." She celebrates as if her performance wasn't as easy as stealing candy from a baby. You watch as she cheers quietly to herself under her breath and dances like a fool. If the world could see her now, you think.
Feeling slightly humbled, you go back to your place at the stove, finding comfort in your cooking skills at least.
...This oddly felt like you were playing into some kind of stereotype.
"Put the ball away now, please." You tell her once more, but as ever her ego takes no prisoners.
"Aw, is someone's ego hurt?" Leah pouts pitifully at you, her hands falling to your waist when she stands behind you. You weren't having it though, not when she had humiliated you purely for her own ego.
"No, I just have many dangerous weapons in my arsenal here and I wouldn't want the leader of England to come to any harm." You return the patronising pout on her face, swatting away her hands and wagging the pasta ladle you had just pulled from the boiling pan in her face.
"Alright, message heard." She walks away with her hands surrendered.
For the next five minutes that the spaghetti spends boiling, you both exist civilly in the same area whilst doing different things. You're preparing for dinner as Leah is of course dilly-dallying with the football again. Each punt against the ball as she does kick-ups or ridiculous little tricks slowly grinds your gears, until she eventually begins occupying floor space in the kitchen that she obviously knows you'll use.
"Move, please, I need to drain this pasta." You say initially, a bit of bite to it but not as much as you easily could reach. However, she doesn't move, and instead gets in the way even more. "I have a pot full of boiling water here, move!"
You shoved past her where she was messing around with the ball near the sink, a shit-eating grin on her face which its only purpose is to infuriate you more. She does move out the way though, lifting the ball up into her arms with the foot, but she only steps so far away.
"What are we having?" She asked in an all too innocent voice, watching as you drained the pasta - the aggression you did this simple task with probably should have been a warning sign to her. But that had never stopped her before.
"Spaghetti, what does it look like?" You shake your head at her. "And you will eat it this time."
You were yet another unfortunate victim to Leah's limited and fussy palate.
"Not my fault you used a rank sauce last time. You better have gotten a new one." She grumbled like a picky toddler, starting her kick-ups again right in front of the next cupboard you need to get into.
"Put that fucking ball away before I stab a knife into it." You snap, pushing her out of the way with one hand and getting out the aforementioned new sauce. "See? Is this better for you, princess?"
"Oh, you're gonna pay for that, sweetheart." Leah smirks, referencing the sassy tone and mocking pet name you used for her as you shoved the jar into her face to prove a point.
"I'd like to see you try." You scoff, heading back over to the stove.
She falls suspiciously silent as you put the spaghetti and sauce into the pan. You try to pay no notice, watching out of your peripheral vision as she slowly makes her way back over with her hands behind her back.
"What are y-"
You're disrupted by her kicking the ball in between your legs, it clunking scarily loud against the glass door of the oven.
"Another one! Call me Ronal-fucking-dhino!" Leah laughs giddily, scampering away like a naughty child.
You took a deep breath, composing yourself so that you didn't chase after her with one of the multiple weapons within reach around you.
However, sticking true to your threat, you grabbed a knife from the draining board beside the sink and sunk it into the ball that had been the bane of your existence for the past however long it's been in Leah's possession. It wasn't a sentimental object, you wouldn't do that to her, thankfully it was just a ball she had picked up from the supermarket one day she had been determined to tag along as you did the grocery shop. The poor thing let out its final breath as the air puffed out of it, a sign you had won the battle. With a slightly manic grin, you went on making the rest of the meal as if nothing had happened.
Luckily you were able to cook the dinner without any further childish interruptions, though you did have half a mind to pour the whole shaker of salt onto her portion. But no, you can rise above this kind of behaviour. A household prank war against this woman-child could lead to an unfortunate break-up. Though you did just get an adrenaline rush from murdering a harmless football, so maybe it was already on.
"Leah, come here and sort your cheese out." You shout into the apartment, not a clue where she had gone off too.
Although, you forgot the scene she would walk into, only realising when a sharp gasp sounds through the room.
"What... the hell did you do?" Leah whispers in a dramatically heartbroken voice, kneeling to the ground and delicately picking up the punctured ball. You turned and rolled your eyes at the sight that met you, forever astonished at the theatrics this girl pulls off.
"Better a ball than your head." You mutter under your breath. "Sort your dinner out, I'm not being blamed for ruining it this time."
You took your bowl and walked past where she was still on the ground, nudging her shoulder with your knee as you went by to push her over. Okay, maybe you did have tendencies similar to hers.
Leah joins you on the couch a few moments later, an embarrassingly scarce amount of parmesan in her bowl as she slumps down next to you with a groan.
"I'm not watching this right now, I don't want to participate in a fucking reading lesson whilst I'm eating!" Leah complains at the choice of TV show you'd picked for this evening: Narcos.
"Tough, I cooked so I choose." You shrugged and pressed play, the characters immediately talking in thick and fast Spanish that, despite the English subtitles, is too much for your poor girlfriend to deal with right now.
"That's not fair, you always cook." She grumbles, stabbing her fork aggressively into her food. You pause the show at that statement, turning to look at her with a face that conveyed pure and unfiltered rage.
"Did you seriously just complain that I always cook?" You question in a frighteningly passive tone. Leah glances at you from the corner of her eye, not daring to turn away from her bowl. "Really, Leah?
She grimaces at the use of her name when you probe her for an answer. All day, she had been toeing a fine line, pressing all the wrong buttons, and pushing her luck with you. This time though, she'd really done it.
"Watch whatever you want, I'm not eating with you." You stand up from your seat on the sofa and storm away to the bedroom, leaving a glum and regretful Leah in the lounge who does in fact change the show on TV.
Was it an overreaction? In an hour, you'll probably think so. But right now you couldn't bear to look at the woman downstairs. You both eat, sad and alone, in your separate rooms to think over your actions.
In fact, no, you didn't overreact. You were entirely in your right to get angry over a throw-away statement that Leah had made just to win one back against you. Her immature attitude and competitive nature took over and she made an unnecessary comment about an action you not only enjoyed doing anyway, but enjoyed doing for her. So, whilst Leah thought back on how she should have behaved better, verbalised herself better, you were satisfied with your actions.
When there was a quiet knock at the bedroom door twenty minutes later as you lay in bed on your phone, bowl on the floor and meal happily consumed, you gave no answer. Leah came in anyway, a sheepish and guilty look on her face.
"May I come in?" She asks shyly, only her head in view.
"As long as you promise to not be a complete arsehole to me anymore." You grumble, not looking at her.
"I promise, love. I am sorry. I have things to make up for my utterly stupid behaviour." She says, and that does pique your interest.
You grunt in affirmation, and the door opens to reveal her holding a few items: your favourite candle from the lounge, a hot chocolate, your favourite cookies, and the oil you often used to massage Leah whenever her muscles were giving her some discomfort.
"Maybe I could give you a massage, babe? I am sorry. I appreciate all you do for me, I was just being an idiot before who didn't know when to stop. I love that you cook for me, and eating dinner with you at the end of a long day is one of my favourite things, genuinely. I'm really sorry for making that stupid comment, I am." Leah tells you softly, an air of desperation to her voice. Through all the times she loves to piss you off, nothing made her feel worse than when you truly got angry at her.
"You must really be sorry if you're letting me eat in bed." You comment quietly, referring to the pack of cookies in her arms. She smiles and nods, coming over to sit on the edge of the bed beside you.
"I am sorry. Get crumbs everywhere if you want, get your revenge." She replies and a weight lifts off her chest when you giggle slightly. "I love you, truly, madly, deeply. I'm so grateful for you and everything you do."
You reluctantly smile up at her from where you lay, then roll your eyes and hold your arms out for her.
"Come here, you massive idiot." You mutter, watching amused as she rushes to put her things on the bedside table before diving on top of you. "You're a wanker, number six."
Leah laughs into the pillow at the reference, nodding her head in agreement. She turns her face into your neck and places a few light, apologetic kisses there.
"I am." She murmurs, sighing a little and causing goosebumps to rise on your skin. "I wouldn't appreciate it if you started shouting that at my football games though."
"I don't appreciate you reciting a ninety's song in your apology though. Get some original material next time." You hit back, a smug grin on your face as she laughs again.
"I'll sing it for you if you want." Leah offers, voice slightly muffled by your neck as your body shakes with laughter.
"I think that would reverse all your efforts." You say, her humming in agreement. "Now, did you say something about a massage?"
The next morning, Leah believes all is forgiven from the previous night. But just to be sure, she hops out of bed since she's the first to wake up and decides to bring you a coffee in bed before you both were due to go out for breakfast with friends. It's a delight you welcome immediately, sighing contently when the hot mug is placed into your hands as you sit up against the headboard. Leah joins you in bed again, copying your position, and wraps an arm around you as well as kissing your forehead. She mumbles a few more words of apology into your ear as you drink, ensuring that you know how grateful she is for everything you do. You also welcome that with open arms, happy to hear her feelings towards you when she's not being an irritating little pest.
She watches you the whole time you get dressed for the day, and there's a soft smile on her face as she stood in the bathroom doorway whilst you put your earrings in, the finishing touch of your outfit. You mirror the smile she wears when she steps forward and wraps her arms around your waist, murmuring endless compliments into your ear that send shivers down your spine. It's a sickeningly sweet moment, it would rot any witnesses' teeth had they been there to see it, but it's perfect and it's the couple that you recognise rather than the bickering one from the previous night.
You exit the bathroom together, your fingers intertwined as Leah leads you down the stairs. Though, just as you're about to leave, you spot a smudge mark on your cheek from your mascara in the mirror by the door, so you stop to fix it. Leah, with the patience of a toddler, somehow finds yet another ball and it's one you can't stab this time since it's a Euros 2022 ball. Even though she has just done her hair, begging you to straighten it for her, she starts doing headers. And that's where the morning takes a turn for the worst.
When you'd finished fixing your makeup, you head to the downstairs bathroom to quickly wash your hands. Then you hear a panicked shout, followed by a loud bang, and lastly the sound of glass smashing. Instinctively, you rush out the room to see if Leah's okay, thinking the worst, but it seems that the only damage she has is to her ego. And, subsequently, to her relationship.
The sight that greets you fills you with more fury than you'd ever felt in your life. Your mirror, the antique one you had been adamant at buying when decorating the house, lay broken on the ground. The frame was cracked, it was surrounded by glass, and the ball laying next to it was very clearly the offending weapon. The culprit cowered in the corner of the hallway, looking at you and waiting for a reaction.
And boy did it come.
The walls of the house shook with the scale of your voice as Leah flinched like she was physically impacted by each punch that your words delivered. Nothing offensive or harmful was said of course, but your language was certainly colourful and impactful. Each word was spat with a lethal amount of venom, and Leah wasn't sure she would ever see the light of day again; living a life banished to her house, individually glueing each piece of the mirror back together as you endlessly lecture her. Eventually though, you did have to take a breath. Leah took one at the same time, though she was a shell of herself as you glared at her.
Composing yourself, you stepped over the mess and opened the front door before turning to Leah with an unnerving smile. She smiled anxiously back at you, and it took everything in you not to laugh at the nervous, apologetic look on her face. At least she knew she had messed up.
The next time you speak, it's like nothing had happened, and that fills Leah with more fear than she'd ever felt in her life. She knows she's in for it when you get back later.
"Come on, my love, we have a breakfast date to attend."
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meanbossart · 4 months
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i just need to take a second to gush about how much i love durge drow and astarion, they feel so fleshed out and perfectly written together in their fucked up wretched ways. They really inspire me to write more for my own tavs, hopefully one day ill be able to say im as happy with my own work as i get when seeing yours. I have to ask though, do you have any tips on drawing head shapes and faces? or maybe about wrinkles? i find i really struggle with that stuff when drawing and i adore how expressive and grungey all your art looks!
First of all thank you so much, I love hearing what people think of the two of them together 😭
Honestly you've hit on something that's quite near and dear to my heart, I love developing and figuring how to draw and stylize different faces to get the most unique, interesting looking results - everything about the details is highly rewarding to me. What does x type of nose look like from this angle? In this style? How can this eyeshape best translate to my art? How different does a face look when its making this expression? What does that MOUTH DO? etc etc.
In fact you kind of inspired me to put a little tutorial/guide together the last hour lmao and what a blessing it is that the two current subjects of this blog serve as great models here, being that their faces are basically polar opposites!
When it comes to heads, you've probably heard it a dozen times before that you want to think of them in terms of geometry and facets; my process to drawing them is pretty conventional so I won't spend too much time on it, but it goes something like this:
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Obviously I don't do every single one of these steps most of the time, which is just something that comes from practice/developing muscle memory, but it is helpful to start off this way for two main reasons:
By making these guide lines and splitting a head into pieces like this, you'll have an easier time seeing and understanding it as a multidimensional object, and in turn, facilitate It for you when you venture out into doing wacky angles and lighting.
Making different headshapes starts HERE. notice how Astarion's "face" slate is narrower and longer, how my durge's jaw pieces sit lower on the head, how all of the same pieces came together in the same way but we ended up with one real pointy elf and a real brick of a drow - making characters look different successfully begins very early in the sketching process.
The next thing you want to do branches out into every day life: start noticing yours and other people's facial features. How does an upturned nose look from a high angle? How does the size of someone's cheekbones affect what they look like when they smile? How about when the light hits them a certain way? Does someone's lip shape changes when they pout? When they laugh? How does a person's hairline change the shape of their face? You do NOT need to creepily sketch every stranger you see on the bus, but get into the habit of actually noticing what people look like when you talk to them - when you look at pictures, when you watch movies - make a mental list of interesting ways mouths, noses, and eyes can come together in a variety of different proportions to make completely distinct looking mugs, and how they change depending on how you are looking at them.
Light and shadow play a HUGE role in how faces look, too, basically as crucial as actual bone structure does. As you see up there I tried to rough out how natural, head on, and underhead light would look on these two very different looking guys, and while we can see definite patterns, there are small differences that come to be because of the sizes and shapes of their features.
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Here is a very, very basic look at how some of these features come to look the way they do, how they interact with one another, and how they compare between a blocky, rather conventionally "masculine" head and one that's much softer and slimmer.
Note please that it is not one or two characteristics that give a chaarcter their "look"; you can reduce a face to eyes, mouth, and nose through stylization and still have them be recognizable, but if you want to do more than that, you have to consider the whole package! Chin, cheeks, brows, direction of the jaw, slope and size of the forehead, depth of eyes, ridge of the nose, etc - I know this is probably far more than you bargained for, but if you start making note of a FEW of these things now and slowly add on, this will eventually become second nature to you.
Similarly, understanding how these characteristics come together will help you with rendering light and shadow in a realistic way, and predicting what their facial expressions may look like - if no two people are alike, neither are their smiles. :)
Lastly, remember that I'm no expert - I have developed my own methods and semiotics and yours may look slightly (or vastly) different, and that's fine! I hope only that by sharing this it has given you a base to work off of.
Anyways, I HOPE this has been helpful and not just the unsolicited ramblings of a face pervert.
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river-taxbird · 4 months
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Have YOU got an old Windows PC Microsoft has told you can't run Windows 11? It's time to give it a new life!
How to install Windows 11 on unsupported PC Hardware using Rufus. You can also disable some other Windows 11 bullshit like data harvesting and needing a Microsoft account.
It has been in the news a lot lately that Windows 11 isn't allowed to be installed on PCs without certain requirements, including the TPM 2.0, a chip that was only included in PCs made in 2018 or later. This means that once Windows 10 stops receiving security updates, those PCs will not be able to (officially) run a safe, updated version of Windows anymore. This has led to an estimated 240 million PCs bound for the landfill. Thanks Microsoft! I get you don't want to be seen as the insecure one, but creating this much waste can't be the solution.
(I know nerds, Linux is a thing. I love you but we are not having that conversation. If you want to use Linux on an old PC you are already doing it and you don't need to tell me about it. People need Windows for all sorts of reasons that Linux won't cut.)
So lately I have been helping some under privileged teens get set up with PCs. Their school was giving away their old lab computers, and these kids would usually have no chance to afford even a basic computer. They had their hard drives pulled so I have been setting them up with SSDs, but the question was, what to do about the operating system? So I looked into it and I found out there IS actually a way to bypass Microsoft's system requirement and put Windows 11 on PCs as old as 2010.
You will need: Rufus: An open source ISO burning tool.
A Windows 11 ISO: Available from Microsoft.
A USB Flash Drive, at least 16GB.
A working PC to make the ISO, and a PC from 2018 or older you want to install Windows 11 on.
Here is the guide I used, but I will put it in my own words as well.
Download your Windows 11 ISO, and plug in your USB drive. It will be erased, so don't have anything valuable on it. Run Rufus, select your USB drive in the Device window, and select your Windows 11 ISO with the Select button. (There is supposed to be a feature in Rufus to download your ISO but I couldn't get it to work.?
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Choose standard windows installation, and follow the screenshot for your settings. Once you are done that, press Start, and then the magic happens. Another window pops up allowing you to remove the system requirements, the need for a microsoft account, and turn off data collecting. Just click the options you want, and press ok to write your iso to a drive.
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From there you just need to use the USB drive to install windows. I won't go into details here, but here are some resources if you don't know how to do it.
Boot your PC from a USB Drive
Install Windows 11 from USB Drive
If you had a licensed copy of Windows 10, Windows 11 will already be licensed. If you don't, then perhaps you can use some kind of... Activation Scripts for Microsoft software, that will allow you to activate them. Of course I cannot link such tools here. So there you go, now you can save a PC made from before 2018 from the landfill, and maybe give it to a deserving teen in the process. The more we can extend the lives of technology and keep it out of the trash, the better.
Additional note: This removes the requirement for having 4GB Minimum of RAM, but I think that requirement should honestly be higher. Windows 11 will be unusable slow on any system with below 8GB of RAM. 8GB is the minimum I think you should have before trying this but it still really not enough for modern use outside of light web and office work. I wouldn't recommend trying this on anything with 4GB or less. I am honestly shocked they are still selling brand new Windows 11 PCs with 4GB of ram. If you're not sure how much RAM you have, you can find out in the performance tab of Task Manager in Windows, if you click the More Details icon on the bottom right. If you don't have enough, RAM for old systems is super cheap and widely available so it would definitely be worth upgrading if you have a ram starved machine you'd like to give a new life.
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lyneira · 1 year
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♡ sorry, they're already taken ♡
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-> someone confesses to you, his dear lover, in front of him, how would he react?
lyneira's 1.2k milestone event
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Watches from afar
Cater, Jack, Silver, Neige, Jamil, Kalim, Che'nya
He trusts that you'll turn them down and he knows that you know how to handle the situation, so he doesn't see the need to step in. They're just expressing their feelings and there isn't any real harm done from it, after all. It would also be a funny story to recall later in the future.
Though, don't be fooled by this calm nature of his. If they dare try to touch you or make any physical advances towards you, he will be on the perpetrator in an instant and will ensure that they regret it.
Confronts IMMEDIATELY
Epel, Floyd, Leona, Ace, Riddle, Sebek
When he sees them confessing to you, he'd scoff, absolutely astounded. Has he not made it clear enough to everyone that you two were together? He's always had his arm around you, always talked about you, and was almost always by your side, so to say that he was shocked that a person had the audacity to confess to you even after all that was an understatement. So he'll confront them immediately, telling them to back off since you two are already together. And if they don't, he won't hesitate to get physical
Don't worry though, if you tell him to calm down, he'll listen to you. As long as they understand that you're already taken- by him specifically- he'll be able to cool his jets.
After they leave, he'll huff while grabbing you and hugging you protectively, muttering to himself that he should make it more clear to others that you two are together. Maybe he'll find more ways of doing so, whether it's giving you one of his belongings to wear, or giving you love bites in places for everyone to see 😏 he'll find a way so that something like this doesn't happen again, as much as he can help it
Finds it 'funny'
Malleus, Jade, Rollo, Azul, Lilia, Rook, Vil
He'd be amused by the situation. (Not a funny "haha" type of "amused", but a rather one of intrigue and surprise) Look, he understands why they hold adoration for you. He understands it himself all too well, so he can't find himself blaming them. At the same time, just because he understands doesn't mean he's willing to let you go or share you. It seems that it must be reiterated that you're his and he's yours.
He'll be "kind" enough to let them finish their confession before standing his ground by approaching you, pulling you close to him by the waist and giving an ever so subtle threatening smile to the confessor, "I understand your sentiments towards my lover, truly...and we would appreciate if you'd take your leave now"
Basically, he'd act possessive asf in this situation, just like in the previous category, except with a different and less explosive demeanor
Awkwardly steps in
Ruggie, Idia, Deuce, Trey
He'll step in if he sees that you're feeling awkward about the situation (otherwise he'll let you handle it if he sees you have no problem dealing with it)
But tbh he'd definitely feel just as awkward in attempting to explain it to the confessor. It could be a possible misunderstanding or that they didn't know that you were already taken, so he'll set things right, albeit sheepishly.
It's not until the confessor underestimates him and tells you to ditch him does a surge of confidence suddenly flow within him and he'll become more forward and direct in proving that they won't be able go break you two up.
He might be awkward in certain situations, but when it comes to defending you and the love that you two share, he won't hesitate to fiercely protect it.
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a/n: tbh I felt "meh" about this one, but just wanted to have something out there and check if my posts are finally showing up again in the tags aaaa
© 2023 lyneira. PLEASE DO NOT COPY, PLAGIARIZE, OR REPOST MY WRITING ONTO OTHER PLATFORMS
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kanmom51 · 14 days
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This one is kind of personal and a lot mushy
(And as I'm writing this, a bit of a rant as well)
*Be advised.😅
Been a bit.
Well, I was kind of busy. On one of those 'once in a lifetime' trips you take to celebrate a big one, this one being my 30th wedding anniversary.
And while I was on this trip (and I am sure to share some pics, cause why not, seeing we got some spectacular ones) I got to thinking about Jikook. Because, who doesn't think about Jikook on their 30th anniversary trip, right?
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Let's be real for a sec. Who doesn't think about Jikook ALL THE DAMN TIME?
Obsessed much?
Hell yeah!!!😂
Proudly admitting it!!
Look at those two:
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Can you seriously blame me?
Nah, but seriously.
I couldn't help but think about who I am, where I've come from, how my partner and myself came to be, our love and respect for each other, how we fought through everything life swings at you and how our love not only survived all of it but seems to have flourished even more. I can honestly say that I love my husband today even more than I did when we got married. It's a different kind of love. A mature love. A love that survived many trials and tribulations. Some you know of when you tie the knot but many more you don't expect.
And thinking of us I couldn't help but think about those two young men and how they met, what brought them together, how they connected, how they have been through so much together, the hardships, the struggles, the amazingly good and the terribly bad, all making their bond even stronger.
There are those that cannot fathom how 2 young beautiful talented men could be in a committed relationship when they have this whole smorgasbord of beautiful people just wanting to lay a hand on them. Everyone wants a piece of them and here they are in a committed relationship with each other? A long term committed relationship? How ever could that be?
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When you love someone to the core, which is exactly how those two feel (people can deny it all they want, but it won't change the facts, these two have chosen each other every single time over anything and anyone else), when you get to know that one person and fall deeply in love with them, know their ins and outs, know their flaws and issues, seen them at their best and at their worst. When they are happy or sad, healthy or sick, elated or furious, and find them attractive through and through, still want to be by their side.
No.
Need to be by their side.
Want to be there when they are happy, share their joy, but also be there when they are sad or down and stand by their side to support them through it (even with and despite all those flaws and issues and difficulties that at times can also infuriate you and basically make you want to ring their necks at certain points in time) there is no love (between partners) deeper than that.
I do know, we all should, that what they experienced and how they are living cannot be compared to us regular folk. Their circumstances are such that they have to deal not only with an industry and society that deems them as 'wrong' (that includes a big chunk of their own fandom btw), but also a lifestyle that is nothing like the one we know or have experienced. The hours, the cameras in their faces close to 24/7 (up until their break and hiatus and even prior to that during the pandemic - which btw is one of the reasons people have gone mad at that point given we stopped getting an influx of BTS content for such a long time), growing up and maturing in the limelight, enjoying the fame and exposure at first and then fighting for privacy and 'anonymity' when you realize there is a price to that fame. None of us have experienced that. Yes, we can find the similarities and by extension make conclusions about them, but at the same time we always need to remember that their lives are different than ours and that we cannot always hold them to the same standards of behavior that we are used to in our own lives and relationships.
This is beside the point that every relationship is different. I will just say this. A healthy long term relationship is built on 2 or more (I ain't judging) individuals that stand as their own person and chose to be with the other/s. They don't necessary have to have the exact same interests or likes. What they do need is to love, respect, trust each other and understand that part of that is allowing your significant other to do what they love, even if it means doing it without you. Even if it means doing it with someone else. You all know where I'm getting with this right? Going out with others, travelling with others, drinking with others, spending time with others, choosing to spend time alone without your significant other, none of them diminish from your relationship if indeed it's building blocks are solid. And brace yourselves (well, those that are in long term relationships know this already...), but all of the above actually helps maintain your relationship. Can make it better and stronger.
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I've been lurking a little on SM, even while away, only to find that once again, or should I say still (surprise surprise... NOT) there are those that are doubting the bond that these two young men have. It's solos and cultists trying to create an alternative universe in which JK and JM are not close and even distanced (some would love for them to actually hate each other - good luck with that psychos). Or it's once again those insecure 'Jikookers' that seem to need that constant affirmation from a real life queer couple that most certainly will not be giving them that. I keep asking myself why is it that a couple like JM and JK need to constantly prove they are together (all while they actually can't come out and say it due to their circumstances - industry and society they live in), when a heterosexual couple, say Zendaya and Tom, for example, are not expected to? How come a blurry clip (which I still say is fake) released at a very suspicious point in time, together with other obviously edited clips and serious claims of misconduct that are clearly made up and were intended to cause JK harm, have more of an impact on them than years and years of interactions, talk, actions (including just before the clip was released and after it as well)? And now another blurry clip that people are going all crazy over. Like seriously, what is wrong with people? Is the lack of content driven them mad? No drama so we need to create it? Well, thing is that when you are in a healthy committed long term relationship there is not much drama. That's the way it is when you are settled and happy and know who you are and who you love and know that they feel the same about you. Arguments, disagreements, bad days - sure. That's life. But at the end of the day if people want drama they should go watch one on TV.
So, how do I put it to make is as clear as possible?
These insecurities we get from some of the fans, they work like clockwork. Every single time, in the past, when we didn't get much from the two there were these whispers and question marks regarding their relationship. Not even if they are still together, but down to the core of their bond, as to even question if they are close or friends. This phenomenon goes way back.
But since end of 2021 beginning of 2022, when they were on their break and later the hiatus into 2023 it blew up like a full on hydrogen bomb.
This got worse after they were assigned their own 'personal' IG accounts and went on their break.
The misconception by many that these accounts were somehow their private accounts that they use to interact with each other, I can't call it anything other than delusional. Sorry not sorry. And if people did not realize that themselves if only from the lack of posting or interaction with whoever, then we had the members themselves telling us that they regularly interact within their own private chat groups. That photos shared on IG with us have been previously shared with the others in those groups. These IG accounts were created to maintain contact between the members and their fans, knowing that the group is going into hiatus and that they will each be promoting their own individual solo projects. Yes, the group Twitter (X) account could be used for that, but there was an attempt to create a more 'personal' connection between each member and Army. These accounts were work, as simple as that, and them reacting to other members or talking with each other through these accounts was not an indication what so ever to whether they were in touch or not otherwise.
At the time, back in early 2022, when people were reeling over the lack of interaction between the two on their IG accounts I tried to explain that a. not seeing something most definitely does not mean it's not there (something those two made sure to prove time and time again over the past couple of years), and b. that the lack of interaction can actually be an indication to them spending most of their time together, as there is no need to comment on another's post when you are right there to tell them whatever it is you want to tell them to their face. Not to mention, and this part is all me, so take or leave it as you will, but some of said IG posts, well, how do I put it? I guess I just say it as it is... some of these photos posted were either taken by the other or they were right there or really near by when it was taken. There. I said it. In any case, the fact that these were the only two not to interact with each other in front of Army's face, out of the whole group, that, to me, meant they were the ones spending most of the time together.
Oh, and let's just address the whole fanservice stupidity surrounding those two once and for all.
If they were all about fanservice, how is it that since that during the break in 2021-2022 and then during the hiatus and their solo endeavors, we were robbed of said fanservice? Wouldn't you expect that the fanservice couple, the scripted couple, be pushed during each other's promotions? How is it that we have seen during these periods of promotions every single other coupling other than JM and JK. Even JK visiting JM during his rehearsals was heavily edited. How come, if we are being sold a fake bond? No JK being forced to go visit JM when performing at the music shows. No JM being forced to do the same with JK. JM paired with Suga for an add for Busan (? that one was really an odd one for me). When did we see them? So yeah, people can scream fanservice all they want, but deep down inside they know it's a crap claim. I won't even go into JK's lives. There was not one ingenuine bone in his body, and that excitement seeing JM's comments, that coquettish behavior while interacting with him (especially during the bed live, OMG!!!), the reactions to the JM centered content he CHOSE to watch during those lives, none of that is scripted nor acted. It's all JK. All him. And JM's reaction when JK shows up at his documentary viewing live, that little butt wiggle in his chair (reminds me of Bam when happy to see his dad/s, as shown by JK), the face lighting up, the genuine worry on his face talking about JK working hard (during another couple of lives), again, not faked.
So yeah, not fanservice.
I digressed, I think.
Let's get back to 2022 why don't we?
On their break these crazy stories of heartbreak and breakup and hate and suffering and god knows what, only all to be thrown out of the window as soon as we got to see the two together again during the Seoul concerts and then LV. Oh LV. That was a wild ride.
Then BTS went on hiatus and the solo era began. And we were getting less and less ot7 content, and once again the insecurities. These ups and downs (you know, the whole JITB party stories about them not being together - that was countered by the BTB that followed a while after), then Busan concert's high, then 2023's downs and ups and downs and ups and fruck it all, I'm sea sick from this stupidity.
Same exact stories were repeated in 2023!!!
Especially after THE CLIP "which shall not be named" dropped.
SAME EXACT TO THE T STORIES!!!
But again, I digress.
Insecurity regarding the two and their bond (seeing they aren't in the public eye) followed by realization that everything is as it was (if not even better and stronger) once we see them together again. And the reason we don't see them together while on break... wait for it... is because they are a private couple living their everyday life, not for the cameras, not for Army, but for THEMSELVES.
Who would have thought.
And when they are together, as in working together, either filming or shooting or performing, well their bond can't be hidden, as much as they might have to wind it down at times (which is mainly not when they are on stage hyped up on adrenaline, lol), seeing that this is still Kpop, with fandoms that feel ownership over them, not to mention them being a queer couple. You know. All the usual reasons.
This idea people have that these two owe us something. That they constantly have to prove their bond, their connection, their relationship. What utter bull.
Anyway, what a slap in the face (for some a good wake up call, for others a well deserved one) the news of them choosing to enlist together was for so many.
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Bottom line is, repeated for the millionth time, that these two young men have shown us time and time again that when push comes to shove they will chose one another!!!
I feel like I'm all over the place here. Came to talk about my trip and ended up talking about fanservice and insecurity and god knows what. I guess it's the jetlag (yeah, let's go with that and blame it on the jetlag).
In any case I will go with my favorite saying as of late:
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Why this whole long word vomit, you may ask (or you might not ask, who knows, lol)?
What the hell does this have to do with my trip?
Nothing...?
Probably, lol.
But I am going to try to connect the dots. Even if they did make sense in my mind when I first started writing this post and no longer do...
How about the fact that the two chose to take these trips together?
See how I did that? Connecting the unconnected?
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Not even going to ask the egg-chicken question here, as I am quite positive it was always about the trips and the show/content for army was the excuse that allowed them to travel 'for work', and a little bonus of content for army when they are away - not to mention perhaps even an opportunity for a soft outing, who knows.
They wanted to spend this time together before enlistment.
We know of at least 3 trips. Connecticut, Jeju and Japan (the Jeju trip may or may not be part of that 'show').
We are yet to know what exactly this 'show' will be. Will it be an actual show, style BV or ITS? Will it be a Vlog? Will we be getting actual episodes or several minute clips? But one thing for sure. Whatever we get, it will be a drop in a lake of the time they spent together. They went on these trips to be together. They shot this 'show' to allow them to be on these trips. This 'show' will give us a glimpse, no more than that, of what they got up to while together. Bottom line - it's about them, not the show and definitley not us.
So yeah, tripping together (lol, as in traveling, just felt like using that fun word, which can mean so much more as well) is something couples love to do, and going on said trips prior to a huge life changing event (let's be real here, going into the military for 18 months, especially knowing that to be able to enlist TOGETHER, they will be placed in one of the harsher units and environments, knowing that even though they will be together they most certainly will not have the freedoms they enjoy prior to enlistment), well that is something they would do as well.
To sum this whole rant up:
I came here to show off some pics from my trip...
If Jikook are allowed to (and god help them all if we don't get that show eventually...), then so am I...
The scenery...
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And the wild life
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So there you have it.
I managed to talk about my trip and about Jikook all in one long ranty post.
To those that managed to work their way through it I have this to say:
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linkspooky · 2 months
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The Supreme King Judai vs. Dark Deku: How To Do a Dark Deconstruction of your Shonen Hero!
Think of this as less me complaining about My Hero Academia, and more me taking a closer look at the writing of the Dark Deku arc and why it failed to achieve what it set out to achieve.
I like to look at writing on a deeper level than Thing Bad, and Thing Good. Imagine a story is a car engine that won't start, in order to find the problem you've got to disassemble all the pieces and look at them one by one to see what pieces aren't working. That's the kind of criticism I'm talking about, break storytelling down into different tools like parts of an engine, plot, world, characterization, ideas, actions and consequences and then look if the author is using those tools effectively to sell a story.
In other words we're talking about the difference in ideas and execution. All works of fiction have ideas, even bad anime can have good ideas inside of it. The idea in question is Judai's case is can exploring the dark side of a hero. Can a hero's positive qualities also lead them down a dark path? Yu-Gi-Oh Gx answers this in a satisfying way, and My Hero Academia I'm going to argue does not.
IDEAS VS EXECUTION
One piece of writing advice I heard from Brandon Sanderson of all people that always stuck with me is "Ideas are cheap. You can always come up with more ideas."
All works of fiction have ideas and themes no matter what the Game of Thrones guy say, but some works are better at communicating their ideas than others. I want to quote a Homestuck Ending analysis of all things to explain what I'm talking about.
When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling. There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way. Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.
Chief among these rules is buildup and payoff. In fact one of the most basic techniques of storytelling is foreshadowing, in screenplays you usually foreshadow one important twist, then add a reminder so the audience doesn't forget, before finally paying it off.
To simplify build up and pay off I like to refer to it as question and answer. Usually a story will ask its audience a question, and usually by the end that question is answered, unless the point is to leave that question unanswered / ambiguous.
Character arcs are examples of buildup and payoff too, a lot of characters, especially in serialized media are sold on their potential future development. Here's an example, how may people got invested in Dabi years in advance because of the Dabi is a Todoroki Theory? That's an example of good buildup and payoff, because the author sewed just enough hints to build up an audience expectation and then paid it off. People became invested in the story, because they thought their investment and theories would pay off eventually and it did - so hooray!
Both MHA and YGOGX dedicate an entire arc to trying to deconstruct their main protagonist. They also seek to deconstruct the "Hero Complex" or "Saving People Complex" that each protagonist has, and ask the question if those traits are really a good thing.
This post puts it better than me so I'm going to quote tumblr user rhodanum.
‘Hero complex’ or 'saving people complex’ — an obsession with rescuing people in the face of danger, often to the exclusion of all higher thought processes. All too prevalent among shounen main leads, especially hot-blooded shounen main leads. Yuki Judai is certainly no exception. What is interesting in his case is that the writers follow the consequences of his rash, reckless, often thoughtless actions all the way to their heartbreaking logical conclusion. For those not fully in the know, it involves spiky black armor, an army of sycophants and a fall from grace that caused as much damage as a thermonuclear bomb. Don’t make perky, happy shounen protagonists snap, people. First rule.
I'm going to quote another video too, to add onto the above quote. It's from this video, starting at around 39:52
"GX is kind of famous among fans for taking its happy protagonist and stripping him down to all of his worst qualities. And that's fun. So Judai is a character who's really interesting. He's definitely open to a lot of interpretation, and you know we're gonna be leaning on my interpretation of him. Sorry. It's my video. I think he's commonly referred to a "very typical shonen protag" probably one of the most shonen protag of the yu gi oh protagonists. He is headstrong and loud, and (makes punching noises while air boxing), he is a type of character who's like I'm gonna be the best and brings everyone along on the ride. He's the kind of protagonist that everybody loves him they're all fighting over him, and Yu Gi Oh Gx really puts him up on the pedestal, of like THIS GUY. THIS GUY DOES IT ALL. Then season 3 rolls around and dares to ask: but what if that's selfish behavior?"
That's the question both MHA and YGOGX are asking in Dark Deku arc and Season 3 respectively, what if all of those behaviors that make them the typical hot blooded shonen protagonist are actually selfish? Is their hero complex really a good thing?
Each arc is tasked with exploiting the main character's flaws, until they reach their emotional breaking point and lowest point in the story. Let's see how each story treats their main character and from comparing that I want to make a point about what makes effective storytelling.
The Supreme King Haou Arc
Instead of recapping the entire arc to you, I'm going to touch upon what ideas the story setup in regards to Judai's character and how it paid off those ideas. What are the questions the story asks and what answers does it give us?
I'm going to focus on the two questions I outlined above. Is their hero complex a good thing? and What if this is selfish behavior?
Yu-Gi-Oh GX is an anime where instead of using super powers, the main characters fight each other with a magical trading card game. Besides that fact there's a lot of similarities between GX and MHA. They both take place in an academy setting where the main characters learn about using their quirks, and playing the card game better respectively. It is a shonen battle anime where almost everything is solved with a shonen fight, they just use cards instead of flashy superpowers. The main characters are all students who have to grow up and enter the adult world.
Judai and Deku are both characters that deconstruct the "hero complex" of shonen main characters. Judai is themed entirely around heroes, he has an elemental hero deck where every hero is based off a hero that appears in popular culture, he is the best duelist in the school and the one everyone calls on to save the day over and over again. As stated above he is the most Shonen Protag to ever Shonen Protag, he's a warrior therapist who makes friends and saves the day because he's really good at the card game, and will always show up to fight for his friends.
For the first two seasons Judai is built up on this pedestal of the ideal Shonen Protagonist, and praised by basically every single character for being "childish" and "pure of heart" however when Season 3 comes around the narrative stops heaping endless praise on him and starts to challenge him. However, this doesn't come from nowhere there are signs of these personality flaws of Judai, they just get swept under the rug the first two seasons.
There are several moments such as the climaxes to season 1 and season 2 where Judai fails to grasp the stakes of the situation, saying things like "Oh, this card game is really fun" when he's dueling with lives on the line. Judai in fact has a pattern of "only wanting to duel for fun", he fights because it's fun to him not because it's the right thing to do. However, he's continually forced into high stakes situation where he has to fight for others just because he's the strongest character - and constantly having to carry that on his shoulders starts to weigh on him after awhile. Judai will show up to fight and save his friends every single time they need him, and that's the source of his hero complex because after a certain point his friends start relying on him too much.
In general he also doesn't have deep thoughts of what heroes are, he admires heroes but it basically boils down do "Heroes are cool." He's kind of like Goku where he doesn't really fight for any idea of justice or to save others, just for the thrill of fighting itself. He also has a tendency to be insensitive to other people's feelings and take things for granted. For example, in Season 2 like three of his friends get possessed and Judai doesn't even do anything about it for half a season because he's too busy participating in the dueling tournament.
In general though it's a pattern of Judai only wanting to "duel for fun" and him being forced to duel to save others instead, and be responsible for other people. Judai will show up to fight for his friends, but even then he falls back on just "dueling for fun" because always having to fight for others is too much responsibility to put on his shoulders.
There's a lot of hints of Judai's flaws, but they also tend to get brushed off because shonen protagonists are just like that. Like, Judai can say some insensitive things to his friends sometimes and be oblivious to their feelings, well he's just a book dumb shonen protagonist. Judai should be taking this fight seriously, well he's just being a happy go lucky shonen protagonist, etc. etc. A lot of these things are also just swept under the rug as him just being a child, a boy-at-heart like most shonen protagonists are supposed to be.
However, season 3 starts looking at Judai not as a shonen protagonist but as a person, and it all starts with the suggestion that maybe Judai remaining a child at heart is a bad thing, especially when his friends around him are all growing up. It all starts with the introduction of this guy right here - Johan Anderson.
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Johan shares many things in common with Judai, he can see spirits, he's a duelist who loves to duel, he has a strong connection with his cards. However, the more you compare them the more you notice that Johan has a lot of things that Judai lacks. They are so similiar that they become almost instant best friends, but even then Johan himself notices there are a few things off about Judai's behavior.
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Sho: Bro... I thought you would have something to say to me. Johan: He seems lost. I think he just wanted you to give him some advice. Judai: SHo will be fine. Johan: Judai, you're colder than I thought.
It takes someone completely new to the dynamic between Judai and his friends, who likes Judai but hasn't spent the past two seasons idolizing him to realize that some of his behaviors are kind of off. That Judai isn't really the most empathic, or even that good at understanding other's feelings.
Johan is the one to point this out because he has the emotional intelligence that Judai lacks. We've been told Judai is our shonen protagonist for two seasons, only for the real shonen protag Johan to step up out of nowhere and show them how it's done. Johan is good at seeing other people's emotions, and he becomes a near instant pillar of emotional support for Judai. More than that, he also is the first person to treat Judai like an equal, he never asks Judai to save him like all of Judai's friends do, if anything they both save each other.
Johan also exists to show what Judai is lacking, mainly a reason behind why he fights.
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Judai: I do it because it's fun. Or because of the surprise and delight, I guess. Well, I guess that comes down to "because it's fun", huh? Sorry, I guess that's an awkward question to ask out of nowhere. Johan: What's wrong, Juadi? Judai: Nothing, really. Johan: I have a proper goal. Judai: Don't tell anyone. Even if people don't have the power to see spirits, they can still commune with them. That's why, for those people as well... (I want to be a bridge between humans and spirits).
Judai is someone who will always show up to save his friends when he is asked, but he doesn't really have a concept of what being a hero is or the repsonsibilities it entails, he just admires heroes in a pure hearted way. Johan on the other hand has a reason to fight and that's to help humans and card spirits get along, and Judai expresses admiration for Johan because he has a goal.
At the same time this is happening, Judai gets picked apart by two villains for his lack of reason for fighting. Judai has been praised to death for two seasons for being pure of heart, but now the villains are challenging him by saying he has no "darkness of the heart". That without it the reasons that Judai fights are superficial and frivolous.
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We have something that you lack. Judai: That I lack? Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that. Judai: A burden in my heart. I have nver, not even once, dueled for myself. I doubt someone like you, who only thinks of himself could udnerstand that. Judai: What would be fun about a duel like that? It isn't fun at all! You must bear other's expectations while remaining strong. That is what it means.
Judai is a bit of a blood knight, he will be dueling with his friends lives on the lines and stop to go "Wow, this duel is really fun" and it's usually just dismissed a shim being a shonen protagonist until suddenly it isn't.
I'm gonna draw a deliberate parallel between Deku and Judai here that I'll reference later on, they both don't understand "darkness of the heart" and they need to understand it in order to grow as people.
There's also the underlying notion that being a hero is not all it's chalked up to be, to be a hero, to fight for other people's sake means also taking on their suffering. As noble as that may seem suffering is suffering.
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Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.
In the context of this scene, Cobra has told everyone that he's currently enacting his evil plan out of the vain hope that he can somehow revive his son from the dead.
As insane as "I think I can revive the dead" is as a motivation, fighting for the sake of your dead son is a much stronger motivation than "I think duels are fun."
Judai doesn't have an appropriate answer as to why he fights when he's questioned by the villains, and instead of coming up with his own answer he relies on the answer Johan provided for him.
Johan: You idiot. Why are you so shaken Judai? You think you have nothing on your shoulders? Give me a break! You always bear other's expectations on your shoulders. When you have other people's expectations riding on you, it means they've trusted you with their hopes! Don't you always carry those? If you lose what will happen to us here?
Johan's words snap him out of it, but this isn't Judai coming up with an answer himself it's just taking the one that's provided for him.
This is also the point where we get start to develop an answer to our question. Is Judai selfish?
In action he's not. His actions are selfless. Judai is always fighting for others, even when he only wants to duel for fun. He will show up and fight if you ask him too.
However, in motivation he is selfish. His motivations are selfish. Judai isn't fighting out of some selflessness, but because fighting for the sake of other people gives him a purpose. He keeps fighting for his friends, because he's built all of his friendships around being the one to solve their problems. It's why he Johan's answer suits Judai so well, because he thinks that's how friendship works that he has to keep carrying everyone's burden for them.
Not only does it lead to unhealthy friendships (he sees his friends as burdens) but also it's unhealthy for Judai himself (he can't keep carrying other people's burdens without getting weighed down).
Judai's hero complex, this pressure he feels to save everyone around him arises from two things, it gives him friends when he'd been a lonely child before that, and it gives him purpose. Playing the hero is how he made all of his friends, and now it's how he keeps them.
However, in spite of doing all this to keep his friends, Judai's relationship with his friends is so all give and no take that he's practically fighting alone until Johan shows up. Judai doesn't form a healthy and stable relationship with Johan however, Johan just becomes a crutch.
In Summary:
Judai's actions are selfless.
His motivations are selfish.
Judai's purpose is to carry everyone's burdens on his shoulders.
Judai's friends exist to be saved by him.
The following arc is roughly divided into four sections. Everything I've covered above happens in the first section the Cobra Arc.
Cobra Arc
Zombie Survival Arc
Dark World / Supreme King Arc
Oh Shit, Yubel's Back
The cobra arc is the introduction and it sets up the basic ideas of Judai's character that I listed above, in addition it focuses on the question of if Judai is selfish, and the idea that being a hero is a burden. There's also the third question where Judai is called to understand darkness of the heart, something Deku will also be called to do.
The Zombie Survival arc is an arc where the school is teleported to another dimension and they have to survive for several days with a limited food supply, everyone fighting, and an outbreak of zombies.
The main setup of this arc is to show how everyone is working well together as a team, even in a high stress situation. Alexis, Judai, Misawa, Kenzan, all pull together with the help of new students Johan, Austin O'Brien and Jim Crocodile Cook.
However, I'm brushing over this arc because Judai doesn't actually do much this arc. If you analyze who does what, it's mainly Johan and Austin O'Brien who are in charge of the entire school. Johan demonstrates leadership skills, calls on everyone to pull together in a time of crisis, and most importantly emotionally supports Judai all throughout.
Even when Judai is confronting the main villain of this scenario Yubel, it's Johan who shows up to support Judai, and it's Johan who wins the duel at the sacrifice of his own life. Everyone gets through the zombie arc unscathed, but it's because Johan is the hero of this part of the arc, not because of anything Judai really did.
Judai who having gone on so long carrying other people's burdens to the point where he's made saving others his purpose, has for the first time experienced someone helping him carry those burdens only to disappear and Judai does not react well to it.
This is when the story has finished setting up all the dominoes that are about to fall. We have one mini-arc drawing attention to the dark side of Judai's personality and how he doesn't understand his own darkness, and one mini-arc showing Johan being a much more effective hero and leader than Judai, demonstrating everything Judai lacks.
You Either Die a Hero, or You Live Long Enough...
Yadda yadda you know the rest. A character being undone by the same traits that made them a hero, is classic tragedy 101. It's called the Hamartia or the fatal flaw. A character's greatest strength in some situations can be their greatest weakness in others. The Supreme King Arc is a masterclass in showing how the traits Judai had that led to his success in the first season, can lead to his total ruin, and even to him becoming the villain of his own story.
Hero and Villain are much closer than you'd realize, and this becomes especially true in the relationship between Judai and Yubel. Judai shares an extremely close relationship to his antagonist foil, just like Deku does with Shigaraki.
However, in Judai's case he's the reason that Yubel turned evil. While it's not entirely his fault, Judai's decision to abandon Yubel when he was a child, made Yubel go through ten years of painful torture all alone, which is the reason behind their current madness.
To summarize Yubel and Judai's story briefly. Yubel is a card spirit, the thing that Johan wants to serve as a bridge between card spirits and humans. Judai had an incredibly close relationship with Yubel as a child, but Yubel was overprotective and used their powers to harm anyone who came near Judai. Judai launched Yubel into space hoping the righteous space rays of justice would calm Yubel down (I know that sounds stupid just go with it) but instead Yubel was hit with the light of destruction a corrupting force that made them endure years of torture. They called out for Judai's help in their dreams only for Judai to eventually forget about them with a psychologist's intervention. Eventually the satellite they were trapped in made it's way back to earth, and they almost died burning up on re-entry. When they finally crawled their way back to Judai, they found Judai had been living the past ten years happy and surrounded by friends, while they had been tortured in space and nearly died all alone.
At which point Yubel snaps, hard.
While it's not Judai's fault entirely because he was a child and he didn't know what was going to happen, he still made the decision to abandon Yubel and stuck them in that situation. Judai's actions creaeted Yubel, and now Yubel is here broken and hurt and determined to hurt all of Judai's friends.
Judai doesn't know how to cope with the guilt or responsibility for either of these things. Both for creating Yubel, and for the fact that because of Yubel Johan might now be dead.
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I'm the one who made her what she is!
This is where the show starts demonstrating that understand in darkness of the heart is necessary, because Judai can't understand two things, number one the fact he might have hurt Yubel, and two how to deal with the sense of responsibility he feels towards Yubel becoming what they are, and for Johan's apparent death.
He just feels a lot of guilt, and as someone who's only been the carefree hero up until this point he doesn't know how to deal with that guilt.
Judai makes a very similiar decision to Deku. He decides to go out and hunt for Johan by himself, leaving his friends behind so he won't risk their safety. Unlike Deku however, his friends immediately follow and insist on coming along.
This is when the problems start appearing, because the second everyone enters the Dark World to look for Johan, the show starts demonstrating clearly how different Judai's leadership is from Johan.
All of Judai's flaws start popping up, he's tactless, self-centered, and doesn't consider others feelings, and most importantly of all he doesn't look before he leaps. These behaviors that could earlier be swept under the rug, just become aggravated in a high stakes situation where everyone's lives are on the line. Judai came together with everyone to look for Johan, but he keeps acting like he's alone.
Another user's meta post here summarizes Judai's actions in the Different Dimmension, more succinctly so I'm going to quote them.
Shit Judai’s friends signed up for when they went into the Different Dimension with him:
searching for Johan
working as a team
deciding as a group what risks they’re willing to take
risking their lives together, on an even playing field
Shit Judai’s friends didn’t sign up for when they went into the Different Dimension with him:
having their input thoroughly ignored
being left behind while their friend recklessly charged ahead
having essential information kept from them (Judai didn’t tell them about the fatal consequences of dueling in Dark World)
being kept from dueling without their opinion on the matter ever being taken into account
having their physical, mental and emotional well-being be completely ignored by the de-facto group-leader
being relegated to secondary importance in comparison to Johan, in Judai’s eyes
having their group leader outright break the promises he made to them
To name a few things Judai does while in the different dimmension. Almost immediately after entering the dimension he runs away from the rest of the group, forcing Austin O'Brien to follow before anyone has even gotten their bearings or investigated where they are. Make an agreement with everyone to rest and wait for Dawn to search for Johan, only to run off into the middle of the night without telling anyone. Run off ahead of the group leaving several of their members behind, and when O'Brien tells Judai that members of their group are missing and that he should go back and search for them, Judai asks O'Brien to just do it instead.
Judai doesn't see the flaws in this behavior because it's how he's been acting all along, he always runs off into danger head first and he always fights on his own. Judai's never been good at considering the feelings of others though because he's a tad socially impaired, so he just doesn't seem to notice everyone's growing concerns with how he's acting.
Once again we are asked the question, is Judai's behavior selfish?
Judai deliberately abandons his friends three times, and the third time everyone stops to discuss his behavior.
Kenzan: True, we did come to this world to save Johan, saurus... Fubuki: He did find some minor clues as to Johan's whereabouts, so I suppose it's only natural, but... Asuka: But right now, I feel something is different about Judai. Menajoume: That's right. He got us all riled up about this, and now he's totally forgotten the comrades who came along with him. Kenzan: That's really irresponsible, Saurus. Fubuki: I don't mean to be a wet blanket, but I wish he'd realize the anguish he's putting us through. Asuka: Judai isn't doing this for Johan or us now. It's for himself. He just seems to be rushing forward, headlong, to forget the responsibility he bears on his shoulders.
The answer now is yes, his motivation is selfish because it's no longer about saving Johan, but just to stop himself from feeling guilty.
The stress of the situation is aggravating Judai's worst qualities yes, but Judai's always thought about himself first before others, he's always viewed his friends more as burdens / people to be saved rather than equals.
This all leads to a situation where Judai messes up big time. The same way he abandoned Yubel, he abandons the rest of his friends to run ahead and search for Johan.
They are all kidnapped - and it's Austin who notices they are missing Judai isn't even paying attention. Austin says they should head back and look for the others, but Judai asks Austin and Jim to handle that alone so he can keep searching for Johan.
Jim: The others haven't arrived yet. Something might have happned to them on the way. Judai: I see. Sorry, but could you go back and fetch them? Jim: What? You mean you don't care what happens to them? Austin: Don't forget these are the friends that are in this with you. To fulfill our objective in this dimmension we need everyone working together. You wait here until we return. Judai: Okay, I will.
Austin and Jim agree to go back and search for the others, if Judai promises to wait for them here instead of going on ahead. A promise which Judai immediately breaks.
Which is how Judai walks right into a trap.
Judai abandons his friend so they get kidnapped. He doesn't go back to look for them, so he misses out on a chance to save them. He doesn't wait for Austin and Jim to come back, and because of that he wanders all alone into a trap.
That trap is a sacrifice ritual where the leader Brron challenges him to a duel, and every time Judai attacks one of his friends are sacrificed. Judai is forced to attack and each friend dies one by one.
Judai didn't want to attack, he didn't choose to sacrifice his friends, but he did make every decision leading up to that. The trap was easily avoidable if he 1) didn't leave his friends behind 2) went looking for his friends after they were left behind or 3) waited for Jim and Austin to come back.
Judai didn't mean to sacrifice his friends, but it's a result of his own bad decisions. It's the culmination of an arc where he's been selfishly taking his friends for granted. It's a consequence for Judai just choosing to recklessly barrel forward because he can't cope with his guilt.
Judai's lack of darkness of the heart really dooms him here, because he was blind to his own flaws until it was too late. This isn't even the part where Judai does the bad thing, Judai's careless actions lead to four of his friends dying but he doesn't learn from his mistakes. He snaps, hard.
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Judai: But at least I avenged them. Sho I'm really glad you're alive. Sho: Those words... they're just lip service. Bro... bro, you're selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible possible. But, I was wrong. All you care about is getting your way. You don't care who you sacrifice. You'll do anything in the name of your goal. Avenging them won't bring back the people you sacrificed. You're just dueling to satisfy yourself. Judai: O'brien! Austin: I thought I told you to wait. Judai: Are you saying what I did was wrong? Austin: Think it over for yourself. Judai: Why? What did I do that was so wrong? I... I did the right thing! And yet... everyone keeps leaving me! What... What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don't have that much power... Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.
After this point Judai decides to sacrifice everything else for power, and to complete the Super Polymerization card he's already sacrificed four friends four.
It's the culmination of an arc where Judai's only been praised for his strength and his ability to win duels. Where he constantly has been called to win duels to solve problems, until that stops working. When everyone is gone, all that's left is his strength. He had to keep winning to keep people safe, but even that wasn't enough, he was still missing something.
He knew he was missing something, that there was something wrong with him and he didn't know where to look.
Conclusion?
He needed power. If he had power, then he wouldn't have lost. If he had power then everything would have turned out alright. He didn't have the strength to carry everyone's burdens for them, that's why he lost, so what he needs is more power. He's been demanded to win, win, and win again so now winning is all that matters.
Now we have our second question: Is Judai's hero complex a good thing?
That's a definite no, because the pressure to always win, to always save everyone and carry their responsibilities has now completely broken Judai. To the point where he now believes that the only thing good about himself is that he's powerful, but he now is willing to sacrifice others to gain more power.
My name is the Supreme King.
Now here's the best part about Judai actively having a villain arc.
He does bad thngs. He does a lot of bad things.
It turns out when you're abandoned and left alone to suffer you do bad things, crazy that, I'm sure Yubel would have a lot to say about that.
Judai is also not being possessed in this scenario. They state it several times. You could say he's Shadow possessed in a Jungian sense. The supreme King is the symbolic embodiment of all of Judai's flaws that he's been ignoring until now. You could say Haou is representative of Judai's subconscious that has been repressed for so long until all those flaws finally surfaced, and that the Judai we see on a day to day basis is his ego, that the relationship between the two is a metaphor for conscious and subconscious.
Jim does a deep dive into Judai's mind, where we're shown a symbolic sequence of what the inside of his head looks like. Judai witnesses his friends appear in mirrors before they shatter one by one, all while he mumbles about how he needs to get stronger.
These are all storytelling devices to show Judai's fractured psyche, but Judai is still in control of his actions. Judai talks and responds to questions when he's addressed. Judai's friends confirm that it's still Judai, he's not a puppet or possessed.
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Misawa says later to Judai's face that he and the supreme king are the same person. Judai later is able to use the Supreme King's powers and maintain complete control, because the Supreme King isn't a split personality. Judai even says when Amon is sacrificing someone he loved for power, that he was doing the same thing as the Supreme King, sacrificing everything for power.
We later learn that the ritual that sacrificed four of Judai's friends was a part of Yubel's schemes, but that's the only thing Yubel set up. Judai made every bad irresponsible decision that led to his friends being captured. Judai was the one who snapped and decided to complete Super Polyermization after it was completed. Learning Yubel was behind the sacrifice ritual doesn't take away any agency from Judai at all, because Judai is responsible for his own decisions.
What it does do is create another parallel between them, because we learn the reason Yubel set up the sacrifice was to make Judai walk the same path that they did.
Judai is hurt, abandoned and isolated and in that situation he ends up lashing out at everyone around him in a similiar manner to Yubel. When Judai is put through similiar trauma, he doesn't overcome it in some heroic way because he's an innately good person, no he succumbs and behaves in ways that are incredibly similiar to Yubel.
Even when Judai's friends selflessly try to help Judai, he resists them every step of the way. He ignores their constant calls to him, their comfort, and he even fights them. Judai is eventually reached by the efforts of Jim and Austin combined, but they both die in the effort. Judai is saved because Jim and Austin were way better friends to him than he was to them.
Judai is effectively snapped out of his destructive spiral, but he's left alone with the sobering realization of everything he's done and the blood of two more friends on his hand.
When it's time for our hero to finally face Yubel, he no longer has the moral highground. Now when he faces Yubel it's not as hero and villain, they're just two sides of the same coin. Two people who when they were abandoned, lashed out and hurt everyone around them.
The question is no longer can Judai save Johan. The question now is whether Judai can live with the guilt he's carrying within him, and for that matter can Yubel live with the guilt of what they've done now too?
By this point Judai's been completely deconstructed. He's no longer the hero of the story, he's just a flawed person who needs to fix his flaws. He has the choice to live with his mistakes, and the biggest conflict now is whether he's going to save his villain foil Yubel, or strike them down in order to save the rest of his friends (the three that are left).
This also creates a much more compelling reason for Judai to save Yubel. Not just because Judai is responsible for Yubel's creation, but because they've both made the same mistakes, they have the same traumas and the same scars. Jim and Austin were willing to risk everything to save Judai even when he didn't deserve it, and didn't want it. Now is Judai capable of doing the same thing, of reaching Yubel the way he was reached, not for the sake of saving the world but for helping a friend?
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I just want to save my friend. That's all.
This is to me a very compelling setup for the challenge of whether or not Yubel can be saved. Judai's not really saving a helpless victim, he's not acting out of a sense of duty to sacrifice himself for the world, he's being challenged to save someone who suffers from all the same flaws that he does. Judai and Yubel are so similiar at this point it's really just Judai saving himself.
The Dark Deku Arc - Setup
This is the part where I'm actually going to praise MHA. Shocking I know. Season 1 and 2 of Yu-Gi-Oh GX are about 105 episodes in total. The Dark Deku arc begins at about episode 131 with Deku's decision to leave the hospital by himself to hunt down Shigaraki and AFO alone and try to understand villains better.
The 130 episodes up until that point are much better build up, than the first 105 episodes of Yu-Gi-Oh GX. To put it frankly GX is paced like ass. There's far too much filler, and because of that the plot points the anime is trying to make are delivered less efectively. In fact 105 is a good example of what I said above, that ideas are one thing and execution are another.
Season 2 especially is a season filled with good ideas and weak execution due to pacing. Here's one I use as a go-to example. There's a character named Edo Phoenix who's on a quest to find who killed his father. The ending of his plotline is he discovers that in a twist, the man who adopted him is the one who killed his father, and he's been encouraging Edo to investigate because it lets him spy on the police investigation and keep it off his tail.
That's a good twist - however that twist happens in the same episode that Edo's adoptive father is introduced. The audience is given literally no time to even get to know Edo's adoptive father, or get invested in their relationship so the twist doesn't hit at all. A better paced story would show Edo's relationship to his adoptive father early on, get you invested in them, only to pull the rug out from under you so you would feel the shock of that betrayal alongside Edo.
GX establishes its character cast, and yes the filler does give the cast time to breathe and they're all well characterized but because the plot around them is so poorly structured, none of the plot points really hit. Okay, Edo's adoptive dad is evil. Next! You can have good characters, but if you don't put them in a strong narrative framework that challenges them then those characters are just gonna kinda sit there.
The first 105 episodes of Yu Gi Oh GX does succesfully characterize most of the main cast, but it also feels like everyone's just goofing around. In comparison the first 135 episodes of MHA much more successfully builds an escalating conflict. Each new arc either introduces you to a new facet of the world, makes the amin characters more complex, or adds to the conflict.
We basically go from arc 1 "The hero high school is fun" to Arc 2 "The villains are a serious threat" to the Camp Arc "Oh shit, Shigaraki is learning and the villains are getting stronger."
When Bakugo is kidnapped at the end of the camp arc, the tension is ramped way up with the appearance of AFO, and All Might's retirement.
After that point we're introduced to the Overhaul arc, which not only again makes the League of Villains more complex and sympathetic, but also introduces the audience to All Might's more flawed side - the fact that All Might literally worked himself to death saving others and it still didn't work.
Then My Villain Academia -> The Villains are now a threat and they have an army.
Each arc builds on a previous arc, the characters and the world grow more complex, and it feels like you're learning about these complex issues alongside the characters. It just makes Yu Gi Oh Gx look like the silly card games show by comparison, by setting up this very layered world, and conflict, and heroes that challenge the protagonists on what it means to be a hero and what it means to be a victim.
Then all of that great setup.
We are side by side with the proagonist. We, like Deku now want to see if someone like Shigaraki can be saved. We, alongisde Deku want to better understand the villains and learn to see them as people. We want to know if the corrupt hero system can be salvaged.
However, these are too many questions so let's boil it down to two once more, because this is looking at Deku's character.
Deku and Judai are in some ways different as night and day. Deku is an introverted nerd and the victim of bullying, and he starts out with no quirk at all. Judai is a self-confident, charismatic prodigy who instantly seems to charm and befriend everyone around him. Deku desperately wants to be the hero and works his way up there, whereas Judai is just kind of thrown into the school hero because he's the best at dueling.
Judai is kind of a mix of Bakugo and Deku's traits, he's a self confident prodigy who always wins, but he's also someone obsessed with heroes and who has a hero-complex where he's continually forced to save others.
The Dark Deku arc, like the Supreme King Arc looks to take a darker, more introspective look at Deku's character, while also exposing Deku who is a sheltered kid to the a very grey on grey world. It also seeks to deconstruct Deku's suposed "hero complex". Despite the many differences between Deku and Judai I believe the two questions an be boiled down to the same thing.
Is Deku Selfish?
Is Deku's hero complex a bad thing?
These are the questions the series itself is asking in the deconstruction of Deku's character. Deku himself is asking if there's a better way to save villains tha just beating them down or outright killing them, but we'll discuss that later.
Just like Judai there is some setup before this to give a previously very one-note Shonen protagonist mor depth. Deku and Judai are both people who fit the determined, punchy, solve everything fist fight shonen protagonist to a T, on top of being the one to always show up to fight for their friends. Just like in the beginning of season 3, we do have some hints before this that there's something wrong with this attitude. That there's something about Deku that's not entirely there.
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There's a flashback of All Might talking with Bakugo where Bakugo discusses that the fact that Deku never takes cares of himself or factors himself into the equation when he always puts others first deeply bothers him and there's "something wrong with it" that's made him always push Deku away.
This flashback also leads into a scene where Bakugo pushes Deku out of the way of one of AFO's attacks, telling him to "stop trying to win this on his own." In an attempt to make Deku see that he's not fighting alone this time.
Deku has also been warned repeatedly about the way his power destroys his own body when he uses it, warnings he's repeatedly chosen to ignore. Saving others isn't just a goal for Deku, you could arguably say it's a method of self-harm and that's what unnerves Bakugo. Bakugo even gave a similiar speech in the past, about how someone like Deku shouldn't take all of the bullying that Bakugo has given him over the years and still try to be his friend afterwards. At this point it's not really like Bakugo's done anything other than tone down the constant insults a little bit, he hasn't apologized or anything but even this early in the manga Deku has a tendency to just let Bakugo's treatment of him go. It's not like they were super best friends forever before the bullying started either despite what the shippers might tell you. Bakugo is saying it's weird that this kid just takes it, and takes it, and takes it without fighting back like he doesn't care about how people treat him and Bakugo is right... that is weird!
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Deku either has such low standards for how he's treated that he just lets Bakugo get away with it, or he just doesn't hold a grudge when he is mistreated because his pain and his suffering just always matters less. Either way it's not healthy, and it could be indicative of a deeper problem hiding behind the surface.
Either way there's setup here, because on one hand you have everyone and their grandma praising Deku for his "drive to save others that eclipses all common understanding."
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While at the same time he's criticized by Bakugo for having no regard for others. This could be the setup for the character trait that led to his earlier success leading to his downfall later. In Judai's case, everyone praises his purity of heart, but then that purity is later criticized as childishness, naivete and a refusal to grow up.
As for Deku...
How can you protect others if you can't even bother to protect yourself? How can you save others if you can't save yourself? That's the question Touka asked of Kaneki in Tokyo Ghoul when she rightly called out his desire to protect everyone at the Anteiku Cafe as just a roundabout way of getting himself hurt by acting recklessly.
In Kaneki's case he's not trying to protect anybody, he's just picking battles against the doves and getting himself hurt. He's acting out a hero complex in the sense that if he feels like he didn't fight his friends battles for them like Judai then he wouldn't have any friends to begin with. That's why Touka also says "Besides that, everyone doesn't belong to you. You have no business protecting us."
Is Deku fighting for the same reason? Does he harm himself to protect others because he views himself to be worthless and the only way to demonstrate his worth is try and fight to save others?
We don't get an answer for that question. Judai thinks duels are fun, and he's really good at them, and because he's good at dueling he's made friends. He think to keep those friends he has to keep dueling for the sake of others.
Deku's not motivated by the idea of protecting or keeping his friends, that's a secondary motivation. All we have on Deku is that he feels a strong desire to save others, and that he worshipped heroes like All Might growing up but has a naive idea of what a hero is supposed to be. However, his lack of motivation could be the "something that's missing" just like Judai has.
The GX writers did some hardcore digging into Judai's character by focusing on how shallow he was in motivation compared to everyone else, and showing that to be a symptom of his childish naivete.
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There's also the potential parallel between All Might and Nighteye's breakup, and Deku's decision to leave all his friends behind to hunt for Shigaraki himself.
Even if Deku doesn't have a deeper motivation than just "an unnatural drive to save others" then you could show the effects of Deku walking down the same path that All Might did, the belief that he has to be the one to save everyone singlehandedly and if he rests for a single moment than someone might die, leads to him not only destroying his body, but also doing permanent damage to all of his social relationships.
Even if Deku's motivation isn't too deep, you could still have the traits that led him to earlier success now driving him to ruin as the story punishes Deku for his excessive selfishness.
This is also where we finally get back to Deku's goal of understanding Shigaraki, and contemplating whether or not it's possible to save villains without killing them.
I draw a parallel between this and Judai's enemies calling him out on lacking "darkness of the heart" and that without understanding that darkness he can't win.
Judai's lack of darkness of the heart means two things, he's not mature enough to understand the reason why his enemies are fighting, and he's also not mature enough to se the darkness in his own heart which is why he ends up blind to his own flaws and making pretty severe mistakes later on.
For Deku, it's mainly a lack of understanding of the motivations of the villains he's fighting again, villains he's only ever really beat down with his fists until now.
However, for Deku lacking darkness of the heart you could also re-contextualize that as meaning because of his idealization of heroes he's never once looked at the darker sides of hero society that might have driven people into becoming villains.
Deku's lack of inner darkness may just come from the fact that compared to the villains he's fighting against, he's gotten to live a pampered life. Without understanding that darkness, he can't be a full person because he'll still be a naive sheltered child, and not an adult wise to the way the world works and the moral greys he inhibits. Either way, it's just as necessary for Deku to gain an understanding of "Darkness of the Heart' as it is Judai.
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So here's all the setup for the start of Deku's Dark deconstruction arc. As different as these characters and scenarios you can still boil it down to those three narrative questions about Deku / Judai, is there behavior selfish? Are there hero compelexes a good thing? Do they need to understand darkness of the heart?
Before moving on I'm going to summarize Deku's setup as thus:
Deku's actions are selfless.
Deku's motivations are also selfless (a desire to save others).
Deku does not benefit from saving others in any way, if anything he actively harms himself in order to do so.
Bakugo finds this behavior incredibly disturbing.
All Might destroyed his body and burned all bridges because of similiar flaws to Deku.
So the answer to the first question is Deku selflish? No. Is his hero-complex a bad thing? Potentially.
While Deku himself decides that he needs to understand darkness of the heart in order to better understand villains. Deku is actually more set up to contemplate darkness of the heart than Judai is, because Judai charges into the dark world blindly with only the motivation of saving Johan not even caring for Yubel, while Deku has the explicit motivation of trying to understand the little boy inside Shigaraki.
DEKU LEFT THE HERO ACADEMY
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Deku begins the arc by leaving alone to go searching for Shigaraki, with hand-written letters addressed to all of his friends that tell the truth about One for All and also say Goodbye. He makes the deliberate decision to leave them behind so they don't get targeted alongside of him. It's a pretty classical superhero motivation, I need to cut myself out of my loved ones life in order to protect them. Of course this sort of ignores that everyone in his class has super-powers too, but you know heroes they're all such drama queens.
Is this selfish behavior?
This is going to be the only time I'm going to solidly answer yes. Deku clearly did not take his friends feelings into account. His desire to protect them, is more important than their own agency. They also might want to fight alongside him, they'd be upset if they saw him die or get hurt trying to protect them. Deku thinks of his own feelings of wanting to keep them safe and not being able to handle the emotional burden of protecting him, more than he does their own personal feelings.
This is also something that All Might did they permanently burned all of his bridges with his sidekick and friends, and deeply hurt his sidekick who was just asking him to take a break so he did not get himself killed and quit because he didn't want to watch All Might slowly kill himself by inches.
Deku is being selfish here, and later on when he does face his friends he even acts pretty condescending belittling them and insisting they can't fight on their own or keep up with him.
However, I need to ask a secondary question.
Is there any lasting consequences for this selfish behavior?
Besides the fact that it hurt his friends feelings for a little bit, no. I spent a much longer time covering this in Judai's sections because Judai's selfish behavior led to character conflicts. Judai disregarding his friends led to everyone starting to resent him in the Dark World, and their once tight-knit friend group further falling apart.
Judai on three seperate occasions makes impulsive decisions to run ahead without consulting with the group. The second time he outright lies to the group and sneaks ahead without them. THe second time all of his friends are captured when they go after him and try to follow him to give their support because they're worried about him. The third time he makes the decision to run ahead, he knows about the danger they're in and the risk of getting captured and he just blatantly ignores them. When Austin notices they're missing Judai doesn't even go looking for them because they're not a priority at this point - saving Johan is.
This is something that has very real and lasting consequences in the story, they're captured because of his recklessness, and sacrificed in front of his eyes. Even though they technically come back in season 4, the trust between Judai and his friends is all but gone and he's alone for a lot of Season 4.
Judai's decision to abandon his friends has direct and lasting consequences. He is being punished for his hero complex. Running ahead, and fighting alone against the bad guys is what Judai has always done and what's worked before, but now in a more complicated world it's not cutting it and Judai is being challenged for his flaws.
Deku hurts his friends feelings a little bit, but even in that case the focus is on how sad it is for Deku, how hard it must be to be a noble hero fighting alone.
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Deku's Mary Jane and Spiderman bullshit never impacts his friends directly, other than the fact that they find it slightly condescending. His "I need to keep secrets from my loved ones attitude" is challenged because his friends want to fight alongside him, but there's never any narrative punishment delivered to him. It's just solved with one fight scene and a character holding out their hands. Whereas, the consequences for Judai's rash actions last two seasons.
I call it "Mary Jane and Spiderman" Bullshit, because Spiderman keeping his identity a secret from all his loved ones is a big conflict in the comics. Something that got Gwen Stacy killed, because Peter Parker never told her his identity in order to protect her, and then that just ended up with Norman Osborne finding out about her anyway and kidnapping and killing her.
You might have heard of the "Death of Gwen Stacy" it's a pretty famous moment in comics. It's also a case where it shows that the Hero's failure to communicate honestly with their loved ones in the name of "Protecting Them" can actually get them killed.
There's even consequences in MHA itself for heroes choosing to sacrifice their personal lives to help complete strangers. Shigaraki literally made a whole speech about it. Kotaro Shimura is traumatized for life over his mother's decision to abandon him instead of giving up on being a hero. Nana Shimura believed she was doing something selfless in sending her child into foster care to keep him out of AFO's clutches, but that was shown to be wrong as AFO just found Kotaro's household and then destroyed him later on in adulthood anyway.
So in the story we are shown scenarios where choosing to abandon your loved ones in the name of "protecting them" can have disastrous and lasting consequences, but as for Deku himself, the decision to leave the school has basically no consequences whatsoever.
Well, Deku making the decision to fight alone is something that might lead to some consequences. After all, Judai's breakdown came about because he always felt the pressure to fight alone and carry everyone's weight on his shoulders until he couldn't.
Perhaps, with Deku fighting alone to protect everyone we'll reach a similiar breaking point. Just as Judai couldn't handle carrying everyone's burdens, looking for Johan, and leading his friends into the Dark World all that the same time and eventually broke down maybe we'll see Deku break down because he just like All Might can't carry the burdens of an entire nation - oh wait nevermind he's working with the Top 3 Heroes.
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Even the premise that this is Deku leaving the school, to become something like a vigilante wandering the countryside trying to fight AFO on his own is just incorrect because Deku is receiving government assistance right now.
In the Dark World it was really just Judai and his friends, so every single bad decision Judai made had consequences because they were well and truly alone. Deku has backup so he's not even really "alone" in the arc that's supposed to be about him fighting AFO and trying to understand Shigaraki alone.
ALL YOU'LL FIND IS BLOOD AND VIOLENCE
Let's briefly focus on questions two and three, is Deku's hero complex bad, and does Deku need to understand darkness of the heart?
Judai's hero complex was based on the idea that if he wanted to have friends he needed to fight for them and solve their problems for them.
Judai got in such an unhealthy negative feedback loop, that he had to carry his friends burdens in order to maintain his friendships with them, but at the same time he couldn't receive any help from them because he made their friendship all about him carrying their burdens. He was operating underneath an amazing pressure to always win until he lost. The very thing he did to try to maintain his friendships, keeping his friends at arm's length and fighting alone is exactly what ends up driving them away and leaving him alone.
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But, still...! They're all... They're all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?
Judai paradoxically fights alone in order to keep his friend group together, which only ends up with him losing four friends and being abandoned by the rest when they're disappointed for him in his selfish behavior. Judai screams out why, realizing he did something wrong here, that something went wrong because he's been winning duels, he's been fighting the same way he did before only to end up with the worst option possible. The realization that he is truly alone breaks him down entirely.
Judai's hero complex unwravels when simply charging ahead to fight doesn't work for him anymore, because the situation becomes more complicated than that. Darkness of the heart can mean many things. Judai not understanding his own personal flaws. Judai not seeing how his flaws are affecting others. Judai not looking at other people's emotions, he doesn't hear or respond to criticism when his friends start trying to tell him how is selfish decisions making is making them feel.
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I can't just stay and wait. All this time I've run on instinct, never second-guessing myself. If I just stand still now... I'm sure I won't be able to start running again. And I won't be able to get to Johan.
Judai's hero complex has a clear source - he believes he has to keep running ahead and fighting for his friends the same way he always has in order to keep those friends and if he stops he'll lose everything / succumb to the guilt he now feels about being uanble to save Johan. His Hero Complex also has clear consequences, him running ahead without thinking gets all of his friends kidnapped and used in a sacrifice ritual that could have been avoided if he had made different choices.
Spiderman kills Gwen Stacy because Peter Parker deciding to not tell her about his secret identity to protect her backfired and made her an easy target to the Green Goblin.
Heck, Spiderman's entire character is about how the burden of being Spiderman and his Hero Complex constantly sabotages any attempt he makes at having a personal life. Miguel O'Hara's catchphrase in the incredibly popular Spiderman movie is that "Being Spiderman is a sacrifice" and he's not wrong either.
SO, is the narrative punishing Deku's hero complex in any way?
Well, the one warning he did receive that if he kept fighting he'd lose permanent loss of his arms turns out to not matter anymore because his body is just stronger now.
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So, even the phyiscal toll of fighting alone that's a consequence for Deku doesn't actually apply here.
I keep talking about consequences but what do I actually mean? Am I talking about strictly punishment? Do bad things need to happen to characters in order to get their lessons?
Not necessarily.
When I say "consequences" I mean in terms of actions always having consequences in a story. The best stories are succinct, that means you basically cut down in as many frivolous details in a story as much as possible so everything that happens onscreen is something that matters and contributes to the whole. Therefore, every action should have a consequence directly seen onscreen in story. Stories are all actions and consequences, the choices the characters make should have direct impact on the plots and the other characters because it makes those choices seem like they matter.
If the story constantly draws attention to the fact that Deku is afraid of ducks, but the story takes place on the moon and there are no ducks living on the moon then that's a wasted plot thread because there are no consequences. If a character does something bad, other characters should discuss it, or it should negatively impact them in some way.
When Judai decides to run ahead without all of his friends for the first time after they all agreed on a plan, the result is the next episode they all start talking about their shared doubts with Judai when he's not around. If they all just swept Judai abandoning them under the rug, then Judai running ahead and leaving the others alone doesn't feel like an impactful character flaw.
There's no lasting consequence for Deku's hero complex. It doesn't drive him to any kind of breaking point like it does Judai.
I think the reason why is because there's no real moment of failure for Deku. When he tries to ask Muscular why he fights, and Muscular rejects him and says that he was just born evil and has no deeper motivations, Deku's not frustrated at all.
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Deku who feels a "unnatural desire to save others" isn't really bothered by the fact that Muscular insists that he can't be saved and that they can only fight. Despite this technically being a failure, Deku has failed to talk a villain down, failed to find a way other than fighting and also failed to understand the darkness in someone's heart it's of little consequence because it's not framed as a failure.
Deku just punches Muscular, back to the drawing board.
There's another manga called Choujin X running right now, where the main character is on a similiar quest trying to see if there's a way they can save the big bad Sora Shihouhin, and when he is forced to fight against a villain who won't back down, de-escalate, or listen to reason he has a complete emotional breakdown.
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This is the reaction of someone who's genuinly invested in the idea of saving the villain, and frustrated with the reality that he might not be able to save her, that he can't talk to the villains or convince them to back down. Tokio's not even characterized by an unnatural desire to save others like Deku is, so why is he the one breaking down and not Deku someone apparently so selfless that he wants to save the mass murderer that's trying to destroy society?
If Deku's desire to save others is so strong why doesn't he show frustration at being unable to talk down, or understand Muscular?
Judai is stuck in a negative feedback loop where he's forced to fight for others, because he believes he has no worth to his friends otherwise. All we're told of why Deku feels the need to save everyone around him is that he's just like that, he just feels like saving everyone no matter who they are the moment they come into view.
If we're choosing to characterize Deku that way, then number one he should be attempting to save everyone, and number two the stress of having to save everyone is something that should get to him. His "Hero Complex" should be what's breaking him down at the moment. The unnatural desire to save everyone around him that led him to so much success should be what's punishing him this arc.
Judai felt pressure from two aspects, first the pressure to carry everyone's burdens, and second the lack of understanding of darkness of the heart. Unlike Judai who doesn't want to understand darkness and who avoids it as long as possible, Deku goes into this arc actively seeking to understand how his villains think.
Deku and Judai also suffer from a lack of darkess in their own hearts. This leads to them having empty motivations. Judai has a childish desire to enjoy fun duels. Deku has a childish desire to save everyone. Neither of them have tried to grow or change or even question those motivations in any way and because of that they're stunted people.
Judai doesn't know why he fights. He doesn't question why he fights. He just takes on the burdens of others to give him something to fight for. This all together leaves Judai blind to his own personal darkness, and also because of that blindness he can't grow in any way because he never evaluates himself, he never looks at himself and tries to change.
When he's on his knees and at his breaking point he screams at the top of his lungs, "WHY? WHAT AM I MISSING? WHAT DID I DO WRONG?" simply because Judai's never thought about these things.
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Deku's asked these same questions both in the Dark Deku arc, and hundreds of chapters later he's asked what he's planning on doing as a hero in order to make things better and Deku never materializes an answer.
Pre-Dark Deku Arc, during Dark-Deku Arc and Post Dark Deku arc, Deku always solves his problems by recklessly jumping in and saving others. There's never any point where he's punished or criticized for this behavior in any significant lasting way. He never has to self reflect and develop a reason on why he wants to save others, or eve think about how he's going to save others, he can just keep acting as the rash, impulsive hero.
Judai and Deku are both characters who are empty, and lacking in motivation but Judai is ruthlessly criticized for that until he reaches his breaking point and is forced to look at his motives.
This once again comes from a lack of failure on Deku's part. Deku never fails the way that Judai does. There's a scene where you could have easily had Deku fail. The entire Nagant vs. Deku fight where Deku fails to give her any substantive answers to his questions.
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Imagine if Deku's simple philosophy of always extending a helping hand failed here. Imagine if Deku actually got deeply ivnested in the idea of saving Lady Nagant, and did his beset to talk and reach out to her but his answers weren't enough and because of that she just chooses something like suicide. Imagine he has her by the hand, and she's dangling off of the roof and he thinks that his impressive move to save her should have been enough - he's reached out a hand like always. He thinks this should have won her heart over, by showing her that someone still cares in all of her despair.
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Then, Nagant in one final spiteful move lets go. The person he heard her entire backstory, the person maybe he once was a huge fan of her when she wasa hero, the person he wants to save the same way he wants to save Shigaraki chooses to let go and fall to her death because dying would be better than living in whatever kind of corrupt world that Deku is trying to build.
This could be Deku's Gwen Stacy moment. Spiderman carelessly webs Gwen Stacy whe she's falling to catch her and for a moment he thinks he's saved her because he's overconfident and has caught people falling like this a thousand times, only to find out he's snapped her spine. His overconfidence, his hero complex making him believe everything magically would work out led Gwen Stacy to her death. This could show the simple act of just offering a hand out to someone in need isn't enough, without empathy and understanding.
Instead, AFO just blows Nagant up in Deku's face.
Except, that isn't even a failure bcause Nagant turns out to be just fine! There's no point in blowing up Nagant except for the spectacle of it, because she turns out to be fine five minutes later and even shows up to fight in the next arc.
There's no consequencs to anything that happens in this scene. Deku doesn't suffer any consequences for being blind to the faults of society. (He's working right alongisde a killer cop just like Nagant and he doesn't even care.) Deku isn't forced to reflect on what saving people or making society better would even mean. He also isn't punished for his lack of understanding the way that Judai is.
Afterwards, Deku denies help to a very mentally-ill Overhaul, who is apparently not one of the villains that Deku wanted to save. There's a whole buch of asterisks on that "Deku wants to save everyone***" goal. This also isn't framed or used to paint Deku in a bad light because Overhaul is unworthy of salvation in Deku's eyes for hurting Eri.
Is this action part of an arc? Is Deku reaching his limit with trying to sympathize with villains only to see people like Overhaul and Muscular fighting him every step of the way and telling him they don't want to change?
Nope, this scene is never brought up again.
Deku never fails, and he never does anything wrong. Even when there are situations where you could argue he does do soemthing wrong, like denying the armless, mentally ill Overhaul help - he's not painted as being in the wrong.
The entire arc is supposed to be about criticizing the protagonist for their hero complex, and their lack of understanding of the darkness of the world but for Deku there's no criticism to be had here.
Compare this to the sacrifice ritual in the Supreme King Arc, where not only does Judai fail to save his friends, but the friends that survive ruthlessly tear into him aftewards for his selfish behavior. THe actions of one protagonist matter, have consequences in the story and are criticized. The actions of another protagonist have no real consequences and are never criticized.
The whole mansion blows up and... nothing happens. No one's injured in the explosion. It may as well have not happened in the story because there are no consequences for Deku just continually choosing to blindly run ahead like his hero complex tells him to.
There's evena moment where Deku winds up in a similiar situation to the dark ritual. After receiving information from Nagant, he blindly wanders into a mansion in Haibori woods believing it to be AFO's base, only to find out it was a trap and AFO was waiting for him to blindly charge in all along.
THAT'S WHAT MAKES US HEROES AND VILLAINS
This is where I'm going to talk about another big similarity between Deku and Judai, and also the biggest point of divergence in the Dark Deku and Supreme King Haou arcs.
Deku and Judai are both character foils with Shigaraki and Yubel respectively. This is where I'm going to praise MHA again, surprising everyone.
The foiling between Shigaraki and Deku is masterful. They both started out in relatively the same place, as boys with dreams to become heroes who were softly told no by their parents. Tragedy struck Shigaraki and he killed his family on accident and wound up alone wandering the street for days until he was found by AFO.
They're both the students of the greatest hero and villain of the last generation. They both end up being surrounded by a group of close Nakama that they want to protect. They're both continually challenged to grow up, and show how they're going to be better than their predecessor for the hero and villain sides respectively. They both have to prove they are worthy successors. Shigaraki has all the heroic spunk and determination that Deku has but on the villain's side, and while Deku loves heroes, Shigaraki is hero society's critic wants to bring down the hero system that didn't save him.
You get the feeling that Shigaraki really is Deku just in a different situation, a same person on the opposite sides of the conflict kind of character foiling.
As the biggest Yubel stan here, in some ways the foiling for Shigaraki works better than the foiling for Yubel because Shigaraki isn't just Deku's foil, he's the foil for all of society. Yu-Gi-Oh Gx takes place in a society run where everything centers around card games, it's not really that deep. In My Hero Academia you have that 100 episodes of great setup where Deku is not only learning to look at the darkness within himself, but also the darkness within hero society around him.
Judai's narrative as much as I love it, is entirety about Judai.
Not only could Dark Deku arc develop Deku's character, it could also say something deeper about the world it's taking place it, because Deku has all these connections to Shigaraki, who also kind of represents the orphaned boy failed on all levels by the society around him.
Shigaraki is the shadow of -> Deku, but also Shigaraki is the shadow of -> all of society.
Yubel is the shadow of -> Judai, and only relates to Judai's personal growth.
Yubel is Judai's personal villain, and was created by his actions as a child. His decision to abandon Yubel into space, led to Yubel being tortured and their later madness.
Yubel is also Judai's shadow. They carry all the same flaws, but those flaws are obvious in Yubel and repressed in Judai. Yubel's belief is that Judai is someone who purposefully enjoys hurting their friends, and that's how he shows his love. While that's twisted it's not hard to see how Yubel came to that conclusion. After all, Yubel loved Judai so much only for Judai to abandon them and turn a blind eye to their suffering. In the Dark World, Judai abandons his other friends continually in order to search for Johan, and they wind up suffering too.
While Judai doesn't sadistically enjoy hurting others as Yubel put it, there's an element of truth to Yubel's criticism. Judai does abandon people, Judai isn't as empathic as he seems to be. When Judai is subjected to the same kind of isolation and abandonment that Yubel has endured for the past ten years, Judai loses his mind a whole lot quicker and starts lashing out at everything around him the same way Yubel has. Judai without the love of his friends starts to hurt everyone around him in his lashing out, the same way that Yubel desperate for love starts to inflict pain on the people she loves. Even before the ritual happened, Judai was unwittingly hurting his friends with his own selfish behavior.
Yubel's stated criticism is "of Judai is "Anguish and sorrow born from loneliness. That is the nature of love as you taught it to me" and further beyond that "When you forgot about me, I suffered. It's hot. It hurts. I am in pain. Why? You know how much I love you? Why did you do this to me, Judai? In that moment I realized that was how you showed love. Because you loved me, you hurt me and made me suffer."
That sounds crazy, but hasn't Judai been hurting the people he loved for his own selfish reasons this entire arc? Is it that crazy then to conclude that neglect and abandonment must be how Judai treats everyone he loves, so surely he loves me.
One of the biggest criticisms of this arc is how Judai's behaviors impact his relationships, so of course his most personal villain and foil is his jilted ex nonbinary dragon lover. On a less joking note, when Yubel was displaying troubling behavior as a child, Judai's first response was to abandon them. Which is ironic for someone like Judai so paralyzingly afraid of being abandoned that he became everyone's workhorse and worked himself to death solving their problems for them. Who when abandoned by those friends finally, snaps just as hard as Yubel did when they were abandoned.
Do you see the parallel I'm drawing here? Judai is slotted into the spot of the protagonist who's friends with everyone he meets, who loves and fights for his Nakama. Yet under closer scrutiny he's shown that he doesn't really understand what love or friendship is or how to give and receive love from others in a healthy way. His antagonist is his former childhood best friend, who is obsessed with love and demands that Judai love them back. Judai's lack of understanding of relationships and love takes a dark twist with Yubel, their shadow, foil and antagonist.
These are once again very personal challenges to Judai, society doesn't really factor into this equation. Though, Judai is somewhat challenged as a hero because there's an irony to Judai plunging into the world to save his best friend Johan who he's known for like three weeks, but not really lifting a finger to save the antagonist of the arc Yubel who he's known since childhood and is personal responsible for putting through torture.
That hypocrisy there too, is a personal challenge to Judai that paints him in a less heroic light. He wants to save Johan and ignore Yubel because it's easier, because saving Johan relieves him of his guilt. He doesn't even know what to do about Yubel, so he doesn't try and falls back on his previously established behavior of playing the hero.
The hero is really just a mask for Judai at this point, something the story has ripped right off of his face by the time it comes to face Yubel.
There are two ways in which Yubel serves as an ultimate foil to Judai.
Yubel acts like a callout post to all of Judai's flaws
Yubel represents a dark path Judai could have taken.
This second one is what Shigaraki and Deku have in Common with Judai + Yubel. There's something deeply tragic about the idea that while Deku was making friends, getting taught by a loving teacher like All Might, Shigaraki was all alone being pushed by a ruthless manipulator like AFO into becoming the worst villain.
Judai and Yubel's lives follow the same tragic parallel path. They began in the same place as childhood friends, but after abandoning Yubel, Judai spent the next ten years growing up, making friends in a healthy and safe envirnoment while Yubel the one who was abandoned was alone in space desperately crying for Judai to come save them only to be ignored because Judai has long forgotten them.
However, there's a striking difference there too. Yubel is created directly by Judai's neglect and actions. Whereas Shigaraki is created by the neglect of all of society, it's not Deku's fault directly.
#1 Shigaraki acting as a callout post to Deku's Flaws
However, this is where Shigaraki's callout post comes in. Shigaraki gives a long speech on how the existence of heroes itself, creates villains like him.
"You heroes pretend to be society's guardians. For generations you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you've built. That means your system's all rotten from the inside with maggots crawling out. It builds up little by little, over time, you've got the common trash all too dependent on being protected. And the brave guardians who created the trash that need coddling. It's a corrupt, vicious, cycle. Everything I've witnessed. This whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I take power for myself. Simple enough, yeah? You don't understand because you can't understand, that's what makes us heroes and villains."
To break it down simply, heroes look away from the faults in their society, they intentionally ignore the people they cannot save, and when those people turn into villains the heroes beat them down hard. The villain attacks then convince the common people of the need for heroes, and the cycle perpetuates itself. This is all powered by the people's blind, uncritical faith in heroes.
Deku is a person who has that same blind, uncritical faith in hereoes, and until this point has never thought of Shigaraki as anything more than a villain to be punched until he stops. Which is why this is still a callout post that applies to Deku, because Deku's blind admiration for the Hero System is part of the problem that enables the very flawed hero system.
Deku does not understand darkness of the heart, therefore Deku does not understand that heroes could possibly be bad, and he could possibly be supporting a bad system until he's slapped in the face with it.
However, is there a lasting consequence for Deku's blind support of the hero system?
Nope.
I just described up above what could have been a consequence, if Lady Nagant refused to have faith in Deku since he didn't back his words up with action.
Deku also clearly does not want to break away from the corrupt hero system that created Shigaraki, because the heroes that he brought along to fight with him are Endeavor, Hawks and Jeanist, a child abuser, a state sponsored murderer, and a guy who makes bad puns. He doesn't change any of his bahavior that enables the corrupt system to stay in power.
Not teaming up with the Top 3 heroes, and deciding to go full vigilante would have at least have been breaking away from that system.
This circles around to a big underlying problem in this whole arc in that Deku isn't really doing anything different from what he was doing before, and he's not punished for his character stagnancy either.
So we're left with.
#2 Shigaraki represents a dark path that Deku could have Taken
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This is where Judai / Yubel succeeds and Shigaraki / Deku falls flat on its face.
When pushed to his absolute limit after failing repeatedly, Judai snaps. With no friends left he decides that all that matters is power. This path seems natural for him because we've already seen what being abandoned and left alone can do to a person and how it twisted Yubel. The story hints again and again at Judai's blood knight tendencies, and that he thinks the only thing he has of value to offer others is strength by fighting for them.
He loses his friends and the fighting is all he has left.
At the point of despair he decides to just embrace power. If he cares about nothing more than strength, at least that will give him some sense of control over his life after the out of control tragedy that happened to him.
"Yuki Judai. In order to defeat evil, one must become evil. In a world with the law of the jungle at work, one must rule with power." "Power? I don't have that kind of power." "In your hand lies the super polymerization card. Defeat any spirits who may oppose you, and combine their lives into it to perfect the card."
Supreme King is just a villain persona that Judai adopts to as a protetive blanket for all the hurt and pain they've gone through, just like ding, ding, ding, the villain persona Shigaraki Tomura is for Shimura Tenko.
Judai snapping under such intense pressure shows us that if even the faultless hero can snap, then how much can we blame the villain for snapping under similar circumstances? Maybe the reason both the hero and the villain fell is because they're both equally human and to fall down is human.
Deku never falls down as hard as Judai does. He doesn't even fall down and scrape his knee. There's no instance where he fails to save anyone. There's no instance where his actions hurt anyone. There's no instance where he takes things too far and hurts a villain. I kow it's unlikely for Deku to turn into a villain, but he could have at least gotten so frustrated he turned into a punisher style vigilante! Is that too much to ask?
There's not even a single moment where Deku goes too hard in a fight and injures or even kills a villain. They could have pulled an "I thought you were stronger" moment like in Invincible.
I don't know why this is called the Dark Deku arc because there's no darkness in Deku's heart for him to exploit, nor is he actually called to better his understanding of the darkness in others hearts. Judai understands Yubel's darkness because by the end of his personal arc he's been there, he's not the hero he's the atoner. He can either punish Yubel, or hold a hand out to help Yubel atone.
Deku's arc might as well be called the "My Little Pony Friendship is Magic Arc" because he never does or confronts anything dark. His worst crime is not showering. All that isolation and his repeatd failures in hunting AFO down should have worn Deku down, but it didn't because he's just that special of a boy!
Deku's hero complex also is completely uncriticized from beginning to finish. Judai's hero complex is an unhealthy behavior that utterly destroys him. Deku's hero complex is a job interview flaw.
FRIENDSHIP IS MAGIC
Just to hammer my point in I'd like to compare these two scenes. One is in the middle of the Supreme King Arc, the sacrifice ritual scene where all of Judai's friends are blaming him for the fact that they're about to be sacrificed while he's still trying to save them.
The second is the climax of the Dark Deku arc, where all of Deku's friends are showing up to fight him and convincing him to accept their help.
Just look at how vastly different these two shows treat their shonen protagonists when it comes to his flaws.
For the ritual sacrifice scene. This is immediately after Manjoume wakes up to find that he has been chained and kidnapped with Judai standing right there.
Judai: Sit tight! I'll save you soon! Manjoume: Wait, is he dueling? JUdai you damned idiot! Weren't you going to save Johan with us!? Getting yourself all flared up. You didn't even stop to think about us at all, did you? Judai: That's not it. Manjoume: That's just how you are! You were the only one in your kingdom from the get-go. We were the idiots for getting all motivated with you and feeling some sense of friendship with you being like that!
Then Judai watches helplessly as Manjoume dies. His other friends don't fare much better.
Kenzan: Big Bro? Why'd you want to save Freed's comrades when it meant sacrificing us-don!? Judai: You're wrong. That's not it. Fubuki: It's painful. This pain isn't just physical. It's the pain of a friends' betrayal that I have tearing my soul. apart. Asuka: I'm being betrayed and sent away by you. To think that I'll have to bear a sadness like this.
All of Judai's friends die spitting on him and telling him what a terrible friend he is and that this is all his fault. Which it is, because his decision to abandon them got them captured and led up to the sacrifice ritual.
Now, what scathing criticisms do our heroes have to give Deku after he left them all behind to fight Shigaraki alone?
Denki: Midoriya! We get that all for one is really importnat but you got something even more important in your life! Me and you we aint'g otta ton in common, but you're still a friend! Even if we gotta force this friendship down your throat. TodorokI: What a look you have on your face. Is this resposnibility so much that you can't let yourself cry? Seems like a burden you should share with the rest of us. Uraraka: The thing is Deku, we don't want to be protected by you and reject who you are and what you're doing, we just want to be with you (this part is narration).
Deku is told that none of his friends are mad, they want to be by his side no matter what, and that it's okay for him to cry.
I should also mention how underdeveloped this supposed nakama group is in the manga itself. The entirety of Season 3 of GX is tha the bond between Judai and his friends are more shallow then it appears, but he's also spent two whole seasons bonding with a group that consists of: Asuka, Sho, Kenzan, Fubuki, Manjoume. That's six people total including Judai who serve as is primary friend group. Their friendship is more unhealthy than it appears, but Judai has spent the past two seasons hanging out with one small friendgroup.
Meanwhile the entirety of Class 1-A shows up to tell Deku how much they love him and how much he means to them, and Deku's hung out with maybe like... four of them?
You have one bond shown to be how shallow it is, and one shallow bond treated like it's the deepest, most loving friend group in all of fiction. Deku doesn't even receive some lgiht criticism for how inftantalizing it was for him to abandon them for their own protection, because no one resents Deku or is capable of holding any negative or critical emotions towards him whatsoever. He's just told how much everyone loves him and wants him to come home.
And yes, Judai also does get two characters sacrificing themselves to try to reach him when he's the Supreme King.
However, as I stated above Jim sacrifices himself to help Judai because that's who JIm is as a person. Austin does it after Jim fails, both to honor his friendship with Jim, and also because of someone who got scared and ran he feels like he has to confront the darkness of the heart.
Jim and Austin O'brien's sacrifice is also a sacrifice. They died trying to save Judai, and Judai has to wake up with the knowledge that not only did he kill a bunch of people in his quest for power, he killed two more friends who were only trying to help him.
At the end of the arc, Judai has woken up with the knowledge that he has done bad things that can't be taken back and he's barely better than Yubel at this point.
At the end of the Dark Deku arc, Deku gets a speech from Uraraka about how amazing and selfless he is, and how he never gives up and how he always pushes forward, and how everyone at the UA shelter should appreciate him more.
The Supreme King arc exists to criticize Judai. The Dark Deku arc does nothing but flatter Deku from beginning to end.
Judai's hero mask is ripped off and he's forced to be a person. Deku's hero mask stays on, his hero complex is unchallenged, and he's praised for being teh greatest hero evarz.
I often get accused of not liking MHA simply because I expect it to be a different story than what it is. That I want it to be darker, when it's a more optimistic shonen manga.
However, here's my secret. I hate edgy superheroes. I don't like watching stuff like The Boys because it gets too dark for me. The oly reason I read invincible is because my friend told me that Omni-Man got a redemption arc. My favorite DC Superhero is Superman. My favorite Superhero of ALL TIME is Spiderman.
The thing about Spiderman though, is that it is hard to be Spiderman. The entire point of Peter Parker's character is that he has a terrible work/life balance and constantly loses people around him because being Spiderman is a sacrifice. The story doesn't bend over backwards to praise Spiderman as being a selfless hero, in fact it points out what a loser he is constantly. Peter Parker's friends are always frustrated with him and he's a wreck of a person.
Yet, the fact that being Spiderman is such a sacrifice and he keeps choosing to make it, shows what kind of person Peter Parker is, and that's just a person who does whatever he can to help out.
Even Peter Parker, the nicest, most well-intentioned boy ever has the Symbiote arc. One of the most famous arcs in comics dealing with Peter is when he lets Venom graft onto his suit, and even though the symbiote makes him violent, and makes his behavior change he spends the longest time not wanting to peel it off because the power boost the symbiote suit gave him made his life that much easier.
Dark Deku is an obvious reference to the Venom Suit, but a completely shallow reference because Dark Deku acts exactly the same as regular Deku the only reason he looks like that is he forgot to take a shower.
Superhero stories don't need to be Dark Deconstrutions, but they do need to be SOMETHING. They need to say something about the character. The problem with the Dark Deku arc isn't that Deku didn't experience a villain arc.
It's that nothing of consequence happened in the entire arc. Nothing changed. The story asked us if Deku's hero complex was a bad thing, and then it didn't deliver any answer. The story asked us if Deku needs to understand darkness better and then didn't answer that.
These are ideas that the audience promised were going to get answered. We were told Deku was going to get his development this arc that he was going to be pushed to the edge. The entire premise of this arc was that it was supposed to better help Deku understand Shigaraki and Hero Society only for Deku to not learn about either of those things.
Deku's learned nothing. We've learned nothing. Nothing has changed in the story itself. The only thing we've accomplished was wasting a lot of time that we could have been using watching Yu-Gi-Oh GX!
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