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rustingcat · 4 months

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20 Questions More

A deeper and more detailed version of the 20 questions for AO3 fanfic writers. Thanks @inkedroplets for the tag:)

1) How do you keep getting ideas for your ship/fandom?

Not sure. Still a mystery to be honest. The real question is how do I stop.

2) Which authors inspire you in your fandom, and why are they so freakishly good?

Oh, so many! A quick look look at my bookmarks will show you many of them (and of course, the some i made a fanart for). But I think the most inspiring ones are my writer friends who share their ideas, writings, and concepts with each other. The enthusiasm and excitement of others is the greatest motivator, in my opinion.

3) Aside from the characters of your main ship, who are the characters you love to write?

I like giving a second chance to characters who didn't get to shine on the show, so I ended up writing Winn and Sam quite a bit.

4) Are there pairings or tropes you know for sure you'd never write about? Which ones?

There are a few I really like, but I just don't see them working with those characters and their dynamic. And like anything vengeful towards each other or anything like that.

5) What is your writing process and why is it cursed?

I'm a planner. I like planning and structuring my stories in advance. It can be very helpful, but it's also constantly stopping me from writing out my less developed stories, or continuing the stuff I don't have a very clear plan to. And everything that doesn't have a clear beginning, middle and end structure, is less developed in my opinion, and so I often end up with lots of first chapters or beginning that are waiting for me to continue.

6) What is your favorite part of your writing process?

When I get inspiration and the story just flows out, especially if it's turns in a way I didn't expect it to turn to. But it's rare to have those bursts of inspiration nowadays.

7) What’s the weirdest thing you’ve had to research for a fic?

Pipes and sprinkler systems in the US. I started reading a variety of very detailed articles about it for 'Of Science and Love' fight scene, and I ended up not even using most of it because I had no time to finish writing the chapter.

8) Is there a particular writing rule you struggle with (grammar, spelling, tense, reality in general)?

All of the above.

9) What was your hardest scene to write so far and why?

'The Art of the Game' had several scenes that really got me stumped. It's probably my most complicated fic to write. But I also have a small wip that is all one scene pretty much, and it had been sitting in my doc for about a year now and I just been unable to finish it.

10) Have your characters ever done something you didn’t expect, changing your plot completely?

Oh yeah, I think it's a fact that no author can really control the characters they're writing. Like I particularly remember struggling with 'Privileges' because they started making out way before they were supposed to.

11) If you could converse with any of the characters, who would it be and why?

I think Kara. I really want to be able to have a deep conversation with her about a variety of topics, including learning about Krypton and their culture, watching puppy vids together and convincing her to go to therapy because that girl really needs it.

12) What are some of the tropes or themes that you find yourself returning to in your writing?

I realise that I often make them be together without them being officially together. Married before they are married, pretty sure that's a trope. Very much not a healthy thing for real life a relationship, but it's so fun to read.

13) What's your most important resource as a writer?

My beta readers. They are precious.

14) Can you share some of your strategies for editing and revising your work?

Make sure I have someone to look it over. I can sometimes read several passes and still miss so much! So a second pair of eyes is always useful.

15) Which is worse: making the summary, picking the tags, or the anxiety when you post your fic?

Tags! Tags are an art form, and I'm still very much a novice.

16) How do you define success for your fanfic - hits? Kudos? Comments? Bookmarks? Or just if you like it?

I started writing to have the fics I wanted to read, exist in the world, so me liking them is definitely my number one priority, but getting comments and especially those that talk about specific moments from the fic give me life.

17) Do you have a playlist for your favorite character/ship?

Not really a playlist gal, so I don't really have any.

18) If fan art was going to be made from your work, which fic would you pick and which fan artist would you like to create it?

I made my own art for several of my fics, but having someone else try their hands at it would be amazing.

19) How many WIPs do you currently have?

I currently have more than 20. Most of them are long ones, so I really hope to finish at least one of them in the next year or so.

20) What's your advice to new fanfic writers

If you want to write, then write. Don't be afraid to be bad at it, don't be afraid to be unpopular, just write cause you like it. Just try to keep an open mind and seek out constructive criticism if you wanna get better. But, just in general, enjoy it.

- - - - -

tagging (respectfully and without pressure)

@spaceman-earthgirl @snowydragonscave @luthordamnvers @missluthorwillseeyounow

#tag game #cat talks #ill take any excuse to talk about fics

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miyakosora · 1 year

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Endwalker - Autumntide Music Video an Essay

Sometimes you just need a place to gush about something you are really passionate about. After a not-so-fun week of dealing with Covid I happened back upon the music video for Endwalker - Autumtide. So here is where I gush about how Final Fantasy ties all my favorite art-related things together.

At this point, Endwalker has been out for over a year, and there are so many details in this music video I’ve still probably missed. One of my favorite things in FF14 is the concept of Hope. Everyone has a different story for their WOL, but no matter how grim the circumstances, there will always be our character, marching on through whatever trial we face. No matter how often we get knocked down, we get right back up and continue on.

So Miya, how does this music video have anything to do with Hope?

Well skeptical Miya, the music video starts off with a younger woman mosing about her home. She’s aimless, fumbling with a bottle and looking at the dead plants in her space. She sings along to the lyrics -Fade away-. I like the idea of this woman not only being the player, not necessarily the WOL, but us the player.

As the song and video continue on she passes someone reading Count Fortempt’s novel this is matched with the lyrics -Sorrow's silence, we needn't bear-. Next, as she is walking up an overpass bridge she sees a woman resembling Yotsuyu smoking a pipe on the bridge, -Every step we take echoes in our wake-. Finally, she’s alone in the park, tired and breathless from her day of searching. The sun is setting and looking up she sees a figure waving to her as they walk away -To forge ahead-.

At the start of the video the protagonist is drawn by a glimmering light, and she follows it out of her home. Like I said she’s looking at everything in her house, and looking outside before finally, something draws her in, but we also get these flashes of an internal dialogue where she’s alone, upset, and anguished by this trial she’s going through. -Marching forward, left behind.-

Every step you take forward on any journey in life, you are going to leave something behind. This is true for not only your character as the WOL, but as you the player, and for the protagonist in the video. The woman could continue to stay in her house and that would be her story, she continues to stay and be sad and just fade away. For whatever reason, she chooses to leave and head outside and explore the world.

There doesn’t seem to be a destination in mind for her, but she passes these characters along the way, and in doing so they mimic some of the characters we’ve left behind in the game. I find myself drawn most to the person reading the novel and how it’s matched with the lyrics -Kindred severed neverwhere, Sorrow’s silence, we needn’t bear.- Ironically, “A smile best suits a hero.” Kindred - family, severed - cut off, and neverwhere- no where. Now neverwhere also has me a little thrown for a loop because it’s the title of a Neil Gaiman novel (Why is it always Neil Gaiman). I would love to go on another deep dive just by that one word alone, but that might be a little extreme.

I’ll be honest I story-skipped Heavensward and Stormblood and went straight for Shadowbringers, (Look I started ARR before Stormblood, and then restarted somewhere before Shadowbringers. I’ll go back and do it at some point.) So I only know a little about Yotsuyu and Tsukiyomi, (that’s not true I’m obsessed with moon mythology). I love the image of her watching traffic as it flows around her at twilight. There is so much movement, but she’s standing still, and our protagonist is surprised to see her there.

During these scenes, we see those moments of our protagonist anguishing by herself, before coming to the park and seeing the figure waving at her as they leave -Marching forward, left behind-. Then the protagonist is lost in a multitude of sceneries, continuing on her journey. -Should we lose our way, tired of all this pain- We don’t see her anguishing anymore, but there is a moment of weakness as she’s on the ground before looking up at this blinding white light.

I’m slightly pausing here before I noticed something while writing this, in the last scenes we get a reflection of her shoes and how they are dirty and worn. -Forge ahead-. In the start of the music video when our protagonist first leaves her home, her shoes are white and clean if not brand new. Just like our character when starting this journey. Watching through they actually show the shoes quite a few times and how scuffed and worn they are becoming. Another thing I noticed towards the end before she’s leaning over in the dirt is how her hair has noticeably changed if not grown longer. This could just be unintentional, but I like that it shows the physical passage of time on this character.

So Miya, I’ll ask again, what does this have to do with hope?

If you’ve played through Endwalker, you know the entire plot boils down to a bird with depression. Our WOL is the reincarnation of the last Azem shepherd of stars in the dark. We could see the story in a few ways. Our character could very much just be a tempered weapon for Hydalyn, we do cause a fair bit of trouble along the way…then we could ask what victory is worth this price. Do you sit in hopelessness and wait for whatever outcome, or do you go out and make a difference? It’s a very human concept, and it blends beautifully into meeting Venat and learning ‘Your answer’.

The game started with a Calamity. If you play for an hour or through the entire game, you have your own reason for playing. A reason for living in this beautiful world. No matter what brought you to this point, it’s cannon not just to you, but to everything around you. No matter how many times something has pushed you down, you’ve gotten back up and overcome it. You might have just evaded the obstacle for now, but that’s part of life. Not every boss you defeat stays dead, just look at Zenos. Not every action you make will change the outcome of the scenario, look at Elpis and how we went there knowing we couldn’t change their future.

Saying that though makes me want to reflect on Shadowbringers, and how one timeline’s wish to change reality was able to change reality in its entirety. It wasn’t impossible, only improbable.

And should you lose your way, tired of all this pain, don’t be afraid to forge ahead.

Much love,

Miyako Sora

#final fantasy xiv #endwalker #ff14 #writing #essay #shitty essay #just rambling #maybe it's the fever talking #but i cried like three times writing this

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trashlie · 9 months

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this is a bit unrelated to i love yoo but i want to be able to discuss things as well as you do! i am kind of a passive reader and once i finish something i move onto the next thing and i want to be able to do something about it or create something out of it! i know this is a bit of a loaded question but do you have any tips for this?

Ahhhhhhh this is such a difficult question for me to answer, but I'll do my best! Like, admittedly for me, part of it is that ILY is 100% a hyperfixaton. My lil gremlin brain went 'oh shiny i'm gonna think about this 24/7' and it just DOES and as such I've read it over and over so many times that it becomes incredibly familiar to me and thus things I've never picked up on before start to stand out. But that doesn't mean people can't learn to be active readers because there are whole classes dedicated to this! It's something we spend a lot of our time in school doing.

I think part of it is what you said - you tend to finish something and move on, so you aren't allowing yourself time to really ruminate and fixate on things. It's really the re-reading that makes discussions more possible for me, personally. When I read, I tend to have my initial stream of conscious reaction - it's the taking things in the moment, often at face value. Sometimes when it's a particularly juicy episode where my brain starts running, I start writing up my initial thought dump for reddit - initial reactions and questions. And then once I finish my first read, I go at it again, this time trying to pay more attention to the art, to bolded text, to things that tend to have secondary meanings. This is where it gets more.... not so much tedious but it helps to really understand how quimchee writes and slips in her foreshadowing and subtext. I kind of get into that a bit in this post but honestly I think part of it comes from a lot of discussions and what people are picking up on and what turns out to be true. Looking for the literary devices - like the number of times Nol and Shinae are mirrored right down to having overlapping thoughts! - or how characters are set up as foils and mirrors. There are certain patterns I think I tend to notice, whereas sometimes other people have to point out details I completely miss because it's not something I'm paying attention to.

So the best advice I really have for is to try to push yourself to be more active. Read the episode and take down some of your initial thoughts. You don't even have to share this! What are your initial thoughts and questions about the episode. Does it feel like nothing really happened - and is that true? Did nothing really happen or was a lot of it unveiling information vs active plot? Is there anything that stands out - something in the dialog that feels a little worth questioning? Quimchee has a tendency to bold text that is important, whether it's that the character themself is emphasizing something or it's subtext for us as readers. Nol as nobody is a really good example of this - try plugging in "Nol" in place of nobody and see what changes lol. Think about colors! Now, I'm not really great at color theory myself, but sometimes you can get a FEELING from the colors rather than what it represents. Is the background on this panel cold, jarring, soft? Look for repeated motifs. The Shinlyssa flashback introduced the concept of sunsets and sunrises regarding relationships - what can that imply? What do sunsets and sunrises represent?

I think honestly once you get into that practice, you stop having to feel like a teacher prodding yourself to read into an episode! And sometimes it really isn't that deep! Sometimes what we need to glean IS right there for us to see, so part of the fun is just discussing how it impacts plot or what it signifies. For instance, when Hansuke confessed to Kousuke that he stole Kou's blood viles after Yui demanded he stop his tests - we expected Kousuke to be angry but he wasn't. What does that tell us about Kousuke's current state? He's worried enough about himself that he agrees he should be tested, that he knows something is wrong, even if he can't quite peg yet what it is.

Ultimately, I think active reading just really requires re-reading and ruminating! It's so easy to be a passive reader and there's nothing wrong with that because often we are reading for fun or for pleasure, and you want to get on to the next part. Just sitting with what you've read, giving it a re-read, mulling it over, is a really good start! Engaging in the discussions going on (reddit is good for this, or the ILY discord) helps, too, because honestly, so much of my thoughts are formed by the conversations I have around an episode. We all bring something different to the table and interpret it together and you really start to feel the community helping to fill in what you feel you're weakest at! So basically: sit with the episode, engage with it, and ruminate on it before you move on to the next thing!

Please let me know if that's helpful at all! And happy reading! <3

#ILY Anon #I'm trying to do my best to do these questions justice #it's funny when you try to explain how you do something you've done for so long but i also love trying to examine it like #how DO i do this? what did i learn in school that fostered this lol #thinking back to lit classes man they just teach you to question things and look for patterns LMAO

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mt-words · 3 years

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Can we get some dream smp fandom positivity posts? As someone who posts mostly analysis and has never once had someone say anything rude in response, I think we perceive the fanbase as more toxic than it is because of a few outspoken individuals. Y'all are pretty chill and I like you.

In no particular order-

I love that Eret’s fans come up with such cool theories, I swear she could give you two sentences of lore and I could see three five page essays on what it could mean about their character within an hour and each of them is unique, intricate, and makes logical sense.

I love the compilations Foolish fans make of him doing ridiculous things on stream, he’s a fun guy that never fails to make me laugh and everything I see from them embodies that energy to me.

I love how creative Hannah’s fans are, you take the awesome ideas she has and turn them into the most amazing designs and concepts.

I love that Techno’s fans might write a ten page essay about his character or just say they enjoy watching him do crime, and you never know which it will be because both come from the same people.

I love how Philza’s fans embrace everything he does with so much enthusiasm. His chat is a flock of crows? Excellent, they can work with that, you will see fifty incredible pieces of art and a hundred theories in the first hour and they’re just getting started.

I love that Niki’s fans are so careful to pay attention and not miss any details. It has been ages and I still see occasional mentions and theories about the “Dear Friend” letter.

I love that Fundy’s fans are very empathetic, they love to find and elaborate on the connections between characters and that’s pretty cool!

I love Tommy’s fans for their energy. They seem passionate about making things right and hopeful that no matter what your situation is things can get better. I’ve seen so many breathtakingly emotional art pieces from this side of the fandom.

I love that George’s fans unapologetically simp for him but then catch me off guard by making deep insights about his character.

I love how Bad’s fans are as genuinely sweet as he is, they’re willing to really look at everything that makes up a character and see the tragedy of it and have compassion about things. And some just want to see an egg rule the server, c'mon, it would be funny.

I love the running gag with Skeppy fans of making Skeppy critical posts, y’all are hilarious.

I love how Purpled fans play up his lack of lore as him being an incredibly powerful cryptid, and they’re right. He totally carried the wither fight on Nov 16th.

I love the balance Quackity fans have between a love of humor, justice, and darker topics. I think like Quackity they are often underestimated and thought of as the jokester side of the fandom to an extent, and then I start reading things they write and it’s well thought out and insightful.

I love that Tubbo’s fans love chaos, cute things, or both to an unhealthy extent. Seeing anything from them reminds me of princess unikitty in all the best ways, and then they turn around and throw a super in depth meaningful analysis at me in the next breath.

I love everything about Sapnap’s fans. Y'all are perfect. The writing and art from the born in fire line? Gold.

I love how Jschlatt fans are generally chill and just enjoy whatever they want to. Their favorite Manburg president was the one who publicly executed his right hand man and gave Dream a resurrection book for firepower, and he looked good doing it.

I love that Callahan has fans. You people are dedicated and I respect it. The fact that Callahan was one of the first names to pop up when everyone was trying to figure out who Harpocrates was even though he rarely involves himself with plot? Your influence knows no bounds.

I love that Alyssa’s fans are simply too powerful. She hasn’t played on the smp since way before I started watching and there are still people defending her barn and drawing pictures of her.

I love that Antfrost’s fans have taken so many ideas and just ran with them and made them awesome. Like him practicing magic? Perfect, he now carries potions and gets a wizard hat.

I love that Dream fans look at a character who has been portrayed as pure evil from many points of view and understand that Everyone has motives based on their situation, even if it isn’t handed to us in an easily understood way.

I love how Jack’s fans are so ready to support any action he takes. Crawling out of hell? Incredible. Killing a child? Good for him! Go team Rocket. Grieving the same child? Learning healthy coping, he’s the coolest.

I love that Connor eats Pants fans are the most reasonable people in this fandom. This is terrifying. Thank you for your service, you always make me smile.

I love that Punz fans unapologetically just love their capitalist mercenary. As they should, his presence always tips the scales and everything he does brings more depth to the characters and plots he interacts with.

I love how much Ranboo fans love complexity. Most of them aren’t afraid to admit that their favorite characters are flawed, because aren’t those flaws what make them interesting and relatable?

I love the variety of Hbomb fans. Half of them may be embracing the cat maid bit while the other half goes on about how impactful and cool L’cast is, but they’re all super chill.

I appreciate that Puffy fans take the time to understand so many perspectives. So many posts I see involving her tie in lore from other characters and find interesting ways to connect them and build them together, kind of like Puffy herself.

I love that Wilbur fans seem to approach the story like they’re solving a puzzle, carefully piecing together details from months apart to figure out how and why everything goes down.

I love how hard Ponk fans work to spread awareness of how awesome he is. Ponk says and does wonderful things and is very fun to watch. I never would have tried his content without them.

I love that Karl fans saw him wanting to be involved and started coming up with such cool ideas around his character that they actually made them canon. Correct me if I’m wrong, wasn’t the time traveler thing a fan theory at first?

I love the creativity Sam fans have with his design and their willingness to discuss complex moral issues. Sam is involved in some heavy lore stuff but he and his fans keep things entertaining and calm.

I’m sure I missed some things, please feel free to add on!

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transformers-fan-continuities · 3 years

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Spotlight: Ties That Bind

This one’s a doozy folks! If you missed the last spotlight you can go read it here, but strap in for The Ties That Bind, an absolutely brilliant take on humanformers. It’s hosted here at @tiesthatbind-tf created by @artsy-hobbitses!

Q) Give us a run down of your cont! What's it about, what's it called, what's it like?

Ties That Bind is a humanformers-based original continuity which is part Science Fiction and part Alternate History where the invasion of Quintessons and introduction of their technology to Earth in 1920 sets the world and humankind on a completely different trajectory. The active narrative spans a period from 1920 to 2070, covering the First and Second Quintesson Wars, the interplanetary Antillan War (leading to the creation of Unicron on Mars) and the Great War which involves the Autobots, Decepticons and Functionist stalwarts, and how it affects the characters.

The cast is pretty sprawling and the narrative is mostly centred around human drama with bits of humor interspaced and a dash of horror (mostly centred around how the previous government often chose to utilize the technology left behind from the Quintesson Wars to create new systems of oppression, which affected many of the characters, in the name of worldwide rebuilding efforts).

Q) What characters take the lead here? Any personal favorites?

I will admit to this continuity being very much heavy on the relationship between Old Bastards Optimus Prime and Megatron, which is given considerable weight as they were best friends who had known each other since childhood and were deeply intrinsic to each other’s growths as individuals, which makes it all the worse when guilt and betrayal enter the party. Despite being captains in two corners of this battle, there’s a part of them that just cannot let go of their pasts together and they need to reconcile with how this will affect their agenda (Megatron) and how they lead their team (Optimus) who don’t necessarily share their history.

Other characters with significant development include:

Starscream, a Cold Construct in a toxic working relationship with Megatron with whom he is hiding a dark secret, who struggles to balance the underhanded viciousness he believes he needs to gain power and his innate desire from his Senate days to make the world a better place.

Windblade, a Camien native who fights her government’s apathy concerning the situation on Earth which they see as unsalvageable compared to their more Utopian society.

Prowl, a Cold Construct raised from childhood to be a cop in a police state, who finds out that he was brainwashed several times to ensure his obedience and efficacy as a government asset and is now working to reclaim some semblance of the humanity he was never allowed to feel and figure out how much of him is who he really is and how much is programming.

Hound, a sheltered Beastman who joined the fight to ensure that Beastmen the world over would have the same rights he did in his homeland of Shetland Isle, but is forcefully stripped of his humanity and faced with his animal side during the war and has to relearn what personhood means amid his trauma.

Q) Is there a bigger point to this, like a theme or some catharsis? Or is it just fluffy fun?

God with the amount of time I spent sleepless trying to figure out how the logistics of this or the semantics of that were supposed to work in universe, I cannot for the life of me say it’s fluffy fun, but I can’t exactly say it hasn’t been pretty engaging either!

There’s elements of war being messy for everyone involved where there doesn’t seem to be a clear line between friend and foe at times, but I think for most part it prescribes to Jean-Jacques Rousseau’s belief that people are inherently good, but are corrupted by the evils of society. Despite its dark themes (Including but not limited to child abuse, torture, illegal experimenation and brainwashing), love and friendships do prevail, kindness does beget kindness, found families are made, even the smallest actions matter, and things do get better because there are people on both sides who genuinely want to, and strive to make it better.

With Cold Constructs and Beastmen, it also delves heavily into what it means to be human; to have agency and personhood.

There’s also a strong undercurrent of taking responsibility for one’s actions, even if they were made with the best of intentions (Avoidance of this is what eats up Starscream and Megatron from the inside, and what Starscream eventually embraces).

Q) How long have you been working on it?

There’s two answers to this!

I’ve had a Humanformers-related universe going all the way back to 2007 around the time the first Bayformers came out---basically I had a choice between learning to draw cars or draw people (I was an anthro artist back then) and I immediately chose people.

The 2007 draft however had no worldbuilding or connective storylines and was mostly a fun little venture into character design and practice which were actually instrumental to me experimenting and learning how to draw humans properly.

I left the fandom for about a decade and when I came back to it in late 2020 around September via the War for Cybertron series on Netflix, I immediately got hooked on the 2005 IDW comics I missed out on and wanted to get around to updating my old designs as well find a way to translate several of the concepts I wanted to explore in a human sense, so the 2020 update became its own full-fledged original continuity with detailed worldbuilding and history.

You can see the artistic evolution of several characters from their original incarnation below!

Q) It’s incredible to see your artistic improvement too! Give us a behind-the-scenes look! Show us a secret ;))

Say hello to my workspace! I’ve been working exclusively on the Ipad Pro since late 2016, which is fantastic because I can basically whip up concepts and sketches on the go anywhere. Nowhere is too out of bounds to work on TTB!

Also, do enjoy this sneak peek at true!form Rung, whose synthezoid human body took years to perfect.

Q) YESSSSS alright I must admit this is one of my favorite Rungs, and certainly my fave within TTB. Amazing. Phew, anyway. Where did you draw inspiration from? What canons, what other fiction, what parts of real life?

TTB was initially conceived as a faithful retelling of the IDW 2005 narrative before it was transformed into its own continuity and as such, it borrows heavily from concepts and mirrored plot lines introduced in that run! I chose to have the series inspired off it specifically for the amount of history and worldbuilding it introduced to the franchise.

Anime like Gunslinger Girl and Beastars inspired the depictions of Cold Constructs, especially the more harrowing aspects of their upbringing as government assets instead of children, and Beastmen (Beastformers) in TTB.

I haven’t depicted the world itself in my art all too much, but the architecture from Tiger and Bunny, which has sort of a futuristic Art Deco feel to it, is what you’d usually see in major cities. There is an in-universe reason for that---with a Point Of Divergence set in 1920 followed by 25 years (an entire generation) of progress basically being kicked to the curb due to the Quintesson wars, mankind was basically in a time-locked bubble until the end of the wars, and by then their heroes were 1920s-style rebellion leaders, which lead to 1920s fashion (especially among the Manual Working Class---Megatron, Jazz and Optimus all rock 1920s fashion at some point of their lives) and architecture being celebrated and retained as sort of a reminder of how things were before The Invasion. This anime’s background design is also where I adopted the tiered system TTB’s major metropolises are often built on (with each tier being designated to a different working class) from.

The main artistic style itself is a love letter to 90s cartoons, in particular Gargoyles’ deep and drama-driven character narratives and designs as well as The Centurions’ take on body armor logistics.

I also take inspiration, especially armor-wise, from the characters’ given heritage and background. As an example, Hotrod who is depicted as Irish has the flames on his armor done up with Celtic knots. Welsh aristocrat Mirage’s armor bears olden knight-style filigree and has his Autobot logo designed as a coat of arms. Indonesian Soundwave’s armor and Decepticon logo takes cues from Batik and Wayang Kulit while their mask is based off the Barong.

Q) They are absolutely gorgeous! Show off something you're really proud of, a particular favorite part of your cont.

The worldbuilding in general! Most Humanformers I’ve seen tend to treat it like a fun exercise which it is and is definitely valid, but I found myself wanting a full-fledged world to lose myself in and I sought to try and make that world myself by drafting a detailed history and timeline of events which would affect ongoing narratives, having indepth worldbuilding to include almost all societal aspects of the universe and expanding on the concept of Beastmen and Cold Constructs existing in a human setting.

I’m not so secretly proud of the research and diversity included to make the cast look like the multicultural, globally-based team that they were meant to be instead of being locked to a single region! My original draft from 2007 was, to put it simply, quite culturally monolithic and I wanted to improve on that aspect with TTB.

I’m also proud that I’ve kept to it this far! I’m a notoriously flaky person jumping from one idea/fandom to another and to have kept at this continuity for the better part of ten months is honestly a personal feat.

Art-wise, this scene depicting a young Megatron working alongside Terminus and Impactor (cameo by @weapon-up-wallflower‘s OC Missit!) is definitely one of my favorites since it helps build up the world they live in and plays to familial bonds and comfort found in one another despite their less than ideal circumstances.

Q) Everything has come together so beautifully, you absolutely should be proud. What other fan canons do you love and why? Would you like to see them interviewed?

I am dying to hear more from @iscaredspider’s Sparkpulse continuity! Her designs are MIND-BLOWINGLY GORGEOUS and I want to hear more about what inspired her to work on it!

Also YOU. Yes YOU BLURRITO. LET ME HEAR MORE ABOUT SNAP.

Q) [wails and squirms away in the mortifying ordeal of being known but in a very flattered way] I WILL SOMEDAY I PROMISE aflghsdjg thank you QwQ

Well that was fantastic, Oni, thank you muchly! A magnificent continuity with so much to look forward to! Coming up next is another personal fave of mine, the first inspiration for SNAP, so stick around...

#long post #gore #ties that bind #spotlight #transformers #HUMANFORMERS #transformers au #tf original continuity #transformers fan continuity #transformers redesign #maccadam #i said id post this on sunday but i realize thats a holiday for lots of folks on this site :/

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just-like-playing-tag · 3 years

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A totally self indulgent compilation of my favorite works on this blog of the year June 13, 2020 - June 13, 2021

2019-2020

The following lists are all in chronological order according to the date each post was first published.

Top 10 panel edits:

#1: It's our first morning

Date: Aug 20th, 2020 Time: ~ 2:18 h I really like how this one turned out!!! The 2020 Emma b-day edit has a lot of major panel redraws, but this is probably my favorite. I I really enjoy how I made the shadows work!! And the ear banfage looks pretty neat. Nice!!! Immagine

#2: Norman birthday edit 2021

Date: Mar 20th, 2021 Time: ~ 2:21 h Awww, soft Norman :') There was a bit to redraw, but I think everything turned out pretty neat!!! I believe everything works out fine. Though looking back at it, the part of the ID I added is definitely top small :')

#3: Manga dub: Yuugo gets knocked out

Date: Mar 27th, 2021 Time: ~ 5:05 h Here start the Manga Dub redraws to which I gave my everything ahah. This one turned out nice! I think the shoes turned out particularly good eheh. I like how Yuugo's clothing lineart- for the texture, I wanted to go for something heterogeneous, but I'm not fully confident in the final result. Gilda looks very rushed but ¯\_(ツ)_/¯

#4: Manga dub: Yuugo makes his dramatic entrance

Date: Apr 5th, 2021 Time: ~ 4:02 h This is pretty cool!!!! The coat took ages to redraw, but sis it turned out perfect!!! I'm very proud of this.

#5: Manga dub: RayGildEmma hug!!!

Date: Apr 9th, 2021 Time: ~ 1:31 h Awww, a beautiful panel I was really happy to have the chance to redraw. Taking into account what there was to redraw, I'm actually surprised with how little this took! Ray's backpack was a pain to make, but I think it turned out fine. I'm very happy with Emma and Ray's heads!!

#6: Manga dub: Formalities

Date: Apr 12th, 2021 Time: ~ 5:31 h It is not always easy to give sense to Demizu's perspective, but I do my best!!! In this I am *so* happy with how Don and Ray turned out, they look neat! The background on the other hand... It took hours to make ahah. I'm not fully confident in the perspective, but I'm happy with the details I've added- I really did my best to make it look like athe other manga panels and I think it paid off!!!

#7: Manga dub: We may be weaklings, but we're still alive

Date: Apr 30th, 2021 Time: ~ 1:37 h This little Emma is so cute!!!!!! I think the redraw turned out pretty perfect. I'm really satisfied with how this one turned out, and it's such a cute little Emma!!!! She's so brave and optimistic, I love her. It's a shame this panel didn't make it to the episode :')

#8: Manga dub: Goldy Pond Gang

Date: May 7th, 2021 Time: ~ 8:44 h lmao This is probably the panel redraw I'm the most proud of ever :') Just think everyone turned out very nice!! The ceiling is not exactly perfect, but it still works somehow. I'm very happy with how Gillian's back turned out!! I don't really like the fading effect on the right, but 8h in I got pretty tired of working on this ahah

#9: Manga dub: This is Goldy Pond

Date: May 21st, 2021 Time: ~ 1:29 h I'm very glad for how the Manga dub has been challenging me to learn to redraw backgrounds, something I had quite literally never tried before. It can be a little frustrating, but it's so satisfying to see the final cleaned piece!! With this panel, I also learnt to use copy and paste, which is something I had never done before beyond texture

#10: Manga dub: Good morning doctor

Date: May 21st, 2021 Time: ~ 3:42 h This is another background that turned out pretty good!! That one Norman is one I knew I would have had to fully redraw sooner or lager- the background was a bonus ahah. I'm very happy with the final result!!

Top 5 edits as whole:

#1: The Promised Neverland manga ending edit

Date: Jun 14th 2020 Time: ~ 12h 41min (5h 45min of cleaning panels in the edit + 5h 37min of cleaning panels that didn't make it to the edit + 1h 19min of resizing) + time spent cleaning panels I've deleted the file of so I can't see lmao This is overall very nice!!! The concept of an Emma evolution through her back is cool, and I think overall the edit turned out very aesthetically pleasing. The concept idea came to me while I was working on the 2019 Emma's birthday edit, a long time before the manga ending announcement- back then I wouldn't have imagined using it in occasion of the manga ending, but I think it ended up making a nice tribute. The colors add a nice touch, since so far my edits had always been black and white- it makes a sweet closure. To make that edit I selected 76 panels of Emma framed from her back; I plan to make other versions of that edit using the discarded panels eventually!

#2: Emma - Chapter 181: Beyond Destiny

Date: Jul 12th 2020 Time: 2h 57min My last edit for the manga 🥺🥺 I think this one is my very "manga ending edit" because to me it really signed the ending of weekly chapters and their weekly chapter edits. It makes me a little sad to look at it, but it's also, I don't know, kinda sweet to see how I grew both in my panel cleaning and as a person since I first started my blog. I'm glad I got into TPN!

#3: Emma birthday edit 2020

Date: Aug 22nd 2020 Time: 8h 54min This one turned out so well!!! Though I used the same concept for all the trio edits, I think this one is the best one. The two panels on the left / two panels on the right alternation combo never fails ahah. The colors are nice (shout-out to my sister for making me a palette), despite the fact that it was hard for the lighter ones to make them work with the images without having those disappear. I'm very satisfied with the panels I chose for this, I think they work really good together! Also, it got me very happy to read everyone's comments saying they liked the fading effect in the last panel :)

#4: Emma + Eyes Close Ups [1/?]

Date: Jan 24th 2021 Time: 5h 55min This one was really nice!! Another idea I got when working on the 2019 Emma birthday edit I was glad to finally execute. Started the edit in September, finished it in December. I'm overall very happy with how it turned out... I hope I will be able to make more in the future!

#5: The Promised Neverland Parallels → (9/?) » 114 // 122

Date: Feb 23th 2021 Time: 5h 7min (panel cleaning only) Aaaaahh I really like this one!!!! A parallel I love very much, and I'm really happy with how the edit turned out. All the hair redrawing looks neat!!!! The gif is maybe a little excessive, but I think overall it's a nice edit. I like it!!! Fun fact, I completed it on August 26th 2020, but I couldn't find the right moment to post it ahah.

Honorable mention: The Promised Neverland Parallels → (5/?) » 08 // 16

Date: Aug 30th 2020 Time: 2h 52min (Second picture cleaning only; I deleted the first picture art file so ¯\_(ツ)_/¯ ) I don't have much to say about this one except!! It turned out very nice!!!!! Love the pen lmao.

Top 10 analysis:

Too many analysis,,

#1: Post chapter 181 Emma analysis

Date: Jul 9th 2020 Mmmh a nice analysis. I think it was important for me to put down in words what I think of Emma's characterization and the manga ending, so I'm happy I did it!

#2: A long Oliver analysis because I love him very much

Date: Dec 6th 2020 What can I say I just love Oliver tons 😔😔💕💕 This was very fun to make!!!

#3: TPN s2 previsions

Date: Jan 14th 2021 Really love the effort that went into this + me proving that 11 episodes GP could have possibly worked + it's just a lot of fun to read again after s2 ended pffft

#4: More s2 delusional previsions lmao

Date: Jan 27th 2021 I think the points and previsions I made where pretty neat!! In my defense, it was pretty impossible to predict the anime would have ended with this season. I always feel honoured when friends and Anon ask for my opinion, I'm like "you wanna know what I think? Wow. I'm flattered (◍•ᴗ•◍) " Thank you to anyone who ever sent me an ask!!

#5: Why Emma not wearing pants is 𝕨𝕣𝕠𝕟𝕘

Date: Jan 29th 2021 Really proud of this!!! Pants Emma is important!!!!!

#6: Post episode 5 manga Emma analysis

Date: Feb 4th 2021 A depressed analysis, but a necessary one 😔

#7: Norman analysis

Date: Feb 12th 2021 I love him!!!! And I'm happy I eventually got to put down in words what I love about his character. The day I posted this ww3.readneverland was in maintenance so I couldn't use the volume scans for it- the thought of that post having fan edited and fan translated scans still haunts me

#8: RayDon rambles

Date: May 12th 2021 I had a blast writing this and like. It's likely the post of mine I reread more often of them all. I love this ship tons!!!!! I'm satisfied with how I put down in words what I like about them. I LOVE THIS SHIP

#9: Chapter 58 analysis

Date: May 23th 2021 I've wanted to express this concept since like the first time reading the manga- I'm so happy I finally did!!!! This concept is one of my absolute favorite things about tpn- the feelings that people are good. The concept that kids who got to live in an healthy and supportive environment will always be inclined to kindness and altruism, because humans are just inherently good. From the Three Character Classic: “people at birth are inherently good”. I want to have faith and courage to hold on the goodness in myself, and to hold on the goodness in the world, no matter how difficult it to do that (Chloé Zhao).

#10: Norman and Lambda squad relationship analysis

Date: May 24th 2021 I think this was a pretty sharp analysis and I like what I did with it!!

Other stuff:

#1: Krone birthday edit

Date: Jul 15th 2020 This edit is so good ;; Like not perfect since it was my first attempt at coloring gifs but still I believe it turned out so good ;;;;;; The time and effort that went unto this is crazy, but... Maybe I'm happy to have dedicated time to something I like for a satisfying result.

#2: Get to know my ship- Wolfpack Trio

Date: Aug 24th 2020 Uuuh a good post. A good ship.

#3: Gilda + blank glasses

Date: Aug 27th 2020 This is such a cute nice compilation!!! I love looking at it. A few panels are missing but still :')

#4: Apollo Ray AU

Date: Sep 7th 2020 (Though it was written Sep 2nd 2019 lmao) I'm so happy I finally gathered the courage to post this 😭😭 I really enjoy what I did with this AU, so this one and its other installments are all posts I have a lot of fun rereading. More than everything, I was astounded and overjoyed by the positive response it got: that gave me tons of confidence to put my ideas out there, no matter how unique they sound!!! Here's to hoping I will be able to post my RayEmma Hadestown AU, by other big AU from late summer 2019 :')

#5: TPN timeline project

Date: Dec 2nd 2020 This is like. I don't know it's a lot ahah. Arguably the project I'm the most proud of ever making. I'm just so happy of all the months long hard work and of the final result!! The post didn't receive much response (though the ones I got were extremely kind and sweethearted so that totally makes up for it), but in the end I don't really mind? I'm just so proud I accomplished that idea :')

#6: TPN calendar

Date: Jan 4th 2021 A nice sum of the tpn timeline + everyone's birth dates!!! I really like how it turned out visually. It's a cute little tpn calendar!!!

#7: Ray smiles compilation

Date: Jan 17th 2021 Ray's smile. That's it that's the post :')

#8: Trans Oliver headcanons

Date: Jan 24th 2021 MMMH really like this headcanon I think about it a lot

#9: Thoma and Lani theory

Date: Jan 28th 2021 I really don't want to brag but this is the best joke I've ever made :')

#10: My TPN AUs

Date: May 10th 2021 Ok you gotta admit those are very good AUs, I'm glad to have made a list out of them!!!

#11: Ranking Emma promotional art outfits

Date: May 16th 2021 This is one people seem to have liked a lot which makes me happy ahah. I'm glad to know we can all agree Emma deserves more pants outfits!! Please stop it with the gendered clothing :') This is the post I want to be remembered for

#12: TPN musicals AU part 2

Date: May 20th 2021 A GREAT POST I can't stretch enough how happy I am with those character-song associations. I hope I have time to make a part 3 in the future!!

#13: TPN Drive folder

Date: May 30th 2021 This was born as a way for me to have all the tpn extra contents easily accessible, but I'm happy to have shared it with people- I hope it will turn out to be useful to others too!

#14: TPN s2 recolorings

Date: Jun 12th 2021 A more diverse children cast is good for the soul :')

That's it, this year was really fun!! Thank you to everyone who supported me through it, I can't express how grateful I am for all the kindness and validation I received. Here's to many more months in the fandom!!! (ﾉ◕ヮ◕)ﾉ*.✧

#mine #tpn #the promised neverland #tpn manga spoilers #Tumblr: *literally refuses to let me open the post*#Me: *Turns on my computer* B*TCH YOU THOUGHT I'M POSTING THIS TODAY AND NOTHING IS GOING TO STOP ME #Been working on this for four hours now.. I'm literally dead...#Also thank you Tutu for deleting the other post you're the sweetest :')#Once again this is just a personal report you don't have to read all (or any) of it unless you want to :)#Ok to reblog btw #I'll click the post button now I don't want to hear anyrhing else

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oldblog-ileft · 3 years

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So @musicfeedsmysoul12 made that post answering a fic title prompt, with the whole "izuku has a quirk that gives him a tail", they specifically mentioned a monkey tail. I love monkeys and I love Izuku so of course I tacked on and ended up assigning a monkey type, as well as aspects of the quirk, and how it changes/affects Izuku. Of course, I had to draw at least something for it. Doodles for Monkey Quirk! Izuku! Featuring a quickly put together design for his hero costume.

(Click for better quality)

The original concept technically belongs to @musicfeedsmysoul12 and the anon who sent the prompt, but I was the one who added everything on about the quirk so under the cut I added some details, world building, and timeline changes that I thought of while I was drawing.

Quick warning, I wrote a lot.

I mentioned the monkey type he'd be most like are Capuchins, but that's more just a base of what the quirk is like, and not exactly what it replicates. Kinda like Hawks and Miruko. Hawks is named after just that, a hawk, but his wings don't have any specific bird-like features or patterns aside from having feathers. He really strays far from that, actually, with how the feathers work. Same with Miruko, she's not based on a specific kind of bunny or hare. She just has the standard ears, legs, and senses of one.

His body type would definitely be slimmer than canon Izuku, as his body had to adapt to the fact that he's constantly twisting and bending to get where he wants. Canonically, Izuku's body is a little too... I don't want to say stocky, but it's certainly not lithe. Make no mistake, this does not mean he lacks muscle. He has a lot more muscle in middle school than canon Izuku did at the time, this comes from constantly having to carry and swing his own body weight.

His entire body is covered in a thin layer of fur, but it's absent in his heels, palms, and under fingers on both his hands and feet. Fur would get in the way of gripping.

I kind of debated on which parent he gets the quirk from, because a mutation quirk like that has very low chances of being one a person can get with parents with non-mutant quirks. I decided on Hisashi. First of all, the idea just wouldn't leave my brain, and it was too cute. I headcanon Hisashi with white hair, so he'd just be this big fluffy white monkey and I couldn't let that go. Second, I think it'd be an interesting way for class 1A or others to learn about Izuku's dad in America by trying to speculate where Izuku got his quirk from. Sure, their face shapes are similar, they're both kind and emotional people, and both have green hair, but Izuku how the hell did you inherit a monkey mutation quirk from a low-range attraction one??

Honestly, I don't think Izuku would really have as many problems with bullying in this AU. Yes, people have speculated that mutant quirks are not exactly welcome wholly with open arms i the MHAverse, but Izuku's quirk is pleasing to look at. He's cute, and the quirk is actually pretty dang helpful. While people would poke fun at him, calling him hairy, or treat him like an animal or pull at his tail, it's certainly not enough to warrant suicide baiting. He'd definitely be self conscious of his quirk and appearance though. Honestly, most of it would be led by Bakugou like always, so it's not that anyone really sees Izuku as bad or anything of the sort, they're just following Bakugou's lead.

I also don't think he'd have the nickname Deku. Mutant quirks (or at least mutant features of quirks) had to be something that a person was born with, because honestly I find it very hard to believe that someone's body can change so drastically like that. That's bone that's actively changing and molding, not just skin, hair, cartilage, and brains. That would cause some serious health concerns, even in a world with powers like quirks. So Izuku was never really "useless" to Bakugou. He was helpful, he could climb trees other kids couldn't to get stuck toys. He could hear things even teachers didn't know about even through loads of kids yelling. He wouldn't have any reason to be called useless, because he earned the knowledge that at that time, he was more capable than the other kids. Maybe something like Ape, Gorilla, or even going really derogatory and referring to him like he's a freak in a circus act. Juggles, Freak, Hairy, Caveman. Those sorts.

I imagine Izuku would practice martial arts here, much like Ojiro. His quirk would certainly help him. He's be stuck close-range, with his fists and feet (and tail) so he'd have to learn how to actually fight, as opposed to people like Todoroki, who can blast fire and ice from a safe distance away. That's why he wears the fingerless gloves on his hands and feet in his hero costume, to protect the skin and fur if he's fighting or gripping. Bonus brass knuckles attached to the gloves on his hands for when he wants to throw a punch.

I don't see any possible way he could get his dreams crushed by All Might, much less have such an important question that would require him to grab onto his leg when he jumps. So Izuku more than likely doesn't get One For All, at least not before UA, if he ever does. I also don't think Izuku would idolize All Might so much. Yeah, he'd still admire the guy, but he'd probably be more focused on people like Hawks, Gang Orca, and Miruko. They have mutant quirks like his, they're people he can actively look up to. So even if he did have his dreams crushed by All Might, it certainly wouldn't affect him as much as it did in canon (not that it did much anyway lol, Izuku went right back to jumping into fights to save people)

The original prompt said that Ojiro would be a partner for Izuku, but I see some missed opportunities for ships with Shoji, or Tokoyami. Hell, I could even see it working out with Sero, Kirishima, and Asui.

Shoji and Tokoyami probably faced some bullying for their appearances. Shoji literally hides his entire lower face. Izuku would definitely be able to connect with them. Sero, in the fandom, has been called a Spiderman bootleg more times than I've drank water in my entire life. He'd definitely try to swing around for faster mobility and who best to help him with that than Izuku? They would so easily bond over teaching each other swinging tactics. Kirishima... it's kind of hard to put that into words, it just really feels like it could work in this AU. He;d be like a stable perch for Izuku, is I guess part of my thought process. And for Asui, well, she didn't have many friends in middle school. People often saw her as disturbing because of her struggle to express emotions through her face. Izuku faced something similar. The two would understand one another.

Though I still really like Ojiro pairing here too. Izuku would probably help him feel noticed, and we all know how compassionate and caring the greenette is. He'd be great for Ojiro.

Izuku would probably go for being an underground hero here? I also see him easily making it to at least the top 20 when he graduates, his quirk is pleasing to the eye and he's already great hero material in every way. But I also think he'd be an expert at sneaking into places that would normally be locked from access to heroes, seeing as he can pull and hold himself in places he could hide better in. I guess he'd be a twilight hero. Not quite underground, but not quite limelight. Just treading the line between them, kind of like Sir Nighteye.

That's all I have so far, but I love this so much. I definitely want to expand more on it and I wouldn't be surprised if I ended up writing something for it.

#bnha #mha #my hero academia #boku no hero academia #midoriya #midoriya izuku #deku #my art #mmmm monke

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pandemique · 3 years

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your art is so pretty ;-; it makes my day seeing it.. can i ask, did it take a long time to get your art to where it is now? and was it a hard process? i wanna get better at art but i dont know how ;-; call me aku! i think ill be asking alot/praising you about your art lol

aku thank u sm ;v; i’m really touched..

um shhshshs to be fully honest i started drawing last december-ish...... just for this blog because of brainrot lmaOoo.... i think that’s kinda obvious if u scroll through my #demi doodles tag and see my sad first posts :’D

although!!! i did tryhard middle school art class a long time ago and i vouch, if u really get into it, u can learn a lot :> i think starting early even when i didnt continue painting afterwards still means a lot, bc since then i always saw art with a more critical & appreciative eye and i guess i still learned through osmosis?? LOL

that being said, the bulk of my learning really was done these past lovely brainrotty months, so don’t sweat it if u start late :) my dad is 58 now and my recent enthusiasm in doodling afflicted him too so now we’re learning together <333 and i adore what he makes already

i made a tutorial for my own painting style here aku nonnie, but there’s so many other resources available online elsewhere for learning too :> here’s my own personal tips for quick improvement below the cut ‼️

firstly i am seconding the ‘general painting tips’ section of the tutorial i linked :>

particularly about which fundamental concepts of art/drawing that u should really explore if u wanna improve quickly! (ex. for drawing humans, learning proportion and gesture is much more useful than detailed anatomy!)

focused practices on areas of art u wanna improve in >>>>>

figure out precisely where u need to improve and focus on solving those issues. smth i like to do is to doodle without reference, find similarly-composed but much nicer art that does the specific thing really well, and then compare & analyze what i’m missing or could do better

in general, looking at other people’s art that u like and figuring out what exactly u like abt it is great! at least thats how i improved in the years i didnt even touch a sketchbook

VARY the art u make as much as possible! even if u have a certain favorite style, in the learning process its important to explore as much as possible. this includes varying the subject matter (draw hoomans a lot? try nature or backgrounds!), the art styles (realism is important to try! but so is stylization!!), the media (i learned SO much so fast when i switched from traditional to digital!), and more!!

comics helped me bc i was forced to make things i don’t naturally love to, like those damn flowers T_T in general incorporating things u need to focus on into projects u love (comics for me, maybe character design for u?) is a great cheat to making the process seem easy :>

ask for feedback!!!!!!

use MANY references every time u draw!!!!!

but ofc nothing beats drawing often. its okay to just draw what u like so u can keep going—i’m personally 100% brainrot fuelled and it did me wonders lol. in the end putting in the hours is what will give u a strong grasp, and its also what u need to develop a style. frequent ‘disposable’ but thoughtful doodles >>>> sparse ‘masterpieces’

be kind to your art. know it is already amazing now, but you WILL keep improving. i believe in you

that’s all i got off the top of my head! it seems kinda overwhelming when i ramble about it this way lol i’m sorry :’> but these are all just lighthearted tips to make drawing more fun! in the end, what’s important is that you are having fun creating. brainrot and tumblr is DEFINITELY my secret :) good luck aku i’m rooting for you!

#i might edit along the way bc im definitely still learning as well #we’re in this together aku non :) feel free to hit me up any time about doodling!#art advice #art tips #tw age #thanku for asking <3 #love u aku #this is so funny bc fun fact aku in my 1st language means ‘me/i’ so its like saying hi me! love u me! ....mood #and in my 2nd language (japanese) it means ‘evil’ HAHA #.....wow aku sorry for the demi lore spam HAHA i appreciate u a lot as well!!#demi rambles

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rockmiyabideusexmachina · 3 years

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2021 Megaman Valentine’s Day Contest Results

Among the many things this past year or so has tested us with is delays, and I apologize that this year’s Valentine’s Day contest results are included in that. I certainly did not plan on this taking until March to get completed, and I am sincerely sorry to have kept you all waiting. But hopefully it is all worth the wait!!

Thanks once again to every single one of you who participated! I will be contacting the winners soon enough. Work will probably keep me from replying to everyone immediately, but I will send a message about prizes hopefully within 24 hours.

Also, my thanks to @subzeroiceskater for helping out with judging this year. Not to mention the promo pic above and other assorted bonuses that always bring me a big smile. I might say this seemingly every year, but you all made judging this VERY hard. It might have something to do with the themes as well, but I think both of us flipped and rearranged our rankings repeatedly, and even then, it was hard to decide on who would place. XD Each one of you did an amazing job!

After the break, you’ll see the winners for both categories, along with all of the entries. Raffle prize winners will be noted below by their alias, as well.

Category 1: Kiss From a Rosered (Talent)

For our talent category this year, the theme focused on your favorite Megaman characters giving roses to their special someone, along with incorporating the symbolism of specific rose colors within the piece. That rose color was also to be the predominant color within the piece, to the best of your ability.

A grand total of 9 entries were submitted for this category. You can see the full gallery of all entries at full-size [HERE]. Each entrant’s name will also link to their individual pieces at full-size.

1.) Sapphire: *$100 prize*

Subzeroiceskater said:

Oooooh, this is so cute and pink! Piiink~ Ehem. I love the depth, angle, and color grading of these—notice how Roll’s black linework is at the forefront of the pic but colors mixes with the lights and colors from the sun further along the pic. There’s a lot to admire about how everything easy to read with so many competing elements like the similar hues and bright lighting.

Pink roses usually mean a gentler sort of love but did you know that different shades of pink could signify different things as well? A darker shade may mean gratitude; medium shade could be about a first love or congratulations while a light shade may mean admiration. Tron holding a singular pink rose with varying shades of pink while literally tripping over herself and a Servbot could only mean—that this is hilarious.

Miyabi said:

From a technical standpoint, I think your piece clearly felt the most polished, crisp and virtually professional of the bunch. But more than that, I felt it also best gave off the vibe of the rose color dominating the piece, but in very subtle, beautiful ways. Where as the pink sunset causes many of the normally white areas, like Roll’s collar/sleeves, parts of Gustaff, and more, to ooze that pink lighting. Even with her klutziness, you still also portrayed the feeling of sweetness, admiration and appreciation that a pink rose conveys. Just so pretty, calming, and joyful to look at!

2.) Forceway: *$75 prize*

Subzeroiceskater said:

There is a sort of gentle irony with how Skull Man and Shade Man are both robots modeled after horror symbols—skulls and vampires—but are here surrounded by a soft sea of pink roses. The dark night is often depicted as a primal fear because it hides our deepest fears but here—illuminated by the bright shining moon—the night is transformed into a scene of love—perhaps devotion, with how Shade is gently cradling Skull, as well with the church bell in the background. This is a very tender piece mixing the shadows and the sweet.

Miyabi said:

I know most digital art programs have the brushes and shortcuts to make detailing things like roses a lot easier, but your bed of roses certainly look all done by hand on your own, and that alone impressed me a ton! Based off of the Ariga Megamix tale of Skull Man not feeling appreciated or having a family after Cossack stored him away, I felt the pink roses and Shade showing him that he is actually appreciated here was a fantastic conceptual choice. Purples in the sky and Shade’s body split the canvas and contrast with the pink well, including how you used the pink for some of the stars in the sky. Beautiful job!

3.) DigitallyFanged: *$50 prize*

Subzeroiceskater said:

Yellow is a bright color, often evoking the sun, warmth, light, joy and hope. With roses, its positive connotations continue with possible meanings of friendship, care and remembrance. Tabby’s piece seems to evoke the last one the strongest—with Zero, broken and forgotten in a lab—but, not entirely, because of a bond that is stronger than apparent death lives on—even if in this moment, it’s only a memory. Even the roses are not real—just projections of what was once alive. This is fantastic use contrast with the dark, moody blues against the vivid, almost defiant yellows; and the repeated little motifs such as X crying and the water drops falling all over Zero. It stands out from the rest of happy entries with how sad it is but it still manages to be hopeful.

Miyabi said:

Zero’s blonde locks certainly are an iconic part of his design, so playing off of that and focusing on yellow as your rose color fit perfectly. You definitely made this a very emotive piece considering technically, neither of these two are even alive and moving here! As mentioned above, the little details like the water droplets balancing against Cyber Elf X’s tears, the digital lines to make it appear like X has created the cyber-roses for Zero, and Zero’s battle damage caught my eye immediately. You certainly captured the yellow rose symbolism of remembrance and friendly affection beautifully!!

And the rest of the wonderful entries, in alphabetical order by alias:

AbilityField: [Page 1] [Page 2] [Page 3] [Page 4]

*Raffle Prize Winner* Captain N Mega Man Cel

Subzeroiceskater said:

It’s so poetic about how this contest theme is about how the language of flowers is used to communicate feelings beyond just using words; and so, the comic is completely silent, relying on actions to convey its meaning. Yellow roses could mean friendship, care and affection; and it’s shown wonderfully with how Iris and Lan are so thoughtful with one another. It’s so cute how Iris missed Lan only because he was already out buying roses for her. Given how hard comics are to make and how this is fully colored, I really wanted to give this first place—however I felt the color usage of yellow could have been stronger, especially with the last page, where it would have had the most impact. I had to squint and zoom out to even see if the lighting had changed. Still, it’s such a very warm and lovely work.

Miyabi said:

I always appreciate the effort people put into making multiple-page comics for these contests, and this is no exception! Even without dialogue, you did a great job at conveying your story through your art in each panel and it was easily understandable. Another utilizing the yellow rose, I certainly felt the friendship and warmth in your tale. As Subzero mentioned, the only thing keeping it from placing was that the yellow colors weren’t as dominant in other areas of the pic, besides the panel by Sal. Still, your coloring was very crisp and vibrant throughout each page, and it was an awesome submission!

aw-colorcat:

Subzeroiceskater said:

With the red for Metal Man, orange for Cut Man and the explosion of yellow flowers, that’s the trifecta of warm colors. Yellow roses could mean delight and this pic is delightful in all ways. Cut looks so cute practically swimming in the sea of flowers and greenery, as does Metal’s adorable expression—which is a feat since he only shows his eyes. I also really like the juxtaposition and balance of this piece from: the rust-brown car against green-yellow nature running wild, and Metal holding a bouquet meanwhile Cut’s covered with plants. It makes me want to get some fresh air myself!

Miyabi said:

Cut Man looks grateful for being able to ride in that pickup bed of flowers, and I have a feeling the two of them had a wonderful time just snipping and sawing away at all the stems to gather them all. XD Love how the yellow and oranges play off of both character’s color schemes nicely. The subtlety of the yellow flowers in the foreground, along with the sun and tree in the background all play off each other well, too! Just an absolutely cute pic!

Dark-Dullahan:

Subzeroiceskater said:

What a fantastic composition. Dark-Dullahan does away with most color, leaving the colors of the mixed-bouquet roses as the main focal point. Classic red for romance, a gentler pink for affection, mixed yellow roses to signify caring and probably so much more—seems like Nana can’t contain her feelings for Massimo. I love how the close up of the bouquet doesn’t just form a kind of heart at the top but serves as the divider between the two, like a diptych. With such a wonderful offering, Massimo would surely accept her feelings.

Miyabi said:

As you brought to my attention, your mixed bouquet had a few different meanings, such as the dark pink representing thanks to Massimo for saving Nana from Silver Horn, and the red tips on the yellow roses to symbolize falling in love. Certainly got those vibes from her shy demeanor, as she sheepishly tries to hand them to him. Also agree with Subzero that the line from the bouquet nicely works as a way to separate them uniquely with the background. Sorry you weren’t able to complete it as fully as you had hoped, but the concept behind it certainly was strong!

Donnie:

Donnie also sent in an alternate version made during the creative process, in a different artistic style, that I still feel needs to be shared, as well. Fun to see the contrast, yet still have the same feeling and mood to the piece.

Subzeroiceskater said:

Oh, I adore this one. It reminds me of a movie poster with the tagline. I love the extra PINK flourishes of the letterings like with the Mega Man logo color change and cute pixelated font and heart. Both Rock and Roll’s expressions are so cute, too—with his more subdued smile contrasted with her exuberant grin. Much like how the pink rose could mean many things like thoughtfulness, cheer or as a show of appreciation, this piece is positively sparkling with affection, hearts and all. It’s clever how the sunset is giving the picture an overall pinkish-red hue while having the yellow light as an outline. A darling piece.

Miyabi said:

With pink roses again, I truly liked the additional hue adjustments where you can feel the warmth and see the lighter pink mixed into their skintone, or areas normally of white - from eyes to teeth to the Megaman logo - that have taken on the pink in it’s place. With the painterly watercolor style you used, it all blends in nicely. Even in your earlier version, I feel you brought a strong game with the hues, but toned down the red from that version to make it feel much stronger towards pink, with a tighter crop of your canvas. It was fun to see how it evolved, and strengthened your piece in doing so! Fabulous job!

DragonMarquise:

Subzeroiceskater said:

No better way to show how madly in love you are than a bouquet of roses that run the gamut of—I can’t call these warm colors because these passions are running hot. Orange seems to be the dominant color here—which in roses could symbolize a love that’s passionate, fierce and deep. It’s also expressed nicely with the two lovers embracing, engaged in mid kiss, their bodies also forming a subtle heart shape, to emphasize the flurry of hearts around them. The bouquet is not just orange roses, however, but a mixed bouquet of the classic romantic red and the more affectionate pink—it’s a piece that’s bursting with all degrees of love.

Miyabi said:

You also certainly mastered the limited color pallette challenge as you tackled this piece! Orange, the color of passion, is certainly felt in their deep kiss and embrace. I too caught the heart shape their heads essentially form, which is then further enforced with the heart of hearts behind them. I thought that concept was pulled off very well. Perfect for the fiery intensity of Match, this turned out to be a very hot pic!

Mattasaurs:

Subzeroiceskater said:

This one has a very clever framing (eh? EH?). The color white is often associated with purity, innocence and hope, and with white roses—weddings and marriage. Sonia dons the classic white wedding dress which has a très élégante design—and the little Lyra on her belt is very cute. The pink background is also very romantic and a nice way to tie in with her theme colors. I dig the lovey-dovey feel of Geo doing the classic bridal carry while clasping a single white rose...but seeing the thorns, I think he better watch his hand!

Miyabi said:

For a theme emphasizing color within the pic, I salute you for taking the biggest challenge in choosing white. In many ways, it could have been the hardest to keep as a predominant color, but still make the pic interesting and visually appealing. Choosing to have the petals all around the frame, with the bouquet nearby was a clever touch. With white often used for weddings and new beginnings, I think the concept of your piece worked just right, where it was subtle, but still incorporated enough other color to give the piece some life.

Category 2: Kawaii-rimi (Humor)

For our humor category this year, the theme focused on your favorite Megaman character gifting the plush form of another Megaman character to their crush, instantly created by a ninja-like character, to play off of the Kawarimi concept from the EXE series.

With just 3 entries in our humor category this time around, every entrant placed. You can see the full gallery of all entries at full-size [HERE]. Each entrant’s name will also link to their individual pieces at full-size.

1.) Mattasaurs: *$100 prize*

Subzeroiceskater said:

Y’know how blocks of wood are sometimes used by ninjas when they do that whole body switching thing? I think it’s clever how this pic has Sal—Woodman.exe’s operator—conjuring the doll. Everything about the pic is so fun and colorful: from Sal’s mischievous grin of accomplishment, Miyu being completely shocked by her chibi doppelganger (check out that body language!) and Masa’s confused expression.

Miyabi said:

Yes, while to some, Sal might not be the first one they think of when they think ninja in the Megaman Universe, but I certainly thought she still fits the bill in her design. Usually we don’t see this much emotion or shock out of Miyu, so seeing her torque her body, taken aback at a doll of herself, is amusing in it’s own right. Meanwhile, nothing fazes Masa. And a bit of randomness: oh man, seeing Masa’s head in profile, with his bandana...wow, I never realized how much his head shape with the bandana looks like a fish’s. I can’t unsee it now. Anyways, I also agree that the color, polish, and fun vibe made this a worthy winner!

2.) ColeManX: *$75 prize*

*Raffle Prize Winner* Captain N Cutsman Cel

Subzeroiceskater said:

E-Eyes? What did you mean by that, Mr. RT-55J? Although judging from the sparkle on those booblights… I understand, Cinnamon—if that happened to me, I’d be making asides to the camera, like I was in “The Office”, too. Cinnamon’s enthusiastic smile with this whole bizarre scene really sells it for me but shoutout to Marino’s smug satisfaction in the background.

Miyabi said:

🎵 I kind of liked it your way How you shyly placed your eyes on me Did you ever know That I had mine on you?🎵

RT says it only has eyes for Cinny right now, but it’s also known to be a little grabby hands, so I don’t know if I’d fully trust it...but good thing this is just a plush version. Time for the tables to be turned, and Cinnamon to get her claws and paws on it, instead. Very cute, although after the DiVE V-Day event, we all know this is a ruse and your pal boobeyes only belongs to the Ferham Fanclub. XD

3.) Ronin-Apprentice: *$50 prize*

Subzeroiceskater said:

This whole comic is so sweet and fluffy, nya! ~(=^‥^)ノ☆ It’s adorable how Proto brings up his gift first and the surprise is how Shadow handmade his gift. The little cat-eared Blues design is so darling--almost as cute as him fussing how totally NOT a cat he is. “Did you steal my cat.” had me snorting. Now I’m wondering where Tango went off to…

Miyabi said:

FU-SION-HA!

Aside from getting his own Super Adaptor, this is probably the closest we’ve got to seeing Tango and Blues merged as one. LOL I’m sure that plush would have a ton of fans wishing it actually existed. The panels where Blues embarrassingly hides behind his scarf and gets pet like a cat had me laughing! Very cute and adorable comic, that certainly had the most depth in terms of the theme of this category!

#Rockman #Megaman #Mega Man #Rock Miyabi's 2021 Megaman Valentine's Day Contest #Fanart Contest

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elenamegan14 · 4 years

Text

Twisted Wonderland: Headcanons for Dorm Haunted Houses Pt.5 - Octavinelle

MASTERLIST

Part 4

Probably the longest headcanon one I had so far. LOL.

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TW: Slight dubcon elements and submechanophobia.

THE ATTRACTION:

This dorm’s haunted house is quite unique because it’s a mish-mash between a cruise ship and the jazz lounge hall from the Roaring 1920s. For some reason, after thorough research, Azul wanted to include ‘submechanophobia’ (fear of animatronics submerged in water) into the haunted dorm concept himself.

Azul went crazy with all the merchandise - there were T-Shirts, posters, the most adorable set of acrylic keychains! And the piece of resistance is a two-song single that he and the twins have recorded. It has a physical and digital release, of which the latter had 1,300,000 downloads in just one day.

The promos are crazy too. The way the staff had shot the commercial for the dorm’s haunted house is so cinematically professional that many were taught it was a real movie itself. Luckily, Azul also recorded the dorm’s theme. PS: They also did Pomefiore’s promo video too for a cut share of 15%.

Azul wanted to increase his clients on Monstro Lounge, but he cannot go easy on the student participants as well. He wanted to hear BOTH screams - so the treatment for the students in the survival game and the guests is going to be very different from another.

Regular guests will be scared in a standard manner: jumpscares from animatronics, a bit of gas blowing on their necks - NO TOUCHING AT ALL.

As for the students… well, they’re most likely to get attacked ALL THE TIME. Your name it: physical touches, animatronics dragging them to their ‘doom’, etc. That’s why the dorm made a contract clause to the participants warning them that there will be physical touching and a safe word is provided. Most participants did not read this except for a few. Like MC and Jack. Unless they purchased his charms.

Yes, the octopus capitalist had created their own charms that worked only for this haunted house ONLY. It protects students from the monsters, well MOSTLY.

Perhaps because he was attached to the band he, Floyd, and Jade once made back in middle school, he wanted to include the entertainment aspect as well, perhaps for nostalgic sake. Plus, he did it because he knew people would pay money to see hot idol guys singing jazz songs. Of course, he did, why do you doubt him so?

“Do instruments of torture count?” Floyd asked during the first band meeting. Azul quickly dismissed it. And no, mayonnaise is definitely NOT a musical instrument.

When guests and student participants arrived in the dorm’s haunted house, they were lured into an abandoned pier. During the walk in the eerie, fog-infested docks, guests could see some posters of missing people, old posters of a cruise ship trip promotion, a poster featuring the Octavinelle band in old-timey fashion and old news articles about a tragic malfunctioning animatronic accident.

As they approached closer, they could hear several jazz songs, including electro swings coming from somewhere. Guests also noticed some abandoned, dilapidated animatronics that was missing some parts, giving it a frightening outlook. What really unsettles them most are writings on the wall that are written either in blood or blacks markers: “TURN BACK!” “WATCH OUT!” “STAY AWAY FROM THE CRUISE SHIP!”

They arrived at their destination: a large cruise ship was waiting on them. On the entrance, the dorm staff sold their merchandise and charms to the students themselves. Already traumatized by the two previous haunted houses, most students hurriedly buy the charm itself. Grimm wanted one because there is no way he would want to be “attacked” again, but Deuce managed to stop him from buying an ‘unnecessary’ object (“Unnecessary my foot! We’re talking about the benefit of humanity here!”).

Ace secretly buys one. “There’s not wrong with being prepared!” He whispered to himself.

Entering the den of the beast, they went inside a lavish foyer area that is reminiscent of a scene in titanic. Chandeliers, art deco furniture, and art, as well as posters of the animatronic bands, were shown in meticulous detail.

They were then seated at a wide, spacious restaurant theater area. The staff hyped the audience by asking them to sing a few lines from Azul’s song, before introducing Azul’s band like in a jazz concert.

They began the pre-show in a unique way. Azul is a showstopper mysterious owner and headline singer for “Monstro Lounge”, the cruise ship that is rumored to have a multitude of people missing. Floyd and Jade are his lackeys with the same headline as well.

Azul charms the audience with a siren-like voice, putting the audience into his trance. For some reason, the Octavinelle trio tends to direct their gazes, winks, and fanservice towards MC the most. It then evolved into a Broadway show-stopping number.

The way Azul plays his piano is started off slow, increasing his tempo and so does his seduction and flamboyance. He makes an expression that one could mistake as a man experienced in the bedroom.

Floyd goes crazy with his drums. Meanwhile, Jade plays his contrabass with grace and elegance, fingers touching it lightly but spicy.

Many female clientele almost had a nosebleed... or this close to fainting.

AZUL UNBUTTONED HIS SHIRT TEASINGLY DURING HIS NUMBER. They’re starting to lose it.

Oh, the fan’s screams actually racked up their scream counter. There’s no cheating here - who says that happy screams can’t count?

Yes, Azul does sing on top of the piano.

After they finished their show, Azul then unleashed one of his proudest creations, an animatronic of a lovely mermaid doll that began to sing like an angel. Then, with a snap of fingers, he unleashed a multitude of doll-like merpeople animatronics that looked strangely alive as her accompanying orchestra, playing a haunting, eerie song.

During the middle of the show, one of Octavinelle’s actors came to the stage, shouting about his “long-lost daughter”, followed by a couple more people. Despite the actor playing as security told him to go back to his seat, the father ignored him and embraced the mermaid doll animatronic - his daughter.

In his “rant”, he cursed the Octavinelle trio of deliberately hiding his daughter for three years and turned her into this “monstrosity”. He then declared that he will rescue his daughter from this “vile place‘, unaware that the Octavinelle trio had placed knowing smirks and grins on their face. Begging for his “daughter” to recognize him, the mermaid doll slowly gazed upon her “father”...

...and “tore” his neck apart. Fake blood spewing everywhere, his screams reverberated through the dance hall.

All of the animatronics came alive and started to gruesomely murdered the intruders as well.

“Well, this escalated quickly.” Ace muttered at the disturbing sight.

A guest suddenly screamed - the area is suddenly filled with water, causing the guests and student participants to hurriedly run to the prepared exit.

The students have enchanted some parts of the aquarium walls where merpeople students could appear in and out of the aquarium water on the wall without spilling the water everywhere. So guests and students participants were often surprised by sudden appearances of the tweels, Azul, animatronics, and staff splashing out of the wall from nowhere. There had been many who claimed to have a heart attack from these encounters.

As they run through the aquarium walls, the guests and students are spooked with various animatronics of mutated sea creatures, merpeople, and even a FREAKING shark animatronic that chases them around persistently. They appear at random times, and their designs would surely put submechanophobia (fear of underwater animatronics) into their very souls.

As they moved on further, they entered Azul’s office and workshop - where gory remains of the missing people experimented into animatronics were seen. Horrid screams and desperate shrieks rang all the way - some were even trapped halfway into the animatronic itself.

Azul had two forms for this haunted house dorm: the first is his regular jazz-lounge entertainer animatronic suit with art deco and aquatic elements. The next form is almost the same except his animatronic parts are more revealed, some parts of his clothes tattered and his tentacles are fully shown. Some guests and students secretly yearned to be trapped inside his “tentacles”.

“Fu, fu, fu… come. Let me squeeze you, let me touch your flesh...” “Yes, please.” A guest squeaked, face flushing red.

The tweels have the same elements as Azul did in their costume, except they’re identical and much more muted than Azul did. Their second forms are their merforms, but with faded mechanical parts and some fresh BLOOD on their teeth and torso...

The final stage and centerpiece of their haunted house is what Azul is most proud of. Thrown again into a twisted version of the animatronic warehouse with aquatic background, the now revealed “animatronic” Azul hypnotized the whole audience with his siren-like singing on a small stage, beckoning several guests into the sweet embrace of his tentacles. Fun fact: most students and guests could not resist the temptation and got ‘squished to death’ instead. Yep, no subcontext here at all.

youtube

THE MISSION:

The students and the guests are separated into different groups, with a glass aquarium wall to divide them.

The guide relayed the charm mission to them: this cruise ship is infamous for having animatronics and automatons to serve and entertain their guests. But many years ago, there was an incident where an animatronic, fed up with being abused by a spoiled heiress on her sweet sixteen birthday, mauled her and nearly drowned her in the aquarium.

Their mission is quite simple: get the charm inside Azul’s office then get out of cruise ship “ALIVE”. They were told that they have three chances to find it inside the office itself, or else they would be “eliminated” and had to start all over again.

But first, they must survive his “show” to get to his office. The students were a bit confused at this part until later.

During the show, they soon learn why they were separated from the guests with a glass wall.

While the guest audience’s part is flooded with a small bit of water, the student's parts were unleashed with a torrential burst of water that they have to run to. Everyone (who is on the student side) by the end of this segment is wet from head to toe.

“Damn you, Azul! Once I get out of here, I’ll fry your tentacles!” Grimm growled, drying his soppy fur using his fire magic.

Octavinelle’s challenge is 90% of Patrick Star’s “WEE WOO WEE WOO” moments. 10% of it is just trying to survive.

The animatronics hissed, jumped, and even grabbed them at random times, which puts the NRC students into a looooot of stress since it attacked them more than once!

Oh, yes, and the mechanical shark will burst out of the “wall” when you least expect it.

“WHAT THE HECK IS WITH THIS HAUNTED HOUSE?! THIS IS VERY UNREASONABLE!” Cried one student before a mechanical shark got him.

But the ones who purchased Octavinelle’s charm walked in smoothly - the animatronics did not attack them directly, the staff stayed out of their way - all is good and right in the world...

Spoiler alert: Did they say that the charm protects them? Of course, it did… EXCEPT AGAINST AZUL AND THE TWEELS.

Yup, Ace learned the hard way when Jade came out of nowhere and tried to drag him inside the aquarium water. The screams that Ace had bellowed does not do justice to how fast he runs.

“YOU SAID THIS CHARM WOULD PROTECT US!”

Epel read the terms and agreement again, “Oh, whoops. It also says here, that the charm doesn’t guarantee to protect you against Azul, Floyd, and Jade. Should have read it thoroughly.”

“I can’t read while I’m getting chased!”

FLOYD DOES MOST OF THE DAMAGES. Physically and emotionally.

He first started by licking Ace’s face. Who knew that eel’s tongue is long.(“Nooooo! I feel so physically violated!” Ace ran to the corner and sobbed.)

Epel had a heart attack when he felt someone smacked his ass. As does Deuce. Then Jack (his tail got roughly grabbed as well).

Jack screamed out all the safe words. Deuce and Epel shouted all kinds of colorful swear words they could ever know, even the foreign ones.

MC’s ass received the same treatment, but they also received an additional playful grope. And then Floyd licked them. MC was screaming and flustered at the same time.

“Shrimp-chan is cute when startled!” He cooed before he splashed back to the water.

There were a LOT of complaints after this event this over, particularly threats of suing Azul for inappropriate sexual harassment. But then the staff asked if they all read the terms and agreements. They all went silent and got on with the next haunted house challenge.

MC’s group tried to murder Floyd by chasing him down underwater, but they realized that getting inside the water would actually disqualify them. They all promised DEATH upon the Octavinelle trio for putting them into this mess and extorting them out of their money.

Now there was one this brutal and competitive student who wanted to get the charms himself. So he kinda lures MC using the infamous “Wounded Gazelle Gambit” trick. In MC’s defense, the act was kinda convincing for a student.

They were not prepared to be chained up and kicked outside to the water, leaving them to drown after they got frisked by that said student for the charms. “In this world, only the mighty wins!”

For a while, MC is left trying to hold their breath while desperately trying to free themselves from the heavy chains. Just as their oxygen almost ran out, Jade managed to see MC struggling underwater. He managed to get Houdini MC out of the water, asking if they’re okay and who actually did this to them. While MC struggled to answer, refusing special treatment, MC decided to get back into the game and get the charms back.

Jade also decided to deal with the violent troublemaker as well, and he just knew what to do with the mechanical shark that he controlled.

To get to the office, the students went to another path, carrying them to a room filled with water and several large pieces of ice. They had to carefully cross through the thin layers of ice amongst the water. There was a mechanical shark circling around, sniffing for its late-night snack.

Already five students fell victim to it.

The ice is slippery, MC’s group is struggling to stay afloat and they do not see MC anywhere.

Epel does spot a student cackling as he carries two familiar charms.

“What have you done to them?!” Ace growled.

“Oh, I guess I made them sleep with the fishes.”

Deuce’s inner delinquent is awakened. He roared and attacked that said student, attempting to avenge poor MC. There was pulling, tugging and pinching.

Just as that competitive student got the upper-hand to Deuce… well, surprise, surprise, guess who’s back, back again.

“HISASHIBURI-DANNA, BITCH. BET YOU’D THOUGHT YOU’VE SEEN THE LAST OF ME.” MC, wet from head to toe, raised their fist, punching that said student and causing that student to release the charms. Deuce quickly grabbed them both before they lost it again, then gave an additional uppercut to that said student. The competitive student staggered backward...

...and then the mechanical shark jumped out of nowhere from the water and dragged the student into their watery doom (kidding: that jerk student got thrown out of the cruise instead. INTO THE TRASH BIN).

The remaining students reached the front of the office, but they could not open the door. Turns out, Azul had enchanted the door so that it can only be opened by using one, particular, embarrassing pose. Oh, and they have to cry out the written words as well.

“The complete flame in our chests shall not be extinguished by anyone! We are… THE PHOENIX!” They all pose like a phoenix. Once it’s done, there isn't any student that collapses out of sheer humiliation.

The Octavinelle Trio secretly recorded it. Either for blackmail or marketing purposes, take your pick.

Once they were inside the office, they were given a riddle and three chances to find it: I am violet, I sing in a limited voice and I am trapped. Find the key inside me.

At first, they thought it was a musical instrument - but there aren’t any musical instruments that colored purple - unless someone dyes it. Also, they cannot find anything remotely similar to a musical instrument. They finally narrowed down to a purple scorebook, a purple-colored radio and… a music box.

They decided to select a music box... and voila! The charm is found! It’s a good thing they got enough to share on their brain cells, eh?

The last challenge after getting the charm is to escape from the cruise itself - but they have to go through Azul to do exactly that! Yup, they have to resist Azul’s hypnotic singing, struggling to escape straight to the exit. Because of Jack’s sensitive ears, he had repeatedly tried to walk straight to Azul, only for Epel to knock him out for a good measure and carried Jack around like he was nothing but a potato sack.

MC nearly succumbed to hypnotism but Grimm managed to snap them out of it by slapping them repeatedly.

Azul sighed, “And here I was thinking I could get a chance to get close to you than Floyd did.”

Yep, they definitely did not waste any chances of getting out of here before Azul starts singing again.

The Octavinelle Dorm staff is considerate enough to give the students wet towels and a warm drink to keep the students from getting cold. Meanwhile, Ace, Epel, and Deuce joined in the protest about the inappropriate misconduct before they unleashed their rage on the nearby prepared dummies after being told that their contract’s terms and conditions had warned them that there will be touching and the staff is not responsible for it.

Perhaps getting wet is a good thing because the fiery presence of Scarabia’s haunted house might be able to keep the cold away...

Part 6

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anncanta · 3 years

Text

Hierogamy: Dracula BBC and the myth about Kora-Persephone

Today I would like to talk about the mythological drama in the series Dracula and some of its aspects, without which, it seems to me, the perception of this text will remain incomplete, and the understanding will not be as deep as it deserves.

But first, perhaps, it is worth saying a few words about why it seems to me that it is so significant to consider the mythological drama in a work of fiction in general and in Dracula in particular. Isn't it enough just to look or read, perceiving the text as it is, and not going into the study of some complex deep layers? Sometimes it's enough. But more often – no, it isn't. The answer to the question of why so lies in the very nature of a story and the art of storytelling.

The mythological drama is never fully developed in the text at the formal level, although there is where it precisely can be seen. This seems to be a contradiction just at first glance: the drama (in its original ancient Greek meaning) is a kind of ‘deep development’ underlying all events and scenes. It is like a labyrinth, a skeleton, a matrix on which the rest is built and grows.

That is, why is it important to look ‘from here’? For the same reason that it was important for Jonathan Harker in the film to find a map: in order, firstly, to understand how the castle is arranged (and therefore Dracula himself), to relate himself to it in a certain way – and to get out of its boundaries, that is, to include the castle in a wider context, which will allow the character to find freedom.

Finding freedom, in this case, should be understood quite literally – as going beyond the limits of restrictions and, as Dracula and Jonathan each correctly note in their own way, – a look from above.

This view has many advantages, but the main thing is the ability to perceive what was seen in its integrity.

Because in a good story, ‘how’ is always ‘about what’, so if you don't understand ‘how’ or ‘for what’, or even ‘what it was’ in general, most likely you haven't read the text, and it remained for you something like a set of colored spots on the wall, beautiful or annoying, but – as researchers of the brain and psyche never tire of reminding, – in the absence of a ‘key’ such thing does not exist as the story itself.

It is not at all necessary, by the way, should be a mythological or psychological, archetypal, or fairy-tale ‘key’. Or all at once. At one stage or another in life, each viewer and reader needs their own set of the ‘keys’ or a specific one. First of all, it is the literal sense of the story at the plot level. But without a ‘key’ at all – there is no text. At least because the text itself, as a phenomenon consisting of – whether linguistic, pictorial, or auditory – signs, is a key – to our ability to imagine things that do not exist ‘in reality’, and to ideas, images, and meanings.

But back to the text.

In Dracula, the mythological drama is present at all levels, and there are no parts, ideas, or interactions between characters in any moment of the film where it would not be important in one way or another.

We will not consider all aspects in which the mythological context directly manifested itself, as it will take too much time. Let's see just one – the one that is the main motive of the film and somehow creates the main plot collision, and with it – the metaphor and essence of the story itself.

And this is the motive of hierogamy.

Hierogamy as a concept can be considered in two aspects. The first is mythological, in which it represents the name, description, and modeling in the ritual a sacred marriage (from the Greek ιερός γάμος, Latin hieros gamos) of the god and goddess, and the second is alchemical (archetypal), denoting the combination of male and female principles in the process of creating a philosopher's stone.

Hierogamy in one way or another includes a sexual context, in the sense that it puts at the center of the event and experiences ‘connection’ and ‘dissolution of boundaries’ to create a single one that will be greater than the sum of its parts.

In Dracula, both of these aspects are present and can be recognized from the very first minutes.

We will not go into details, just list a few examples.

The most obvious and conspicuous is Dracula's castle as the fruit of love between Petruvio and his wife (whose portraits hang side by side on one of the floors and, as we learn later, are the ‘entrance’ to the mystery of the castle and its structure, and at the same time – the ‘exit’ to the outside world), Jonathan as the bride of Dracula, thanks to the interaction with which the Count is able to leave his ‘prison without locks’, the connection of Mina and the remnants of Jonathan on the verge of space separated by the sacred bread, allowing Dracula to penetrate inside and give rise to a new interaction of the male and female, and so on.

But the fun begins to happen in the second episode.

Given as a prototype, a form and a plot configuration, the mythological drama of hierogamy has so far been satisfied with literal images of heroes and disclosure at the level of the plot. It was difficult to suspect something more in it than a direct (allegorical) depiction of mental and emotional processes. But in the second episode, a new layer appears in this story. Or rather, it stops hiding.

It's so simple, so obvious and so cheeky frank that when you watch it for the first time, you miss it in an attempt to follow the plot. And only by the end of the episode you do guess that you should follow something else.

Yes, we do not yet know – and we have nowhere to find out – that the action of the prologue of the second episode takes place on the same ship, which will become the stage for the internal and external drama, but the style and images, the very structure of the situation, gradually suggest what will be discussed here.

And it will be the drama of Kora-Persephone.

Let me briefly recall the content of the underlying ancient Greek myth about Kora, Hades, and Demeter.

The daughter of the goddess of fertility Demeter, Kora, attracted the attention of the ruler of the underworld, the god Hades, and he kidnapped her, taking her to him, to the lands of the dead. There Kora spent some time, communicating quite closely with Hades, after which she begged him to let her go to the ‘upper world’ for a while so that she could see her mother, whom she was terribly longing for. Hades fulfilled Kora's request, but on the condition that she would return, and gave the girl several pomegranate seeds for the journey. During her stay in the kingdom of Hades, Kora refused to eat anything, so by the time she received the gift she was very hungry, and therefore, soon after she found herself on earth, she ate the seeds. And since the pomegranate is the fruit of Hades and the symbol of marriage, this made her return to Hades a must. Meanwhile, in the ‘upper world’ fields and plants ceased to bear fruit, and eternal winter came, as Kora's mother, Demeter, mad with grief and longing for her daughter, turned away from people and nature. Zeus found a solution to the problem. He decreed that Persephone (that was the name of the goddess who had ceased to be a girl) should spend six months on Olympus, that is, with her mother, and six months – in the kingdom of Hades, now her husband.

Thus, the myth, on the one hand, describes in the language of an archaic worldview the logic of the changing seasons (Persephone on Olympus – Demeter rejoices, spring and summer come on earth, Persephone in the kingdom of Hades – Demeter suffers, autumn and winter come on earth), and from the other, represents the mystery cycle of successive transformations of a girl into a woman and the unification of male and female in sacred marriage.

Let's see how this mystery cycle unfolds in the film – on a formal and substantive level.

The ship on which Dracula sails to England is called Demeter. In the center of the plot of the episode are the abduction of a virgin (a nun is by definition a virgin, if not physically, then symbolically) and the interaction of the hero with her on a ‘lower’, deep level. Lower, in the sense – detached from the everyday, visible to everyone, taking place in the light of universal attention and perception.

The hero who kidnapped the virgin (by the way, we have no doubt that he kidnapped her, from the very beginning – just do not know how exactly it happened; and therefore our desire to follow them closely is so intense) does not completely belong to the world of the living, although he does not belong to the world of the dead either. He seems to live on the border, not being part of either of these two realities. So that no one has any doubts about who he represents, let us recall that Hades was not always associated with death among the Greeks, and was never considered the master of hell and a synonym for death and destruction. He created a kingdom for himself, which he called by his name, in order to live away from everyone. And only later did he become the ruler of the world of the dead.

Obviously, the description of Dracula's life in the castle refers to the reality of Hades in the underworld, largely parodying it. Because, although Hades is the king of shadows, he is still a king, and his kingdom is real. Whereas Dracula lives, in fact, in a dump filled with bad memories and rotting broken dolls, locked in the boxes.

But Hades also kidnapped Persephone, not on great terms.

Both stories, the mythological one, and the story told in the film, lead us to the fact that the hero (the masculinity, the organizing principle) for completeness and development lacks a partner, another view of the same world, a beloved-opposite.

Dracula finds her at the gates of the convent and, according to the logic of the mythological drama, drags her to him. There is an interesting moment: hardly, having captured Agatha, Dracula went with her immediately to the ship. Most likely, he first brought her to his home, that is, to the castle, and only after that, when the time came, he sent her to Demeter. So, their interaction began in the castle, in the literal realm of the dead, and continued on a ship in the middle of the sea, in a transitional space, in a space of changes. This fully corresponds to the myth of the transformation of Hades, who has gone from voluntary loneliness to becoming a king in the world of the dead, where everything is indefinite, mobile, unsteady and although it does not change in the sense in which it happens on earth, it represents the idea of change as it is.

Everything is possible in the space of changes, therefore, here the most important thing for the whole film takes place, and that will give the story an impulse to move forward and being resolved in the form, which we see in the third episode.

Let's turn now to Agatha's story.

On the ship, she travels in the role of Kora – at first, abducted and held in the ‘underworld’ and not realizing her position (Hades, let me remind you, having kidnapped Kora, did not immediately make her his wife, and she was sort of his guest – until the moment when she persuaded him to let her go to earth to see her mother), and then – in fact, the mistress of this very kingdom.

Why mistress? It is rather difficult to answer this question. But there are details in the text that give hints and, on close examination, leave no room for double interpretation.

The simplest and most obvious is the physical location of the characters in the frame. They are on an equal footing, both in the center, and although Agatha is shorter than Dracula, she is as ‘in her place’ as he is and feels just as confident.

The second is how they communicate. In addition to the fact that the dialogue, the beginning of which we see in the prologue of the episode, is quite friendly and mutual (no one hangs over anyone, does not threaten anyone, and does not try to pressure – for those who have forgotten what it looks like, there is the final conversation in the convent), Agatha's position is read from the phrases thrown by Dracula in passing, but very eloquent. Such as ‘You choose’ – in response to the question of who will play black and who will play white. And this is only the upper layer of interaction, there are more of them, and on each one, it is acutely felt that here Agatha is not a prisoner, but a partner.

You might say, – of course, this is all part of an insidious plan to keep Agatha in the dark, and no real courtesy (not to mention real respect and closeness) is out of the question. Dracula is just playing with his victim. But this is the essence of the story and what happens on Demeter, as well as in the space of the original drama. Hades kidnaps Persephone as something alien, beautiful, and unfamiliar, something that attracted his attention in the distant upper world and that, like a fruitful grain, fell into his dark hermetic kingdom and ignited the spark of life in it.

Hierogamy and everything that precedes it is a mutual process, otherwise it makes no sense.

But then a moment comes in the story, which in the mythological drama corresponds to the stage of the earth, empty due to the grief of Demeter and the despair of Kora, yearning for the upper world.

On the ship, which has lost most of the passengers and half of the crew, because of Dracula's appetite, tension grows, and in the same way, it grows inside Agatha, who despite her quite comfortable position, begins to realize that something is wrong here.

Internal and external tensions converge at one point – on both sides of the doors of cabin number nine. And when the doors open, the mythological drama comes to the surface.

Interestingly, the story here does not even try to hide what it really is – from a detective in Agatha Christie's style, turning into a mystery action. Moreover, it directly admits it – when Dracula invites passengers and crew members of the ship to cabin number nine and brings them to Agatha's bed, he opens the curtain.

But what is going to happen here?

Let's see what the situation is in terms of structure.

The hero, who for a long period of time keeps a woman abducted by him from the ‘upper’ world, alien to him, experiences the invasion of this very world and is forced to present this woman to those around him and somehow explain her presence in this place and their relationship. Let us recall that the relationship between Kora and Hades also remained ‘unnoticed’ for the time being, or rather, until the moment when its uncertainty began to create problems.

Let's forget for a while about the individual needs and questions of passengers and crew – the important thing here is that all the ‘inhabitants’ of the ship demand to explain what is happening and to open cabin number nine.

Demeter demands Kora to her. She does not agree to put up with the current situation and calls Hades to account.

What remains for the hero? He, as in the Greek myth, acts with cunning: in this case, in the film, he tells the story that the woman lying in (his) bed is a murderer, the terrible eater of people whom passengers and crew have been unsuccessfully looking for throughout travels.

Dracula is trying to explain Agatha's presence here and now, on this ship and in these circumstances – not only to deflect suspicions from himself, but also to structure the situation in which they find themselves – not so much because he wants it, but because that he has no other choice.

What happens on deck is a logical consequence of his decision. Brought to light Kora is no longer the same as before – having visited the kingdom of Hades and entered into a close relationship with him, she can no longer remain a girl and just a daughter of her mother. Her innocence is left in the arms of the lord of the underworld. And since he really does not intend to let her go, all that remains for him is to make their relationship ‘legal’.

The hanging scene, entirely built on the interaction of Agatha, Dracula, and the ‘choir’ consisting of the crew of the ship and passengers, looks like another erotic at the same time (after the first scene in the convent), in which Agatha again from above and again largely dictates conditions, – and as a kind of coronation scene.

But not only the one.

There are so many meanings in this scene, and they are so closely intertwined and interconnected, that in order to see them all, you should carefully examine it – slowly, gradually.

First, Agatha is placed on a barrel and a noose is thrown around her neck, intending to execute her.

It would seem, what does Hades' marriage to Persephone have to do with it?

According to ancient pagan beliefs, the remnants of which are also preserved in Christianity, the bride, who left her home and married the fiancé, was considered dying for her previous life and being born for a new one.

Not everyone on the ship agrees that an unfamiliar and barely breathing woman is indeed guilty of the murders on the Demeter, and a dispute erupts between the judges hungry for justice. Among others, the captain speaks out and says that the woman standing on the barrel is the wife of the mysterious Mr. Balaur, who paid generously for her transportation in cabin number nine, without attracting unnecessary attention.

The word ‘wife’ is important. Firstly, because Dracula (Hades) still knows more than Agatha (Kora), even if he did not fully formulate it for himself. And secondly, because in the mythological reality in which the characters undoubtedly are, words matter. Let us recall that events still take place in a transitional space in the midst of changing and constantly moving waters. In this reality, what is not uttered is not defined. What is not shown does not exist. (I don't think I need to explain to anyone that cabin number nine is Schrödinger's box.) Thus, the one who utters the word determines this reality.

In the noise that arose after the recognition of the captain, most of the spoken words are lost, but two of them are heard clearly and turn out to be the main ones. This is the word ‘bride’, declared as a negation, and ‘wife’ disputed by no one.

At the plot level, this is just a confusion, a skirmish of frightened and distrustful people, but at the symbolic level, everything is clear and logical.

First, the bride announced that she is not the one (‘I'm not Balaur's bride!’).

Second, another person declared publicly that she was the wife of Mr. Balaur. Who, in turn, is nothing more than a mask, a pseudonym for Dracula. This is not enough for marriage, you say. Yes, sure. At the plot level, no doubt. But the characters are in symbolic space. And here, in this space, it is important who utters these words.

The captain pronounces them – a person who, by his position, is the master on the ship, who has the right to judge and resolve disputes, the right to execute and pardon, and – to seal marriages.

But this is not enough either. There are almost no coincidences in such texts. It was not in vain that I mentioned that the word ‘wife’ was not disputed. A mythological drama is being played out before us, but it is being played out in a nineteenth-century setting. Therefore, for a legal marriage, another formula becomes significant.

‘And if there is anyone among us who knows the reason why this marriage should not be contracted, let's tell now or be silent forever.’

Then one final touch is missing to complete the ceremony.

The moment when Agatha asks who has the courage to knock over the barrel and hears Dracula's answer: ‘Me,’ on a metaphorical level, ‘closes’ the frame of the ritual action.

The fiancé approaches the bride and makes a movement to ‘end the game’ – literally to kill Agatha, and symbolically, to complete her transition from bride status to wife status. Here even blood is present as an attribute of the loss of virginity, even though, in this case, the bride has long since said goodbye to it. But we are talking about the symbolic aspect of what is happening.

Let's not forget, however, that the lord of the underworld kidnapped Kora-Persephone and involved her in marriage without her direct and informed consent (more on this later). Therefore, Agatha's actions, when she spits blood in Dracula's face, literally designed to reveal his vampire nature for everyone, symbolically signify the resistance of Kora-Persephone and the desire to escape from her husband. But some things, having started, are quite difficult to stop, so Dracula still knocks over the barrel. Having successfully landed surrounded by ‘guests’ at the wedding, Agatha survives. But on a symbolic level, her death was not the goal. The goal was to physically separate one part of her life from another. This is exactly what happened.

Thus, we can conclude that after the end of the second episode, we are no longer facing Kora, but Persephone – the queen of the underworld.

But, as in the myth, Persephone at this stage is still the point of intersection of the conflicts of several characters. This is Hades, who wants her to return to him from the upper world, Demeter, who does not think to retreat, and... Persephone, who needs to deal with herself and who she is now, and how she will continue to be.

At the mythological level, it is the conflict that will become central in the third episode.

In the myth, at the request of Persephone and Demeter, Hades released Persephone to the upper world, giving her (some sources say – forcing to eat, but this is unlikely since it does not correspond to the function of that types of objects in myths and fairy tales) several pomegranate seeds... It was because of this that Persephone, having eaten them already on earth, was forced to return back to the underworld.

Do you remember what happens in the third episode?

Zoe van Helsing (a doctor, who, by profession, every day deals with the reality of both the ‘upper’ and ‘lower’ worlds, and exists and works on their border) – who can be considered a kind of ‘earthly’ incarnation of Agatha, Persephone from ‘upper world’, meets Dracula, whom she did not think to meet. By her own admission, she never really believed that Dracula would be found. And Dracula, seeing that his ‘wife’ does not remember him and does not want to return, gives her his blood and offers to ‘read’ it – if Zoe guesses how to do it.

That is, you understand – he does not directly offer her to drink his blood. He only gives her what she wants. Just like in the myth.

Zoe is a researcher, and besides the fact that she may have hoped that Dracula's blood would somehow help her recover from a fatal disease, she probably really wanted to know the secret of vampire blood, as any real scientist, inquisitive and hungry for knowledge.

Now let's turn to myth again. Persephone ate the pomegranate seeds that Hades gave her because she was hungry because she refused food all the time she was with him.

By the way, these seeds originated from drops of Dionysus blood.

The connection of Dionysian ecstasy, wine, blood, intoxication, and the processes occurring at the level of the ‘lower world’ – the world of the corporeal and the unconscious, is spoken directly in the text several times, but I think there is no need to dwell on this here.

After that, it is not surprising that the symbolism of the field appears here, – in the middle of which Zoe finds herself after drinking Dracula's blood. If in the second episode Demeter was present as a ship, a womb, a mother, carrying the potential of the future and protecting her child, then in the third she appears before us as a fertile layer, a bed, giving Agatha-Zoe-Persephone her blessing and, thus, the opportunity to complete the transformation and become a full-fledged spouse of her husband, at the same time, keeping the connection with the mother on a new level.

All this allows the story to unfold in the finale in a mysterious – alchemical context.

The fact is that the cult of fertility, the cult of Kora-Persephone, presumably formed the basis of the Eleusinian mysteries, mythology, and philosophy of which greatly influenced the views of medieval Western European alchemists. From here comes the similarity and continuity of images, ideas, and descriptions of processes, a close, often inherited metaphor, and, in a certain sense, an underlying common myth.

As the screenwriters themselves remind in one of the interviews, Dracula is a story of resurrection. So there is nothing surprising in the fact that in the finale of the third episode and the entire film, the mythological motive of Kora-Persephone and the alchemical one – coniunctio oppositorum* – are combined in one hierogamy.

This is openly stated in the text as well. In one of the last scenes of the series, Dracula says, addressing everyone present at once, and indirectly to the viewer: ‘Journey's end. Lovers meeting.’ This is a literal description of the alchemical stage of the union of the masculine and feminine principles.

Therefore, in the final scene, he and Agatha are making love – at the level of the plot, this is due to the development of their relationship as individuals, as a man and a woman, but at the symbolic level this is because the opposites they represent have reached a state where they can merge to give the beginning of a new one.

It is important to remember here what the story is constantly showing visually: there is what is happening on the ‘outer’ plane and what is on the ‘inner’ plane. The space of the film is constantly divided into two levels-states: Dracula's castle and the monastery, the monastery and the area in front of the monastery gates; what is happening in Agatha's workshop and the same thing – recorded in Dracula's blood and played in Zoe's head, Dracula and Agatha, lying on the table in Dracula's apartment, and Dracula and Agatha together in a golden light.

Let me remind you again: a real myth, an archetypal drama, very rarely unfolds in front of the viewer or reader directly, told in literal, poster language. Most often they turn out to be ‘wrapped’, embedded in the shell of a legend, parable, or fairy tale. In this sense, nothing has changed since the time of the ancient Greeks. The basic narrative structures are the same. How, perhaps, we all remained the same. Therefore, stories like this work. Therefore, they are important.

And also – because they are all-conquering beautiful.

* Сoniunctio oppositorum (Latin) – the combination of opposites. One of the key stages of alchemical Work.

P. S. In conclusion, I would like to show a few symbolic images from alchemical treatises. I will not show the corresponding scenes from the film – I think you yourself will recognize them. The first two illustrations are prints from the Splendor Solis, the third – from the Rosarium philosophorum.

#dracula 2020 #bbc dracula #count dracula #agatha van helsing #meta

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aethelflaedladyofmercia · 4 years

Text

Lessons and Lamentations

Crowley has been alone for so long, he doesn't remember any other way to be. And then an angel in a tavern tries to tempt him.

A lesson in music, and what it means to not be alone.

Another Good Omens fic for @bingokisses - this one for the prompt “Learning Guitar/Piano together” (well, lyre, close enough) which on my card was paired with “Over-the-shoulder kiss.”

Available on AO3, with detailed history notes for those who like that sort of thing.

Crowley still wasn’t sure what had happened.

“Start by placing your hands like this,” Aziraphale instructed him. “The lyre goes against your thigh, here.” The curve of the tortoiseshell pressed into Crowley’s leg, partway between knee and waist. The angel’s arms wrapped around him, lightly holding the instrument. “Go on. I can’t show you how to play if you don’t take it.”

Five hours ago, he’d been sitting in a tavern, looking forward to getting comfortably black-out drunk and sleeping off the rest of his assignment. Five hours ago, he’d been just about ready to write off the entire ridiculous planet and all the useless beings who inhabited it. Five hours ago, he’d been alone, as he’d always been alone, for so long he couldn’t remember a different way to be.

And then an angel had tried to tempt him.

“Good. Now, when you actually play, you’ll have both hands on the strings. One behind, one in front. But for now, just keep it tilted just like this, so you can see what I’m doing.” One soft hand stayed on the back of Crowley’s helping him cradle the instrument. The other, the right, brushed across his skin as fingers reached to pluck a few notes.

It wasn’t that Crowley had wanted dinner. He ate, when he wanted, but not oysters. If he was going to put something in his mouth, it wouldn’t be a slab of barely-cooked meat that smelt of salt and had the consistency of a particularly phlegmy cough.

But, bless it, that angel was so determined to be friendly and how could anyone resist that? Crowley’s specialty was the irresistible. He knew when something was a lost cause.

“Now the simplest method is plucking, like this, and you’ll notice if I press down here,” his left hand shifted to rest on the strings, “the note is – is sort of abbreviated. Muted and quick. But if I leave the string free…” A soft note reverberated through the atrium. “Then it holds for quite some time. So you can combine several of those to make a chord, like this.” He plucked three strings rapidly, and their sounds combined into a single, rich note, warm, almost liquid, flowing together into something even better.

It had taken some time to warm up to each other. They disagreed on everything. Politics. Morality. Whether or not Caesar had deserved to be stabbed quite so many times. All the big questions, really.

But then, Aziraphale had taken a mouthful of the sharp red wine and spat it back out. This is no sort of wine! My dear fellow, how can you stand it?

S’Rome. You drink what they have. Not any worse than that beer in Uruk.

It absolutely is! My word, how your standards have fallen.

“Now once you have that down, you can start strumming – and you have to make sure your fingers are exact, or it won't work. Hold down all these strings from the back, here and here and here…like that. Then, instead of plucking, you just run your thumb across them all like this—” Seven notes all rose through the air, one sound that was everything together, pure and clear. Crowley gasped and, without thinking, leaned back a little against Aziraphale’s chest. “Mind your legs,” was all the angel said, shifting his knees and feet to hold Crowley’s legs in position.

The argument about wine had turned into a long digression about the drinks of a hundred different cultures. They agreed the pear wine to the north had been the lightest, smoothest of all, that Egyptian beer was superior to Sumerian but really the whole concept needed work, that the plum liqueur drink of the far east was simply delightful, though they disagreed on whether or not it should be drunk by the jarful.

From there they moved on to the decoration of the jars – the simple patterns of the northern cultures compared to the elaborate (and often erotic) scenes of the Greeks. And then to art generally, to paintings, to sculpture, to the general agreement that the emperors’ enormous monuments were rather on the gaudy side. After some discussion, they determined the best work in the city to be a simple but beautifully carved statue of the goddess Hygieia stepping from a pool, located by one of the city’s many baths. Crowley particularly liked that she carried a snake, and Aziraphale had laughed at that.

“Do you want me to play a song for you? So you can see how it goes?” Crowley nodded, not trusting himself to speak. “Alright, let me think.” Aziraphale leaned closer, resting his chin on Crowley’s shoulder, arms absently tugging at his waist to pull them more firmly together, before returning his hands to rest on the backs of Crowley’s. Now every part of Crowley pressed against a part of Aziraphale. It should have felt like an intrusion – Crowley hated to be touched, hated other people in his space – but somehow it felt the most natural thing in the world. “I’ve got one. Now watch.” He rested his left hand against the back of the strings, and with his right lifted a wedge of tortoiseshell, which he used to pluck one string after another, a slow and stately rhythm.

Speaking of art had brought them to talking about the theater, which they both confessed to enjoy. They’d discussed whether the current plays could ever be as good as the classics – a difficult conversation, as apparently the angel preferred slow-paced bore fests whereas Crowley liked the ones with good jokes and fast dialogue. Eventually Aziraphale conceded that Plautus was one of the best playwrights in recent memory, and Crowley agreed to go see Seneca’s take on the Agamemnon story.

Are all angels so obsessed with tragedy? The restaurant had brought a bowl of figs, which were much more to Crowley’s liking. Makes sense, I suppose. Predestination and the plans of the gods and all that. Humans learning to accept their fate.

Oh. Aziraphale’s face had fallen. No I…I rather think I’m the only one. He’d shifted uncomfortably. That is…theater isn’t considered a particularly angelic pursuit. Nor is sculpture, or food or…well…really any of the, you know, human arts.

Crowley had cocked his head, rolled over to lie flat on his couch and stare at the ceiling. Makes sense, he had started in his usual cool, detached manner. They’re very demonic pursuits. All those, you know, delicately carved ladies, that just inspires lust and…and envy and all sorts of sins. And the theater! Comedies about sowing confusion and throwing the entire world into disorder. Mocking power structures. Tempting young men into lives of romance and – and fun, instead of duty and war and whatever else? Yes, very demonic.

He had grinned to himself, satisfied with his explanation, until a glance at Aziraphale’s face had made his chest ache. The brilliant smile had vanished completely, leaving the angel looking downcast. Hopeless. And alone, so blasted alone, in a way that resonated deep in Crowley’s soul.

So, thankful for the glasses that hid his eyes, Crowley had sighed with as much drama as he could muster. Least, that’s what I tell my superiors. Don’t think they really buy it, but I keep trying. Aziraphale blinked at him in confusion. Don’t think I’ve ever had a chance to, you know, talk about it properly, not with anyone who understands. So. S’nice. A look of understanding dawned on the angel’s face, with an entirely new kind of smile, and Crowley had to turn away before it burned him alive. Yeah. So. That’s theater…nh…what do you think of music?

Which brought them here, to the villa of the family Aziraphale had been assigned to, and the lyre, and a music lesson that so far had been an education in something very different.

Each note fell like rainwater, gliding up and down the scales. His hands began to move independently, sometimes plucking notes from the front and back of the instrument, sometimes gliding across the strings, sometimes one finger would rest on a single string, making it quaver and reverberate. Every time Crowley thought he knew the pattern, it would change, faster or slower, higher or lower, a sweeping glissando to bring a chill up his spine.

It was a lament, infinitely sad and alone, and yet filling the air with a bright rhythm of undeniable, unremitting hope.

Crowley couldn’t keep up with the movements of Aziraphale’s fingers, dancing up and down in an incomprehensible pattern. Instead, he half-closed his eyes and leaned back, resting his head more comfortably against the angel’s shoulder. Aziraphale said nothing, intent on his music, but he tilted his head so that their cheeks rested together.

Nobody liked Crowley, not really.

They tolerated him, or were impressed by him, or flattered by his compliments, or drawn in by his intrigue – all the tricks of a tempter. He could roll into any city or village in the world and have the locals eating out of his hand in a matter of days. But once he’d done his job, once he’d accomplished his goal and could drop the pretenses…nobody ever stuck around, and it was on to the next job, the next temptation, the next act.

He didn’t miss the company. He didn’t need it. He had passed four thousand years on this planet quite happily alone, and could do the next four thousand the same.

And yet.

And yet here he sat, on the floor of a fancy villa, surrounded by Aziraphale, wrapped in his arms and his legs and his music. Welcomed. Accepted. Wanted.

Just for the length of a song, nothing else needed to exist. No Heaven, no Hell, no sides, just two beings enjoying each other’s company, just the smell of Aziraphale’s perfume and the brush of his toga against Crowley’s arms, just two heartbeats dancing to the sound of the lyre.

The song wound to a close.

Crowley tipped his head back, trying to meet Aziraphale’s eyes, but could only see a round cheek, a pursed mouth, a snub of a nose.

He wished the song could go on forever. He wished…something. He didn’t know what, but he wanted it more than anything.

Aziraphale plucked the final notes.

And, as the last chord reverberated through the room, their lips met.

Quick as an echo, just as soft and mysterious. An unmistakable brush of lips, the slightest parting, a hot stream of breath. A greeting. A thank you. A promise of…something, someday, Crowley couldn’t imagine what, but he would gladly wait ten thousand years to find out.

And then – the last note faded, and Aziraphale pulled away.

“Well. There you have it. Quite a tidy little instrument, isn’t it? Quite – quite clever, I really prefer it to the cithara, you know.”

“Yeah, um.” Crowley turned his face away. He didn’t actually remember starting the kiss, but it must have been him, the eternal tempter, always pushing for whatever he could get. Pushing too far. Already, he could feel the tension building in Aziraphale’s stomach.

“Perhaps that’s enough for one night?” Crowley’s heart fell. “Yes, I – I rather think…yes, probably sufficient…”

“Can you—” Crowley gripped the instrument a little tighter. “Can you show me a few notes? While you’re here. While I’m here,” he corrected.

“I…you still want to learn?”

“S’why I came, isn’t it?” He shifted his hands and tried to pluck a note; it came out more sour than sweet. “Something like this?”

“Nearly.” Aziraphale’s fingers came around to nudge his, but they hesitated. “Perhaps I should, er, sit facing you? That might be less…”

“You don’t have to,” Crowley said, far too quickly. “I mean. S’easier this way. Facing it the same way, hands on the same side, all that. You don’t…you don’t have to move.”

“Ah. If. If you’re sure.” Crowley nodded. “Right then. Ehm. When you pluck, you should pinch your fingers like this…”

The lesson went on until the early hours of the morning, Crowley nestled against Aziraphale, as the warmth and the music filled him.

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ophelia-avalon · 3 years

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Book review: Inventing Witchcraft by Aidan A. Kelly

CW: Brief discussion of sexual and BDSM-related topics

In its early days, Wicca presented itself as an Old Religion, a pagan witch cult that had survived despite Christianization, picking up a theory proposed in the 20s by Margaret Murray. Founding father Gerald Gardner himself famously claimed that in 1939 he had been initiated into an existing coven.

That this story is not true has been long public. In Inventing Witchcraft, however, Aidan A. Kelly, gives hard evidence for Gardner’s fluke. And the way he does it is quite fascinating.

I had known that in a way, Wicca is the child of the workings of the Hermetic Order of the Golden Dawn and Aleister Crowley. However, I didn’t know how exactly the two connected – especially since most of the sources on Wicca I knew until recently, were written decades later and theologically already quite far removed from their origins. To me, this book closed a lot of the gaps – in a way, it was the missing puzzle piece in my research.

Inventing Witchcraft is a case of ‘Don’t judge a book by its cover.’ The edition I bought as print-on-demand, has your regular pagan kitsch on the cover a sensationalist text on its back. The author Aidan A. Kelly, however, next to being a witch was also a religious researcher and the book originally written as a dissertation.

Although rewritten for a broader audience, the text is still quite academic, but Kelly’s comments, as he walks you through the evidence are quite fun to read and often ironic. What he does is, in his own words, playing ‘literary’ detective.

Throughout the book Kelly is doing close readings on manuscripts from Gerald Gardner’s legacy (Ye Bok of Ye Art Magical and several versions of the Book of Shadows used by Gardners coven) as well as early published texts on Wicca (such as High Magic’s Aid and Witchcraft Today) both ranging from the 40s to the 60s. By comparative analysis, Kelly is able to put a chronology to the documents.

He identifies the sources that Gardner drew on: Ceremonial magical texts, The Key of Solomon and Aleister Crowley in particular. The more ‘pagan’ elements are drawn from Leland’s Aradia. In fact, there is little original content to be found in the early manuscripts.

Kelly poses the question: If Gardner had really been initiated into an existing tradition, why did he have to add so much concepts from another magical tradition?

As Kelly walks you through his detailed analysis it also becomes clearer and clearer just how much re-writing and re-inventing was still done in the early years of Wicca. Rituals which had been described in the published works, described in them as traditional, are shown to be still in the making in the Book of Shadows.

Kelly suggests that the way that Gardner treated his material strongly suggests that he was not working with traditional material.

Even if Wicca had existed before Gardner, it still does not prove Margaret Murray’s theories, as the witch cult described in her work is different in some fundamental points. Interestingly, the many of the people who identified as witches in the second half of the 20th century, adopted elements of Wicca into their practice (Kelly is citing some of them) - which is the reason why a lot of modern witchcraft today shows the same ritual structure (borrowed from ceremonial magic) as Wicca.

What I also found really interesting were Kelly’s thoughts on the prominence of scourging in Gardnerian Wicca. (I have to admit, until reading the book, I had not been aware of just how prominent it is in the rituals described in the Book of Shadows.) Kelly suggests that Gardner included the scourging as he himself enjoyed it sexually, which then enabled him to perform the Great Rite later in the ritual. The textual evidence supports his claim, since the theological explanation(s) for the use of the scourge were added only later to the material (and Gardner frequently added scourging in rituals written by Doreen Valiente).

So what shall we make of all this? Kelly, drawing on his expertise as a religious scholar, proposes that when looking at the history of Wicca, he is not seeing just seeing a fraud – rather, many of the things that happened are typical for the birth of a new religion, including the claim to antiquity, and myth making. After all, all religions were once made by humans.

Inventing Witchcraft: A Case Study in the Creation of a New Religion by Aidan A. Kelly, Thoth Publications: 2008.

#wicca #witchcraft #advanced witchcraft #book review #witchy books #aidan a kelly #gerald gardner

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shekissesturians · 4 years

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Animes Watched Since Quarentine Started ~

So I just sat down and realized... I have developed a problem X’D BUT it could be worse! So I figured I would share for those looking for something new to watch! Also, what have y’all been watching!?

Full list below the line + reviews! * No spoilers, I promise! I wouldn’t do you dirty like that! * ;-*

1. Kakegurui

This show took me by surprise, I had no idea gambling could be so thrilling! Plus let us take a moment to appreciate the facial expressions animated in this show! Beautiful, just beautiful. Beware though, this anime gets dark, and sick, and you will definitely forget to breath at times. It is a thorough joy.

2. Steins;Gate

3. Steins;Gate 0

Honestly, Steins;Gate + Stains; Gate 0 is one of the best animes I have EVER seen. Legit. Also, It is one of the best stories of time travel I have ever encountered. The way it is explained in the anime is brilliant! Compelling, thrilling, emotional, so much amazingness. I watched in chronological order instead of season order which I really enjoyed. Also one of the most moving anime endings I have seen. All the characters you will fall in love with, and their character development is one heck of a ride. A must watch, 100%.

4. Fullmetal Alchemist

This was a nostalgia back flash for me! It was been years and I felt like reliving it all over again. Which I am glad I did, cus boy was there a lot of heavy themes and topics I did not pick up on when I was younger! One of the biggest themes was this existential undertone throughout the whole show that explored the ideas of humanity, authority, morality and race.

5. Fullmetal Alchemist Conqueror of Shamballa

A must follow up to the original FMA series. It just ties the whole story up in a pretty bow. I remember when I first saw this movie, it was my first encounter this the idea of multiple dimensions and it just blew my mind. The whole this felt so exciting and surreal, and I loved the addition of our timeline playing a part. Watching FMA + Movie over again leaves me a bit torn on which is better, Brotherhood or first adaptation. I think both should be watched for a full understanding of the lore. The first anime series definitely has some holes and details missing, but it’s also so nostalgic and they really give you a better development of characters and feels than Brotherhood does, as they rush through that to get back to the main plot.... so grab some popcorn and watch both and just enjoy the ride :)

6. Angels of Death

This anime has such a unique premise!! And morally it is just all sorts of twisted, which I love! The music is fantastic in it and all the characters you encounter are very unique and fun... it’s dark though, don’t get me wrong.. and twisted. BUT a fun ride if you are down for that kind of adventure!

7. Another

WHOOOO BUDDY! If you want to go on a journey THIS IS ONE! It’s a mind bending premise and each episode ends in so much suspense. I literally could’ve watched the whole thing in one day. This anime is like a jar of Pringles, once you start you just can’t stop!

8. Death Parade

This anime gets the prize for the most misleading opening ever! X’D But it is such a BOP Please watch if you can. The anime overall is a joy, its very thought provoking and touches on the darker topics of death and mortality. Who is really good? Who is evil? Where do they seamlessly blend into each other? Besides the premise being so unique and tantalizing, the artwork is breathtaking! The background and environments the characters exist in are gorgeous. As an artist and a writer, I appreciate this anime on so many levels.

9. Sekkou Boys

Oh god, this anime is a joy. Just pure, clean joy T.T The episode are VERY short so you could finish the whole thing in an evening. But if you are an artist, a Renaissance history lover, or a J-pop fan, you will especially appreciate this joy of a creation. Watch it for your soul, you will feel better afterwards.

10. Kokoro Connect

This is a very intriguing coming of age story to say the least. There is an element of fantasy/science fiction that comes into the picture that stirs all sorts of trouble for our dear group of friends. It makes you really reflect your own intra- and interpersonal relationships and how we perceive and interact with one another. Overall a fun trip to go on.

11. Occultic; Nine

HOLD ONTO YOUR HORSES CUS THIS ANIME IS FAST! Omgsh, if you watch in Japanese like I did, get ready to have tired eyes cus the pace and speech of this anime is like nothing I have encountered before, but it is soooo much fun! It is mystery combined with the supernatural. It’s one of those animes where there is a lot of characters involved and some how everyone is connected in some way, like Baccano! if you have seen it. I would say to watch this AFTER you watch Steins;Gate if you have any interests because it is written by the same writers and there is little things that reference back to Steins;Gate which are really fun to pick up on.

12. School-Live!

I didn’t know what to expect when I started this series. It is not the kind of art style I am normally drawn towards but I am soo glad I watched. The characters are all really fun and cute! Especially the puppy!! <3 You deal with psychological stress as well as a nice mix of slice of life all in the midst of a zombie apocalypse! It’s a combination I never knew I wanted in my life, but now I am glad I have it. Don’t let the cute animation style fool you... it gets DARK. I was full out trying not to sob at one point, but I think that just shows how many levels are involved in this story. Have fun with this ride my friends <3

13. My Hero Academia

GUYS ARE YOU FREAKING READY!? This was the story I never knew I needed in my life, but now I don’t know how I lived without it. Dear god, I binged this one so hard I think I forgot to breath for a week. All of the characters are so dynamic and the overall tone of the series is so uplifting and positive. If you are in a depressive slump just turn this one on. I promise you, you will be smiling and feeling better in no time! It is so motivational as well. Humor, action, suspense, thrilling, emotional- I don’t think there is anything they don’t touch on. Uhg gosh, I could prob write a dissertation on all the themes and undertones expressed in this work. I promise you, this is a journey you will not regret taking <3

14. My Hero Academia: Two Heroes

I’ll be honest, I think sometimes series’ movies miss the mark, or just feel lackluster, like a power hour of filler. This one my friends.... DID NOT. I was really glad I watched it too, because I felt as though it added so much to the main story line. Plus you get to see college years All Might... so bonus! X3 But seriously, it is a very fun movie and it gives you more background to the world you wouldn’t otherwise get.

15. Shiki

First off... THE ART. This anime’s art is so unique and fits so well into the overall narrative. But honestly, I feel like this anime is a work of art, it feels like an old folk tale/dark fairy tale you would elders talking about in a pub late at night. The narrative never went where I expected it to, and by the end I was so morally conflicted I didn’t know what to do with myself. It’s a dark fantasy that really explores all the little nitty gritty grey areas that are often passed over in stories. There were definitely a few scenes that made me so uncomfortable I was squirming. Human nature is truly a sight to behold, and this anime shows it to you.

16. Kabaneri of the Iron Fortress

The Feudal Japan- Post apocalyptic- Steam punk journey you never knew existed! Gosh this anime is amazing. First off the art is breathtaking and many scenes reminded me of Miyazaki. Second, the music is SO GOOD. It’s a concept on the undead that I find to be very unique and truly thrilling. Most of the anime takes place on a train which is such an intriguing element. You also go into human fear of the unknown and how our nature can truly be our biggest hindrance. The characters are great and you get to the point of really rooting for them. Get ready for this feast for your senses!

17. Kabaneri of the Iron Fortress Movie: Battle of Unato

After watching the series I felt like my heart was still missing something. Honestly the whole thing felt like it went by too fast. I still wanted more! This movie helped fill the void in my heart. You get to see relationship begin to form between characters as well as more insight into kabane and all their abilities. Standing alone, this movie is a really fun adventure and gives more insight into the state Japan is in overall.

So THERE YOU HAVE IT! I hope you might have found some new things to watch. I would love to see others lists of things they have watched, feel free to leave in the comments! Or if you have watched any of these, I would love to hear your thoughts! Let’s chat <3

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wethepixies · 4 years

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Welcome to part two of our interview series, pixies! Today, we’re presenting our interview with four of the flaptastic people who make this rewrite possible. They had a lot to say, so this post is rather long - keep reading to see the full interviews!

Our first two Game Creator interviews feature two of our beloved artists - Rachel and Ci.

How did you first find out about the WTP project, and what inspired you to start working as an artist?

Rachel: In a computer graphics class I took last semester, one of our projects reminded me and my friend of Pixie Hollow, so we were reminiscing about the game and I really wanted to see if there was a rewritten version of it. When I found WTP and saw they were accepting artist applications, I was super excited because I loved the game and was starting to get into animation at the time as well. I also just adore the process of game development in general, so I was thrilled to become a part of WTP.

Ci was introduced to the project by a friend who’s also a staff member!

What is your favorite part of your job as a WTP artist?

Rachel: My favorite part is being able to contribute my work to a bigger project. Seeing the art I worked on in the game is really exciting to me. Just knowing that the work you put in is helping to further the game is really cool. As for my favorite thing to work on, it’s really strange, but I enjoy creating the UI buttons and signs for different meadows or shops.They’re super small and no one really pays attention to them, but they’re also extremely necessary so I guess I just like to make them, haha. They don’t always take too long to make but I think they’re cute. Also, I’m especially excited for all the new meadows, as I really enjoy helping to restore the beautiful art for the meadows.

Check out this gorgeous sign that Rachel restored for one of our meadow teleporters!

Ci: My favorite piece of art that I’ve created for WTP was probably a background I restored for a general winter theme/season back when I first joined. It’s not being used right now, but it’s pretty and you’ll just have to take my word for it :’)

How long does it take for you to work on art for WTP, and how do you fit that in your schedule?

Rachel: The time it takes really depends on how much of the project we have completed already. Oftentimes we’ll be working collaboratively and finish what other people have started. So if we are working on something from scratch it can take quite a while, but sometimes it’s just a matter of adding finishing touches and compiling pieces together to create a finished product. And each task takes a different amount of time. For instance, resizing something small will take a few minutes, but creating an atlas for fairy clothing can take hours, especially when you need to restore an item from scratch. Either way, I think it’s still beneficial for us to take our time to create the best product we can. Personally, I don’t always get to work everyday, but when I do, I’ll spend hours because I like to finish tasks in one sitting if I can, although I can’t always haha. I think that working in moderation is always a good idea as long as you’re getting your work done, and knowing we have so many fans really pushes me to get tasks done and do them well. As for fitting it into my schedule, because of quarantine, I definitely have a lot more time to work on WTP, but during the school semester I would have to plan out what I needed to get done and when I needed to do it in order make sure I could get all of my school projects and WTP work done on certain days in order to avoid as much stress as possible.

Ci: I don’t have time to work on artwork daily, but I do try to stay on top of what other people are working on, so a small chunk of my day is dedicated to discord. Sometimes I’ll be busy for weeks and do a whole bunch of tasks afterwards in one go, and sometimes I try to take on smaller things (pre-corona I’d sometimes spend time between lectures because that’s often the only time I have!). Some tasks are 5 minute jobs, like UI, but others, like adding clothing, take a few hours. Backgrounds probably take me the longest. A couple hours for a few days, if I have time to work on them daily. They’re really fun when starting!! but after day 3 it’s quite the grind. I like to sleep on those, since there’s so much detail in the PH backgrounds that I’ll inevitably miss something.

Rachel, you mentioned atlases and spritesheets - can you explain what they are and how you use them?

Rachel: An atlas and spritesheet contains all of the different variations of a clothing item or anything you can change on the fairy. So for instance, the hair atlas has all of the different types of hair you can choose when creating your fairy packed into one single file. So in order to make one you have to create all the hair pieces, position them correctly on a fairy reference, export each hair image, and then combine them all onto the atlas file. Then a json file is also created to describe where each image is in the file in order to use it in the game. The spritesheet is similar and is basically a horizontal version of the atlas with all of the images that we use in CAF to scroll through whatever you’re changing.

Do you start the graphics by hand or via some digital web design program?

Rachel: I almost always use digital programs. Sometimes I’ll plan something out quickly on paper but most of the time I’ll use Photoshop. We also use DragonBones for animation.

Ci: All of the research we do is online, so it saves a couple of steps and retains image quality to just keep everything digital. I also don’t have a scanner :’)

And finally, what’s the most challenging piece of art that you’ve made for WTP?

Rachel: The most challenging piece that I’ve done for WTP was probably the hair atlas for when a player creates a fairy because it was the first project I was taking on. All the hair was made already, I just had to resize, reposition, and fix any pieces that were lower quality, and although it was daunting at first, once I started, I was able to get the hang of it (even if it took a few tries), and now I’m super happy I learned how to do it.

Ci: We were missing a whole area of the CAF background (the part that shows up when you’re picking a name) that got passed around for one or two months, and eventually I got to work on it. It was the closest to a custom piece of art that I’ve made for WTP; the middle was a giant blur when I got to it. My motivation to complete it was honestly just being able to get it off the to-do list forever, when I was done I posted a before and after to the staff chat (which I try not to do bc it’s not really productive) because I was so excited about it :’))

__________________

We had so much fun learning more about our artists’ jobs! Next up, we decided to sit down with WTP game developer and administrator Teresa!

How did you first find out about the WTP project, and what inspired you to start working as a developer?

Teresa: A friend I made in the Pixie Hollow community said that her favorite mini game was Bubble Bounce, so I decided to make it for her. I had started prototyping and showing it around, and someone from WTP saw my work and invited me to join the team.

As we know, WTP is a voluntary project. How do you fit working on WTP into your schedule?

Teresa: I’m actually quite good at time management, and I’ve decided to make WTP a priority. That means that I can’t always say ‘yes’ to other things I want to do, but that’s ok.

What are some of the main things you look for when adding staff members?

Teresa: You need to be able to take criticism well and communicate effectively. A certain level of quality needs to be maintained to build a good game, and criticism sheds light on any blind spots you may have. If you aren’t communicating clearly and frequently, then your value to the team is very low – everyone needs to be on the same page so that work doesn’t get redone and wasted, and to keep an accurate development schedule. Being willing to devote more than a couple of hours a week is also a major plus.

How do you decide which parts of the game you should work on first?

Teresa: There’s this concept called the Minimum Viable Product. Basically, you just strip the project down to what is necessary and work out the kinks. Then you can add new features that enhance the gameplay.

What’s the most challenging issue you’ve faced while creating the game?

Teresa: There was a problem with the animation plugin that I was hoping would be fixed by the maintainers before the demo release. It was a really big deal, the game would be entirely unplayable. At the last minute, I had to dig into the plugins source code and figure it out myself. In the end, it wasn’t actually so difficult – but boy was it stressful. Really I would say that the biggest problems have stemmed from not having enough artists on the team! There have been multiple times where we had to delay updates because we didn’t have all of the assets ready for me to use in the game.

How do you go about fixing a game bug?

Teresa: Gather all the info I can from users experiencing the bug, and try to reproduce it. Just observing the behavior is often enough to figure out the problem. When it’s not, check the logs or step through with the debugger.

Have you ever worked on or made a game before WTP?

Teresa: I’ve worked a bit on some 3D open source game projects, never worked on the multiplayer parts before, though. I also make mods for games.

Lastly, what are your favorite and most rewarding parts of being a game developer?

Teresa: Pushing the boundaries of my knowledge and comfort zone, definitely. As a developer, I’ve learned a lot of new technologies and some new domains specifically for WTP. I also find being able to fix things that I don’t like about games very rewarding. Being an administrator has benefitted me as well. As an admin, I’ve had to cultivate skills in team leadership and project management.

__________________

Finally, we interviewed Lavender Merryheart, our sound designer.

First off, how did you first find out about the WTP project?

Lavender: I found WTP from a Youtube video, and played the demo. I was excited to be able to re-visit PH and when I saw the audio designer application, I wanted to help out however I could!

Are you remaking the music from scratch based on any remaining audio from sources like youtube?

Lavender: Both! We salvage what we can, and re-create what’s needed if. In the future, there will be some new, original music too! When we need a sound effect or music, we first check to see if there’s a good quality clip preserved of the original. It needs to be clear and without extra background sounds. If we can’t find any, then I will dissect the sound or song and try to figure out how it was made, then recreate it.

You mentioned that you make new sounds if needed, how do you go about making them?

Lavender: New sound effects are made by piecing different recordings together, such as the audio you hear when you click the talent orbs, which was re-made from the sounds of a heavy book shutting and wind chimes. If we need to remake a song, I make a new track by re-recording each instrument’s part on a midi keyboard. Then it will be edited it in Logic Pro X, using instruments and synths from the Kontakt audio library.

What’s the part of being an audio designer that you’re most excited about?

Lavender: I’m most excited about getting to write new music for the game! I can’t reveal to you what it’s going to be used for yet, but in the process for the last WTP track I wrote, I thought about how to represent the area it will be used for and what instruments and mood would suit it the best. It was a lot of fun to try to both express my style and also give it that Pixie-Hollow-sound!

Finally, how do you fit working on WTP into your schedule?

Lavender: I keep a to-do list and project notes to help organize what needs to be done, and work on WTP between class assignments. To refrain from burning out, I try to spread out my different tasks and work on a variety of things.

__________________

After we learned about what goes on behind the scenes on WTP, we wanted to learn a little bit about some future plans and hopes the staff have for the game.

Art wise, what sorts of things will be designed from scratch in the future?

Rachel: Although we still have a long way to go before creating our own work as we have to replicate what was in the original game first, I believe that new clothing and hair might be designed from scratch in the future.

Ci: Right now, we’re still committed to restoring the game in its original form–this means that we try not to design anything from scratch. We’ve discussed the possibility of custom content in the future (items + clothing, pets, meadows, maybe even minigames?), and when the time comes, all of that will be built from scratch. That said, pertaining to the look and feel of the original pixie hollow will be a priority for those updates too.

What game feature from Pixie Hollow are you most excited to have?

Teresa: Personally, I am excited for the skill system and wilderness! We have some new ideas to try out, but I don’t want to spoil anything.

Do you plan to have seasonal differences and events, as well as competitions and activities?

Teresa: Yep! Can’t wait! We are already featuring player’s outfits in the shop catalogue, so that’s sort of a mini fashion spotlight, but there’s definitely more exciting things to come. Fashion spotlight was one of the most beloved competitions/events in the original Pixie Hollow!

In the future, will the game be available for mobile and/or consoles?

Teresa: You can already play WTP on mobile! At some point we will have options that allow the game to run smoother on mobile devices. Console versions won’t be a thing, though.

Is there anything that was in the original Pixie Hollow that you’d like to change in WTP?

Lavender: I would change the whisper noise it made when you got a message, it got a bit annoying. And it would be really neat if you could choose from a few different songs to have played in your fairy’s home depending on your mood! I had the ice themed house and have heard the music a few too many times!

Teresa: There are things I want to tweak, and fully plan to! We have already added a couple of small new things, such as the second sitting pose and featuring real player’s outfits in the shop catalogue. I hope everyone enjoys them!

The last thing we wanted to talk about is the staff’s personal feelings about WTP and about their jobs, as well as ask them about their inspiration.

Is there anything new that working on WTP has teached you?

Rachel: As an artist here I am definitely learning new technical skills and developing as an artist in general. Some examples of art skills I’ve been able to develop include creating atlases and spritesheets for fairy clothing and hair, getting familiar with DragonBones as I’d never used it for animation, and just gaining more experience in Photoshop. And I basically just learned all these things by trying them out and asking questions if I needed help.

Lavender: Through WTP I’ve learned more about creating sound effects, because when remaking the old sounds for WTP, I really have to think about what each one is made out of (for example, the pouch sound was re-created using a paper bag rustling, leaves crunching, and a bell synth).

How do you feel about the community growing so much in a short amount of time?

Teresa: I really didn’t expect it, and it has been a bit stressful, but I hope we are handling it well. I would never have imagined that a TikTok would be the reason either! Having more eyes on us makes me feel restless. We had to adapt the discord server to keep it safe and make information more accessible to new members.

What do you remember about Pixie Hollow? And did it change your life in any way?

Lavender: I joined right at the beginning, and loved how it really felt like you were stepping into a different, magical world. My favorite thing to do was decorating and creating/collecting items for my house, as well as the minigames and item crafting/ baking, I’m most excited to see these features again! Also, a good memory from the game I have is going to the summer pool party in the ballroom, and playing games in the tearoom with friends! The music in Pixie Hollow was one of my earliest inspirations for pursuing a career in film/game scoring. Currently I am studying for a degree in film/game scoring! I’m obsessed with fantasy games, nature, fairy tales, magic, and mythology, and I write music to try and illustrate the stories and have the listener feel like they’re visiting the scene. You can hear some of my original music on Spotify under the name June Westfield!

Rachel: I was so young that I have trouble remembering everything. I do remember sometimes getting on the phone with my friends and talking as we played together and explored meadows, which was really fun. I also really enjoyed completing tasks and playing the minigames. I have no idea why that was so fun to me, but I just liked getting achievements and beating my scores.

Do you feel like some people may have unrealistic expectations for WTP? And do you think it can ever be as big as Pixie Hollow was?

Teresa: Yes, but I can’t blame them. So far I am the only developer to have actually worked on this game, so it’s a lot of pressure, but of course the players can’t know that. For some reason the things that everyone thinks will be the easiest to code are always the more difficult ones, funnily enough. For example, a flying mechanic like the original game is sort of complex, whereas adding new meadows is extremely simple. Do I think WTP will ever be as big as PH? Definitely not. Pixie Hollow had millions of players, Disney advertised it, and it had a full development team behind it. A lot of the original players will have moved on. I’m actually surprised that so many people have found us already!

Are there any artists that you look up to or are inspired by?

Rachel: I don’t have anyone specific in mind who I look up to, but I do watch a lot of cartoons and really admire animation and all of the work that goes into it. I get really inspired seeing different animated works and am super impressed by the entire process of it.

Ci: I used to actively make art outside of WTP and definitely had a whole list of people whose styles I looked up to, but now that I’ve moved away from that I mostly remember individual pieces. I had to dig some up for this question! loish, gawki, and Hethe Srodawa, are a few.

Lavender: Some composers that inspire me are Enya, Faun, Loreena McKennitt, and Secret Garden. They are all fantasy/new age genre artists that create enchanting music!

The WTP community is a great place to make friends! Is there a person in the staff that you’ve formed a strong friendship with?

Rachel: I’ve definitely become a lot closer with many of the staff members, whether it be looking up to certain people like our team leads, chatting with the other artists in DMs and helping each other out, or just having fun conversations with all the other staff members and sharing funny stories and pictures.

Teresa: Asteria is probably the best friend I’ve made at WTP, as we have talked the most. I have also met Kass in real life – she’s the sweetest! I love everyone on our team.

(Kass is one of our moderators - we’ll hear from her in the final interview post!)

And finally, What does working on a game that’s so loved by people mean to you?

Teresa: It is so heartwarming to be a part of something that brings people joy and makes them nostalgic. Pixie Hollow’s fan base can make me a bit anxious at times. Sometimes a group of players will want one thing, and then another group wants the exact opposite and it can be hard to make a choice. There’s a lot of pressure in trying to stay true to the original game’s vision while also being fresh, but it drives me to deliver the best work I can. I put a lot of time into WTP, and have actually burnt out a few times already. Luckily, I love building things so much that it never lasts long.

________________

Next up in our interview series - our social media team and server moderators! Stay tuned to hear their answers to some of your questions.

#WTP Staff Interviews #we the pixies

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brideylee · 4 years

Text

Chateau Quarantine

Sophia Coppola smokes a cigarette while she waits for an omelette she has no intention of eating. It’s a gloomy marine layered morning, you can barely see across Sunset. She’s been in lock down for three weeks and while she normally loves the moody, brooding decadence of the Chateau Marmont, its elite solitude is giving her a bit too much time to reflect. She thinks about the concept of crying as she watches a long torso-ed model skinny dip in the pool from the penthouse. There are no rules anymore, not that there were many in the first place. The hotel was shuttered to the public as of three weeks ago, and those who were already there could stay indefinitely. Sophia lives alone in the tower suite with the three bedrooms and the wrap around porch, known by some as “the Deniro”, but Robert himself couldn’t tell you why. Any legends or gossip about the Chateau were just bread crumbs to keep the public hungry and mystified. The real Chateau for the privileged few who used it, was an unceremonious respite for excessive loneliness, addiction, and often not great sex. The Chateau had a reputation: look but don’t fuck. Everyone’s genitals were rendered useless from anti-depressants.

She thought she would be filming by now. Her cast is stranded too, with little guidance other than “we’ll wait it out.” The film she wanted to make stars Hugh Grant and Ewan McGregor as two estranged brothers coming together for their father’s funeral. Iman was set to the play the mysterious woman who shows up at the funeral who they then realize was their father’s mistress. It was going to be a slow movie about the brothers coming to terms with their father’s death and equally so falling in love with the woman he hid from them. All this would be suggested through intimate long takes, and funny, stylish, improvised montages. Always subtle and romantic without the sap, this was the tight rope Sophia liked to balance on. At the end of the movie, both brothers are mildly changed, but not entirely. She has a sweet spot for the immovability of people’s psyches, particularly men.

Sophia watches impartially, as the naked model floats on her back in the calm pool. It is so cold and early to swim, is she on drugs or is everyone at this place even more numb than they think? She wondered if her film was too male, too disembodied from her personally to mean anything. Tapping into the male gaze, was an ability she was born with. Her father’s point of view was all she interacted with as a kid, and the underside of his specialties became her focus: the lost parts of men when they are too weak to hold up the heavy crown of their egos, who they were when they could let themselves feel outside of their work. But given the state of the world, and the molasses nature of time during lock down, Sophia started to question if what she always found to be her strength was just simply trauma. Was her whole profession a way to resolve some genetic creative stifling that took place in the shadow of her dad? Surely her body of work contains more than that. It’s not all a selfish attempt at repair. Is any art not selfish? "Maybe I should make a different movie, something that everyones gonna like for once.” She thinks to herself. Thank God, her goat cheese omelette has arrived.

Later on, the gothic lobby is empty besides the cast of her film and the elegant model behind the reception desk standing like a hollow sculpture, frightened by the chaos that lurks outside. Ewan McGregor, drunk off of five Marmont Mules, is showing Hugh Grant an app that maps the stars and constellations. Ewan has gone on and on about a camping trip he took around Scotland and how amazing the stars were, but when pressed for details about where exactly he was or what he saw or what year he did this, he can’t seem to remember anything at all.But that doesn’t dampen his excitement about the app. “See, that, there is Orion’s belt!” Ewan enthusiastically points out, his cute smirk displaying his bottom row of sweet corn kernel teeth. Ewan just recently learned about the stars. Until the age of 47, Ewan had been referring to them as “night freckles.” Many think this is why he didn’t have a fun time acting in Star Wars, space simply befuddled him. Hugh and Ewan are dressed exactly the same: navy blue beanie, black jeans, a tight blue thermal, and desert boots- the actor man uniform they give you after you play opposite Nicole Kidman or Renee Zellweger.

“That’s brilliant,” says Hugh Grant completely perplexed by the app and confused at Ewan’s rambling. Hugh sticks a handkerchief up his nostril with his pointer finger and wiggles it around somewhat violently. Iman clocks this with a blink of disgust, her silk, gold blouse glistens with god-like royalty in the amber glow. “Can you turn your face away? That’s how the virus is spreading.” Her voice is deep and she rarely uses it because it changes the direction of the wind and messes with the tides. “Aw, fuck me. That’s right, isn’t it?” Hugh Grant turns away and starting blowing his nose and coughing obnoxiously. Hugh is acting like a resentful brat because he knows he wont be able to have Iman. He decides he’s gonna pick a fight with Sandra Bullock via face time later to blow off steam. Iman is thinking she was right all along, she should never have agreed to this. She was already sick of the “beanie twins”.

Hugh had been rattling on about how the movie needed a sex scene or at least a sexy scene and went on to say that Sophia had some sort of block. Iman felt that both Ewan and Hugh, however innocently, were exploiting their acting roles to gain real life experience, and there was no way in hell, she was going to kiss either of them. Her kiss would make them immortal and Iman knew their souls needed more lifetimes to grow. Plus, she liked the script the way it was- underwritten and open for interpretation. Her character is symbolic of the side of their dad they didn’t get to meet- spiritual, graceful, embodied. It was a soulful choice not to show any nudity or sex, one that could lead Americans to try to use whats left of their iPhone stolen imaginations.

Meanwhile Michael Cain, who was supposed to play the dead father, is staring at the beautiful Victorian tapestry hanging behind her. “It’s like it’s right out of the Cloister’s.” Michael says under his breath. Michael is sweet, Iman thinks as she watches him stare at the tapestry with wonder, his mouth agape, and a lil warm milk spilling out of his left eye. Iman and him have known each other for years and he always reminded her of her husband: his fierce devotion to his craft, his rigorous intellectuality that does a bad job hiding an animalistic sexuality. Both men contained so much and no one can handle a man like that besides a mystical siren like Iman.

Hugh and Ewan’s chatter dies as their drinks empty. “If I were to be honest with myself…” Hugh begins. “Better later than never…” Michael Cain interrupts without cracking a smile, a dryness a la Maggie Smith. In fact, fuck, this was Maggie Smith. No one had realized. Hugh winks at Michael/ Maggie and continues. “ I don’t think were going to be filming any time soon, folks. I think we are being held hostage a bit by Miss Coppola.” Ewan stares off with a thinking face like no one has ever had a deeper thought before. “That is interesting to think about. There is some kind of bratty assumption that all this will fade away soon enough. And we’ll be back on set. But what if it’s not for another year or so?” Ewan is really getting worked up “What if we live here for the rest of our lives!!” His eyes are big and dazzling, it’s like he’s thinking of the most ideal outcome for the rest of his life.

Suddenly, Sophia joins them at the table. “There they are, my little hunchbacks!” This is what Sophia affectionately calls her actors, the origin is unknown. Sophia has a strange new confidence around her. Usually, when she walked into places, she would feel like a Nat Sherman cigarette, like only some select tall New Yorkers in the back would still appreciate her. “Hello, love! Someone slept well.” Maggie Smith as Michael Caine chirped. Even when Maggie-Michael said something sweet, it still felt like someone was aggressively tickling your ribcage.

“I have news.” Sophia sits down, and smiled large and toothy, a stark contrast to her usual chic, despondent stare, a look only afforded to artists born with trust funds. “We’re not making the movie.” Hugh taps the table. “Well, I believe I won that bet.” Ewan’s jaw drops, destroyed. “You mean we cant live here together forever?” He runs his hands through his hair, petrified. Iman is quiet, which can mean many different things and all things at once, she is eternally the glory of God, a forgotten pyramid at the bottom of the ocean that if unearthed would explode us into 5D ascension.

“We are making a better movie! A super hero movie!!” Sophia exclaims. Sophia gets up close in the faces of her cast, pitching them on her new idea. “It’ll be a real heroes journey- good guys versus evil! Fun CGI! Sexy starlets and fun on trend jokes!” She turns to Michael Maggie, her mouth inches away from their milky eye, and says- “And much much more!” Sophia climbs up on the table now. “The adults will love it, as well as the little ones!” She does an Irish jig and starts spinning around and then poses with her arms up as though at the end of a musical. It was not fun to watch. Iman cuts her off-“I don’t trust what is happening.This is not reality. This is delusion. A karmic spell.” The power of Iman’s words blows the power out of the Chateau, pipes burst, the fire alarm goes off, and Joel Madden of Good Charlotte in room 304 stops jerking off for a second. Sophia is still catching her breath from her presentation, her sweating, arms stretched to the ceiling. She gulps as her eyes meet Iman’s. “Why don’t you just write from my character’s point of view?” Iman says as softly as she can without causing chaos. Sophia freezes. Her whole body calcifies and turns to ice, then crumbles onto the table. Ewan and Hugh watch in absolute horror as Iman drops some of the ice into her water. She knows she shouldn’t have said yes to this project and looks on lovingly at Michael/ Maggie who has dozed off.

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