#and you also need to learn the difference between things that are wrong and things that make you uncomfortable because they are not 1:1'
Note
how hard(?) would you say it is to translate? Ive been kinda curious about that, like does anything get lost in translation/ just not make that much sense without knowing the og language? or anything like that? 🤔
Hm, maybe 7 or 8 on a scale of 10? Though it can easily go higher at times, haha. (Always when Sung Hyunjae is in a scene because his name is a misspelling and it pisses me off.* This is a joke. Only half, though.) Basic word-by-word dictionary lookup is simple, which is why machine translators can do it well enough. But then you have to string all of it together in a sentence where you:
figure out and find a way to convey any difference in connotation between this specific chosen word and other words that mean the same thing (think the connotations of "regal" VS "royal" in English), and
do the same as above, but on a sentence-wide level translating the nuance of a particular grammar/sentence structure (thousand and one sentence endings in Korean, I swear -_-), and
make sure distinct character voices are retained or translated from the original Korean (think Song Taewon's stiff formality VS Han Yoojin's more casual speech VS Sung Hyunjae's middle-aged rich guy-type speech), and
make sure this sentence flows with the overall paragraph/chapter.
All those priorities have to be juggled throughout the chapter and add up to make it a fairly hard task. It definitely gets easier with practice once you're more familiar with the language (especially the nuance/connotation stuff), though, and I did get lucky in that my native language shares some aspects with Korean so the grammar is easier to intuitively grasp. Of course, I'm still learning, so I do have times I need to call in more experienced speakers for help.
(I definitely wouldn't say I'm good with the language period. Recently I've tentatively picked up a new novel—people following my personal blog will know which one—and it turns out I'm familiar with the way Geunseo talks and familiar with the vocabulary typical to dungeon fantasy novels, but kind of. Majorly hopeless when it comes to other stuff. The phrasing is juuust off enough that I keep getting tripped up and taking thrice as long to understand what's being said.)
There's definitely stuff that wouldn't make sense in English—certain idioms, cultural stuff, and all that, but that's why I try to localize wherever possible and add footnotes with relevant info/links if not. And there is stuff that gets lost in translation—you can look at the chapter titles from 302–307 for an example of that, where the joke is much more immediately obvious in Korean but had to be translated differently as chapter title VS in-chapter text messages and lost the clear parallel. I also remember being grumpy back during the virtual reality dungeon arc because Yoohyun would use 네놈 (ne-nom but typically pronounced ni-nom, a derogatory way to say "you", LMAO) towards Sigma and there was no concise way to get that across in English except having him be aggressive and direct. Especially since he isn't the type to swear by word of god, so I couldn't have him addressing him with "asshole" or "jerk" to convey it.
TL;DR: Fairly hard to translate, but gets easier with time, and there is stuff that's lost or difficult to understand, but I do what I can to make it understandable in English!
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* Sung Hyunjae uses "ae" at the end, but that implies it's 성현재, which is wrong—the correct spelling is 성현제, which should be "Sung Hyunje". (If you wanted to go the full Revised Romanization route, it'd be Seong Hyeonje, but I've weathered my share of name changes and that's a step too far even for me.) I've been meaning to make a poll about changing it like with the Lauchitas spelling, but I keep forgetting.
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Coy: Dean Archer x Reader
Tagging: @kmc1989 @helsinkibaby @hufflepuffgirl @mimi-8793
Releasing early as a birthday gift to my babe @mandy426
Dean found out his wife was cheating on him when he discovered he had syphilis during a routine medical check. He tells you that after you've been trapped in an elevator together for over three hours. He’d exhausted all of the small talk options after the first two so now the you’re digging into the real stuff, the stuff you don’t even tell your best friend because you’re terrified they’ll murder someone on your behalf.
You’d already disclosed how you found your husband fucking another woman on a sheepskin rug in the cabin you owned together. So it was his turn and well that’s apparently that’s the secret he chose to disclose.
“It’s gone now though right?” You say gesturing towards the lower half of his scrubs and he gives you an offended look. “You’re not just walking around sowing your wild oats…”
“One, that would be horribly irresponsible if I didn’t get treated and secondly I do not ‘sow my wild oats’.” He says making bunny ears with his fingers.
“I just assumed, an intelligent, attractive man like yourself would have a busy social calendar.” You say, tucking a stray strand of hair back behind your ear.
“Yea, Netflix and medical journals.” He responds before backtracking. “Wait you think I’m attractive?”
“Dean, don’t be coy.” You say, kicking him lightly in the knee with your shoe.
“I’m not.” He tells you, his cheeks colouring as he tilts his head back towards the ceiling and closes his eyes. “I can’t remember the last time someone told me they found me attractive. It’s usually grumpy, egotistical…”
He laughs before he tips his head towards you, his eyes meeting yours.
“I’m not selling myself am I?”
“Do you feel like you need to?” You ask him and he frowns before he shakes his head.
“No I…” He trails off before he looks at you a little differently. “I’ve never felt like that with you, it doesn’t feel like trying. Hell I’ve just told you I’ve had syphilis so I think we can discern I feel pretty damn comfortable around you.”
“Yea.” You say with a sigh, tucking your hands into your pockets. “Comfortable.”
“I’ve said something wrong.” He says quietly. “I didn’t mean…”
“No.” You say softly, shrugging your shoulders. “It’s just, I’m not the girl that gets the guy. I’m the weird one that cuts up bodies in the morgue.”
“You do a valuable job, we learn things from that, people get closure.” You give him a look and he realises he’s doing it again, saying the wrong thing. “I’m not explaining myself well.”
“No you are.” You say with a smile that doesn’t meet your eyes. “I understand perfectly.”
Silence falls between the two of you and now it’s his turn to sigh because he’s never been good at communicating, not when it comes to the important stuff. Up until three hours ago you were just a colleague, the woman he had a thing for. And now…
“I’ve always thought you were beautiful.” He tells you because you took a risk and now it’s his turn. “And it has been intimidating actually, because you’re also smart and funny. The perfect package.”
“You don’t have to say that.”
He can tell you don’t believe him, why would you? You’re ex-husband spent years lying to about his affairs. He knows how that feels, how it erodes at your self-worth. He also knows that sometimes actions speak louder than words.
“I mean it.” He tells you, his fingertips tilting up your chin so that he can look into your eyes. “I never thought I had a shot with you.”
“We’re idiots aren’t we?” You say softly as his thumb traces over the apple of your cheek.
“We are trapped in an elevator.” He agrees, his nose trailing along the length of yours. “And I’m terrified what other secrets I may end up spilling if we stay in here any longer.”
“You wanna do something other than talk?” You ask him and he smiles against the corner of your mouth.
“Yea.” He whispers, his lips brushing over yours. “I think I would.”
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Like My Work? - Why Not Buy Me A Coffee
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Welcome to the World! : A Starting Guide for Alters
This guide's purpose is to help either new formed/split, or those recently risen from dormancy, or the unregistered/unrecognized alters to get one step closer to functioning at the outside world!
It'll be one long rundown, click below to start right away, see you on the flip side.
From here on, what will be mentioned are things to assess some potential problems, questions, and self-discovery prompts. It is recommended to follow the flow of the guide, but if you necessarily need to skim to a certain section, this table of contents will help you:
table of contents
The beginning - Introduction
Things to look out for - potential problems to assess
- Mobility
- Gender & Species unalignment
- World confusion
Starters - self discovery questions
How a system works - lite educative version
Closing - last notes + extra materials
The beginning
Nice to see you here, in the flip side! Now i know you have lots of questions on hand right now, and why you might be reading this as first thing's first; it's because i am here to help prepare yourself in many different aspects that cannot be learnt/figured out in such a short amount of time unless it is assisted with an experienced person.
If you haven't know what's going on up to this point, along with the kind of situation you're in, first off, you're a system.
Yes, thats right, system is a word for a collection of many parts within one body and you are also a part of it. This can mean you'll hear other kinds of accent inside head, and feeling + liking fully different things, as well as possessing different levels of certain skills and memory. More or less, this belongs to the qualities of a Complex Dissociative Disorder,, where there are types like DID, OSDD, Polyfragmented, etc.
This happens because of how dissociation can wall up barriers between other facets of yourself that stops some level of communication or complete it's integration when bad things happen in early years, leaving them mainly separated and self-autonomous; they're known as 'alters' but i personally love calling them as 'parts' or some might go with words like 'headmates' or 'facets' or even 'members'.
This isn't enough to explain the disorder itself, but i hope it suffices in explaining your situation! Feel free to check some extra system details if your gang has one, let's get to the next section.
Things to look out for
Just a quick warning and a reminder, if you are rather new or have not been actively out,, there is a high chance of having issues with limb coordination, control, and balancing. Other than that, the off-putting sensations you feel such as wrong type of species, height, gender, or even the world being foreign from how you perceive it can make things scary and overwhelming.
Fear not, as i also have the solutions for all these:
Handling poor mobility:
First off, take a good moment to recognize your length of the arms, legs, learn the shape of your palm and fingers, and to every corners of your body.
Start holding some simple objects like mugs or pens, remember how it feels to grab something with your fingers and gauge your grip strength, experimenting when you squeeze or loosen it. Then start interacting with the objects with both your hands, attempt to twirl it, or hold it in different positions and turns.
You can also go for a test walk and sway all your joints to get a better picture of your movement range, practice makes perfect in easing your balance and momentum, it is normal to stub or be wobbly or clumsy at first, so take it easy okay?
To manage unalignment:
It is hard to feel comfy if it is not the right height, especially for non-human aligned parts, so using props or any equipment or accessories can give you some sense of comfort (you can even walk on toes if you do need to feel a bit more tall, but don't over do this).
Since fully eradicating this is impossible, doing anything in your power to lessen the discomfort is the best thing you can do,, there are also phantom limbs which basically means the extra body parts you identify with does not exist. This can be remedied by applying some gentle pressure to think that it is attached to your main body or use your imagination to satisfy that missing limb.
for those not being aligned with the gender, if the body is feminine but you are masculine; try investing or search for a binder. If a binder is out of reach, wearing oversized, or baggy clothes, or hoodies will do the trick. And a boyish clothing style and short hair style if possible too.
If its masculine in a feminine instead, using more girly oriented clothing style and do your nails, or any activities that affirms feminine aligned gender. I am very sure there are silicon chest pads but not in terms of where it is being sold at, so try to find them if it's available in your area.
When neither and is androgynous instead, try searching for gender neutral clothes that are also neutral colored like grey/black/brown. There are many inspirations of this type of fashion so use the internet to gain inspirations on making your own androgyny look, you could even use make up to contour your shape of face.
Now, for the ones who walk in hind-legs, get some platform heels/shoes/sandals/boots. You can find a flat one or the slanted one to match your needs. The idea is the slanted part of the shoe and the thick base gives an impression of canine/feline foot balance and for those who have hooves, respectively. (honestly, paw printed socks will do too, i hope)
Lastly, to manage claws, or fangs, try using fake nail art of your color, or attach a fake vampire teeth guard, respectively. For symbolic means, you can even consume foods that are juicy and red, like meat cooked in medium,, or if you want the more vegan option: watermelons, or gummy that represents meat or grubs or just by being red to represent blood.
Getting used to the world
Start learning how technology works--phone, laptop, kitchen tools, vehicle if any, and anything else that are often used. Make sure you practice enough to easily operate them, and learn how to use the internet and helpful plural apps or websites such as Lighthouse or start using Simply Plural. Try many foods to enhance culinary awareness, identify lots of other objects and the geography of your area to navigate and understand better. Touch many kinds of materials to train your sensory processes. You could also invest in watching shows and try a variety amount of activities to deepen your understanding of life.
Explore different kinds of subject that you are particularly interested on, and lastly, never be afraid to do and try new things! This will guarantee you to seamlessly function with anything the world has to offer.
For starters - Self Discovery
Do you have a name?
do you what's your age?
What's your gender?
What are your pronouns?
Do you remember anything, and how much?
Do you seem to retain some past knowledge?
Can you describe what you look like? (Includes species)
Do you find the outside world familiar or foreign?
Can you state your bio name, family, or any important info?
Is it possible to describe yourself identity/vibe wise? (crucial part to tell apart fragments from splits and from holders that do not embody a personality)
What role could you fit as? (a host, protector, etc. Search for alter roles)
Do you like the outside world? Will you have a chance of being out more often? (to gauge how often one will front)
Have any likes and dislikes or preferences/hobbies?
For the bullet points you couldn't answer, take this as a sign to start searching! It will take some time, but you can ask help from anyone and even me when needed.
How a system works
A system works in communication (be it internal or external) and switches that also often have a specific trigger to call out someone else. Sometimes, though not a must, will have an innerworld that facilitates as a place for everyone to meet and interact.
These things are crucial for cooperation, because you'll definitely need that in order to navigate the world and adapt accordingly.
Communication
There are many kinds of communication styles, sometimes a mix of some or have all of the above,, whatever style you have, make sure to use it to the maximum. There are: via images, via abstract vibes, via emotions, or via direct (verbal) internal thoughts. Some do not have any internal communication, so external ones would be things such as keeping notes or write in a diary or any app for text editing.
Keep in mind that the clarity of communication fluctuates due to various factors, stress as one of them. So it is important to know that it will not work in a constant 100% at all times, use this awareness to strategize if, somehow, you have lost contact with the others.
Trigger & Switches
It is something that elicits a feeling that belongs to a part, which in return, can 'wake' or call one to co-con or front. There are negative and positive charged triggers, and i suggest you to explore what are your potential triggers.
The relationship with trigger and switches is, depending on how strong it is, can cause a switch to happen, where you will be swapped out by another one who got 'called' upon. This mechanism is for adapting to different kinds of situations, and these certain triggers are the key to ensuring the right part handle it's respective job as needed.
Switches can be very subtle, or slow, or obvious, or in a snap. This fully depends on how your system is made to handle problems on hand or when in stress, as sometimes it can cause rapid-switching, or the opposite, being stuck or locked in front. Sometimes, they also cause physical symptoms.
System terms - Basics
Fronting - the alter who has full control of the body, and performing tasks.
Co-front - the alter, who have awareness between the outside and inside world, as well as able to control the body though not as complete as the fronter.
Co-conscious - the alter who have awareness of the outside world, and spectates, and does not have any direct control of the body.
Passive influence - when an alter's specific traits or likes/dislikes leaked to others and/or at front, that changes the initial reaction to be more blended with the other one. E.g. A like fries, B is there and likes spicy sauces. So now, A is craving to eat the fries with something spicy, even if A has no interest when it comes to spiciness or sauce.
For closing
Practice makes perfect, this is everything you need to know to hone your knowledge before finally stepping outside with complete freedom, where you can start anywhere you'd like, and to resume your collective's path to functionality and well-being. It's okay if things didn't go well at first try, and remember to reach out to people who you could trust as it'll help you progress faster!
I am aware that this guide still have a lot of room for improvement, so any requests or feedback will be added here for future viewers! This guide will be subjected to constant updates with even more sections being discussed on, or added touch of details. I will also add on my own posts here to serve as additional knowledge that is related to this topic:
Types of amnesia
Are you a Shard, Fragment, or Alter
Types of subsystems
Front-stuck, and how to deal with it
Physical switches
Comorbidity
Being blurry
Starters to system foundations
How comorbidity affects plurals (ADHD & Autism)
Dealing with the sense of faking
The person who needs to give their back a break,
- j
#did#actually did#did community#did osdd#did system#dissociative identity disorder#sysblr#plural#system stuff#jeducates#jsaid
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"if we make america worse and more of a dictatorship that will be even harder to unravel and make it the way we want the country to be, maybe then everyone will join our Glorious Revolution!" bb girl you cant even be in the same room with someone who thinks you should vote, how in tf do you think you're gonna unite people to fight in The Revolution with you? it's gonna be you and your 5 friends, i hate to break it to you.
#i dont think you realize how repelling you and your politics are to everyone else#you get all of your validation for how Smart You Are from your friends and ignore any kind of feedback that suggests you should#change or do something differently. thats the only reason you're so convinced average people will go along with you bc you keep getting#affirmation from the people who ALREADY agree with you- but you have NO IDEA how to bridge the gap between people who agree#with you and disagree with you. you're horrible at convincing people of your side of things outside of straight up guilt tripping them#or bullying them like a highschooler. im sorry but the tools you learned to survive with as a kid aren't gonna help you in this situation.#the ONLY THING you can come up with to bridge that gap is a bloody revolution. thats how bad you are at this.#and you're also so bad at this and unimaginative that you dont even realize how THAT might not even be enough.#you cant imagine ANY kind of avenue to getting people to change AT ALL outside of blood and fire. and thats why people call you#an authoritarian.#i'll be honest- i really do think the world would be a better place if we did incremental change under a democratic president who wont#set the world on fire vs the godkingemperor republican WHO WONT EVEN LISTEN TO YOU AT ALL EVER AND MIGHT KILL YOU#FOR PUTTING UP A STINK. idk if you noticed but if that evil fuck gets into office we are severely outnumbered if he gets police#n shit to go after his own citizens. letting trump win is making this battle so much harder than it needs to be.#you are choosing trying to fix the world while its exploding vs trying to fix it before it explodes at all.#what is this like a procrastination thing? you wanna wait till the last minute to try? idfgi. wtf is wrong with you#throwing minority lives away to prove a point. and then you try to tell me you care. gtfoh.#accelerationists should never be taken seriously.
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Hey crocheters, specifically newer pattern makers, but this goes for everyone. When creating a pattern, especially for the written portion, it is in your best interest to look up the terminology and shorthand used in most patterns. I understand that terminology is different in places (see UK vs US). However if you have to start your pattern off when an abbreviation list that looks absolutely like you just grabbed the alphabet and threw it at the screen, you will hear my screaming and cursing your name no matter where you live.
#i will find you and put walnuts in your shoes#and snip every third seam on all of your clothes#crochet#pattern writing#why does A mean decrease in this pattern#when DEC has been the accepted shorthand since the 50s#also its SC for single chain#and DC for double chain#and HDC for half doube crochet#NOT X#NOT F#NOT T#also also treble crochet exists in both Uk and US and mean two different things and T can probably be used as shorthand for a treble crochet#which means if someone sees T they will get the wrong impression#also W for three crochet in a single stitch?#either chart the fucking pattern or use the correct terminology#signed a very frustrated crocheter#I'm still trying to learn the differences between knitting terms ans crochet terms#i do not need a fucking rosetta stone for your made up bullshit#yes this not a problem#yes im still angry about it#eleven crochet patterns in one#and every single fucking one is like this#if this wss about saving space maybe i could understand#but it doesnt even save space each section is separated and each pattern uses this fucked up short hand#excuse me while I go FIX IT
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We remember how much his ‘look at what they’re doing, what they’re asking you to do,’ monologue slapped, but what Deacon doesn’t get enough credit for is that he’s right about every single faction when he cautions you too.
#I have been thinking about this a lot but his problem with the Minutemen is he doesn’t trust the power structure as not likely to corrupt &#while if you’re a good General the Minutemen stay in corrupted and are /very good/ they can also become used by a bad PC and deeply corrupt#and even convinced to sell out the commonwealth to the institute AND think they’re doing the right thing so he’s actually 4-for-4#he’s a little harsh maybe but he’s /not/ wrong and people don’t talk about that or the monutemen’s potential for corruption either#I adore the Minutemen! they’re great. working hard RN to drag Deacon on their entire quest line so he will like them better. but this does#not change they have the potential for deep corruption as well as becoming a great group. it’s so /easy/ to tell people who to hate and why#when you’re in charge. and the difference between them and the Railroad is the Railroad knows they’re signing on to a death sentence and#everyone is there out of a personal experience and personal conviction to do what they think is right. none of them have heard these people#are heroes and think they can become heroes by signing on. they’re a bunch of traumatized - angry - hurt people desperate to not let#something that happened to them before happen again. you can’t easily corrupt viciously held personal beliefs#now it’s not necessarily bad either that the Minutemen represent hope and justice and good! hope is vital and so is potential. people have#to believe in something right? but it does introduce the easy threat of being corrupted because people are there for the idea of something#and ideas corrupt quicker in reality than action plans do. I think it’s fascinating#Anyway Preston deserves a Minutemen who live up to what he saw them as as a child and the commonwealth needs real good guys and I will /#/always/ see he and they get them. but I don’t think Deacon is given credit foe the validity of his criticism.#it happened when he was young. they sold out and power corrupted and almost all of them and a lot of civilians died. that doesn’t have to#happen again. they /can/ be different: but it’s important to remember how easily it did last time. learn from the past. move forward#fallout 4#god I love the Minutemen though they’re very sweet. the fear in my soul when I see three people in cowboy hats with muskets and no armor#trying to take out a sentry bot in the distance let me tell you even on survival I jump into danger with a panic previously unknown#kind little fools. they’re doing great : ) 💙
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crawling out of the woodwork, covered in dust hewwo
sorry to anyone who has wondered where i've been, if that's been anyone at all
i fell out of making art for kingdom hearts, and i was tempted to make this huge post with receipts to explain why, but instead i think it will be easier to just say this: fandom zines suck, and a mod that ran the ienzo/zexion zine i was in harassed me into basically just giving up and not making any art of him or posting about him.
the experience i had in that zine was bad enough that i had to make this decision: from now on, i will not participate in fandom zines run by other people. i love making and helping with zines so this really upsets me, and i hope to get back into the zine scene soon. maybe self-published is the way to go for me, im not sure. i am not even sure i can return to the zine scene at all because the deadline stress is too much for me, personally.
i've also become hesitant to participate in fandom events at all anymore. the exception has been the TWEWY secret santa that's happened the last 2 decembers, and that's because i am comfortable enough with the mod and people involved that i know im not going to be like. Harassed. lol
i lost my drive to create KH stuff at all because interacting with it, and especially making stuff about ienzo, who is my favorite, would have opened me up to furthered harassment, and i just didn't want to deal with it. due to the nature of working on the zine and being sent a copy of it, it's very possible the person who harassed me could make a lot of trouble for me if i say anything at all, which is why i just Haven't until now. they have my name and previous address, which i gave to them before the harassment started. i was required to give it to them to be compensated even slightly for my work. so this being potentially used against me, for what amounts to expressing my own opinions on my own blog, made me hesitant to say anything or involve myself further in the fandom.
all i did was say the very normal and lukewarm opinion of "it makes me uncomfortable when people want to see someone fuck their adoptive parent figures, and i don't want people like that following me", and said mod ended up DMing me to chastise me about it. im not going to name that mod or share the screenshots openly, because that would be taken by them as 'harassment', ironically, and i just would like to move on.
that, combined with a lot of things going on IRL, has made posting difficult for me. tbh, i've barely drawn anything since june of last year. Thank u to everyone who has still enjoyed my art that is already up, and to all the other ienzo/zexion enjoyers who like my art and are understanding. i miss kh and i hope i'll find the drive to be into it again soon. until then, the main things i've been into lately have been (N)TWEWY, omori, and hunter x hunter, so you might see stuff about that if and when i ever get my shit set back up.
i debated just not posting this and acting like it didn't happen. but not saying anything at all would be dishonest, and more importantly, i think people should be aware of the fact that fandom zines are not always a fun experience, and can actually be very stressful and exhausting for very little reward. i want to caution people before joining fandom events to vet the people running it a little bit if possible. you can't control who gets accepted to the zine, but you can control the people whose zines you sign up for. and if it sucks hit the bricks, which i did not do and should have lol
sometimes, you join a zine and put a lot of love and work into it, all you get out of it is being overworked and harassed. and then not all the finished pieces you made for the zine even ends up in it 🙃 did i mention you have to pay to get copies of the merch you yourself designed?
for the sake of my own sanity and to avoid certain people's ire im not gonna tag this in the main tags, and im also going to turn reblogs off. this is just an informational post about where i've been, what's been happening with me, and why it's hard for me to make stuff about ienzo right now. please just take it as such and don't be mean to anyone, regardless of what happened. if anyone is really burning for details i might be open to answering in DMs, but more than anything, i just want to get this out of my system (˚ ; - ; )👍
i hope i can go back to being the "funny ienzo guy" soon. until then i will continue to be the "funny emo boys in general" guy
#sheep speak#i would like to avoid shipping discourse also on this post#because frankly a lot of it boils down to everyone involved using victims of abuse as fandom wank and that's unacceptable to me#i will not call myself either prosh-p or ant/i because neither word describes my stance#of 'you can not separate art from politics and you must consider the harm of your work#and you also need to learn the difference between things that are wrong and things that make you uncomfortable because they are not 1:1'#aka you need to understand nuance as well as consider other people when you say and do things#and think about what kind of behavior and actions your art endorses
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Important rules/tips I've learned as an adult that helped with anxiety
If people are mad at you, it's their responsibility to tell you, not your responsibility to guess
If they're mad at you in secret anyways, they're the ones in the wrong, not you
If people don't like what you're doing, it's their responsibility to tell you
If they say it's fine when it's really not, they're the ones in the wrong, not you
People are allowed to be wrong about you
If they are wrong about you, wait for them to bring it up, because if you try to, you will inevitably overcorrect
Some people are committed to misunderstanding you. You will not win arguments against them. Yes, even if you explain your point of view. They do not care. Drop it
The worst thing that will happen from a first-time offense is being told not to do it again. Maybe with a replacement if you broke something
You can improve relationships and gauge willingness to talk to you by giving compliments. It's like a daily log-in bonus and nobody thinks twice about it
Most things are better after you sleep on them
Most things are better after you have a meal
Most things are better after you shower
Your brain makes up consequences that are irrational. If the worst DOES come to pass and someone acts like they do in your head, they are overreacting, and you are entitled to say "what the fuck"
If your chest hurts after you feel like you've made a social error, that's called rejection-sensitive dysphoria. It means your anxiety is so bad that it's causing you physical pain, which is a good indicator that you're overreacting. Tense yourself, hold it for 20 seconds, let it go, then find a distraction
If you're suddenly angry at someone after you feel like you made a social error, that's also rejection-sensitive dysphoria. You are going to feel annoyed about it for awhile, but being genuinely pissed off is your anxiety trying to find something to blame to take the responsibility off your shoulders, and getting scared because it can't justify itself. Deep breaths, ask yourself how much you ACTUALLY want to be angry at that person, then find a distraction
"Sour grapes" is more healthy for you than stewing. Deciding you don't like someone who's perpetually annoyed with you, won't talk to you, etc. makes letting go of anxiety over them easier
If people don't like you, they will find reasons to be annoyed with you when they otherwise wouldn't. If people do like you, they will find reasons NOT to be annoyed with you when they otherwise would. People do not ping-pong between the two
You DO have to make a conscious choice not to think about something. If you're having trouble circling back to it, say out loud that you're done thinking about it and why. Then find a distraction
When you're upset, part of you is going to want to make false bids for attention (suddenly texting differently, heavy sighs, etc. but when someone asks you about it, you tell them it's nothing). Do not listen to it. You gain nothing from it except more misery
People like to help people they care about. It makes them feel good about themselves
If you think you're insufferable for needing help, see above. Yes, really. They get a serotonin kick from it
If you think you're insufferable for mannerisms you have, you either have to consciously choose not to do them, or accept that they're part of the package that comes with you. Being apologetic about existing does nothing except make you more miserable
If you do things you don't like when you feel meh about it, it makes it easier to do them when you hate it
If you avoid things you don't like when you feel meh about it, it reinforces and magnifies how bad it feels when you hate it
Seriously. Read those last two points again. If you can make yourself make a phone call when you've got nothing to lose, you will slowly lose that panic you get when you have to make a phone call you haven't prepared for. You do have to CONSCIOUSLY take that step
Hobbies that make you care for something get rid of that nagging feeling that you're not doing enough. Go grow some rosemary
If you don't engage with your hobbies regularly, you will feel miserable, and anxiety will spike
Hobbies are things that give you a bit of happiness. They do not have to be organized or named to do that. Go be creative in something. Play with coins. Make up lists. Start a new WIP
No one cares what you look like
If people point out things they don't like about how you look unprompted, they are being rude. You are entitled to say "what the fuck"
People who like you will find you pretty to some degree. Minor things about your appearance go completely unnoticed. Literally, scars and dots and blemishes do not register to someone who likes your company
You looking at yourself in the mirror is 10x more closely than anyone is going to look at you
If you're anxious about your body type, and you're creatively inclined, make/write an oc with that same shape. Give them nice things and make other characters love them. Put them on adventures. You'll start to see yourself in the mirror more kindly
You care about wording and perfect lines/colors way more than anyone who views your work ever will
Sometimes when you're upset, you're going to feel like not eating. Do not do that. Not eating makes you more miserable
Same with things you normally enjoy. Denying yourself helps no one. You are punishing yourself for being sad. Stop it
Both of these will take conscious decision to break the habit of. Make yourself do it anyways, and it will slowly get easier
And again, to reiterate: If someone is mad at you, it is THEIR responsibility to tell you, not your responsibility to guess
#anxiety#long post#i have been an adult for the better part of a decade and it has gotten SO much easier as i internalized these#swearing tw
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being the therapist friend all the time is such hell
#sorry i didn’t respond perfectly to your incredibly complex traumadump when i was literally 20 years old#like dgmw there are definitely explicitly wrong ways to respond to someone who is struggling#but i am fucking BEGGING you to have some grace for people that you vent to when they say something that maybe wasn’t the best thing to say#i promise you we regret it too but often we’re just trying to make you feel better any way we can and sometimes we take shots that miss!!!#and also! i have zero psychological training. something to remember#anyway. just venting. not trying to blame anyone who needs to vent after a traumatic experience like i completely get it#i’m not an ‘are you in a space to receive this information’ person i find that robotic. u should b allowed 2 talk abt trauma to your friend#but pls just like. learn the difference between someone who means well and made a misstep vs someone that genuinely means you harm#anyway again#self#vent
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if I had a nickel for every time a youth from my job accused staff of bullying for asking them not to say racist & ableist slurs in the center, I'd have two nickels! which isn't a lot, but it's sure fuckin weird that it's happened twice
#i am begging us as adults to do a better job about communicating about use of slurs#because that is absolutely where this starts#these youth are growing up in households where the r slur and the n slur are just. conversational#and don't get me wrong there is absolutely a level of personal responsibility to this for those youth#they do need to do some self reflection and take accountability for the harm they cause when they use those words#but these are also kids. and kids learn from the adults in their lives#so if a kid is saying slurs its because parent(s) are likely saying them too#and it's a hard conversation to have#because you want to find a way to describe the difference between reclaiming slurs#that have been used against identities that the person in question using a slur may hold#and the rights that other folks with the same identity have to not hear those slurs as they may not be cool with hearing that#AND the fact that you do NOT have the right to reclaim slurs for populations you are not a part of#which is a complex conversation to try and have with someone who still has a developing brain#i have autism#i was called the r slur frequently growing up#and i am not at a place where i want that word reclaimed because of the trauma i hold#is it my place to tell others they cannot reclaim the r slur? definitely not#but i do have the right to ask that the word not be used around me because of its' triggering nature#youth development also plays into this because this is the age where consequences for negative actions get murky#because their use of things like slurs gets positive reinforcement from alt-right ideologies#which anyone can be vulnerable to even queer youth#because they haven't yet reached the stage of development where they're able to separate shame and ego#aka to understand that when you say something bad it doesn't make you a bad person#but you should still understand that you've caused harm and need to make amends#so when they receive a negative consequence for saying something harmful#it actives only the need for reassurance rather than the ability to acknowledge you've caused harm#which makes them so so susceptible to any kind of media that tells them their behavior is okay#and i could get into the weeds with the fact that this issue of development phases#combines with western society's lack of grace for mistakes and cancel culture#to stunt their emotional growth and prevent them from reaching the stage of development where they can acknowledge and apologize
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how do i explain to my grandma that sometimes our brains are fucking idiots who come up with nonsense bullshit scenarios that could never happen in a million years and we shouldn't worry about those scenarios and you just gotta tell your fucking idiot brain to shut the fuck up and leave you alone
#this woman is scared for my fucking life and i'm like. in line at the dmv#like idk why but she had it in her head that the nurse doing my t-shot today was just going to Absolutely fuck me up#the first one i got done by a really amazing nurse who'd been doing work for most of our family for Decades#she's no longer practicing now however so her colleague took over. WE ALSO KNOW HIM. we've gotten help from him before Many Times#SHE GOT HELP FROM HIM BARELY A MONTH AGO WHEN SHE GOT HAND SURGERY#she knows him. we've had him do bloodwork & other at-home care stuff for us since i was like. 6.#HE'S GOOD. HE'S A TRAINED FUCKING NURSE WHO HAS BEEN PRACTICING FOR DECADES#A.... AN INJECTION IS THE MOST BASIC THING A NURSE CAN DO.#there was NO REASON to believe he would do it wrong. And Yet. she calls me with panic in her voice#like SO ARE YOU OK DID HE DO IT WELL DOES IT HURT CAN YOU WALK gdkkdkdkdk OF COURSE I CAN WALK#WHAT???#''BUT IF YOUR MOM WAS AT WORK DOES THAT MEAN YOU WERE ALONE WITH HIM??'' YEAH???? SO????????#WHAT????????#and she fucking gets Sick worrying about. weird little scenarios that are pure brain-fiction. and like#grams that's not good for Anyone and especially not you like you NEED#to learn to tell your brain ''LEAVE ME ALONE'' and like.#tell the difference between a reasonable fear about a real risk that could actually happen#vs JUST PLAIN GARBAGE THAT DOESNT MAKE SENSE
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
#good omens#good omens season 2#gos2 spoilers#good omens season 2 spoilers#crowley#aziraphale#ineffable husbands#nina#maggie#nina and maggie#stories#romance#relationships#am I projecting here#of course I am isn't that the whole point?#pride and prejudice#elizabeth and darcy#quiet gentle romantic#good omens meta
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Childhood friends AU Idea
Steve and Eddie are best friends who make plans to learn the elvish alphabet from The Hobbit so that they can pass notes without worrying about other people reading them.
The end of the school year (Eddie in 6th, Steve in 5th) brings a sadness to the two. Eddie's going to middle school and Steve's not yet, but they can hang out on weekends, and they have all summer so no worries. (Also, it gives Steve a little more time to learn elvish, since it'll be a whole year until they're in the same school again.)
Except yes worries because two weeks into summer, Eddie vanishes. When Steve bikes to his house to investigate, the whole house is empty. Packed up and gone. Steve goes to Wayne for answer and all he gets is a smile that doesn't really reassure and words of "his dad got a job opportunity, had to move on short notice. But don't worry, kiddo. I'll get you the number to their new place so you can call."
He learns elvish anyway. It's harder without Eddie to help but he's determined. Eddie might return, or maybe he'll get an address one day. Send a letter to Eddie in full Elvish.
Steve never gets a number or address. Summer ends and sixth grade comes. He doesn't want to forget all the elvish he's learned, just in case. So, he decides to keep a journal. He can write all about everything that's happening and when he sees Eddie, he can give it to him. It's a double win. Eddie will know everything he's missed out on AND it'll help Steve practice elvish.
Sixth grade ends. Eddie doesn't return. Steve did make friends with Carol Perkins though, so he's not as lonely. He hopes Eddie made a new friend, too. But not a new best friend. That's Steve's position, always.
Seventh grade brings Tommy Hagan, but still no Eddie. It brings a growth spurt and sports. Steve likes the easy camaraderie that comes with sports teams. It's like having a lot of friends, which Steve will only admit to needing in his journal. Needing many little connections of friendship to hold together the big hole Eddie left behind.
The summer between seventh and eighth grade brings him a Bruce Springsteen concert. He'd never thought of a boy kissing another boy until he'd witnessed it on stage but he thinks about it a lot after. The end of that summer brings an awaken he refuses to shy away from even if he has to hide it
Eighth grade brings popularity. Steve's good looking, rich, and liked among his peers. It brings the first (and last) time his dad says he's proud of him.
(Steve will spend the rest of his high school career chasing his father's approval.)
Freshman year brings Eddie back, but he's different. His hair is longer and his clothes are darker and he's distant. Defiant and angry. Steve would recognize him anywhere, dressed in anyway.
Eddie doesn't want his friendship anymore. Avoids him in the halls and cafeteria, but Steve is nothing if not persistent. He writes a full letter in elvish to slip into Eddie's locker, but Eddie catches him. Shoves the letter back, unopened, unread, with a harsh whispered, "Don't you get it Harrington? I don't want to be your friend. Fuck off."
Steve doesn't understand why. Not until the table top rants start. Conformity and jocks and brain-dead rich kids who get by on favoritism.
It hurts. Steve feels his heart break the day he finally gets the not-so-subtle messages drilled into his mind. Eddie hates sports, and rich people, and stupid people. Eddie hates all the things that Steve is.
Eddie hates him.
Sophomore year brings Steve a lot of things. It brings the acknowledgment that he was probably in love with Eddie, the way his heart twists the day he sees Eddie flirting with a girl in the hallway, the way he wants the lights out when hooking up with someone so he can imagine a different person pressed against him, the way he gravitates towards brunettes with brown eyes and the flickering hope it might make Eddie jealous. (The way he'd said the wrong name when Brent went down on him, too absorbed in the fantasy of someone else to get it right. Brent hadn't been offended by it, he'd been thinking of someone else, too. Steve finds solidarity for a little bit, until the school year ends and Brent leaves Hawkins.)
Junior year turns Steve's life upside down (pun intended) with monster's coming out of walls. There's probably a lot more he should write about but his journal's pretty empty this year. Too traumatized to document. (Too afraid of what Eddie would say because Steve still writes in his journal like he plans on sending it to Eddie one day. Better to write nothing than sound crazy.)
And halfway through his senior year (don't think about how he's in it with Eddie, about the 4 classes they share, about how Eddie still won't meet his eye) he wants to fade into the background. Nancy and he break up. She's with Jonathan and he hears the whispers of how pathetic he is to be eating lunch with his ex and the guy that 'stole' her. Steve knows that's a lie, Nancy made her choice, and no one can say otherwise, but it hurts to hear. He can't be bothered to try and make new friends. How would he explain the nightmares? The skittishness. The fear of the dark, of pumpkin patches, of his own damn pool now that he's had time to process last year?
Then, the next year brings him Robin. Well. First it brings him an embarrassing uniform and then Russian torture (don't think about it. Don't think about how he'll shorthand the stock list by writing it in Elvish sometimes. Don't think about how the Russian's almost believe they just work for Scoops until they find the stock list in his pocket. Don't think about how they don't believe that the strange script they can't identify isn't proof he's a spy), but in the end he gets Robin. A Platonic Soulmate who understands the hidden side of him. She asked if he was ever in love, and he thinks of the Eddie he used to know, longs to know again, and describes her instead. She rejects him in the softest way possible and then confesses about Tammy, and he confesses about Eddie in turn.
1986 brings Eddie back into his life in the worst way possible. With a bottle to his neck and them both acting like they've never spoken before. It brings twisting guts as Steve lies awake thinking about Eddie alone in a boathouse instead of sharing a bed with him like they used to in elementary school. It brings Steve leading them to Skull Rock (popularized as a make out spot but started as a set of boys' favorite place to play pirates during the summer). Dustin and Eddie make references Steve pretends to not know, despite his own copies of The Hobbit and Lord of the Rings and the numerous amounts of notebooks turned journals with elvish scrawled throughout.
There's a trek through the Upside Down. In another universe, Steve imagines he and Eddie talk. In this one, Robin sticks to his side like an extension of him (which she is), and glares at Eddie every time he looks in Steve's direction. Robin knows everything, knows it all, because there are no secrets between them.
They make plans to stop Vecna, once and for all, and Robin confesses she has a fear. That it won't turn out okay this time, but they have to try anyway. Steve clinks his bottle against hers and looks across the field to Eddie and Dustin. The stakes feel so much higher this time.
"I'm going to talk to Eddie if we survive. Make it right," he says.
"No. He's going to make it right because you didn't do anything wrong," Robin says, which is more support than he thought he'd get given the grudge she holds in his favor.
Eddie said make him pay and Steve does. Nancy advances, shotgun shot after shot and Steve's bounding down the stairs. Vecna beats him to the ground floor but not by much.
A hatchet's not the best tool to remove a head with but he manages. When he looks up, Nancy and Robin are looking down, both approving.
They find Dustin sobbing over Eddie and- and-
Steve's certain he's broken several of Eddie's ribs but he's breathing again, Nancy finds his pulse beneath all the blood, and Robin's retrieved the cut sheets to make bandages out of. Nothing is clean in this world, infection could kill him later, he might not save Eddie like he wants, but fucking Christ, at least if death claims him, it'll be on the right side of the world in a hospital.
Dustin, Robin, and Steve are at Eddie's side when Nancy leads Wayne into the room. They knew she went out looking for him (Steve was going to but Nancy had shoved him back in the chair with a look that left no room for argument) but even so they're startled by him.
Wayne has always been stoic and reserved, so it's no surprise to Steve when he just lets out a low whistle and says, "of all the people I might see here, you weren't one of 'em."
Steve swallows thickly and says, "well. I am. Here, I mean."
And Wayne gives him a watery smile and crosses the room. Pulls Steve into a hug that Steve thinks he probably wants to give to Eddie instead, but Eddie's not awake and standing and Steve is. But then Wayne says, "I told Eddie he couldn' chase ya away. That if he just talked to ya, you'd understand. He tried so hard to make ya hate him, and for what? For ya to be at his bedside anyway."
And Steve sobs. Loud and ugly and suddenly Dustin's there, and so are Robin and Nancy, and it's probably the most awkward hug for all the others but it's the best hug Steve's had in years. He doesn't even care that he's crying because how can he? Wayne's all but confirmed that Eddie doesn't hate him, maybe never hated him. That Eddie has an explanation, a reason for it all, and all he wants is Eddie to wake up and tell him.
Steve finally gets his apology two days after Eddie's release. It's the first time they've been alone together since- well, since elementary school. Wayne drove him here then lied about needing to check on something and said he'd be back in an hour or so before abandoned them to the awkward silence in Steve's living room.
"I'm sorry, Steve!" Eddie blurts out loudly, then looks startled by his own yelling.
"I know. I forgive you."
"You shouldn't."
"I know. Still do anyway. Would like to know what happened, though."
And Eddie tells him. How his father's debts came calling and they ran. How his mom got sick real fast, and his father's crime spree and prison sentence following her passing. How Eddie discovered the same thing about himself that Steve did but didn't have the same acceptance of himself. Hated that another thing marked him as Other. Freak.
He tells Steve how he couldn't let Steve back in because he was afraid of losing him again if he ever learned.
"I didn't think you'd be okay being friends with a faggot," Eddie spits the word out, dirty and mean and directed at himself.
Steve makes a decision then. "Follow me." And he helps Eddie up the stairs and into his room. Eddie sits on the bed and watches as Steve digs out notebook after notebook after notebook, until they're a tower on his bed. Then he topples them over in his search for the first.
Eddie takes the offered notebook with confusion on his face, looking from the cover, where 1978 is written on it. The summer Eddie vanished from Steve's life.
"Open it."
Eddie does and gasps. "Steve. Is this-"
"Every single one of these notebooks was written to you. For you. About you. I read The Hobbit for you. The Lord of the Rings. I learned elvish for you. I think I've been a little bit in love with you since the day we met on the playground on my second day of first grade."
"Steve," it comes out breathless and awed.
"Eddie," Steve repeats back to him, just as breathless as Eddie tosses the notebook aside and reaches for Steve instead. Hauls him in to kiss him senseless amongst the proof of Steve's devotion.
#steddie#fic#this was supposed to be a paragraph or two#why am i like this#steve has a complicated relationship with his parents#but they arent terrible#the picture descriptions have translation for the elvish if you wanna know what Steves been writing in his journals
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Disney's Wish
Look, Disney's Wish has been universally panned across the internet, and for good reason.
It’s just…kind of okay.
When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:
The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.
Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--
I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.
First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.
So, what went wrong between Asha & Magnifico in terms of narrative structure?
Act I
In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”). She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.
Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.
As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.
Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.
… Until she asks him to grant Saba’s wish.
This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”
This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.
Well, wait, is that really Asha's goal?
While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too! Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.
So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.
Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:
Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.
... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.
What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.
But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.
In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.
While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.
Act II:
His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).
But then… he opens the book.
Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.
I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.
This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”
It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.
But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.
Act III
Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?
It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.
They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.
I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.
Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.
The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.
This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.
All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.
Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.
What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.
Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.
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Tips for wring amputees: its ok if your amputee can't repair their own prosthetics
There's a trope in fiction for amputees to always be these mechanical geniuses who can make and repair their own prosthetics, endlessly tinkering away and improving them. This isn't a particularly trope, and i dont think its harmful or anything, but in reality, prosthetics are REALLY, REALLY complicated, and a lot of amputees cant do their own repairs. And thats ok. Like, prosthetic creation and repair is way, way harder than I think people expect. Well outside the skillset of your standard mechanic, handy man or craftsperson.
People who make and repair prosthetics are called prosthetists. To become a prosthetist, most countries around the world today require you to have completed a bachelor's degree in specifically in prosthetics and orthotics, which covers not only how to make a prosthetics (and orthodics) but a great deal of medical knowledge, physics, how different forces impact "non-standard" bodies, the additional biological wear-and-tear that comes with being an amputee and so much more. This will qualify you to do the job of fitting/making the prosthetic socket (the part that attaches to your body) and putting premade components together to make a functioning device. On top of this, many prosthetists are also expected to have artistic skills, sewing skills, good physical strength and dexterity, IT skills, and more recently, knowledge of 3D modelling and printing.
You want to make all the high-tech components the prosthetists put together to make the full prosthetic? The requirements for that vary country to country, but most will require at least some level study in the field of engineering and/or medicine, on top of what was already required for the prosthetics course.
The reason for all this is because even "basic" prosthetics are extremely finicky, and messing up one thing will have a domino effect on the rest of the body, especially in more complicated prosthetics. It can also result in people getting severally injured if anything is even slightly off. many leg amputees for example end up with spinal issues due to extremely minor issues with their prosthetic that weren't caught until years later, and by then the damage had been done.
Some amputees do learn to do basic repairs. This is most common in places like the US, where a visit to the prosthetist can cost hundred to thousands of dollars (depending on your insurance), but it's also quite common in rural parts of countries like Australia, where cost isn't an issue but access is due to vast distances between major cities. I was personally in this category; as a kid, my nearest prosthetist was 6 hours away. My prosthetist was able to teach my dad, who later taught me, how to do some of the simple repairs, but we still needed to go in every few weeks for the more complex stuff (Kids prosthetic need more adjusting than adults because they're still growing. Also I was rough on my prosthetics and broke them a lot lol).
But even after being taught how to do repairs and having my prosthetics for 20+ years, I only ever did these sorts of repairs to my below-knee prosthetic. I will not do any repairs of any kind to my above knee leg, which is much more technologically complex. Every time I tried, I made it worse to the point where the leg was unusable. I just leave those repairs to the guy who went to university to learn how to do it, and sometimes even he needs to send it off to someone with even more specialist knowledge when it's really badly messed up lol. Last time that happened Australia post lost the package. Not really relevant to this post, I just find the idea of it being sent to the wrong place by accident hilarious, it was one of my more realistic legs too so someone probably had a heart attack when they opened that package lmao.
Anyway, back on track lol.
This isn't even touching on the fact that on some more advanced prosthetics, many features are actually locked behind a security barrier only prosthetists can access. My prosthetic knee has an app on my phone I can pair it to, that allows me to change certain settings and swap between certain modes for different activities that tell the leg to change its behaviour depending on what I'm doing (e.g. a mode for running, a mode for cycling etc). but most of the more in-depth settings I can't access, only my prosthetist can, and he can only gain access to those settings with a security key given to him by the manufacturing company that requires him to provide proof of his credentials to receive it. I don't really agree with this btw, something about being locked out of my own leg's settings makes me feel a bit of an ick, but it's set up like this because people used to be able to access these settings and they would mess with things to the point their leg was virtually unusable. Because altering one setting had a domino effect on all the others, and a lot of folks weren't really paying attention to what they were messing with, all their prosthetists could do was factory reset the whole leg, which causes some issues too. Prosthetic arms are often similarly complex, as I understand it and have similar security barriers in place for more advanced arms. I don't know for sure though, so take that with a grain of salt.
All this to say these are incredibly delicate, finicky and complex pieces of equipment. There's nothing wrong with having a techy amputee character who can do their own repairs, but in reality, that is pretty rare, and its ok to have your character need to see a prosthetist or someone more knowledgeable than them. It's a part of the amputee experience I don't see reflected very often in media. In fact, the only examples I can think of in fiction (meaning not stories based on real people) where this is reflected are Full metal alchemist.
technically I think Subnautica Below Zero also mentions prosthetists are a thing in that world, but its a very "blink and you'll miss it" kind of thing...in fact I did miss it until my last playthrough lol.
#Writing Disability with Cy Cyborg#long post#id in alt text#amputee#writing disability#disability#disabilities#disabled#actually disabled#writing advice#writing#writeblr#writers on tumblr#writerscommunity#disability representation#authors of tumblr#prosthetics#disability aids#mobility aids#amputee life#amputee problems#full metal alchemist#automail#amputee representation
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Okay, but... now I'm wondering >.>
@the-witchhunter We talked about Danny being Morningstar's feral, probably engineering oils and ectoplasmic goo covered, mad scientist/himbo hybrid (attack) purse dog. His special lil guy.
But!
I seek your Knowledge(TM).
From second hand accounts? He seems to HATE the hypocrisy. The blaming HIM for humanity's own choices. The rat race and endless song n dance of "Righteous Good VS. Cartoonish Evil". Because it let's humanity paint themselves the helpless victims. Because it's all surface level. Because it is not so easy to escape the ugliness of your Sins, yet they keep trying to scapegoat him.
Fuck um.
He was tired of it.
But? He still has CONSIDERABLE POWER. It's probably written down. And the Ring Of Rage? Is proooobably not the loveliest of artifacts? I imagine, like the Crown, it's NOT leaving Danny alone. One of those "we don't CARE if there is no throne left to sit upon, you WILL wear us, as King" sort of systems.
It genuinely would not and DOES NOT matter, if not a single soul in all the Zone bows to him. Did he defeat the previous holder of their Right To Rulership? Yes or No.
If No, fuck off.
If Yes, new monarch.
Is it hurting him? Not the rings problem. Nor the Crown's. Heavy is the weight, etc etc. But! DANNY would certainly care. He is... is ANGRY all the time now. Has no idea who would even MAKE this bullshit ring. Why JUST Rage? Yeah, it makes ghosts stronger, but at what COST?
He can't even get rid of it!
......by himself.
Luckily, he's still clear headed enough to know that he's NOT in this by himself. And it's amazing what "mom, dad, this ring is trying to drive me insane. Help me" in a terrified and tearful voice, can brush over. No one threatens their baby and all that.
It would honestly be hilarious, seeing the extended Fenton clan decend like LOCUSTS on Pariahs Keep, searching for clues, terrifying the local ghosts, if... if he wasn't so tired.
God he's so tired.
It's Aunt Alecia who... "politely encourages" a passing scholar to lend them the book they need. Took the poor sucker right out of the sky. Guy never stood a chance. RIP.
He learns he has to head..... over? Like... 27 that-ish way, then up. Huh. 27 WHAT?
Realities, apparently. He's in the wrong bundle. Branch? Neighborhood? Eh. Clan Fenton rolls back out, he packs his bags, and hilariously enough? Goes off to the devils night club. Hopes he likes rings. Or hates them.
Thankfully, being "king" means the Zone? Kinda... humors him? Like... it still has RULES(tm). He can... can FEEL that now. But it's willing to bend some for him, if he asks. And anything NOT against the rules? If it's in the right mood? He need only ask. It's weird. Being suddenly so powerful, yet NOT, at the same time.
Cause none of it's his.
All he has is the Zone's attention. The ability to ask pretty please. If you don't mind. And then? The highways between... ALL will just? Shift and change for him. He can see how it went to Pariah's head. The Zone is pretty agreeable. Is by nature Amoral, cause it's not a Being, it's... well, it's the Zone.
And everyone wants him to ask things. Do things. Demand this or that. Use this power.
Maybe he doesn't WANT too! Maybe he didn't WANT to be king! Doesn't he have the right to say NO? To refuse? Why do they think he OWES them service? An eternity of politics and people trying to kill him, for something he never wanted in the FIRST PLACE.
He's so tired.
The nightclub's pretty cool.
So he comes to ask, politely of course, cause the guy's probably busy, if Morningstar could... dunno, fix or destroy it? Want a ring, maybe? Also he heard you MADE the stars. Huge fan of all of that. Can I ask about the process? Or are you in the middle of something?
And? Lucifer? Turns around, from where he's Leaning Seductive Yet Elegantly(tm) to see... scrawny. Tiny corpse child. No... half? Corpse? Alive. Dying. Alive yet dying. Huh. Well, that is different. And here he didn't think he'd get see anything NEW. You, child, are NOT a zombie. What are you?
Halfa.
I have no idea what that is. What do you want?
He gets shown the ugliest, crudest, peice of shit ring imaginable. A genuine foul little curse. Really stinks up the place. He destroys it, obviously. This club has STANDARDS. Hope that wasn't important?
Kid just smiles the biggest fangy lil grin. No. No it was not.
Obvious, lie, but cute lil teeth. He'll allow it.
He gets dragged into talking about the stars. And talking. And talking. Mostly bragging and explaining. Kid hangs off his every word. Follows him around as he makes his rounds. Asks good questions. Completely focused, dispite the booze and barely dressed dancing all around him.
Lucifer can't help notice the crown.
Lovely little thing. Space ice and star dust, glittering like jewels and light catching the mist. If he remembers right... that one iiiiiis..... not Limbo, it's.... Zone! That crown is the Zone, it changes to suit the wearer. He recognizes the vibe. Awfully young, aren't you?
And.... it all burst forth. He didn't even need to press. Use persuasive words and honeyed tones. Like an inflamed, festering wound. The merest brush is enough to spill everything.
Negligence, greed, blood lust. Bigotry and xenophobia. A tyrants endless quest for power. Ah, humans. They truly don't change do they? Realities away, dead or alive. Now they're harrasing a child. He honestly looks miserable. Whereas just a moment before, listening to Lucifer talk about his work on the stars, his soul practically GLOWED with light. A tiny little star unto himself.
.......maybe it's the big ol "I'm you BIGGEST FAN" eyes. The sad wet cat aura. Perhaps the scrawny "could snap you like a twig" teenager, all elbows and knees. The fact he is, in fact, NOT human; for all that he once was. But?? The kid? Is... not terrible company.
He'd even go so far as to say? It's like having a pet intern.
He can sleep on the couch.
Tell you what, you stay here? I'll keep taking about stars and YOU can do the chores I don't feel like doing. I'll take care of you and all that.
And Danny? Honestly was sold at the word "stars" but? This sounds like a phenomenally terrible idea... and he has yet to meet one of THOSE he hasn't made out sloppy still with, so deal! But as a minor, that DOES make you his new gaurdian for the next four-ish years. He's legally obligated to finish schooling.
Ah.
.....well shit.
(Just? Local stressed 14-15 year old Ghost King does RESPONSIBILE thing and finds Adultier Adult. With more qualified Adult powers. Unfortunately for everyone, the adult is Lucifer Morningstar, night club owner. Even MORE Unfortunately, said ghost kind has pack bonded with the Nice Star Man, who saved him from the Bad Ring, and effectively offered to let him crash on his swanky couchs.
Now Morningstar has to? Somewhat VAGUELY pretend he gives a shit local schooling system, as he puts his charge INTO it. Actively giving waking terrors to the magical community. What evil plot is afoot? Where did he get this tiny minor death god? What is his end goal FOR said child?
No one knooooows~
But Lucifer is just doing this cause he's a Being of his word. He hates the tedious minor chores he'll be foisting off onto Danny. And? Most importantly? Look at that face. *shoujo sparkly eyes of Star Sempai Noticed Me!* it's like having a golden retriever puppy. Ffs he has STANDARDS.)
(It'd be hilarious to watch the hostile 5th dimensional chess DC characters have going on in the background, all while? Danny is like? Man! Isn't this universe GREAT? Everyone here is so CHILL! And nice to me! I'm so relaxed now! Finally, I can finish my education in peace.)
@hdgnj @hypewinter @lolottes @babbling-babull @nerdpoe @mutable-manifestation
#dpxdc#dp x dc#dc x dp#dcxdp#dc x dp prompt#danny phantom#tw wounds#but only as euphemism for emotional state
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