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vidavalor · 2 days

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Oh, bless your soul for calling me succinct 😂😂😂I'm glad you found the one example of that on my entire blog. /self-deprecation

You've inspired me to do a few more lists-structured posts where it fits so watch this space, lovely @leftduck9986...

Foreshadowing, out of order?

In storytelling, is there a single word that means "the opposite of foreshadowing"?

WARNING: in trying to wrap my head around this, there will be wittering!!!

Wikipedia tells me that a flashback is a method of foreshadowing.

The Bullet Catch in the NZF minisode, being a flashback as well as told before the "present day" [speculated] event it sets up a clue for, well, that's what I've understood foreshadowing to mean until now, because isn't foreshadowing always presented before the event it foreshadows comes to pass?

The flashback/memory minisode, A Companion To Owls, is told after the "present day" event it foreshadows. Does that still count as foreshadowing, or is it instead considered "the big reveal" because it is told after?

And is this all that is meant by various things in Good Omens 2 being "out of order"?

The Hiding Miracle and the Memory That Both Foreshadows and Reveals It?

Indeed, it was a tiny miracle - as titled in the soundtrack - that worked as planned and "barely moved the dials" (but still a miracle in which "Noone will have noticed A Thing" however tiny it was, and that "Nobody notices he's here (...) Nobody can spot him, (...) especially if they're looking for him").

I believe it was the first of three events that happened that night, which, became the main focus of this "quiet, gentle, romantic" season, but paling in comparison to the other two events. Moving on!

Returning to how A Companion to Owls isn't told until after The Hiding Miracle and clues us in as to what was actually going on: this tiny miracle was made to appear far more powerful than it actually was, with the use of showmanship:

The ceremonious setup of being positioned on the circle in the middle of the room hidden under the carpet, between Aziraphale and Crowley; he could have been standing, but instead, "Jim... Sit in this chair." And it's a beautiful chair, like a throne, but Jim being taller wouldn't have worked for the image of the 'W' (similar to the 'W' shape made with Shadwell standing between Aziraphale and Crowley at the airbase, in the book Good Omens.)

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Why perform at all then, for an audience of none?

Ah, they're not alone, oooOoOoOOOoOoOooo, spooky. Go and see for yourself: check out the bottom left area of the screen when Crowley returns to the bookshop and says, "I'm BACK" (this is to do with the "framing opportunities" secret mentioned in the Gavin Finney BTS article https://britishcinematographer.co.uk/gavin-finney-bsc-good-omens-2/) Aziraphale calmly replies, "Yes, I can see that" and later gasps, reacting to something happening off-screen at 40m41s.

So this performance, not yet knowing who their audience might be, could be as a precaution, just in case.

Gabriel instinctively crosses his hands and is confused when Aziraphale and Crowley uncross them - or likely because Aziraphale was even standing there at all - because he remembers, or rather, in his mind's eye, sees the shape left behind by a missing piece of furniture.

The ceremonious setup of being positioned in the centre, between Sitis and Job, this time in the background to have Bildad appear a little shorter in height for the stylized 'W', then crossing his hands. The pot containing Sitis and Job's children being the circle, hidden by the circle of carpet (robes) made as Sitis and Job embrace.

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Had we seen Jim's and Crowley's conversation about memory before The Hiding Miracle instead of much later in episode 5, then it would have been foreshadowing, yes?

*temper rising* A "reveal," or "out-of-order foreshadowing"? (VBUAXNAUSX*keyboard smash*NYVIFGNOMAI) grrrrrr!

...

After the Job story is told, (save for the final scene) and Aziraphale calls for Crowley, my head-cannon used to be that Aziraphale wanted to talk about hair -

Aziraphale: Crowley, I gave you lovely long locks in my retelling of this story, how about you? Crowley: Nah, "shoulder-length bouncy 'bob'" is what I put - a "Lob" I think is what they're calling it these days.

But now I think that, to book-end Crowley's beginning with, "Your boss said that to Job, do you remember?" (imo they are so good at blending in, they can act human better than any human can act human! So, while feigning the memory span&loss&retention of a human, of course they can remember most everything. Angel stock: constitution of an Ox, memory of an Elephant.) Aziraphale may have wanted to remark on Jim's crossed hands from the night before and how similar it was to Crowley's doing so; that it was evidence of Gabriel still somehow being able to connect with images from his memory. "Crowley? You also did that thing... does Gabriel remember?"

If each minisode contains something that foreshadows or reveals what magic tricks occurred during this season's present day events, I feel that the only thing left is from "The Resurrectionists" minisode, where Crowley Goes Large (woah, woah, woah, another case for The Song Is The Clue?!?) ... or makes himself, something or someone else tiny.

"Size and shape are simply options" after all, so I do wonder about Hell's Usher, where the only time we've seen him is when he is small enough to fit in a bathtub and yet he is HUGE in the opening title sequence of season one. Behind him, Noah's Ark stranded between two damaged buildings (or one damaged building and maybe the Pleasure Cruiser Morbillo?)

Something else that may be revealing of stories yet to be told of the past, while also foreshadowing a near-future event:

Based on what Crowley said, this is not the first time Crowley and Aziraphale have performed a half-miracle together! Whatever biiiig miracle they're about to do (speculated event #2) could still be completely balanced and undetected, but then a plume of miraculous activity emerging from the circle gateway (privately speculated event #3) is what poor Aziraphale will appear to take the blame for.

Things being out of order may have started with the question, are season two's present day events being told out of order? There are other things appearing out of order as well, for example a change in the order of colours in the Rainbow (for "present day" episode two only I think, beginning Violet then Red, etc.) Or, in this case, narrative devices being so intertwined, one flashback-event can contain images and phrases that both foreshadow something yet to happen as well as to reveal what happened in a part of the story already told.

As always, please no asking or tagging Mr Gaiman as this blog post contains theory and speculation, thank you.

#ineffable husbands #aziracrow #good omens meta #good omens

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vidavalor · 2 days

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@melbatron5000 I can answer a couple of the things on your board, I think, especially the word-related questions, and I've some alternate opinions to some of the things you listed but I'm flattered to be about about 2 weeks behind on Asks & requested topics atm so I'm going to add a few topics you mentioned to my list & will tag you when I get to them & we can chat about them then, if that's good? I love hearing what you all think about things. Thanks for recapping what we've already written on some of the topics, my good @drconstellation.

Murder Board 2.0

Since I've figure a few things out, I need to re-do my Murder Board. New answers, new questions.

What I think I know:

NEIL GAIMAN IS A LYING LIAR WHO LIES. Except when he's dropping hints or answering straight out. All of his answers to anything anyone asks about GO are suspect at best. (I cannot blame him or anyone else on the cast or crew -- they spent A LOT of time and energy building this very meticulous puzzle game for us -- why would ANY of them give ANY of it away? That would ruin all the fun!)

Most of the discontinuity of Season 2 can be explained by POV switches between characters. See here and here for more. I think the title/location cards are also probably POV Clues, that needs a closer look.

Crowley gave something to Aziraphale in his mouth when they kissed. It's the fly. Now, what else was in the fly besides Gabriel's memory?

Saraqael and Crowley and by proxy, Aziraphale are all working together. That explains A. the tiny miracle blowing up into a 25 Lazarii miracle. It didn't. They had to cover for something else that did. B. Saraqael showing the archangels the book shop in 2019 in the spy hole. C. Crowley's spy turtle neck and where he went during Aziraphale's Job flashback. D. Why Saraqael helps him see the trial in Heaven. (Oh! Muriel's now in on it, too!)

Crowley's memory is fine, it's a red herring. He is dissing Furfur, he is denying knowing Saraqael even after she gives him a reason to recognize her to hide that they are working together. He tells Jim he doesn't remember why they invented gravity, but that whole scene if from Aziraphale's perspective, so the conversation likely didn't actually go just like that.

Shax is on a mission besides Gabriel -- she's looking for whatever Aziraphale and Crowley are hiding. Gabriel is a side-mission.

The hand-washing comment from Crowley in the Resurrectionists minisode -- he tells DaVinci about helicopters in Good Omens the novel. It's just a thing he can do.

What is up with Maggie? Maggie's freaking Jesus 2.0. She's what Shax is looking for, and who Crowley, Aziraphale, and Saraqael are hiding. Also, where is God? God is busy being Maggie, that's where.

SECRET SONGS??? Why are the songs secret?? I'm losing my mind, what is happening?? I think this is a message that A. Aziraphale and Crowley are okay, and B. We will absolutely be getting part 3 of 1941.

I still think the scenes might be out of order. Is it as simple as watching them in chronological order? Could be.

What still needs answering:

The clocks jumping time still don't make any sense.

The weird hand in the 1941 photo still doesn't make sense.

Aziraphale's chair position being moved still doesn't make sense.

The extras behaving strangely still doesn't make sense.

Crowley's car being in the wrong spot on the road after Shax threatens him still doesn't make any sense.

I'm not sure that the POV switches explains all the weird sounds.

I'm not sure that POV switches explain Crowley's sunglasses going from silver to black.

What did Gabriel need to bring to Aziraphale? I think he put whatever it was in the fly along with his memory.

I still don't know why Aziraphale went to Edinburgh, or why he stopped at the graveyard where Gabriel's statue is.

Why does Michael do the "nothing's in the box" thing with the matchbox? It's a petty specific action. Someone pointed out that Michael's nails look chewed and terrible, are we meant to stare at the matchbox while something else goes unnoticed? Well, duh. But what?

We most certainly did not get the whole scene where the Metatron is talking to Aziraphale. What else was said?

What did Crowley do during his ALL-NIGHT JAUNT in Heaven? Did he sneak around and steal something? Did he uncover something? Did they hurt him?

What did Aziraphale do with his briefcase that he took to Edinburgh? We see it in the book shop from his POV, and Edinburgh is seen from Crowley's POV, so they both know it exists. And then it's gone.

Why does Gabriel prophecy with God's voice? IS it God's voice? It's a woman, is it Francis McDormand? It's hard to hear.

Why the heck did Maggie and Nina go talk to Crowley while the Metatron was talking to Aziraphale? What they had to say wasn't important enough to leave Nina's shop during a rush, and I definitely don't think they derailed Crowley from what he needed to say to Aziraphale, though it might look at first as if they did. So what was that about?

When Shax stops Aziraphale for a ride, he says, "Oh, I really need to get to --" and then is cut off. He really needs to get to where? It's an easy assumption to think he means the book shop, or London. But is that all he means? Or was he on his way somewhere else? And if it was just the book shop, what does he mean he's late? Late for what?

Crowley can tell "something's wrong," and he doesn't just mean the demons. What?

Why would the Metatron allow Beelzebub and Gabriel to leave, after trying to stop Armageddon 2.0, but come after Crowley and Aziraphale like that? Because of the big miracle? Just because they're higher-ups? Something stinks.

Why does Crowley say "Oh, God," right before his confession in the final fifteen? To let Aziraphale know that he understands what Aziraphale is saying? That God (or the Voice) is there? Seems possible.

When Crowley leaves Heaven, he tells Saraqael and Muriel to come, too. But in the elevator, Michael and Uriel are there! When the fuck did they show up??

Why does Beelzebub tell Shax to attack the bookstore? Aren't they worried about Gabriel being harmed? And they know Hell is understaffed. Maybe that's why they command it? Because they know Shax won't be able to get the demons?

What about the Masons? It's such a specific thing for the pub owner to bring up, what is the meaning of it? And Maggie has a Mason symbol on her necklace. Did the Masons carve the statue of Gabriel? When did they see him?

The only narration we hear in the entire season is Aziraphale in the Resurrectionist flashback. I believe this is to throw us off the POV character switches all season. But still, why do we only hear him narrate 1 flashback? I think he's reading the diary to himself in the present day. That would explain the end, "And that was the last I was to see of Crowley for some time." He JUST heard the story of the jukebox from Maggie. And Gabriel appearing -- same city that statue is in. Of course he thought of something important from that diary entry! Now, what did he notice?

Is the Book of Life a real threat? We hear two stories about it, that it's real and that its ability to erase beings was something to scare the cherubs with, this is inconclusive. Crowley gets nervous after Beelzebub talks to him, but I think he's pissed that Heaven and Hell have taken an interest in them again, especially since they're trying to hide Maggie!Jesus.

So many promo posters show Aziraphale, Crowley, and Jimbriel together, or symbols of them. Three feathers: two white, one black. Tea cup, cocoa mug, wine glass. The three of them. Not with Beelzebub, not with Muriel, the three of them. And all three of them have been Jesus-coded in some small way. No one else. Those three. What. Why. Are they the sacrifice required to bring about the new world? Why not Beez, then?

Wait. Two Crowleys?? WTF. There are two Crowley puppets in the magic shop, and Crowley doesn't remember Saraqael or Furfur. Is he dissing them, or is that the second Crowley that never did meet either of them? Am I insane? I have no theory here, just some wild speculation that needs a lot more time to simmer. Two actual Crowleys, or two ideas of Crowley? Or something to hurt my head? Why are they in a cave in the opening sequence? The guy who made the opening sequence says they are in the fly that Gabriel stores his memory in. Okay, why? And Crowley lights a match to see. Hm. What else was in that fly that Gabriel didn't take when he got his memory out?

An album on the wall in Maggie's shop says "Rat Keith." This seems to me to be an allusion to The Amazing Maurice and His Educated Rodents, by Terry Pratchett. In the book, some men have tied several rats' tails together to create a rat king that keeps the wild rats under control -- except that the rat king has too much power and is doing way more than just that. People die. So who's been given too much power and is now running the show instead of being a puppet? The Metatron, perhaps? Hm . . . Also, Keith is the young boy who plays the part of the Pied Piper for Maurice's scam. He leads all the rats out of town, never mind that the rats can talk and are in on the scam.

Repeating themes:

Beverages of all kinds -- tea for Aziraphale, wine or whiskey for Crowley, cocoa for Jim.

Time -- lots of clocks/mentions of time

Love/partnership/togetherness being stronger than separateness

Memories/forgetting/remembering

Payment -- money comes up in both the Resurrectionists minisode and the Flesh Eating Nazi Zombies minisode, but no one pays for anything in present. There is bartering, but no money.

Rising from the dead -- Job's kids (even though they weren't actually dead), bodies used for science, Nazi zombies, the Second Coming.

Unreliable narrators

Death in general -- but 9a., I'm a dirty pagan, why didn't I make this connection sooner, death always leads to REBIRTH, change, something totally new and 9b. there are tarot cards in the magic shop, and even if you're not a dirty pagan, the Death tarot card means transition, something must die before a new thing can be born. Hmmmm.

Morality and what is "good" and what is right

Recognition and identity

Repeating words and phrases:

Technically

Properly

Isn't it just?

Too late

Funny old world

Not as such

Made for each other

EVERYWHERE

Obviously

Two shakes of a lamb's tail

Hints:

Powell and Pressburg films

The Crow Road

Catch 22

The Amazing Maurice and his Educated Rodents, Terry Pratchett in general

Jane Austin

Book Good Omens

The titles of episodes, minisodes, places, etc. 7a. The Arrival: a book and a movie, though the book seems far more relevant. And lovely. The Clue: a movie. Companion to Owls: a line from a Bible story. I Know Where I'm Going: a movie. The Resurrectionists: two novels, each called The Resurrectionist, singular. Both look unhinged. The Hitchhiker: a Twilight Zone episode. Nazi Zombie Flesheaters: Literally no other reference. ?? Nazi Zombies do appear in a LOT of movies, comics, and video games, usually as a dark joke. The Ball: a video game. Irrelevant? It's a puzzle-based game, so maybe not. Every Day: a song AND a movie. Some themes repeat here: Puzzle games, being re-directed from one's path to find true love, death and being brought back to life in a gruesome and unpleasant way.

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vidavalor · 3 days

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"PROF. HOFF.man"

Crowley: "How?! There was a miracle blocker in the room. I saw you put it back in the envelope."

Aziraphale: "Who needs a miracle when you've had private lessons from the great (heavily emphasizes next two syllables for extra wordplay significance) *PROF.* *HOFF.*man himself?"

Prof: Abbreviation of professor; from profess, meaning to admit aloud, to declare.

Hoff: Welsh term of endearment meaning my dear, my beloved, my favorite.

#ineffable husbands #aziracrow #good omens #good omens 2 #good omens meta #crowley #aziraphale #ineffable husbands speak #etymology

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vidavalor · 3 days

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And thank Someone for that.

The way he looks at Crowley with a cheeky little smile after he mentions sitting on the sword.

Look at him. He knows what he said.

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vidavalor · 3 days

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Still such a lovely scene! Love how you put it together @greeneyed-thestral What do you all imagine they're chatting about?

#good omens #ineffable husbands #aziracrow #aziraphale #crowley

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vidavalor · 3 days

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The way a disappointed Crowley kept looking for that flaming like anything "sword" in Eden and working at it like it was his job, though. The camera holding on Crowley, who is busy squinting, tilting his head, cursing his far-sightedness, kicking his former angel self for not designing the sun so it'd make the angel's white get up more transparent and rather heavily suggesting to us that he is looking for a flaming sword that is more difficult in the moment to see than the literally-on-fire kind given to Adam & Eve.

Damn humans having to fig leaf it made the angel feel like he should put his clothes back on and now Crowley's got to invent the sexual euphemism to get over it.

The way he looks at Crowley with a cheeky little smile after he mentions sitting on the sword.

Look at him. He knows what he said.

#ineffable husbands #aziracrow #good omens #crowley #aziraphale

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vidavalor · 3 days

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lol that's terrific @gleafer thanks for sharing it @jotun-philosopher

It truly is remarkable how long Crowley has survived, all things considering. Made of strong stuff, he is.

MISTAKES WERE MADE!

Crowley loves Aziraphale because he is batshit insane. Ángel LOCO. Always full ham. No half measures. Will lick the plate and probably yours too. All the while with a pinky up.

Long live Aziraferal.

#ineffable husbands #aziracrow #crowley #aziraphale #good omens

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vidavalor · 4 days

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Oh, he'll be in your office soon enough, Duchess Shax, ma'am...

I think you're the fifth blogger I've seen mention Shax's thing for Crowley... I still can't see it even though I really want to 'cause I think it's hilarious... send help... 🤣🥲😔

I can try lol. Chocolate cake? *slices*

More fun with Shax and Crowley under the cut. We're also going to look at part of Gabriel & Sandalphon's visit to the bookshop in S1 for some bonus fun since it fit in here as it's a parallel scene.

TW: Brief mention of Sandalphon and his homophobia.

For the most part, Shax isn't really in love with Crowley... she's just got a Mr. Brown-level pash on the Crowley that Crowley projects. While Aziraphale hides that he's an angel from the human world so Mr. Brown only believes him to be human, Crowley hides the extent to which he's human and living like one from the demons in Hell. As a result, the demon pursuing him has got exactly one thing correct about Crowley-- that he's hot lol-- but Shax's opinions as to why only partially overlap with ours and Aziraphale's because Shax believes Crowley's big reputation. She doesn't know what we know about him or see him the way we do. Like Mr. Brown with Aziraphale, she exists in part to highlight how insular Crowley & Aziraphale's world of their life together is and how much they have to playact in their respective worlds to keep that secret life they have with one another private and intact.

Shax is a demon who loves being a demon. That's what makes her crazy to us. Most of the other demons we've met are just miserable, even if they're playing along, but Shax is a real go-getter. She's ambitious and she lives to serve their master Satan. She wants to be good at being a demon and she's in love with *Crowley* lol. To us, this seems bananas because ain't no demon ever hated being a demon more than Anthony Jemimah Crowley... but it's proof positive of how decent a job Crowley has been doing at projecting an air of general demonicness for the last six thousand years.

Crowley has been a prince of Hell forever. He's gotten the top jobs-- the stuff of Shax's dreams, really-- and was a particular favorite of Satan, whom Shax worships. He was basically Hell's resident rock star, breezing in every few months to give a demonic presentation and shoot the shit in Lord Beezlebub's office for a half-hour before taking off for Earth again. If you were Shax, spending literally *thousands of years* in that overstuffed, dark, actual hell hole, Crowley showing up must have been like a visit from sexy Santa Claus. Shax is one of those Effort-making demons and most of the demons in Hell are more terrifying than attractive, ok?... even if you find terrifying attractive, like Shax sorta does or at least thinks she ought to.

Who's going to light your fire down there? Hastur? He'd *literally* light you on fire....

We've seen Shax have to deal with misogyny in the workplace (ugh Demon Josh) and you know she never got any of that shit from Crowley. She probably mostly got a "Shaaaaax! How's it hangin'?" from Disco Tony, who was thrilled to have remembered her name this time. Shax was playing it evil demon lady cool on the surface but girl just wants to be first string for the finest demon in Hell and she was swooning internally every time Crowley swooped in to grace Hell with his presence for a hot minute.

There has been suggestion in the series that several demons that we know of from Bible lore are, in Good Omens, all actually Crowley, which furthers this idea of Crowley and his big reputation a bit. The show has actually already done this with a Biblical figure, in that Bildad the Shuite is an actual Biblical character that the show just made be actually the demon Crowley under a different name, so it would make sense that the reason why we haven't seen other famous demons from The Bible in the series are because they're actually Crowley.

One is canon, basically, which is Astaroth/Astoreth, since Crowley was Nanny Astoreth in S1 and I doubt he stole the name from another demon who exists in the GO universe. When Crowley tells Aziraphale he changed his name when they are watching Jesus' crucifixion, Aziraphale first posits two other demons' names and neither of them exist in GO universe to date but both are, lore-wise, powerful: Mephistopheles and Asmodeus. A lot of other great meta has been written about these choices-- in particular, how well Mephistopheles fits Crowley to a tee, which I really, really agree with. You could assume then that the reasons why more audience-known demons like Astoreth and Asmodeus have never shown up in GO-- and we've met the highest-ranking demons already-- is because they actually *have* and they're all just really Crowley.

In demon lore, Astaroth is part of the "evil trinity" with Beezlebub and Lucifer and is a high-ranking demon in Hell... as well as is basically a genderbent serpent goddess with Crowley traits... so safe to say that's one of Crowley's aliases. Crowley has also had his name of "Crowley" for thousands of years by S1 but when he's rolling up in The Bentley in 1.01, Ligur and Hastur clarify what Crowley's "calling himself up here these days", indicating that he might have gone by more names than we might have realized.

Asmodeus, as we all probably know by now, is the demon of lust. A French novel from the 18th century also popularized the idea of Asmodeus as a sort of Cupid, which also goes along with Crowley, who loves love and got genuine joy out of trying to set up Maggie and Nina. So... from Shax's perspective, why *wouldn't* you want Crowley? He's the fine as fuck, Serpent of Eden, legendary prince of fucking lust here lol.

Shax showed up to reclaim his apartment for Hell and you know she expected a scene the likes of which have not been seen on Earth since a post-concert hotel suite occupied by Led Zeppelin lol. She was expecting (fantasizing lol) about having to wade through a rock music blasting, orgiastic drug den to find Asmodeus in his sex dungeon of a bedroom, somewhere in the black silk sheets beneath three playthings.

You know she actually found Crowley, alone, having just finished vacuuming the most fastidiously clean flat this side of Heaven, fully dressed and watching Barefoot Contessa on his massive plasma screen while the only drugs being mixed were special-blend fertilizer for his houseplants. Ina was making Jeffrey red-wine braised short ribs and Crowley didn't say so to Shax, of course, but he's always on the lookout for something his angel might like for dinner. Hang on a second, Shax, gotta save this recipe to my favorites...

At least the black silk sheets were accurate? lol

What probably confuses Shax a little is that she's been meeting up with Crowley and she still wants him and badly, even as it's becoming increasingly clear that he's a bit more complicated than she thought he was. Technically, she should consider him a traitor because of how he betrayed their Master but he's hot, ok, and maybe it's a little sexy to be so bad that you'd defy Satan? (Aziraphale agrees lol.)

Shax has Mr. Brown-level fantasies about where this could go. Crowley was a favorite of Satan's and she can bring him back into the fold. She can heal him. Yeah, this lady demon has gone and got herself one of those 'I can fix him' disaster scenarios. She hates this for her too but she can't help it. He's so sexy. She's been in Hell for a long time. She's sleeping in the bed and showering in the tropical rainforest paradise dream shower of Asmodeus himself, ok?

She's undoubtedly tried to get him to stay. She's so offered for him to live with her in secret and Crowley nearly choked on the air he doesn't need to breathe trying not to laugh at the irony of that one. It's not Shax's fault that he's just not that into her. She's a bad bitch and everything. That's just not his thing. He's just the lonely GI who basically fell asleep during a performance of The Ladies of Camelot. He has always given off the impression that he's into everything there is to sell the whole 'demon of lust' thing but he's really not. Shax doesn't know that, though, because to know that is to know Crowley well and Shax does not.

Does Crowley know that Shax is into him? Yeah, he does.

Shax's thing for him is basically the same thing as when Crowley tries to make a phone call after having taken out the mobile phone network for miles. It's the oh, shit, right, that thing I did that's now fucking up my day in the present... He didn't lead her on specifically as much as he just gave off the vibe in general that he's this debauched, wild, so very wicked demon and, well... if your name is Aziraphale, that's not terribly inaccurate lol... but if it's not, then it's actually not true at all...

...and this is why Shax cannot for the fucking life of her figure out what the deal is with Crowley and this angel.

Yes, Shax is trying to goad Aziraphale into confirming that he has Gabriel in this scene but this scene also comes off as Shax so incredibly done with how jealous she is over this, in her eyes, ridiculous being, and she's bitchy as all fuck about it. There were other ways to crack at Aziraphale than over his relationship with Crowley and she goes at that hard. She calls The Bentley an old piece of junk when she's really clearly calling Aziraphale that and saying that she doesn't know why Crowley hasn't gotten "an upgrade" since, implying that she considers herself just the upgrade Crowley needs. She brings up 1941 via the rumors that she heard "80, 90 years ago" that Crowley and Aziraphale were "an item", which we know are at least partially derived from what happened with Furfur, who his Shax's closest friend and totally has tried to tell her that this thing she has for Crowley is hopeless because he's doing that angel, Shax. (Poor, pining Furfur lol.)

Shax knows somewhere that Furfur is probably correct but she's decided to pretend that it's Furfur's thing for her that could have caused him to misconstrue at least part of it, right, because the demon of lust only having eyes for one being, let alone that being being this angel, is absurd to her (even if she thinks she can tame him lol.)

Aziraphale is an angel, for one thing. The bastards who did this to The Fallen and who cast their Master to Hell. Their sworn, hereditary enemy. It was one thing when maybe the angel was a dalliance. Asmodeus, lonely and bored on Earth, tired of all the sex with the mortals, and so very bad that he could corrupt an angel. That's a little hot, actually, if you're Shax, but it's the fact that that... does not appear to be what this relationship is... that unsettles her.

During S2, Shax learns that Crowley has a permanent invite into and keys to the bookshop and that Aziraphale can drive Crowley's car to an extent that Shax even has to trick him to allow her to enter it. The angel really seems like he might be Crowley's partner, which would mean that this wasn't Crowley fucking an angel on a whim in 1941 but that Hell's wild prince of lust has actually secretly been in a romantic relationship with Aziraphale for at least, to Shax's knowledge, almost a century.

The purported baddest demon that ever demoned, shy of the literal devil, is apparently mad for this fusty angel and Shax just cannot get it, ok?

Crowley is a a broody, black-clad rock star and Aziraphale is this twee little bookselling angel to her. Shax thinks maybe this was all part of Crowley's breakdown or something and she's Mr. Brown so she hasn't given up hope here, not for most of S2, but she's mostly been trying to figure out how to get Crowley's attention and that's the funniest part of her whole pash, imo.

Shax has no idea what Crowley is into. She can't figure this out to save her life.

She has no idea that it's over before it started because she is just not what primes the engine of Crowley's star factory over here. It's not personal. He just doesn't have a shred of sexual interest in her. Gabriel is getting more action from Crowley this season and he tried to murder him lol. Crowley's spent millennia cultivating a persona of a sex god and now he's got to live with it and he's just praying he never finds out anything she's fantasizing about him because he shudders at the thought of whatever she envisions them getting up to.

Look at what Shax is wearing when she comes to Earth to meet with Crowley, for one of the more hilarious things...

In Hell, Shax wears modern clothes. When she comes to Earth to meet Crowley in the year 2023, she wears a vintage-inspired outfit that is spanning the mid-1930s through WW2 in style (the era she knows he was involved with Aziraphale, who is her main point of reference for what attracts Asmodeus over here lol)... and the dress has the biggest damn bow ever seen. You could see that bow from space. It's like she's trying desperately to figure out what turns Crowley on and so far she's come up with well, he drives an old car and he's rolled that angel so he likes... old things... vintage clothes, like the angel's. She's trying to out-bow-tie Aziraphale.

Now that Shax can spend time with Crowley alone and the possibility of seducing him is ever-present (lolololol), she's spending time trying to figure out what turns on the prince of lust. She's trying to get Crowley's demonically lustful attention and she's reduced to bow ties, okay, take pity on her... she's just like I don't know what his deal with these are, exactly, as it seems kind of specific... but he can unwrap me anytime if that's his thing...

Then, there's that she's sitting too close to him on the park bench and raking her eyes over him while he's sprawling on it. He's not sprawling in a way meant to be enticing. He's actually mid-existential crisis here but that's fine by Shax. She likes 'em a little dark.

My favorite, though, is a scene that actually parallels S1 in a hilarious way and that's from the hot water boiler scene in the other meta that prompted the ask here but isn't a bit that I mentioned in that one.

As Crowley goes back into the bookshop (and he'd never been happier to be on the other side of that threshold in his life lol), Shax is then as physically close to him as she's ever been. If you notice, she actually inhales twice. The first is a regular breath-- which demons don't technically need to take but yeah lol-- and her expression is all oh Satan, he smells amazing and then she straight up sniffs the air as he opens the door. Girl is huffing her fill over here for those shower fantasies for months to come lol. Crowley knows it as his eyebrows are in his hair as he's turning back around like he's all did she seriously just *sniff* me? ugh...

Shax knows Crowley saw her (honestly, probably also *heard* her... Shax, love, a little subtlety wouldn't kill you...) so she covers it up by pretending like she smelled Gabriel in the bookshop. You smelled the archangel in there, huh, Shax? When you can't get through the door? When Gabriel is the same species as Aziraphale, whose bookshop this is, so this can't be some kind of angel-scent you're claiming you noticed here? lol This then parallels and adds to this Sandalphon scene in S1:

I know there's some debate about if there's such thing as an angelic or a demonic smell but I've actually always taken it to be that there isn't. It would seem to me that it would be hard for them to blend in on Earth if there was and if the demonic one was something off-putting to humans, at least. I think most of us, though, do believe that the "evil" Sandalphon is smelling in the backroom is Crowley but considering that the comment comes from Sandalphon, who is introduced to us with reference to his smiting of people in Sodom and Gomorrah, it honestly just comes off that Sandalphon is a raging homophobe and I've actually always taken that as the reason why Gabriel is here in this scene in the first place.

Absolutely nothing happens in this scene. It's a routine checkup. What is the Supreme Archangel of Heaven doing there? Why is he blowing so much smoke up Sandalphon's ass the whole time? It's kind of like he saw that Michael or someone had assigned Sandalphon to do a checkup of sorts on Aziraphale-- or Sandalphon had assigned himself-- and Gabriel pretended that he wanted to see in person how "the great Sandalphon" worked so that he could tag along and make sure that Sandalphon didn't bother Aziraphale. We also learn that Aziraphale hasn't seen Sandalphon in a long time and I'd bet that Gabriel is responsible for that. Gabriel's 'whatever, idgaf' response to Aziraphale's Jeffrey Archer books comment is so... Gabriel hadn't the first clue who Jeffrey Archer is or why his books would be evil lol. He could have easily further encouraged Sandalphon's pursuit of the "evil" scent. He didn't because he could care less what Aziraphale does in the backroom of his bookshop. If anything, he's jealous of him for having found a way to have some freedom and privacy. Gabriel is queer-- he is like Aziraphale. He's just closeted in S1. He's looking out for Aziraphale here by using his power to shut down Sandalphon and then "you can't have a war without war omg wow you are a poet!" him out of there as fast as is possible. If there truly was an 'evil'/'demonic' smell, Gabriel should have been able to smell it, too, and he doesn't. If he did, he wouldn't have been able to subtly shut down Sandalphon the way he did.

So, Sandalphon isn't smelling a demon. He's smelling another man. The "evil" is that Sandalphon can smell remnants of another cologne that isn't Aziraphale's in the backroom of Aziraphale's bookshop and Sandalphon is a homophobe, so he's implying that Aziraphale having sex and with a man is 'evil', even if there's no direct evidence here of that, just the implication of it.

This then would mean that Shax can't actually smell Gabriel in the bookshop in S2. Like Sandalphon, she's pretending to have a supernatural sense of scent but she's really just smelling Crowley. While Sandalphon was repulsed by the idea of Aziraphale's bookshop backroom having the scent of a man, Shax is just inhaling that same being's scent because omfg. so. good....

...something she can't stand that she has in common with that bastard angel, Aziraphale, who is actually allowed to breathe Crowley in anytime he wants... it's just ridiculous to her. Why the fuck does that beige bookseller get to have the sex god of Shax's dreams in his bed and she doesn't? What could Crowley possibly find attractive about him? That she doesn't know and can't really figure it out shows how little she really knows Crowley and also how little imagination she really has.

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vidavalor · 4 days

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Why not both?

I think you're the fifth blogger I've seen mention Shax's thing for Crowley... I still can't see it even though I really want to 'cause I think it's hilarious... send help... 🤣🥲😔

I can try lol. Chocolate cake? *slices*

More fun with Shax and Crowley under the cut. We're also going to look at part of Gabriel & Sandalphon's visit to the bookshop in S1 for some bonus fun since it fit in here as it's a parallel scene.

TW: Brief mention of Sandalphon and his homophobia.

Who's going to light your fire down there? Hastur? He'd *literally* light you on fire....

At least the black silk sheets were accurate? lol

Does Crowley know that Shax is into him? Yeah, he does.

...and this is why Shax cannot for the fucking life of her figure out what the deal is with Crowley and this angel.

The purported baddest demon that ever demoned, shy of the literal devil, is apparently mad for this fusty angel and Shax just cannot get it, ok?

Shax has no idea what Crowley is into. She can't figure this out to save her life.

Look at what Shax is wearing when she comes to Earth to meet with Crowley, for one of the more hilarious things...

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vidavalor · 4 days

Text

Thanks for reading. 💕I appreciate you adding your thoughts.

<<I don’t think that Aziraphale getting into the elevator signifies his giving up or being resigned to his fate.>>

Aziraphale has moments when he is ready to fight and moments when he's very, very low. This does not look to me like a moment when he's ready to fight (but he'll have those again in the future):

<<I think he’s even more determined to make a difference, know that the big project is the Second Coming.>>

Yes, that's the end of the world. It's the destruction of 8 billion people and all life on Earth. Could you help me understand why people think that The Metatron would put Aziraphale in charge of that when he's the one who stopped it and saved everybody the last time? I remain very confused about this. What makes the clear villain here believable where this is concerned? He just tried to kill Gabriel at the start of the season for refusing to go through with The Second Coming. Why would he think Aziraphale would be any different when Aziraphale has a proven track record of being very "nah" on Armageddon?

<<I think that smile in the elevator is his determination that he will change things, one way or another.>>

But he looks a bit crazed, though, no? He's always determined as much as he can be and he will change things one way or another but there is anger in this and a darkness and a lot of pain. It's not a happy smile.

This is a happy Aziraphale smile emerging from a depressed moment, paralleling the elevator scene:

See the difference? One is genuine love and joy. The other is dark, painful and angry.

The elevator is certainly not this, is all I'm saying:

Great Balls of Fire

Ok, I've got a Final 15 theory on the kiss and the elevator and... pie?

This is for-- and in thanks to-- @indigovigilance, @ineffablelunatics and @somehow-a-human, as their metas reminded me of the idea of something in Aziraphale's mouth after the kiss and their talk of ball bearings and The Bullet Catch has eaten my brain alive and so here we are. Thanks also to @kayleefansposts for drawing my attention to 2/3rds of the metas. 🤗

What, exactly, happened in The Final 15? Maybe this...

As observed by many of us and discussed in the metas of the people I mentioned above, Aziraphale visibly has something in his mouth when he pulls back from the kiss. We also see him move the object around in his mouth-- or, we do, if his expression doesn't distract us first.

Because it's on his tongue, this isn't just light being weird or showing a filling or something. This is, clearly, a piece of metallic-colored something in Aziraphale's mouth. @indigovigilance pointed out how aspects of this parallel aspects of The Bullet Catch and I would agree with that. @ineffablelunatics, off of @somehow-a-human's post on the object, said it looked like a ball bearing and that's actually when I realized that I think the show might have subtly told us over the first two seasons what it is. And if it is what I think it is? The object is the reason for Aziraphale's reaction after the kiss-- not the kiss itself.

So, what is it?

To explain that, we have to start with two scenes, one from each season: 1601 and Crowley in Heaven with Muriel in 2.06.

In the 1601 scene, we learned that Crowley & Aziraphale experimented with their powers after they got tired of canceling each other out and that they discovered Heaven's dirty little secret in the process. That secret is that basically the only differences between them are the colors of their feathers and the lack of immunity to hellfire/holy water. Heaven has been telling everyone that some magic was "demonic" and that angels couldn't do it and they also had told everyone that demons no longer possessed angelic powers. Crowley & Aziraphale realized that this was bullshit-- Aziraphale could do temptations and Crowley could still do blessings. It's this discovery that allowed them to start fulfilling each other's assignments. They didn't tell a soul because of the danger of admitting they knew, especially because admitting it would be acknowledging that they had worked together to figure it out. This means that, with the exception of holy water being dangerous to him since he fell, Crowley is effectively still an angel in terms of the power he possesses.

This would mean he can magically make just about anything he could make when he was an angel. It's relevant because Crowley, as we'll see, made the object he slipped into Aziraphale's mouth during the kiss.

When Crowley is in Heaven with Muriel in 2.06, he opens the file on Gabriel's trial, which we are told can only be accessed by "a throne, or a dominion, or above"-- further showing that the truth is that Heaven actually can't strip angels of their power to do miracles. They're just simply telling them that they have done so as a form of social control and casting some to Hell to use them as way to discourage rebellion. This scene also reminds us of Crowley's awareness of this and shows him using his "angelic" powers to get information to help Gabriel.

The same scene with Muriel and Crowley that showed us that Crowley still retains his angelic powers reminds us again of the rank of throne/dominion in Heaven. (I say "throne/dominion" because Muriel's verbal commas and the way the sentence is structured-- along with the scene in S1 when Crowley goes from his throne to dominate his plants lol-- suggests that it is possible to be both ranks of angel at once, which is another topic so we won't go too far into that right now.) Crowley was undoubtedly a throne/dominion-- and it's not even just the fact that he had that hilariously tacky throne in S1. It's relevant here because of ties of throne-related things to what it is that Crowley made and slipped into Aziraphale's mouth.

Thrones are apparently God's chariots. They are concerned with justice and reside in the areas of space "where matter originates"-- which feels very Before the Beginning, right? They are symbolized by big wheels that rotate and by eyes that change color.

Yes, by wheels and eyes that change color... seems very Crowley, no?

The eyes repeat on the symbolic wheels and are in the position of what we on Earth would call ball bearings, apparently looking kind of like this:

...and remember the interconnected, turning wheels in the scroll that Crowley had Aziraphale hold in the moment they met, at the start of 2.01?...

It could be said that Crowley... a throne, a polymath, a scientist, an inventor... a being whose signature thing is the sexiest old car on four wheels... could make ball bearings from his body when he was an angel and, since we know that he still has basically everything but the ability to make holy water from his angel days, it means that he still can make those ball bearings...

...but we also know what else he can make from his body since he's also a demon-- and not just from his hands but from his mouth...

...hellfire.

Yes, I'm saying that it really was a ball bearing in Aziraphale's mouth-- but it was not hollow or empty. Not by a long shot. It was full of hellfire. It wasn't for Aziraphale's memories as Crowley didn't think that Aziraphale had time or opportunity left to extract them.

It was a suicide pill.

The story was calling back to The Original Ineffable Divorce in 1862...

Think about what Crowley saw when he was up in Heaven in S2...

Crowley is the one who put together what happened to Gabriel. He watched the video of Gabriel's sham "trial" and he saw The Metatron basically order Gabriel killed and cast down through the ranks and he knows that Gabriel only evaded Hell because of how it would have diminished the power of the institution of Heaven to send him there. Crowley knows that Aziraphale does not have this same amount of political power. He knows that The Metatron is a shifty motherfucker and that Michael cannot be counted on. He knows how much danger Aziraphale is in.

So, he takes a page from Lord Beezlebub after seeing that they protected Gabriel with the fly... only it's not exactly the same thing.

Beez's fly was given to Gabriel to help save him. It was a place to store his memories to help protect him long enough to keep him safe until they could make sure he was safe and intact. It worked because Beez and Gabriel had time to make a plan together. By the time Crowley is in Heaven watching the video of what happened to Gabriel and then getting back to the bookshop to sort it all out, there's no time for he and Aziraphale to make a plan. They are not alone again until after "The Metatron" has already shown up and, by then, Aziraphale is already on his way to being lost.

Beez is actually the first character we ever see make their signature thing on-screen and when they do? I mean...

Evocative of a kiss, with that big closeup on Beez's mouth. We watch them push the fly gently out of their mouth with their tongue. It foreshadows Crowley making something in his mouth and ties delivery of it to the kiss. We know that Crowley knows that he can make a single object that is of aspects of both Heaven and Hell combined-- like a ball of hellfire tempered, unless consumed, by a ball bearing.

Plus, earlier in the season, there's Gabriel tying The Fly-- which came about as a result of Beez trying to help him manage his depression by helping him to feel safer-- to metaphorical suicide when he spends the scene where the angels show up chasing it around the bookshop, trying to kill it with one of Aziraphale's Bibles, symbolizing just what Heaven is doing to everyone's mental health here...

But this is just where this possibility starts, really... because why else do I think it's a hellfire-full ball bearing suicide capsule that Crowley gave Aziraphale?

Well, for starters, there is all the holy water that is all over this plot at the end of S2... At the end, Crowley stands in Whickber Street outside The Bentley right across from The Dirty Donkey in a nod to-- among other scenes-- the 1967 scene, when Aziraphale brought Crowley the holy water.

Aziraphale knew that Crowley also secretly wanted holy water as a last resort and Aziraphale initially couldn't handle the idea of losing Crowley and reacted badly before eventually coming around to the idea that maybe Crowley needed to have some supernatural cyanide at his disposal in order to feel safer and that he should have that option. Based on the holy water story, Crowley, then, would be the first person to think that Aziraphale needed a suicide pill as an option if he found himself in trouble he couldn't get out of.

In 2.06, Crowley knows how likely it is that Aziraphale could be harmed by the angels and/or sent to Hell-- which is the domain of Crowley's assailant, who is literally Satan, and who hates both of them for, among other things, turning Adam against him. Crowley knows Aziraphale is a good person who wants to believe the best is possible but he also knows how unlikely it is that this is going to go well for Aziraphale. Crowley can't stand the thought of Aziraphale suffering so he gives him a way out as an act of love because Crowley would sooner lose Aziraphale for eternity than see him suffer.

When it becomes clear that Aziraphale is going with "The Metatron" and Crowley is out of ways to convince him not to, he sees Aziraphale look away and start to cry. Crowley goes back and kisses him as a last resort but Aziraphale is initially resistant-- not because this is their first kiss and not even just because they're upset (though that's part of it) but because to kiss Crowley then would be to let him in... (after all of those symbolic doors and "let me in"s happening in the story)... when Aziraphale making the mistake of trying to shut him out.

Aziraphale eventually, though, can't help but let Crowley in a little...

...because, ya know, it's Crowley...

...and, when he does, he opens up a little, and Crowley slips a suicide pill into Aziraphale's mouth.

It's also definitely worth noting that one of the reasons-- the primary reason, even-- why Crowley kisses Aziraphale is because he needs a cover to both make and give the fireball to Aziraphale without being noticed-- and to do so in such a way that Aziraphale would be assured of the ability to have it on his person when he got to Heaven-- even if he lost his clothes in the process, as like what happened to Gabriel when he was cast out. It has to go in Aziraphale's mouth for easy consumption for it to work and kissing him is the only way to do that. What's really worth noting, though?

Crowley's plan hinged on Aziraphale eventually giving in and kissing him back. He couldn't tongue the fireball into Aziraphale's mouth without Aziraphale parting his lips and Crowley knew he would... because he always does. Not that they're regularly trying to kiss while being super miserable lol but mah point is that Crowley knows that Aziraphale can't ever not kiss him. That's not indicative of this being a first kiss-- that's indicative of the complete opposite of that.

Anyway...

Aziraphale knows what Crowley can make and what it is that he just gave him and that's why this is his reaction after the kiss:

The devastation isn't over the kiss itself. It's because Aziraphale trusts Crowley's interpretations of things more than his own sometimes and, by secretly slipping Aziraphale a suicide capsule out of fear and love and delivered in a kiss, it really hits home for Aziraphale that Crowley thinks they are now in a situation where there probably isn't going to be another way out. It's not because it's a first kiss-- it's because it's likely a last one-- and things are so dire that it came with supernatural cyanide.

It's the realization that Crowley really thinks Aziraphale has been fooled and Aziraphale can't bear it because he knows, deep down, that Crowley is probably right and he's embarrassed. 'Pride goeth before a fall' and all that... Aziraphale is lovely-- an absolute poppet-- but he's imperfect, just like us all. One of his worst traits is that he doubles down when he's been embarrassed as a way of trying to save face and retain pride. It's maybe his worse flaw and it gets very dangerous for him here. Crowley is no stranger to trying to stop situations where it could happen, like this paralleling time in 1941:

Some other reasons why it's a fireball suicide pill before we get to what then happened in the elevator...

There's the fact that the show had a scene set in S2 in The Dirty Donkey-- where the elevator is. (As the start of the scene, Crowley & Aziraphale even walk through the door where the elevator will materialize at the end of S2.) Part of their conversation is very possibly Crowley recounting their first kiss-- at minimum, it's about kissing-- and then Aziraphale makes it also about balls, combining the two to, among other things, foreshadow The Final 15:

The wordplay here is already threefold in this scene off of Crowley's joke that follows Aziraphale remembering Jane Austen's balls: balls (testicles), the phrase that x person "has balls" (is badass), and balls (of the cotillion/dancing variety). This continues into the meeting that Aziraphale hosts-- the disaster of a ball that goes straight into the end game of the season. Here's Aziraphale making yet another ball-related wordplay joke-- this one, during The Meeting Ball:

"We're having a ball" as in they're literally having a ball-- a party-- but also the idiom "we're having a ball" meaning "we're having a great time." We are now up to four different meanings of the word 'ball' in S2, stretched across different scenes, emphasizing the importance of it. One of the missing ones still needed here to complete this idea is a literal ball-- and the ball bearing would not only meet this idea but would then make all of the ball-related wordplay have had the purpose of building towards it. We think it's building towards The Meeting Ball-- and it is-- but all of it, including The Meeting Ball, would actually then be building towards the hellfire ball, which is the actual ending of S2.

Then, there's what this all has to do with the eccles cakes...

Yes, eccles cakes lol... Eccles cakes, as a lot of us already know, are popularly referred to as "fly cakes", off of how the currents sometimes look in them, but the significant thing here is that, despite their name, eccles cakes are not actually cakes at all-- they are really pies.

Ball bearings are also used in Good Omens' favorite metaphor of food to weigh down dough when baking pie crust. Pie weights and ball bearings are basically the same things, just put to different use. It means you literally cannot make eccles cakes from scratch without a jar of pie weights... which are just, structurally, the same thing as ball bearings... and Crowley can make them. You also make pie dough by first rolling it into a ball.

Which is likely why this hilarious moment exists:

Please hold The Cake-Pies of Symbolism, my pie (and Pi)-loving dear...

Crowley's face at having to stand there holding some little pies 😂...

The eccles cakes-that-are-really-pies go along with this theory as well because look how the show presented the forthcoming apocalypse to us back in 2.01:

The horse is Crowley, the rider is Aziraphale, and they're headed for Armageddon-like mental health disaster-- all ushered in by the four eccles cakes, representing Gabriel, Beez, Nina (who suggested & gave them the eccles cakes) and Maggie.

Presumably, The Lords of the Flies are the two eccles cakes that are already canoodling on the back of the plate while Maggie and Nina are the two in the foreground who are aligned but not yet together. Crowley's S2 plot is largely working at the behest of these wonderfully rebellious pies. He looks after Gabriel, finds out what happened to him and connects it all to Beez... and this is after he spent the season on his vavoomy Operation Lovebirds to get Maggie and Nina together. He's responsible for the pie crust-- the containers of the eccles cakes-- in a show obsessed with containers. Crowley is, symbolically, a jar of pie weights in being form by way of his actions-- which is suggestive of the fact that he can probably physically make them. (There's also: "Just a few million years to bake," which Crowley said of his stars-- which he made-- in the opening scene of the season.)

"Nina, what do you sell that calms people down?"

Calm is from the Greek kauma, which means the heat of the day. Heat, as in slang for a weapon. Heat, as in hellfire. Heat, as in what's needed to bake. Heat, as in passion. Heat, as in "bringing the heat." The heat of the day-- the sunny daylight of The Final 15. Eccles cakes-- really: pies-- calm people down... they bring them heat, in every possible way, and it sets them on a path down-- to Hell.

Then, there's Agnes Nutter...

When The Witchfinder Army came to kill Agnes, she hid gunpowder (a weapon) and roofing nails (the construction-related metal that enabled it) in her dress. Agnes blew up-- she became a literal. fireball. Crowley wasn't necessarily suggesting that Aziraphale turn himself into an Agnes-like bomb in Heaven when he gave him the capsule but he was giving him a weapon involving fire with which he could kill himself if he had no other way out.

Then, there's the theme of suicide in examples from earlier in the season:

Crowley saving Elspeth (on the night Crowley was dragged to Hell)... The bit when Aziraphale then calls Crowley from Edinburgh in the present and tells him that he's read that Dalrymple left in disgrace and killed himself... "The Bananafish" being a short story about trauma by J.D. Salinger which ends with a traumatized man suddenly killing himself... Crowley setting Gabriel up to jump from the window and then stopping him from doing it...

There's also the fact that the end of S1 was Heaven and Hell forcing Crowley and Aziraphale into forms of suicide (getting into hellfire/holy water) and the "Aziraphale" in the Heaven part of it was Crowley spitting hellfire-- at Gabriel, no less, whose story is what jumpstarts S2.

Then, there's that the song that is The Clue to everything in S2 is "Everyday", the significance of which is that it's a foundational song of American rock 'n roll. Rock 'n roll is a blend of musical styles that actually wouldn't exist without first the big band/swing that Aziraphale loves that came before it-- symbolizing how Crowley & Aziraphale paved the way for Gabriel & Beez. There's another song, though, that, like "Everyday", is from the pivotal rock year of 1957 that is equally influential and is enormously Good Omens-y, in the sense that it cleverly uses wordplay to the effect of barely disguising sexual euphemisms and often through amusingly church-y language:

You shake my nerves and you rattle my brain/Too much love drives a man insane/You broke my will/But what a thrill...

Goodness gracious... great balls of fire...

[Also: less part of the theory and more just a possible nod but... "The Metatron" brought Aziraphale a coffee, there's a threat of non-existence, and Aziraphale might have gotten a 'kiss of death' from a being who is, essentially, a cherry pie lol... so, those of you who know that other greatest television show to ever television show might see a bit of a nod to Twin Peaks in here as well.]

Speaking of kisses of death... the film that popularized the word "vavoom"-- and which GO S2 is homaging all over the place-- is called 'Kiss Me Deadly.'..

So, after the kiss, Aziraphale gets the capsule and keeps it tucked into his mouth and he's gone too far with the conversation and doesn't want to admit that maybe he's wrong and Crowley is right. Crowley goes out, "The Metatron" comes back in, and Aziraphale keeps looking at Crowley staying by the car out the window and he's a bit more nervous now ("what about, um, my bookshop?"). Even if he still wants to be right, he's beginning to doubt even more that he is.

He almost tells "The Metatron" to go. He almost goes to Crowley. We see him start to say that he thinks he made a mistake but he doesn't go through with it. He's too embarrassed. Fraulein Maria can't face The Captain and is trying to run back to The Abbey over here.

Aziraphale goes out with "The Metatron" and the significant moment is this revelation: "We call it 'The Second Coming'."

This is the moment that Aziraphale realizes for sure that he's been tricked and there is no Supreme Archangel job for him. The Metatron doesn't want to change Heaven or save anybody-- he wants to destroy the world, same as he always has-- and there's no way that he'd ever trust Aziraphale to carry that out when Aziraphale is who stopped the first round. Heaven will never admit they did wrong by Crowley-- to do so would be to collapse the system because then every demon would want to appeal their own status and demand justice and the Heaven/Hell regime would fall, in the sense that their little supernatural empire would crumble. The Metatron would never allow that and Aziraphale realizes in this moment for sure that he has been played for a sucker.

It's still possible that, at this moment, Aziraphale might still believe that this being who has tempted him with the possibility of the justice he wants for Crowley more than Crowley actually wants for himself-- and with false reassurances that he and Crowley could be together forever-- actually is The Metatron. Or, Aziraphale might be starting to get the sense of what's actually happening but, either way, he now knows that he's been fooled. He knows now that while he and Crowley both got some things wrong (suggesting they run off and proposing suddenly were not great moves on Crowley's part)... about this bit anyway? About being in danger if he believes the being who came to the door? Crowley was right.

So, Aziraphale has a choice: does he go to Crowley or does he get in the elevator, knowing now that to do so is to go to a form of death?

He can't face Crowley. He knows Crowley would forgive him and just wants him to be safe but, in the moment, Aziraphale is too ashamed and too embarrassed to admit that he was fooled and to deal with how awfully he just behaved. He's also exhausted from being hounded by the weight of his halo and Heaven for thousands of years. Negative thought cycles in overdrive-- he's never truly believed that he deserves Crowley and he has convinced himself that maybe Crowley might be better off without him. Maybe they just don't get a happy ending and maybe Aziraphale is so tired and can't run and hide anymore and just wants it to end.

Imagine spending thousands of years in service of an organization that also doubles as family and who abused you and abandoned you and who now wants to kill you... and you so hoped that change was possible that you clung to the idea beyond a point of reason-- to the point of hurting the one you love, with whom you have the only real love you've ever known. And you know he'd forgive you in a heartbeat because he loves you and he just wants you to be safe but you can't face him because you can't yet face yourself... that's Aziraphale deciding between Crowley and the elevator.

Aziraphale can barely glance over at Crowley and when, he does, it's also The Bentley he's looking at because he's telling the car to play Crowley their song. Crowley said "no nightingales" but Aziraphale says, in response: "A Nightingale Sang in Berkeley Square." His last moment on Earth and he uses it to basically leave a suicide note for Crowley that says nothing but I'm sorry. I love you.

Their song plays when Crowley starts the engine of The Bentley, which calls back to the first time they met in the Before the Beginning scene that began the season and showed how they started the engine of the universe together.

Aziraphale might be trying to warn Crowley about Armageddon by sending an "engine trouble"-type of message or he might be calling back to when they first met or, as I suspect, he might be doing both but the show, at least, is referencing Before the Beginning here with this, whether or not Aziraphale intentionally is.

So, Aziraphale? He makes his choice. He gets into the elevator...

...and he swallows the fireball. Which we can see him do here:

Or, as this was foreshadowed in S1 by the being whose own fall and subsequent arrival at the bookshop door set all the events in this season into motion:

(The eerieness of the fake grin on Gabriel after seeing how it foreshadows S2 ending with Aziraphale's mad grin...)

Because, when all is said and done, this poor bastard really would have a death-by-swallowing-something story over here, wouldn't he? Can they just hurry up and destroy the Heaven/Hell system so Aziraphale can have food and sex in peace already, please? 😄

Aziraphale knew he'd been played and he didn't want to go through whatever came next. He didn't want to reach the top floor of Heaven because he knows that only forms of death await him there. They'll take his memories. They'll cast him to Hell. Being a demon is no picnic and Aziraphale has seen that in being with Crowley for so long. Satan is not exactly the biggest fan of Aziraphale and Aziraphale, better than most, knows what Satan is capable of. He doesn't want any part of that. He ingested a suicide pill to avoid being captured by the enemy.

Crowley gave him the pill because angels are not immune to hellfire. That's what made it a suicide capsule, right? It was supposed to kill him within seconds. It was supposed to be quick and relatively painless-- a way to escape the horrors that might await him. Even when Aziraphale is at his worst-- as Aziraphale was in their last scene in bookshop-- he is still a pure-of-heart, lovely being to Crowley because Crowley loves Aziraphale as he is-- imperfect. Just enough of a bastard to be worth knowing. It never occurred to Crowley that the capsule might fail. Why? Because Aziraphale is, always and forever, his angel.

Both Crowley and Aziraphale thought the fireball should have protected Aziraphale from pain and suffering by killing him almost instantly once he ingested it.

By that measure, Aziraphale should have burst into flames in the elevator, seconds after he swallowed the pill just after stepping inside.

But he did not.

We watch as the seconds start to tick by... and we see the realization play out on Aziraphale's face as each second that passes is another one where he's still here...

...the look gets more and more unhinged as the elevator keeps climbing until we get the slightly mad dark grin as the last shot of him before a fade to a deathly black... with Aziraphale having spent the final splitscreen since he got into the elevator on the other side of Crowley, symbolizing what's happened.

In the elevator scene, we are watching the dawning realization play out on Aziraphale's face as the fireball doesn't work and there's only one reason why it wouldn't-- because he's no longer an angel.

Aziraphale has been sauntering vaguely downward for the season and maybe for awhile before then. He's been letting the darkness in, more and more, throughout all of S2. We have been watching his fall happen. The 'falling from a great height into a pit of boiling sulphur' part of falling? Ceremonial. An aftermath of sorts-- an additional punishment. It awaits Aziraphale when he gets off the elevator in Heaven but it's something we likely don't really need to see and never have seen in the show yet because that's not actually the main point of a fall. By the time you're literally falling from a great height, you've actually already fallen.

Aziraphale's determined-- but also just really half-mad-- final grim smile in the elevator over his understanding of what's happened is both the pain of thousands of years of religious trauma and abuse-related misery and a bit of completely unhinged I'm gonna burn this place to the fucking ground fury.

Aziraphale swallowing the capsule also parallels Gabriel having to "consume" The Fly to open it. The Fly went through Gabriel's eye and allowed him to "see"-- it give him realization and understanding by returning his memories to him. For Aziraphale, he swallows the fireball and it also gives him a kind of sight-- realization and understanding of what's happened and what's to come... all of this also in the moments before his memories (and, so, his sense of self/his life) will likely be taken from him.

(For a time-- he'll be fine eventually. *mantras* South Downs Cottage, South Downs Cottage...)

"And from his mouth go burning lamps and sparks of fire leap out." The Job quote on the matchbox. The matchbox contained the fly-- it's the equivalent to the ball bearing containing hellfire. Works now on several different levels but one of them then is: And from his mouth (Crowley's mouth/the kiss/the fireball/Aziraphale swallowing the fireball)...

...go burning lamps (the light that goes out in the bookshop when Aziraphale is in the elevator)...

...and sparks of fire leap out. Several meanings:

Literal sparks-- in that Aziraphale can now spit hellfire, like how Crowley did in his body in Heaven in S1.

Sparks of fire leaping out, in the sense that Aziraphale has made the leap-- he is a demon now.

Lastly, though... sparks of fire leap out... as in, Hell (and Heaven) hath no fury like this very, very, very pissed off Angel of the Eastern Gate whose whole thing is freeing those imprisoned by corrupt systems...

Visually paralleling the elevator with a grey wall behind him and light/darkness alternately striping Aziraphale is the 'Aziraphale and God' scene in 1.03, setting up its sister elevator scene in 2.06, where Aziraphale realizes that he has been tempted by Satan and has fallen. (Ironically, a realization about having fallen that happens while going Up in an elevator.)

God: "Aziraphale. (dryly) Angel of the Eastern Gate. Where is the flaming sword I gave you, Aziraphale?"

Aziraphale, unintentionally foreshadowing the fuck out of the plot:

"...must have put it down here somewhere."

Yeah. 😉 Give 'em hell, Aziraphale.

Bonuses:

The awning of a new age/Dawning of a New Age joke. An understanding/a daybreak that begins a new era...

"Oh, listen, I think it's about to happen-- the 'awning' of a new age." Yes, indeed, Crowley. A dawning of a new age was imminent...

...and, finally, if you substitute 'Aziraphale' for his parallel of 'Job' in these sentences, Bildaddy summarized the season endgame quite nicely in 2.02:

#ineffable husbands #aziracrow #good omens #good omens meta #good omens theory #aziraphale #good omens 2

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