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#No idea! Love it!
completeoveranalysis · 9 months
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Chapitre 183 - The World of Sand 
In which ARE YOU KIDDING ME? THIS IS INCREDIBLE. 
BLACK AND WHITE INVERSE COLOUR SAKURA AND SYAORANS? OHHHHH CLAMP ARE GENEROUS. CLAMP ARE GIVING.
Even just how each couple is wearing the colour opposite to their background, but also the opposite of the opposing pair.
And how the feathers are in the SAME but OPPOSITE part of the page for each side, showing that they are visual inversions of each other’s reality, but the feathers don’t look the same, and are shown at unique angles. Potentially they’re falling on one side but rising on the other. Potentially it’s the same for each, but its showing that neither story is complete without the perspective of the other. 
And how the small circles on the right are small and clearly defined against the background - perhaps falling water droplets, like the falling feathers around them? - while the ones on the left are fuzzy shiny orbs, like motes of air or magic rising through the sky. I think the implication of movement is a bit open to interpretation, you could go either way. IS one side falling and the other rising? Is the fate of that Sakura/Syaoran pair falling downward while the other rises? Is one falling to ALLOW the other to rise? Is one pair doomed by fate BECAUSE they are clones? Or are they drifting down and out of the narrative and into freedom, while the other pair takes up the fight in their stead? Is one background Black because their future is dark, or because they CAME from that darkness, as created tools of Evil Wolverine? Or is it their clothes that matter? Are they the light in the dark, the fragments of people who fought to change the future despite their origins? White clothing because they were initially empty and devoid of anything? Is the other background similarly white because it hasn’t been written yet - a future so undefined that no-one can tell what it will be when this is all over?
Are the circles actually heading in the same direction on both sides of the page, and the difference is how they are perceived? How one stands out against the darkness while the other needs help to be seen at all? The clones WERE the most visible throughout most of the story, and only through their existence did the other pair get the chance to enter the narrative again. 
I - oH fuck I forgot that this would be in colour and that I HAVE IT. PLEASE HOLD. WHERE IS IT. 
HERE IT IS! LOOK LOOK LOOK
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EVEN THE SPLASH TEXT IS INVERTED
MIRROR IMAGES
And OH all that gorgeous golden ornamentation, the gem colours actually staying the same on both sides of the page. The clasp on Syaoran’s upper arm is the same symbol as on the previous cover, on Fai and Kurogane's clothing, which is a very fun connection that shows it wasn’t just an alternate world we didn’t see, but an intended shared thread of imagery for them all. 
The long pieces of jewellery that the Sakuras wear are gorgeous and delicate and intricate. It could be echoing the design of vines and natural growth - perhaps because she can communicate with spirits, and is in touch with the natural world, or perhaps because she is a desert flower herself, growing out of a literal world of sand but also blooming despite the extreme adversity, and blossoming out of pure determination. It also has visual echoes of imprisonment - it circles her neck not at a low level like a necklace, but high like a collar. It spreads across her like roots, holding her in place - or is it the opposite of that now? Is she, aware of her fate as she is, wearing Evil Wolverine’s designs like they're just a gown to be worn? Something she can’t take off but has learned to make work for her?
The Syaorans have a circular loop in the design of their coat around their necks as well - because they’ve been just as trapped in Evil Wolverine’s schemes. For the Syaoran on the right especially the loop around his neck has two circular gems visible that could echo the same shape as the goggles he used to wear, bringing in an element of the past that shaped who he is but at the same time was a design placed on him from birth, one that was all by someone else’s plan. 
AND THE DIFFERENCES BETWEEN THEM. The colour version lets you see the heterochromia in Syaoran's eyes on the right, showing which pair is which, and the DIFFERENCES in how they stand. (If they ARE in the pairs you would expect) Clone Sakura looks down, as if unfocussed, because she IS currently narratively dead. Or is she instead gazing at her hand, being held by Syaoran? She has wanted this so desperately and for so long. Does she look sad because she is currently dead, meaning they might never be actually together? Is she unfocussed because she has not yet had the chance to truly see that her sacrifice worked, and that Syaoran really has been restored? Either way, Syaoran holds her hand up in support, gently from below. 
The Syaoran on the left holds the other Sakura’s hand up close to his chest, hand clenched tight. This Sakura and Syaoran both look ahead - at where they are going? At what lies ahead for them both? Neither looks especially happy, but neither looks especially unhappy either. Lava Lamp has always been particularly unreadable, but the way he grasps her hand betrays how hard he’s been fighting for her. Sakura in turn looks just as unfocussed as her counterpart - and if Evil Wolverine is to be believed, it’s because she’s also dead. I DO NOT BELIEVE THIS THOUGH. She could potentially be in dreams, asleep for the entire plotline, held as a backup until they free her. She is not particularly aware that her hand is being held, and isn’t participating in the motion like the other Sakura seems to be, but she looks ahead all the same. Whatever they're looking at, they're clearly moving in a different direction entirely to their clone counterparts.
Meanwhile Clone Syaoran looks directly at the camera.
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wildbasil · 1 month
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things haven't been great but i think they will be. eventually 🌻🌼🩷
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the-gayest-sky-kid · 5 months
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god i love my friends. shout out to people who love their friends. this is a post for friend lovers
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notherpuppet · 2 months
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First Meeting
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sully-s · 3 months
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Listen, if I had the time I would just make Justice Leauge the mockumentary, lol.
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bookwyrminspiration · 7 months
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if you all could see all the fanart i imagine in my head and never draw it’d blow your tits clean off
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cracklewink · 1 month
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My Mane 6 Redesigns all together! I was going to post them separately but ended up finishing them all before I got around to it lol
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disgustinggf · 8 months
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this blog is brought to u by someone unmedicated
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verkomy · 9 months
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quick 60s ineffable wives fanart
you can get a print here: inprnt!   
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secondbeatsongs · 11 months
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source
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joycrispy · 8 months
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Awhile ago @ouidamforeman made this post:
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This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...
It. It kind of fucks. Severely.
And in a delightfully Pratchett-y way, I'd dare to suggest.
I'll explain:
As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.
Crowley, of course, is the serpent of Eden.
(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)
Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:
"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV
Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.
(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.
...Put a pin in that. We're coming back to it.)
So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.
But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:
The Sword was never intended to guard Eden while Adam and Eve were still in it.
Do you understand?
The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.
The flaming sword was given to be used against them.
So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.
That's how it's supposed to go. It is written.
...But, in Good Omens, they're not just the Serpent and the Sword.
They're Crowley and Aziraphale.
(author begins to go insane from emotion under the cut)
In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.
It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.
...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.
And the Serpent--
(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)
--just goes ahead and falls in love with him about it.
As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:
"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll
The first to ask questions.
Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).
And Aziraphale loves him for it, too. Loves him back.
And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--
(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)
--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.
To write a story about the Serpent and the Sword falling in love is to write a story about transgression.
Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.
It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.
And then you keep writing.
And what emerges hits you like a goddamn truck.
(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).
It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)
...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:
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I love this shot so much.
Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.
You know what a shot like that establishes? Likeness. Commonality. Kinship.
"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.
But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.
Godfathers. Sort of.
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reasonsforhope · 1 month
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Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."
Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.
These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!
Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!
Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.
So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.
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criiitter · 11 months
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find me in the future.
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t00thpasteface · 5 months
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i am unironically obsessed with adam west batman not only trying to be a good dad to robin, but actually succeeding. also love robin's insane energy levels and his ability to go from seething bloodlust to manic glee in record time. i think any superman worth his S would fit right into the family ^_^
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reineydraws · 9 months
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jason is a grandpa's boy and u cant take this away from me!!! they cook together, they discuss literature together, and when jay comes back, they clean their guns together haha. ofc they celebrate their birthday together too! 😌
✨️🎂 hbd jay & alfie 🎂✨️
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sedgewick-gayble · 6 months
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roaring twenties tumblr simulator pt. 2
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🎙 fancy-nancyboy Follow
men be like "i would never succumb to homosexuality" and then hold a mans face tenderly as he lights his cigarette with his own. okayy pansy we see you
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💄 thewhoringtwenties Follow
art deco more like art dicko! aaaand post
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🎥 claras-bowtie Follow
attended a petting party last saturday and there were no animals not even at all :(
#WHY WOULD THEY CALL IT THAT
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🕯 tuberculosiswarrior Follow
i lov my mother and father so nuch forever i cannot wait to attend my new job at the dubious factory where there have never been any machinery incidents evr before
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🎩 Rate-my-setup Follow
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Submitted by anonymous.
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thebeesknees Follow reblogged 🔁 jazzcat Follow
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The cocaine in coca-cola just doesnt hit the same anymore....
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OP they took out the cocaine
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WHAT DO YOU MEAN THEY TOOK OUT THE COCAINE
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tumblr heritage post
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🚬 runrummer Follow
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Hes so puppycoded
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moonshiningitup Follow reblogged 🔁 moonshiningitup Follow
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The eroticism of the machinery incidents at the dubious factory
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Easy website
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🥂 cake-eater Follow
There is a gang war in Chicago. The first gang to get to 100 kills, gets to take over that part of the city. You NEED to be careful, Babe Ruth. You could be at high risk because of your high status. PLEASE be safe, everyone in or around Chicago, and please reblog this to get it to the celebrities in Chicago
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