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onceuponapuffin · 18 hours

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Fanatic Intervention Part 7!!!

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It will not surprise you at all, dear Reader, to learn that Aziraphale keeps very little in his kitchen cupboards. There is no stove or oven, and the only thing in the fridge is milk (for his tea no doubt). When you start opening cupboards, you find one pack of custard creams, and a second one of chocolate digestives. Well, it will have to do. You find yourself a small plate and fill it half and half before heading back into the shop just in time to say goodbye to Anathema and Newt.

As they leave, you turn to the supernatural entities in the room.

“So,” You say, “If we’re going to the States, then we have a few problems. First, I don’t have my passport or any ID at all, so airport security is going to be fun. Second, I have no money. Third, I’m gonna need a Walmart or something because I don’t even have a toothbrush, my dudes. Fourth, these,” You indicate the cookies, “are fine for a snack, but overall they’re not gonna cut it.”

“You just leave the airport security to us,” Aziraphale replies. You make a note that he glided right past ‘my dudes,’ they’re getting used to you already. Dammit. “As for the rest of it,” Aziraphale continues, “I suppose a trip to Tesco’s is in order.”

Crowley produces a shiny black credit card from nowhere and hands it to you. “We’ll take the Bentley,” he says. He starts to stand, but you shake your head.

“Nuh-uh, you both stay here,” You say. Crowley raises his eyebrow.

“You realize we can take care of ourselves,” he says, “We’ve been doing it for a few millennia.”

“I’m not talking about that,” You say, “Look, what we’re going into is really dangerous. And I know that your pattern is to just wait to talk about things until you’re in the clear, but that’s not a good idea anymore. I mean, I get that I’m not exactly an expert, but I read just as much as you do and I’ve heard a million stories by this point in my life, and in NONE of them do people ever say ‘I’m so glad I never told them how I feel’ - you know? It’s always ‘I wish I would have’ or ‘I should have told them every day.’ So Muriel and I will go ask Maggie to take us to Tesco, and you two need to talk. Please. While it’s safe, while you have the chance, before things get dangerous and possibly deadly.”

Crowley and Aziraphale are silent. You notice that they aren’t looking at each other. Well, you’ve done your best. Now you need to trust them.

At this point, dear Reader, you are probably thinking to yourself ‘well I would snoop and spy on them while they talk! I want to watch them make out!’ But here is the thing – in this world they are real people, not characters. It’s one thing to say that you would creep on them from the other side of this fiction, but when they’re very real and looking at you in person, things are a little different. For one thing, you realize that real people deserve things like boundaries and privacy, especially for sensitive conversations.

And so, you take Muriel over to Maggie’s shop, where you explain that Mr. Fell has sent the two of you on an errand and you need to stop for dinner somewhere and have no idea where anything is. You flash her the credit card and say ‘It’s all on me,’ and she conveniently agrees with a look on her face that says something like ‘least they could do after all that shit they put us through.’

So the three of you go for dinner at the nearest Weatherspoons, where you and Maggie eat while Muriel watches in morbid fascination. Then you all take the bus to Tesco where you buy yourself a small wardrobe, and manage to coax Muriel into some light blue jeans and an argyle jumper so they look a little less like the Beacon of Gondor. You quickly find out that Muriel has an adorable fascination with fuzzy socks, novelty mugs, and coloured pencils. Of course, you enable their fascinations with a happy heart, and as an afterthought, you grab them a small pot of orange daisies from the flower section. It will give them something alive to tend to while you’re gone. Muriel appreciates the thought. All in all, it’s a long but good time.

You don’t know about the talk, and you’re worried about asking when you get back.

THAT BEING SAID

You and I, dear Reader, not actually being in that world, are allowed certain privileges.

The bookshop is silent for a long time. Both of them are thinking, digesting, processing. Feelings are hard to feel, and harder to put into words. Especially when it has been made clear, twice now in the span of a number of hours, that you absolutely need to put them into words.

It isn’t until after Crowley notices you, Muriel, and Maggie heading down the street that he stands up and begins to pace. A few more minutes pass before he speaks.

“So...uhm...are you going to go first or should I?”

“Are we...are we actually going to do this? Have this talk I mean?” Aziraphale has been shelving books to try and take the edge off. Now he puts down the book in his hands and absent-mindedly fidgets with his ring.

“Well, I mean we don’t have to,” Crowley says, aiming for non-chalance and missing ever-so-slightly, “No one can actually make us.”

“Yes, except it feels very much like everyone is trying to.”

“Trying is the key word there.”

“That’s true enough I suppose.”

The silence returns and stretches. It is anything but comfortable. The air is full of words that they have been told they should say, words that perhaps they want to say, but words that have been dammed up with fear and uncertainty for so long now that they’ve become very hard to un-stick. After a while, Aziraphale clears his throat and speaks.

“I, erm, I suppose you had better go first.”

“Me, right, okay.” Crowley clears his throat now and stops his pacing near the desk. He looks down at the scattered papers and books, the pens and photos and newspaper clippings. The assorted clutter of Aziraphale’s life. Looking away makes it easier to start. He takes a breath. “Um..right...well...we’ve known each other a long time. We’ve been on this planet a long time – you and me, I mean. I’ve always been able to rely on you, and you’ve always relied on me,” another breath, “We’re a team, yeah? A group of the two of us. And...erm...we pretend that we aren’t. Always have. Safer that way I guess.” He looks up at Aziraphale. The angel isn’t looking at him, but he nods anyway to show that he’s listening. Crowley continues. “And I mean...I’ve tried not to think about it much before but...but it would be nice, I mean, UGH” He takes off his sunglasses and rubs a hand over his eyes as though he can massage the words and make them easier to say. “I mean, I would like to spend...mmm….I would like to spend the rest not pretending anymore. Be an us. I mean,” suddenly the dam breaks, and Crowley finds the words come tumbling out, “If Gabriel and Beelzebub can do it, we can. We don’t need Heaven or Hell, they’re both toxic. We can be an us, on our side. You and me. What do you say?” He looks at Aziraphale without reservation now. His angel looks back at him, eyes wide. When he does speak, it’s with a smile and a small nod of acknowledgment rather than agreement.

“That was very well done Crowley,” he says. This isn’t an answer.

“Nnyeah, thanks. Your turn though.”

“Right, I suppose it is.” Aziraphale takes a moment to gather himself. After hearing Crowley be so open about this, he feels more resolved himself to do this properly. He faces Crowley and folds his hands to keep himself grounded. “Crowley,” he begins, “I...I wish that this conversation were happening under better circumstances. Although it’s been pointed out that ideal circumstances aren’t a promise that we can wait around for. Well, the thing is that I would like the same thing. Very much in fact. My biggest concern by far is for your safety because, well, frankly I don’t see the point in saving the world again if you’re not around to enjoy it with me. An us, as you said. You and me.” He smiles. Crowley smiles.

“Guess we’d better save the world together then. And try not to die.”

“Yes, quite.”

“Aziraphale?”

“Yes, Crowley?”

“You’re my angel. No one else.”

“And you, my wiley serpent. No one else.”

The shop bell dings.

“We’re baaaaaack!” You sing as you waltz through the door, shopping bags in hand. Muriel follows after you, carefully carrying their daisies. “Did you miss us?”

When you eventually get the courage to ask them about their talk later, you get a “ngk” from Crowley, and a “We’ve said all that needs to be said, for now.” from Aziraphale. And that, you suppose, will have to do.

❤️ ❤️ ❤️ ❤️ 🖤

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ashfae · 9 months

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The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.