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#at this point plot is just an excuse for world building
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MacCready Fanfiction Recs (Fallout 4)
hey everybody, nobody asked for this but in the midst of writing fallout fanfic I was feeling a special kind of love for my favorite fo4 fanfics and wanted to recommend them in case you hadn't read 'em. Because they are VERY GOOD and writing fanfic is hard, so you gotta give props to those who sweat for your comfort fics.
I'm gonna recommend my top three finished fanfics, and then two more bonus fics that are being updated rn. As a clarifier, these are all Maccready fallout 4 fics. so. keep that in mind.
im tagging the authors and also anybody who wants to join and share their favorites too!
3. THE FATHER(S) AND THE SON(S) on ao3 by @sirmanmister
I'm going to preface this rec by saying this: there is Fanon MacCready. There is canon MacCready. And then there is ascended!whatBethesdawishesitWAS MacCready, which exists solely in this fanfiction. The characterization of Mac is so well written. He is snarky, he is vulnerable. He desperately wants to grow up but doesn't know how. He has the most sick character arc in this story!!!
It's not a romance but instead a coming of age story where the sole survivor becomes a de-facto parent to Mac. The heart of the story is about how to raise a child while you're still trying to grow up yourself. The apocalypse setting lends itself well because the Wasteland is a place where NOTHING is beautiful, but the way that M!Sosu and MacCready care for their sons is beautiful. Which makes it special and worth fighting for.
As a fun fact, I read The Road by Cormac McCarthy for class a week after finishing this fic and I was thinking about this fic the whole time because the themes of fatherhood during an apocalypse hit a lot of the same beats. Maybe my professor would kick me in the teeth by comparing fic to McCarthy, but @sirmanmister YOU ARE MY CORMAC MCCARTHY <3
2. WORKING CLASS HERO on ao3 by @bluegrasskitty
This is the kind of fic you take with you to toilet, to work, in-between classes. It will suck you in. AND THERE'S A SEQUEL TOO YOU GUYS‼️
The sole survivor in this story is the model for the Nuka Cola girl. You know the hot lady in the spacesuit? SHE HAS A BACKSTORY. AND YALL IT MADE ME WEEP. During some point of the story, I sort of stopped rooting for MacCready to be the narrator and just wanted Nora Cabot to take the reins. When I tell you I think of this oc every two to three business weeks. She's an incredible leading lady. I can't look at Nuka Girl posters in the game without thinking of Nora Cabot, my beloved.
the sequel IS SO FIRE. It's the best reimagining of 'what happened after the institute blew up' that I've ever read. im gnawing at the bars of my enclosure actually.
A VERY GOOD PLOT TWIST I CANNOT MENTION TO NEW READERS BUT IF YOU'VE READ IT YOU'LL UNDERSTAND. AND IF YOU UNDERSTAND DM ME I HAVE TO TALK TO SOMEBODY ABOUT IT. HHh.
The amount of world building that @bluegrasskitty puts into this story is insane. They ARE Beth Esda.
As a fun fact, I didn't know that radchickens were canon in fallout. I thought it was a plot device made up by this author to excuse the ability to make cake in this book, but radchickens ARE real. When I was playing Far Harbor last year, I found radchickens and thought that @bluegrasskitty manifested them into existence because they had that kind of power.
that being said, I still think this author has that kind of power.
1. Atom Bomb Baby on ao3 by @starlightwrites
I think you dropped something....my jaw.
fellas. fellas. this is my comfort fic. You ever had a comfort fic? Something you come back to at least once a year to reread to feel something? the fiction equivalent of chicken noodle soup? this is what Atom Bomb Baby is to me. this is peak literature actually. if I ever figure out book binding, im doing this one first.
Plot wise, it's a retelling of Fallout 4's main story through the perspective of MacCready. But (and im wheezing as I say this) it's also so much more THAN THAT.
this fic author understands that MacCready is not a womanizer but is in fact a touch starved loser. and they are CORRECT.
MacCready spends the entire fic like 'uuuhhhh I dunno about this one, boss!'
ITS BEST FRIENDS TO LOVERS RAHHHHHH
it also has a nostalgia feel to me too, because reading it gives me the same feeling as what it was like to play the game for the first time, years ago. maybe it's because I've read it so many times over the years, but reading it feels so satisfying.
The author spends 10 chapters at the end solely dedicated to an epilogue. I wish more stories did this. They go through the wringer in this story, and it's so deeply satisfying to see how cleanly everything gets wrapped up. MacCready and the Lola work really well together as a couple, so it's awesome to see how they work together after the battle is done.
6 out of 5 stars.
BONUS FICS !! aka fics that are still updating! I squeal with joy when I get an ao3 email about these: 1. Best Laid Plans on ao3 by @druidgroves - Georgia Tate is an incredible character and sole survivor! She was a teacher prewar, so it's really fun to get her perspective on the world. She cares a lot about education and libraries and I find her really relatable and endearing. It's a cool thing for a character in an apocalypse to care about! It also makes for fun tension with Mac, who's written as a pragmatic survivor. A great take on familiar characters and their dynamics. - And It's a great slow burn! I'm really enjoying reading it. 2. Long Time Running on ao3 by @twosides--samecoin - If you've ever thought that Med-Tek was too convenient an option for Duncan's cure, this fic was written with you in mind. - RJ goes to Canada and im obsessed with it. - If you're interested in fallout lore, specifically the bit where the U.S annexed Canada and wished that there was more info about that, I would highly recommend this fic. Twosides--samecoin put in THE WORK. The world building they do to explain Canada's side of the Great War is so fun!!! its genuinely such a thrill to read!
I'm tagging the authors who I mentioned, if you all have favorite fics (fallout or otherwise, I'd love to hear em!) Thank you for making good art!
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vaniliens · 10 days
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I do wanna post about my ocs here a little. Other than reblogs. But i wanna change the whole story and everything so bad firstt
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suguruplsr · 9 months
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Your daddy’s bestest friend
✰ ✰ ✰ your daddy’s best friend is so nice !
જ⁀➴ it should be despicable how long i’ve spent on this so the warnings might not be accurate and maybe a few typos i looked over 🙁
,, dads best friend toji! whose also a dilf! x fem!reader, porn with little plot , small fic , pet names (sweet girl, darlin’, sweetheart, baby, princess) , age gap (reader in college, 20’s) , oral (m & f receiving) , unprotected , dumbification , overstimulation , degrading (wrds: whore, slut, brat) , slapping (like twice) , brat taming , lots of cum, reader gets like really horny at some point—
divider from @/cafekitsune
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you were happy that your dad was finally able to go out and enjoy his life while in his late 40's, now no longer having to hover over his daughter, or take care of her all on his own.
being in college, still living with your parent, and having a part time job as a server had it's lows, but with the help of your dad and a few generous tips at work, you knew you'd finally able to move out his house in a few months. much to his dismay.
the idea of finally being a independent adult and living on your own was as exciting as it was scary. even your dad was a little worried from how eager you were to leave him, and maybe you did feel some dread about leaving.
Well, the dread of not being able to see the new friend your dad made some months ago, Toji, whom you've gotten accustomed to seeing on their football nights and eventually, every other day.
he was laid back and chill with no care in the world almost. his muscular figure always sprawled out on the couch, giving you casual greetings with a smug smirk and pet names whenever your dad wasn't around. after a week or two of coming over, you began to see him around the house often.
the annoyance of him constantly coming over slowly dissipated and now you enjoy noticing those fleeting glances he gave you. knowing well that you were doing the same.
It's just that, sometimes, you couldn't help but  sneak down to the kitchen for a few snacks or drinks while they watched the game. just so you could eye him a for a good few seconds. he surely had to be in his 30's, despite the rough tone of his voice, and his obvious older age. but there's no way someone who like him, was around your fathers age.
and perhaps you've let your eyes trail a bit lower some times, trying to go unnoticed as you visibly gulp at the bulge that peeked through his pants. always excusing yourself to be alone to those scenarios of how you'd make sure you get at least one night with him before you leave.
thinking about his large build that towered over you. huge hands that would cup your body just right. you could tell just from the way he has to spread his legs wide to get comfortable, that he had a thick cock. 'he'd definitely be a good fuck' , you always thought to yourself.
and maybe today could be your chance.
"Dad, i'm not a child. you know I don't need to be watched over."
You crossed your arms with a small huff, your disapproving eyes meeting your fathers. Okay, you were a little excited that you'd be alone with Toji, but your judgement got in the way.
"I'm leaving for over a week sweetie, I just want to make sure you're going to be taken care of."
Your dad sighed reassuringly, shaking his head and parting from the hug, opening the door of his black 2013 ford edge SE sport. "I love you sweetheart. Toji i’m sure you—"
"Don't worry, I'll take good care of her." Toji waved him off with a smile, you following in suit, ignoring the dangerous way those words rolled off his tongue as your dad pulled off. you couldn't help but feel as if there was another meaning to them
After wards you both walked in, Toji watching as you walked to the stairs. "You're a daddy's girl aren't ya?" he smirks, sitting on the couch and grabbing the remote.
"Well he's who I grew up with so it's only natural." your voice got quieter with each word as you watched his legs instinctively spread to get comfortable. your eyes flickered back up to his, embarrassment flooding your body when you saw his eyes already looking at you.
"Mind getting closer? Couldn't hear ya sweet girl." he chuckles, putting down the remote and gesturing you over to him. his eyes had a small gleam to them that almost made your knees buckle as you walked over to him. sitting on the other end of the couch.
Eventually you two ended up talking about more than just your dad. he even told you about his son and that he was currently co-parenting. while you told him all about your college life, from the nerve wracking work to the frat parties you occasionally attended.
You didn't even realize how much time had past until Toji was asking what pizza you'd like so he could order. which led to you two to watching a horror movie which he had chosen.
"How can they be so stupid.." your rolled your eyes, watching the classic 'pick me blonde girl' die with her boyfriend. you had unconsciously laid your head on his shoulder long ago, small comments about the characters leaving your lips every few minutes.
"s'posed to be entertainment." he replied with a chuckle, amused by your distain. "wanna watch somethin' else?" you could feel his voice vibrating against your body.
"this'll be fine. just wanna see how it ends." you sigh, reaching over to the counter on his side, only to feel his hand clutch your waist. "don't want ya to spill anything." he mumbles, guiding you back as he hands you your drink.
Yet he didn't move his hand, the pads of his fingers pressing comfortably into your skin and massaging you. after a few moments of silence and hidden glances you decided to take your chance, letting him put up your drink and while you swiftly leaned more into his hold.
his hand was draped across your back and your head on his chest. "well aren't you gettin' comfortable.." he hums, holding your legs on his lap, his other hand moving along your thigh. "maybe." your purr with a smile, watching as his eyes looked down at you with a look that made your stomach turn in excitement.
"You don't really care about the movie do you?" he smirks, his tone low as his hands nearly slip under your shorts, close to the hem of your panties. "Not really. I got other entertainment." you said smugly, moving your hips so his hands could reach further up your shorts. "fuckin' knew it" he says breathlessly, squeezing your thigh and pulling you fully onto his lap, your legs around his thighs.
"Saw you starin'.. those frat boys don't take care of ya?" the pad of his thumb pressed your bud through your flimsy underwear. rubbing around to feel your wetness. "they don't do a good job y'know.. want someone more experienced." you smile, holding onto his shoulders as you sat up and let him pull down your shorts.
he sighs at the sight of you, only in a tight t-shirt and underwear. on his lap. "I'll take care of ya sweetheart, sittin' so pretty f'me." his fingers slid your underwear to the side, one hand holding them to the side and the other slowly sliding up and down your folds.
"Make sure you take, o-oh! um.. extra care of me." his middle finger teased around your hole before pushing in, making you take a sharp breath. he chuckles at your stammering, placing a kiss on your nipples that poked through your t shirt. "I got you baby."
his finger curls inside you in a back and forth motion, slowly inching deeper and spreading your walls wider for him to slide in his ring finger. the feeling made you squirm, “Toji!” you whine in his ear and fall more into his hold, much to his enjoyment.
"your hear that? what a messy girl you are.." he groans, his voice having a teasing edge. you held back your moans, listening to the squelching sound of your cunt wetting his fingers. you felt him move your underwear more, gently pressing his thumb on your bud and rubbing it.
a broken moan escapes your lips at the stimulation, your thighs beginning to shake as you rolled your hips deeper onto his fingers. "m'close! please, just like that. please make me cum!" you whimper, nails digging into his back as you chased the feeling building up inside you.
"oh look at you.. gonna make a mess on me. sweet girl?." he murmurs in your ear, his fingers scissoring your hole. the movement of his thumb started to become faster while his tongue licked your hard buds through your shirt. making the hot feeling of your release rush through you.
your pussy squeezed his fingers tight as you came, a loud porn-worthy moan leaving your lips. he let you continue to ride out your orgasm, his fingers slow and tantalizing, until your moans died down into small blabbering.
"so fucking hot." he groans, removing his fingers and finally pulling you in for a kiss. your lips sloppily mesh together as you unbuckle his jeans. "want you so bad. please." you whine, struggling to undress him amidst heated moment.
"you got me spoiling you huh? i got you sweet thing. just take this off baby." he pulled the strap of your underwear, standing up and undressing himself. you eagerly followed, then sitting up on the couch, on your knees so you were eye level with the thick girth put in front of you.
"can i?" you mumble, glancing up at Toji. your mouth practically watering at the sight of his thick hard cock dripping with pre cum. so tauntingly close to your lips. "of course darlin’." his smirk was wiped off his face at the feeling of your hand's beginning to jerk his cock.
moving closer, you stuck out your tongue, his pre falling into your mouth. a guttural sound rumbled through his body from your filthy act. his cock twitching with need. "fuck. c'mon baby ne—" you cut him off by leaning up and wrapping your tongue around his tip.
your lips slid onto his cock and you swirled your tongue around him hungrily. flickering your eyes up, you studied him with a look of desire. the sound of his groans made your pussy clench on nothing but air. his hand reaches down and runs through your hair, nearly gripping it every time you kissed and licked one of the veins along his cock. but Toji wasn’t going to ruin your fun tonight, he had days to ram into those cute glossy lips of yours.
"could cum just like this." he says breathlessly a small whine, nearly, falling from his lips. he closes his eyes with a mutter praise when your mouth took almost all of him in. you hummed, slowly sliding your mouth along him and setting a good pace, one hand holding onto his thigh while the other wrapped around the base of his cock. matching the pace of your mouth.
he bites his lip, looking down at you with hazy eyes and slowly grinding himself into your mouth. "m'gonna cum. keep it in your mouth. gotta see how disgusting you are, heh" you acknowledge him with a small hum, sucking him off with a sudden fervor that made him cover his grunts as he spills into your mouth.
you milked him, all of his cum tainting your mouth white. you stick out your tongue that was heavy with his seed, “gonna turn you into a dirty slut. swallow it f’me princess.” Toji groans, noticing your how your thighs clenched together. you came just from sucking him off. making him chuckle and bend down to you, pushing you back on the couch as he pries your legs open.
“pretty pussy leakin’ cus of me? how cute.” you meet his eyes as you swallow his thick cum, savoring the salty taste. “did so well for you Toji! please fuck me. wanna cum on your cock..” you plead, squirming at the feeling of his hands playing with the cum that stuck to your skin all around your pussy. “since you asked so nicely” he says lowly, sitting beside you and moving you onto his lap.
your cock hungry self immediately grabbed his tip, lining him with your hole and then taking him all in one go. your pussy slamming down on his cock.
“fuuuuckkkk! y-you know how to take dick huh?” he grunts, holding your thighs down tightly as he tries to not lose himself in your tight cunt. you clenched around him, body slumped against his chest as you already felt another orgasm approach. “Toji please! let me move, wanna cum!” you whine, tears building at the way you pussy twitched around his girth. making your mind feel fuzzy.
before you could continue your rant, Toji held you up by your waist, then slamming you back down. a smug smile playing on his lips at the sight of your eyes immediately rolling back, cute little moans leaving you. “you’re a fucking brat—“ he does it again, adding a slap to your ass as you come back down on his cock. “but it’s okay, just gotta—“ he groans, slamming you down on him again before switching your positions into a mating press, shuffling a pillow underneath you before laying you on it.
“just gotta put you in your place. damn slut.” he smirks down at you, reducing you into blabbers of his name and how good his cock is as he thrusts into you. “where did my cock drunk whore go?” he mocks, his cock deep as he wipes the fat tears that rolled down your face, then he slaps your breast, watching how it jiggled while he thrusted into you.
“Toji! m’sorry! was t-too greedy, fuck!” you sob, taking another thrust, hands trying, and pitifully failing, to push his pelvis away. he was wrecking your puffy pussy. “i ain’t ask all that.” he swats your hands away, instead pinning them up and beginning to quickly thrust into your soaking cunt.
“might forgive you if you cum on this cock. said you was gon’ do that right? go ahead. dumb slut.” he tugs your body higher with your wrists, hitting your pussy at an angle that made your thighs shake. straining as he feels his cock about to spurt into you. “gonna cum for you Toji!!” you cry clenching tightly around him, your messy pussy cumming all over him while he shoots his seed into you.
“this pussy is a fuckin’ vice.” he groans, slowly pulling out of you, hushing your whines with a deep kiss, pulling you onto his lap as he gets comfortable on the couch. he begins kisssing away your tears and sobs. “toji.. fuck i can—“
he kisses you, the massaging of his hands into your plush body slowly bringing you from your high. “shh, s’okay. gotta fuck you in the shower. messy, just like this.”
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linkspooky · 3 months
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Kusakabe the Last Man Standing
Is Kusakabe going to defeat Sukuna all by himself?
Probably not. I fully expect Maki and Yuji to get back up and join the fight. However, Kusakabe is a character that has been slept on for awhile and with him being reluctantly shoved into the spotlight I think it's time to write a meta analyzing him. Especially since the revelation that Kusakabe is the strongest first grade fighter didn't come out of nowhere, in fact Gege has been building up Kusakabe in the background for quite some time which I'll explore under the cut.
So Okay, He's Average
I want to begin this analysis by saying that Kusakabe represents a type of character that Jujutsu Kaisen is desperately in need of. He's just a normal guy. He's our only example of an everyman character. Usually in manga the protagonist serves as the everyman character, especially ones like Yuji who come from a normal life and are being introduced to a fantastical world for the first time, but Yuji ain't normal. Someone who willingly eats a finger that may kill him just so he can be useful and save a stranger isn't normal. Gojo has Yuji pegged as one of the crazy ones within the first few chapters.
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Gojo says that sorcerers have to be crazy, that the best Jujutsu Sorcerers need to be broken in the head otherwise they can't get over their fear of curses and risk their lives fighting them on a daily basis. The cast is full of eccentrics, Gojo the strongest of all isn't even able to relate to other human beings, Sukuna is termed a calamity, Yuta kisses cockroaches without hesitation there's not a normal one in the whole bunch.
The ones that are normal, like Miwa who acts like an average high school girl, has no technique, and Mai who desperately craves to be a normal girl and doesn't want to be a jujutsu sorcerer, either are minor characters or they die.
You could say Ijichi provides the point of view as a normal character, but he's a minor character at best and uninvolved in the plot. Then there's Nanami, who represents the typical japanese salaryman. However, Nanami is extraordinary in that he is far more moral than all of his coworkers, such as returning to be a sorcerer because the work helps people instead of keeping his cushy job, and prioritizing the lives of children over himself.
Us mediocre and average people are in desperate need for representation. Cue, Kusakabe.
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His introduction clearly demonstrates his attitude is different from most sorcerers, rather than running straight into danger, Kusakabe is trying to search for an excuse to stay out of danger where it's safe. While it's cowardly, it's also what a normal person would do in this situation. We are so used to sorcerers who either risk life and limb without a thought for the sake of other people like Nanami or Yuji, or sorcerers who enjoy the fight like Gojo that Kusakabe stands out.
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Miwa who is basically the example of the normal girl among the teenagers shares several parallels with Kusakabe, they're both simple domain masters without cursed techniques, they're both self serving, and also Kusakabe is her teacher and probably the one who recruited her considering he shows up to save her at the end of Shibuya.
Kusakabe is meant to represent what a normal person with common sense would do in the world of Jujutsu, but that doesn't mean he's weak. As I stated above Gege has actually been building up Kusakabe's strength in the background for quite awhile.
When training with Yuji, Gojo first brings up that some sorcerers rely on their techniques too much and that Yuji doesn't necessarily need a fancy technique to win, he can overcome them by learning to control his cursed energy and then using it to strengthen his already amazing martial arts skills and physical prowess.
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The Big Three clans like tend to overvalue inherited techniques too, the downfall of the Zen'in is that they didn't recognize the strength of people like Maki and Toji with no cursed energy because they believed their cursed techniques to be inherently superior.
In Mechamaru's fight against Mahito, Gege makes a big deal spending an entire page explaining the history and mechanics of simple domains. There's obviously no need to put this much attention into detail to explain simple domains unless they're going to come into play later, and while Miwa uses them as stated above she's a minor character.
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A technique called the "Domain for the Weak" what better technique for a normal guy like Kusabe, who is stuck in a cast of super-human characters. When fighting with Yuji, Mei Mei compares Yuji to Kuskabe.
"You're on par with a grade-1 sorcerer at this point. To be this good without a cursed technique... I think you're the only one since Kusakabe."
To further compare him to Mei Mei, Mei Mei monologues about how because her cursed technique of controlling birds is weak she tried to strengthen her body. However, eventually she hit a brick wall and couldn't get any stronger and reach Grade-1 on her efforts alone. Which is when she decided to start using Ui Ui as a tool to make herself stronger by making binding vows between him and herself to strengthen her, in addition to inventing her suicide crow technique.
However, Kusakabe is even stronger than Mei Mei and he managed to reach that level by himself without needing to groom and manipulate a child.
Kusakabe also spends all of Shibuya avoiding getting in a fight with a special grade cursed spirit, and yet at the end of Shibuya he ends up tanking an Uzumaki Maximum from Kenjaku at point blank. Kenjaku even praises him.
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This is the same Kenjaku who can use Suguru Geto's cursed technique even better than Geto can, and who wiped the floor with Choso while bragging that a cursed spirit that's ranked Grade-1 like Choso could never go one on one with a special grade. We never saw Kusakabe directly fight Kenjaku (he would probably run in the opposite direction if given the chance) but the fact that he can use a simple domain to cancel out one of Geto's strongest techniques point blank is really telling.
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All the while having relatable thoughts like this one. In a lot of ways, Kusakabe reminds me of Todo, someone who Gojo mentioned as being one of the next up and coming star students alongside Hakari, and Yuta. Todo has a cursed technique that's simple but effective, but he also fights similiar to Yuji by his expert control of cursed energy. Todo fights mainly with his fists and martial arts and his impressive knowledge of how cursed energy moves though the body, his cursed technique gives him an added bonus.
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Up until this point in the manga though Todo is the most knowledgable about cursed energy, he teaches it Yuji very easily and explains it in ways Yuji can understand. Fighting alongside Todo also brings out Yuji's full potential as a sorcerer. Todo is all muscle, but he fights with his head and is the smartest student in Kyoto.
All of this to say, Kusakabe's strength without a cursed technique can be explained by relating him to Todo. In the Gojo vs. Sukuna fights who is the main voice explaining to both the other students at Jujutsu High and the audience just how the battle is going down.
Kusakabe is not in there in the field, he's watching it on TV, and yet somehow he can disect and explain to the others how both Sukuna and Gojo are using high level Jujutsu Techniques. This is Sukuna and Gojo we're talking about, two geniuses who are the height of jujutsu and can often improvise and make up new techniques on the fly and yet Kusakabe is able to keep up with what's going on.
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Kusakabe gives the play by play, he somehow knows what falling blossom emotion is even though he's not from one of the three big families. He explains to Hakari and Higuruma who are natural geniuses who don't quite understand how their powers work, how Gojo can change the conditions of his barrier and how exactly he made the barrier smaller.
Remember Kusakabe is also a teacher at Jujutsu High. Unlike Gojo who doesn't try to explain basic concepts to Yuji because he's such a genius, Kusakabe is also educating all of the students here and phrasing these high level techniques in ways they can understand. You can't really do that unless you yourself have an intimate understanding of the subject matter.
What I mean to say is by putting Kusakabe in charge of the discussion, Gege is demonstrating that Kusakabe is a character who understands the mechanics of cursed energy and domains on practically the same level as Todo who as we said is considered a prodigy. This is also some clever foreshadowing, because Kusakabe here seems like he's still a background character because all he's doing is essentially expositing to the audience and yet... how impressive must he be if he understands all of these advanced domain techniques when he's just a guy with a sword and no cursed techniques that uses simple domains.
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Kusakabe also understands Higuruma's legal talk in about ten seconds, and can explain the mechanics of Higuruma's domain and why their plan to put Sukuna on trial might not work. He is much smarter than he seems at first glance, Miwa even makes a joke about it. He even analyzes Sukuna's techniques after facing them head on once - and he's the only one who notices how odd it is that Sukuna's not using his fire technique like in Shibuya.
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Sukuna mentions that Kusakabe along with everyone else's cursed energy reinforcement techniques must be on another level if they're able to stand up to his slashes (even if they're in a weakened state right now). After all, Ishigori who was not only one of the strongest fighters of his era but was also hyped up for his massive pool of cursed energy that rivaled Yuta's was torn to pieces by Sukuna's slashes.
Kusakabe also seems to be the one in charge of the strategy for the fight (though it was Angel's idea to let Takaba handle Kenjaku, maybe they're both coordinating but Kusakabe is definitely leading them in the field).
My point being, as much as he's accused of handling his large cast Gege is often able to give a lot of characterization in a limited screentime. Kusakabe is more than he appears to be, and it's clever how Gege built up his importance without anybody noticing, because Higuruma himself likes to avoid conflict, hide in the background and is constantly downplaying his own talents. Ino even made another joke about it last chapter.
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The commonly held view is that the sorcerers who reject their humanity and only care about refining their technique are the ones who become the strongest sorcerers. However, Kusakabe was able to climb to the top of the Grade One sorcerers despite lacking that attitude.
In my opinion, Jujutsu Kaisen is fundamentally about balance, so while there's a definite trend of Sorcerers who resemble Sukuna are the ones who become stronger - it's not presented as the only way to be strong. Yuji only defeated Mahito by cooperating with Todo. On top of that, Sukuna while finding Yuji boring admits that Yuji a mostly selfless person still demonstrates an indomitable will that Sukuna can't break no matter how hard he tries.
If Sukuna represents the thesis that the only way to become strong is to throw away all your humanity and become wildly selfish, then Kusakabe represents the antithesis as a mostly normal person (if a bit cowardly and self interest) who somehow climbed the ranks over people like Mei Mei who represent the kind of selfish monster Sukuna is.
This is actually the pattern for most of the Sukuna fights this arc too. Gojo and Hajime both represent the desire to be understood, and Sukuna rejects both love and says he doesn't need people to understand him because he understands himself.
Yuji is a human who is mostly selfless, and has inherited the curse of his fellow comrades as sorcerers, specifically carrying on the torch for Nanami who is also content to be a cog in the machine if it means he can help his fellow sorcerers out. Sukuna is a selfish monster, who is an individualist and sees other people as toys to amuse himself with.
Higuruma is a genius on the level of Gojo Satoru, but when challenged by Sukuna he ends up sacrificing himself instead in a direct parallel to Nanami in order to pass the torch onto Yuji.
Yuta's domain is literally called "authentic and mutual love" and Sukuna said to Hajime that he understands exactly what love is and he still rejects it. Sukuna's entire philosophy revolves around rejecting the love and friendship, while Yuta only fights for the sake of his friends, and can't believe that his life is worth living without people in his life who love him.
Sukuna gives a whole speech on how by rejecting cursed energy, and using a heavenly restriction to push her body to the peak of physical strength a human can achieve, she's forcing a role on Sukuna to compete with her as the peak of sorcery to determine which one is better.
Now it's Kusakabe turn to have a role in this fight too. While Maki has no cursed energy, she doesn't really represent humans because she's you know, a she-hulk. Kusakabe might be the most human character present that's willing to face down Sukuna. Kusakabe is the most human character someone who climbed this high without being born with any technique, Sukuna is the most inhuman monster in the series, a calamity that Yuji refers to as a true curse.
Gege even threw in these callbacks to Gojo panels.
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That in itself might be foreshadowing that maybe Kusakabe stands a better chance against Sukuna then anyone in the audience thinks. As the number #1 Kusakabe stan, I'm definitely willing to bet on those odds!
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lurkingshan · 2 months
Text
10 Things I Love About Only Boo!
*kicks down the door* I'm a few weeks late but I have arrived and I am here to yell about this fucking adorable show. Have you heard that it's the cutest shit you've ever seen in a fresh new package of all your favorite silly old romance tropes? Besties, this is truly the Sunday Serotonin we need. Here are the top 10 things I love about it:
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The main romance is between a confident sunshine protagonist and a kind older boy working through his grief and an artistic block. Mok (Moo) and Kang are such nice boys, two cinnamon rolls too sweet and pure for this world, and I loved them instantly. They have a nice crackly chemistry between them and really solid communication right from the start.
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The setting is rural and refreshing. Moo moves to Nakhom Pathom to attend school for a semester because his mom wants him to focus on his studies before she will allow him to pursue a career as an idol. Little did she know she was delivering him to a cute boy who would become the new distraction.
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The crushing and flirting starts immediately, and it's mutual. They just like each other, man. Kang is (slightly) older and trying to be responsible about keeping Moo focused on his studies so he's putting up some token resistance, but it's very very token. They both find excuses to keep seeing each other after they meet.
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There's a side couple with a long-term pining friends to lovers arc. The way I squealed when they revealed that photo wall. I support you, Payos, you will get your boo. These two also have a lovely, easy chemistry and seem so comfortable around each other. Their characterization also gets a fun twist in the beginning of the story.
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The writing is strong and assured. This was written by the same screenwriting team as Cooking Crush, aka the best written original Thai bl of last season. These folks know their way around a smart romcom. They know how to deploy classic tropes so they feel fresh, build authentic character arcs, and make all the beats of the story feel confident. We are in good hands and don't need to worry about any out of left field conflicts or weird plot turns with this one.
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A fresh new cast brings a ton of energy. I really love all four of the main actors for this show. They're young and bright and breathing some new life into an old formula. And both pairs have solid chemistry and seem comfortable in their scenes together.
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Some of our old favorites are here too. They've made the smart decision to bolster the young main cast by surrounding them with more experienced seniors like our lady Milk, here playing Kang's friend and neighbor who is all up in his crush on Moo. Louis and Book are also going to show up at some point.
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The show incorporates music and dancing in such a charming way. Moo is one of those kids who just has to dance, and the show mines a lot of comedy around his efforts to stifle the impulse as his mom ordered. I don't think he'll hold out for long, though, because Payos and Tae are on him to train with them. And of course the music supervisor is having a great time working in some classic GMMTV music gags (yes, Love Score and Too Cute To Handle both make memorable appearances).
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It's a high school story brimming with youthful energy without being mired in immaturity. The tone of this show reminds me of My School President in the best way, in that it has all the sweetness and innocence of a high school romance without making the characters so immature and bad at communication that it's annoying to watch. As expected from the CC writers, these characters may be inexperienced but they are going to talk to each other and honesty will prevail every time.
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We are only three episodes in and the romance is already well underway. This is the kind of show where we will see the main pair flirt and date and face obstacles together. The swoony moments started immediately and Moo is already throwing around the faen title. We know from the synopsis that the core conflict will come when Moo is forced to choose between his relationship with Kang and his dream of being an idol, and I expect he will be finding a way around that choice. I'll be strapped in for the ride because I already believe in these two.
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Hi! Have you seen the new Mickey Mouse Rebrushed trailer??? Twitter is goin crazy over it and how it’s related to twst 😭 just wanted to hear your thoughts on it
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I did spot quite a few parallels with TWST from the Rebrushed trailer! I'm not familiar with Epic Mickey at all, so I'll just be commenting on what I noticed right away. You'll have to excuse my limited knowledge.
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Firstly!! This design of Mickey is the exact same as the one we see in TWST. Most noticeable is his white face, which is a fleshy peach color in most modern iterations.
Mickey is reading Alice in Wonderland’s sequel, Through the Looking Glass. Of course, Twisted Wonderland has Wonderland in its title, and even opens with an Alice in Wonderland inspired dorm. Yuu and Mickey also connect via their dreams and through the mirror shared in their rooms.
The theme of dreams is very present and upfront here; Mickey wakes up from sleeping and then creeps to his mirror, which appears to be a portal into another world. Hmm... dreams, mirrors, and traveling to other worlds, now what does that remind you of? You'll also notice that Mickey's room is the exact same as Yuu's room in Ramshackle, right down to the "inverted" room that appears when Mickey passes through the mirror. Everything up until this point is very similar to what is depicted in the 1936 short, Thru the Mirror.
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Next, Mickey spies on a wizard carefully using a magic paintbrush over what seems to be a diorama of a bunch of buildings on a plot of land. When the wizard leaves, Mickey fiddles with the paintbrush, causes a mess, and calls forth some kind of black ink monster with green light coming from within it. This seems to be a very close parallel to Overblots, particularly since the most recent OB has a signature neon green color. If we really are to connect Epic Mickey to TWST, this scene also seems to allude that Yuu, Mickey, and/or the "wizard" have parts to play in bringing these Overblots to life. And who do we know that is a powerful wizard that is aware of the corrupting power of blot and runs a large chunk of land... say, a campus? Crowley. This goes hand-in-hand with the theory that Crowley is intentionally allowing these OBs to happen or is even puppeteering his students into OBing.
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I find this visual in particular to be very ominous; again, we have the colors that match a certain OB dragon fae but also the map itself reminds me of Twisted Wonderland's and the eerie visual of Malleus's thorns digging into Sage's Island and aiming to go way beyond it.
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Anyway, the ink monster is temporarily contained while Mickey returns to his own world. We then get a montage of various Mickey media passing by, as well as a lot of imagery that would imply the passage of time (clocks, the date on the calendar changing, etc.). So... what? Is that implying not only parallel worlds, but also a time skip? Or maybe a time... loop? Like time loop theory???
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The ink monster somehow eventually escapes and makes it to Mickey's world, with the blot dripping from the ceiling waking Mickey up from his sleep. It drags Mickey away into a hole drenched in ink. Kind of foreboding when you realize Yuu has also had prophetic dreams... Not of OBs, but of the events leading up to them. And being dragged away into an inky... opening? Like an... abyss? Like book 7, Ruler of the ABYSS?
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That's how the trailer concludes!! Gotta say, there's definitely a lot of shared elements between this and TWST. If I recall correctly, Epic Mickey was a game that existed on the Wii waaay before TWST. It even has largely the same cinematic trailer (just with older graphics), so to me it feels like TWST probably took inspiration from Epic Mickey rather than the other way around. There are definitely too many parallels for it to be a coincidence. If that's the case, then we can probably pull some hints for what awaits us in the rest of book 7 from these cinematics. (This is a video comparing the two side-by-side if you think that might be of use!)
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melonteee · 9 days
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I've seen many people complain that Oda in Post Time skip One Piece spends a lot of time worldbuilding and making up side characters on every island that distract from the main ones and the plot. While I can see where some people are coming from, as someone who reads comics from Marvel, I WISH the wordbuilding and side characters were that developed because most of the time, unless it's about space or magic or directly related to the plot, the world feels genuinely dead. Even the main setting of a story sometimes feels so dead, like for comparison
Around 2 years ago, they had an event where, at some point, an inhabited island got pretty much nuked. We spent 3 real life years on that island and the writers really couldn't make any readers care less about all the civilians (men, women, children and babies) dying as they wrote them as a single minded entity who didn't mind that fate if their government told them to do it so they used two of the "main characters" (the most selfish pricks imaginable who never even cared about the island and the people there as they are long-established villains + due to plot, were made part of the people who rule over the place and get the most privilege and best life there compared to everyone else), to pull the heartstrings of fans on how terrible it is for them to die this way and how tragic that these two had to die in this event... All because the plot hyperfocused on the island's government (not even interesting to read and full of what felt like highschool drama) instead of the people the government looks after and who would be the greatest casualty here. All of this didn't matter either because everyone on that island was brought back to life (that plot device was present even before the event so caring about anything was going to be hard from the get go) including the "main characters" that died.. Guess who got to come back to life first while many others were on a waiting list years down the line still ?
Now compare this to Oda and what he did with Lulusia. All things related to this island were mostly cover stories, many cuts back and forth in a "meanwhile in...", ... But once Chapter 1060 hits, we feel the tragedy and horror, we are at awe at how much destruction was unleashed on these people. That scene was made even more horrifying and sad when it was animated in Episode 1089...and then we learn the reason the island was obliterated had nothing to do with Sabo being there. Any island we knew who partook in a revolution could have been a target. We find out that even that was an excuse because the main goal was to test a weapon and nothing more. Oda is using a tool here called "less is more" for this island and it was sincerely enough for me to care A WHOLE LOT about Lulusia even if the main characters never set a single foot there and it wasn't part of the main plot. There wasn't even a main character who "died" there either to pull on our heart strings. We just saw these people triumphantly come out of a political crisis and enjoy their first hours of freedom after lord knows how long and then
They were all gone. Erased. And even if they didn't all see what was about to happen to them, they felt it. They died in fear
Oda is very very good at his world building, because he makes sure these islands are LIVED in, not just that they EXIST. It's all well and good to wipe out an island to show the political and immoral powers that be, but we don't feel the impact unless we SEE the people and culture existing on the island.
It's why now, with Vegapunk explaining the state of the world, we are getting reactions from EVERY corner of the globe. We are being reminded how big this world is, how lived in this world is, and how many people are suffering under the world gov. We CARE about this world, we care about the PEOPLE in this world, and Oda's spent years building his world up for THIS moment. It's really spectacular.
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Apparently at some point MCU fans collectively agreed that the Blip takes place on October 17th, 2023. Which is today. So I figured I'd take the time to detail the four biggest reasons why the time jump in Endgame was a universe-shatteringly horrible idea that should never have seen the light of day
the absolute biggest problem, of which there are many, is the fact that countless people died as collateral damage in the initial Snap. Hell, we are shown it in the Infinity War post-credit scene with those multiple car accidents and that helicopter slamming into a building. And that was just the tip of the iceberg; imagine how many planes crashed because the pilots were dusted, or how many babies starved because both their parents were dusted, or people who may have died on the operating table because a surgeon got dusted. All of these people are totally ignored. It's never so much as mentioned when talking about bringing everyone back, and Tony insisting that the last five years remain unchanged is implicitly saying all of those people remained dead when the dusted returned.
the second big problem with this plot point is that it's used as an excuse for every character except Nat to be totally unrecognizable. Bruce becomes Professor Hulk, Thor gets fat, Tony has a family (and I fucking love how the movie inadvertently says he just let the world rot for five years instead of using his billions of help. That is 100% in character for him), Clint went on a mass killing spree, and Steve... I actually have no idea what made him change so radically. None of this is shown to us at all, it's just told to us.
this is less a problem with Endgame and more a problem with Phases 4 and 5, but the other worse thing about this development is that absolutely nothing has been done with it. Far From Home played the time-jump for comedy, WandaVision had that one great scene in the hospital and then did nothing else, Shang-Chi had a singular throwaway line about the Blip, Hawkeye had that one neat visual of getting Snapped from Yelena's POV and then nothing else, Multiverse of Madness had a single conversation where Strange wonders if letting Tony have his way was the only way to save the universe, Quantumania had a single scene addressing the homelessness issue and then nothing else, and I think Secret Invasion tried to do a bit of a look at how Talos reacted to the Blip, but that show was so awful that I'd rather not think about it. The only projects to do anything at all with the Blip as a major plot point are Falcon and the Winter Soldier and Eternals.
the fourth and final massive problem with the Blip is pretty simple yet complicated; it ignores the absolutely insurmountable societal implications both the Snap and the Blip would have. Think about it; half the fucking universe disintegrates into ash. There are SO many things that would do to just human society alone. But even more importantly, five years after all those people were declared dead (meaning wills are executed, spouses remarried, jobs and homes redistributed, etc) those people suddenly reappear, and from their POV it's only been a second. Just to put it in perspective, the Snap happened on April 29th, 2018. Doesn't that feel like forever ago? If the Snap were real, all those people would have been gone until today. That is such a huge mindfuck that I'm shocked no one went insane. And even looking aside from the psychological impact, all those people are pretty fucking screwed. Far From Home had a single scene addressing this, then promptly forgot about it.
My final point is less of a problem and more of an amusing byproduct; since Tony directly forbids Bruce from undoing the last five years, that means the events of WandaVision, Falcon and the Winter Soldier, Hawkeye, Multiverse of Madness, and Secret Invasion are on some level his fault. That’s fucking hysterical.
I suppose I'll be absolutely fair and say that rewinding time isn't a morally perfect solution either, as you would be erasing any maturity the survivors gained during those five years, as well as anyone born in that time. But that's just all the more reason to NOT HAVE A FUCKING TIME-SKIP!!! I still think the only reason it was done was for cheap shock value.
All in all, the five-year time jump is the single worst major plot point in the MCU. Fight me.
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suekeyyyy · 9 months
Text
-The Seven-
Serious:Somewhat single moms-Pt 1- Bolivia flage cape and a black suit .☟ _The boys x reader_
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-Homelander- John x black! Fem! reader
Summary: Y/n is South America's number one. Hero is in a group called Patina, and she has been sent on a trip to North America. To meet the Seven for a National But her representative wants her to get close with Homelander.
Waning: bad language, Angst, reader being Sexualize.
Set in: it's the plot so don't come after me if I redo it.
@z3r0art
Seva Airlines is the plane that Y/n and her lower Supes know as patina. We're on to make it to North America to meet the Infamous Seven. Y/n didn't really care all that much she had her representative Steve up her ass about this opportunity.
For three months. The persistent Bitch really pushed that it would help with her look as a Hero and get her more Points.
Y/n was somewhat like Homelander, just female. She was just better at pretending to smile waving. But she hated having to smile all the time. It was exhausted. Her smiled and would always fade after the currents fell. Like she had ever smiled ones.
Now her was going to meet the men of America and his side show. She was only somewhat happy to meet Starlight. A new hero So much potential That made fire strom have a little bit more hopeful in the world.
Steve had told Y/n that Vought wanted to have a National Superhero Appreciation. Or Nsh, the plane soon landed on top of the vot building y/n slow stood up and walked out the plane with a small smile. To keep up her illusion of being happy, she could see Ms. Madelyn Stillwell and she big white women smile on her face.
" Patina. The heroes of South America welcome to Vot I'm Madelyn Stillwell." She says,"Were glad to be here." Y/n says as Madelyn walks them into the blinding. She slowly.
and fucking your Secretary kind. " This with be your freedom room. Basically, what im saying is that you can do whatever in here." She smiles she walks out.
Y/n sits down at the head of the table with a smile that makes everyone tense up. " Sit down." She says, and they all slowly sit down.
" So does everyone have something to say. Questions, concerns?" Y/n says," Why the hell are we here? I know that's what we're all thinking." BB says
-BB- Ballon boy. -Jimmy Hall - power: immoral.
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" That is a good question. we are here for National super hero day." Y/n says," What the hell does that mean?" BB says," we walk around a bit, help the seven if needed, and just breathe air." Y/n says. Everyone looks at each other, and they agree on how easy it is. " Oh, and hear are your keys." Y/n throws five keys out to her team. " For what?" BB says," Your rooms." Y/n says in a soft tone. " There on the fifth floor." She smiles." Now, all of you go." Y/n says in a cold tone. They all sigh and whisper to themselves about how dumb this was. Y/n slowly turned her head to the side. " BB, what do you want?" She sees him sitting on the table." What ya thinking about, doll?" He says " How to quit." She says.
" You could just retire." He says. With a smile," You and me both know what that means. I go into some cold old room little nowhere to be tested on." He nods." You can start a family. That's what Liya did, and I still see her." He says,
" Maybe. "
•┈┈┈••✦ 🔥 ✦••┈┈┈•
Y/n leaves the room and walks over to the elevators and waits for it where she hears someone walking over to her and the elevators. She looks over to see Homelander walking over to the elevators. " shit." She whispers. Homelander walked up to the elevators, and they opened. "Excuse me." He says y/n looks back." Oh, sorry." She smiles he walks in first.
Homelander slowly looked down at y/n and her outfit. The boob window and her Bolivia flag on her back. Her black suit on her skin was tight and small, mostly around her back side. " Nice ass." He said with a smirk with a look of contempt as he looked at her.
The ends of y/n's hair are set on fire, her hair Indulgeinng in the red flames. " Thanks, I guess. " y/n was creeped out and taken a back. How could he see her ass? He looked at the fire at the end of her hair and then back at her, "No problem." He says."So. Why are you here?" He asks her.
" National super hero's Appreciation Month." She says," So you're a part of Patina?" He asked." Actually, I'm the leader of Patina." She says," Well, it's always nice to have younger heroes as leaders. " y/n chuckles. He was trying to butter her up. He turned his head back to he and then smirke. "So. You can control fire?" " Yes." She says." So. You're like the strongest superhero in South America." He asked her, and he wanted to know everything about her." You could say that." She was trying to keep dry a conversation.
Homelander thought for a second before speaking, "I'm surprised I know of the group Patina. You know most people can't name a single group from South America." He says in a sarcastic manner. As if South America was beneath him, "But I guess you didn't tell me your name?"
Y/n give him a what the fuck look trying to overlook how disrespectful that was. " My real name?" She says,"Yeah, your real name?" He said in an annoyed fashion, waiting for her answer. " y/n no last name. " She says," That's interesting. " he says Try the sound disinterested. "I'm curious. How much is Patina respected in South America?" He said, wanting to see if her pride was big like Homelander's " as much as the seven is in the States." She says.
"Oh, I see. So Patina's just as big down south as we are up here in the States. Is that what you're saying?" He said, trying to gauge y/n to see if she had a big ego" yeah." The elevator stops, and she walks out. Homelander follows y/n and catches up to her. "So. Let me guess, y/n ." He said, walking up next to her."You just happen to have the most beautiful ass in all of South America." He said, wanting to see her reaction to that.
" I thought you dropped that conversation." Y/n says, walking past Madelyn Stillwell's Office.Homelander chuckled and shook his head."Come on, y/n. Who doesn't love talking about a beautiful ass. Especially one like yours. I mean, look at that peach." He said, touching her ass over her suit, smiling while he does it.
She grabs his hand, her eyes turning eye. " Don't touch me." Y/n says her hand, burning his suit arm slightly.
"Aww. Come on, y/n, don't be like that. My hands just so happened to wander over there. Don't be so uptight." He said in a sarcastic manner, keeping his hand on her ass " Oh well, my hand wandered to your face." She slaps him.
He stood in shock as he rubbed his cheek with his free hand. He couldn't believe she had done that. But then he took a deep breath and regained his composure and took his hand off her ass. "What the hell?" He screamed at her."How dare you lay a hand on Homelander. I am the most powerful superhero in the god damn world." He yelled in a scary, intimidating tone at her." Do I really give a shit?" She thinks," Oh, I don't."
Homelander took a second to process what she told him, and then he got angry again. "I am The Homelander. You show some respect. "He yelled at her in anger. He wanted her to beg for his mercy. He wanted to scare her, but she wasn't showing fear. It was pissing Homelander off.
" Oh, stop it, you're just as broken and damaged as everyone else." Earlier that day, y/n Looked at John's File or his life story on a paper.
Homelander grew very angry as he took another step closer to y/n. He was now in her face with the heat of his breath hitting her lips. He looked down at her and took another angry breath. "I am a god compared to everyone else, and you should respect me." He yelled at her with no fear of what she would say in return. He was the most powerful being in existence, and she would not cross him.
Homelander didn't seem to notice the haft Chub he was getting. Was he fucking turned on? " Well, I guess.''god'' has a boner." She pointed out his pants.
That caught Homelander off guard, and as he looked down at his pants, there was indeed a boner starting to show through his pants. "What the..." He began to stammer, looking at y/n. Her face was still, and she didn't give any response."That's normal." He says, trying to change the subject to something less awkward.
" it shouldn't be. You shouldn't get a boner when you yell at me." She was speaking Facts.
He cleared his throat before saying, "Hey, it's common for a man to get a boner when a hot woman is standing in front of him." The words come flying out of his mouth quickly as he realizes he just said what was on his mind."You're hot." He said awkwardly.
That was out of character. " And you got that from yelling at me?" She says. "No, I mean... I just look at you, and it happens." He says with a smirk, he was enjoying talking to y/n, she was the first woman to actually talk back to him. And it made him want to keep talking to her. Something he wasn't used to, he was attracted to y/n, and he knew it.
She rolled her eyes and walked away."Wait! Y/n, where are you going? Don't go, I want to keep talking to you." He yelled after her, not wanting her to leave just yet. She just continued walking.
"Damn it." He said to himself, he was actually enjoying talking to y/n, and she had to ruin the moment for him by walking away."Well, I hope you have a nice night. And by the way. You do have a nice ass." He yelled out to y/n as she walked. "Nice and fat." He whispered to himself as he watched her leave.
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A/n: I'm so happy. 😁 thank you for your support. Love you guys.😘😘
Next pt:
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nunalastor · 2 months
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An idea for a Hazbin Hotel Reaction fic-
What if the crew get grabbed for it a few months before the events of the Pilot?
Imagine, the story starts off relatively normal, and our starting cast consisting of Lucifer, Charlie, Vaggie, Angel Dust, Husk, and Niffty. [I’m including the last two for Reaction potential with someone coming up later in this idea] They would be first watching the Pilot Thankfully for Angel Dust he wasn’t whisked away while he was having a shoot, but is at least mildly buzzed. Not not everyone’s so “lucky”, with Lucifer barely dressed up and in full depressed-dad mode, Husk still losing the whole pot (he doesn’t know it but he would’ve lost at that table anyways), and Vaggie while doing some sort of bandage-work almost revealing that she’s an angel, it sets up the thread of reactors possibly being taken during tense situations.
They get the usual message, that they’re stuck in a room together (and attached rooms with at least a kitchen space probably), until they all finish watching the series together, but they can take as much time as they want. Time has stopped for the world they come from, once they return it’ll be back to normal and all that jazz. They are also told that some additional people would be joining them/getting pulled in as they become more relevant in the story, but not always when they make their first appearance on screen.
Lucifer probably has a heart to heart with Charlie—if he isn’t too prideful at that moment—an Charlie hasn’t properly fixed up the hotel yet, but has been in the process of drafting up plans and a little through the intro she would invite Angel Dust to it. Lots of introductions made, and then they actually start watching the show.
The crew hears the thrum of a portal opening up, and Sir Pentious falls in. He’s holding the steering wheel of his airship—sooo that’s gonna be a fun problem to deal with when he gets back.
A portal opens for Razzle and Dazzle as the news segment pulls up, who were mauling some sinner that was about to mess with the hotel.
When the radio demon invites himself into becoming a sponsor for the hotel, the crew had almost expected him to come falling through as well, but hey since he didn’t, maybe they won’t have to worry about it? The guy seems pretty evil anyways, and the message given to them at the start implied that any new viewers probably wouldn’t try to kill anyone else there. Both Husk and Vaggie help build up this impression.
It is as the Pilot comes to a close that a red man crashes through and floods the room with the noise of static. A limp figure is covered in blood, barely breathing, limbs with snapped shackles on them. Clothed in what few damp rags would cover up the numerous wounds and scars on his skin. Gaze is hazy, but his eyes are wide and wide, confused and furious, and terrified. The big close-lipped smile is trembling with blood dripping from its stitches.
The seven years he would’ve been gone for were wouldn’t have been very kind to him.
It takes the crew a long while before they start watching the next episode.
(Alastor, wrapped in blankets and bandages and picking at the scabs forming around his mouth, has his arms around Niffty on the sofa. She too is wrapped in a blanket as an extra layer to help with touch-aversion.)
What comes next? What other discoveries will the Staff have later and how will that influence what they do when they get out? Will some of them want to get out? (Al will be fine though- they’ve probably set up a rescue or housing plan by that point, if at least because the Morningstars are as industrious as they are stubborn) Who knows, you decide on how you’d want to deal with such a total derailment of the plot! I just wanted an excuse for more Alastor whump-
(a sudden reunion with Vox and this Alastor would be fun)
👀
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the-badger-mole · 8 months
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In the debate between pro-aang-kill-ozai and anti-aang-kill-ozai. Which side are you on and why? If it's the anti then did you like how it was done or do you picture something else?
I think I've mentioned before, but I am not inherently against Aang not wanting to kill Ozai. Some of my favorite heroes have a no-kill policy. I don't even mind the lionturtle solution itself. What I didn't like was how it was handled. There was plenty of time to address Aang's reluctance to kill before the second to last episode. I can think of three points in particular where it would've been thematically appropriate and given Aang's bland, two-dimensional character some depth.
First, right after the siege at the Northern Tribe. Aang may not have technically been the one who killed all those Fire Nation soldiers, but it couldn't have happened without him. You would think that someone who is both committed to pacifism and also the one the entire world is relying on to end a war that people have been fighting and dying in for a century wouldn't just be able to shrug off what happened. Aang did, though. Didn't even cross his mind when he was whining about people expecting him to kill Ozai.
What should have happened was the next season should've opened with Aang grappling with what happened and his part in it. He should feel guilty about it, not because he was actually wrong, but because it should feel wrong to him. Then, Katara and Sokka should comfort him and tell him he did nothing wrong. Build it up that their word are comforting him a little, then drop the bomb when they start talking about how cool it was. How amazing it was to see all those soldiers running in fear for once. How relieved they are that so many of them died. Then have Aang snap on them about the sanctity of life. He needs to be angry and hurt, and this should be the point where he decries the powers of the Avatar. He'd call himself a monster, and maybe he would call Katara and Sokka monsters, too. Then they (probably mostly Sokka) would argue with him that they aren't monsters, they're just trying to survive, and the Fire Nation is a threat to be taken out. This would be the first time it's brought up that Katara, Sokka...the entire world expect Aang to kill Ozai. I think it would be perfect as a season 2 opener. Season 1 was light and goofy, and Zuko was their biggest immediate threat. The siege raised the stakes, and season 2 should continue on that rising. Aang should also have started looking for another solution here. In the library, Aang should've asked Wan Shi Tong if it was possible to end the war without more violence. We should've seen Aang coming to terms with the fact that the world is suffering and he is the one they are looking to to save them. One thing I think the Harry Potter movies in particular did well was that shift from goofy and whimsical to darker and more frightening (as far as kids movies go) as the story went on and the stakes got higher, and the danger felt more real to the characters. Aang never gets that realization. He has moments when the danger feels real, but he's goofy and whimsical for pretty much the entire series until the plot of an episode needs him not to be.
The second place they should have brought up his reluctance to kill was DoBS. This really should've been a no brainer. Aang was loosing sleep over facing Ozai. He had his anxiety about losing- though not really what losing would mean for his friends and the world- but he didn't even consider what winning would take. If DoBS had been successful, there's no way Ozai would've been able to be taken alive. Logistically, killing him would've been the easiest, safest option. You mean to tell me no one brought it up? No one asked Aang how he was planning to take Ozai out? No, instead we get Aang proving he knows what enthusiastic consent looks like and taking away his excuse for what happened later, but nothing about Aang weighing his personal beliefs against the needs of the world. That training montage and confrontation that he has with his friends in the second to last episode should've happened here. This should've been when his tendency to run away should've been challenged, too, because half a season before he was crying about how he abandoned the world again. Now his instinct would be to run, but his friends would challenge him, calling back to that moment. They could demand that he present an alternative to killing Ozai. I don't think any of them would object to him living to stand trial, but Ozai is a rabid dog, essentially. He needs to be put down. Aang's got nothing, but not for lack of trying. When he tells his friends about all his efforts to find a non-lethal way to defeat Ozai, they are unmoved. They are at the doors of the Fire Nation, and now is not the time to be indecisive. He has to go face Ozai. And he's probably relieved when the plan fails. This whole situation would have the added bonus of skipping that first Kataang kiss because no way would Aang want to kiss Katara after her insisting he terminate Ozai with extreme prejudice.
The third place Aang's no-kill policy should've come up is TSR when Zuko asks him what he's planning to do when he faces Ozai if he's so against killing. This should scare Aang, and it should be his focus for the rest of the season. He should be more withdrawn from his friends, because with all the training he's doing (and he would still be training on all the elements because he's not that good at any of them), talks about the most efficient way to kill would be unavoidable. Katara might actually try to teach him bloodbending. Toph would just tell him that a big rock is just as effective as some fancy bending move. Zuko would be warning him about his father's ruthlessness and cunning. This would be where Aang looses his patience with his friends and insists that he's a pacifist and Ozai doesn't deserve to die. This would piss Katara in particular off because by this point, Aang knows what happened to her mother. He would get an earful about how Ozai's plan is to do to the Earth Kingdom what his grandfather did to the Air Nomads and how he's going to let millions of people die because of his refusal to kill one. Now, Aang can take off, only instead of just running away from his friends because he doesn't want to hear them anymore, he could be making one desperate last ditch attempt to find a solution that both ends the war and keeps him from having to kill Ozai. EIP could still happen in this circumstance, but instead of getting mad that he's being played by a girl, he would focus more on how eager for his death the Fire Nation is. That would come up in the argument about killing Ozai.
Now, for the lionturtle. I'm about to blow some minds. I have been vocal about my hatred of the Lionturtle/Rock of Destiny desu-ex-double team, and I do still hate it with a passion. However, as a concept, I don't mind the lionturtle. This is a fantasy adventure. You expect a bit of magical intervention. What I wanted was Aang grappling with this problem for more than half an episode. I wanted him working on a solution the entire time, starting from right after the siege. I wanted to see him take initiative. To actually think about the problem. Maybe have him specifically looking for the lionturtle. Then when it shows it, it could be because it knew Aang was looking and decided he was worthy of a meeting. Aang could still have his meeting with his past lives, and that could still go the way it did. Then the lionturtle could speak up. Instead of poo-pooing the idea of killing Ozai, it could agree that it was the most effective way to make sure that the war would end. Then, when Aang is despairing that he'd wasted all that time trying to find a different solution, the lionturtle could offer the spirit bending. But it would have to come at a cost, and it might not work the way that Aang hoped. Now Aang has to make a choice. Sacrifice something for this spiritbending ability (I'm thinking he loses his airbending, because it seems poetic) that might not have the outcome he's hoping for, or give up his pacifism- one of his few connections to his heritage- and kill Ozai. He chooses the spiritbending. Instead of the conveniently placed rock, Aang would actually have to give up his attachment Katara. I think he would be half-way there, having finally realized how little he understood her. He "loved" her because she was pretty and took care of him, but he's come to realize there's a lot more facets to her that he hasn't gotten to see because they don't fit his narrow view of her. He also understands what Guru Pathik was trying to tell him about one person not being able to replace everything Aang has lost, and he realizes how unfair to her he had been. He still loves her, but as a friend and caretaker. This will actually lead to a deeper friendship between them. Aang defeats Ozai without killing him, but now he has to deal with the loss of his airbending, which only now does he realize was a much of a connection between him and his people as his beliefs. He still has spiritbending. He can still airbend in the Avatar State, but he's effectively cut off a limb to keep his integrity. He will go the rest of his life wondering if it was worth it, especially after Ozai goes to trial and is sentenced to execution anyway. The effects of that on his children could be explored in LoK.
TL;DR I don't have a problem with Aang not wanting to kill Ozai. I just wanted to see him deal with it before the last minute. I think the show would've been better for it, and Aang would've been a more interesting character.
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munariplans · 1 year
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hey! idk if you’re taking requests but this is kind of a suggestion bc i don’t have a plot or anything but you’re a good writer and i think you’d kill it with a single mom!reader x mean ceo/lawyer!nat i think the whole class difference and maternity would be nice to see nat learning how to navigate them.
-🎈
hi 🎈 anon!
thank you for the request / suggestion, wrote a shorter fic with this one but hopefully it lives up to expectations! sorry for the longer wait, i was away on holiday for a while and didn't have access to tumblr on my laptop.
hope you're doing well!
lena | n. romanoff
ceo! natasha romanoff x single mother! reader word count: 3.2k
‘Where are you? Everyone else is here already.’
‘Did you get stuck in traffic? Even Bill’s wife, the third one, who’s coming from a flight from Washington’s arrived. Reply me.’
‘Are you ignoring me?’ 
By the third undelivered text, Natasha had had enough. She quietly excused herself from the group of investors she had been speaking to, set her drink down, and headed to the balcony to call you. There was anger, a sense of betrayal even, and if she dared herself feel it, a twinge of worry for you standing her up, as well. 
But she swallowed all those thoughts down, as the phone began to ring. It was connected, and rang once, twice, before the dial tone went dead and her call abruptly ended. She stared back at the dark screen of her phone, confusion written on her features, and sighed frustratedly. This was an important fundraising gala. This was where the company was finally going to accomplish the funds needed to build the new headquarters outside of the United States, and this was where she had wanted to show you off to the world. 
You were her arm candy, her prize, but tonight…tonight you were missing from her arms. 
Natasha struggled to force herself to endure the rest of the night without you by her side. All she had wanted to do was to come find you, to make sure that you were okay to berate you for standing her up, but instead she had to sit through another round of ribbon cuttings, expensive, tasteless champagnes, and meaningless small talk with the ultra wealthy just to rub shoulders even more. It was torture, and nothing could quell the worry anger in the back of her mind. 
So when the clock finally struck eleven and the festivities had relatively died down, she was the first to leave the venue; ordering her chauffeur to drive straight to your apartment. The trip was silent, and even the elderly man could sense the tension radiating from his boss’ shoulders at that moment. 
Bursting through your doors exactly half an hour later, Natasha saw the abandoned party gown she had picked out for you laid across your stained couch, along with the new heels she had bought still in the designer box she had bought them from, and she knew you never even bothered to actually come for the gala. 
She screamed for your name, knocking down the doors to each room in the tiny apartment, making a mess with each step, but she didn’t care at that point. She was livid, and you had betrayed her. 
But right before she could knock down the door to the final room, the one painted baby pink and with an engraved sign reading Lena’s Room, it had clicked open and you walked out, staring at her face-to-face while shutting the door behind you. 
Natasha was breathing heavily, her fists curled. She was confident she looked almost insane by then; a complete switch from the composed, sophisticated CEO she was just nearly an hour before. But you looked her up and down, and showed no signs of fear, however. You simply sighed, and nodded back towards the room.
“She’s got an unrelenting fever. Been at it since midday, the sitter told me. When I got home, her forehead’s sizzling to the touch. I just got her to bed, Natasha.”
“You didn’t come for the gala.”
“How could I?” It was your turn to fold your arms, walking past her to the living room. She followed. “Lena was so sick, Nat. I couldn’t just leave her alone for the night.”
It was then that things took a turn for the worse. What you said ticked something in Natasha, something she simply could not let go for the remainder of the night as the two of you began arguing. 
“You humiliated me! In front of everyone!” Natasha had yelled, hands outstretched and veins appearing on her neck, “I was the only one without a date there, the only one!” 
“What was I supposed to do?” You retorted, “My phone was dead, and forgive me if I managed to miss out on it once, because I was busy taking care of my sick child!”
“Oh, for fuck’s sake, you could’ve texted me!” 
“It still wouldn’t have changed things!”
Natasha had moved two steps from the kitchen counter to the sofa, where you were seated, still in your nurse scrubs and hair tied in a bun. You looked absolutely exhausted, and the tone in your voice was well over the point of wanting to go on with the argument. Natasha knew the bags under your eyes had not only come from the numerous shifts at the hospital, but also the responsibility of taking care of a toddler all alone as well. 
But she had gone too far now. She couldn’t back down. “You stood me up! You stood me up when you could’ve sent her to a friend, or called the sitter back to take care of her for just a few hours more, couldn’t you? Or did you never want to come to the gala to support me anyway?” 
She saw you pinch the bridge of your nose, shaking your head. “Natasha…” 
“Fuck, I bet the kid’s not even sick. She probably just wanted attention, and you so kindly spoil her with everything, of course she can manipulate you for this too!”
But at that point, small sniffles could be heard from the corner of the room, and the both of you looked up at the same time. Your daughter had apparently climbed out of bed, still hugging her stuffed animal, and at the sight of her staring up at the two of you, tears flowing down her face, Natasha felt a surge of guilt wash over what she had just said. Though she knew Lena probably could not grasp all of the words she had been saying, to see you immediately stand and scoop her up in your arms to get her away from Natasha was hurtful enough. 
“Mama fight? With Aunty Nat?” Had been her exact words, to which you pressed your hand against her forehead and shushed her quietly to coax her back to sleep. 
“No, sweetheart. We’re fine, Mama and Aunty Nat are fine. Let’s go back to bed, okay? Your fever’s still high.”
But Lena peeked through your arms to see Natasha, then up to your face, and Natasha caught her rubbing something from your face too. “Why Mama cry?”
Oh. That had done it. Natasha knew she was fucked, and she had hurt both you and your daughter with the way she had stormed in tonight and began accusing the both of you things that were never true. All because she was too headstrong to listen to anyone’s reasons but her own, all because she was too insecure and possessive over you. 
“Darling,” Natasha began, but you stopped her, hand begging her not to follow the both of you to Lena’s room. 
“Please, Natasha, just leave,” you said through broken sobs, readjusting Lena to hide your face from Natasha. “I’ll call you tomorrow morning, but please…leave.” 
The slam of the front door just seconds later was enough indication to show off the redhead’s frustration and anger, but you were not sure if it was directed at you, or herself. 
Two weeks later Natasha still received an invite to a play your daughter was in, handed to her by her secretary in the middle of a lunch meeting. She secretly opened it in front of her partners, and the sense of relief and joy that spread through her had her instantly itching to call you on the phone. 
“Thanks, baby, for the invitation,” she said later on, while you were on a break of your own. She could hear the roaring ambulance sirens in the background, and knew you were on a time limit. “And I’m really sorry, still, for that night.”
“It’s fine, Nat,” you reassured her, voice tired as usual. It broke Natasha’s heart to always see you working harder than anyone and receiving so little in return, but as you had always reminded her, even at the beginning of your relationship, that you were never looking for help or money from her, and that you refused to accept such as well. “Lena said she misses you as well. She wants you to be there.”
It was hard for Natasha to imagine a child could have such feelings for her. She had never grown up with the love and affection of someone so much younger, someone who looked up to her almost like an idol, and whenever Lena leaned in for kisses or ran up to her for hugs, Natasha knew you always caught her stiffening; an involuntary reflex she hoped you would forgive her for. 
But it had been almost two years since you and Natasha had been going out, and even the billionaire knew that you were not going to wait forever for someone who was not going to love Lena as much as you did. 
So she swallowed her fears, and replied, “That’s nice. Tell her…I miss her too.”
She could feel you smiling from the other end. “Will do. I love you, Nat.”
“I love you too.”
The night of the play, with the both of you sat huddled in the dimly lit school theatre and watching Lena dance around as a sunflower with a group of other little flowers and animals, Natasha watched as your eyes lit up each time the spotlight came on your daughter, and how you would excitedly hold her hand and point Lena out to her throughout the duration of the show. She also watched as Lena continuously looked out at the crowd for the both of you, and how her eyes, reflected in yours, lit up the same way yours did when she found the two of you too. The woman couldn’t help but give a small wave as well whenever Lena grinned at her. 
“Mama! Aunty Nat!” Lena screamed at the end of the play, running over to the both of you as you picked her up and peppered kisses all over her face. The little girl basked in the love and laughter from her mother. 
“You were amazing, sweetheart. The best there is,” you said to her, still holding her tight, as Natasha allowed herself to sneak a kiss to Lena’s cheek. “Mama is so proud of you.”
Then Lena turned to Natasha, and grinned at her. “And Aunty Nat too?”
Natasha caught your eyes, and smiled reassuringly. “Of course. Aunty Nat is more proud than your Mama, even!” 
When you finally tucked her in that night, Lena’s eyes full of the world and the stars in the sky, you pressed a final kiss to her forehead, and muttered a I love you before leaving her room. Natasha was in the living room, watching the news on your old, jacked up television, bottle of expensive wine in hand. 
“Anything good?” You settled beside her, her arms instinctively reaching out to wrap around you. 
She shrugged. “It’s the news. How’s Lena?”
“Still buzzing from the night earlier, but who can blame her? You really went all out with the pizza and ice cream after the play, she’s the happiest she’s been in weeks. Especially since…” 
Especially since the apartment had its electricity cut off for a full day earlier in the week, because you couldn't pay the bills on time. Natasha stiffened. “...You know, you should always tell me, if these kind of things happen again.”
“I can get by on my own, Nat. I don’t want your charity, remember?” You sighed, signalling the end of the conversation before it spiralled into another argument. 
In an attempt to smooth over the tension, Natasha offered, “We should go on a vacation soon.”
But all you responded with was a mirthless chuckle. “Seriously?”
“Seriously. Why?” 
“Natasha, I can’t just go on a vacation,” you chimed, “I’ve got shifts at the hospital, bills to pay, and Lena’s far too young to travel any time soon.”
The woman in front of you furrowed her brows. “Who said Lena’s coming?”
You had to do a double take to ensure you heard her right. “Why wouldn’t Lena be coming?”
“I just thought, since she’s with her father on some weekends, we could let her stay there for a little longer. A week, two weeks, perhaps? Just some alone time, you know, you and me. Could help us get away from the stress and troubles of work for a while.”
Natasha felt you stiffen, before your touch was abruptly pulled away from her. “Natasha, where is all this coming from?!”
“Come on, you can’t tell me that you’re not stressed.”
“I am, but Lena is not the source of it!” You retorted, standing up. Natasha had gone into a protective pose too by then. “I can’t just leave her at her dad’s whenever it’s convenient. You and I know what kind of person he is!”
“But baby–”
“–I’m not leaving Lena and that’s final!” You half-screamed, not caring if the neighbours could hear, or if you were hurting Natasha’s feelings by then. “Nat, she is and will always be my top priority, and if you can’t handle that, if you can’t handle sharing a top spot in my heart with her…I can’t be with you.”
There was silence, lasting for a minute or two, as you breathed in heavy gulps of air, while Natasha sat, fiddling with the clasp of her watch, thinking of what to say, or do. 
So you continued, “You can’t use money to figure your way out of this one, Nat. To make your problems…just disappear. Not with this.”
“You’re giving me an ultimatum?” Natasha looked at you then, eyes tearing up too.
Your heart squeezed in part longing, part regret, but you had to stand strong. You had to put your family first. “Yes. So please, I need you to make a decision, because I can’t keep going on like this. And it’s not fair for you to stay in this relationship if it's just for me, and not Lena, too.”
You caught the woman before you shaking her head, letting her tears fall onto her lap, refusing to wipe them away. But as soon as the moment of vulnerability appeared, it went away just as fast, as Natasha abruptly stood, brushing past you, made her way to the door and slammed it on her way out. 
Lena did not need to hear your cries of anguish and betrayal that night, sobbed into the pillows you and Natasha so often shared the past two years, all gone by then. 
Sat by the park bench the two of you used to frequent, Natasha allowed her tears to flow once more; an indication of her grief of the past two years, an indication of the life she had just thrown away. Perhaps it would also have been an indication of the loss of the best thing that could ever happen to her after all. 
A child was playing with his mother at the swings nearby, looking no older than Lena was. Their laughter the only thing audible through the ringing in Natasha’s ears. She watched her pick him up, carry him around to the other playground equipment, and her smile and eyes reminded Natasha of you. 
You, who always assured Natasha that she was doing right by Lena, that she was good at being a mother too. You, who patiently taught her how to prepare food for Lena, how to put on her socks and tie her braids that she so very much loved, even how to deal with the temper tantrums that stressed her out, but never you. You, who made Natasha believe she deserved to be happy as a mother, too. 
Natasha thought of all the times you would come home after your shifts to not only take care of Lena, but also make time for her, too. How you would sacrifice your own time and energy to try to balance the two of them and their needs; and Natasha cringed. It should never have to be between them, she shouldn’t have had to make you choose. And she shouldn’t have been so selfish, should have made compromises, as you have, when being the girlfriend of a billionaire CEO with a schedule as jam packed as hers. 
She wonders if she’s fucked it all up. She wonders if she’s too late. There was only one way to find out. 
– 
“Can we get ice cream, Mama?” Lena’s big, curious eyes always made your heart soft, and gave you a hard time denying her. 
You brushed back a strand of her hair, and nodded. “Of course darling, anything for you.”
Though, as the both of you arrived at the usual ice cream shop that you, her, and Natasha frequented, you found yourself cursing as you checked the contents of your wallet, clearly forgetting that payday was still in a week. Lena was already eagerly eyeing the flavours, and you knew her usual order was a premium. 
“Hey, Lena, sweetheart,” you called out to her, “Mama’s a little short on cash today. We’ll just have your ice-cream, yeah? I’m not hungry.”
Your daughter pouted, but in return, you gave her your most upbeat smile, and readjusted the straps on her backpack. “Just this once. And I’ll ask them to give you an extra big scoop, so you can eat for the both of us!”
But her gaze was somewhere behind, and before you could follow it, Lena was already pointing to a person behind you, screaming, “Aunty Nat!” 
You caught Natasha’s gaze through the shop windows, and there she was, big bouquet of flowers in hand, dressed in the blouse Lena had picked for her when you went shopping once, and sporting the most uncertain grin on her face. 
You scooped Lena up protectively, preventing her from running straight to Natasha, but Natasha had only come forward, keeping a distance safe enough for you, but close enough for you to hear what she had to say. 
“I’m sorry,” she started, moving one of her thumbs to reveal a smaller bouquet of flowers behind the large ones, in Lena’s favourite sunflowers, “I fucked everything up.”
You nodded, but did not say anything. 
“I realise it now, even though I’ve always known, but…I’m here, baby. For the long run, for the long haul, for everything. With both you, and Lena. I cannot imagine a life without either of you, and I’m very sorry for having made you choose between us in the past. If you give me a chance, just one last chance, I will show you how sorry I am, and I will spend the rest of my life making it up to you.” 
Lena was reaching out for the sunflowers, and sighing, you allowed her to. Setting her down, she ran towards Natasha and the woman instinctively picked her up, peppering kisses on her face like you so often did. In response, you took the bigger bouquet, and gave her a soft smile. 
“So you’re not leaving us, Nat?”
Natasha shook her head furiously, pressing a kiss to your cheek too. “Never. Sorry, again, for making you think otherwise.”
“I’ll try harder, I’ll make more time for the both of you,” she assured, “Tell me how I can make things up to you, my love.”
You pecked her on the lips, still feeling the passion and love even after weeks of separation. “You can start by buying Lena and I ice cream for today. Let’s go.” 
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sage-nebula · 1 year
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@sharpidiot — making a new post since the other one is super long, but yeah, considering the position of the Sheikah at this point in Hyrule's history, and how they got there and the existence of the Yiga Clan? It's a big problem.
It's not mentioned in BotW itself, but the entire reason why the Yiga Clan exist is because 10,100 years ago, after the Sheikah helped save Hyrule from the Calamity by building the Divine Beasts and Guardians, the King of Hyrule felt threatened by them and basically attempted a genocide on the Sheikah. All Sheikah tech was ordered to be destroyed, Sheikah were forced out of the main parts of Hyrule, and Sheikah were banned from doing anything more with science on punishment of imprisonment at the least. The Sheikah who survived all this dealt with it in one of two ways: they either went on to found Kakariko Village and live in secret, or they formed the Yiga Clan and swore revenge on the royals (and more importantly the goddesses) that betrayed them.
All of this is in the Creating a Champion book, scattered throughout the history section and in detail on page 368. It casts the Yiga Clan in an entirely new light. While they can't exactly be excused for wanting to kill those that had nothing to do with the paranoid king's decision and destroy the world, we also can't say they're just bonkers or that they formed for no reason. The Sheikah were sworn to the goddesses (and Hylia in specific) to protect the royal family of Hyrule (Hylia's descendents). This was their divine duty. And then they were punished for it, exiled and had their culture destroyed and were oppressed and imprisoned. Their goddesses did nothing to help them. The king and people they had protected were the ones doing this to them. Can we blame them for turning the way they did? I can't.
But now, a huge chunk of that just seems . . . gone, from TotK. If the Sheikah tech didn't exist, then the king from 10,100 years ago wouldn't have done what he did to the Sheikah. And if he didn't do that, the Yiga Clan wouldn't exist. It makes zero sense. What's worse is there are parts of the Zonai things that are very reminiscent of Sheikah things, such as the orbs in the shrines. We could say perhaps the Sheikah inherited those things from the Zonai, but . . . that's plot putty to try to spackle the holes.
I'm still early in the game (I have only finished the Rito portion) so I do not want any spoilers for anything that comes later. Maybe this will be fixed. I hope it is. But if it isn't, then I will probably consider TotK to be yet another video game fanfic, a la Age of Calamity (albeit one that is higher quality at least).
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nonbinaryspy · 9 months
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Meta: Timerra and Tellius
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Timerra’s (belated) birthday gives me an excuse to talk about one of my favorite Engage topics: the parallels between her and various Tellius characters.
(Spoilers for FE9/10 and FE17.)
The obvious place to start is Ike. As Timerra’s personal Emblem, his build and paralogue in Engage focus on turning defense into offense to endure and protect others. This synergizes with Timerra’s Sandstorm ability as well as her priorities as Solm’s future queen.
Compared to other Emblem summonings in the game, the scene where Ike is summoned is quick and to-the-point. The Solm royals are highly competent, with a wide spy network, and already had a plan in place for when Alear shows up. They have a healthy wariness they don’t immediately display, as they welcome Alear with open arms while secretly testing if they are the true Divine Dragon. By the time Timerra meets Alear, their identity has been confirmed and bandits are already attacking, so she jumps straight into action to get Ike’s help and protect the village.
I’m sure Ike would approve of her no-nonsense approach and her focus on keeping people safe, especially after all of his own bandit fights. He has no patience for bureaucracy or noble trappings, but he understands the need for discretion when danger and politics are involved (see: his own ‘sometimes you have to fool your allies’ maneuver in RD part 2), so I think he would appreciate how the Solm royals handle this.
But you don’t have to take my word for that. Between Timerra and Seforia saying they always wanted to meet him, Timerra calling him family, Ike telling Fogado that Solm castle reminded him of being with the mercenaries, and his first Somniel dialogue saying that he already misses Solm, I think it’s safe to say there’s a lot of natural fondness between Ike and the Solm royals. Is there any wonder, when one of Solm’s main norms is accepting people regardless of their origins, possibly Ike’s defining ideal?
My favorite example of this is when Alear’s origins are revealed, and Timerra and Fogado have some of the most affirming reactions:
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[ID: Four screencaps with the following dialogue toward Alear: Timerra: What matters to me isn’t how you were born. It’s what you do with the life you’re given. Timerra: If you choose to live as a Divine Dragon, then that’s what you are! Timerra: Nothing’s changed as far as I’m concerned. The you that’s in front of me—that’s all I need. Fogado: The people of Solm don’t care about origins. We care about the you NOW. And you are amazing.]
This aspect of Timerra shines throughout her supports, most notably in her relationships with Merrin and Panette. Their love and loyalty toward her stems from a time before they even knew she was a princess. They both see her as a beacon in their lives, as they wished to escape the confines of their pasts and find new futures for themselves. Timerra saw them for their ideal versions of themselves—Merrin as a chivalrous knight, Panette as someone who isn’t caught in a destructive cycle—rather than the situations they came from. Her acceptance helped them create those realities for themselves.
Anyway, unrelated to the above, just a completely random pair of images that don’t make me cry at all:
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[ID: In a screencap from Engage, Timerra is saying, “No matter what’s happened, you’re still you. Let’s go save the world, Ike!” In a screencap from Path of Radiance, Ike is telling Soren, “No. It doesn’t change anything. You’re still you, Soren!”]
Another example is Timerra’s attitude toward Veyle. In the main plot, she’s one of the few main characters to express distrust toward Veyle even after the truth is revealed. However, once Veyle has proven herself as an ally, Timerra is extremely friendly toward her in their supports, with Veyle appreciating how Timerra treats her like any other friend rather than a Fell Dragon’s daughter. Again, this is reminiscent of Ike’s blend of skepticism and treating everyone the same.
I think it’s also interesting that Timerra struggles with conflicting desires for freedom vs. connection, as shown in her S support. Despite Ike’s love for people, he doesn’t always deal well with the responsibilities and expectations that get placed on him, and his ending shows he shares some of her wanderlust.
Timerra: When we connect with people─you know, really bond with them─those bonds make us stronger. Timerra: I mean, our closest allies help us do things we could never do all by ourselves. Timerra: That’s powerful stuff. But those bonds─those friendships─can feel like obligations too.
Finally, one of my favorite parallels between Ike and Timerra is a shared charm point: the fact that they live as they please, regardless of what others think, while also acting like everything they do is super obvious. An extremely ‘have your cake and eat it too’ mentality that I can only respect. 
Alear: Still, you never cease to amaze. You take it upon yourself to help root out bandits… Timerra: What, is that not normal? Timerra: I’m just protecting my people. I thought that’s what royalty was supposed to do. Alear: You say something completely radical like it’s the most obvious thing in the world. Timerra: Hahaha! That’s my charm!
Ranulf: Well…a little crazy, yeah! I’ve never worked for a leader who’s as blunt and straightforward as you. It’s pretty shocking to have a commander who doesn’t care what anyone thinks, no matter how powerful they are. Ike: Well, that’s just my style. I don’t have to be like someone else, do I? Ranulf: Why are you so confident? I don’t get it. Normal beorc just do what people tell them and try not to make a fuss. But not you. I heard you even yelled at the apostle! Ike: Yeah, that wasn’t my brightest moment. Ranulf: Then again, worrying about a beorc like this is definitely not normal laguz behavior. I guess I’m a fish out of water myself… Wait, did I just call myself a fish? Ike: Wha–? Ha ha! You’re a cat, remember!? I thought you ate fish. Ha ha ha!
Okay, that last bit isn’t relevant, but I just want to highlight that while Timerra and Fogado talk about how serious Ike is compared to them, they would definitely enjoy his secret love of bad puns. Here’s a bit of Timerra’s own sardonic humor that brings Ike to mind:
Alear: What?! How do you eat that much?! Timerra: Oh, you know. Open my mouth, bite, chew. I won’t bore you with all the details.
Of course I have to mention their love of meat, even if I don’t find that to be an important part of Ike’s character. What I will say is that Ike is shown in his supports with Oscar to have a genuine appreciation for artful cooking, so I think it’s neat that Timerra is one of the best cooks in the army. It’s also endearing that she feels bad for cooking around Ike when he can’t eat, though he tells Fogado the smell is enough.
Next, I want to talk about a couple of characters who aren’t in Engage: Mist and Elincia. I adore that the focus on Timerra protecting Ike flips his dynamic with both of these ladies on its head. Speaking of protection…I believe that Mist and Ike’s relationship mirrors Timerra and Fogado’s, with their fond, casual banter. It makes sense, since both duos are close in age.
Interestingly, despite Timerra being Fogado’s older sister, he is as protective of her as Ike is toward Mist. In Fogado’s case, he seems to almost see himself as Timerra’s retainer, given that he will one day be her advisor. He travels around to prepare himself for this role. Timerra, however, doesn’t always like this, as she wishes they could hang out more and that he would be more candid with her. While they’re clearly close, the distance still leaves her lonely.
Though it’s a different situation, Greil’s death puts Ike in the role of Mist’s protector at the same time that he gains dangerous responsibilities. He also takes it upon himself to get revenge on their father’s killer. She stresses that she does not want him to do these things if it means she’ll lose him, too, and as the game goes on, they lose some of the lighthearted dynamic they had at the game’s start. Having already lost her parents, it’s easy to assume Mist feels lonely in this circumstance. She even has her own protective streak toward Ike, such as in her battle conversations with the Black Knight and Ashnard. Like Timerra, Mist wants to stay close to her loved ones and protect them, and she joins the fighting to that end, even learning swordplay despite being a healer.
Despite their troubles, Mist and Timerra share a bubbly personality. They tend toward optimism and try to hide their cares them. Their sunniness gets them and others through tough situations. However, those around them still want to be able to support them even when struggle with being vulnerable.
In my opinion, some of Mist’s designs evoke Timerra’s, such as in the colors and flowing accessories. While the clothes aren’t super similar, I think the two of them would definitely enjoy going clothes shopping together. I also think they’d like to sing together. Timerra’s silly songs may be a far cry from the galdr that Mist and Elena safeguard, but that would suit Mist just fine.  
Possibly my favorite character to compare Timerra to, though, is Elincia. Timerra’s bangs and the fact that her hair is tied up even follow in the character design traditions of Elincia and other characters in her archetype, such as Nyna and Guinevere. Granted, Timerra’s ponytail is a lot looser than those other characters, which is an excellent design choice as she has a much more free-spirited personality.
Still, Elincia once upon a time was not so different. She grew up in secret, frolicking in the countryside with no expectation of becoming queen. As a result, she did many things most princesses didn’t do, such as chores, horseback riding, and sword fighting. It’s commented many times that due to cultural differences as well as Timerra’s own personality, her lifestyle and activities are often at odds with what others expect from a princess. While their allies might find both princesses strange at times, they end up trusting and supporting them due to their approachable natures.
Elincia is shown to have a playful streak in PoR when she is reunited with her retainers, around whom she feels comfortable enough to drop her more stately personality. On the flip side, while Timerra is more frequently playful, she never forgets her role. Even her more casual supports show this, such as when she susses out Ivy’s weakness during a camping trip, or interrupts a training session with Diamant to ask if he believes peace is possible. Many of her exploration quotes show this as well, with her referencing the other nations’ politics and even in her response if her allies die.
“My brother, my stewards…gone. It’s so cruel. But as the future queen, I will not crumble!”
Elincia and Timerra’s upbringings contrast with each other, since Timerra has always known she would be queen. Her free-spirited nature stems from Solm’s ideals and the role of its government. After Daein invades, Elincia has to travel incognito, giving her a chance to learn about the world. She develops a strong desire to protect her people. The endpoint of her character development in PoR is where Timerra is already at when we are introduced to her—Timerra has been training and traveling incognito and is ready to defend her country. Regardless of where they start, Elincia’s compassion and resolve are reflected in Timerra, who only wants to make her people happy and believes the best way to do that is to get to know them, so she can better understand and protect them.
The games’ plots present challenges that test both characters’ resolve. While Elincia has to make a variety of decisions, the one I want to highlight comes at the end of RD part 2, when Lucia is taken hostage. Elincia is told that Lucia will die unless she gives up the throne to a usurper. However, she refuses. Despite the sacrifice of someone dear to her, she will never give up on protecting Crimea. In the end, both Lucia and Crimea are safe, but it has nonetheless been demonstrated what Elincia would do under that pressure.  
I thought of this when I got to one of my favorite moments in Engage, when Timerra and co. have to take back the palace from the Elusians. Hortensia holds her mother hostage, assuming Timerra will bend and hand over the Emblem rings. However, doing so would doom Solm along with the rest of the world. Timerra refuses to back down, and she saves her family along with her country.
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[ID: Five screencaps alternating between RD and Engage. Elincia and Timerra look resolved, while Lucia and Seforia as hostages look on proudly. Elincia: But I will see Crimea through this trial. I will give my people the future they deserve, no matter the cost. Timerra: So threaten us all you want. Take my whole family hostage, if it makes you happy. Timerra: But I stand for Solm, and I always will. Lucia: People of Crimea... Behold a true queen! YOUR queen! Long live Queen Elincia! Seforia: There she is, the future queen of Solm. And her ally, the Divine Dragon.]
Back to characters who are in Engage: the other Tellius Emblems. As with Elincia, Micaiah is presented with a series of trolley problems throughout RD. There’s a big focus in the Tellius games on making decisions for personal vs. political reasons, and whether to prioritize a loved one/a situation that is right in front of you over the bigger picture, and I think this is most complex with Micaiah’s story. This is highlighted when Sothe is held hostage and she is told to stand down to save him. This recalls the situation I already discussed with Timerra.
Like Timerra, Micaiah is a tactical thinker who has to foresee long-term plans as well as use strategic approaches in situations where she’s outnumbered. Micaiah ends RD as Daein’s queen, despite not being brought up for that role and having traveled in disguise, getting to know and love Daein’s people. Again, this fits with Timerra traveling around incognito and being passionate about protecting Solm.
Timerra expresses that Solm didn’t reach out for help when Sombron returned because they’d have to return other nations’ support when it was taking all of their efforts just to keep Solm safe. This brings to mind Micaiah’s conflicts, as she has to make difficult decisions to protect Daein from Begnion’s occupation and the blood pact, which sometimes involves rejecting outside help when a situation is too complicated, such as in her 3-13 battle talk with Ike.
Unfortunately, Emblem bond supports don’t have the scope for these sorts of complexities. However, I was tickled by the fact that Timerra invites Micaiah to sing with her, as a reference again to the Galdrs.
Speaking of bond supports…I don’t have anything deep to say about Timerra and Soren, but just look at how precious they are:
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[ID: Two Emblem Bond screencaps. Soren is bowing with his hand over his heart, and he and Timerra are smiling at each other. Soren: You’re the princess of Solm, is that right? I thank you for protecting Ike. Timerra: He’s told me so much about you. I expect big things from you, talented advisor!]
Her careful approach to protecting Ike’s ring won the trust of someone with deep trust issues and a protective streak toward Ike, aww. They’re friends in my files every time. It’s also sweet that she wants to understand him and Ike better by learning about the mercenaries. I know she loves her moodier Emblem pals, but I’m sure she’d feel right at home with the whole rambunctious crew, like how Ike felt at home in Solm.
While this post is long enough without going into depth on Yunaka, as Micaiah’s guardian she also has a combination of Tellius influences, between her obvious parallels to Yune and Sothe as well as some of the themes of Micaiah’s character. Micaiah’s introduction, with her calling out to Yunaka, even mirrors Micaiah hearing Yune’s voice. For these reasons, I really wish she and Timerra had talked. I think Timerra’s simultaneous hidden wariness and acceptance of people regardless of their backgrounds would definitely play well with Yunaka’s arc. Fogado, as someone who shares Timerra’s ideals, certainly had a positive influence on Yunaka in their supports with his compassion. Plus, can you imagine the silly phrases Timerra and Yunaka would invent together?
I’ll end this before it strays too far from the main point, but I hope someone else enjoys these observations! Timerra is my favorite Engage character, and since Tellius is so dear to me, noticing these connections definitely made her character even more special.
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pacifymebby · 1 year
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Abandonment Issues / Billy + Stu
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Billy
🥧 Because you're so scared that people will leave you, you are also scared to get close to anyone
🔪 So despite Billy's best efforts to get close to you, you're shut off and you just won't let him in
🥧 Its fine when you're just friends, you're so close and you trust him, and he feels like you're all his... But then when feelings get involved... The moment you realise you maybe like him as more than just a friend...
🔪 Thats when your doubts and paranoid thoughts tend to kick in, thats when you shut down.
🥧 So over night you seem to change, you start pushing him away, making up excuses not to spend so much time with him...
🔪 If Billy wasn't so persistent that would have been the end of things, but Billy has his own issues... He's possesive, terrified of being left, of losing you... So he will not let that happen
🥧 He'd double down and root twice as hard for you, he'd make up more reasons to be around you, he'd keep saying things like "you know you can talk to me about anything yeah..."
🔪 And then when he finally snaps, he does it quiet and calm... Climbs in through your bedroom window one evening all, "forgive me for the intrusion y/n but I couldn't sleep... See i was lying there awake thinking about you..." "Smooth Billy..." he ignores your sarcasm and just carries on, "I was trying to work out whats wrong with you...cause somethings chanhed recently and i don't understand why... We went from being best friends you know... We were building to something real good, all the trailers were released and people you know, they couldn't wait to see the full feature but then... well... The movie never came out, all those trailers got pulled from the cinemas, the production company slashed the budget and well... It feels like you don't wanna know me anymore..."
🥧 You want to be cold with him, you try to be cold with him... "you never stop to think maybe i don't..." he'd get mad if it wasn't such a terrible lie, instead he just looks at you with those sad puppy eyes and reaches out to you.
🔪 "No, no it isn't that... Cause you might not wanna know me anymore doll but i still know you... Its something else..."
🥧 And you can't ignore those puppy eyes. You can't keep lying when you can see the hurt on his face so you bite the bullet and admit how you really feel...
🔪"I'm sorry Billy I'm just... Whenever i get too close to someone i ruin them... Everything gets all fucked up and they leave or it all just..."
🥧 He'd try to cut you off when you get upset, he hates seeing you cry and usually he'd be plotting to kill whoever was responsible for those tears, but today its just you and him
🔪 So he catches your chin between his thumb and finger and tilts your face up to look at his.. "hey, hey... Don't cry y/n..."
🥧 Thing is he knows exactly how you feel, he too is terrified of being left alone by those he cares about most in the world. Right then he wants nothing more than to hold you tight but he knows he needs to talk to you... Tell you how things are, how they are going to be
🔪 Because he isn't ever going to let you go, not now he knows you definitely feel the same... And lets face it, even if he hadn't been sure you did... He wouldn't have let you go.
🥧 "I understand y/n, i know you're scared, i get scared sometimes too yeah? But you don't need to be scared with me... This.." he'd point between you and him, "nothings gonna ruin this, and i will never leave you, i promise okay, youre safe with me..."
🔪 The relationship would be intense, you'd stick to one another like glue. You'd rarely be apart, he'd always have a hand on you and if you had a class separate to him or you did have to be away from eachother, he'd make sure you were wearing his sweater or shirt so that you wouldn't really be without him and other people would know you were his.
🥧 It would be a ride or die, you and him against the world kind of love and he'd remind you of that all the time. "Nobody understands me like you do, nobody understands you like i do, its just you and me babe, youre all that matters to me in this world..."
🔪 He would be very protective of you.. He'd want to know why you have these issues, what happened to you, who didn't love you enough? He'd be bitter about it when he found out, he'd never forgive those people who had made you feel like you're easy to abandon.
🥧He'd definitely kill someone to prove his dedication to you... If he had to... So don't make him prove it...
Stu
🍒 Isn't every going to give you the chance to doubt his feelings for you... He never leaves you alone because he's one clingy clingy motherfucker. He doesn't have abandonment issues of his own, more that he has possession issues... Once youre his youre his and he doesnt want to let go of you for even a second.
🔪 If you're hanging out with your friends outside school he's got his arms around you or youre sitting in his lap... If you're walking together he's picking you up, slinging you over his shoulder, spinning you around whatever... The boys just always physically present
🍒 He doesn't always think about what he says though and so often his lack of tact can cause you upset... When he makes flirtasious jokes about other girls, when he makes stupid comments about the cheer squad... Thats all they are to him, just jokes... And he makes them because the idea of him leaving you for anyone is so unbelievable and stupid to him that he doesn't think anyone could ever believe him for a second...
🔪 But the comments play on your mind and one day he makes the joke and you don't laugh, you shrug him off and cut class to go home early... He doesn't realise what he's done but Billy and Randy are just "Its called sensitivity man, try using your brain every once in awhile..." "yeah man girls don't really like it when you joke about cheating on them..." "Moron..." "what she knows I'm joking?" "yeah she seemed real entertained fuckrag..."
🍒 So he rolls his eyes, dramatically sighing before following after you, shouting for you to slow down, you know digging himself a hole in his endearing way.
🔪 When he gets to you he wraps his arms around you tight and rests his chin on your shoulder, hugging you from behind so that you can't escape...
🍒 At first he's still joking with you, layering it on thick, begging for your fogriveness but you can tell its still all a joke to him... But it isn't a joke to you
🔪 He realises he's gone too far when you start crying and his whole demeanour changes, he would immediately stop laughing, spin you round in his arms and hold your face in his hands looking at you with all the seriousness in the world (or as much as someone like stu can muster at any given moment)
🍒 "Hey baby don't cry i was just joking around with you baby girl i was just joking you know i love you..." he'd carry on talking like that, drying your eyes and kissing your face wherever he could until you stopped crying.
🔪 You sniffling "you shouldn't fuckin joke about that shit..." "well why not baby, you know I'd never give you up for anyone or anything you're mine forever..." when you just look at him he realises... You don't know that, you don't know just how much you mean to him... So he says it again.
🍒 "baby girl you are mine forever." he'd hold you tight against his chest cradling your head with his hand, pressing you to him and kissing your forehead. He'd just keep saying it until you understood.
🔪 And from then on he doesn't make as many of those dumb jokes. Instead he acts extra possesive over you, wanting to spend every moment with you reminding you that you're his. Forever.
🍒 It would be sinister if he wasn't such a goof...
🔪 He gives you his necklace to wear and tells you never to take it off, it will remind you that you're his and it'll show everyone else that too.
🍒 Stu is always joking that he'll kill anyone who tries to come between you... But they're just jokes. Right.
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blank468 · 4 days
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My somewhat final thoughts of My Hero Academia
Note: Now that MHA is now doing an epilogue and is ending soon, I might as well give my final thoughts about this series. I’ll probably continue to talk more about it after the series is officially over but I’m not going to do a full fledged hour long review because I have better things to do.
This is a generic shonen empowerment fantasy that managed to screw its own theme and message. Any good will I would’ve given to series at the beginning is completely irrelevant as it when on. The morals and themes are constantly changing to throw random s**t on a sheet of paper that either doesn’t make sense, contradicts what being shown on screen, or if it doesn’t fits the tone of the story. My hero is not a deconstruction of the shonen genre that does anything new that would make it stand out. Most of the ideas and plot points created either have horrible execution, given no amount of attention where they’re just ignored or just have horrible payoffs. It follows all the exact same tropes seen in every other series and makes them worse. It also gets to the point where it rips off Naruto and makes the same mistakes it did. The amount of plot twists that are excused as some kind of subversion are obnoxious and predictable where’s it gets incredibly annoying. The world building is horrendous and just makes the story feel small for a world that has a life changing impact. The power scale doesn’t always make sense and it does nothing but act as a way to reward characters that didn’t earn it.
It has a dangerous and horrible message for victims of abuse and bullying. My hero has no problem telling the audience that if you’re a victim of any kind of abuse, it’s your problem and you should just act like it’s not a big issue. Apparently it’s ok lie to your friends, family and colleagues that you can trust but it’s not ok to lie or even hold accountable to your abuser. And no matter if he/she has a reason for the way they are, you are always in the wrong and you should spend your sad life praising and benefiting them.
There exists way too many characters for the audience to be invested in and after watching them for several arcs, they are just stereotypes with nothing new or original about them. Many of them come across as either being stupid, annoying, useless, unlikeable, petty, ignorant or just both. Some characters will either exist to benefit others or just highjack the story, ruining every other character’s chance to get any sort spotlight. The series is way too reliant on putting focus on unpleasant and uninteresting characters to please its large audience. The humor is way too reliant on a character’s personality trait. No matter what they do, the story expects us to automatically like them regardless of how horrible and selfish their actions are. Izuku may not be the worst character, but he’s no where near as great as everyone hypes him up to be. Bakugo is an unbearable mess of a character that serves no real purpose in the story and exists to take away every characters chance of development. His development is one of the laziest and obnoxious parts I have ever seen in any story and yet he’s the most popular sadist in the show with no sort of reason or sympathy for me to like him. Any criticism given to this d**khead is automatically shot down and people like me get harassed and called a brain dead immature f*g for stating our opinion.
Aside from Twice and Gentle/ La Brava, these villains are not that interesting and what ever traits about them gave them something to do is absence. Shigaraki is the stories biggest wasted potential that went from being an idiot to being an incompetent idiot to benefit my left nutsack. Toga is a Mary Stu who went from being a sad and annoying character to an annoying and self centered bitch who complains after being told her actions are wrong. Dabi is just a Gary Stu who’s only interested in wanting to kill his dad. Spinner is a joke that is constantly scammed by his creator.
The only saving grace I can give to this series is the art style of the manga and some parts of the Todoroki family drama. I can even say that Horikoshi’s art style and how he designs characters and panel designs inspired me as an artist. The anime as a whole is fine but it’s not perfect, but that’s mostly because it doesn’t do a whole lot of creatively/artistic things to make it on par with the most popular anime series. As an artist, I would recommend my hero as a reference to use to improve your work. If you just want to read or watch a series that has fights that just make you feel some kind of emotion, then you might get something out of this series. It’s not even the absolute worst thing I’ve seen; I’ve seen much worse in other genres other than shonen manga. It’s just rare to find a badly written series without being surrounded by d**kriders. It’s just a disaster of a series, and I wished I spent my time during the pandemic watching another series like Demon Slayer, or Black Clover.
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