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#and how this affects the structure of everything you have to do
ganymedesclock · 9 months
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Any genre of game can have a disabled protagonist if you aren't a coward / willing to put the work in, but I'm currently batting around the concept of specifically point-and-click puzzle adventure games with a highly disabled protagonist.
Often, the pace of such games tends sedate and contemplative. Your character is seldom in a hurry; they are mostly faced by trying to figure out how to accomplish a particular task, and if a deadline is imposed, it's an extra thing to juggle.
This could be an interesting presumption to incorporate from a watsonian lens, through the viewpoint of a protagonist who may have limited mobility, pain and/or fatigue that make hurrying punitively inaccessible. It'd let the player familiarize themselves with early puzzles if the first thing they have to figure out how to do is say, get their player character out of bed in an environment where they don't have their usual fallbacks.
(also if this is also a walking adventure, it'd let you dodge accusations of the insurmountable waist-high fence- your intrepid hero MIGHT be able to climb over those bricks if they didn't have two bad hips and a walker to worry about!)
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kicktwine · 8 months
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the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore
#kipspeak#my point being everyone is too mean about post arr. sure f’lhammin did not have to be our problem but everything after that was like#meandering. Thinking. building. unnerving. they were cooking and i RESPECT their dubious food#i love homestuck and long audio dramas and dnd podcasts and indecipherable fancomics and lego ninjas and khux and im starting to love ffxiv#all incredibly long and made with passion and kinda weird and hard to get into#said with THE MOST affection in my heart#I could structure a kids show and I know how to write for tv but in my heart of hearts#I just want to write an impossibly long absurdity epic that is weird and a little bad and also makes you feel shrimp emotions#ALSO I feel 0% bad for not respecting ur theory or opinion if you haven’t played khux/dr/recoded I don’t feel bad about it at all I’m right#understand what’s going on in them and I’ll respect your theories. it’s like comics enjoyers but less chaotic#don’t let me get into comics. superheroes never really catch my interest but if you let me get into comics I’d explode#‘it gets really good’ is a genuine way to interest me#also don’t let me get into anime that do this. I already watched a thousand episodes of detective Conan—#maybe it’s a careful balance of weird and Good Storytelling Seeds. it has to have internal logic for one; and it has to have a structure#It has to be leading somewhere. and I want to see where it leads#we are GOING through the disney worlds. all of them. they are COOKING !!!!!!!!!!!!!!!!
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strongermonster · 2 years
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i taught a baking class for 12 year olds today and we made your garden variety chocolate chip cookies, but i’m a big believer in Questioning Everything and the who/what/where/why/when/how behind things, so the first part of the class was purposely letting the kids do things the wrong way, to show and explain why we do things the way we do.
“why do we bake cookies at 180 for 9 minutes when we could do 400 for 2 minutes?” -enter the godawful lump of coal with a still gross wet and uncooked inside
“why do we have to scoop out little cookies instead of doing the whole tray?” -ok well that one you can technically do if the spread is even. you just end up with one giant, structurally unsound cookie. “PLEASE CAN WE MAKE GIANT COOKIES” (we did make 1 giant tray cookie)
we talked a lot about why consistency is important, but i don’t think it really hammered home until i said “okay everyone gets ONE cookie, that’s fair, right?” and then handed out cookies of hugely varying sizes. + baked one fat lump of a cookie that still wasn’t done at the 9 minutes, vs the regular one i put in that came out charred by the time the first was actually done.
we also made a row of cookies where each one had one single differing ingredient omitted, like a cookie with no flour, or a cookie with no butter, and laid them all out on a single tray to bake together to see how each ingredient affects the outcome.
two of the little girls added cocoa to their cookie doughs until it matched the colour of each others skin to make best friend cookies, and that almost made me tear up a bit 🥺
got briefly distracted (...for over half an hour...) talking about how eggs form when someone cracked an egg and it had 2 yolks
expertly tolerated being asked how old i am (just turned 31 the other day) which was immediately followed by asking if i watched the moon landing live on tv
was so focused on keeping track of all the kids that in the end i forgot to make a cookie for myself, but it’s ok because one of the girls gave me this
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tiny..........
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headspace-hotel · 1 year
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nature things that a lot of people don't know about and weren't even taught about adequately, but they're actually really fundamental and important to know about
how rivers work. Where do they get started? how do they decide which way to flow?? what makes one river muddy and the other one clear?
[They flow downhill. Always. If a river is flowing a Way, that way is Downhill. They start with rain flowing or soaking downhill until it forms into a little trickle through a channel like a gully or drainage ditch, and the farther it flows the more other trickles flow into it from the land around it, until you have a stream, and the streams all flow downhill until they run into each other, and eventually you have a river which finally reaches the ocean. Rivers never flow FROM the ocean because the ocean is the most downhill you can possibly go. I don't think rivers usually split in two—a fork in a waterway is usually two rivers joining together.]
[On the subject of pollution, rain is usually supposed to soak slowly through the layer of leaves, roots, and dead plant material that covers most biomes. But if you tear up the plants and leave bare mud, or replace a forest with a muddy cow pasture, there's no filter, and mud and contaminants wash into the river. Just plain mud can be pollution.]
how soil works. What makes different soils different? Why are some soils good for growing a garden and others terrible? Does it need more fertilizer?
[The sand, silt, clay diagram is very simplified and only deals with one aspect of soil. Roots, soil animals, fungi, and dead plant material are all part of soil and affect its structure, making it spongy and full of holes and passages for nutrients, water, and new roots. Tilling can break hard soil, but tilling doesn't make soil light, fluffy, and permeable—disturbing the soil as little as possible, protecting it with a layer of plant material, and allowing the natural life forms of the soil develop their networks and tunnels and slowly break down the plant material layer does. This is also very simplified. Soil is COMPLICATED.]
what fungi are, and whether they are dangerous.
[fungi cannot harm you unless you eat them or unless they're growing inside your house and you're inhaling their spores in a concentrated space. There's like, one species in Japan that causes skin irritation. You can touch any other species without any harm whatsoever. *Most* of them don't harm your garden either—in fact, most plants connect their root systems to the fungal mycelium in the soil and receive nutrients from the fungus in exchange for the products of photosynthesis.]
Whether lichen harm trees
[no. They're just hanging out. But a LOT of lichen on a tree might be a sign that the tree is dying. It's not the lichen's fault though.]
What moss is??
[it's a plant, but a very simple plant that doesn't have any vessels for transporting water, so it has to live somewhere damp and soak it up like a sponge. There are hundreds of species of moss, and different species live on the side of a boulder vs. the top, or a living tree trunk vs. a fallen dead tree trunk!]
where bugs go in the winter? I straight up had a book as a kid that told me that they just die, without explaining how the species doesn't go extinct if the winter kills them all.
[Tl;dr they're usually hibernating in fallen leaves and dead wood and plant material. Some do this as eggs or larvae/caterpillars; in this case the adults do die, but their children sleep peacefully through the winter to awake in the spring. And still others hibernate as adults. This is why you don't clean up your flower beds until late spring.]
How Many plants there are
[WAY more than you think]
How ecosystems work apart from "everything is out to get everything else and take resources from other organisms."
[Competition and cooperation are both important in ecosystems! Weeds are competitive and they can choke out other plants, but they also protect the soil from erosion and harsh sunlight, keeping it moist and helping organic matter to build up. A lot of plants, when they're young, need to be sheltered by other plants that protect them from dryness, heat, and herbivores. This isn't even getting into how some plants will send nutrients to seedlings or to understory plants in a forest! Before industrial agriculture made monocultures dominant, people used and were familiar with cooperative relationships between plants a LOT more.]
The range of creatures that are pollinators, and how important the variety is.
[Bees, wasps, butterflies, moths, flies, ants, beetles, hummingbirds, and bats are all pollinators, and flowers are usually shaped and colored and scented to attract particular pollinators. Bees can't do everything, and honey bees are only one kind of bee. Red flowers and long tube shaped flowers are often for hummingbirds, pale-colored flowers that open at night need moths, and flowers that give off strong foul odors often attract flies. It gets WAY more complicated than that—sometimes a flower is only pollinated by a single species of bee or wasp or beetle.]
How many bees there are besides honey bees
[LOTS. And you've probably never seen most of them, if you don't regularly spend time around native plants! There are 140 species of longhorn bee alone, and most people haven't even heard of longhorn bees! There are well over a hundred bumble bees too! Bees come in bright, metallic green, blue, and pure gold. In the USA where I live, some of the most endangered bees are the adorable, fluffy bumble bees—the American Bumble Bee is threatened, and we have some species, like the rusty-patched bumble bee, that are critically endangered.]
[Please, please, please do not use pesticides on plants unless it is a necessity, and please do a LOT of research on the specific pesticide you are using and its effects on non-target insects. If there is any alternative, Do Not Do It. ESPECIALLY not pesticides that come in dust or powder form, ESPECIALLY in the USA, because regulations are so loose here that regular people can buy pesticides in dust form that are horribly toxic to bees.]
[How horribly toxic? A pesticide like Sevin dust will cling to the fuzz on every single bee that visits your plant—like pollen—and those bees will probably die. And in social bees, before they die, they will take the poison back to their hive (like pollen) and potentially kill the entire hive.]
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loveemagicpeace · 8 months
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Mars and what you attract
🎸Mars represents how you attract people and in what way. What kind of energy do you give off and how do people see you. Where you feel the best and where your energy is the best. At the same time, Mars represents male energy, which means that it also represents what kind of men you can attract.
🩶Mars in 1st house-your attractiveness is seen from the outside and people can quickly notice your energy. You are a person who always reacts to what is happening and knows how to stand up for yourself. People can sometimes see you as someone who is too impulsive or angry. You feel best when you do something for yourself and exercise or play sports. You can attract men who play sports, they are more muscular. It can also be men who are self-centered or put a lot of effort into their appearance.
🌹Mars in 2nd house-your attractiveness can be seen through your scent (perfume), skin or something related to skin care. You can have a lot of passion for cooking and food (you always want to enjoy food). You seek your energy through beauty and value. You can spend a lot on luxury or money. You want everything to happen slowly and to enjoy everything. You can attract men who have a lot of money or men who give you a lot.
🏝️Mars in 3rd house-your attractiveness shows through your speech, writing. People can often feel your passion through the way you speak. Writing can bring you great joy and passion. You can also have a great passion for books or things related to it. You can also give a lot of energy to your relatives and siblings. You can attract men who multitask or are all over the place, talkative, you can also be with someone who is a teacher, a writer.
🩷Mars in 4th house-your attractiveness shows when you are perhaps least well-groomed or at home in comfortable clothes. Your emotional energy is attractive to people. Mars is somehow hidden in this house and you can be a person who shares passion only with people who are really close to them or family. Your passion manifests itself through arranging your home, organizing things, enjoying time with your family. But you feel best in your own space at home. You can attract men who are more into family, are caring, emotional , maybe moody.
🎨Mars in 5th house-your attractiveness shows when you are doing something or being active, people often find you attractive when you are in action. You give a lot of your energy to hobbies, joy and enjoyment in general. You can find a lot of passion through romance, or it can even bring you the most joy. You prefer to do the things you did when you were a child or teenager. You always want to keep your teenage energy. You attract men who are confident, charismatic, proud, you can also be someone who likes to play games or childish men.
☁️Mars in 6th house-your attractiveness is shown through your body - people often like your body structure, organization, healthy lifestyle. You feel best when you invest your energy in being proactive, organized, doing something good for your body and keeping your body healthy. But a lot of energy can also go to work - you can become obsessed with work, which can be bad or can it affect your health. You can also feel the best among animals. You attract men who are hardworking, organized, picky, like to clean or someone who likes to work with animals. It can also be a veterinarian, a fitness trainer...
🌙Mars in 7th house-people like your beauty, neatness, style and justice. You feel your best when you get along well with everyone and your relationships are good. You can also feel your best when you are in a relationship. You devote a lot of energy to others and put a lot into making your relationship successful. You can also put a lot into your beauty and always looking beautiful. You attract men who are beautiful, who care a lot about their appearance and neatness. Men who are charming.
🫧Mars in 8th house-your attractiveness is shown through intimate or sexual attraction (many times people can find you attractive in this way). And also through the power you carry with you. You feel best when you have control and power over yourself and when you are emotionally stable. You can feel the best in your own space that no one knows about. You have a lot of intense energy in you, but you show it on the outside. You can feel good when you are spiritual, you can do research - you can also do astrology. You attract men who are very attractive and you can hardly resist them because they have such energy in them. Men who can be jealous, possessive, controlling, persistent, deep.
⛵️Mars in 9th house-your attractiveness shows through your energy, intelligence, stories. You have the most passion for travel, research, other cultures, places. These people usually always have a place that is their favorite or they like to go there very much. Passion for life itself means a lot to you, and through this you find that too. You travel a lot and are active, and that's where you put the most energy. You feel best when you travel. Traveling gives you a special energy and energy that you need to relax. You can attract men who are optimistic, adventurous, like to travel, teachers, professors, someone from a foreign country or culture.
🌿Mars in 10th house-your attractiveness is seen outwardly and in public, many times people can see you as very attractive. People may like how persistent, hardworking and successful you are. Usually these people are their own bosses and many of them you find attractive. You put your energy into success and reputation - maybe you can focus too much on work and people around you or how you will turn out. You can also give a lot of energy to your parents or elderly people. You can hang out a lot with your father, grandfather... You attract older men, men who are stable, serious, respectable, successful. Men who may somehow remind you of your father or have similar qualities. A man who respects you and can also be influential.
🎾Mars in 11th house-your attractiveness can often be seen on social networks. People can find you there as a very attractive person (perhaps because of your difference and uniqueness). Many times people find something attractive about you that you don't have (they can also find strange things that they find attractive about you). You put your energy into friends, socializing, your dreams and goals. You can also spend a lot of time trying to achieve your dreams, but at the same time you can also spend a lot of time on social networks. There are two types of people here: one type when you invest a lot in your friends and do a lot for them and want to have a group to belong to. Another type is that you can be alone a lot or feel better when you are alone and work on your interests. You attract men who can be strange, different, unique in some way.
💘Mars in 12th house-your attractiveness manifests itself in a mysterious way, people find you mysteriously beautiful and many times they like your soul and energy in general and they don't even know why. Like, they like your spiritual side and you can give off mermaid vibes. You put a lot of energy into art, drawing, writing, creating music, dancing - something that is more connected to the soul. You have many special and hidden talents. The best thing for your energy is to be by the ocean - anything related to it will give you peace and a relaxing vibes. Places by the ocean are some of the best. You have a very beautiful, strong and special energy. You attract men who are artistic, spiritual, emotional, self-sacrificing, you can also attract men from another country or someone who lives by the sea. Also you can find your soulmate and you feel the person through the energy - without even speaking.
✨ig-bekylibra✨
-Rebekah⛵️🩵🎨
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moltengoldveins · 2 months
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ok but I have Thoughts about the way Minecraft usernames translate to actual names, both irl and in fanfic. They’re definitely ‘obsessed with structure and grumpy at inconsistency flavor autism’ thoughts but still. I find it weird how we cut and paste the media we’re given to fit what we view as functional worldbuilding, and how that gets screwy when translating online names.
like, you’re working with several categories here. The person’s actual real name, their irl nickname, their gamer tag, a name possibly contained by or possibly the entirety of that gamer tag, and any extra pieces or symbols in the gamer tag. And you have the weird situation where those categories might not easily translate to a ‘First Name Last Name’ structure. For an example, we’ve got Phil Watson, who’s gamer tag is ‘Ph1LzA,’ and is called Philza Minecraft or Philza. The ‘Minecraft last name’ is a…. Bit? A joke? A reference to a bit of lore? It’s unclear. The ‘Za’ bit was put there for flair and is now an integral part of his name. Sometimes it’s his last name. Sometimes his real last name is chucked in there. the 1 in his actual username is literally never referenced in nicknames or fic it’s like it’s not even there. But that’s a simple one. What about Tubbo_? because we call him Tubbo Underscore. Like. We say the ‘_’ aloud. Why do we do that. What has possessed us to make that decision? What about FitMC? I’ve usually heard it said ‘Fit Emsee.’ Why say that, and not say ‘Minecraft? That’s not even really a last name, it’s just like…. His full first name. Fit is used more like a shortened nickname. BadBoyHalo. Like. ‘Bad boy’ is a slang term, not a name. It would make the most sense to call him Halo, that’s the distinct noun in the name, the term the ‘bad boy’ bit is referring to. Like ‘GoodTimesWithScar’ but noooo. Bad. Halo is usually a last name, if it’s there at all. Skeppy on the other hand is… just his name. No last name ever. Technoblade is also weird. Technoblade is his full name. We call him that. We ALSO call him ‘Techno,’ and use Blade as a last name. We also use Blade as a title. What the heck. GeminiTay. We call her Gem. We use Tay as a last name sometimes. Her name is a Zodiac constellation. Literally nowhere I’m have I seen that affect her naming conventions. IJevin. We just… remove the I. For everything. This wouldn’t bother me except we don’t do it with everyone and I’m starting to get annoyed by the inconsistency. GoodTimesWithScar. Ok. This one also bugs me. Like, most fics call him Scar Goodtimes when they need a name. I’m not gonna dig into it but that’s…. Why? Why that? Grian never gets a last name. Ranboo sometimes gets chopped into Ran and Boo but usually he’s an Underscore or he’s last nameless. Wilbur Soot functions wonderfully (until the get involved shhhh) but it’s too close to his real name it gets very confusing.
anyway, all of this sucks, I hate it all, we’re a terrible fandom /hj
all that nonsense aside, yknow who has a functional Firstname Lastname username? It’s even got a space, and proper capitals: Mumbo Jumbo. That’s who. Look at that. It’s perfect. Everyone should be more like Mumbo Jumbo. Thank you and good night.
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Edit: I know about Ranboo Beloved and Grian Dreamslayer and the various other characters whose names I didn’t mention perfectly in this post. This was no piece of journalism, this was an old man shouts at cloud meme personified. I was very overstimulated and this was what happened to catch my autistic ire. I’m not upset, just figured I’d clarify, a lot of people seem distressed at my not mentioning Beloved. Hope y’all are having a lovely day 💜
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transmascissues · 4 months
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your hormonally induced clitoromegaly will NEVER be a real penis. stop calling it that.
where are your testicles? where is your scrotum? where is your shaft? where are your glans? where is your frenulum? where is your spermatic cord? where is your prostate? exactly. you don't have any of these anatomical structures. because you don't have a penis.
and enlarged clitoris is not a penis. forearm tissue transplanted onto your pelvis is not a penis. stop lying.
well first of all, i’m not sure who told you that dicks and balls are the same thing, but i’m here to tell you that having balls is not a requirement for having a dick. you can in fact have one of them without the other.
second of all, i’m so sorry to break this to you but i’m afraid you just don’t know shit about how bodies work. surprise! clitorises, with or without t, also have a shaft and glans. you just don’t know how anatomy works!
and as for everything else, i would love to know you why you feel the need to know! maybe no one ever told you this but turning a stranger’s dick into a game of where’s waldo is weird as hell. i’d love to have a word with whoever raised you because i know they didn’t teach you to talk to strangers like that.
in conclusion, if someone else’s dick makes you that mad, you have some soul searching to do because the existence of my dick and what i call it should not matter to you. it has absolutely no affect on your life and i would highly suggest you try spending your time caring about literally anything else instead.
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tryslora · 2 months
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On Writing Combat and Sex Scenes
Today I want to talk about writing sex and combat (and no, I do not mean combative sex). This post is inspired by a few recent events:
Once, a long time ago, I read a blog post that said “if you can write a combat scene, you can write a sex scene” and that was mind-blowing for me because while I was well-versed in writing erotica, I couldn’t write combat to save my life.
More recently, at Boskone, I participated on a panel about writing combat, and the research involved there-in.
Even more recently, I had someone look at me say, “You’re not a gay guy. How do you write gay sex scenes?”
So. Let’s begin.
I get it—sex and combat aren’t interchangeable. But at their core, they have some strong similarities which can be leveraged while writing. Both are intense, high drama, and can involve a lot of anxiety and quick thought. Both tend to narrow focus down to the moment and the current feeling and action. Both are heightened emotion and physical reaction. Both can involve actions that lie outside the author’s personal experience.
I started writing erotica when I was a freshman in college. I posted it online (does anyone remember rec.arts.erotica?) and was surprised (and pleased) by the compliments I received. Turned out my readers were not expecting the idea of emotion being entangled in their erotica. They were invested emotionally in how the stories went, and how my characters felt. Since I was writing from the point of view that made sense to me at the time, they were het stories from a female perspective, and they were very focused on the emotional connections and how the physical events heightened those emotions.
Male readers were surprised by the intensity of the feelings that these stories gave them (as opposed to pure arousal). It got me thinking about how I wrote, and why I wrote, and I tried to talk about it some at the time. I was eighteen. I was still a new writer. The internet itself was new. I wasn’t entirely certain how to frame it, but I remember getting one comment where a guy was surprised at how struck he’d been by the moment in the scene where everything shuddered to a halt due to an event in the story that interrupted the action, and I replied that that was because I wasn’t writing about the sex. I was writing about the character’s reaction to the sex.
Which has always been how I write. At the time, that was my only tool: put myself in the character’s mind, and write what they feel. If that’s affection and attraction and physical reaction, write that. Tangle it up, and hope the reader feels that entanglement.
Now, fast forward several years, and take a little side trip onto a tangent wherein I learned something very important about writing craft.
I was reading Syne Mitchell’s End in Fire, I think it was, and I kept having panic attacks. Now, I did most of my reading late, often when I woke in the middle of the night due to stress, or just because my brain refused to rest. I was in a rough place in life in general, with a lot of external work stuff going on and very small children. I wasn’t sleeping well. And it took me some time to figure out why I was struggling to read a book which I actually loved (and when I read it later in life, I enjoyed it greatly).
It was the sentence structure.
In order to induce the emotion of the scene, the sentences were short. Sharp. Quick. There was no time for the reader to breathe, much like there was no time for the heroine to do anything but act. The reader was caught up in the rising tension, to the point where my anxious, sleep-deprived brain, caught a panic attack from it.
The technique was brilliant.
Now back to our original timeline, wherein I read a post about how if you can write combat, you can write sex scenes. This post assumed that more people felt comfortable writing violence than sex. I was the reverse. I’d been writing about sex for over a decade when I saw this post, and it made a light bulb go off in my brain.
If writing sex was like writing combat… was the reverse also true? Could I improve my skills at writing battles by analyzing what worked when I wrote erotica?
So I tried doing just that. Back then, I found combat overwhelming. There was so much going on, and I was trying so hard to write good description that I lost all of the intensity. I was focusing on everything that was going on at the same time.
Thinking about how sex scenes were all intense emotion and narrowed focus, I applied that to my combat scenes. I wrote only what the point of view character experienced, and tied everything to their actions and reactions. I thought about how they breathed, how they moved, how they thought. I used those short, sharp sentences as they processed the scene. 
That doesn’t mean I forgot about everything else going on in the scene. That’s impossible. After all, in any story the things the character doesn’t pay attention to might be as important as the things they do focus on. Stuff still happens, and there is still fallout. I needed to know what else was happening so that if the character moved from one place to another, or did something that put them in the path of a different part of the action, I could have them start processing it.
But it also meant that on the page, out of sight was out of mind. Everything narrowed down to the now. The immediacy. Suddenly my combat scenes snapped into focus.
During the panel at Boskone, all of the panelists had experience with different fighting styles (fencing, street combat, and of course, me with taekwondo). I spoke about how for me, that narrow focus is very real when I spar. I know there are some people who naturally see a move or two ahead while fighting; I don’t. I am stuck in act and react mode. Can I kick them now? Can I attempt a head shot? Oh, no, circle back and away or they’re going to hit me… that’s how my brain works during a sparring match.
It’s not like a total blackout—there should be a vague awareness of things around the character. Sounds in particular, or sometimes flashes of movement. Something distracting can catch the attention of the fighter, but the personal fight will always pull the character back.
Combat feels easy when I’m writing like that.
Of course, there’s still the question of writing about something if I’ve never experienced it. As someone did point out to me: I am not a gay man, so how does that affect writing sex scenes? I’ve also never fought with a sword. Brawled. Fought from horseback. I have, however, held a blade, shot a gun, shot an arrow, rode a horse. I have a vague idea of how these things work, much like I have a working knowledge of sex in general.
So yes, research gets involved. Sometimes research is observational, sometimes it’s reading (there’s so much good stuff out there). I highly recommend video for combat scenes—find things that have the feel that you’re going for, then put yourself in the place of the character you want to write about. Practice. Work through the ideas of how things fit together, and what your character will (and will not!) know during the fight.
If you need to, stand up and block the scene by thinking about how you would experience it. What can you see, and what is out of sight? If someone is coming at you with a blade, what are your options? How do height differences affect you? Yes, I have asked friends and husband to help me block scenes. 
“Stand right there and show me what it looks like if you punch me. Okay, so if I do this then…” Yeah. It’s a thing. But it works.
When doing your research, remember that movie fighting (and hell, movie sex scenes) isn’t realistic. It’s meant to look good. For combat, if you can find re-enactments, or sparring videos, I highly recommend taking a look at those. 
Anyway, the point is: I don’t have to have shot someone, and I don’t have to have had gay sex in order to write about them. What I do need to know is how it feels emotionally to do those things, and I can extrapolate that from what I do know. I need to know enough about the details so I can get it right, and that’s where research will help me. Also, use language to create emotion. Because emotions are where we grab the reader, and how we pull them into the scene.
Combat and sex aren’t so different when it comes to writing, and the personal experience. Now, go forth and write!
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callistoscollection · 3 months
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SCENE NEGOTIATION
A scene in basic terms a time where two or more people engage in BDSM and/or power exchange. Sex is optional, but it is a common feature of many BDSM scenes.
BDSM negotiation forms are forms used to negotiate and discuss everything you need to know before a scene, basically an extensive consent exercise.
Consent: What are your limits? What safewords do you use? What words will be ignored if any?
Goals: How do you want to feel? What toys/tools do you want to use, if any? What kinks do you want to incorporate? Will you include sexual contact?
Safety: What barriers will be used for sexual contact, if any? Does any participant have a mental or physical health problem that might affect the scene? What safety equipment may you need? First aid kit? Medications such as asthma inhalers? Safety scissors for rope play? Water for fire/wax play? Etc.
Setting: Where will the scene take place? When will it take place?
Structure: What is your story? What order do you want things to go? How will you incorporate foreplay into it?
Aftercare: What's your aftercare plan?
Of course you don't have to rigidly adhere to the plan. The scene can change or stop at any time you want; this is just a guide.
I've included a negotiation form template and two example negotiation forms for inspiration.
Negotiation Form Template.
Negotiation Form - Example 1.
Negotiation Form - Example 2.
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reverie-starlight · 3 months
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megumi loves…
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a collection of things megumi loves about you.
gn!reader, no physical descriptions. so sweet it’ll make your teeth rot tbh. he won the poll so here’s the fic as promised!! literally wrote this on the bus and train rides this morning after having this planned for weeks. I literally love him sm he is everything to me <3
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megumi loves when you play with his hair. the feel of your nails running along his scalp, playing with the nape of his neck- it’s calming. you do it most often when you’re both in his bed, cuddling after a mission or a long day of training. he’ll flop down on top of you, plant his head on your chest and sigh. he waits for you to do something, drawing the sweetest sound he’s ever heard from your lips (a laugh) as he glares up at you when you don’t move your hands. you’ll mumble out a soft “aw I’m sorry, baby,” before giving him exactly what he wants. he’ll press tender kisses to any patch of skin he can reach in thanks. you’d never make him ask twice because you know he truly appreciates this time spent with you and you’d never want him to shy away from you. you’re each other’s safe space after all, who would you be to deny him?
sometimes you’ll do it in public, too, but far less often. these are the times that you just can’t hold back- he’s so cute, why would you? he grumbles about it a bit, especially if you’re around people you know (he’s shy, after all), but can he really complain when you look at him so softly as you play with his dark locks? he’ll endure the teasing and reassure you that he’s fine with it if you start to pull away.
megumi loves running his fingers along your facial features. over the bridge of your nose, the apples of your cheeks, tracing your lips… he just loves your facial structure. it sounds like an odd compliment to give someone, especially if it’s the first compliment you give someone (and in his case, it was the first compliment he managed to stutter out after you offhandedly called him pretty when you were in the transition stage from friends to lovers), but he’s thankful that you seem to find it sweet.
he loves your face when you’re awake, so full of life and excitement that he can’t help but match when you’re both alone in the comfort of each other. the pretty smiles you’ll give him make his heart pump just a bit faster, the lovesick in your eyes after he kisses you… he wouldn’t trade it for the world. he’d do anything to keep you happy.
he loves your face when you’re asleep, too. especially after you’ve had a rough day. you look so serene and peaceful. even if you do drool or think you’re less than flattering, he always thinks you’re the most stunning thing ever. he loves when you scrunch your nose in your sleep, and he always places a hand on your cheek to smooth it out. he adores the look on your face as you slowly wake up and blink at him before cuddling into him further and sighing as you fall back asleep.
megumi loves when you get a bit clingy. everyone is a bit surprised when they see how all over each other the two of you can be (at least, as much as he is willing to show in public- which isn’t much, but for everyone else it’s huge) he loves it when you can’t help but wrap your arms around him because you missed him (you probably saw him less than an hour ago).
he adores the way you refuse to let him get out of bed on weekends, insisting that you need your fix of “never-ending affection” from him before can start his day. and he loves giving it to you. he’ll start with peppering quick kisses all over your face, smiling against your skin when you giggle and wrap your arms around his neck, not at all tempted to squirm away, but rather to pull him in for more.
he’ll be convinced to lay with you for a bit longer, of course, and do it without complaining. because at the end of the day, he loves to feel needed by you. he likes having you close to him more than he hates getting teased by his friends and gojo for being all soft.
believe it or not, he enjoys it when you initiate play fights with him. neither of you go all out- you do that enough on missions- so it’s just the two of you rolling around in bed, laughing and pinning the other down. he’ll pick you up and throw you back down, he’ll summon his demon dog to jump all over you so he can have the upper hand, just to keep you smiling. he knows physical affection is important to you, so why would he deny you of that? he never wants to make you feel like you’re not getting what you need from him.
megumi loves when you tease him. this surprises even him to this day, because he doesn’t like the feeling of getting worked up at all. but his working theory is that he enjoys the intimacy of it. you don’t tease him about every little thing, you know he doesn’t like that, but you do tease him about things hyper-specific to your relationship. for example: that one time he messed up the pronunciation of that word in an argument? you never let him live it down, but you’ll also never disclose the inside joke to anyone else. you might be a nuisance on purpose, but you’re also his number one defender when it comes to anyone else teasing him.
you also like to fluster him. poking him all over when you want attention, blowing air into his face when he leans in to kiss you… it’s all so fun for you. you’ll get close enough to his face to make him blush, you’ll tease that spot on the back of his neck that he’s never told anyone but you about, and he hates how easily you get to him, but he’ll tolerate it because he knows you’re just as easy to fluster as he is.
he loves to tease you back. as soon as you’re back in your room after a full day of not letting up on him, he’s got his arms wrapped around you, and he’s walking you backwards until your laying on the bed, staring up at him wearily… and then you’re screaming because his skilled hands are all over your sides, your ribs and your hips. and once you’re spent, he’ll lean in close to your ear and whisper his own teasing remarks (normally compliments he knows you’d have trouble accepting otherwise) to get you whining and mumbling out laughter-filled apologies he won’t be accepting any time soon.
yeah, megumi just loves you.
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hope you enjoyed!!! it’s a different format from my other fics so lmk if you’d want this with any other characters!!
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celestialtarot11 · 5 months
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🪬 Astro Aspects 🌀
🌙 Moon- saturn aspects relate to the phrase “I’m resilient because i had no choice”
Additionally, moon saturn aspects can indicate an emotionally cold mother figure, or being physically absent at some point in their lives. Moon represents the mother, so it’s important to look at that placement. It can also indicate divorce or separation in the parents.
Moon conjunct pluto 🤝 moon saturn aspects
Sun touching north node has the ability to get famous or widely known in a community! Until the native is aware of their skill set & strengths, and finds practical use, the native may choose jobs that don’t fulfill them. Depending on the severity of the aspect, the native will find criticism in their jobs, or find it hard to climb up the ladder (squares especially) But when the native finds exactly what they’re good at, the native lives a happy life in terms of money & career ✈️💨
Venus-pluto and wanting to know everything about a person. You want to devour them with your eyes, and touch every part of their mind. When the native is awakened to the power of their presence & how intelligent they are, the native radiates an impactful energy. Those around them can feel the intensity, especially when they are one on one, it’s felt even more. Maneater energy 💅🏻
Venus opposite pluto has the ability to either bring necessary destructive change in their partnerships, but also rebuild and provide solid structure. This energy is neither bad or good. It can go anywhere, hence the void state. These natives are constantly creating in their relationships. Beautiful 🌀
Neptune aspecting the ascendant creates such a mystifying aura. People like to gossip about these natives, and people constantly wonder about who and what these natives are doing all of the times. These natives attract attention just like that, and can manifest easily. These natives are also prone to addiction and getting high to cope.
Neptune aspecting Venus does not know limits in love. Very similar to a pisces venus/scorpio venus. This native wants to go deep all the way, and can also embody scorpionic energy. These natives will love deeply even if it’s unhealthy, and will stay in unhealthy situations. Their commitment is real, and loyalty unmatched 💅🏻 But it can cause a detriment to their health.
Sun sesiquadrate pluto also carry an intense aura. Although this aspect is seen as minor, it still affects the native. Transformation through ego is big, and necessary. Native constantly finds themself in this lifetime 🌙✨
Sun trine pluto creates a resilient individual. An individual who goes through intense circumstances, one after the next. There’s always a shift challenging the individual to empower themselves. When meeting this person, even if they are a libra rising, you will feel their power radiating from within. Or they display that. Even if the native is sweet and kind, there is always an underlying powerful energy.
Mars trine pluto have insane ambition. Especially if mars is in the 6th house. Absolute powerhouse of the cell 🤣 they ARE the mitochondria. Mars trine pluto smile and laugh, and say “try me again, I dare you.” Once this native is awakened to their power, its game over. Even more powerful when this native finds themselves embracing change and inner conflict. It provides them peace to constantly do shadow work. These natives do not like their shadows running the show 🤡
Sun aspecting neptune, ya’ll are powerful spiritual channelers. Ya’ll tap into spirit like no tomorrow and receive visions, dreams of the future and get intuitive gut feelings. All of it. But also have the ability to attach ego to this ability and become prideful of spiritual nature.
Book a reading with me here 🤍
Thank ya’ll so much for reading this 🤍✨ enjoy and feel free to comment reblog or like! Id love to hear feedback 💗
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meanbossart · 3 months
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i just need to take a second to gush about how much i love durge drow and astarion, they feel so fleshed out and perfectly written together in their fucked up wretched ways. They really inspire me to write more for my own tavs, hopefully one day ill be able to say im as happy with my own work as i get when seeing yours. I have to ask though, do you have any tips on drawing head shapes and faces? or maybe about wrinkles? i find i really struggle with that stuff when drawing and i adore how expressive and grungey all your art looks!
First of all thank you so much, I love hearing what people think of the two of them together 😭
Honestly you've hit on something that's quite near and dear to my heart, I love developing and figuring how to draw and stylize different faces to get the most unique, interesting looking results - everything about the details is highly rewarding to me. What does x type of nose look like from this angle? In this style? How can this eyeshape best translate to my art? How different does a face look when its making this expression? What does that MOUTH DO? etc etc.
In fact you kind of inspired me to put a little tutorial/guide together the last hour lmao and what a blessing it is that the two current subjects of this blog serve as great models here, being that their faces are basically polar opposites!
When it comes to heads, you've probably heard it a dozen times before that you want to think of them in terms of geometry and facets; my process to drawing them is pretty conventional so I won't spend too much time on it, but it goes something like this:
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Obviously I don't do every single one of these steps most of the time, which is just something that comes from practice/developing muscle memory, but it is helpful to start off this way for two main reasons:
By making these guide lines and splitting a head into pieces like this, you'll have an easier time seeing and understanding it as a multidimensional object, and in turn, facilitate It for you when you venture out into doing wacky angles and lighting.
Making different headshapes starts HERE. notice how Astarion's "face" slate is narrower and longer, how my durge's jaw pieces sit lower on the head, how all of the same pieces came together in the same way but we ended up with one real pointy elf and a real brick of a drow - making characters look different successfully begins very early in the sketching process.
The next thing you want to do branches out into every day life: start noticing yours and other people's facial features. How does an upturned nose look from a high angle? How does the size of someone's cheekbones affect what they look like when they smile? How about when the light hits them a certain way? Does someone's lip shape changes when they pout? When they laugh? How does a person's hairline change the shape of their face? You do NOT need to creepily sketch every stranger you see on the bus, but get into the habit of actually noticing what people look like when you talk to them - when you look at pictures, when you watch movies - make a mental list of interesting ways mouths, noses, and eyes can come together in a variety of different proportions to make completely distinct looking mugs, and how they change depending on how you are looking at them.
Light and shadow play a HUGE role in how faces look, too, basically as crucial as actual bone structure does. As you see up there I tried to rough out how natural, head on, and underhead light would look on these two very different looking guys, and while we can see definite patterns, there are small differences that come to be because of the sizes and shapes of their features.
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Here is a very, very basic look at how some of these features come to look the way they do, how they interact with one another, and how they compare between a blocky, rather conventionally "masculine" head and one that's much softer and slimmer.
Note please that it is not one or two characteristics that give a chaarcter their "look"; you can reduce a face to eyes, mouth, and nose through stylization and still have them be recognizable, but if you want to do more than that, you have to consider the whole package! Chin, cheeks, brows, direction of the jaw, slope and size of the forehead, depth of eyes, ridge of the nose, etc - I know this is probably far more than you bargained for, but if you start making note of a FEW of these things now and slowly add on, this will eventually become second nature to you.
Similarly, understanding how these characteristics come together will help you with rendering light and shadow in a realistic way, and predicting what their facial expressions may look like - if no two people are alike, neither are their smiles. :)
Lastly, remember that I'm no expert - I have developed my own methods and semiotics and yours may look slightly (or vastly) different, and that's fine! I hope only that by sharing this it has given you a base to work off of.
Anyways, I HOPE this has been helpful and not just the unsolicited ramblings of a face pervert.
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em-dash-press · 7 months
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How Authors Write Fictional Wars
Some of our favorite novels include wars. They might stretch over a trilogy or build within a single book. Writing one might seem staggering, but it just takes a different planning approach. Use these tips to write a fictional war for your next story and make your readers feel like it really happened.
Foundational Factors to Consider
1. Your Opposing Sides
Wars always have at least two opposing sides. Start there and develop them before deciding if you need a third or fourth side involved. Cover details like:
What does each side want?
What would each side settle for?
What is each side’s worst-case scenario?
What is each side’s hard no? (What wouldn’t they sacrifice or do to win their cause?)
2. Who Supports the Opposing Sides and Why
As a war progresses, each side loses resources. They start running out of money, soldiers, and whatever public support they had when they started the war due to citizens losing their loved ones or sacrificing for the cause.
Your protagonist and antagonist will need to ask for help eventually. Who would support them and why?
There are numerous reasons why someone might pick one side of a war over another. Politics and economics are often the first things leaders consider. The morality behind each side is another factor.
Consider the American Revolution. Many historians believe America would have lost without France sending money, troops, food, and supplies. Why would France support a budding nation over Great Britain? People argue it was because the French:
Wanted to humiliate the British king
Wanted to hurt their British military rival by partnering with America
Wanted to weaken the British kingdom by ending the colonial taxes they benefited from
Wanted to gain power on a global standing by overcoming Great Britain and rising as America’s first ally
These reasons are great examples of what your novel could include. Another country, kingdom, or group could rise in sudden support for your protagonist or antagonist, ultimately throwing chaos into the determined path of war for better or worse.
3. The War’s Terrain
People can break into battle almost anywhere, depending on your fictional world. Your characters could fight:
On land
On sea
In space
In the air
Underground
Online
Some terrain also comes with other considerations. If your war happens on an ocean, will storms and hurricanes affect battles or the ultimate outcome? How will the soldiers and leaders on both sides deal with the weather?
Note these possibilities as you plan your novel. You can add them in as background or crucial plot devices once you have a skeletal structure in place for your story.
Need help remembering everything you’ve imagined? Try making a map and keeping it wherever you write.
4. What Would Make Each Side More or Less Powerful
There’s always something that could give one side an advantage over the other. It’s often in an unexpected way, although you could make the advantage a goal. The bad guys might feel confident in their ability to win, but they have a secret mission to develop a new weapon just to give them a greater advantage.
Other factors to consider would be one side or another doing something like:
Discovering or enacting a magic system
Eliminating a crucial resource their enemy depends on
Removing funding that makes their enemy able to fight by befriending or overcoming their enemy’s financial backers
Changing the positive or negative public perception of the other side’s reason for fighting to change national morale
Doing something that makes one side’s leaders more or less moral (which could change public perception, the soldiers’ vigor, the leadership’s advisory team together, etc.)
6. What Kinds of Conflict You’ll Write
There are two types of basic conflict you’ll likely write when navigating a fictional war. You may not need both if your story is shorter, but adding both makes the plot more realistic.
First, there’s external conflict. You’ll have at least two opposing sides on some kind of battlefield, sneaking around on spy missions, planning surprise attacks, etc.
Secondly, there’s internal conflict. Soldiers might start fighting amongst each other, people in leadership positions could lose trust in each other, citizens might turn on their country’s cause for one reason or another, etc.
7. What Weaponry Your Characters Will Use
The weapons used in your war depend on numerous factors. It will draw from the genre you’re writing, the time period your story takes place, the advancements made in each civilization’s weaponry prior to the war, and any advancements made while the war goes on.
Examples of these could be:
Guns
Swords
Bows
Bombs
Drones
Armed ships
Armed space ships
You should also consider if one side’s weaponry is more likely to change during the course of the war. That’s more plausible if your story or characters change locations where regional cultures use different weapons. Also if the war spans years, people will naturally develop new weaponry during that time.
If you want extra details to daydream about, think about which weapons will become outdated during your story. Some will prove less useful due to complicated usage or cleaning. They also may not work, like if your science fiction characters follow their enemy underwater, but their laser guns require a dry atmosphere to function.
Include Emotional Plot Arcs
Writing always involves some kind of emotional work that results in a plot arc. It keeps the reader engaged by evoking their core feelings. That’s what makes a novel different from a textbook (in a very basic sense).
Work on details like these to find what emotions will be most present and relevant to your story:
Your overall theme
Your characters and what they experience
The action your characters will go through
How the above action will change your characters by affecting their loved ones
What your characters’ goals mean to them emotionally
If your characters’ will undergo things that change their perception of their world, leaders, country, or themselves
You don’t need all of these things to have an emotional plot arc, but they’re relatable human elements that can drive your plot right into your readers’ hearts.
Avoid Some War Story Tropes
Tropes have a bad reputation that I don’t think is entirely deserved. People recognize them as overdone stereotypes, but sometimes they’re useful.
When you’re writing a war, you’re going to have necessary tropes like:
The hero
The unit or squad
The antagonist
What they undergo and who they become is how you make them fresh concepts for your readers.
Some tropes aren’t helpful because they’re what readers expect from every story. If you give them what they expect, your story isn’t as engaging (unless you get the occasional reader who exclusively reads war novels and never tires of overdone tropes).
Keep these in mind as things to avoid, unless you have an ingenious way to make them a brand-new experience:
One soldier dying in another’s arms
A character dying by going out “in a blaze of glory”
Characters using guns in ways that are obviously wrong (i.e., firing more bullets than the gun-type/model holds)
Getting military rank incorrect (if your characters exist in a real-world, already existing military structure)
Injury-proof characters (even your protagonist will eventually encounter some physical harm, whether it’s illness in bad weather or getting shot on a battlefield)
You can check out this great resource to discover more tropes to avoid/consider as you draft your plot outline. 
-----
If it feels like writing a war over the course of a book or a series is challenging, you’re not alone. There’s a lot to consider to make it have an engaging flow.
Keep notes on things like these to develop your story as much as possible before starting your first draft. You can always go back and add or edit things out as needed while developing it. Writers do this all the time—you don’t need to get any manuscript perfect on your first try.
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runningwithscizzorz · 7 months
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HOW DO YOU DRAW FACES??!?! seriously, everything about your art is pure eyecandy, I love it SO MUCH, but faces. YOUR FACES. the faces are perfect. they capture every detail. they feel so human. so expressive. i would love to know how you draw/structure your faces because it's the biggest thing i'd like to improve on with my art!
Art is a translation of how you perceive the world. Art is both extremely watered down and painfully vulnerable with emotions. The artist translates the world, and people translate the art. Lots of art gets lost in translation. My goal is to make people read my art regardless of my language. I want my art to speak louder than my simple cluttered words could.
How can you read a face with no words? You have to find your own way to do that, but here’s a very rough way of how I read people and attempt to translate their world into mine.
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One practice is drawing straight from a reference. I've been watching TLOU, which has some of the best acting ever and is perfect for screenshotting specific moments to recreate. Pulling scenes from episode five, I stretch and amplify the facial features to properly read their emotions in my style, ex, making Ellie and Sam's eyes bigger to amplify their youth, smoothing out facial wrinkles for simplicity, and (my favorite) exaggerating the mouths so they emote louder.
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Second method is feeling how your face moves. Ethan Becker on YouTube explains it better (go watch all his videos) of how to feel and observe how your face compresses and works with different features to properly express emotions. Using your own face as a stencil to understand how your muscle and jaw work is both simple, and always accessible for artist reference.
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An example of how I break down bits of a chapter into chunks for each panel while still attempting for it to run smoothly like the writing. Honestly, a lot of this part rides on wanting to do the author justice for their fabulous work. You want to show them how much their work affected you and why it’s totally worth it to draw their stories.
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Some examples of scenes from media (that almost made me cry) and how I translate and manipulate it into my style. This is why I redraw scenes from movies so often, not only is it fun and easy, but it’s a great way of studying the masters
But, to actually answer your question, I think the reason my drawings are so expressive to you is because I still follow somewhat typical human anatomy while still being cartoony enough to break the uncanny valley and create an aesthetically pleasing style. I’m still practicing and studying everyday to get better. You must work as much as possible to attempt to properly translate the world.
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cauliflowercounty · 28 days
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Mornings in the Mirror
Feyd-Rautha Harkonnen x fem!Reader
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Summary: a little vignette about getting dressed in the morning with Feyd. Established relationship.
Same universe as Knives Dance based on some of the exposition from part 3 because I’m having trouble saying goodbye to Knives Dance. You don’t have to have already read the series to understand, but there are some spoilers to the series. Set between parts 2 and 3.
Warnings: some suggestive content
Word Count: 2.1k
Written on mobile cause I’m on a bus
You step out of the bathroom attached to the bedroom you share with Feyd, using a towel to gently blot the last of the water off your hair to finish drying it. As you do so, you look outside the window to observe Giedi Prime’s cityscape with its dark, expansive architecture filled with imposing, black structures.
The city is already humming with morning activity. Ships fly through the air, taking people where they need to be like clockwork. You hear the beat of the Harkonnen armies marching on the ground far below your quarters. The sound has become a comfort to you since coming to Giedi Prime. Without fail, the marching would start at the same time each day, ringing in a new day as the black sun shone on the city. Just like all those times before, you feel the aura of Giedi Prime wash over you. Everything is in perfect order, which puts your mind at ease.
Looking over to the large bed behind you, you see Feyd has gotten up since you’ve been in the shower, leaving the sheets untidy over the mattress. You smile. You’ve come to learn his habits over the weeks, and he always does this, knowing the servants will come and replace them with fresh sheets later once you’ve both left. He’s always said that he has more important duties than making his own bed. Now that you’re living together, you know he’s right, especially since he’s Baron Harkonnen now. His daily meetings with advisors in the Harkonnen War Room or diplomats on his throne with you by his side often keep him occupied. His time is precious, as is yours.
Making your way over to the closet, you see your husband through the crack in the doorway. His back is to you, allowing you to see his muscled shoulder blades and admire his slim waist. He’s standing in front of his side of the closet, running his fingers along the series of clothes on hangers. You slip into the closet and approach him from behind. You know he’s already heard you approach when you see his shoulders relax. He turns to you, his Baroness. When he does so, you can see how his eyes soften, a small smile on his lips as he looks at you. He extends his palm outward to you and you gladly walk over and slide your hand into his.
“Good morning, my love,” he says to you before pulling you closer by your hand and wrapping his other hand around your waist before dragging it up your body and cupping your cheek. He brushes his thumb across your skin, sending shivers down your spine
As you look at him, your heart fills with pride, knowing you’re the only one who gets to be with him in this way. You get to see him for more than his reputation. Anyone would scorn the idea that Feyd-Rautha, the psychotic nephew of Vladimir Harkonnen, may he rest in peace, who slays countless slaves in a gladiatorial arena and kills servants at will, would be able to do something so tender. However, here you are, the only one to behold his love and affection.
“Good morning, Feyd,” you whisper back to him against his lips, and he gives your hand another firm squeeze. “I hope you slept well.” You both break reluctantly, knowing you both have to get ready now. “What are we doing today?” you ask him, turning to his closet and thumbing through his clothes yourself.
“We have another meeting with our generals today in the War Room,” he says as he stands back to watch you at work. He was surprised the first time you went to pick out what he wore for the day, but he quickly grew to appreciate the ritual because of how much thought you invested in it every day. “We also have to meet with our Directors of Commerce concerning spice on Arrakis. We should also be receiving news about the status of spice production.”
“I hope Rabban has gotten his act together,” you say, pulling one of his outfits from the hanger and taking an undershirt of his out of a drawer beside you. It’s a deep blue almost black pair of pants with a matching jacket with a high neckline. You hand it to him, and he immediately puts each item on.
You bring your arms to his shoulders to smooth the fabric of the jacket over his body. You grab the seams at the shoulders, lining them up with the edges of his body so that it hangs perfectly on him. The clean lines accentuate the broadness of his torso and bolster his imposing stature. He really looks like a Baron now. You make a mental note to have the seamstresses make more outfits like this for him.
“...And I hope Rabban has figured out how to acquire a brain,” Feyd mumbles, savoring your touch on him.
“Whatever will we do with him…” you sigh in return as you kneel down to smooth out his pant legs.
“Thank you,” Feyd says as you rise to your feet again when you finish.
“Of course,” you reply, starting to make your way over to your side of the closet. He follows you and brings a hand to your shoulder from behind. You twist around to look at him with your brows knit. Why did he stop you?
“May I… return the favor today, my darling?” He asks, his voice wavering for a moment. Your lips part in surprise. He’s never asked to do this before, but his nervousness that he’s trying to conceal makes your heart swell. From that small moment of hesitation, you can tell he’s been wanting to ask this of you for some time.
You step back to allow him access, and Feyd raises his gaze up to the exposed rack of clothes. He starts at one end, pushing the outfits on the rod one by one to take a close look at each one. As he moves down the line, you can tell he’s deep in concentration. Should he pick a Harkonnen gown, or one you’ve brought from Youra? He’s taking great care in this task, which makes you sigh in appreciation.
He finally decides after many moments of consideration. He pulls down a floor length Harkonnen gown with a Queen Anne neckline and cap sleeves. It’s made of layers of fabric that seem to swallow all light that touches it, creating a rich obsidian black. The bodice is an intricately detailed corset adorned with elegant lace and prominent ribbing atop fine mesh. As he turns it around, he drags his gaze up and down the dress. The back is also beautiful, the design stretching all the way around.
“I haven’t seen you wear this one before,” he says, as he admires the open upper back, the edges of which are lined with the same lace as the bodice.
“It has a lace-up corset. It takes longer and requires another person to get into,” you explain, which makes Feyd’s eyes glimmer with excitement.
“What am I here for then?” he asks with a grin.
“Ruling Giedi Prime perhaps?” you jest. He scoffs and brings the dress over.
“Other than that,” he says, taking it off the hanger.
“I wouldn’t want to trouble you, Feyd.”
“It really isn’t any trouble, my love. Please? May I help you?” You see a hint of longing in his eyes and you nod at him, abandoning your towel as Feyd loosens the laces of the corset. He helps you by gathering the dress, giving you the ability to dive head first into the gown. As you pull down the dress over your body and put your arms through the armholes, you immediately notice how luxurious the fabric is against your skin. Even though the corset has not been tightened, you know that it will be a perfect fit by just feeling it on yourself. Turning your back to Feyd and holding yourself straight, you silently signal to Feyd that you’re ready.
“Let me know if it’s too tight,” he whispers in your ear from behind. His breath on your neck makes your skin tingle, and you try to resist turning around, grabbing his head and kissing him. At your motion he begins to tug on the laces little by little, causing the corset to perfectly conform to your figure. His touch is precise and the way he pulls at the strands is decisive and firm. To your surprise, he’s rather good at this and seems to know exactly what to do. Once he is done tightening it, he uses his fingers to gently tie a knot then a bow at the back of your dress with the excess ribbon. As you move around a little to settle into the dress, you feel how the corset isn’t too loose on you, and you don’t feel like you’re being suffocated either.
Before you can thank him for a job well done, he’s already at your feet, placing a pair of strapless patent leather shoes in front of you. He takes your hand in his. You use your free hand to grab your skirt as you slip the shoes on one by one. Feyd beckons you to follow him and takes you both over to the mirror in the closet. He positions you in front of him in the center of the mirror.
“Look at you, darling,” he whispers to you, his eyes wandering up and down the portrait of you in front of him. Feyd could look at this image all day. The bodice fits your body perfectly and the dress flares out from your waist beautifully, making you look like a goddess descended from above. He brings his arms around you and smooths his hands over your front, feeling the lace pass under his fingertips. The look of you together is truly gratifying for Feyd with him in his clean cut ensemble and you in your gown. You both look powerful next to each other. Together you are Baron and Baroness of House Harkonnen and you look the part. “You’re exquisite, my love.”
He dips his head down and brings his lips to your neck, pressing small kisses over the area. Feeling the heat within you rising, you turn around in his embrace and bring your arms up around his neck. Capturing his lips in yours, you kiss him fervently. He brings one hand up and combs his fingers through your hair, which makes you feel like a surge of electricity has shot through your veins. As you kiss him back, all of your surroundings seem to melt away into nothingness. All of it is insignificant compared to your husband. You can tell he’s also lost in the sensation of you against his body and in his hands as he rakes his hands through your hair. His grip on your waist tightens as his kiss becomes hungrier, and you feel him tug at your bottom lip with his teeth.
Breaking away from him, you see how heavy his lids are now, his firm grip on you not letting up. You smile at him and give him another quick kiss, this one much lighter. You didn’t want to stop, but you must attend to your duties. “Later, darling,” you sigh into his ear. “I just got dressed, after all. I wouldn’t want to undo your expert work.”
He lets out an amused huff and nods in agreement. You go over to the mirror and realize your hair is completely disheveled. Your dress is still beautiful, but you can’t say the same thing about your hair now that Feyd’s had his hands on it.
“I bet none of the Harkonnen women you’ve had in the past had to deal with this issue when leaving your quarters,” you joke as you open a different drawer near you, which contains all of your hair care tools that you’d brought with you to Giedi Prime. You take a moment to make the necessary adjustments to your hair, trying to salvage it.
“You need not mention them,” Feyd says, his jaw tightening. “They are of no concern to you or me anymore.”
“I know,” you smile, turning back to him and extending your arm. “I’m only teasing. Let’s go.”
He relaxes and gladly takes your hand, allowing you to lead him out of your quarters. With that, you begin your day side by side as Baron and Baroness of House Harkonnen.
Thanks for reading! 💛
Let me know if you’d like to be part of my Feyd taglist
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hisui-dreamer · 1 year
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hi!! this is my first time ever asking. may I request sleeping with their s/o (/nsx) hcs for Riddle, Idia and Azul? how cuddly they are, if they snore, that thing!! sorry if this is strange, it really is a first for me!! -🐙
the warmth of your arms
Characters: Riddle, Idia, Azul
Synopsis: How are they like when they sleep?
Tags: fluff, cuddling, sleeping habits, bot proofread
Word count: 656
Notes: Thank you for your ask! Don't worry, it's not strange at all, I was squealing in delight imagining the scenarios haha.
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Riddle has a very structured and disciplined sleeping routine
insists on going to bed and waking up at a specific hour to get the recommended amount of sleep
has a set of pre-sleep rituals, like reading a book or doing some stretches to help him relax
strict rules about sleeping hygiene!!
no eating or drinking too close to bedtime
makes sure that the room is quiet and dark to promote good sleep
i also feel like he was trained to be so perfect as a child, his mom wouldn't have let him snore or have any bad habits, so definitely is a quiet sleeper
but he’s still very affectionate  
loves wrapping his arms around them and pulling you close
spooning or simply holding hands
whispers gentle words of affection
likes placing soft kisses on your forehead, cheek, or lips
makes sure you’re comfortable and have everything you need for a good night's sleep
all in all, very soft and cuddly, but also does not want to disturb you
Riddle let out a contented sigh as he snuggles closer to you. "I can't remember the last time I felt this relaxed," he murmurs.
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sleep? pshhh who needs sleep? sleep is for the weak
Idia stays up late into the night and likes sleeping during the day to avoid any social interaction
also snores a bit because he’s heavily sleep deprived
have you seen his eyebags???
but things are different with you
once he’s grown comfortable with your touch, you sleeping with him fixes his sleep schedule
he used to be haunted by his nightmares reminding him of his past mistakes
but with you no longer has trouble falling asleep or staying asleep throughout the night, he sleeps more soundly with you
he goes to bed earlier, loves snuggling up next to you and feeling your body next to him, resting his head on your shoulder, or intertwining limbs
spooningg, nuzzles his face in your neck/head
idly traces patterns on your back, and gently touching your face to reassure himself that you’re really there
he actively listens to you whenever you talk, hearing your voice is calming for him
also will appreciate and respect any of your personal boundaries in bed, incredibly mindful of your comfort levels
in conclusion, soft touch-starved boi who loves physical intimacy
Idia wraps his arms around you tightly and whispers, "I'm glad I have you in my life," he smiles, the soft tickle of his breath on your forehead. "You're my Player 2, you know."
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as a mermaid, Azul does not require as much sleep as a human does
instead he sees sleeping as a great opportunity to spend quality time with you
before you, his sleep schedule is incredibly
always stays up late working on deals, studying magic, or pursuing his own interests, leading to inconsistent sleep patterns and occasional all-nighters
sleep was a means to recharge to maintain his physical and mental well-being
he used to snore but when he lost weight, he stopped, so now he associates snoring with his old self and is embarrassed by the thought of it
when he’s with you he makes sure he is present and attentive in his relationship
aligns his sleep schedule with yours
enjoys cuddling with you and typically falls asleep holding you close, his arms wrapped protectively around you, vaguely reminiscent of his octopus limbs
sometimes he talks in his sleep, murmuring words of love and adoration
your man is rich, and he gets super soft bedding, plush pillows, and other extravagant sleep accessories to indulge your comfort
soft heart to heart pillow talks or gentle physical touches
he appreciates you a lot, and it shows in his comfort
Azul's gaze softened as he looked into your eyes, his hand entwined with yours. "Oh, my dear angelfish, what did I ever do to deserve you? Thank you for always being there for me," he whispers, before leaning in to kiss you.
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if you liked this post, don't forget to reblog!
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