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joycrispy · 8 months

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I wanna talk about The Angel Who Would Be Crowley.

Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."

Looking around at GO fandom, I'm not alone in this. So let's talk about it.

Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.

Something like this:

We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--

--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.

But it turns out he was this:

!!!

With his curly little--!!

And his neat white--!!

IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:

"You used to jump on me back, little monkey in a waistcoat..."

(The use of a diminutive there, 'little'...oh, that fascinates me.)

In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.

In sum...an innocent.

(Perhaps innocent to a troubling degree.

We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.

Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)

So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--

*checks notes*

--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.

...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.

All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?

He WAS a powerful and high-ranking angel.

That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...

...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'

What does that tell us about who he was? Is?

Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.

Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."

And what reason does he give?

("I know you."

"You do not know me."

"I know the angel you were.")

What does that tell us about who he was? Is?

("The angel you knew is not me."

But how is Aziraphale supposed to believe that, when he can see him all the time?)

tl;dr --yes, this is better. I love the tragedy of it.

'Innocence died screaming' and all that.

#good omens #ineffable husbands #aziracrow #Crowley #Aziraphale #good omens 2 #good omens meta

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vidavalor · 7 months

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Crowley actually says a barely-coded "I love you" to Aziraphale back in 2.03

In his proposal in the S2 finale, Crowley told us that he and Aziraphale know they're in love and have known it for damn ever but they pretend they're not a couple. This, by default, means that they've not specifically said the words "I love you" before, by Crowley's own admission. They've said I love you in their own little language and we've watched it before. It's little demonic miracle of my own. It's don't go unscrewing the cap. It's just a little bit of a good person and just enough of a bastard to be worth knowing... But what Crowley says in the S2 finale is that they've never-- ever-- said in 6,000 years is just I love you in those normal people, human words. It has always been too dangerous for too many reasons to count so they have euphemisms for it and whole conversations around it and have made that be enough. Why do I bring this up? Because Crowley found a middle ground between the words and their coded language with one another in S2 and it's flying under the radar.

So you know that scene when Muriel has shown up and interrupts Crowley and Aziraphale talking in the back room? The one where while Crowley is speaking, Aziraphale suddenly looks like he's about to pass out with sheer want? Yes, our angel always looks at Crowley like he hung the damn moon (which he did but lol...) but this scene is different. This scene is like... someone get Aziraphale a chair and a glass a water because he is pupils-dilated, audibly breathing, and eyeing up Crowley with naked want. More than the lust? He looks happy. He looks delighted. You can basically hear his heart race from that look on his face. Why here? Yes, Crowley looks hot. Yes, he's in profile in a way that is a visual parallel to Before the Beginning (which was an inspired choice for this scene.) Yes, he's here with a Plan and taking charge of the Muriel situation and swaying his hips a bit while he speaks. It's not any of that. Those are nice bonuses. Aziraphale likes them. He gets them all the time. It's what Crowley said in this moment. To Aziraphale. Through what he said to Muriel.

Crowley cracks a dry, kinda dark joke that is meant for an audience of one: just Aziraphale. He knows Muriel won't get it. Since Muriel is cosplaying as what they think is a human Inspector Constable and they are here to verify the miracle Aziraphale has told Heaven and so are monitoring them, Crowley quips that Muriel is here to spy on them (since they, well, are, actually) and that he knows that many human police officers like to make a bit of a hobby out of spying on "people in love."

People. In. Love.

In a one-two punch in the same sentence, Crowley called him and Aziraphale queer humans and he called what they have love, using the actual word *aloud* for the first time in 6,000 years. He said he loved Aziraphale in front of an angel of Heaven in a little coded joke but this time, using the coded bit to say the real thing for the first time.

Then, just to hammer it all home and make sure that Aziraphale really knows it was very much intentional, Crowley says 'love' again in the next sentence. He starts going on about how Muriel can come to him anytime with any questions about love and he's happy to assist with their understanding of human love with all of his implied vast, vast years of experience with the subject and how he'll be here to answer their questions, in the bookshop, while Aziraphale drives his car to Edinburgh.

Go back and tell Heaven I'm here, Inspector Constable, I don't give a fuck anymore. *We* don't give a fuck anymore. You go tell The Archangel Michael that I'm who they're going to get managing Angelic Embassy X aka The Bookshop until Aziraphale gets back-- yep, me, former Demon of Hell. The Boyfriend in the Dark Sunglasses. He's asked me to, which is his way of saying he wants to stop hiding and asking me not to sneak out to my car in the middle of the night which hallefuckinglujah, Inspector Constable... Go tell Their Beatitudes that we ravish each other all over the bookshop. You won't even be lying. As Maggie'll put it later in the season: I'm done being afraid all the time. I love him. We're in love. There's your hot intel.

Aziraphale:

Aziraphale: Inspector Constable, be a dear and spray me down with all 700 of our fire extinguishers, will you?

#ineffable husbands #good omens #crowley #aziraphale #aziracrow #aziraphale x crowley #crowley x aziraphale #good omens meta #good omens 2

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thethingswedotomorrow · 6 months

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Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.

But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.

And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.

One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies

"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."

"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"

"Oh, I see, suddenly it's only inaccurate when they've got you wrong."

The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire

Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake

As if Crowley wouldn't move literal mountains for the angel

*He did, actually, do that once.

In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes

"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."

Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand

When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area

If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.

Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum

In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention

And it certainly was not an inaccurate model of a 18th century tea set

But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.

He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation

Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale

Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment

And once Crowley experienced those things, he never wanted anything else

He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet

He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words

So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent

Crowley stayed and got well and truly drunk. As he did best.

He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another

It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing

Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight

But, as many of his worst ideas started, he had nothing better to do and too much time to think

So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day

Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.

But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.

He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.

He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?

He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.

Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor

He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.

But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs

Crowley wrote for a long while, and found that the writing helped the pain.

Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.

And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.

He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.

He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.

And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.

Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.

And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages

Until he realized that they had, in fact, also collected HIS mistakes.

In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago

And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own

And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.

All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.

Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.

But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.

Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.

Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.

He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.

"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"

Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes

"Angel, I-"

That's all Crowley can get out before Aziraphale is walking towards him with a purpose

And suddenly Aziraphale is very close to him

Very very close

And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.

By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.

He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love

Not one bit of it is at all comparable to the real thing.

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twilightcitysky · 9 months

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Everything Is Meant (long S2 analysis, part 2)

Part one here

Okay, so that's how I think the pre-creation scene and Gabriel's arc connect to Aziraphale's choice. I also think the ineffable bureaucracy speedrun exists to prove totally different things to Aziraphale and Crowley: Aziraphale loves that they can love each other but notes they have to run away to be together; Crowley sees this and immediately thinks "hey, we can do that too!", forgetting that running away is not a solution Aziraphale has ever been interested in. It's the mentality of an individualist vs a group-oriented mind, and neither of them is necessarily wrong, it's just that their priorities are different and they HAVE TO TALK ABOUT IT, which they don't.

Continued analysis under the cut:

3. Let's take the Job minisode. Why include it? We already mentioned that it proves Aziraphale remembers Crowley as an angel, since he mentions it. And he believes Crowley is the same person he always was, and that he doesn't want to harm Job's crops or animals or children. Crowley tries to convince him he's a Big Bad Demon who is all in on this assignment, but fails utterly to kill even a single goat, soooo... Aziraphale comes to the conclusion that he knows what Crowley wants. Alert! Alert! This is a big problem! Crowley says, "What do you know about what I want?" Aziraphale: "I know you." Crowley: "You do not know me." But because Aziraphale got it right this time, he goes ahead assuming he'll always get it right, which is a crucial failure when it comes to the final reckoning. He doesn't ever ASK Crowley what he wants, he just assumes. When you assume you know what someone wants, you usually assume their priorities align with yours... he couldn't be more wrong about that. The Job minisode sets up this dynamic for them, and they never really manage to change it.

The other thing happens at the end of the minisode. Crowley acknowledges two crucial points: 1) he's lonely ("But you said it wasn't!" "I'm a demon. I lied"), 2) he doesn't think Aziraphale would like Hell. Aziraphale DOESN'T like Hell. Aziraphale hates Hell for what they've done to Crowley. He doesn't see Heaven as innocent or benign, but importantly, Heaven has never tried to hurt Crowley directly. They never threatened his safety. They never tortured him (as it's heavily implied that Hell did). Fast forward to the last ten mins of season 2: Aziraphale excited to tell Crowley that he can be an angel again BECAUSE: he never has to go back to Hell. They can never hurt him again, not the way they did before. And he doesn't have to be lonely anymore.

Last point before I leave Job: Crowley has the chance to cause Aziraphale to Fall, here, probably. ("I lied to Heaven to thwart the will of God!" "You did, but I'm not going to tell anybody. Are you? ...good, then nothing has to change.") He doesn't take it. He doesn't want Aziraphale to be a demon. He loves Aziraphale as he is. "Angel" as an affectionate. Aziraphale certainly doesn't use "demon" as a pet name for Crowley. I think they set up this scene to contrast the final one, and show how deeply hurt Crowley is that Aziraphale suggest he change.

4. Moving on to Victorian Scotland. This one confused me at first. I was delighted that they brought back the "the lower you start the more opportunity you have to rise" dialogue from the book, but apart from that I didn't really see the point of it. It seems like the statue of Gabriel and the fact that he and Beelz ended up at that pub in the present were more or less coincidental.

The point, I think, is actually not the girl, but the doctor. He's a person who is trying to do good by working in a system that's deeply flawed, and engaging in questionable moral practices for the greater good. (Cadaver dissection is still an essential part of medical school. You need dead bodies to understand living ones.) He shows Aziraphale a tumor he removed from a child who died, and Aziraphale clutches it to his chest. The camera zooms in and lingers to tell us that this is a guardian through and through. He wants to protect people. He wants to do good with every fiber of his being.

To Crowley, it's enough to just "be an us" with Aziraphale. He doesn't really want anything more than that. That's an issue! For one thing, it fosters unhealthy codependency, and for another, Aziraphale would never be happy without the opportunity to help and protect people. It's an essential part of who he is. Metatron knows that, and he plays Aziraphale like a fiddle. The doctor showed Aziraphale that you can make a difference even in systems that are flawed, and even if you have to do things you'd rather not do. Aziraphale doesn't want to go back to Heaven, but he truly thinks he can change things; thinks he can be a guardian with some real power. In his mind, that's the right thing to do.

Last thing that happens in Scotland: Crowley saves a soul from Hell, arguably, by preventing a suicide. He gets in Big Trouble. Whatever happened to him downstairs resulted in him coming back up, leaning on a cane, and asking Aziraphale to give him holy water. Go back and watch that scene knowing what we know now about the Victorian minisode. Ask yourself how Aziraphale must have felt. He likely blamed himself for what happened, because if he hadn't meddled then they never would have been there in the first place. He knew where Crowley was, and why he was there, and he had to sit with that knowledge for years. He desperately wants Crowley to be safe; is perfectly willing to push him away to keep him safe-- which is what he does do, the minute Crowley gets back.

Now think again about what Metatron offered him. A chance to keep Crowley safe forever. He'd never be harmed again. Aziraphale is going to take that offer, no matter what else is asked of him. He's shown over and over again that he'll sacrifice his own happiness to make sure nothing happens to Crowley. And he'll do it without talking to Crowley about it first, because he is a moron who doesn't know how to use his words. Leading Crowley to assume that Aziraphale doesn't love him. The idiot angel is doing it all out of love, but because he doesn't make himself clear Crowley doesn't know that.

Part 3: Maggie and Nina, and their roles as mirror couple/ Greek chorus!

#good omens #good omens season 2 #good omens s2 #good omens s2 spoilers #good omens meta #aziraphale #crowley #everything is meant #good omens analysis #part 3 tomorrow

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u3pxx · 8 months

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In a roughly parallel universe, Demon Aziraphale tempts Angel Crowley to a little vacation, and they find their way to a bookshop in a familiar place inhabited by familiar faces. Crowley (both of them) would like to stop this nonsense before it can start, but Aziraphale's curiosity wins out, and they spend a day together that ends up being loaded with little revelations (but not, thankfully, any Revelations).

HEY DID YOU KNOW THAT @contritecactite WROTE A FIC ABOUT THE BAD OMENS SPOUSES MEETING THE GOOD OMENS SPOUSES THAT MADE ME EXPLODE A LOT LOT?! 🤍🖤💥

anyway, thanks again to elle for writing this and to koi for giving some painful name lore to these nerds because i genuinely can't express how GRAGHARGGH this made me! i swear i've been rereading it for like a billion times already bc it's just that good and charming!

i'm gonna put some bonus messy doodles of the fic and other things below the cut! :^] i'm also thinking about putting this up on my inprnt shop too but i'm not sure, tell me if you want it there or smth pftt

like this art? it's a print, here! | like what i do? support me on ko-fi!

i know i didn't go with the usual angel and demon color schemes show gomens has to offer bc i think these two are just disruptive like that pftt <3 but i was curious to know what they'd look like so here's a comparison gif i whipped up when i was in the flat colors stage of drawing this pftt

AND THIS ONE. oh im insane im normal im [static noise]

there are a lot more moments i wanna draw trust me but this one does make me laugh bc i want to leave angel crowley and angel aziraphale in a room and see what happens. their dynamic, i'm obsessed with it DFGHD

and here's the link to the fic again bc if you managed to get down here without reading it first, then what are you doing!

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married-to-google-translater · 1 month

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Yandere malleus when reader goes home but later finds out she was forced away and didn't want to leave(him). She then comes back to him

Yandere Malleus Draconia

Malleus would be furious, shocked and saddened.

There would be so many feelings.

He would not understand how this could have been allowed to happen.

Why did you leave him?

You promised you wouldn't…

You said you loved him.

Was it a lie?

Malleus wouldn't know what to believe.

He wouldn't know what to think anymore.

That's how messed up he would be over your loss.

And a huge thunderstorm has been raging over the NRC for weeks.

It would be a miracle if the school was open during that time.

Malleus really wouldn't mind.

He would swear to get you back.

He would have to get you back.

Malleus couldn't live without you.

He would spend the whole day in the library looking for a way.

The diasomnia people would be really worried.

Lilia would probably help him.

Malleus would not eat or drink properly.

Lilia would surely be worried.

But eventually Malleus' prayers are answered and he manages to find you.

Malleus wouldn't know how to react.

He would be relieved but also angry at the same time.

Malleus would not have time to ask questions.

Because as soon as you see him you would run into his arms.

And you would start crying about how sorry you are and how you didn't want to leave.

Malleus.exe has stopped working.

He couldn't be mad at you.

No when you are like this.

Malleus would hug you back and promise never to leave you again.

His yandere tendencies worsen after this.

Please pray for Crowley… Malleus would be furious bc he let this happen.

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dilatorywriting · 8 months

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“I will love you forever and when ‘forever’ ends, I’ll love you some more.”

For the event, can I request Malleus for this? I need to send ALL my love to him ASAP. Although for this, feel free to have him being the one saying it to reader.

Gender Neutral Reader x Malleus Draconia Word Count: 1.2k

Prompt 51: "I will love you forever and when ‘forever’ ends, I’ll love you some more."

[EVENT MASTERLIST]

There was something about being in love with a fae that would always be at least a little intimidating.

No, it wasn’t the unearthly powers that could literally rip through the fabric of time and space with a snap of his fingers. No, it wasn’t the cold, serpentine stare or the sharp fangs in his mouth that shined like well-polished knives under the right light. It wasn’t even the horns. Even though they added an extra foot onto the dragon’s already stupidly impressive height.

But there were other things, sometimes. Less tangiblethings.

You tried not to think about it too much, because you loved Tsunotarou. Really, you did. And you didn’t want some… some creeping thing at the fringes of your consciousness to ruin that.

It was cold tonight, and you puffed warm breath onto your fingers. Normally Malleus was the one waiting for you to arrive at your usual Gargoyle Filled haunts, but he’d had a meeting with his retainers today. And you weren’t surprised he was running a bit late in the aftermath.

‘Man, I’m surprised Draconia is ever on time for anything,’ Ace had complained, during some mandatory assembly or other. Watching as Malleus floated into the room a solid two hours after scheduled.

‘He’s usually very punctual,’ you’d answered, confused.

‘Sure, sure. But don’t fae have, like, super fucked up senses of time?’ the redhead mused. ‘Like I bet you could tell him to meet you in an hour and he’d show up a week later or something.’

“Child of man,” a familiar timbre called out over the snow, and you perked up immediately, hopping from foot to foot to get your circulation going again before trotting out to meet him halfway.

“Tsunotarou!” you chirped. “How was your day?”

“Dreadful,” he answered, deadpan, and bent his arm neatly so that you could tuck your fingers into the crook of his elbow and snuggle yourself into his side. He was like a walking furnace, what with the roaring, emerald fires in his belly. And the snowflakes seemed to melt before they’d even touched his skin. “Nothing but paperwork. Perhaps I should turn them all into enchanted quills, and then they might finally be fit for their positions.”

You snorted into your glove. “You’d need to turn some of them into ink then, too.”

“Ah, of course,” he intoned. And then shot you a smirk that was just on the right side of besotted. “Whatever would I do without your wise guidance?”

“Hmm, I don’t know,” you teased, and then smiled right back in that stupidly, soppy way. “But you seemed more than smart enough to manage on your own before I came along. And I’m sure you’ll go back to being brilliant when I’m gone,” you added on a laugh.

But Malleus didn’t join in your giggling.

The fae stopped in place, and you were dragged to a halt with him. You blinked up at him, confused. His expression was… complicated.

“You are leaving?” he asked, each word sounding like it had to be pried out of his mouth with a crowbar.

“What?” you blinked. “Of course not.” Crowley never having bothered to lift a feathery finger to find you a way home aside, you had more than enough reasons to stay here for as long as your meager, mortal life would allow. Going home… it soured something in your stomach that you didn’t even want to consider. So you just tightened your fingers around his arm and shot him as reassuring of a smile as you could muster. “Even if I had the choice, I’d be staying right here.”

But that just made Malleus’s brow pinch up tighter.

“Then what did you mean?” he questioned, perplexed. “When you said ‘when I’m gone.’”

Ah.

You fought a guilty wince. You hadn’t wanted to drag your own little terrors into his worries as well. You really needed to get a better leash on the poor quips that managed to tumble out of your mouth.

“Well, just that, uhm…” You waved your free hand awkwardly. “You know.”

More furrowing.

“I do not,” he said, sounding grumpy. It was a bit adorable, seeing an almighty prince and near God pout at you. But you fought off the urge to coo over his pursed lips and scrunched nose. Time and place, self. Time and place.

“I’m mortal,” you said finally, hoping that would cover it.

“And?”

Ugh. Come on, dude. Give me something here.

You shrugged, tight and awkward. “Just that, well, you know. Your lifespan is near infinite right? And mine is sort of set to be…” You held up your fingers and pinched them close together. “Uhm. Not that.”

“And you think that such an inconsequential factor means that you will be leaving me?” he asked, and you blinked at him in outright confusion.

“It’s pretty consequential,” you squeaked out, and averted your gaze. “And.. and besides. I knew that from the beginning. And I just want to be able to make the best out of the time with you that I have,” you said, hoping it sounded properly reassuring and not like the start of a particularly peppy obituary.

“…I see,” the Prince said, low. “But that doesn’t mean you’ll be gone, I’m sure.”

You blinked again, owlish and slow.

“Pardon?”

“What is the human expression…?” he hummed, tucking your arm back tightly against his side and starting up your leisurely stroll once more. “Distance makes the heart grow fonder? Almost so much as time itself.”

Yeah, you wanted to amend. But not from beyond the grave.

“I guess so,” you shrugged.

“Can you imagine then,” he hummed. “How much I’ll love you in a thousand years?”

“I—” you swallowed, feeling tears prick at the back of your eyes.

But rather than give your poor, fluttering soul a chance to recover, he just pushed onwards.

“I will love you forever, and when ‘forever’ ends, I suppose that I’ll just love you even more,” he said, perfectly level and serious, like he hadn’t just absolutely pulled your heart out of your chest and set the whole of you on fire.

You stared up at his regal, handsome face from beneath a soft veil of falling snow. With those cold, emerald eyes, the pointed fangs, the horns. You felt like your stomach had fallen out at your toes, like the whole of you was bound to float away like a balloon lost in the breeze. Because he’d said—he’d really—

“And of course,” the dragon shrugged. “I’ve always intended to extend your lifespan to begin with.”

You gaped at him wordlessly for a moment, before letting out a hideously embarrassed squawk and pounding at his chest with your gloved hands.

“You could’ve told me that!” you shrieked, practically steaming in the cold with the heat pulsing off your cheeks.

“I suppose,” he smirked, catching your flailing fists easily in one of his own large hands. “But then I wouldn’t have been able to see your reaction to my declarations, would I?” he cooed, all smooth, dark chocolate and smoky embers. “And I had to work so hard to memorize those lines. Fitting as they are, I was told that the moment to use them would have to be perfect, and—"

“Did Lilia set you up for this?” you choked.

Malleus snorted and turned to tug you further down the path. “Only a little.”

#4k Event #twisted wonderland imagines #twst x reader #Malleus Draconia x Reader #Malleus x Reader #Malleus Draconia #My Writing #Writing Prompts

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prince-kallisto · 8 months

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JP THEORISTS ARE ON ANOTHER LEVEL OMG-

The Dark Mirror’s Overblot markings always had me feeling suspicious because of the little horns, but the Diamond shapes are??? The exact same as Meleanor’s crown???? WHAT.

I JOKED BEFORE THAT MELEANOR’S SOUL WAS TRAPPED IN THE MIRROR ALL THE WAY BACK IN JULY AND THAT SHE WAS THE “FLOWER OF EVIL” CROWLEY WORSHIPPED BUT NOW I AM AFRAID.

I highly, HIGHLY recommend rewatching the opening prologue just for the way Crowley speaks. His voice literally shows off how much he revers his flower of evil. But notice how addresses his “flower of evil” who is the “fairest one of all,” AND the magic mirror. It’s like there’s two separate entities inside. And perhaps the hand in the prologue isn’t his, but it is Meleanor’s ungloved hand.

We never actually did see the moment of Meleanor’s death…it makes me wonder that if near/at the time of her death, someone else was there to capture her soul, or at least manipulate her magic somehow. The Dark Mirror definitely is just the spirit trapped inside the Magic Mirror from Snow White, so I wonder if the markings on his mask is a sign that someone else is trapped deeper inside the mirror…and only Crowley can call out to the second soul inside.

Although he can only see small reflections of her, she is still “alive” in the mirror, and the only way for Meleanor to have a “physical” form is through blot, just like Ortho’s soul in Book 6. It’s likely why Crowley knows so much about blot and has a very close connection with STYX in there first place- through the Watchmen, he learned how blot can create a vessel for a soul. And Crowley managed to find 7 souls that resemble the Great Seven so much, and their blot is so powerful. Ortho became a mass of the entire Underworld, but perhaps Crowley only needs 7 powerful souls with Phantoms of the Great 7. So perhaps Crowley isn’t trying to revive THE Great Seven, but he does need the Phantom’s sheer power for Meleanor to have a strong enough form.

Crowley please explain yourself I’m too tired to even yell at you rn 😭🐦‍⬛

#twst #twisted wonderland #twst theory #twst overblot #twst meleanor draconia #twst meleanor #twst dire Crowley #twst crowley #twst levan #twst revan #twst Magic mirror #twst dark mirror #twst spoilers #twst book 7 #twst book 7 spoilers #KallistoPost

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harunayuuka2060 · 6 months

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MC: Birdman~ I've noticed that I'm the only one without a dorm~.

Crowley: You see, the Dark Mirror refuses to assign you into one after the last incident.

MC: Eh~. It's refusing service~?

MC: I should just break it then.

Crowley: I— You can choose your own dorm, MC.

MC: Really~? Do you have a recommendation, Birdman~?

Crowley: Y-Yes... Oh! There's one abandoned dorm that hasn't been in use for a while. How about you establish it again?

MC: Establish a one, shabby dorm~?

Crowley: Y-Yes? That idea isn't that bad, is it?

MC: *intimidates Crowley with their smile*

Crowley: *gulps* I'll have it renovated.

The housewardens: ...

MC: *smiling at them*

Vil: Headmage, could you explain to us WHY are they here in a housewarden meeting?

Malleus: That is my question too.

Idia: You're present, Malleus.

Malleus: Yes. I was... dragged.

The housewardens: ...

Azul: How?

Kalim: *laughs* I'm guessing Malleus got pulled by his horns.

MC: Eh~ How did you know~? You're really good at guessing, Kalim~

Leona: You... You dragged this lizard by his horns? *laughs*

Malleus: *frowns*

Vil: Now going back to the question.

Crowley: MC is now a housewarden.

Vil and Riddle: WHAT?!

Idia: Congrats.

Leona: Yeah. Congrats, Deranged Herbivore.

Kalim: Welcome to the club, MC!

MC: Thank you~

Azul: No offense, senpai. But for you to become a housewarden, don't you need students to manage as well?

Riddle: That's right. You don't have students. And what is your dorm called anyway?

MC: It's called Ramshackle~ And it's a really nice dorm after Birdman renovated it~.

Crowley: *sniffles*

Idia: Why are you crying?

Crowley: They made me paint the walls...

Leona: *cackles*

Riddle and Vil: ...

Vil: Leona.

Leona: What? It's not very common that someone tortures Crowley.

Crowley: *frowns*

Cater: What's going on? Why does everyone look scared?

Trey: MC is looking for students to manage.

Cater: Oh. Wow. And no one wants to participate?

Trey: Yes. Except Floyd, of course. But Azul doesn't want to let him.

Cater: I mean... I'm definitely not judging, but knowing MC, they would be the worst housewarden in the history of Night Raven College. #HousewardenOfDoom #Beware #RunBeforeYouGetSlayed

MC: *enters the room* Trey~ Cater~

Trey: Hey, what's up?

Cater: 'Sup!

MC: *giggles* I want to show something~

Trey: What is it?

MC: The new member of Ramshackle dorm~. *shows Grim trying to break free*

Cater and Trey: ...

Cater: Isn't that a magical beast?

MC: Yes~. Isn't he cool~? He can blow fire~.

Grim: MRYAH!!! I WILL DESTROY YOU!!!

Trey: MC, why don't you let it go and have the headmage to handle it?

MC: Eh~ But I'm the one who caught him~ Besides, if he doesn't stop struggling~

MC: I'll just turn him into a tasty dish~.

Grim: Mryah?!

MC: Trey is a good cook. So~ I'm sure you can handle an ingredient like this~.

Trey: I only know how to make pastries.

Cater: The magical beast stopped struggling. Poor thing, you completely scared him.

Grim: *shaking in fear* I don't want to be food...

#twisted wonderland #twst mc #twst crowley #twst housewardens #twst trey #twst cater #twst grim #blithesome!mc

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lenaellsi · 1 month

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after my latest rewatch I am even more convinced that crowley really doesn't have the intense self-loathing issues he's commonly depicted with. like he has some regrets and bad memories and insecurities like everyone does, and he's under an insane amount of stress basically always, but he's very confident in who he is. he's not particularly happy about being a demon, but that isn't the same thing as hating himself for it. he hates hell, not himself.

like. he’s not upset about being called one of “the bad guys” because he agrees, he’s upset because he knows aziraphale is wrong, and because this is evidence that aziraphale still believes in a philosophy that has divided them since even before his fall. he has never once considered himself less than aziraphale or any other angel. I think it's clear that he's pretty offended by that implication, actually!

“crawly” as a name is too squirming-at-your-feet-ish for him because he knows who he is, and he sees value in that person. his depression and his worrying relationship with his own life and safety come from his feelings on god and predestination, not from self-loathing. crowley does not believe in the system. he doesn’t believe in the idea that people are purely good or evil, and he’s sure enough of himself to know that he's not either. that's why he's able to make the choices he does. he's able to act in the gray spaces between heaven and hell (see: job, the flood, the "virtues of poverty," armageddon, etc etc) because he is confident enough to make those decisions without worrying about what the powers that be say about what's "right" and "wrong."

that doesn’t mean that he’s not self-conscious. he’s very concerned with what humans think of him, what aziraphale thinks of him, and (out of self-preservation) what hell thinks of him. he hides his eyes and puts on a cool, flashy persona to hide the more vulnerable parts of himself. I think everyone does that, to a degree, but it's especially obvious in crowley because of how it manifests in his glasses. he's been burned (literally) before, and he knows better than to show weakness when he could be hurt like that again.

and re: the "I never meant to fall" thing--he's upset about being a demon, yeah, because the fall sounds like it sucked, and his job tortures him when he's Good or just Bad in the wrong way, and he's deeply lonely, and the love of his life has a complex about their relationship, and he's trapped in a system where he has to blindly follow one of two nearly-identical sets of bullshit morality rules or be executed. but again, he's mad at god, heaven, and hell for all of that. I'm sure he's angry at himself for all sorts of reasons often enough, because crowley is generally a pretty angry person, but he doesn't hate himself in any sort of existential "I am an unlovable monster" way.

maybe sometimes he regrets falling. maybe sometimes he thinks it would be easier if he never did. maybe sometimes he hates his fucking line manager and wishes he could do any other job for a while. but no part of crowley thinks that he is any worse of a person after the fall, or any less worthy of aziraphale's company. he just thinks aziraphale thinks that, because of the amount of times aziraphale has told him so.

#good omens #good omens 2 #crowley #good omens meta #long post #if you are looking for a character with rampant self-loathing and self-doubt issues due to his relationship with god and heaven #may I introduce you to a guy called aziraphale ziraphale fell

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joycrispy · 8 months

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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

#good omens #ineffable husbands #aziracrow #Crowley #Aziraphale #good omens 2 #good omens meta #unfortunately I do not have trains of thought #only long meandering strolls of thought #sorry about it #anyway tl;dr Crowley is a nerd #also I have a strange emotional attachment to the idea of 1500's Crowley...#...facedown in a pile of Mona Lisa sketches; drunkenly info-dumping about Aziraphale #and Da Vinci is just like. 'Ahhhh mio amico Antonio. You fucking simp.'

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