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mermaidsirennikita · 5 days

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People are ridiculously entitled and it’s genuinely so disheartening. Books are someone’s ART. You don’t just get to alter a name in someone else’s creative work. (I’m appalled people out there think this is remotely acceptable - writers are not court jesters nor do they exist to please everyone - no human being nor their creative work does, in fact!) Thanks for putting your various responses out there! Here’s hoping people learn to respect and appreciate artists and creators once again

Quoth Nora Roberts:

I am not here to be a slave to certain reader’s wants, needs, whims. Again, I write what I write, and these are MY characters, in my books. Not yours. They are yours to enjoy or not, but they belong to me, they come from me...

You don’t have to agree, but I’m not writing for your particular point of view. Again, I’ve explained my reasons for this. I won’t do so again. My characters, my books, my decision. If you want something else, read something else.

And yes, I said that, too. Blast away, it changes nothing. I am not obliged to meet an individual’s demands.

So.

First off:

If you're really super chill about the idea of being able to change what writers write just because you didn't like a detail you think is small and irrelevant, I would sincerely encourage you to read La Nora's full thoughts on similar issues... and yeah, I'm gonna equate something as "small" as a name with what Nora's talking about here. Because it is ALL the author's domain. I've never personally subscribed to the idea that a work "isn't yours anymore" once it's out in the world. The way people interpret and interact with it isn't yours, sure. But it's still your creation, and you should be the only person with control over the content.

... and sometimes, I, as a reader, don't like what authors do with their content. I get it. I don't like that Lisa Kleypas edited her work years after publishing it, because I'm big on the "own what you wrote originally even if it's uncomfy" train... (for the most part--editing the fetishization of Cam and Kev would've made sense to me). And I don't think there's anything wrong with readers pointing out problematic shit in a writer's work, offering critique in an open forum, as Smart Bitches, Trashy books did when reading Hello, Stranger, which I speculate may have prompted some of Lisa's edits.

But! I can't say that it would ever be my right as a reader to, say, use future technology to tell my reading device "edit out the times Cam says shit that reads super fetishized". It's just kind of repellent to me to imagine rewriting someone's work in any way without their permission. Fuck, I don't even like the idea of estates releasing sequels or revised versions of books unless the author indicated that such was in their wishes in their will. (See: the TWO official Gone with the Wind sequels/prequels/whatever authorized by Margaret Mitchell's estate.)

We, as readers, have our lanes. The writers have theirs. And sometimes, as writers, they do tiny things or BIG things in their lanes that we dislike. (I love Tiffany Reisz's Original Sinners series, for the most part. I really, REALLY hate the most recent book in the series. HATE. IT. But the only thing I can do about that shit is just pretend that book never happened, which I actually can fairly efficiently because I do in fact control what my brain does. Or, seek out books that give me what that series didn't with that most recent book. Sierra Simone's do a bangin' job.) But you know... Not only do I not think it is safe for me to merge into their lane... I don't want writers to feel like they have to submit to demand and give away pieces of their work in order to keep selling.

(And honestly? For the vast majority, I don't think it would make enough of a difference anyway--writers are often sold bills of goods with new strategies or tech. "This will change the way you sell books". Most writers won't ever be able to write full time anyway, and I find the way that this fantasy that you'll be able to do otherwise with THIS TECH optimizing your writing time, or THIS SUBSCRIPTION increasing the eyeballs that will see your book... Scammy. Not all of it's bad! But the selling strategy that you'll make more money... If you're selling on KU, if five extra people buy your book you're still making pennies, so it's gotta be more than one thing that converges to create the sale, and a lot of that, I gotta say, is word of mouth and people just LIKING YOUR SHIT. And I'd argue that they're more likely to like your shit if you're invested as a writer.)

Second:

No need to thank me! I honestly think that the majority of readers do appreciate what writers do (or don't feel either way about it and just read like people have always read lol) but I don't know. I can't really tell what it is--the sort of "fandom" that's been created around books (and like, author fan clubs and such have always existed, but obviously the accessibility is so different), new tech developing very rapidly when for centuries books were relatively stagnant technologically speaking, the fanficification of EVERY type of media it feels like... But the sense of entitlement that certain readers feel does seem to have grown. Or maybe it's simply become more visible. I mean, Nora Roberts has from the dawn of her writing career taken off had fans that can communicate with her, and I'm sure many have written letters like "Go give these characters a baby :(".

My biggest thing is always going to be this: some books ain't gonna be for you. There are books that sound so Caroline. I read them, and for whatever reason--writing style, one character choice, something ephemeral I can't name--they aren't. Everyone else loves these books. I'd love to love these books. I'd love to discuss these books. I'm not in the party. And that's FINE. Not every party is going to be a party I'm down for! One of my best friends loooooves Tessa Bailey and Tessa-like contemporaries. Tessa, by and large, doesn't work for me. So my friend and I can't discuss a lot of books in depth. Do I wish historicals worked for her so that I could nerd out with her? Sure! But I can't make something that doesn't work for her work for her, and I can't make Tessa's books work for me.

And I know that people will be like "it's just a name bitch", but... it's a slippery slope to me, just like ALL of AI and AI-related tech has been a slippery slope. Like, y'all said AI wasn't gonna be a big deal and would just make things easier, and people are now selling AI-written books under their names. Everyone said that authors would have control over how AI interacted with their books, and books are being scraped for AI on the daily.

I do not want anyone to have final control over what is and isn't in a book but the person who wrote the book. I do not want writers to feel like they need to cede any amount of control over the copy in that book over to readers in order to succeed.

And I honestly think it would be a lot healthier for everyone involved if we as readers (viewers, general audiences) just accepted that we don't get everything we want, and creatives are not here to dance to our tune. They are people, and they want to tell the stories they want to tell. Your power? Is in your dollar. If you don't like that shit, don't buy it. If you don't want to support it... don't! Fuck, if you want to talk shit on the internet about how the most recent book in the series was absolutely not for you, that's your right, too.

I don't want you fucking with a single word on the page, though. Feel free to go write your own shit--prosper! But that part of what Nora said that rings true to me most is "they come from me". These books come from writers. You have them because of those writers. So, I don't know, dude. Just take what's there, and if you dislike it, spit it out and move on to the thing you will like. Authors aren't churn factories to produce what you want, and ROMANCE as a genre, however commercial it is and however much it does have that One Rule that defines it as a genre... Is still something that writers should be allowed to experiment with. That's the work writers put in. The work readers put in? Finding shit that works for us. And I'm telling you... With a little practice, it ain't hard. How do y'all think I have all these books to recommend? Lmao

#romance novel blogging #and look until i publish a book i consider myself a reader first a writer second #i get it! i love readers! i am a reader! i think the majority of readers are totally respectful of the process #or again just don't care and read a book and move on lmao #don't even have a goodreads account #(which is FINE)#but the entitlement squicks me out both as a reader and as a (for now largely for fun) writer #it's like people put zero consideration into the effort and thought it takes #it's work! and your money is your money and you can decide whether or not you want to support that work #but like... it's especially a thing w romance imo even from romance readers #where this seems to be this idea that there isn't effort and thought put into the books. and it's p demeaning tbh #and you know i'd say the same shit if we were talking fic #and i don't think that any of what i'm saying suggests that you can't make fic btw--creating a fanwork and altering the original #v different things and they come with different intentions imo... and i respect the effort that comes w fic too #ANYWAY! i said i wouldn't say anymore but the casual nature of just changing shit really bugs me #and i needed to get these thoughts out of my head bc i kept thinking about it lol #and everyone can HATE ME

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starswallowingsea · 18 days

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thinking of that post that's like being a picky eater as a kid just means i get to experience the joy of trying so many foods as an adult. i have some new foods planned for this week after i move including stir fried sweet and sour veggies + rice and omurice (really simple fried rice... may add veggies to it later if i like it but one step at a time). will let you guys know how it goes

#shay speaks #i want to try and eat healthier and its going to start somewhere on god #i tried doing this last year but living with someone else really hindered my mental ability to do that #mostly bc. she took up so much space in our fridge #having my fridge and freezer 2 myself is going to help a lot i hope. and no other people to walk in on me cooking #it's going to be a slow process but i want to have a better relationship with food #my other goal is to have at least one higher effort meal a week. if not more but at least one #higher effort than making like maccy cheese or pizza rolls yeah?#also i was in the middle of typing my tags when my parents called me up for dinner and then served smth that makes my arfid #flare up. which is meatballs. they marinated the meatballs in the sauce which does wonders for my brain thinking smth is inedible #meat is still a hard no most of the time for me so uhm. not fun.#too many awful memories around that in particular. same with alfredo lmao i've briefly mentioned why i hate alfredo here before #horrible horrible sauce do not put me in the same room as it please and thankies #anyway.

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vaugarde · 23 days

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sometimes i think abt that youtuber that said diane nguyen was a dull character in seasons 1-4 of bojack because “shes the character that is the hardest to relate to in the cast because she’s married to a sitcom actor and is a popular ghostwriter, which isnt something many people can say, so to fix her, they needed to let her get divorced and get into a worse financial situation ”

as opposed to the actual sitcom star she married who got the job by wandering into a studio, apparently,

#i agree that shes kinda on the wayside in those seasons but i wouldnt say shes bland or nothing at all #i honestly found her to be pretty relatable and some of her more toxic traits helped me realize aspects of myself i need to work on #even before season 6 where her arc hits me like a freight train i still really empathized with her #especially in that episode where mr pb throws her a giant surprise party despite her telling him several times she hates that stuff #and he just snaps at her for being ungrateful. ik shes not faultless but tbh i was totally on her side lmao bc i would die if someone did th #that to me #echoed voice #also ik this show gets praised for its realistic portrayals and whatnot and im in that boat too but this makes me go ?????#bc theyre all high level managers or actors besides todd. who also isnt relatable bc he just does insane shit all the time #relatable by the metric the reviewer put up i mean. he can still be relatable otherwise i mean djfjf

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littledreamling · 1 year

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∇ - old age/aging headcanon (for dream and hob if they were human rather than immortal, i suppose)

Oh my friend, you have just unlocked a side of my mind that's rarely seen but so so feral!

From this headcanon meme!

I absolutely adore aging Hob and Dream. Even outside of a human au, I love the thought of them growing old together. Age continues to exist, even if the physical evidence of it (and indeed, the end result of it) does not. Hob still ages; each year that passes is another year since he last saw his mother, another year since he last rode a horse (he really wants to get back into that and keeps telling himself that this year will be the year, but it never is), another year since he heard his oldest friends' laughter. He feels the weight of his immortality every single day, and it's not an unbearable weight, but it hangs off of his shoulders nonetheless. Dream, too, ages. Perhaps not in the same way; his life is not measured in the same way as human lives are, he does not count each passing second as an added second to his never-ending, eternal clock, nor does he measure the length of the road behind him (or the road ahead of him) in human years. Yet he ages. If learning and growing and changing are all marks of growing up and growing old, then he is doing both. He was not always; for a long time, he had been stuck in time, neither adapting nor maturing in any conceivable way, but recent events (and a certain immortal mortal) have dragged him firmly into the realm of the aging.

And it's a good thing! Hob had learned the old aphorism long ago: change or die, and he had chosen to live. Living means changing; changing with the times, changing outlooks, changing opinions, changing biases. He is a master of change, moving from one life to the next with all the fluidity of a rushing river. His ability to do so is his aging. Likewise, Dream's willingness to, if nothing else, at least see Hob's point of view about change, shows his own aging.

But you didn't send this ask to hear me wax poetic about the philosophy of aging or changing, so here are my thoughts on old, human Dreamling.

Dream is a grumpy old man. He's the old man who worked every day of his life, without break or vacation, and his body is punishing him for it. He was definitely an artist of some kind, maybe a sculptor, maybe something else. It doesn't matter; at the end of his day, his knees click and his knuckles are swollen with arthritis and all of the muscles that had built up in his shoulders have languished in his old age. He can't hold a paintbrush or spin a pottery wheel anymore and it eats him alive with every sunrise. Hob, on the other hand, is the singular spot of warmth and light in Dream's life. Hob, a retired soldier, or maybe a life-long construction worker, has kept his sunny disposition (and, infuriatingly, his fit frame) into his older years. They're the quintessential grumpy one/sunshine one, though anyone who knows them personally knows that Dream has a soft spot for children, and for birds, and for anyone who has a story to tell, while Hob has a mean streak a mile wide if you get on his bad side. They spend their days sitting at the kitchen table, cradling warm cups of coffee or tea, or sitting on their front porch, cradling warm cups of coffee or tea, or sitting on a bench in their local park, cradling warm cups of coffee or tea. They always have warm cups of coffee or tea. They're well-known at the coffee shop, and Hob will recount the story of how they met in that very same shop loudly and at length to anyone who asks (and sometimes to people who don't).

On days when Dream feels as though he can't get out of bed, like his body is too heavy for the world, like his mind has fallen into such disrepair as to be unusable, Hob is the one who sits next to him, a warm hand on his shoulder, and affectionately calls him a drama queen. He'll roll his eyes at his husband's antics, but he'll bring him breakfast in bed anyway. And when Hob is haunted by old nightmares of a long life, not always well-lived, Dream will hold one of their countless books in long, shaking fingers, and he will read to his husband, poems and epic tales, and Dream won't tell Hob that he's not reading, he's reciting, because his quiver and eyesight have gotten so bad that he can't see the words clearly, but he knows them in his heart. And Hob won't tell Dream that he doesn't need to go through the trouble, that it's his presence that's grounding, not the words he's speaking; he'll sit in his presence and let the wash of words roll over him like a comforting tide, drowning his bone-deep anxieties. He'd listen to his husband read the phone book and still find enjoyment in that deep voice and the cadence of his tone.

And when they die, because they do die, they die together. Not in time, mind you, but in company. Surrounded by friends and family, the younger siblings of the Endless family, the children they adopted and the grandchildren, both blood-related and not. Morpheus dies first, his body breaking at the seams. He dies in his sleep, napping on the couch while Hob cooks dinner, and his last words are breathed into the quiet room, asking Hob for a blanket. The funeral is a somber affair, a solemn celebration of everything Morpheus had been; an artist, a husband, a father, a flawed man. The entire town attends, even those who had gotten yelled at from across the lawn or across the park (Dream had taken grave offense to anyone disrupting the local bird population, a story that gets told at the reception with teary eyes and wobbly smiles). When Hob gets home, their entire family is there, warm and laughing and joyful and he can feel his husband in the room, in the people they both had dedicated their lives to.

When Hob dies a week later, no one is surprised. It's his daughter who finds him, curled up on the very same couch, wrapped in the very same blanket, tucked lovingly around him, as if someone else had draped the quilt over his shoulders. She cries, because he was her father, and she loved him, and a part of her had hoped that he would be around forever. But there is a larger part, a much larger part, that finds comfort in the sight. Hob and Dream were never meant to be separated. Wherever they are, she reasons (because they were never a religious family), they are together. For now and forever. As they always should be.

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cluescorner · 2 months

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Randomized Robins AU - Ages + Worst Trait Exercise:

Steph (25):

Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)

Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)

Her worst trait really is her spitefulness

Cass (26)

Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.)

Thinks her worst trait is her self-righteousness.

Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)

Tim (24)

Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)

Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)

His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)

Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)

Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this).

Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)

His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)

Dick (17)

Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)

Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)

His worst trait actually is his anger issues.

Barbara (18)

Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)

Thinks her worst trait is her disability

Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)

Damian (16)

Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)

Thinks his worst trait is his perfectionism

His worst trait actually is his perfectionism

Duke (16)

Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)

Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)

His worst trait actually is his impulsivity in his words

Jason (14)

Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne).

Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)

His worst trait actually is his reactiveness

#stephanie brown #cassandra cain #tim drake #dick grayson #barbara gordon #damian wayne #duke thomas #jason todd #batfamily #randomizedrobinsau #I'm debating whether I should tag this with the Joker Junior tag and those related to it for Pierrot #because like...it's not quite that. but it's also very close to that and is the direct result of that.#but Pierrot would fucking HATE to be tagged as that and sees it as an insult to his identity...which he already has problems with #so I don't think I'm gonna #anyways lmao I am totally projecting my younger self onto Barbara. How could I not? She's literally the reason I view my disability #the way that I do and she actively improved my mental health just by existing and saying some of the shit she did when I was in the #stages of accepting my own disability. So yeah I am projecting a lot onto her because I love her and see myself in her.#I'm mostly basing these characterizations on my favorite versions of them (ie Red Robin 2009 Tim and Birds of Prey Barbara).#so I'm taking the traits I like/think fit in this AU and discarding what I think either is bad or doesn't fit or if I just don't like it.#Damian's 'murder gremlin who is a meanie on purpose because he is a meanie' is entirely unappealing to me and also does not fit this AU #I prefer him when he's portrayed as a sympathetic kid (who is still an asshole) and not a demon child. So that's what I'm using.#same with Talia's 'abusive mother who is totally on-board with all of her father's bullshit and will kill someone for no reason' version #I have read enough comics to know what I like/what is most important and what I don't like/what is #BLATANT CHARACTER ASSASSINATION GRANT MORRISON YOU FUCK YOU SET TALIA BACK SO FUCKING FAR #I also decided to outline their WORST traits because I already know what I like about these characters/their best traits.#most people do. But what was a greater challenge was finding what would make their lives and those of others worse.#what would I hate about this person if I knew them IRL? What would I first suggest they get therapy for? What hurts them and why?#I found these questions really interesting in the context of this AU where some people are forced into completely different roles #the says/thinks/is was inspired by trying to answer that question for myself. I say my worst trait is my impulsiveness but when #I asked others in my life they answered 'oh so you said your weird thing where you don't ask for help right?'

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