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#Right offs not write offs

words-and-coffee · 8 months

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Alice Te Punga Somerville, Always Italicise: How to Write While Colonised - Kupu rere kē

[ID: A poem titled: Kupu rere kē. [in italics] My friend was advised to italicise all the foreign words in her poems. This advice came from a well-meaning woman with NZ poetry on her business card and an English accent in her mouth. I have been thinking about this advice. The convention of italicising words from other languages clarifies that some words are imported: it ensures readers can tell the difference between a foreign language and the language of home. I have been thinking about this advice. Marking the foreign words is also a kindness: every potential reader is reassured that although you're expected to understand the rest of the text, it's fine to consult a dictionary or native speaker for help with the italics. I have been thinking about this advice. Because I am a contrary person, at first I was outraged — but after a while I could see she had a point: when the foreign words are camouflaged in plain type you can forget how they came to be there, out of place, in the first place. I have been thinking about this advice and I have decided to follow it. Now all of my readers will be able to remember which words truly belong in -[end italics]- Aotearoa -[italics]- and which do not.

Next image is the futurama meme: to shreds you say...]

(Image ID by @bisexualshakespeare)

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elodieunderglass · 7 months

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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

#this is the sort of observation I make here that people #go off and write their thesis about #so while I’m not expecting to be the first or cleverest person to say this #if you do use it as a springboard #tell me if you get a good grade ok?#I’ll be tremendously proud of you #like if you take a shitpost and use it to craft deep attentive thought on something important #I just think that’s probably the most noble use of a human brain #it makes me want to take off my hat and slam it to the ground in inexpressible emotion #it’s a cowboy hat btw #and I say something like GOLDURN IT THAT KID SURE HAS DELIVERED.#ok so don’t deny me this #especially if you correct me after a long research journey #GOLDURN IT THE KID IS RIGHT!

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charlietheepicwriter7 · 3 months

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S̶̤̋̉t̸o̶̝̍r̵̛͠m̸̠͌͝

Look, I know I promised a continuation of "Get in the Water," but I had this idea and just had to write it, okay? So this is the non-canon sequel, the canon one is still in progress.

They escaped. Batman dragged Damian's frozen body away from the Lazarus Pit and through the tunnels as Danyal's screams-sobs-wails echoed behind them. Eventually the sound ebbed away and they emerged to the surface.

A debrief was demanded from everyone; even Todd was in the Cave. Damian trembled, his only sign of distress, his mind stuck on Danyal's face, his brother's voice rebounding around his head.

Father's debrief had been rough. Damian could barely explain what happened, why he was drawn to the waters, why Danyal wanted to drown him. He'd only explained the Danyal was someone he'd killed while with the League, and Father was the only one to doubt his explanation.

Damian took the first opportunity to escape to the showers. Stripping down, Damian turned the faucet and the bathroom lit up bright green.

He flinched away, and when he opened his eyes, the water was just water. A stone sunk into his stomach.

The next day, while Father was consulting with Justice League Dark, Grayson and Drake returned to the caves for their own investigation of the Pits. And while they found the cavern--found by tracking the batarang Father threw--it was desert dry. There was no sign of Lazarus Water, nor did it look like it had ever been there.

That night, as Damian was washing his face before bed, he filled the sink basin with water. He turned away for one second, but when he looked back, he almost dipped his face under the green slime oozing out the spout. He bolted, and when he returned with a startled Father, the water had returned to normal.

Grayson insisted on taking him out for lunch the following day, citing that Damian needed a "break." Damian was furious, but allowed it; Justice League Dark was visiting the cave to discuss the... incident, and Damian wanted to interrogate them. He... he needed to know if that was really Danyal or not. If his sweet brother could have been twisted after his murder into that monster, that Siren crooning at him to choose to die.

He'd never contemplated the fate of his brother's immortal soul before. Had he done this to him? Could Damian had avoided this by killing him honorably, instead of cowardly poisoning Danyal so he'd pass away in his sleep?

Damian allowed Grayson order for him. He wasn't hungry. The clouds above swirled ominously as he followed Grayson to a nearby awning with a picnic bench underneath.

Grayson took a bite of his gyro. "So? How have you been coping these past few days?"

"I'm not an invalid, Grayson," Damian hissed, glaring. "I'm fine."

A frozen breath brushed across his ear. "Ĺ̶̥̲̪̀̐ỉ̷̢̜̚a̴̧͖͛r̶̺̫̾͗̃͜,̶͕̐" Danyal whispered in his ear.

Grayson didn't notice or hear Danyal's voice. "You see, I don't believe you. One of your dead League friends is supernaturally gunning for you, Dami; it's normal to feel out of sorts."

Damian scoffed. "Nothing about this situation is normal."

He looked down at his food and sighed. "Yeah, that's for sure. I'm sorry, Damian. I wish this wasn't happening to you."

"And I wish the creature would just attack already," Damian griped. "It's the waiting that will kill me, not that fake."

Like someone had been listening, the sky opened up and it rained green throughout Gotham.

#damian and danny are twins #dc x dp #dpxdc #dp x dc #dcxdp #dc x dp crossover #c: damian wayne #c: bruce wayne #c: dick grayson #c: tim drake #everyone kept writing about how Damian would have been dragged under so i wondered what would have happened if he escaped #Danny promised to flood Gotham; now he might just do that #there's a surprising lack of jason in this #i'm imagining he's dodging his own supernatural IRS agent right now #specifically technus bc he'd piss jason off the most #while jason is experiencing rage inducing comedy Damian is experiencing the Horrors #get in the water au

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thecowboykatsuki-anon · 1 year

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“Oh now it’s ‘more, touya’, ‘please, touya,’” he sneers, nose pressed to your cheek as his warm breath fans over your skin. His fingers dig harder into your face, keeping you turned away and unable to kiss him. It’s humiliating as he pulls more sounds and pleas from you, knowing you want nothing more than to shut yourself up with his mouth.

“What happened to all that fuckin’ venom from a second ago? What happened to ‘I hate you, Touya’?” He snarls, hips slowing as you press your lips onto a thin line, unwilling to give him the satisfaction of hearing you cry out for him again.

His teeth sink into your cheek hard enough that you hiss in pain, fingers gripping his hair to yank his head back, twisting in his grasp to glare at him, both of you panting, teeth bared.

“I do fucking hate you,” you hiss, and his hips snap against you hard in retaliation, his cockhead smashing into that spongey spot inside you. Your eyes roll back as he forces all the air out of your lungs, whatever hateful words you had ready dying on your tongue as your brain goes fuzzy. He’s quick to notice, angling his hips to hone in on that spot, his pace quickening.

“Hate you so fucking much,” you manage to choke out as that coil in your stomach tightens faster and faster, and your cunt tightens around him.

He knows you’re close, and for the third time since he’s shoved you up against the wall, he snatches your orgasm from your grasp, his hips stilling.

A broken sob crawls it’s way from your throat and you squeeze your eyes shut to stop the tears from spilling down your cheeks.

He taps your cheek firmly with one finger to get your attention, your face still firmly in his grasp and you level him with a glare filled with as much hate as you can muster. He’s completely unbothered, but you do notice his blue eyes softening as he leans forward, peppering kisses over your cheeks.

“Oh, sweet girl,” he sighs out, tracing an invisible path along your face with his lips. “I promise I’ll let you cum as soon as you stop lying to me,” he breathes, lips ghosting over yours. His mouth twitches in a grin when you inhale sharply, when you tilt forward a little bit, eyes fluttering shut at his soothing tone.

“Just admit you love me and I’ll make you cum on my cock.”

#in need of some toxic hate sex right now #just need to blow off some steam #mha #cowboy anon writes #t writes #thecowboyanon writes #dabi #touya smut #dabi smut #dabi x reader #touya x reader

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bleepyear · 2 months

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Boba Fett x Din Djarin anyone?

Don't worry, I haven't forgotten about GhostSoap. I drew this a while ago and just wanted to post it ❤️

Lineart below the cut, because I always think the lineart turns out better for some reason

#im still a bit turned off of the mandalorian right now #because of the travesty that was season three #but i still love these guys #i need to write/draw more dinfeld as well #the mandalorian #bobadin #boba fett #star wars #bleeped art

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eyrieofsynapses · 5 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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kedreeva · 4 months

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Okay if you haven't yet, and you have Netflix/Paramount+, consider giving "School Spirits" a chance.

It looks like a silly little cheesy teenage ghosts show, I put it on for background noise, and then got totally engrossed in the mystery. It's VERY well written, very well filmed, the mystery was GREAT and the payoff at the end is also great.

One of the things majorly lacking in shows I've recently tried to watch is that they try to do a twist/reveal at the end that comes out of nowhere. They don't want you to guess what they're doing. This show doesn't do that. This show wants you to guess. They give you seven different mysteries and enough clues to guess (most of) what is going on, so that when you get the final puzzle piece to any given mystery, it feels GREAT.

The story premise is this: a teenager in hs wakes up as a ghost in the hs, and doesn't remember how she died, and with the help of the other ghosts, tries to solve the mystery of her own death.

Simple premise. BEAUTIFULLY executed. Not all of the questions that arise get answered, but the main one (what she doesn't remember) gets solved by the end of the season, leaving the "why/how and what comes next" to be carried to the next season. It does a cliffhanger RIGHT. But now I desperately want to see the second season (which I believe has been approved, so it's a matter of waiting).

So pretty please, if you're looking for something to do and a great, engaging lil mystery to watch, consider! School Spirits!!

#school spirits #there is so much in this show #Spike and I finished watching it today #her for the first time me for the second #and the second time through it was even better because I was picking up the right threads #the first time through there are SO MANY CLUES #but there are also SO MANY MYSTERIES that you aren't sure which clues belong to which mystery #and then the last half of the last ep hits #and dumps out all the final puzzle pieces to several mysteries #and we spent like an hour digging through thoughts afterword #pulling out themes and clues #and there are some potentially REALLY CLEVER things done #and actually they 100% followed through on the things they set forth and paid off so far #so I feel pretty confident some of the things we pieced together actually belong to the puzzle #and aren't just mistakes #or coincidences #and it's been so long since I got to see actually good writing STAY good writing through #I'm so stoked for this series

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stealingyourbones · 6 months

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For the bats, it didn't start with a boy. It didn't start with a scared, bruised, and bloody boy seeking their help on patrol. It didn't start with bumping randomly into a clone of one or the other Wayne boy on the street.

It started slowly, after an Arkahm outbreak.

Some rogues didn't turn up even after a while.

Twoface, Clayface.

The Bats hoped, Hoped they were taking a break and not planning something together.

Other people turned Up. Men and women in white suits. They seemed to be looking for something. Or someone.

Then other rogues vanished.

Killer Croc, Mr. Freeze.

It came to a head when Red Hood witnessed Riddler being kidnapped by the Guys in White.

He was actually in a fight with Scarecrow at that moment as a Lazarus green beam shot out of an ally a block away. A second later he heard Riddler's pained cry and saw the man flying out of the ally and onto the street. His side was smoldering, clearly having been hit by the beam and Riddler had a little trouble getting to his feet. Unfortunately for him, two men in white used the moment to stun him with a Taser, put him in a collar that was also attached to handcuffs, and shoved him into a white van that followed the men out of the ally.

Hood didn't quite believe what he just saw. He questioned the filter of his helmet when Scarecrow offered his help on fighting the people in White.

#bro this is so fucking cool im so sorry I didn't respond to it in writing I just didnt want to meddle with the fucking BEAUTY of this ask!#HOLY SHIT its SO cool! having the rogues gallery slowly get picked off one at a time knowing that you'll potentially be next???#that's some GOOD shit right there #dpxdc #bones replies

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listles-s · 9 days

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man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

#dungeon meshi #delicious in dungeon #laios touden #laios dungeon meshi #toshiro nakamoto #shuro #shuro dungeon meshi #character analysis #anyways toshiro haters with surface level takes get the hell off my lawn boy #i hope you know this entire character analysis was born out of the realization that i'd seen this dynamic before in a different light #and i thought. man. what is the funniest comparison i could make here rn. and i'm still right abt it btw #oh yeah also of course the autism read is still there #as an autistic person myself they don't read at all like neurotypical v autism. they read a LOT more like autism v autism #you know how people with autism either get along REALLY well with other people with autism or repel each other with a force #yeah they're basically that. to me #reading toshiro as autistic with the immigrant lens btw makes him even more compelling to read that way #but that is an analysis for another time #man i missed writing these #dungeon meshi spoilers

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ghost-proofbaby · 1 year

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twenty four hours (modern!eddie munson x fem!reader)

HOUR SEVENTEEN

in which you watch a movie about dragons with eddie, but there's something deeper beneath the surface to battle. to train. to tame.

→ tropes: enemies to lovers, forced proximity, slow burn

→ warnings: strong language, upside down does not exist, minors dni

→ wc: 3.7k+

→ a/n: omg they still haven't slept they're just like me fr <3 thank you for all the kindness and endless patience you have all had with this story, and for sticking around for the ride. deftones scene that has haunted me for months now will be next hour! and the return of the gc! see y'all next week (maybe)

masterlist.

spotify playlist.

◁ previous part, next part▷

17:00 ─────────ㅇ───── 24:00

HOUR SEVENTEEN - 8:00 AM

“Are you crying right now?”

“No, I’m not.”

“Oh my God, you are.”

“I’m not.”

“Eddie, those are goddamn tears on your cheeks-”

“Oh, fuck off!”

The credits for How To Train Your Dragon roll as background noise to your bickering.

“It’s okay to admit that you were, y’know,” you coo as you lean across the spanse of both your laps, moving to pinch at his cheek as he leans back and moves it further out of your reach, “It’s a very moving ending.”

You’d situated yourself at one end of the couch when you two returned inside, while Eddie had seated himself on the opposite end. Initially, you’d been disappointed, worried about that sudden distance. But the distance disappeared rather quickly as Eddie had fully turned his body, back against the armrest and legs spread out of that empty space, and encouraged you to do the same. A messy entanglement of knees and ankles and calves all pressed together, touching at every interval possible. Anywhere your leg could manage to graze his, it was. A plethora of gentle and minuscule touches, all adding up to something bigger – something that still grows in your chest amongst the vines and beneath his waves.

It was the very thing that made this easy. It wasn’t awkward, neither of you seemed uncomfortable given that the last time you’d used this couch, it had been in very delicate and very different circumstances.

It was all part of being his friend. You were Eddie’s friend.

“Don’t be so condescending,” Eddie’s scowl is adorable, tugging on every infantile bloom gathered on the greenery in your chest.

Boundaries. Your lungs and your vines and your bones had found respectable boundaries amongst themselves, and it was finally easier to breathe around Eddie again.

“I’m not!” you shift your legs, sliding your bare skin against that of his flannel pajamas. He’s quick to wrap a hand around your ankle, thumb pressing into the hard bone as if he’s scared you’re about to run from him again. You’re not; you’re not sure how to convince him, but you can’t imagine there’s anything he could tell you now to send you running once more, “I liked the movie, Eddie. It was… it was really good.”

You’re a terrible liar. You can’t remember half the movie. All you can remember is the way Eddie would animatedly add commentary for you, how there had been a point in the movie the two of you paused for nearly fifteen minutes for him to go on a ramble of his explanation as to why he’d named his bike Nightfury (as if it hadn’t been obvious from the way his face lit up the moment Toothless appeared on screen). All you can remember is how you only wished the movie would never end, so the look on his face would never fade.

“Tell me your favorite scene,” he demands with a knowing smirk. He knows you didn’t pay attention.

“You know…” you pause, racking your brain for a single scene to mention, “The… one…”

“Go on,” he scoots his heels back towards him, elevating his knees so he can prop his elbows up on them and cradle his face mockingly, acting completely enthralled by whatever your answer may be, “The one…?”

You panic, blurting out, “The one with the dragon.”

You miss the pressure of his thumb on your bones. A physical reminder of his grip on you, not just all mumbled metaphorical ones that now reside in you.

“Half the movie was scenes with a dragon.”

“The one where he’s training the dragon.”

That earns a cackle from him. One that pulls from his chest, sends him leaning back from his sarcastic pose and makes him squint his eyes until crinkles appear beside them. You almost consider counting each laugh line, but just as quickly as they appeared, they disappeared.

“Awesome,” he breathes out, stretching his legs out, bumping them back against yours once more, “So specific. You should really be a professional movie critic, you know that?”

“Oh, yeah,” you nod giddily, “Feast your eyes, pretty boy. The next Robert Ebert in the making.”

He’s red. Terribly, terribly red. It’s not a surprise he fights fire with fire as he replies, “Sweetheart, respectfully… who the fuck is Robert Ebert?”

It’s your turn for your cheeks to burn. You’re unsure if he catches it, the flash of sudden shyness at that nickname now. It once sent rage burning down your throat, but you now revel in it. You’d burn for it.

“You’re killing me here, handsome,” that does the trick – a small squeak sounds off from deep within his throat, and he tries to cover it with a cough, “He was a famous movie critic. My newest role model.”

You expect him to go on with the bit, to force your hand and make you expand on it. Your mind is already reeling with ways to insert more innuendos, more nicknames, more ways to drive him as insane as you already had become thanks to him. It was only fair that you return the favor.

He doesn’t.

He’s like a schoolboy, fidgeting beneath your attention. You swear you feel a tremor in his legs that are tangled with yours properly again, and when he grabs your ankle, when he gives it another squeeze and he lays his thumb into that bone again as if he might find a divot specifically worn out just for him, you realize he’s not going to go along with the bit. Your innocent nickname has left him defenseless. Flustered, vibrant pink and crimson red from the bridge of his nose to the tops of his ears.

Oh, this is fun.

You move the foot he’s not holding onto for dear life, shifting it too quick for him to stop you before you sharply prod his exposed stomach with your toes, “Earth to Eddie?”

He jumps at the contact. It happens so fast, you almost can’t keep track of him with your eyes as he’s sporadically jumping up off of the couch, away from your foot and legs and you.

Oh, that’s not fun.

“We should watch another movie,” No, we really shouldn’t. “How’s Scream sound?”

He doesn’t even let you answer him, already rushing towards the entertainment center and dropping into a crouch before the shelves holding some of his movies. His hand moves to his knee, the hand that had once held to your bone, the one that burned a lingering touch into it, and you watch as his fingers start to tap along to a silent beat.

A clear sign of anxiety. Even if you hadn’t come to observe Eddie and learn his ins and outs over the last seventeen hours, you’d know he’s on edge.

“What are you doing?” you baldly ask him, in no mood to beat around the bush.

He’s on edge. All you did was call him handsome, and he’s on fucking edge.

“What do you mean?” he asks over his shoulder, not even so much as looking at you as his fingers trail along the spines of titles, occupying himself with finding a movie you still hadn’t agreed to.

You sit up on your knees, kneeling on the cushions. It almost reminds you of when your knees had last pressed into this couch, “I mean, why the fuck did you get up like that?”

“Like what?”

It’s funny, how easily your previously warm contentment can start to fan into flames of agitation.

“Oh, Jesus-” you cut yourself off, standing just abruptly as he had. You walk with purpose towards him, and he finally turns his face to look at you, “What did I do? Did I cross a line?”

His brows furrow, “What?”

You wave your hand towards the couch, finally stopping off beside him, cocking a hip to accommodate your other hand that rests on it, “The way you just- we were just sitting there and talking and you just-”

You just completely pulled away from me. Physically, yes, but I’m terrified it also be emotionally. You pulled away, and it feels an awful like you’re running away.

All the words you can’t say – all the words you don’t know how to say.

“You jumped up like I said something wrong,” you quietly finish the thought only half truthfully. It’s better than nothing. It still offers a sliver of honesty.

“You didn’t say anything wrong,” he remains crouched, looking up at you with big and wide eyes, face smoothing into shock, “I just… I want to watch another movie.”

“I thought we were past that.”

“Past what?”

“Lying.”

His blush lingers and so does the tapping of his fingers, “Why do you think I’m lying? I’m being serious – you didn’t do anything wrong! I just… You said you haven’t seen Scream, and mentioned something about killing, so I thought-”

“And if I don’t want to watch another movie?” you drop to your knees beside him, and he physically retracts, “See! Jesus Christ, Eddie, be honest with me right now or so help me God-”

“I have been plenty honest tonight, thank you very much,” he scowls immediately. You scoot closer to him on your knees, and this time, he isn’t flinching away, “You didn’t do anything wrong, alright? I… It’s me. My problem, I’ll deal with it. Please just… let me deal with it, okay?”

“Deal with what-”

It’s your fault, really. You scoot even closer on your knees, you’re ignoring the carpet burn sure to remain, when your balance fails you. One moment, you feel as though you have the upper ground with him and this entire argument, and the next you’re falling forward.

You’re falling forward, and Eddie doesn’t hesitate to earnestly attempt to stop your collision with his floor. Attempt being the key word.

It happens slow enough that both of you should have been able to stop it, in retrospect. Because Eddie is successful in catching your elbow, pausing the fall momentarily before he loses his own balance. He falls onto his ass and out of his crouch with a soft oomph, eyes widening comically before he’s collapsing backwards and dragging you with him. Your body drapes over him, cheek pressing into his bare chest, and neither of you move for a second.

A familiar position. From the first few hours, when Eddie had tried to wrestle his damn porn magazine from you. That warm weight that once rested between your hips now digging into him, ribcages once more pressing together with erratic heartbeats pounding against each other through walls of flesh.

You don’t move at first, keeping your face smashed into his chest. The perfect role reversal. At least his face isn’t in your boobs this time.

“I…” Oh, it’s painful to hold in your laughter, words choking up as your mouth quivers in the force of fighting a shit-eating grin, “I-I’m sorry.”

He’s quick to recognize your amusement, “Don’t you dare laugh.”

“I’m not going to!”

“Yes, you are!”

“No, I’m not!”

“Bullshit,” he shifts beneath you, sitting up and bringing you back up with him. His arms are loose around your waist as you slide off of him and sit onto the floor beside him, “Who’s the liar now?”

Another twitch of your lips, another glare shot your way, “I’m…” He raises his eyebrow in a dare, “Okay, yeah, I was going to laugh.”

“Fuckin’ knew it.”

He’s still wrapped around you, even as you sit side by side. Awkward angles and all, he’s clinging to you just as he did on the couch. As if he always needs to be touching you now, as if that line being crossed has made him open his eyes to a million realizations and opportunities.

When he’s not running away, of course.

You want to bring it up, reiterate that you’d like to know what exactly Eddie was ‘dealing with’ as he so eloquently put it. But you can’t, especially not when his thumb finds your soft skin beneath his shirt and strokes it thoughtlessly. An instinct. You wonder if he’s even conscious of it, if he even knows the effect it’s having on you.

Can he hear your heart when he’s this close? Can he hear it’s thunder that shakes your very foundations?

“I was serious,” you finally speak up, realizing you two have spent far too long sitting on his living room floor and just looking into each other’s eyes. If past you knew you ended up in this position, she would have been disgusted, not fawning. “I don’t feel like another movie.”

“Even Scream?”

“Even Scream.”

It’s a hard sentiment to force out, because the idea of getting to sit through another few hours of watching Eddie glow with excitement, to watch his expressions as he tumbles over words of adornment for something he loves and is passionate about, is tempting. But you’re pretty sure if you end up on that couch again, his thumb stroking your ankle as he attempts to keep your attention tethered to a motion picture you could never follow along with sincerely, you’ll just fall asleep.

Sleep deprivation is a bitch.

“What do you want to do instead?” he asks you. He makes no move to stand; you don’t either.

Your eye trails over the entertainment center to avoid his stare, when something catches your eye on the shelf above the movies, “You never did tell me who Deftones are.”

Eddie glances at the shelf of CDs that caught your eye, “You… want to listen to Deftones right now, rather than watch Scream?”

“Yes. I want you to rock my world with Deftones right now rather than watch Scream.”

“What about sleep?”

“What about it?”

“Do you not want to rest? They never said we couldn’t. Actually, right now, they’re assuming we are.”

Amongst the quick back and forth, you have to bite your tongue. You want to scream, no. No, I don’t want to sleep, because if I sleep, I’m missing this. I may never get this again; I can’t risk this.

You shrug, and stand as his arms fall from around you. You miss that weight – you always miss the fucking weight of him. Just like a child with their favorite stuffed animal or blanket, you’re growing too attached too quickly. It’s going to be your downfall. It’s going to be your goddamn reckoning once these hours have slipped away.

Even more reason to not sleep. Even more reason to cling to your time with him.

“No rest for the wicked, am I right?” you force a careless grin and hold out a hand. You silently plead for him to take it, to give you this win just once.

He stares at your hand, then at you, then back to your hand. “You’re a fucking idiot, you know that, right?”

“Yeah,” you sigh out unintentionally when he hesitantly starts to reach out for your hand, grasping his palm to yours. A sudden burst of confidence overrides your system as you say, “But for these final seven hours, I’m your idiot.”

His grip turns steady and firm. A wicked grin crosses his face to match your own.

“That you are, sweetheart. That you are.”

—

As it turns out, Eddie’s radio is broken. He tries to explain what happened, animatedly waving around his hands as he pulls all of the Deftones albums he owns and tries to give you the backstory to the night he broke the poor thing, but you just grab your phone and wave it in front of him instead.

“I’m about to change your life and single handedly convince you to get a smartphone, Munson,” you tease as he takes a seat on the couch beside you.

You’re sat criss-cross, bare knee bumping his thigh as you open your Spotify app.

“I do know what Spotify is,” he grumbles, “I’m not completely lost on the times.”

“You still use physical copies of porn. Excuse me for assuming you don’t know what Spotify is.”

That shuts him up with ease.

He’s completely silent, almost unnoticeable if it weren’t for the warmth radiating off of him and the bounce of his knee beside you. His eyes are watchful, though, as you search up this mysterious band and click on their music profile.

Just as you open your mouth to ask which song you should play, thumb already hovering over their top song of Change (In The House of Flies), he sticks out his open palm.

“What?” you question, looking up from where you’d been focused on the tiny screen.

He wiggles his fingers.

You know that he’s asking for you to hand over the phone, but you still recall the thrill from teasing him earlier. The rush you got from flustering him, from getting under his skin.

Maybe you don’t have to shower him with abundant flirtatious nicknames to do that. Maybe, you can pull back an inch or so, lay off the compliments, figure out a new way to get under his skin in a way that makes you both smile until your cheeks burn, laugh until your stomachs ache.

Instead of giving him the phone, you send your hand out to his and smack it. A punitive attempt at a high five with the angle given.

“Wha-” he starts, staring at his palm you’d just smacked in gentle astonishment, “I wasn’t asking for a high five.”

“No?” you bite down on your inner cheek, reeling back in your smile as he wiggles his fingers again, inching his hand closer to the phone.

This time, instead of slapping at his hand, you smack your hand down into his and lace your fingers together.

A giggle escapes you as he tries to shake your hand from his, and even as he tries to grimace, you catch the smile he’s fighting.

“Sweetheart,” he chastises, “Give me the phone so I can show you the damn band.”

“Ask nicely.”

He gets his hand free from yours and tilts his head in your direction, raising an eyebrow. You only raise your own brow in return.

“Stop being a brat and give me the phone, please,” he repeats himself in a nearly condescending tone.

You’re managing it. Aching cheeks, soon-to-be aching stomachs, as you crawl beneath his skin. “Make me.”

Two simple words are all it takes to finally burrow into him. Literally. You nearly drop your phone when he’s quickly shifting positions, hand no longer be held out for the device as he suddenly dives it into your sides. Your body instinctively curls up protectively, and his forearm is caught against your torso as he begins to do exactly what you had enticed from him. He’s making you.

The asshole is tickling you.

“Eddie!” you screech, no care for how thin the walls of his apartment might be, “Ed-Eddie, stop!”

He’s cackling now between your gasping laughs. Your phone does take a tumble, dropping to both your feet as his second hand joins the torture. You can’t follow the path of his fingertips up and down your sides, only continuing to yelp out as your eyes tear up and you try to fight back. He props himself with a knee on the couch, other leg stretched to the floor as he cowers you into the cushion and your sides begin to ache.

“Stop it! Stop it!”

If you really wanted him to stop, you probably could manage to kick him off of you. One slip of a knee or thigh with intention towards his groin, and you’re sure it would send him flying. But you don’t. You let his body cover yours as your forehead bumps against his shoulder, you let him curl back into you and entrap you so willingly. You let that overwhelming scent of boy take you over.

You let his waves drag you under. You don’t even have to take a breath before it happens; his essence is enough to keep your lungs from collapsing.

“Stop?” he laughs, fingers momentarily slowing but not quite stopping, “Have I made you yet, baby?”

Your laughs die silently. All the air finally leaves your lungs, and you officially can only breathe in him.

Baby.

He senses the change in you immediately. The tickling stops, and he’s leaning back, shoulder leaving your forehead feverish. That’s what it was, it couldn’t possibly be the warmth that glows in your chest from that nickname.

Baby.

You get it. Oh, God, you get it. His quick escape when you’d called him handsome. You’d forgotten that this game of getting beneath his skin and bantering with light teasing goes both ways. You’d forgotten he has as much power over you now as you did him.

Wide, brown eyes meet yours. He’s close enough to kiss. One impulsively lurch forward, and your lips would be back on his. His tongue in your mouth, his hands on your hips, his own hips settled between your thighs – all of this is so, so palpable. And all it would take is one movement.

You hesitate. And he moves, lurching the wrong way. You almost call out, wait. Come back.

Baby.

An echo you can’t grasp onto quickly enough, and it leaves right along with the weight of him.

He leans down and grabs your phone that had fallen, and sits back down beside you as he clears his throat, “Anyways. Um, where were we?”

You kissing me. Me kissing you. Us, kissing, here on this couch.

“Deftones?” you manage to whisper out questioningly instead. You swallow down that desire, a fiery weapon you should probably tamper down anyways.

“Right. Deftones.”

He opens your phone, putting in the code you quietly hand over to him without any hesitation. It was all wasted on that brief look, that moment where you nearly had him back in your grasps and he only slipped away again.

You don’t even care as he deliberates which song to show you first. You think there’s a notification from Steve, a text message in the groupchat, but it’s lost on you.

Baby.

You like the way it sounds, you like the way it fits. You wonder how steep of a price you’d have to pay to hear him say it again.

taglist: @catherinnn @haylaansmi @gaysludge @paprikaquinn @manda-panda-monium @audhd-dragonaut @blushingquincy @hellkaisersangel @eddieslittlewh0re @ajkamins @prettyboy200 @munsonzzgf @blue-eyed-lion @digwhatudug @madaboutjoe @wickedslashdivine @sweet-villain @somespicystuff @big-ope-vibes @jadequeen88 @sylviin @emma77645 @notbeforelong @lolalanaie @lo-siento-ama @happy-and-alone @micheledawn1975 @aysheashea @moon-huny @munsonswrld @bambipowerblueaddition @averagestudent03 @bakugouswh0r3 @mattefic @mxcheese @bietchz @nativity-in-black @stezzil @vngelis @coley0823 @folklorebau @luvmunson86 @theherothesavior @keene200213 @hargrovesswifee @m-chmcl-rmnc @cherrymedicine13 @iunaelumen777

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#my writing #twenty four hours #eddie munson #eddie munson x you #eddie munson x reader #eddie munson fluff #eddie munson fic #had to cut it off there because deftones makeout session needs it's own moment to shine truly #not edited sorry i ain't got that kind of brain power left in me right now

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nerdpoe · 7 months

Text

AU where Jason went to the Titans Tower to beat the shit out of Robin, not kill him. Tim misunderstands and plans accordingly.

Tim thinks that Red Hood wants to kill him, full stop.

So when Red Hood shows up, the absolute second power gets cut, Tim swallows a slow acting little pill.

He gets into a fight with Red Hood, and just as Red Hood is about to take off his helmet to reveal...something, who cares what, the pill kicks in.

Tim's breathing and heartrate slow to practically nothing.

For all intents and purposes, he's very, very dead.

The pill had a medicine that creates a false state of death, capable of fooling almost anyone if they aren't a Super.

And Jason isn't a Super.

Jason, as far as he is concerned, is now kneeling over the corpse of the latest Robin. A corpse he made.

His biggest mistake.

So he tries to revive the kid, but nothing works. Nothing fucking works.

He knew that going into his Red Hood schtick he'd be turning into a killer, but this was not a death he wanted on his hands.

Then, he makes his second biggest mistake.

He stays too long, trying to revive the kid that stole his mantle.

Nightwing shows up.

Nightwing sees Red Hood, helmet off, crouched over the motionless, beaten body of Robin.

Red Hood gets a fight, alright.

Just not the one he wanted, and with an opponent that is actively attempting to murder him.

@simplestoryteller

#batman au #titans tower au #nightwing #dick grayson #tim drake #robin #red robin #red hood #jason todd #fake death #tim didn't think far enough ahead to consider that he might want to write down somewhere #that he took the pill #and that it'll wear off in like five or six hours #so now nightwing sees the kid he considers his little brother on the floor #not breathing #with the villain that's been alluding to hunting said brother crouched over him #dick is OUT FOR BLOOD #and jason is fucking SO FUCKED UP MAN he didn't come into this with murder on the mind #the little baby bird was putting up a pretty good fight too #right before his body had just #given up #so not only did jason kill a robin #he killed a damn good one #tim wakes up many hours later in the batcave medbay with a grieving bruce sitting next to him #and ah shit #that's what he forgot to do #damn #he was so caught up in the euphoria of figuring out how to give red hood what he wants #and also get one up on him #story prompt

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yuwuta · 12 days

Text

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always.

#atp i need to shut and write the omega verse fics that consistency plague my mind #but while im here time for my obligatory megumi mention bc i mentioned dogs teehee #yes megumi attack dog hes megumi grumbly yes megumi bark bark bite bite BUT BUT BUTTTT #megumi is also used to like... hm........ taming? having? caring for? people in his life and also literal (divine) dogs #so for him yes he bites and barks #but he also... he gets confused if YOU dont follow him around like a puppy bc everyone else in his life has so why not you?#gojo's always been the annoying yapping pomeranian chewing on his arm even if he didn't ask #always in megumi's space even tho he didn't ask but he learned to deal with it #won't admit it but knows that too much attention is better than having someone who couldn't give a shit about you #yuuji is the golden in everybody's life and megumi is no exception #unmovable unshakeable and incredibly addictive even if he doesn't mean to be #and very very attached to the people he cares about so yeah yuuji is loud and annoying but he's also loyal and megumi respects that so fine #nobara is like... she decided she liked megumi and was upset about it so she bit his ankle and he tried to kick her off but she has too muc #pride to get shaken off by someone as scrawny as megumi and somewhere along the way megumi became impressed that she was still there even i #it hurt a bit and she was a little rough it's not like he was worse so fine whatever she can stay too #so if you like... if you dont hover around megumi if you dont pry if you dont prod then he has to be the dog smh #now he's gotta bite for your attention and nudge you and how annoying. he's gonna keep doing it tho. as long as he has to #or until you learn to fall in line and accept your leash too whichever comes first n e way.... anyway.............#somebody's pampered omega always gets what he wants megumi complex is showing......#this was about yuuta right? ok i'll put his tags now....#juju #jujutsu kaisen smut #jjk x reader #jjk smut #jjk fluff #jujutsu kaisen x reader #yuuta okkotsu x reader #yuta okkotsu x reader

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