#Fuck D.K
Text
D.K= Devildoms King = Diavolos father
D.K: Hmm quite the menacing human you are..
Mc: Well quite the shitty ass,
incompetent,
fake ass brand
2nd hand
bogus bitch
artificial
dummy
ersatz
factitious
false
faux
imitation bitch type of king you are "your majesty"-
@luxthestrange
#OM!#Fuck D.K#D.K hate blog#join the anti D.K club#special thx to luxthestrange for inspiring me#Diavolo#devildom#Demons#Diavolos father#Barbatos needs a break#powerful mc au#obey me! shall we date?#obey me#fanfic?#incorrect quote?
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honestly though early ua katsuki is such a mess. my guy basically believed that izuku made his way into ua under genuine means, said he'd get expelled in the quirk apprehension test bc he was quirkless while tenya was like "wdym quirkless, did you not hear about the entrance exam", and then was absolutely flabbergasted when izuku used ofa for the first time.
THEN he had the audacity to absolutely wholeheartedly full-on believe that the same nerd who's been trailing him and watching his progress even with their fucked up relationship had been LYING and SCHEMING against him for TEN WHOLE YEARS. like my guyyyyyy you cannot be serious
(he was, unfortunately, dead serious.)
#💥 ⸍ i. out.#tbd.#/ he has the most extreme thinking fr#/ like oh. this is the first time i've seen a quirk. bitch lied to me#/ k.atsukiiiii my guy i.zuku couldn't keep a secret from u for ??#/ a lesson#/ he fought u then told u his Biggest Secret after#/ a.ll might: don't tell anyone#/ d.k: ok! (tells k.acchan)#/ i can't#/ how k.irishima and k.aminari befriended k.atsuki like this? idk#/ but i mean.... k.irishima just has to be himself; walking sunshine#/ he saw this fucked up lil guy and was like “i'm gonna be his bestie”#/ (and then in charlie's k.iri's case eventual boyfriend <3)#/ anyway thought out of the wayyyyyyy it's time to write more
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𝔓𝔢𝔯𝔣𝔢𝔠𝔱 ℜ𝔞𝔠𝔢
TW: Backshots, flashing, freaky stuff, sucking and violence (I hope these are enough warnings to be aware that this is more than these)
You were a young woman who had amazing drift skills, one of the most popular actually. You are well known in your city and create a lot of commotion just for being seen in public. There was an event that was very unexpected and exciting at the same time, you didn't know why? Why didn't you know? The men told you there was a guest visiting this event, participating as you may seem. The two men that told you were Satoru and Suguru! You're high-key supporters and help you with your awful and joyful conditions!
"Heyyy Y/N, you're probably super curious who this person is eh?" Satoru said sitting on those metal chairs drinking a white monster energy drink. He just stared at you waiting for an answer chuckling while Suguru standing in the back with his arms crossed leaning against a wall. "Well yes of course! Who is it!" You said with full excitement grabbing both Satoru's shoulders. He tilted his head with a gaze upon looking up at me, "What if I said it was the one and only, D.K." You let go of my grip and stepped a foot back from him. You had my mouth halfway open and my eyes widened like they were going to pop out my eye sockets. "Drift King!? Choso Kamo!? Number 1!?"
I noticed Suguru giggling behind Satoru nodding and keeping his head down. "You're fucking shitting me." You covered my mouth with all the unexpected things crossing by. Before Satoru spoke again a loud engine was heard nearby the parking lot. "Why ye-" He raised his eyebrows and smirked looking at you. "He's here~" Suguru walked towards Satoru always standing by his side placing a hand on both your guy's shoulder. "Why not meet him!" "What the fuck you think we'll do!" I ran away from them dashing to the parking lot seeing a car with thousands of stickers with lightning bolts on the sides of the car. Just by the looks of the car, it turns out it was a black Toyota Chaser with such a low skirt. "How is he able to drift this masterpiece!?" I thought to myself, the fact that I turned to the side of his car noticing he parked next to MY CAR!? I caught him staring at it looking at my car in millions of different angles looking any damages, he seemed impressed by the brand and looks if my beautiful car which I LOVE!
My car was not an ordinary Mazda RX7, it had champagne pink wrap on it while my favorite anime characters were on the back of my car. It was pretty girly until you see it being driven. The car plate was placed as "S1M9ER". "Ayy~ Choso! Looks like you've made it to see our pretty lady right there." Satoru chuckled pointing me out to him. I turned my head to Satoru starting to get embarrassed. "What the shit Satoru!" I gritted my teeth glaring at him, Choso giggled and got out his car. He leaned his side of the car gazing me. "Nice car." Choso stated to me. "I.. I-uhm.. Thanks?" "Shall we begin the race?" He questioned, you didn't know there would be a race just now, you flinched for a few seconds wonder what race? With who? "Hold on a race? Race who? With who!?" You were so confused, nobody told me anything! "Ah, I'm sorry looks like Satoru hasn't told you that you will be competing with Choso, Y/N." Suguru announced for me. "E-EH!? RACE!? NUMBER 1!?" "That's right, you're good. You can handle him, even if you do lose you owe him something." Suguru and Satoru smirked "It's his choice what you owe him." Suguru exclaimed
"I- uhm... Sure I guess..." I said in a quiet lowered voice as I walked over my car with baggy black sweats, they make you look even thicker than before. To hide your ass from them freaky boys, you wore a baggy car tag shirt on top. Your style did not match your car, which was very unusual of anybody who does that.
Both you and Choso revved your engines and drive to a track where nobody was suppose to even pass, this is where the town host the events where a whole freeway was built and difficult obstacles included.
I'm sorry to tell you this but my noodle arms can't handle this, y'all gonna have to wait for PART 2!! 😭I don't even know you guys but love you! Good night or Good morning!🩷
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beat generation dash simulator
📝 windblownworld
I need to run away and live on a mountain fr
#jack.txt #my buddy gary @ dharmabum has a good gig lined up for me next summer. #feels like forever away #fuck my life
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❕️This post has been flagged for the following community warnings: mature
📚 starvinghystericalnaked
okay, you know what, fuck you. fuck. you. there's nothing "obscene" about my poem. in fact the bible is more "obscene" than this. maybe if you had the guts to read it you'd understand that YOU are the problem. WE are the movement WE are the people WE are the answer.
🔁 🐒 oldbulllee14
Allen, I completely agree with you. Customs officials are a load of cock-sucking bastards. Next time you are in town, come over. I just got back from Mexico if you know what I mean.
🔁 📚 starvinghystericalnaked
say less 👀🍃
#like for real say less LMFAO if the feds are on tumblr we are so fucked
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🚗 coloradocarjacker-deactivated04011948
"Well it's about time you wrote, I was fearing you farted out on top that mean mountain or slid under while pissing in Pismo, beach of flowers, food and foolishness, but I knew rhe fear was ill-founded for balancing it in my thoughts of you, much stronger and valid if you weren't dead, was a realization of the experiences you would be having sown there, rail, home, and the most important, climate, by a remembrance of...
read more
🔁📝 windblown world
needed this right now. missing you, brother.
#does anyone know if neal remade or is he just gone? #did he say anything to anyone? he told me he was just remaking
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🎶 bopaholicedie Follow
happy 1 year anniversary of the official annulment of my marriage
#if you're reading this jack go to hell. I wish you'd rotted to death in jail with that m*rderer #after all these years and not even a fucking thank you
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📝 windblownworld
logging off indefinitely. my editor needs a draft of my book by the new year and I already blew my advance so there's no way I can ask for an extension. if you see me online tell me to fuck off
#mutuals can still send letters
Pinned post
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❤️🔥 lucienspress
feeling blessed for all of my good friends today. real ones know — rip d.k. '44 — keep the hustlers and parasites at arms length, we'll get through this!
#this one goes out to you jack! 🙌 hit me up sometime
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🛤 railmanmoriarty Follow
what's up motherfuckers! remade from @coloradocarjacker
🔁 📝 windblownworld
neal? holy shit. is that you? are you busy tonight?
🔁 🛤 railmanmoriarty Follow
kerouac my boy my lad my good man for you I am never busy I have to just drop carolyn off at the motel and procure a fine feast dinner for her and the kids and then maybe an hour two just setting around making sure she's and they're alright and then if you pick me up at 10 no I better say 10:45 not a minute later than ten forty five pm jack I will be fired up and ready to go out with you
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📝 windblownworld
SAL AND DEAN ON THE PROWL TONIGHT JUST LIKE THE OLD DAYS!!! if you want to party with the OGs first rounds on me.
#NYC beat scene #jack.txt
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❤️🔥 lucienspress
"Make 'em laugh, make 'em cry, make 'em horny."
#quotes #beatnik #beat literature #deep #counterculture #new york city #on the road core #kerouaquette #writer #writing advice
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#jack kerouac#beat generation#beat literature#dashboard simulator#don't let this flop i spent way too long on it >_<
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TWST Incorrect quotes #3
D.K: If Crowley and I were drowning, who would you save?
Mc/Yuu: You two idiots can’t swim?
Crow: It’s a hypothetical question Child!~, Mc/Yuu! who would you save? ME RIGHT!*Smiles at them*
Mc/Yuu: my time and effort-Is what you hoped I say right?-FUCK NO NEITHER!, INFACT I'M NOT EVEN LETTING YOU BACK ON LAND! ONE HAND ON LAND AND IM USING A STICK TO HIT YOU-
#disney twst#obey me!#obey me! mc#obey me#obey me mc#obey me x mc#obey me x gn!mc#obey me x reader#obey me x gn!reader#twisted wonderland x yuu#twisted wonderland x reader#deadbeat dads#whack a jackass#twst crowley#obey me demon king#sheep and shrimp unite#twst in the nutshell#angy shrimp#angy sheep#twst incorrect quotes#incorrect quotes
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SP Boys Playing...
Mario kart
Don't ask me what time it currently is
Final exams were coming up
And you and your friends weren't prepared whatsoever
Except Kyle
Cartman: "fuckin Kyle"
So, since Kyle is such a sweetheart, he decided to help all of you study
The group all went over to his house for like, a study group date or whatever
Stan brought note cards
You found and brought some dried out highlighters
Kenny brought a rat
Cartman brought mario kart
"goddammit cartman"
Not only did he bring a game to the group study date
He brought
The fucking
Mario Kart 64
Yeah, fuck mario kart super deluxe ultra 360 number 4 no cheese extra sauce
It's all about them blocky graphics baybeee!
Kyle does have a nintendo 64
He got it for Ike but the kid took one look at it and decided he'd rather play with his Xbox whatever
But he's only got, like, donkey kong, super mario, that game where you talk to pikachu, and some water ski game
So in walks Cartman with a lil strut and two controllers along with Mario kart
"Absolutely not," Kyle immediately says
"But Kaaaaaahlllllll" he groans, pleading with the taller boy
Kyle stands firm
"We're all here to study, no distractions"
"C'mon Kyle" you started, getting up from place on the couch and completely abandoning your tic tac toe game with Stan
"Just let him set it all up while we study, we could play a little bit when we take breaks?"
"Breaks are super important when studying," Stan agreed, walking up behind you and placing a hand on your shoulder
"Yeah!" Kenny chirped, already on the floor setting the system up
It was four against one and Kyle didn't stand a chance against all of you
He agreed that you'd all play during the 30 minute breaks between study sessions
Rejoice
Unfortunately for Kyle, it took all but five minutes before you started to mentally check out
He was telling you something about writing down what you know and then highlighting what you don't remember
Or was it reading your work and re-writing?
What were you supposed to highlight again?
Kyle noticed your eyes glossing over as you stopped paying attention
Kenny was already disassociating
Kyle decided it was time to take a break
Since there were only four controllers, one of you was going to have to sit out and take the controller from whoever loses
Rock paper scissors to decide who sits out first round
Cartman loses
Ha-ha
Demands a second third forth chance
Maybe he'd win if he didn't main rock
Grumbles about how he's "the one who brought the damn game" and should be playing while you're all picking your characters
Kyle picks Luigi
Kenny picks Princess Peach
You pick Toad
Stan was torn on who to choose
Eventually picks Donkey Kong just because everyone keeps on making "monke" jokes
"Hehe...mm, monke"
"He's a fucking gorilla"
"Monke..."
Cartman is pissed no one chose Wario
Who cares, y'all can finally play
bad idea
Bad Idea
It was a very bad idea to play Mario Kart with your friends
You really should've known it was a bad start when Stan, player numbero uno, decided to ignore your opinions and pick the special cup
Aka the one with rainbow road, which is totally fun. Super fun. Everyone loves rainbow road.
It's. Fine.
But D.K.'s Jungle is first
Stan swears that since this course is named after his character he's pretty much guaranteed to win
The game starts and...
You stare in immense disappointment as your toad stays in place since you started too early
Kenny smashes into you to add insult to injury
You're in dead last
Stan and Kyle fight each other for first while Kenny sits comfortably in forth after missing one of the mystery items boxes
You collect one for yourself, hoping for a bullet to bring you towards the boys
You get green shells
It's fine.
Your toad speeds by, trying to catch up as Kyle hits Stan with a red shell
"Oh fuck off Kyle"
"How's that guaranteed win going for you, huh?"
Kenny, meanwhile, practically gets pushed off course by the bowser character and is being hit by coconuts
You get 3 bananas to try and get yourself out from 7th place
Cartman is the most backseat gamer to ever backseat game
"Keep your bananas dumbass! It's basically a shield for shells!"
Wario passes from behind you with a star, putting you back in 8th place
"Gee Eric, I'm so glad I've got my banana shield"
"Not my fault you're the slowest fucking Toad I've ever seen"
"Fuck. Kyle, do you just have a never-ending supply of shells up your ass?"
Kenny laughs as Stan falls into the water
The second he is brought to dry land, Kenny uses his thunder bolt
Both of you laugh as Kenny then proceeds to run him and Yoshi over
"Fuck you, Kenny"
You finally climb to 6th place as Kyle flies against the finish line
Groaning as you grab a single mushroom, you get yourself there eventually as well
Your scowl looks like a smile compared to the look Stan is giving Kenny
"I was going to win! I totally had it till your lightning"
Kenny's laughing
"Yeah right, no way you were gonna past Kyle after going for a swim" Kenny smirked
"Hey, maybe your monkey will do better in yoshi valley" Kyle teased, bumping Stan's shoulder as the next round started up
"Ahem...ahem"
Cartman pokes your arm
"Wot"
"I believe the loser gives up their controller...and you ate ass the whole game"
You protectively gripped the controller
"Wait, no gimmie another chance"
Cartman screeches
You ignore him
The next round starts up and this time you don't screw up and actually get the speed boost
You get yourself up to forth place, just behind your friends as you all get an item
Gaining three mushrooms, you immediately use them to get up to second place just to get attacked by a barage of shells by the two behind you
"Oh come. On you guys!" You complain, watching toad helplessly tumble around
"No mercy!" the princess Kenny exclaims, running you over
"Stop doing that!" You glare at Kenny
"Stop being so cute" he counters
You mumble under your breath, trying to focus on getting an item
You get a blue shell
Biting your lip to hide your excitement, you wait for the perfect opportunity to use it, watching the boys and yoshi battling for first place
"Psst," Cartman leans forward, whispering in your ear as you lean back, both of you refusing to look away from the game
"Why aren't you using your shell?" He uncharacteristically asked softly
"I'm waiting for the perfect moment" you whispered back, ignoring Stan and Kyle bickering as they keep pushing each other off the track
"Hmm...got it...I'll let you know when the best opportunity is" Cartman concluded, leaning back
You look away from the TV to stare at him, raising an eyebrow
He met your eye, whispering a 'trust me' you're almost unsure if you actually heard
You could laugh
Still, you still didn't use it as the final lap was coming to an end
5th place was nice...
The finish line nearly in sight, Kyle inched by Stan, his star he used dying down
You felt Cartman pat your arm
"Now."
Without hesitating, you used the blue shell
The deadly shell automatically targeted Kyle, looming over him
"Dude! Which one of you used a blue shell?"
Kyle tried to avoid it by breaking, but it was too late
Him and Stan both got demolished by the blue shell
You try to contain your laughter as both boys begin making an uproar, watching yoshi take first place and cross the finish line the
Kenny, the one who adores making you suffer, finally decides to leave you alone and uses his hoard of red shells to bombard Stan and Kyle
Donkey Kong and Luigi are still tumbling around as you pass them, gaining you a respectable third place, Kenny already cheering over his second place win
Cartman, meanwhile, was on the floor laughing as the two losing boys voiced their concerns
"You fucking bastards!"
"I was this close, this close to winning"
Their verbal insults just made you even more proud
"Sorry dude, alls fair in love and war," you shrugged, laughing as one of them chucked a balled up paper at your chest
The combined laughter and angry screeching completely covered the sound of the alarm Kyle had set to signify that the break was over
Who cares
Kyle the loser begrudgingly gave his controller to the still laughing Cartman
The study session has completely turned into a gaming one
But no one really cared, even as verbal insults and jokes were constantly being made
Everyone was having fun. It was such an enjoyable experience that no matter what happened in the game you all managed to let it motivate you to do better and laugh harder. You couldn't remember a better
Wait
Fuck
Cartman just hit you with a green shell
And you fell off the damn boardwalk
Kenny ran you over
Now Stan is laughing
You hate Mario Kart
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The Super Mario Bros. Movie
Otherwise known as: "How I Learned to Stop Worrying About Chris Pratt and Enjoy a Video Game Adaptation."
So, first, some non-spoiler thoughts.
Part 1: The Trailers
I don't know who was in charge of the trailer selection to go in front of this movie, but we need a word. Because a 'Happy Gilmore-esque' comedy about a guy trying to impress his girlfriend's family but, oh no~ His Italian dad is weird and behind the times kind of missed the mark.
So did putting the Barbie (2023) teaser in front of this movie. Not like I'm a prude (you all know me as almost anything but), but watching the 'I'll beach you off!/Not if I beach you off first' exchange in a theater with little kids on either side of me seemed like kind of a misfire.
Disney's live-action Little Mer-- I can't even be bothered to type the whole thing out.
And I just found it really weird that Illumination has a second movie coming out this year that they put a trailer in for, but the actual movie wasn't even present that much in its own promotion?
To explain better: the trailer was 'Illumination has brought you such wonderful family features as Despicable Me (long clip), The Secret Life of Pets (long clip), Sing (long clip), Minions (long clip), and Super Mario Bros. The Movie (long clip). Soon they'll release Migration (a few short clips of ducks flying and hiding under a bridge)'
Part 2: Thoughts on the Movie Itself (Which will include some spoilers, so...)
Right off the top of the bat, yes: the movie does move very quickly. Now, for me? This wasn't a hindrance but it was to a degree where it was noticeable so I can see where legitimate movie reviewers are talking about when they mention it.
I like how the movie starts off with Mario and Luigi's plumbing commercial and first job. Builds into the 'regular Joe'/no one believes in them-setup. Though, fuck a duck, why is their family full of such assholes? 'Luigi would be able to get somewhere if you weren't always dragging him down', okay so let's just continue to work for a guy who was a douche to him. Cool, fine.
While Mario's initial walk with Toad upon reaching the Mushroom Kingdom was kind of 'eh' to me, I love how the Mushroom Kingdom was handled: bright, active without being spastic, and allowed the setting itself to narrate rather than having the characters go 'And this is a store! And this is the road! And this is how we get money!' Like a lot of adaptations can fall into.
Peach was fine. I literally have no idea why people were trying to create discourse about her portrayal in this movie. She's not some emasculating girlboss, she's not 'Daisy wearing pink'; she's a competent monarch who just happens to be able to platform and ride a motorcycle.
Also, good on the writers for executing things where you can interpret Peach having a thing for Mario but they could also just be really close friends (kind of like Judy and Nick at the end of the first Zootopia film).
I love how we were all worried about Chris Pratt's voice-acting 'just being Chris Pratt' when, in reality, what we needed to worry about was D.K. because ay-my-me is that performance 'Just Seth Rogen'.
Jack Black definitely had the most fun with this movie. I can't believe they okayed the 'Peaches' song...
Why was Lumalee a Nihilist? Like, I'm not even mad but that was such a strange choice.
The musical score was good. Replacing the original music made for the Jungle Kingdom intro with "Take on Me" was a bit of a miss. Also, please: credit the actual composers, not just "'Song' from 'Game'"
However, even with all of these praises, I do have to detract a point for one crucial misfire:
They really couldn't have had Mario and Luigi do their finishing blow while saying 'So long, eh Bowser?' As a perfect referential send-off? For shame...
Final Rating: 8.75/10
I wanted a good time that celebrates the Mario franchise with great information and for someone to be there to whack Illumination in the head whenever they tried their bullshit... And that's what I got!
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╰─ - ̗̀✎ my MUCH needed intro:
(credits to @rizh for the temp!<3)
This aint allat btw im too exhausted 😍
୨୧┇Name: Naazz(call me nai!)
୨୧┇Nationality:🇮🇳 in 🇨🇦
୨୧┇Song: Consistently changing so I'll just give my playlist at the end hee hee
୨୧┇Show: Ult? Friends. Currently watching? The good place.
୨୧┇Movie: RDB and DDD
୨୧┇Game: Ult? Nobodies/TS4. Currently (re)playing? TWD
୨୧┇Book: Ult? The outsiders. Currently rereading? Chamber of secrets.
୨୧┇Animal: doggossss‧₊˚✧
୨୧┇Food and drink: Biryani and chai(as my name suggests)
୨୧┇DNI if: Racist, homophobic, terf, JKR supporters, sexist,hinduphobic and islamophobic,zionist, isntrael supporter, dont like shane madej, Dont believe that aces/aros are valid(fuck you), you get the idea.
୨୧┇Bday: Feb 7, 236 BCE
୨୧┇Stuff abt me=
Im blind without my glasses
Im super random
I get hyperfixated on things easily
I like to write and in the near future will probably share stuff on here hee hee
I like to edit photos and make playlists and cook
Academic validation😩
Anyway thats kinda it
So heres my playlist~
(BTW GO CHECK THIS POST OUT😡😍)
#all is not well#desi#desi shitposting#desi tumblr#desiblr#desi shit#intro post#introduction#blog intro#introductory post#im so late to this#but#its done#hogya#khatam#tata#bye#when will all be well#dukh#dard#peeda#😘#Spotify#SoundCloud
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How fucked up is your life if all you really need is a warm long hug from someone you love but you would die before asking for it.
-d.k.
#feelings#thoughts#daily diary#spilled thoughts#diary#wisdom#words#tired#tumblr diary#random thoughts
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Sent from my iPhone
20 - 1615 - 1110 - 65 - 1
MUSIC
The 25 Best Rage Against the Machine Songs
From funky, radical bombtracks to incendiary covers, here are the rap-metal masters' finest moments
BY
DAN EPSTEIN, ANDY GREENE, KORY GROW, DANIEL KREPS, HANK SHTEAMER
WHEN RAGE AGAINST the Machine emerged in the early Nineties, there was no other band even remotely like them. They not only fused rock with rap at a time when there was a stark divide between the two genres, but their radical lyrics called for a political revolution during the supposedly peaceful decade after the Cold War and before 9/11. This was a time when most bands were looking inward toward their own pain, not outward to the struggles of minorities in America and people living under oppressive regimes across the globe.
“It was one of those rare instances when the planets just lined up right and the alchemy of musical magic and history just poured out,” Chuck D recalled of Rage in 2016. “I saw them in concert [early on], and what I remember most is how wiped-out the crowd was afterwards. I had never seen a place destroyed; sweat and blood on the walls. The fucking tables were turned over and rafters pulled down. It was crazy. They’re the Led Zeppelin of our time.”
Rage broke up in 2000 and left behind just three albums of original material, but those songs aged remarkably well during the chaos and tumult of the past two decades. And when they announced a reunion tour, which finally kicks off July 7 after several pandemic-related delays, tickets sold out with remarkable speed. There’s no hint that they’ve recorded any new music, but they really have no need to. They somehow created the soundtrack for our time a quarter-century ago. Here, we count down their 25 greatest songs.
25
‘Darkness’ (1994)
MICK HUTSON/REDFERNS/GETTY IMAGES
One of Rage’s earliest and most incisive songs, “Darkness” first showed up on the band’s self-titled 1991 demo tape before it got a major-label makeover — complete with one of Morello’s most chaotic, acrobatic solos — for its inclusion on the soundtrack to 1994 Brandon Lee movie The Crow. Originally titled “Darkness of Greed,” the song, which toggles between mellowed-out jazz funk and steely metallic groove, likened the spread of AIDS in Africa — and the U.S. government’s “procrastination” toward stemming the virus — as genocide. “They say, ‘We’ll kill them off, take their land, and go there for vacation,'” de la Rocha whispers on the track. —D.K.
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24
‘How I Could Just Kill a Man’ (2000)
MICK HUTSON/REDFERNS/GETTY IMAGES
On “How I Could Just Kill a Man,” Cypress Hill’s first single and first hit, rappers B-Real and Sen Dog traded verses about “takin’ out some putos” with a Magnum and making young punks pay. Their funky tableaus of terror built to the sort of wanton observation that would make any mother shudder: “Here is something you can’t understand — how I could just kill a man.” When Rage Against the Machine covered the track for Renegades, de la Rocha took all the verses for himself while Morello and bassist Tim Commerford (or “tim.com,” as he billed himself on the record) ratcheted up the noise to deafening levels on the chorus. “The first Cypress Hill record and [Public Enemy’s] It Takes a Nation of Millions to Hold Us Back were two of the biggest hip-hop influences on Rage Against the Machine,” tim.com later told Rolling Stone.Rage might not have killed a man, but they definitely laid a few speakers to rest with their rendition. —K.G.
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23
‘Maggie’s Farm’ (2000)
BRIAN RASIC/GETTY IMAGES
Bob Dylan was saying goodbye to the folk world when he wrote “Maggie’s Farm” in 1965, and it’s very tempting to read some of the lyrics as an angry kiss-off to folkies who wanted him to remain stuck in the past. “Well, I try my best to be just like I am,” he sneered. “But everybody wants you to be just like them/They sing while you slave and I just get bored.” When Rage tackled the song for their 2000 covers collection, Renegades, they were also at a crossroads of sorts. Communication lines between members were breaking down, and when de la Rocha sang “I ain’t gonna work at Maggie’s Farm no more,” he might as well have been putting in notice that he was done with the band itself. —A.G.
22
‘War Within a Breath’ (1999)
FRANK MICELOTTA/GETTY IMAGES
“War Within a Breath” closes out Rage’s final LP of original material, 1999’s The Battle of Los Angeles, and it’s somehow fitting that these are the last notes we’ve heard to date of the band’s unmistakable sound. It’s an extremely on-brand tune that touches on everything from the Zapatismo movement to the Palestinian Intifada. Simply put, it sums up the entire Rage ethos in three and a half minutes. “Every official that comes in, cripples us, leaves us maimed,” de la Rocha roars. “Silent and tamed/And with our flesh and bones, he builds his homes/Southern fist, rise through the jungle mist.” —A.G.
21
‘Settle for Nothing’ (1992)
MICHAEL PUTLAND/GETTY IMAGES
Rage’s self-titled debut was more or less a 52-minute onslaught, which is why “Settle for Nothing” — the album’s most understated track and maybe the closest thing the band ever did to a power ballad — stands out so starkly. Over an eerily somber riff with shades of Metallica’s “One,” de la Rocha narrates the inner monologue of a desperate kid who chooses the cold comfort of gang life (“I’ve got a nine, a sign, a set, and now I got a name …”) over the trauma of a broken and abusive home. His voice rises to a livid howl (“Death is on my side … suicide!”) as the band blasts into a sinister Black Flag–meets–Black Sabbath wallop. The delicate filigree of Morello’s clean-toned solo suggests a warped spin on cocktail jazz — a quietly arresting sonic lament for the grim cycle of violence the song portrays. —H.S.
20
‘Microphone Fiend’ (2000)
FRANK MICELOTTA/IMAGEDIRECT/GETTY IMAGES
Rage kicked off their covers album, Renegades, with an ultra-heavy rendition of Eric B. and Rakim’s hip-hop anthem “Microphone Fiend.” Where the original sampled Average White Band’s funky guitar intro to “School Boy Crush,” Morello summons his own devastating wah-wah fury for Rage’s version, while bassist Commerford does most of the heavy lifting in the riff department. De la Rocha edited the lyrics to give the tune more of a rock chorus, and in a rare show of hip-hop humility, he side-stepped the lines Rakim wrote to shout himself out. The makeover translated to a direct rap-rock hit showing how smooth operators really do operate correctly for a heavy E-F-F-E-C-T. —K.G.
19
‘Calm Like a Bomb’ (1999)
FRANK MICELOTTA ARCHIVE/GETTY IMAGES
“Hope lies in the smoldering rubble of empires,” spits de la Rocha on this blistering highlight from The Battle of Los Angeles,perfectly summing up the RATM ethos in a single line before setting his sights on the global plight of the underclass. (“Stroll through the shanties and the cities’ remains/The same bodies buried hungry/But with different last names.”) And speaking of smoldering, “Calm Like a Bomb” finds Morello offering up a veritable master class in the use of the DigiTech Whammy pedal, conjuring impossibly sick and searing waves of undulating noise from his guitar. —D.E.
18
‘The Ghost of Tom Joad’ (2000)
EBET ROBERTS/REDFERNS/GETTY IMAGES
Rage Against the Machine were opening up for U2 on 1997’s PopMart stadium tour when they first played Bruce Springsteen’s “The Ghost of Tom Joad.” The original recording is a somber tale of urban poverty that Springsteen delivers in a hushed, resigned tone, but Rage present it like a lost song from the Evil Empire sessions — complete with a crushing Morello riff that bears little resemblance to the folky source material, yet still fits perfectly. The version worked so well that Rage kept it in their live set until they split three years later, making it the most-played cover song in their live repertoire by a huge margin. It also appeared on their 2000 covers collection, Renegades. And in 2008, Morello guested with Springsteen and the E Street Band to play a more traditional version of the song. Morello even became a temporary E Street–er in 2014, when Steve Van Zandt had to miss a tour to film his show Lillyhammer. The idea of Morello playing in the E Street Band would have seemed pretty far-fetched circa 1997, but time can make strange things happen. —A.G.
17
‘Born of a Broken Man’ (1999)
FRANK MICELOTTA/GETTY IMAGES
One of the most emotional and evocative songs in the RATM catalog, this standout track from The Battle of Los Angeles finds de la Rocha musing on the mental-health struggles endured by his father, the influential Chicano artist Beto de la Rocha. With Morello’s guitar ringing like a mournful church bell, lyrics like “His thoughts like a hundred moths/Trapped in a lampshade/Somewhere within/Their wings banging and burning/On through the endless night” are unforgettably haunting — but so, too, is the younger de la Rocha’s defiant mantra of refusal to suffer the same fate. “Born of a broken man,” he insists, “Never a broken man.” —D.E.
16
‘Wake Up’ (1992)
STEVE EICHNER/GETTY IMAGES
In six funky minutes, Rage Against the Machine unpack decades of institutional racism within the U.S. government on “Wake Up,” a deep cut off their self-titled debut. De la Rocha lambastes former FBI director J. Edgar Hoover and his policies, condemning the way the government targeted Dr. Martin Luther King Jr. for protesting Vietnam and claiming it murdered Malcolm X “and tried to blame it on Islam.” “He turned the power to the have-nots,” the singer says, “and then came the shot.” The track ends with de la Rocha screaming “Wake up!” eight times in a row (a climax that, taken out of context, fits perfectly in the final scene of The Matrix) and a quote from King: “How long? Not long, ’cause what you reap is what you sow.” —K.G.
15
‘Year of tha Boomerang’ (1996)
GIE KNAEPS/GETTY IMAGES
“Year of tha Boomerang” marked the first preview of the band’s much-anticipated sophomore album, having been featured — as “Year of the Boomerang” — on the soundtrack for John Singleton’s 1994 film, Higher Learning, more than 18 months before Evil Empire’s release. Inspired by a quote from French anti-imperialist Frantz Fanon, the song offered a crash course on the “doctrines of the right” that de la Rocha would further rage against on Evil Empire: imperialism, the oppression of both minorities’ and women’s rights, and genocide, all punctuated by Morello’s screeching riot-siren riff. —D.K.
14
‘Sleep Now in the Fire’ (1999)
RAGE AGAINST THE MACHINE/YOUTUBE
One of Professor de la Rocha’s greatest social-studies dissertations, “Sleep Now in the Fire” traces how American avarice has decimated Third World countries, as well as marginalized people at home. “The party blessed me with its future,” he sings, playing the role of a Washington bigwig, “and I protect it with fire.” When the chorus comes with its elastic Morello riff, de la Rocha sarcastically encourages the oppressed peoples he’s singing about to “sleep now in the fire.” Later, he ominously catalogs the legacy of imperialism, slavery, and deadly force underlying the American myth, vowing, “I am the Niña, the Pinta, the Santa Maria/The noose and the rapist, the fields’ overseer/The agents of orange, the priests of Hiroshima.” In 2000, the band shot the song’s video on the steps of the New York Stock Exchange (without permission) and in one portentous moment, the camera captured someone in the crowd holding a “Donald J. Trump for President 2000” sign. In 2020, Morello joked, “I would say that we are karmically entirely responsible [for Trump running for president], and my apologies.” —K.G.
13
‘Maria’ (1999)
TIM MOSENFELDER/GETTY IMAGES
Marrying one of Morello’s weightiest riffs to one of de la Rocha’s most vividly devastating portraits of injustice, this Battle of Los Angeles deep cut demonstrates how the band just kept sharpening its attack all the way through its original lifespan. De la Rocha tells the story of Maria, a Mexican woman smuggled into the U.S. as “human contraband” and put to work in a sweatshop, where she finds herself at the mercy of an abusive foreman. Eventually she chooses a grisly suicide on the job over being treated “like cattle.” The song frames Maria as a kind of martyr figure, her story a constant reminder of North America’s long cycle of oppression and exploitation: “And through history’s rivers of blood she regenerates/And like the sun disappears only to reappear, Maria, she’s eternally here.” The song makes masterful use of dynamics, dipping down to a hush as de la Rocha recites the prior lines, and then explodes into a full-force stomp, with Morello’s swaggering, irrepressible guitar line symbolizing Maria’s phoenix-like rebirth. —H.S.
12
‘Vietnow’ (1996)
NIELS VAN IPEREN/GETTY IMAGES
Before Fox News brainwashed a generation of TV viewers who Alex Jones then pushed down the Q tunnel, Rage Against the Machine took aim at the insidious presence of right-wing talk radio on the Evil Empire cut “Vietnow.” With microphone fixed on Rush Limbaugh and the duplicitous Christian right, de la Rocha throws lyrical barbs like “Let’s capture this AM mayhem, undressed and blessed by the Lord,” “Terror’s the product you push,” “The sheep tremble and here come the votes,” and, on the chorus, “Fear is your only god on the radio/Nah, fuck it, turn it off.” The final single from Evil Empire, “Vietnow” served as an AM/FM foil of sorts to The Battle of Los Angeles’ first single “Guerrilla Radio” three years later, a track that demanded the listener “Turn that shit up.” —D.K.
11
‘Bullet in the Head’ (1992)
LINDSAY BRICE/GETTY IMAGE
Rage wrote “Bullet in the Head” just as America was declaring victory in the Gulf War, a conflict that Americans watched in real time on CNN and supported in overwhelming numbers. To de la Rocha, the made-for-TV war was a sham designed to benefit the military-industrial complex, and anyone who bought into it was a zombie brainwashed by the media. To put it another way, their brains had been hit with propaganda bullets. “They say jump and ya say how high,” he screams on the song. “Ya gotta fuckin’ bullet in ya head.” When introducing the song at an early concert, he made his point even clearer. “This song is about being an individual, about searching and finding new information,” he said, “and using your strength as an individual to attack systems like America who continue to rob and rape and murder people in the name of freedom.” —A.G.
10
‘Down Rodeo’ (1996)
GIE KNAEPS/GETTY IMAGES
This Evil Empire highlight uses Rodeo Drive, Beverly Hills’ glitziest shopping district, as a launching pad for de la Rocha’s bitter musings on consumerism, wealth disparity, and socioeconomic segregation: “So now I’m rollin’ down Rodeo with a shotgun,” he raps, before delivering an even harsher follow-up: “These people ain’t seen a brown-skin man since their grandparents bought one.” Filled with bracing couplets like “Can’t waste a day/When the night brings a hearse/So make a move and plead the Fifth/‘Cause you can’t plead the First,” and harnessed to a powerful, swaggering groove, “Down Rodeo” also features some synth-like glitch bursts from Morello’s multi-pronged guitar, which prods the music until it finally gives way to de la Rocha’s anguished whisper. “Just a quiet peaceful dance for the things we’ll never have,” he laments as the track fades out. —D.E.
9
‘Freedom’ (1992)
LINDSAY BRICE/GETTY IMAGES
With one of the best guitar riffs this side of Black Sabbath’s Tony Iommi, “Freedom” calls for the release of Leonard Peltier, a Native American activist serving two life sentences for the deaths of two FBI agents in 1975. Peltier has always maintained his innocence. “Freedom, yeah!” de la Rocha screams at the end of the song before sarcastically revising the lyric to, “Freedom, yeah right!” In the song’s video, during the breakdown, the group displayed the words “We demand and support the request that Leonard Peltier … be released. Justice has not been done.” “To me, the reaction to the music and things like the ‘Freedom’ video are very encouraging,” de la Rocha said in 1996. “I know that some people look at us as just rabble-rousing or ranting or whining. But I think a lot of that reflects the cynicism that people have when it comes to dealing with political problems.… What we are trying to show is that people can make a difference … that we aren’t all powerless.” —K.G.
8
‘Testify’ (1999)
RAGE AGAINST THE MACHINE/YOUTUBE
“Testify” was the opening salvo from Rage’s third LP, The Battle of Los Angeles, which Rolling Stone deemed as the Best Album of 1999. Originally titled “Hendrix” when the song debuted live due to its usage of a “Purple Haze” chord — “I recently found out that Jimi Hendrix used to play a song called ‘Testify’ when he was a backing musician for the Isley Brothers. It all comes full circle,” Morello later quipped to Guitar World — “Testify” later transformed into an outlet criticizing the impending 2000 presidential election, a showdown where both candidates — George W. Bush and Al Gore — seemed to spout the same capitalist ideology. The song’s music video, directed by documentarian Michael Moore, reflected this pre-election anxiety; eerily prescient, the clip also concludes with a quote by Ralph Nader, who later played an unfortunately crucial role in the 2000 election, as the presence of the Green Party candidate is often blamed for throwing the presidency to Bush. —D.K.
7
‘Take the Power Back’ (1992)
LINDSAY BRICE/GETTY IMAGES
This funky blast from Rage Against the Machine went Public Enemy (and the Isley Brothers) one better, not only encouraging us to fight the powers that be, but reminding us that the power was actually ours in the first place. Three decades before the 1619 Project, de la Rocha decried the Eurocentric teachings of U.S. schools — “One-sided stories for years and years and years/I’m inferior?/Who’s inferior?/Yeah, we need to check the interior/Of the system that cares about only one culture” — over the fiery interplay of Brad Wilk’s slamming drums, Tim Commerford’s slinky, slap-driven bass lines, and Tom Morello’s stabbing chords. —D.E.
6
‘Bombtrack’ (1992)
RAGE AGAINST THE MACHINE/YOUTUBE
Rage Against the Machine wasted no time getting down to serious business on their self-titled 1992 debut, opening the proceedings with this confrontational track. Though the official video for “Bombtrack” would salute the guerilla group Sendero Luminoso (or “Shining Path”) for its 13-year fight against Peru’s oppressive U.S.-backed government, the hard-grooving song itself lays out the band’s stance in broader terms, pledging solidarity with all indigenous peoples who have been abused, exploited, and slaughtered on the altar of imperialism. “Enough/I call the bluff/Fuck Manifest Destiny,” Zack de la Rocha cries. “Landlords and power whores/On my people/They took turns/Dispute the suits/I ignite and then watch ‘em burn.” —D.E.
5
‘People of the Sun’ (1996)
NIELS VAN IPEREN/GETTY IMAGES
Inspired by the 1994 Zapatista uprising in Chiapas, “People of the Sun” prophesies a new day for the descendants of the Aztecs, invoking the civilization’s final emperor — “The fifth sun sets/Get back/Reclaim/The spirit of Cuauhtémoc/Alive and untamed” — while serving up angry reminders of both Spain’s 16th-century conquest of Mexico and the racism-driven Zoot Suit Riots of 1940s Los Angeles. Clocking in at only two minutes and 30 seconds, “People of the Sun” is the shortest song in the entire RATM catalog, but its compact burst of furious intensity makes it the perfect opener for 1996’s Evil Empire. —D.E.
4
‘Guerilla Radio’ (1999)
TIM MOSENFELDER/GETTY IMAGES
When guerrilla wars waged throughout the Latin American world in the Eighties, many of the combatants used underground radio stations like Radio Venceremos in El Salvador to communicate and show solidarity with each other. The leadoff single to Rage’s 1999 LP, The Battle of Los Angeles, draws a direct comparison between those guerrilla radio stations and the band’s own efforts to build a fan base when Top 40 radio and other mainstream outlets never went near their work. The song came out just as the 2000 election was beginning to heat up, and it castigates both of the major candidates. “More for Gore or the son of a drug lord,” de la Rocha raps. “None of the above/Fuck it, cut the cord.” The song concludes with a furious call for a revolution. “It has to start somewhere, it has to start sometime/What better place than here, what better time than now?” Had Rage stuck around through the post-9/11 era, things could have gotten really interesting. Sadly, Rage’s guerrilla radio network was silenced not long after this song hit. —A.G.
3
‘Know Your Enemy’ (1992)
MARK BAKER/SONY MUSIC ARCHIVE/GETTY IMAGES
“Know Your Enemy” remains one of the most fiery moments in the whole Rage catalog: a quintessential pairing of a killer, upbeat Morello funk-metal riff with a furious de la Rocha anti-authoritarian manifesto, marked by lines like, “Cause I’ll rip the mic, rip the stage, rip the system/I was born to rage against ‘em.” (In case the object of his ire wasn’t clear, he later adds, “What? The land of the free? Whoever told you that is your enemy.”) Musically it’s one of the most diverse tracks in the band’s early canon, sporting an almost festive-sounding slap-bass-driven intro and a moody bridge featuring a memorable guest shriek from Tool frontman (and old Morello pal) Maynard James Keenan and percussion from Jane’s Addiction drummer Stephen Perkins. But the song’s brilliant climax comes around four minutes in, when Commerford’s bass grinds out the verse riff, Morello’s guitar comes in blaring out in an uncanny approximation of an emergency siren, and de la Rocha grunts “Come on!” as the band comes slamming back in — the perfect soundtrack to any act of, to quote one memorable line, “D, the E, the F, the I, the A, the N, the C, the E” you could possibly conceive. —H.S.
2
‘Killing in the Name’ (1992)
GIE KNAEPS/GETTY IMAGES
In 1991, four white LAPD officers severely beat Rodney King, a Black man, while arresting him; when a jury acquitted those officers of using excessive force, Los Angeles exploded in riots. Zack de la Rocha channeled his outrage into the lyrics for “Killing in the Name,” a funky update of N.W.A’s “Fuck tha Police.” “Some of those that work forces/Are the same that burn crosses,” he chants repeatedly, condemning police racism and a cycle of above-the-law violence. He drills down on these themes as the song escalates, shouting “Those who died are justified for wearing the badge/They’re the chosen whites.” The song builds and builds until de la Rocha hollers, “Fuck you, I won’t do what you tell me,” 16 times in a row, topping one of history’s most incendiary protest songs. “After our second show ever, we had record-company interest in the band,” guitarist Tom Morello later recalled. “So these executives were coming down to our grimy studio in the San Fernando Valley.… I remember one of the executives squeaking after [‘Killing in the Name’] was done, ‘So is that the direction you’re heading in?'” —K.G.
1
‘Bulls on Parade’ (1996)
GIE KNAEPS/GETTY IMAGES
Rage Against the Machine called their second LP Evil Empire, and many of the songs focused on American foreign policy. On “Bulls on Parade,” de la Rocha, accompanied by an ingeniously minimal Morello riff, aims his fire at the hypocrisy of D.C. policymakers. “Weapons not food, not homes, not shoes,” he roars. “Not need, just feed the war cannibal animal.” He also calls out politicians who pretend to be pro-family, but actually have a “pocket full of shells.” Near the end, Morello blasts off a career-defining guitar solo in which he replicates the sound of a record scratching. Taken as a whole, the track is perhaps the finest distillation of the the sonic Molotov cocktail that is Rage. Fittingly, one of the all-time great “Bulls” performances took place outside the Democratic National Convention in 2000, months before the group originally broke up. “Brothers and sisters, our electoral freedoms in this country are over so long as it’s controlled by corporations,” de la Rocha said before starting “Bulls on Parade.” “Brothers and sisters, we are not going to allow these streets to be taken over by Democrats or Republicans.” —A.G.
IN THIS ARTICLE:
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Zack de la Rocha
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mfw a white lotus post prompts me to look up that last of us gay dilf that isn’t nick offerman because he still looks SO familiar but i can’t place it and the wikipedia filmography section informs me it’s because he was fucking D.K. FARSCAPE,,,,,,,, john crichton gay best friend vindication
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To the Nightborne D.K who had a weird obsession with erp despite being a pus-filled, scarred and battered corpse with a non-consensual erp fetish, god-modded 24/7, lied about your age for erp with adults, cheated on your bf, lied about you being abused by friends who just didn't want to continue erping with you, and threatened to off yourself during a massive fit OOCly because you wanted to continue to fuck and marry your toon's biological father - how's life treating you? =)
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Tag Masterlist Because I Am A Hoarder (as all good historians naturally are):
History Tags
#boats - anything nautical, maritime history, etc
#whalers
#navy
#army
#fashion history
#history - pretty obvious, but also here's some tags to specify time periods (might go more detailed later?)
#british
#irish
#american
#french
#17th c
#18th c
#19th c
#20th c
#primary source photo
#primary source paper
#preservation - stuff related to archiving, preserving things for the future whether already old or current stuff that won't last
#archaeology
#museums
#reenacting
#cemeteries
#people of the past being people as we've always been
Types of Art Tags
#literature - for stuff about books or poetry, mostly published works, meant for the few times tumblr has reading comprehension
#stories - for just life stories from people, not quite books, more like blog posts I find interesting (huh it's almost like THIS is a blog)
#writing - for stuff about writing stuff, advice, tips, things to remember when writing/editing/proofreading/etc/etc
#linguistics - includes fun grammar and word stuff, stuff from languages that aren't English, history of language
#art
#fiber arts - I know I'm a heathen but I'm putting knitting and crochet in the same tag but sewing in another
#sewing - fabric and leather stuff, etc, anything with smaller needle(s) than used for knitting
#origami - paper folding... might try it. might abandon it on my bookshelf for ages unfinished
#painting - not gonna bother distinguishing it from traditional or digital. also drawing falls in this category.
#songs
#ceramic
Fandom Tags
#the flight of the heron - book by D.K. Broster
#transformers
Misc
#creatures - any sort of critter, mythology, funny cat videos, etc, etc
#relatable - yeahhh gonna be basic about this one. some posts are just relatable
#awareness- real world issues, the tag for spreading awareness of problems socially, politically, economically, ecologically, etc, sometimes it means fuck the system/capitalism/etc/etc
#first aid
#LGBTQ+
#recipies - not always food. don't always eat.
#tech - usually advice on how to avoid corporate monopolies and subscription crapola
#effervescent - things that make me smile, mostly silly nonsense
#life advice - self-explanatory. I just think it's neat
#for reference - useful things, databases, things to read later, etc
#!!!!!!!!!!!!!!!!!!!!! - really cool thing
Seasonal
#frigate friggin friday
#winter holidays
#valentine's day
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Incorrect quotes #502 The King is back
If everyone is wondering how In my Quote universe Demon King came back to the castle after all that time...This Is literally how it really happen
Dia: is my father sleeping or dead?*Looks at the two with sad eyes*
Barb: Hopefully dead, I hated his guts
Mc: Yeah, so do I
D.K: Okay, first of all, fuck you-*Felt someone talking shit about him, appearing in the room*
#obey me#obey me!#obey me! mc#obey me mc#obey me x mc#obey me x gn!mc#obey me x reader#obey me x gn!reader#obey me diavolo#obey me barbatos#obey me demon king#diavolo x reader x barbatos#barbatos x reader#sassy butler barbs#sassy mc#protect the himbo prince#diavolo x reader#obey me incorrect quotes#incorrect quotes
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D.K. (Donkey Kong)
yea okay
favorite male character: donkey kong, chunky kong, lanky kong. thats like all the characters i know
favorite female character: i adore tiny kong! however,
least favorite character: tiny kongs redesign. looks fucking awful. want to punch whoever redesigned her like that, thats a fucking child
favorite ship: who the fuck is there to ship in donkey kong??
favorite friendship: th. the kongs?? i dont know ive only played dk64
favorite quote: insert the entire donkey kong rap here
worst character death (if any): wheres my bro chunky kong. i miss him so much he hasnt appeared in anything other than cameos since dk64
saddest moment: no fucking clue!
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