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#writer's spotlight
steddieunderdogfics · 2 months
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Tell Eddie He Looks Sexy With His Hair Pushed Back by Wormdebut
@wormdebut
Rating: Explicit
9,260 words, 1/1 chapters
Archive Warning: Creator Chose Not To Use Archive Warnings
Tags: Steve Harrington is shy, Eddie Munson is a menance, Top Eddie Munson, Bottom Steve Harrington, Dom Eddie Munson, Sub Steve Harrington, Dom/sub Undertones, Oral Sex, Rough Oral Sex, Anal Sex, Anal Fingering, Choking, Belt kink, Is that a thing It sure is here, Spit Kink, is it a worm fic without it, Steve Harrington Has a Praise Kink, Eddie Munson Has a Big Dick, Dacryphilia, Coming Untouched, Eddie Munson speaks French, Eddie Munson apparently also fucks in french, Pierced Eddie Munson, Literally he has every piercing, so many pet names, Light Dom/sub, Alternate Universe - Modern Setting, Eddie Munson drives a motocycle
Summary:
Steve was currently mid crisis because— “His hair is up. Oh my god. Robin it’s—he—Oh my god. I gotta go to the back and scream into the void or something I absolutely cannot—“ Robin cut him off. “You’re literally so embarrassing. I have never seen you be this pathetic actually. If we still had the You Suck board I would simply be blacking out the entire side. I will go talk to him again. Stay here and try not to drool.” -- Or, Steve has a thing for the hot guy that keeps coming into his workplace, and the hot guy might possibly have a thing for him too. (He does.)
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gallavichthings · 7 months
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Writer's Spotlight - Rita
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This interview is long overdue and has been long in the making! I'm super pleased and excited to finally present a friend and my right arm on this blog, Rita aka @sickness-health-all-that-shit aka whatyouandihave on AO3, author of Lifeline, Possiblities, Short&sweet and several other fics, and some great gifs too!
R: I grew up in a small-ish town, dreaming about going to university, finding a job I loved, and living on my own with a cat as my companion. I'd say my 13-year-old self would be pretty happy with how my life turned out! I've always been into tv shows and films, plus languages and literature (that's what I mainly studied at uni) and I've managed to find a job that combines those things, which is the absolute dream! I translate and adapt lines into Italian so that dubbing actors can replace the original dialogues of movies, tv shows, documentaries and the like. Besides reading and writing and watching shows, I love travelling, enjoying good food and spending time with my family.
GT: Oh, that's a great job! It looks like you're living your dream, and I'm very happy for you! I assume you must watch all kinds of shows for your job, but what do you watch in your leisure time?
R: Yeah, for work I've had to watch plenty of children's cartoons, anime and lots of unscripted programs like reality television, cooking competitions and things like that. All stuff I would not watch in my spare time 😁 Some of my favourite shows are Btvs, Doctor Who, Breaking Bad, The Office, Outlander, Derry Girls, Peaky Blinders, Dexter and Shameless. I also watch a lot of British comedy panel shows (Taskmaster, QI, Big fat quiz of the year etc) and stand up comedy.
GT: Oh, some of my favorites on this list! Do you read/write fics for these other fandoms as well?
R: Nope! I actually came to fanfic pretty late, despite all the years spent lurking in fandom spaces. I only really started reading fics about 4 years ago, and that was after the Ian and Mickey prison reunion, having binged the first 8 seasons of Shameless a few months before that. I had read a couple fics for other fandoms over the years, but I honestly wasn't that interested. I was content with just rewatching the shows I loved and maybe making up my own headcanons, but nothing more. I guess you could say Ian and Mickey have made a fanfiction convert out of me!
GT: What was it about them that you think made you want to write your own fics, especially coming into the fandom late, as you said yourself, when there were already a lot of fics written.
R: Honestly, it just looked like so much fun to play around with them and all the themes you could explore through their story. When I first started reading fics, it opened so many avenues in my mind (I was so convinced I wouldn't be into AUs at first. Wrong!) and I was also reading tons of meta that had been posted on Tumblr over the years, which I had a lot of thoughts about. I think part of it was about needing a creative outlet at that point. I hadn't really written fiction before, and definitely not in English, but I think I'd always wanted to try and write stories. Building a world and creating characters from scratch would have been way too daunting, but playing around with my Ian and Mickey 'dolls' was instant, cathartic fun. There's just so much potential there, so much history and emotional depth to these characters and their love story that keep me coming back to them over and over.
GT: Do you tend to write more from Ian's or Mikey's pov?
R: I alternate a lot depending on the vibe of fic, but I guess maybe Ian's? The longest multichapter I have up is almost entirely written in Ian's pov, and one fic I'm writing at the moment that's gonna be longer than my usual is also from his pov. I have a lot of fun with Mickey's, but I really love exploring Ian's inner world in depth.
GT: What do you consider your forte when writing fic, the thing that comes to you more easily? And what do you struggle with sometimes?
R: I love writing dialogue the most, and I think I'm pretty good at making it sound in character for them and nailing their voice. I definitely struggle with descriptions and maybe pacing. I'd love to write a slow burn but I don't think they're for me. I get too impatient lol
GT: What kind of fics do you write the most? 
R: I mostly write one-shots, but hope to work on more multichapters in the future. I've also posted a series of short ficlets. Lots of fluff, some angst, though always with a happy or at least hopeful ending. Maybe someday I'll try my hand at some smut? Who knows. A lot of my fics tend to be either canon compliant fill-ins that expand on canon scenes or different first meeting AUs, especially meet-uglies. I also like including Mandy and exploring her friendship with Ian and sibling relationship with Mickey. I love writing banter and sprinkling in humour in my fics.
GT: I'm a huge sucker for meet-uglies! Which of your fics are you the proudest of?
R: Oh, the one I'm most proud of has got to be The stranger in my brother's bed. It was my first stab at a multi-chapter, my first AU and a chance to play around with different POVs and an unfolding plot. It's also still my most popular fic to date. It's very sweet and fluffy and warm. When it comes to one-shots my favourite I've written is probably Unexpected, a dialog-heavy meet-ugly with lots of banter and flirting. And then there's Caught me by surprise, my second attempt at a multi-chapter that's still currently a WIP. I do hope to finish those last two chapters someday, but I'm proud of it all the same. It's the longest thing I've written and I got to have fun with tropes like Fake dating, Secret relationship and Bed sharing.
GT: Are there any tropes or ideas you haven't had a chance to explore yet but you'd like to someday?
R: I'd like to write some fill-ins for the early seasons, especially exploring Mickey's pov. Of course a lot of amazing fics like that exist already, but it'd be a chance to expand on my headcanons and do some interesting character studies. Other than that, I have a few ideas for plot-heavy stories that sometimes I think might be too ambitious for me but also can't get out of my head. If I ever write them, they may feature tropes such as Childhood friends, Soulmate AU, Private investigator AU, and even a Genie AU, though fantasy is definitely not my go-to genre. I'd also love to write an angsty Enemies to lovers or a classic Roommates AU. And maybe some canon divergent stuff.
GT: Where do you get inspiration from?
R: Movies and tv shows I watch, stories I read or random posts I see on Tumblr are all potential sources of inspiration for me. Sometimes I'll get particularly obsessed with a line a character said in canon or a certain scene and a story just forms in my head around it. And when all else fails, I go looking for a prompt that speaks to me to get things going.
GT:What about motivation? Do you force yourself to take time to write or do you wait for motivation to strike randomly?
R: I'm still trying to find a balance that works when it comes to motivation, to be honest. I've gone many months waiting for motivation to strike, and getting more and more frustrated and disappointed the longer I waited in vain for it to come. Other times I'll try to force it, but end up convincing myself I have lost any ability to write I once had 😅 I definitely work better with some sort of deadline and 'peer pressure'. That's why I'm trying to participate in as many fandom events as I can at the moment. I struggle with anxiety, so I used to think it would be too stressful for me, but I need some structure in order to be productive. And sometimes it is a matter of getting yourself to write a little bit (almost) every day, just to move things along and keep the momentum going.
GT: What's your writing process like?
R: If it's something long or plot heavy I'll prepare a bit of an outline first, but I'm not generally big on outlines. When I go to write, I'm usually sitting on my bed or couch with my laptop. I tried having music on or ambient sounds, but honestly I work better in silence. I think of the scene I want to describe and the thoughts and feelings I want to convey and watch it as a film in my head, hearing the characters voice the dialogue. Then I put it all into words, if they behave that day and just come to me 😁 I first do a rough draft, trying not to edit too much as I go but just keeping going until I reach either the end of the story (in the case of a short-ish one-shot) or a good stopping point. Then once it's done I start editing, filling in details I left out, double checking things online and making various changes until I'm reasonably satisfied with it. At that point I'll send it over to my beta reader.
GT: Do you write about other characters or ships as well? If not, would you someday?
R: No, not really. Even if I include other Shameless characters, the focus is always on Ian and Mickey and their relationship. And I don't think I'll ever write about anyone else. I have a bit of a one-track mind when it comes to ships and fandoms. I can only really focus on one at a time, and even if I love lots of other shows and media, I don't feel the need to create for them, or be all that involved. I think that, beyond my fascination with Ian and Mickey as characters and as my all-time favourite ship, this fandom space and the community I share this passion with has a lot to do with my continued participation in it. I don't think I'd be still writing and posting fic if it wasn't for all the wonderful people that create and enjoy fanworks about Ian and Mickey alongside me. They're a huge part of what inspires me and motivates me to keep creating.
GT: Definitely. It's incredible to me how much the fandom has grown and changed, while still being welcoming.
What about OCs, do you have any? Do you create them based on real people or just whatever you need them for?
R: I only occasionally create OCs for specific purposes, though most often I try to cast other Shameless characters in the roles I need if possible. I had fun with Mr. Binckley in my most recent fic for GGE, The Ghost of Christmas Fuck You, and last year, again for GGE, I created two OC children for How I met your dad. I don't see myself using them for other fics in the future, though I really admire writers who can create fully fleshed out OCs and have them recur in more than one of their stories.
GT: What about reading fics, what makes you choose something to read (and what would make you give up on reading something)?
R: I usually trust authors I already know and love, and who tend to write the sort of fics I go for anyway. But I'll give any story a chance if the premise sounds intriguing. So a good summary will draw me in, for sure. I love any kind of meet-cute or meet-ugly, and enemies or friends-to-lovers. I'll read fluff, smut or angst depending on my mood, but always with a happy ending. I like any sort of AU, but I steer away from fantasy in general, and prefer things set in the present day (though I do enjoy science fiction as a genre so space, time travel, etc. might attract me to a fic). I don't read a/b/o, mpreg or mcd. I'll give up on reading something if it's just a wall of text or riddled (and I do mean riddled) with typos. Also if I feel that something is written way too out of character to the point where I barely recognise them as Ian and Mickey.
GT: Can you name some of those authors you already know and love?
R: Sure! @goodkwuestion, @beckyharvey29, @damnnmilkovich, @gallavichy, @jellovich, devovitsuasartes and @crazynadine are some of my all-time favourites.
GT: What about some favorite fics?
R: You can bite me by Shamelessquestions, all comes down to you by BeckyHarvey29, Bad Date by @thevioletjones, the Southside Forever series by proval, You make me feel human by Dragona, Two of your earth minutes by @the-rat-wins, So Sleeping fucking Beauty, right? by @cjmarlowe, sideways by @whaticameherefor, Maintenance by devovitsuasartes, Love is a ballfield by and_i_take_it. There are many others, but these are some of the ones that have really stayed with me.
GT: Do you ever reread fics?
R: Oh yeah, I've definitely reread some of the ones above. I've been in a reading slump for a long while now though, which is why the fics I've mentioned are almost all older ones, and a lot of those writers aren't active anymore. There are so many amazing new authors writing brilliant fics at the moment, but often I end up just reading snippets of their work or their drabbles on Tumblr, so that's why I haven't mentioned them here. I've got so many incredible fics to catch up on! But brains are weird like that, you know?
GT: Oh, I totally get that! What about your own, do you reread those?
R: Not often. I tend to publish something and then not look at it again, focusing on the next project instead. There's a little bit of a cringey feeling for me when I think about rereading my own fics, but then when I do happen to read a bit of one I'm like 'Hey. This is good, actually. I do not remember writing this, but wow. Good job, me.' 😆
GT: You make gifs too, right? Have you ever made a gifset for a fic, yours or someone else's?
R: Yep! I've made a single gif for my most recent fic, The Ghost of Christmas Fuck You, and also for an older one, Ready to do this. I really want to make gifs/graphics for my fics more often in the future, actually. And I once made a gifset inspired by a quote from Cooperative gameplay by grayola.
GT: Do you make moodboards or playlists when planning a fic?
R: Hmm not really. I sometimes look up images to help me visualise a particular scene, but it's not a regular habit of mine.
GT: Let's talk about Shameless. You said you binged the first 8 seasons? That must have been a wild ride.
R: Haha oh, yeah. I remember watching the first 5 seasons in just one week, then slowing down considerably for s6 and s7, and I think season 8 took me a full month to get through. At that point s9 was a couple of months away, and I alternated between a faint hope for some kind of reunion between Ian and Mickey and just bitter disappointment for the state of the show such as it was at that stage. I absolutely died when the prison reunion happened. I watched that scene on a loop for days, and when I came back up for air I went looking for all the fics I could find. Especially ones set in prison or detailing their life after prison, since I was so convinced they were off the show for good. But of course that's not how it went. What a wild ride indeed! Those days were so crazy for me lol
GT: How did it feel to come into such a large, albeit somewhat asleep at the time, fandom?
R: It was weird because I wasn't on Tumblr at the time. I'd had a blog before but then left for a few years and once I got into Shameless I didn't immediately come back to it. I looked up news about the show on Reddit of all places. Then around the time I started reading fic, I found a little blog called gallavichthings ❤️ where I caught up on all the meta that had been written over the years (and gifsets and art and everything else). I only made my new blog when s10 was about to start, right around the time I posted my first fic on AO3. And at that point the fandom was being revived by I&M being on the show again and by the news that they'd be getting married by the end of season 10. It was my first real experience of being active in a fandom like this, so it was pretty wild for me. It was definitely not as nice and chill as it is nowadays, that's for sure.
GT: Awn, I'm glad to be part of your Gallavich journey. 
Are you able to select a favorite season, seeing as you saw them kind of all together?
R: Oof the earlier seasons are all so special in their own ways. But when I got to season 4, the grip this show had on me had reached the highest levels. Despite Ian being gone for so much of it, or maybe because of it, since his absence was so deeply felt and instrumental for us to see sides of Mickey we hadn't seen before. I'm a sucker for some good pining. And then the second half of the season was such a rollercoaster of emotions... Ugh. Plus it was also an amazing season for the other characters (Fiona especially, who I love so much). So dark and intense, and it felt like a more 'adult' season than previous ones. It just hurt so good.
GT: What's your favorite episode overall?
R: It's hard to choose a favourite, but I think ep 4x11, Emily.
GT: Oh, that's a fantastic one! What about a favorite scene?
R: Maybe the s5 dugouts scene in 5x10. The way it's filmed, the lighting, the music, the rawness of the emotions... it hurts like hell to watch them hurt each other, but then there's that sense of release, and of new hope when they're finally on the same page again and happy... and then it gets taken away from them, because we can't have nice things. But that scene is such a little gem, and it never fails to make me feel all the feels.
GT: If you could go back and change only one thing about the show, what would you change?
R: The quality drop in the later seasons? lol. Honestly, as happy as I am that we got to see Ian and Mickey get married and be husbands, the show was just unrecognisable by the end. So I'd have it end sooner. Have the s7 finale be the final episode of the show, but with a happy ending for Ian and Mickey, obviously.
GT: Speaking of, what did you think of the ending?
R: I wish I could say I was satisfied with it, but yeah, no. It was way too open ended, I only liked where they left things for Ian and Mickey, and I should count myself lucky for that, really. The parallels they tried to do with the pilot and season 1 mostly fell flat for me, but then, like I said, the show was a shadow of its former self by that point. There was too little left to enjoy for me. I don't think I would've watched s10 and 11 at all if it wasn't for Ian and Mickey.
GT: How do you headcanon Ian and Mickey's life together after the ending?
R: I think they live in that apartment for a couple years, then get a house closer to where they grew up. They keep in touch with family and spend holidays with the other Gallaghers. They get a pet or two, and eventually adopt or foster kids, a few years down the line. Mickey takes over the security business, while Ian finds a way to use his medical training again to help the community. They'll be happy, safe and in love for the rest of their lives. ❤️
The happily ever after they deserve.
GT: Well, that's it from me. Thank you so much for your time! Now leave a message to those reading this.
R: This was great, thank you! And thanks to everyone in this little corner of the Internet. Whether you create or simply enjoy creations and support them, you are a vital part of something really special. Thank you for being on this ride with me, and here's to another year full of ideas, events, collaborations, and lots and lots of fun!
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hayatheauthor · 10 months
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The Writer's Guide to Authentic Wounds and Fatalities
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Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.
Writing Fatal Injuries
When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.
Choosing the right injuries for your story
Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.
For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.
Researching the mechanics of fatal injuries
To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.
For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.
Depicting the immediate aftermath
When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.
For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.
Emotional and dramatic impact on the narrative
The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.
For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.
Writing Minor Injuries
While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.
Types of minor injuries to consider
When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.
For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.
Conveying pain and discomfort
When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.
For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.
Balancing realism with narrative pace
While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.
For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.
Writing Bloodshed And Realistic Blood Loss
When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.
Understanding blood loss and its impact on the body
To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.
Factors influencing blood loss in different injury scenarios
The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.
Techniques for accurately portraying blood loss in writing
There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.
By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.
Bruises: Colors, Progression, and Pain
Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.
Understanding the stages and colors of bruises
Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.
For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.
Depicting the progression of bruises over time
As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.
For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.
Conveying the pain and sensitivity associated with bruises
Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.
Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.
Remember The Side Effects
Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.
Physical side effects
Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.
For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.
Emotional and psychological side effects
Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.
For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.
Social implications and changes
Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.
For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.
By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.
Conclusion
Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.
Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.
Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.
I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
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Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 
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hotguycomiczine · 1 month
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💥 Meet the fearless Comic Duos of HOTGUY COMICs!
A big welcome to everyone on board, we're so excited to see what they have in store! ✨ Tune in tomorrow for part two of comic duos!
Socials for our comic duos are listed below under the cut!
💥 COMIC ARTISTS 💥
CHRISRIN: TUMBLR | TWITTER | YOUTUBE
JAS: TUMBLR | TWITTER | YOUTUBE
TIBBYCAPS: TUMBLR | TWITTER | YOUTUBE
CHARLIE: TUMBLR
GUEST COMIC ARTISTS:
DOODY: TUMBLR | TWITTER | INTRO
CHOCO: TUMBLR | INTRO
💥 COMIC SCRIPT WRITERS 💥
DUX: TUMBLR | AO3
ZIPZAP: TWITTER | AO3 | SPOTIFY
SISYPHEAN: TUMBLR | AO3
TJ: TUMBLR | AO3 | PSEUD AO3 | INTRO
GUEST COMIC SCRIPT WRITERS:
SECOND: TUMBLR | AO3 | INTRO
MARUU: TUMBLR | TWITTER | CARRD | INTRO
JONNY: TUMBLR | TWITTER | AO3 | INTRO
ZEPH: AO3 | INTRO
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books · 5 months
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Writer Spotlight: Jamie Beck
Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.
Can you tell us about how The Flowers of Provence came to be?
I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 
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(Photograph: Jamie Beck)
How do your photography and writing work together? Do you write as part of your practice?
I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 
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(Photograph: Jamie Beck)
You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?
I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 
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(Photograph: Jamie Beck)
Do you remember your first photograph?
Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!
You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?
I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 
How did you decide on the order of the images within The Flowers of Provence?
Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 
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(Photograph: Jamie Beck)
How do you practice self-care when juggling work and life commitments alongside the creative process?
The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 
What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?
I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 
Which artists do you return to for inspiration?
I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 
What are three things you can’t live without as an artist?
My camera, the French light, and flowers, of course. 
What’s your favorite flower to photograph, and why?
I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 
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(Photograph: Jamie Beck)
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christinesficrecs · 5 months
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Happy Saturday! Enjoy these brilliant fics. 🩷
I don’t know why, but I guess it has something to do with you by LunaCanisLupus_22 | 17.8K
“You smell like me,” the guy says, scowling as he crowds in and Stiles staggers back between the coats and finally hits the wall. “Why do you smell like me?”
He barely lets out a garbled sound as the blood rushes to his cheeks. “No reason,” Stiles yelps, struggling to get his footing and grasping at a whirlwind of puffy fur.
His Only Defense by LunaCanisLupus_22 | 78.7K
Stiles had just accidentally challenged an alpha.
Oh God, and Scott had just stood by and let him do it. He was the worst best friend ever. Stiles was going to kill him. Except, oh right, the alpha was going to kill him first. Like beyond dead, ripped into tiny little pieces dead. So far dead that his dad would not be able to identify him, dead.
Laying Groundwork by  LunaCanisLupus_22 | 10.9K
The one where Scott and Stiles go clubbing and there’s this broody Bouncer out to get Stiles-
Or get into his pants. Thank God it’s the latter.
Give you that thing you can’t even imagine by  LunaCanisLupus_22 | 10.9K
The one where mateless Derek thinks no omega can affect him like they do other alphas and he’s about to find out he’s very, very wrong.
Shot Through The Heart by  LunaCanisLupus_22 | 64.8K
The one when Stiles and Derek work for rival assassin companies and are sent to kill each other. It definitely doesn’t go as planned.
Foolish devouring things, build your castle in me by LunaCanisLupus_22 | 23.1K
“I will marry you,” he declares. “But should any more harm come to my father or my people, I will raze the earth itself until I feel the lifeblood drain from your corpse and paint my skin with it.”
It is not an idle warning, but from the princeling it has none of the desired effect. Derek feels no fear, but in this instance at least diplomacy triumphed over the spilling of more blood. It is all the same to him anyway. But Regent Peter was most insistent they avoid a drawn-out, gruelling war.
“Then we have reached an accord.”
Oh baby give me one more chance (to show you that I love you) by LunaCanisLupus_22 | 54.7K
“You like Derek,” he says slowly. “Derek Hale.”
His father grimaces at the accusation there. “Look, Stiles it’s complicated-“
“So when I was married to him,” he continues, voice rising. “He wasn’t good enough. He was taking advantage of me. ‘He’ll never be able to love you like you want, Stiles’. That’s what you said-“
Or the Sweet Home Alabama AU that nobody asked for.
I'm at one, and I've been quiet for too long by LunaCanisLupus_22 | 11.4K
“All in favour of Derek not dating for a full year so he can get his shit together and stop romancing people who want to kill us?”
Everyone raises their hands. Every single pack member.
Or the one where the pack insists Derek can't date anybody for a year but he ends up finding romance much closer to home anyway.
I know that you love me, even when I lose my head by LunaCanisLupus_22 | 135.5K
“We’re not mates, Cora,” he insists. “I mean look at him-“
“Ouch,” the kid says, no longer pushing that shit eating grin.
“He’s- he’s,” Derek tries, at a loss of how to explain why this can’t be possible. Why it shouldn’t be possible.
When sparks fly by LunaCanisLupus_22 | 87.5K | Abandoned
“Derek,” Stiles thunders. “Were you ever going to tell me your house is trying to hook us up?”
Derek’s head snaps up, eyes wide and scenting the evident crackle of magic in the air.
I'll wrap up my bones, And leave them by LunaCanisLupus_22 | 65.1K
The sign on the cage actually reads Beware: The Beast! in that crappy horror movie red paint that trickles down the paper in a failed attempt to appear like dripping blood.
And it would seem stupid if not for the living supernatural creature currently trapped behind its bars. Little hard to dismiss the big, hulking werewolf as a poorly constructed horror movie prop.
Oh how the mighty have fallen. Dude, cannot catch a break.
How long have I been on the hunt for you? by LunaCanisLupus_22 | 20.3K
“Well I guess accidental kidnapping is not so bad then,” Scott decided brightly after the others had finished describing their ordeals. “All’s well that ends well, right?”
“HAHA,” Stiles practically shouted, loud and unsettling enough that everyone turned to look at him. “I mean, yep. For. Sure.”
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tennessoui · 9 months
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kit's list of obikin fic recs in no particular order
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y'all asked and i finally answered.....here's a list of fics i've read and adored this year! note that i've tagged things that i think could squick people (a/b/o dynamics, weird biology, dub con, heavy kink, etc), and i've noted the ratings (explicit, mature, teen), but i have not noted top/bottom (this list contains a pretty even split of both) and i haven’t indicated which are WIPs - take a chance! i've left little paragraphs as to why i liked the fic but i tried to keep spoilers out of them so the story can be a surprise :D
remember to leave a comment and a kudos if you enjoyed the fic :D
Igneous - zimriya Notes: Explicit, A/B/O dynamics, canon compliant, series!
Trying to find this fic so I could reread it was the thing that prompted me to make this list. That’s how amazing this fic is. It tears out your heart strings. It hurts. I love it. It’s soft. It makes me cry. I am never going to recover from this perfect retelling of canon. This hurts just as much as the kenobi show. I owe this author a medical bill and a thank you card. I don’t care if a/b/o isn’t your thing or omega obi-wan isn’t your thing i need you to try reading this fic i really do because it’s just honestly superb and beautiful prose and i think about some of these lines near daily. Ok, fine. Daily.
I’d Never Be Me (Without The Support of Your Loving Arms) by euryrice  Notes: Explicit
i don’t think i’ll ever stop talking or thinking about this fic, it’s up there for me….such a good take on a bond/spy au that I don’t think I’ll ever seriously try at one myself because it’d never be ‘i’d never be me without the support of your loving arms’; it’s just so well thought through. Canon lovingly applied. Kit beautifully moved and hungry for a second part of the series, even though it doesn’t even need a second part and is perfect as a stand alone. Witty banter rating: 10/10
Hooked On You by @whohatessand Notes: Explicit, infidelity, side anidala (padmé is being cheated on)
Dirty bad wrong never felt so good though; Anakin is cheating on his wife with her campaign manager. Anakin is very not satisfied with being a trophy husband, and honestly it’s so valid of him. This is so well-written that Anakin’s frustration with his life, his wife, his duties all feels very real and understandable. Does that excuse the cheating and the spit-as-lube fucking at a donor ball? Nah, but they know it doesn’t. And it ends on a very hopeful obikin note, which is my favorite
The Final Frontier of Pleasure by @jedibongrip Notes: Explicit, bp!Anakin, virginity kink (ish?)
“Just the tip” made into a very hot 2k fic wherein anakin’s definitely not a virgin anymore, but obi-wan’s gonna go along with it if it makes him happy (and means that he gets to keep touching him, god bless); note to say that all of this author’s stuff is very good!
Stars To Fill My Dreams by hidden_humours Notes: Explicit, reverse master/padawan, dark Anakin
Anakin is teetering on going off the walls insane in this fic and I am so here for it. This is just amazing. I love a padawan obi-wan and I especially love this time-travel with a twist (which I won’t spoil!); the summary even says “yeah this anakin isn’t all there” and the author is right!!! 100%!! I love it. I want to poke this Anakin with a stick. I want to push him off his metaphorical cliff of sanity. I want to push Obi-Wan off a cliff just to see what this Anakin would do. What a fic. What a goddamn fic.
Obi-Two by @virahaus Notes: Explicit, Obi-Wan/Anakin/Obi-Wan
Guys, holy shit I am so excited for this WIP you have no idea. Everything about it is delicious so far. The Obi-Wan that gets zapped back in time just before ROTS/Order 66 is living to see twunk Anakin again and he is so soft yet so commanding about it. Ben!Obi-Wan literally kills me in this fic. If there’s never another chapter, I’m begging you to read this anyway, it’s that good.
Vast as the sea, constant as the tide by @moonlightatnoon Notes: Explicit, pirate!anakin, captain!Obi-Wan
So maybe Kit’s attention was captured and held by the sea-themed title…she’s a simple lady. But this fic is absolutely beautiful.  I love the intrigue, the history, the pining of it all. My attention, much like Obi-Wan, was gently captured and held hostage by pirate Anakin and the way he’s like ‘my obi-wan <3 mine <3’ while also being a whole ass pathetic lil mew mew of a pirate. He is so possessive and fearsome and clingy and needy I love this Anakin and how much he needs his Obi-Wan. I love the ending especially! Beautifully done.
Buns of Steel by @ragnarlothcat Notes: Explicit, humor, himbos the both of them 
Put this under Fics That Make Kit Want To Join A Gym. I love the humor here (Rag has such a legendary way with a great turn of phrase and pacing of jokes that just makes the fic fly by) and the ridiculousness of it all. Obi-Wan here is extremely lovably bitchy and I adore it. His dialogue is quite polite, but this is a fic where the narration really makes the characterization pop. Also the amount of lusting after his beautiful aerobics instructor that Obi-Wan does…and how UNFAIR he finds Anakin’s beauty. Just amazing. Cheering for Obi-Wan living his best life and getting the hot aerobics instructor in the end.
My Thoughts I Confess (Verge On Dirty) by @artemisthehuntress Notes: Explicit, horny, horny, horny Obi-Wan
This is, of course, the other fic filed under Fics That Make Kit Want To Join A Gym. I love Anakin in booty shorts. I love Obi-Wan, head empty and no thoughts because his dick is too goddamn hard to see straight. One should not be exercising under such conditions. The humor here is impeccable. Love all of Obi-Wan’s fantasies with the hot guy working out next to him. If you’re a fan of horny-grip Obi-Wan, this is the fic for you! If you’re not as into horny-grip Obi-Wan, I’d say this fic is still worth the read because it’s just written so well.
just like the days we’d burn by @travellingcircus Notes: Explicit, PTSD mentions, heavy
I was always going to rec one of travellingcircus’ fics of course. They are a fantastic writer and I love their fics - especially the long oneshots that consume my entire night when I see that one’s been posted and I get to delve into a new side of obikin I could never imagine. This fic is one of my favorites by them – and maybe one of my favorite modern aus all together. Anakin has a racing career until he has an accident. Then he goes back to his small town and decides to have Obi-Wan instead because first love (I love first love fics especially in modern aus)!! Also Obi-Wan has a motorbike. This is excellent news. He also has helmet hair. I love Anakin in this fic so much. He’s crazy. He’s wounded. He’s obsessed. He’s in love. He’s desperate. And Anakin makes Obi-Wan all these things too. Such a good modern au for these characters. They feel so close to their canon characters, it’s marvelous.
Where Every Mask Cracks by skyl_tales Notes: Explicit, a spin-off of one of their other fics, but can be standalone
Skyl_tales’ fics for me are the very definition of fandom classic. They were the first fics I read and I continue to reread them roughly maybe once every year at least. They’re just all very readable. The writing style is something I have always loved and envied – their fics are approachable and entertaining, no matter how much you know or don’t know about Star War at the time of your reading. Tbh I think this is the fic author who has influenced my writing the most! I love this fic in particular because I do have a soft spot for vaderwan. Old Ben being delightfully torn up over Vader and Vader being delightfully unhinged about his former master…..with a magical fix-it device that restores both of them to their younger, strongest selves (if only to make the fucking easier and the horny insatiable)
Gay Chicken by zimriya Notes: Explicit, enemies to lovers, light daddy kink
Where to begin with this fic!!! I guess I cannot stress enough how much I love humor in fics when done right and this is done so well. Like it is literally so funny and so normal. There is something so beautiful about putting these space monk superheroes into like. Just situations. This fic is about laundry. But also upstairs neighbors. But also lost loves??? I’m always a bit hesitant for fics with a lot of notes/messages, because I can find that hard to read, but this was very, very easy to read, both format-wise and flow of the story wise. I love them both being assholes to each other.  Love them slowly becoming friends through notes under the monikers “501” and “212”. LOVE the twist.
wildest dreams by kidhuzural Notes: Explicit, 5+1 fic
Basically: Baby Anakin wants to get married to Obi-Wan. Teenager padawan Anakin wants to marry Obi-Wan. Clone Wars Anakin wants to marry Obi-Wan. Obi-Wan wants to marry Clone Wars Anakin. I love love love fics that start out with baby padawan Anakin and have him grow up. It places so much emphasis on their master&padawan relationship and how important they were to each other before AOTC or TCW, which I think is the strongest basis for obikin. Also this Anakin is just so cute and Obi-Wan cares for his baby padawan so much!! All in all, this fic is just so sweet. Obsessed.
In Pursuit of Cold Water by @jswander Notes: Mature, Merman!Anakin
Can I have a fic rec list that doesn’t include this fic?? I love this fic. I think I reread it like twenty times while waiting for the last chapter, and it was worth it and gripping and incredible each time. I am fascinated by writers who can worldbuild, and Jo worldbuilds so well in this mermaid AU. I love the descriptions of their fins; the possessiveness, the hurt, the anger, the jadeness, and the naivete of Anakin somehow all existing in the same character and all being so justified. There’s some really heavy moments and also really silly moments (they dress Anakin up as an old lady to avoid detection at one point). I love the development of their relationship and especially the growth of their mental bond. Such a good translation  of their Force bond in canon (and such a clever work-around for a mermaid not speaking English!) Just an amazing fic. So good.
The Devil’s In The Details by @ragnarlothcat Notes: Explicit, demon Anakin, darker!Anakin (because of the demon bit)
Back at it again with my Rag-writing obsession! I’m loving this WIP and how evil and innocent Anakin is. Yeah, he’s a demon haunting Obi-Wan’s new house; yeah, he’s killed like. A ton of people. But he’s so pathetic. So very eager to please. So very attractive. As a reader, you’re like Obi-Wan’s friend, Quinlan, who discovers Obi-Wan sleeping with a literal demon, and you’re like ‘bestie, do you not know? That’s a literal demon?’ and obi-wan is like ‘he is quite polite and does so good on our walks around town’ and you’re like ‘you’re taking him on walks???’ but also you can’t help but root for demon Anakin and poor decision-maker Obi-Wan. Also, once again, I love Rag’s humor and timing of it. The narration Obi-Wan has is so colorful and so fucking funny, I snort all the time. He’s such a bitch. He’s amazing.
By Omission by @posthumousvigor Notes: Explicit, reverse master/padawan au, drunk sex
This writer is very quickly becoming one of my favorites. I love their prose and the way they write Obi-Wan—especially padawan!Obi-Wan with Master Anakin. One of my favorite dynamics for obikin aus, and this writer gives me so much good food. TBH one of my all-time favorite cliches/tropes is one of them getting dressed up out of their Jedi robes to be put in Situations, and I especially love this for Obi-Wan cause Anakin got a whole movie of dressing up for funsies, and this fic delivers. Master Skywalker comes back early from a mission to find his padawan slutting it up in the Lower Levels, and what is a man to do other than snap?? And he snaps so beautifully in this fic. I love it when they’re horny beyond reason for each other.
how to stay by answersinahauntedclub Notes: Explicit, professor/student relationship
I know logically that this fic probably will not update again, but it is so beautiful and I think about it all the time. It is like. The peak of college/university aus in this fandom. Bold statement, I know, but I love this fic and characterization so much that I am stating it. They’re both disasters. They can’t resist each other even if they really, really should. It’s an incredible read and I am fascinated by both this Obi-Wan and this Anakin. Cannot stress enough the lovable disasters that they are. In writing this, I took an hour break and reread it again.
we’re swimming with the sharks (until we drown) by @obiwaned Notes: Teen, fake/pretend relationship
Getting this update notification felt like such a sweet sweet win for me. I loved the premise as soon as I read it and it just keeps getting better. Fake marriage for any reason is always amazing. I also LOVE non-linear timelines and this writer does it so well because you as the reader don’t get lost and confused trying to keep the timeline straight. It’s delectable, it’s straightforward, it’s so easy to devour, and I am obsessed with this fic and even the possibility of more.
Self-Insert by ZenyZootSuit Notes: Teen, crack
God this is so funny in a very crack way. Short and funny and perfect. Darth Vader writes self-insert fanfiction about being with Obi-Wan Kenobi, and Darth Sidious finds out. Imperial secrets are leaked, but I’m sure those were important details he needed to include!! For context! Realism! Absolutely perfect; no notes.
Open Circle by Calyss Note: Explicit, Dark Obi-Wan, dom/sub (under)tones, seduction to the Dark side
This is also one of my annual rereads, and one of my absolute favorite Sith Obi-Wans in the fandom. I love how out of control this sith Obi-Wan is, how very obsessed with just Anakin he is. Sith Obi-Wan really said “he’s mine” and he’s gonna destroy Anakin’s marriage and the whole galaxy to prove it. And also Anakin is not going to say no or resist much at all because that’s his master and he loves him and has weird feelings for him he has not really examined. This is also such an id fic of mine. But no regrets putting it on the list. When I saw it updated in October 2022, I literally cleaned my room and improved my life before I sat down to read it.
How to Save a Galactic Republic Without Really Trying by @sharpest-tongue Notes: Mature, Post Kenobi show
So many amazing fics came out of the Kenobi show but this absolutely has to be one of my favorites. There’s humor, there’s touching moments, there’s Star Wars lingo I didn’t know but that made the whole thing feel very much in-universe (and that I have now incorporated into my Star Wars Wikipedia slash Dictionary for later use, even if it’s all made up). I love a time travel fic, has to be said, and this one delivers perfectly. The Jedi as family in this fic really made me emotional. Extra special shout out to Obi-Wan, raising his padawan again in a do-over, and thinking, ‘i was not this bad as a teenager wtf?? Yeah ok whatever i MAY have fought in TWO WARS at that age but still!!!’ love him. Love his obvious blind spots for anakin and also for himself. Such a good fic!!!
broken bones, thunder drums by @maragny Notes: Teen, hurt/comfort
There is so much to love about this fic and I love it all. Clone War fics are like my bread and butter in this fandom. I love obikin fics that take place in the middle of battle where the reader is confronted with the reality of either Anakin or Obi-Wan fighting – and this fic really starts by throwing you into the action in such a visceral, effective way that I was stressed! I was gripped! It makes Anakin hiding his injury feel not only understandable but also like the only option. Good think Obi-Wan is there to save the day and help Anakin through his pain because he is overprotective and in love with him. Also the first chapter is told from Rex’s point of view, which just. One of my favorite outsider POVs for obikin is Rex.
no news is good news by @rhymenoceros Notes: Mature, crack, relationship reveal, breaking news/news cycle format
This fic is so funny! The tone is perfect for what the writer sets out to do — that is, make the reader feel like they’re caught up in a social media news cycle! There’s talk shows, there’s paparazzi, there’s space reddit, there’s leaked Jedi text conversations….the Jedi screen names are hilarious and easy to tell who is who while still staying true to the joke. Cannot recommend this fic enough. Cute, funny, horny, and with that sweet sweet Palpatine downfall that the best cracky fics always have.
Falling Deep Into You by @dark--whisperings Notes: Explicit, dom/sub tones, so much pining
Any fic that has the tag “Obi-Wan Kenobi is a freak in bed” has my attention and my interest. This writer describes Anakin subbing and Obi-Wan domming so very beautifully that it’s almost a manifesto in 8k. Lots of good sex here, but I really love the opening scene and the push and pull the writer’s given the characters. They want each other so much—Obi-Wan wants so much, but alas! Religious guilt on par with catholicism! Of course the nasty freaky sex fiend in Obi-Wan wins out over the Jedi Master, but I really enjoyed the guilt and the way he gives in and goes to find Anakin because of course he does. And then the ending! A resetting of the chess board so that the game can start over tomorrow. A great fic all in all!
you took my love so tenderly by @billboguspreston & @acrylicsalts-inspo Notes: Explicit, prince/guard dynamic, exhibitionism
I started reading this fic when it was first posted, and I followed it attentively and with baited breath. I love the reverse age dynamic (I know, it’s not for everyone, but I lovelovelove it), and I love that this Obi-Wan is such a spitfire. He knows what he wants and that’s for his silent, restrained, older, handsome bodyguard to snap and fuck him and he WILL brat his way into getting what he wants as is his right. Anakin being both incredibly horny (Anakin horny-gripping the pommel of his sword because Obi-Wan has decided to get off right in front of him to see if he can tempt him into fucking him) is amazing. Obi-Wan being both the aggressor and also the inexperienced one is chef’s fucking kiss and a dynamic I do not see often enough. So worth the read. And there may be more sequels??? Be still my beating heart!
I Wanna Be Owned by @kyberkenobi Notes: Explicit, 5+1 things, light BDSM
Speaking of horny grip lol, I had to think for a bit about which fic from this writer to choose because all of them are very good and very very smutty with all sorts of kinks and dynamics. The writer you go to for mean dom Obi-Wan and if you’re feeling up for discovering a kink you weren’t sure you were into before. There’s plenty of amazing fics on her ao3 (I was also immediately obsessed with the recent alpha/alpha one), but this fic is one of my favorites. I love the style of a 5+1 for a fic, and I am obsessed with casual slut (affectionate) Obi-Wan and Anakin’s blinders of his master slowly being pulled away until he HAS to confront the reason Obi-Wan can untie and hogtie a criminal they caught so damn quickly. It’s indecent. It’s amazing. 
Our Man From Tatooine by kazmir Notes: Explicit, a/b/o dynamics, intersex omegas
This story is such a good, quick, enthralling read. I really can’t say much without spoiling it, but it’s worth the read. Dark Obikin, twists and turns, roleplaying, horny mates being unable to resist the other’s draw….so good….One of those fics I paused to reread while reccing it lol
Acts of Contrition by @marycontraire Notes: A series, ranging from Gen - Explicit
Cheating a little bit to rec you all a series instead because I just reread this fic series and fell in love with it all over again. Literally a fandom classic for me. The world building is amazing, the realism and research really pays off because it creates such a rich world for people to dive into. The Tatooine culture is so rich and interesting, and I love this Anakin especially. It’s a very realistic take on if Anakin had been expelled from the Order for the Tusken massacre. This Anakin is darker and clingier and Obi-Wan is trying to keep himself level and sane and something Anakin can cling to while still being a Jedi in all but name. Every installment of this series is gold and worth reading as quickly as possible just to have this in your mind faster. Also worth a slow read to savor it because unfortunately, you can only read a fic series like this for the first time once.
You can call me baby (you can call me love) by @lilredghost Notes: Explicit, 5 + 1
This fic is so sweet that I honestly forgot it was explicit - even though, yes, it opens with a sex scene lmao! But I love this writer’s explicit fics so much (their ao3 is worth a browse) that I am not disappointed in it being explicit, no sir. Obi-Wan gets upset when Anakin calls him an old man repeatedly and I’ve read this fic so much that when I see repeated use of “old man” in other fics I’m like “! no! His feelings!!!” this fic ALSO has anakin calling obi-wan baby <3  so good so sweet so perfect.
take my hand through the flames by @atornpage Notes: Explicit, vaderwan, seduction to the Dark Side
Oh this may just be the WIP I am most excited to see updated! It’s such a clever and unique concept that I’m on the edge of my seat to see where the writer takes the story next. There are not enough stories where a character falls into a coma and time passes around them, and this is so perfect. I adore fics where baby Anakin is clingy and obsessed with Obi-Wan and everyone around them is like ‘this is not REALLY the Jedi way, guys’, and this fic has SO much of that. I can’t wait to see all the promises of the tags come to fruition and am massively enjoying the ride to get there!
Heal Me, My Darling by @wasureneba Notes: Explicit, sick fic, idiots in love
Who doesn’t love a sick fic?? The tender healing…the care…the rotten work…not to me, not if it’s you, etc etc…this fic is such a good sick fic too, I was here for the entire thing! Anakin is in top whiny form and Obi-Wan is cuddling him left and right! I also love Anakin having a praise kink in this fic – it made me soft and so receptive to the idea again when I was getting tired of seeing it as a default in a ton of fics. But this fic said “Obi-Wan tells Anakin he’s doing good while touching his ass to administer a very important for plot reasons shot and Anakin bursts into flames” and I said “absolutely and understandable, please tell me what happens next.” This is like a perfect sick fic for me. The right balance of sweet and horny. Caring Obi-Wan and whiny because he’s bored! Anakin. God-tier combination.
Νόστος by NFx Notes: Explicit, stockholm syndrome typical of hades & persephone aus
I am always here for a good Hades&Persephone AU and I feel like this is a great one! I especially love AUs that carefully place Star Wars GFFA characters into an established world (like Greek mythology in this case), and take care to match up the side characters of the GFFA with the AU characters they’re being transposed on. I like the pace and narration of this one too, the way the tone feels both readable and still old — the dialogue and narration don’t read like a BBC documentary set in Ancient Greece where everyone just sort of speaks like they’re in a Shakespeare play for some reason, but it’s still sorta oldish/stiffer dialogue that really keeps you in the fic universe without alienating readers. Also, horny. But dark horny. Love a darker Anakin. 
Hunting the Homeward Light by GreenQueenofClubs Notes: Teen
One of my all-time favorites, I think, and if you haven't read it or haven't reread it recently, you need to! There's so much tension build up and detail put in with such an amazing pay off that I could literally read this fic every month and probably find something new to enjoy all over again. I don't even have strong opinions about mace training anakin, but this fic convinced me it could work and work really well. also poor poor obi-wan </3 his emotional support padawan goes missing </3 but then is found :) as a twunk :)
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toointojoelmiller · 2 months
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Have you ever consumed so many devastating TLOU fics that you your heart was at risk of being permanently broken? Does the thought of Part 2 being filmed right now and our collective timeline inching closer to *that scene* airing on HBO with Pedro and Bella make your palms sweat? Same!
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My prescription for you is to read today's spotlight stories and remember that, actually, we can stop torturing these two at any time we'd like. (Personally, I won't, but reading Joel and Ellie father-daughter fluff once in a while is good for general mental health.) I'm always reading and writing angst and @becomethesun's fics always feel like a breath of fresh air - and, of course, makes me even more heartbroken at all of the what-could-and-should-have-beens that TLOU I promised and TLOU II used to torment us. She is currently writing a Sam and Henry live AU (Collaborators) that is an answer to my prayers. The two stories linked here are favourites of mine:
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true blue by @becomethesun 18,505 words || 5 chapters featuring: family fluff, Ellie adapting to life in jackson, good dad Joel Miller, Ellie gets to be a kid
me and my dog (and an impossible view) by @becomethesun 6055 words || one shot featuring: family fluff, good dad Joel Miller, Ellie gets a dog
from @march-flowerr: "If I had to pick one fic only to re read for the
rest of my life, becomethesun’s “true blue is (it feels good to be known so well)” would probably be it. I’m hard pressed to think of a story that I hold dearer than this - five chapters, short but flush with all the small details and nuances of life in Jackson that we don’t get to see in the game. “True Blue” offers such a sweet catharsis while still holding to canon. Becomethesun gives us these compact, bright glimpses into Ellie’s daily life in Jackson: we get to see her goofing off with Dina and Cat, learning to relax into her relationship with Joel, finding her footing in her new family and community. It paints such a tender and clear picture of Ellie as a girl - not Ellie, the ex Fedra cadet, or Ellie the cure - but Ellie as a kid, with friends and questions and ambition and insecurities and a love for her little world so big that it is breathtaking.
In “me and my dog (and an impossible view)”, we’re introduced to Strelka, Ellie’s dog. She finds her as a puppy in an abandoned book store and brings her home to Jackson. Strelka sees her through her through her first rough days of school, sick days and snow days. I don’t really think much more needs to be said about this fic to illustrate just why it’s so good - Ellie gets a cute little dog that makes her happy. What more do you want, people??"
Re-reading these fics feel like coming home. There’s a lyrical cadence to becomethesun's words that I am drawn continuously to. I love the feel of her fics: the syrupy sweet way the story wends itself through from beginning to end, the way that all these intense emotions and elements are whittled down into simple, intimate moments, like making paper crowns with a friend or curling up with your dog after a long day. The real beauty of these fics is the way that becomethesun has chosen to take the small things - the mundane, the day by day - and has chosen to let them shine. To remind us that amidst real horrors - and let’s be real, TLOU has a lot of those - there is still good to be had, that the little things that make up a life well lived - the things we take for granted - are the most important things. That even when it feels like your world is ending, you can still sit on a porch with your family and feel safe. That at the end of the hardest days, you can always come home."
If you read and love this, please please show the author some love and leave a kudos / comment!! Happy fandoming y'all.
Joel Miller isn't dead if we keep him alive y'all.
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silverfanzine · 6 months
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✨ 💻 Contributor Lineup (1/2) 🖱️ ✨
[𝚃𝚛𝚊𝚗𝚜𝚖𝚒𝚜𝚜𝚒𝚘𝚗 𝚁𝚎𝚚𝚞𝚎𝚜𝚝] 𝙽𝚎𝚠 𝚛𝚎𝚌𝚛𝚞𝚒𝚝𝚜 𝚒𝚗𝚌𝚘𝚖𝚒𝚗𝚐 𝚏𝚛𝚘𝚖 𝚊𝚌𝚛𝚘𝚜𝚜 𝚝𝚒𝚖𝚎 𝚊𝚗𝚍 𝚜𝚙𝚊𝚌𝚎 𝙿𝚊𝚛𝚝 𝟷 𝚞𝚗𝚕𝚘𝚌𝚔𝚎𝚍_
With 61 contributors, together, we're excited to build an amazing future!
For my friends, and for our future, I’ll give it everything I’ve got! ◎ @fandomzines@sthzinecenter@zineapps@zinefeed@zine-scene
💥 Comic Artists
Starrjoy — @starrjoy Maya — @mstormcloud //:Neo — @12neonlit-stage RhythmCrown — @rhythmcrown Revkons — @revkons rook — @onshrike
🎨 Page Artists
Chaz — @fleetways Cher — @cherbearsz Foxieskullz — @foxieskullz frisken — @soapkii Goose — @transparentcheesecake2 Gravity Rose — @jmserebii kittykyt — @kittykyt-art Komsed — @kkomsed Lain — Instagram Llamapear — @llamapear Gluckmaticex — @gluckmaticex Maareyas — @maareyas PowPowChaos — @powpowchaos Seasoning — @sseas0ning SiggieDraws — @siggiedraws SukajiSplats — Twitter antiRePurp — @antirepurp Teka — @tekatonic ven — Twitter Vladimir — @vladim-3d Zeezu-ix — @zeezu-ix
✒️ Writers
Alex. Wright — @ratjamtime Aria Finn — @chaospearin Gray — Twitter Krafter — @krafterwrites Luke W. Henderson SageTheGremlin — @sagethegremlin aTalewithEars Sly — @slysable Ultimate Shiruba VeloxVoid — @veloxvoid Viivi — @arctic-sylvalum
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fizoda · 10 months
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unpopular opinion: the whole who is the better Robin debate between Damian and Tim is sorta bs
cause like both Robins have great highlights from each of their runs and all of them are drastically different
at this point when I see people criticize the two bringing up points on who is better it just feels like a debate between oranges and apples, sure they’re both fruit but very different
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netflix · 2 years
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Spotlight: Love, Death, & Robots
Love Death & Robots creator Tim Miller, and supervising director Jennifer Yuh Nelson, share little known facts about the series, respond to posts from @angelsaxis and @astarchild27, and come up with a creative prompt for the writers and artists on tumblr.
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steddieunderdogfics · 3 months
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This week's writer spotlight feature is: @lexirosewrites! They have forty-four Stranger Things and forty-three Steve Harrington/Eddie Munson works on archive of our own!!
An anonymous nominator recommends the following works by lexirosewrites:
24-Hour Diner
On Thin Ice
And the Sun will Rise
Bandaids for the Heart
Waking Up In Vegas
A/B/O isn't for everyone, but Lexi writes it in a way that it IS. I've always been a fan of the trope, but Lexi writes A/B/O in a way that expands beyond the basics. They've expanded their universes to play with common A/B/O themes in ways I've never seen -- each one feels fresh and exciting. And yes, they're popular in their own right, but they have so many hidden gems!! I just adore them and the work they've done beyond the tropes and tags. They put so much work into their stories and building their community, pushing through all the fandom bullshit to bring joy to their bubble of fandom. They're easily my go-to author rec for anyone getting into steddie and/or A/B/O and they deserve all of the love!! And if you're seeing this Lexi, thank you for continuing to create and share your beautiful ideas with us. ♥ - anonymous
Below the cut, @lexirosewrites answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I love the chemistry that Steve and Eddie have. They’re two people who make no sense together and yet they make so much sense together? They have a good mix of parental issues and they’re on opposite sides of the social spectrum, which makes for a lot of fun exploring their relationship.
What’s your favorite trope to READ?
I’m a sucker for soulmate fics. They’re my true weakness in life.
What’s your favorite trope to WRITE?
I love to write about mutual pining. I enjoy making it clear that both parties are pining and suffering under the delusion that their feelings are unrequited.
What’s your favorite Steddie fic?
This is such a hard question. I don’t read as much as I used to, but the one I reread the most is “Consummate Professional” by Eddywow for sure. It’s just a cute fic and the smut is A+ as well!
Is there a trope you’re excited to explore in a future work but haven’t yet?
I’ve worked through most of my favorite tropes at this point, but I’m excitedly planning a timeloop fic set in the omegaverse.
What is your writing process like?
It’s a bit of a mess, truthfully. I start with unorganized bullet points to brainstorm things I think will happen in the fic and slowly arrange that into a real plot with actual events and not just some loose threads of a story. Then, I just go chapter by chapter to put them in order and make changes as necessary after that.
Do you have any writing quirks?
I write omegaverse fics almost exclusively. Which I’d say probably qualifies as a quirk! I also just have a habit of writing recurring themes in many of my works. For the most part, they all have angst, lots of pining and miscommunication, and a perfectly cozy happy ending with a big bow on it.
Do you prefer posting when you’ve finished writing or on a schedule?
Oh, I hate waiting. The moment a chapter or fic is done and someone has at least skimmed it over for big issues, it gets formatted and posted. The only times I wait are for events like the Big Bang or a gift for someone’s birthday!
Which fic are you most proud of?
“Bandaids for the Heart” is the work closest to my heart because I’m a nurse and I got to use my love for nursing to write about my job and craft a whole story out of it. I’m very proud of how it turned out and the fact that I finished it despite some personal challenges along the way.
How did you get the idea for 24-Hour Diner?
I actually got an ask on tumblr with the prompt that inspired me to write it!
When writing 24-Hour Diner, what was something you didn’t expect?
I actually have a longer Mafia AU fic and I was worried they’d end up being too similar, but I enjoyed finding little ways to distinguish it as its own fic.
What inspired On Thin Ice?
I love to ice skate and a friend in my discord server was gushing about HexieWrites’ “Carve Your Name Into My Chest,” which made me want to explore my figure skating background.
What was your favorite part to write from On Thin Ice?
There’s a scene where Steve gets injured and Eddie has to carry him off the rink. Every story has at least one “that’s the scene I really want to write!” and that was the one for this fic. I love some good hurt/comfort!
Do you have a favorite scene and/or line from any of your fics?
That’s so hard to narrow down, but I’d have to say that it’s a scene from my fic “Bad Beat,” where Steddie are at prom and Eddie pulls out a granola bar from his tux pocket because he knows Steve likes them… even as Steve is fully planning on pranking him for a bet. It’s a heartbreaking scene and I think about it a lot.
Do you have any upcoming projects or fics you’d like to share/promote?
I’ve got lots of upcoming fics, but I can’t share most of the titles yet since they’re gifts! However, I have a The Greatest Showman inspired fic called “A Million Dreams” that’s getting posted in early January!
Outside of these questions, Is there anything YOU would like to add?
I’m honestly so grateful to have the support that I do for how niche most of my fics are. Most people in the Steddie community have been incredibly kind to me and I really appreciate it, even if omegaverse isn’t their cup of tea. I’m just here to have fun and make new friends!
Thank you to our author, @lexirosewrites, and our nominator! See more of @lexirosewrites' work featured on our page throughout the day!
Writer's Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
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gallavichthings · 1 year
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Writer’s Spotlight - Mhunter10
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Be honest, y’all thought I had abandoned this series, didn’t you? But I hadn’t! In fact, this interview was done a long time ago, but posting was delayed for several reasons. It’s finally here though, and I’m very excited for you to read this one, because the writer we’re spotlighting today is a fandom veteran and one of our most prolific writers. Enter: Malenah, aka @mhunter10​!
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GT: Ok, first of all, I've got to say, I'm so happy you agreed to talk to me! I missed you! How have you been?
M: Been up and down and dealing with some stuff, but I think I'm okay. I definitely miss writing.
GT: And we miss your writing. Is that why you stopped for a while, life just got in the way?
M: Yes, but also the fandom and show wasn't fun anymore. Tumblr policies got annoying and people weren't finding my stuff....people actively stealing my work and reposting without asking.
GT: Oh, that sucks. 😔 When did you join the fandom? And what made you want to? What was it about Shameless (or Gallavich) that captivated you?
M: Oof maybe 2013ish? 2015ish? Whenever Shameless first season was on. I actually didn't even have Showtime, I would literally sit on Tumblr and wait for someone to recap the episode or link a bootleg clip. I've always been into good queer stories as a queer, and Cam and Noel's dynamic was interesting and the sort of cute that makes you squeal like a little girl. 
GT: They've always had a lot of chemistry. Did you start writing fics right away? What made you want to start?
M: I was actually writing for another fandom/couple for a while way before Shameless. For Gallavich I was mainly just making headcanons that sometimes turned into drabbles. Eventually I wrote longer fics and started posting to AO3. I'd respond to someone else's headcanon or idea with a short fic.
GT: A lot of people still do that nowadays. That was one of my favorite things about your fics, actually, the fact that most of them were short and I could get my quick Gallavich fix without compromising my lack of a long attention span. 😅
M: Haha I was the queen of the drabble.
GT: What fandom were you writing for before, if you don't mind me asking? Was it the first you wrote fics for?
M: A soap opera called As the World Turns😅. I was writing fic when it was still airing new episodes in the middle of the day on CBS. I wrote for Luke and Noah and the fics are archived somewhere on the internet forever.
GT: Was it also the first fandom you read fics for?
M: I think so? Lol that sounds right. I also wrote some fics for Eyewitness, the US version.
GT: Let me backtrack, because we went straight into your experience with fandom, but I want to also know a bit about you. Please tell us a bit about yourself. 
M: Oh Haha well I'm 30. Black, bi, live in Maryland. Have a bachelor's and currently getting my master's. Write, paint, sculpt, collect, read, work… mostly work. Work work work. Fall is my favorite season. Libra. Currently have 8 tattoos. Live with my partner, 3 years together. Umm...I've got arthritis and hip dysplasia so lol....anyone wanting to murder me now has everything they need to know and opportunity.
GT: Hahahaha That was very in-depth, indeed! What's your masters about?
M: Organizational Sciences.
GT: I don't know what that is, but it feels like something I should study. 😅 What is it? And do you already work in that field or are branching out?
M: It's akin to industrial psychology...basically, how workplaces work and how to improve the work environment. Definitely has a lot of intangible skills everyone should have an understanding of if you work. It's very meta sometimes lol. Leadership, communications, change management, negotiation, etc.
GT: Oh, that's interesting! You mention you also paint and sculpt? Talk about a well-rounded artist! What got you into those?
M: I've just always been artsy fartsy crafty.....schmafty. Fun fact: walked out of my pottery class first day cuz the professor rubbed me the wrong way....took ballet instead. I'm mostly a painter but I have a lot of little things I've made out of clay just for fun.
GT: Like what? 
M: Mostly small food 😆. I paint whatever. I was an instructor for about 2 years.
GT: If you feel comfortable, could you maybe share a pic or two?
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GT: They're all beautiful, but the one with the blue-haired woman is GORGEOUS! 😍
GT: Let's talk about Shameless. Do you have a favorite season and/or episode? 
M: Yikes, I honestly don't remember much but definitely before the whole show went off the rails. I think 1-4 are standouts, maybe 5 or 6. I only really stayed for Gallavich. 
GT: I feel you, I actually stopped watching after S5.
M: Trevor was the worst.
GT: Why do you say that?
M: Not the actor ,obviously, but the whole storyline was not done right at all, imo. The whole jesus stuff was stupid. Frank continuing to live was stupid. All the stupid and inconsistent decisions compounded into me not giving a shit anymore.
GT: Did you actually watch all the seasons? Because I myself skipped S6 to S9. What did you think of the ending?
M: The ending I saw was the wedding stuff, but I haven't watched anything after.
GT: Do you intend to or will you just consider the wedding the end and that's it? Either way, what did you think of the wedding? Or the fact that there was one. The early-seasons fan in me was in shock it even happened. Once Mickey came back for 9x06, I figured that was as good as it was going to ever get.
M: I knew they would do it. They baited us, kept us on the hook and reeled us back in with the Gallavich crap. I thought the wedding was fine, didn't understand half the people there. Oh wait I also watched some of the stuff with them in the apartment and trying to adjust to that which was actually pretty interesting. I didn't really keep up after that, just saw some gifs here and there. I think they had sex in an ambulance with a dead person? I don't really understand why they have to keep doing illegal stuff. I refuse to believe Fiona would not even show up or call or check in, but I understand why Emmy wanted to cut full ties with the show
GT: I agree, I never understood why not have Fiona keep in touch, or just have one of them mentioned she called. But it's the same thing they did with Mickey at the end of season 5. Instead of cutting Noel from the show, but still having Mickey be somewhat present through mentions, they decided he'd be arrested AND Ian would break up with him. And then they mentioned things about him that weren't true. That made no sense at all. How would you have written their ending if you got to choose?
M: I've written their ending lol; just a short fic reimagining the day after the wedding. I liked the apartment stuff. I would've written them trying to find Mandy eventually leaving the show due to a positive sign she wanted to reconnect. They need to leave the Southside. But during their search, Mickey goes to school. Maybe some shenanigans ensue, but ultimately he does well enough to graduate. I'd see Ian writing a book.
GT: Ian writing a book? That's something I never thought of. A biography or fiction?
M: Maybe a memoir.
GT: What about other moments of the show? If you could change one thing the show did with them, what would it be? 
M: Everything. Anything I ever had an issue with, I usually turned into some sort of fic in retaliation. I did a fic rewriting their meeting at the docks, and also one where Ian finds Mickey in Mexico. I did one of when Ian came home from the hospital and Mickey is taking care of him, but ends up helping Fiona with some chores. 
GT: Ok, but if you could only choose one? Sophie's choice, I know. Well, reverse Sophie's choice. 😅
M: Idk I'd redo all the stuff with Yevgeny and not make Mickey forget all about him.
GT: Great point. Just one more thing that doesn't make sense in this show. Ok, now let's talk fanfiction. What kind of fics do you write the most? I mean, I know you're the drabble queen, but what else?
M: My fics range from absolute crack fucking with the readers, to gut wrenching, to smut, to whatever passion project I think 2 people will read. I've written some lengthy stuff. Two wips I'm ashamed to admit I forgot where I was going with them as the reason I haven't updated them are White Coats and, by far my most popular fic, The Sugar Daddy. I also have several series going with trans Mickey, fratboy Mickey, geek Mickey, etc.
GT: I can relate, I also have a WIP I don't know how to continue. I have the plot planned, but... I don't quite know how to get there. Do you have a personal favorite among your fics, one that you were especially proud to write?
M: Definitely The Sugar Daddy, but they're all my babies to some extent, even the less popular and early ones. I liked writing pregnant Mickey. And I like some of my fantasy spins, like Mickey meeting Santa lol, and Ian in Oz.
GT: If you had to rewrite a fic you wrote, which one would you choose and how would you change it?
M: I have over 400 fics so I know I myself am forgetting a lot of them lol.
GT: I have way less and I forget mine too, so I can only imagine. 😁
M: When I come across an oldy it's always fun to read it with fresh eyes haha. I don't think I would rewrite any.
GT:  No regrets, huh?
M: Pretty much.
GT: Fair enough. Now, you said it yourself, you have A LOT of fics out there. Where do you get your ideas from?
M: I tend to write in a zone so whatever I put out there is what I wanted out there in the moment. I have an idea and just go with it and see how it comes together
GT: You said you write in a zone. How do you get in that zone? (asking for a friend)
M: I've had somewhere I just could not figure out how to get it out of my head in a way that makes sense so those just never see the light of day or they find their way magically into something else. It's probably an undiagnosed adhd thing but I hit a groove and can keep going as long as I'm excited. That excitement is generated by how much I think what I've written is going to make people shit their pants. I have a fic titled Ian Snaps Mickey's Neck. 
GT: Lol that sounds like a good motivator. So I'm assuming you don't plan your fics much?
M: Not like pages and pages of details before I even begin, but I know major points and how I want to lead up to some of them. That's not to say I'm not just winging it most of the time. Sometimes I'll come up with something better or different based on reactions if it's a multichap. Prompts are a little tricky sometimes cuz the person is expecting the thing so you need to do the thing. 
GT: What about research? Do you do any before or during writing?
M: A little if I want to make sure I'm saying something correctly, either words or phrases. Places sometimes, or if I want to actually describe something specific. For example, in the Sugar Daddy I have a few links to items Ian gets Mickey just to add to the visuals but I'm not expecting everyone reading to care enough about the minutiae of how much it costs to take a bus in Chicago. I stick with what's relevant and if I think people will get the point without me turning in a research paper. 
GT: Do you have a preference for writing from Ian's or Mickey's pov?
M: No preference just whatever the story calls for [whose pov do I write more, it's definitely Mickey].
GT: Do you write other characters aside from Ian and Mickey?
M: I've written a couple fics that include other Shameless characters and definitely some original characters. 
GT: Which Shameless characters do you write more often? Do you write fics just about them or only include them in your Gallavich fics?
M: Ian and Mickey for sure, others as needed for the story but I know I've done a fic from Debbie's perspective a long time ago? Or Carl....
GT: You mentioned you sometimes include OCs. How do you create them? Do you base them on real people?
M: No, definitely not. I mean, if there is any originality in an original character anymore ie. typical archetypes. I at least try to make them their own character and not just an npc.
GT: You write a good deal of mpreg, a trope that a lot of people don't like. What attracts you to it?
M: Hahaha a good deal? I wrote 2 at the most. To me it's just another way of writing something. I've read some weird shit that I definitely would never write myself.
GT: Really? It was more in my mind. 😅 What are some tropes you enjoy writing?
M: I like writing scenarios that actually happen to me sometimes. Makes things feel more real. I guess I subscribe to the usual angsty stuff. But I genuinely like writing fun and sweet, sexy and loving, intimate.
GT: Is there anything you think you could never write?
M: Incest, child stuff, dom/sub, animals.
GT: Do your preferences apply when reading as well? What kind of things do you enjoy reading about?
M: Haha I've stumbled into some fics where I'm not sure if the subject or the writing turned me off more.
GT: Like what? What makes you quickly hit the back button?
M: If it's great writing, I might skip around some bits. Otherwise yeah, I'm not reading anything that I'd have to announce to a room at gunpoint. But that's for my own peace, some things just should not be written.
GT: One more thing, out of curiosity: where does your url come from? I get the M from your name, but why hunter10?
M:  It's my last name and birth month and username for everything because I'm a basic and terrible person 😆.
GT: What are you currently reading?
M: The one where Ian is the reading tutor and has a cat, Paragraphs by @palepinkgoat​. I also like their other stuff and am always extremely jealous, feel free to mention that haha.  Jealous and supportive, but still… lol. And I really do want to finish The Sugar Daddy but for now I'm going to get back into writing slowly with updating some of my series. Before that I was reading Deaf Group by @thevioletjones​, another fav. Unfortunately a lot of my list is orphaned, deleted or no updates since 2015.
GT: Yeah, a lot of people left the fandom around the time, which is sad, but understandable. I understand orphaning your fics, and of course shit happens, so abandoned WIPs are normal, but I don't get the reasoning behind just deleting something you created, unless you later realized it was in poor taste. But well, to each their own. Ok, so I was going to ask you about your plans for more, but you've already said you want to finish The Sugar Daddy. Any other plans? 
M: No other plans really. I always think I'm going to write this idea I've had but I'm not skilled enough to do it
GT: And finally, leave a message for those reading this interview, please.
M: Ehh....hi,this is Malenah and you're watching Disney channel.
Idk. Be careful, be safe, be aware of your surroundings. I love you.
Drink some water and keep going.
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hayatheauthor · 6 months
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Everything You Need To Know About Writing Gunshot Wounds 
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Welcome to the latest installment in my ongoing series on crafting realistic wounds in fiction! After covering stab wounds and burns, it's time to explore the next wound category frequently explored in fiction—gunshot wounds. 
Gunshot wounds are a recurring motif in the realm of storytelling. They're something you can easily come across in every genre, however, authors often poorly portray gunshot wounds due to lack of proper research. I understand finding the right resources to aid with your writing can be hard, so here's my comprehensive guide on how to write gunshot wounds. 
How To Categorise Gunshot Wounds
There are certain factors you need to consider before writing a gunshot wound. These details are instrumental in crafting a vivid and plausible narrative while avoiding plot holes. The first and most important one is identifying the type of firearm used to inflict the wound. 
Picking The Right Firearm 
Selecting the appropriate firearm to inflict a gunshot wound is a pivotal decision. It's not just about choosing any gun; it's about picking the right one to align with your desired outcome and the narrative's overall impact. Here's a quick guide on how to pick the right firearm.  
The Impact of Firearm Selection
The firearm you choose can significantly influence the severity and appearance of the gunshot wound. Whether your goal is a graphic, gory injury or a precise, long-range shot, the choice of firearm plays a crucial role. Here are some guns you to consider:
Handguns: These are versatile and commonly used in close-quarters combat. They can result in gruesome, close-contact wounds with a higher potential for damage due to their stopping power.
Shotguns: Shotguns disperse shot pellets upon firing, making them suitable for creating a broader pattern of injuries. If you aim to depict a devastating, close-range gunshot wound, shotguns can be a fitting choice.
Rifles: Rifles are known for their accuracy at longer distances. When you need a precise, long-range shot, rifles are the go-to option. They tend to produce a cleaner wound channel, especially when used for a targeted, well-planned injury.
Choosing the Right Firearm for Your Narrative
The type of firearm you select should align with your story's objectives. If you intend to evoke visceral, gory reactions, opt for handguns or shotguns used in close proximity. On the other hand, if precision and long-range engagement are key, rifles can achieve your desired outcome.
Keep in mind that firearm selection can affect the wound's damage, trajectory, and overall portrayal in your narrative. 
Categorising The Wound 
Once you've identified the type of firearm, you need to establish what type of wound your character will incur. 
In order to bring your character's injuries to life, it's important to first identify what you're dealing with. You can do this by categorising the injury based on several factors. For gunshot wounds, this includes the type of firearm used, the bullet's trajectory, and the specific areas of the body affected.
You can categorise your character's gunshot would into seven main categories, here's a quick breakdown of what these categories look like and the level of severity associated with them: 
Penetrating Gunshot Wounds: These wounds occur when a bullet enters the body but doesn't exit. The bullet remains inside the body, causing damage along its path.
Perforating Gunshot Wounds: In this case, the bullet enters the body and exits on the opposite side. This type of wound can have a different set of implications due to the bullet's trajectory.
Ricochet Gunshot Wounds: Ricochet wounds happen when the bullet bounces off a surface before hitting the character. The nature of the surface can influence the severity of the wound.
Through-and-Through Gunshot Wounds: As the name suggests, these wounds occur when the bullet enters one side of the body and exits through the other. The trajectory can greatly affect the injury's severity.
Close-Contact Gunshot Wounds: These wounds result from the firearm being fired at extremely close range. The proximity of the gun to the body can lead to unique wound patterns and burn injuries.
Shotgun Wounds: Shotgun wounds differ from those caused by handguns or rifles. The shot pellets disperse upon firing, leading to a broader pattern of injury.
Long-Range Gunshot Wounds: When a character is shot from a considerable distance, the wound might appear different due to factors like bullet tumbling and loss of velocity.
The Anatomy of a Gunshot Wound
To create a vivid portrayal of a gunshot wound, writers need to grasp not only the external appearance but also the internal effects it has on the body. A well-executed description captures both the physical trauma and the emotional turmoil experienced by the character. Here are some symptoms you should take into consideration.
1. External Appearance and Bleeding:
Wound Size: The size of a gunshot wound can vary significantly based on the type of firearm and bullet used. Smaller calibers may leave entry and exit wounds that are relatively small, while larger bullets or high-velocity rounds can create much larger wounds. Be specific about the size, which can help readers visualize the injury.
Blood Loss: Gunshot wounds typically result in bleeding. The severity of bleeding depends on factors like the wound's location, the size of the blood vessels damaged, and the bullet's trajectory. Mention the amount of blood, but avoid excessive gore unless it serves a specific purpose in your narrative.
Coughing Up Blood: If the gunshot wound affects the chest or lung area, characters may cough up blood. This symptom often signifies a more critical injury and can add drama to your story.
2. Internal Damage and Symptoms:
Pain: Gunshot wounds are painful, and the character should express this pain through their actions, dialogue, and internal thoughts. Describe the sharp, burning, or throbbing sensations as they resonate through the character's body.
Shock: Depending on the severity of the wound, shock can set in. The character may appear pale, sweaty, and disoriented. This state of shock can impact their actions and decisions.
Loss of Function: A gunshot wound may impair the use of the injured body part. Describe any loss of function, such as the inability to move a limb or use it effectively.
Fainting: In extreme cases, characters may faint due to the pain, blood loss, or shock. Be sure to contextualize this within the narrative, as fainting can have significant consequences for the character.
By diving into the details of a gunshot wound's anatomy, you can craft a compelling and realistic portrayal that draws readers into the character's harrowing experience. I haven't exactly covered every symptom out there, but these are the major ones you should take into account when writing. 
Medical Assessment and Treatment
Once you've established your gunshot wound, it's now time to focus on the aftermath. One of the main factors to consider is the medical process that follows. If your character is supposed to die from the gunshot then you could probably skip this section, but if they're alive here are things you need to consider. 
1. Initial Assessment:
Scene Safety: In a real-life scenario, safety is paramount. First responders will ensure the scene is secure before approaching the injured person. Consider factors like the presence of firearms, potential threats, and the safety of medical personnel.
ABCs of Assessment: Medical professionals follow the ABCs—Airway, Breathing, and Circulation. Writers can reflect this in their storytelling by highlighting the character's ability to breathe, cough, or speak after being shot.
Vital Signs: Mentioning vital signs like heart rate, blood pressure, and oxygen saturation can help convey the character's condition and the urgency of their medical treatment.
2. Trauma Assessment:
Focused Assessment: Medical personnel perform a thorough examination to identify the gunshot wound's location, entry and exit points, and any associated injuries. This assessment informs their treatment plan.
Imaging: Depending on the complexity of the injury, X-rays or other imaging may be required to visualize the bullet's trajectory and any potential damage to internal organs or bones.
3. Treatment:
Bleeding Control: Stopping the bleeding is a top priority. This may involve applying pressure, packing the wound, or even tourniquet application in extreme cases.
Wound Care: Depending on the wound's severity, cleaning and suturing may be required. The character's response to this procedure can add an element of realism to your narrative.
Pain Management: Gunshot wounds are excruciatingly painful, and medical personnel will often administer pain relief or anesthesia during treatment.
Monitoring and Observation: Patients with gunshot wounds require careful observation and monitoring for signs of infection, complications, or changes in their condition.
By accurately portraying the medical assessment and treatment of gunshot wounds, you not only enhance the authenticity of your writing but also depict the physical and emotional toll such injuries can take on your characters. This attention to detail helps your readers connect more deeply with the story.
The Psychological Impact
Gunshot wounds don't just inflict physical harm; they also leave lasting emotional and psychological scars. It is important to note that the extent of the psychological impact on your characters will heavily rely on various factors. 
For example, you need to consider whether or not this injury is something normal for them. Do they work as a spy, assassin, or other such roles that would mandate such dangerous injuries? You also need to consider who shot them. Does this wound come with emotional damage as well? Think of Aaron Warner’s reaction to Juliet shooting him. 
If you’re sure your character will have some extent of a psychological impact, here are some factors you should consider. 
1. Shock and Denial:
Immediate Response: Characters who have been shot may initially experience shock and denial. This can manifest as disbelief, emotional numbness, or a surreal sense of detachment from the situation.
Physical Symptoms: Shock can lead to physical symptoms like trembling, chills, or even fainting. Incorporating these details can make the character's reaction more genuine.
2. Fear and Anxiety:
Survivor's Guilt: Characters may grapple with survivor's guilt if they are the only ones to emerge unscathed in a violent encounter.
Anxiety: The threat of recurrence or the fear of returning to the location where the shooting occurred can trigger anxiety and panic attacks.
3. Post-Traumatic Stress Disorder (PTSD):
Flashbacks and Nightmares: Characters who have survived a gunshot wound may experience recurring flashbacks and nightmares, vividly reliving the traumatic event.
Hypervigilance: PTSD can lead to hypervigilance, where characters are constantly on edge, expecting danger at every turn.
4. Depression and Isolation:
Emotional Withdrawal: Characters may withdraw from social interactions, experiencing feelings of isolation and sadness.
Emotional Numbness: Some may describe feeling emotionally numb, unable to experience joy or pleasure.
5. Recovery and Resilience:
Therapeutic Support: In your storytelling, consider how characters seek therapy or counseling to cope with their emotional scars. Therapy can be a path toward recovery and resilience.
By addressing the psychological impact of gunshot wounds on your characters, you create more layered and relatable individuals within your narrative. This depth allows readers to connect with the characters on a profound emotional level.
I hope this blog on Everything You Need To Know About Writing Gunshot Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 
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hotguycomiczine · 3 months
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💥 A wonder duo in the mix, @kitsuneisi and @xmaruu11 are ready for battle!
Hello to another pair of guest contributors, Doody and Maruu! Happy to have you here!
DOODY'S SOCIALS: TUMBLR | TWITTER
MARUU'S SOCIALS: TUMBLR | TWITTER | CARRD
Application links under the cut!
🎨 ARTIST: Apply with this form → https://forms.gle/3UG5rSDHWwmj2FSu7
📰 WRITER: Apply with this form → https://forms.gle/XMQm7H3TCAMZQbjA9
🖊️ EDITOR: Apply with this form → https://forms.gle/x554d4AsekBvhaJv7
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books · 2 years
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Writer Spotlight: Tamsyn Muir
Tamsyn Muir probably doesn’t need a lot of introduction here on Tumblr, but for those who aren’t yet familiar with her work: Tamsyn Muir is the bestselling author of the Locked Tomb Series. Her fiction has won the Locus and Crawford awards. It has been nominated for the Hugo Award, the Nebula Award, the Shirley Jackson Award, the World Fantasy Award, the Dragon Award, and the Eugie Foster Memorial Award. A Kiwi, she has spent most of her life in Howick, New Zealand, with time living in Waiuku and central Wellington. She currently lives and works in Oxford, in the United Kingdom. 
We asked Tamsyn some questions about Nona the Ninth, the next installment of the Locked Tomb series, which comes out on September 13. (Mild spoilers ahead. You have been warned!)
Can you tell us about Nona the Ninth? How would you contextualize it alongside the previous Gideon the Ninth and Harrow the Ninth?
The Locked Tomb has always followed a concrete set of rules about whose point of view we’re in—there’s a priority list and a hard if-and-else-if set of codes about who is telling the tale. The priority character is always Gideon Nav herself, but after Gideon the Ninth, in many ways, she gets knocked out of the ring.
Nona is the next rule on the priority list—the next storyteller. Except there are also a bunch of other storytellers popping up in the priority list as she lets her guard down. That’s kind of one curtain I wanted to pull back on The Locked Tomb as a whole. Who’s telling this story? What is the truth as someone else understands it? Which is why, where the last two books have been told very much from the perspectives of the Nine Houses, we’re finally in a setting where the Houses have pulled back, and the truth told is completely different.
You have a knack for approaching the next part of the story from a completely different vantage point, which is deliciously frustrating for the reader. Why do you think this works so well (when really, it sort of shouldn’t)?
Oh, but it does, and it’s been proved to work—just play an RPG! One thing I passionately loved in Final Fantasy IX, my very favourite Final Fantasy at the end of the day, is that one moment you’re with the thief-turned-thespian Zidane and a wonderfully dashing attempt to kidnap a princess in the middle of a theater performance—then you’re with…some very bizarre kid called Vivi…who has lost his ticket and is getting negged by a horrifying rat child. You’re given a completely different lens on a completely different situation in what’s basically a completely different genre. In the same game! There’s a risk of getting too comfortable in someone’s truth—you might want to settle down in a character whom you have learned to understand. But then you have to practice a very radical empathy in settling down in Nona, who just absolutely does not give a shit about swords or empire and, at her worst, can be quite an irritating, materialistic babe in the woods who is WAY too into dogs. Of course it’s alienating. If the experience of being in Gideon’s head was the same as being in Harrow’s as being in Nona’s, there wouldn’t be any point. If different vantage points didn’t work, A Song of Ice and Fire would never have gotten off the ground. Hell, neither would The Iliad. I just sit longer with my vantage point.
After writing foul-mouthed and horny Gideon and acerbic, memory-challenged, and also horny Harrow, how did you approach writing Nona’s character, and what did you enjoy most about the process?
Harrow would hate that you described her as horny. Gideon would be fine with being described as horny. Nona would love to sit you down and talk about all the things that make her horny, at the end of which you are 50% worried that she doesn’t honestly understand ‘horny,’ and 50% worried that she DOES understand ‘horny.’
Nona is my character who doesn’t give a fuck. Gideon and Harrow both give too many. It was fun to write a character who sincerely seeks out love as she understands it, who has a large collection of friends and interests, and has no ambition. And yet what I really enjoyed is that Nona is easily also the most terrifying POV character of the series. 
We meet some old friends in a new place in Nona. What aspect of the familiar characters meeting the unfamiliar world was the most fun to write?
Honestly, the fact that they’re in such a different milieu was fun enough. One is a woman completely out of time, trying to find something to live for; two are dyed-in-the-wool Housers forced to re-examine values they’ve always taken for granted and what the next part of life after death is going to look like for them. All three are fish out of water. And then there’s actually the reader meeting the familiar after two long books about the unfamiliar, and all the ways I hope that’s entirely weird and recontextualizing. And then, for Nona, what’s familiar to us is entirely unfamiliar to her. Writing Nona was like one long experiment with jamais vu.
When Lyctorhood goes south or gets experimented with, we get someone’s mind in someone else’s body. What is it that drew you to writing this Cartesian mechanism into the universe of the Nine Houses?
Oh my God, please do not spring words like Cartesian on me, I have not had lunch yet.
My understanding is that Descartes thought mind and matter were two completely different things and then got stuck trying to explain why they don’t feel like two completely different things. So if someone kicks you in the goolies and your mind forms the thought ‘yowch, my goolies,’ how is that mind-matter gulf being bridged? Minds in The Locked Tomb lose to matter nine times out of ten. (This is linked, not coincidentally, to my experience of psychosis.) Gideon’s mind is constantly in danger of being sucked away into the storm drain of Harrow’s matter. Revenants are minds that have temporarily anchored themselves to foreign matter, but over time the matter exerts itself, and the mind starts to fall apart. So when you get a mind that’s big enough not only to resist the matter it’s attached to but actually to start burning that matter up…well, what kind of mind could possibly be so powerful?? (Significant looks at camera.)
You’ve previously headcanoned the often affectionately named “Jod” as Taika Waititi (which offers up the potential for some delightful space-god-gay-pirate crossover fic, thank you). Do you have any casting headcanons for the other characters?
I have recently admitted to loving Erana James as Harrow, except I don’t think Harrowhark is quite that good-looking.
By the way, I wish I had come up with Jod. Whoever did, well done you. 
We know you’re not allowed to read fanfic for legal reasons, but who would you find intriguing as a ship proposition and why?
I find all ships intriguing. I’ve spent too long in these mines. No ship is too problematic or cracky for me. My only hope is to out-fandom fandom by presenting them with ships more problematic and crack-filled than they do (I will not; fandom always wins). In these tiresome days where ship wars have been taking on airs, as is my understanding, of virtue versus sin (I don’t even know what Bakudeku is and yet I feel sorry for anyone who ships it; I didn’t ship Reylo because it wasn’t messed-up enough and feel the same), I hope the Locked Tomb fandom is just accepting that all shipping is batshit and every ship is just as bad as the next. Gideon x Harrow is just as bad as Teacher x Crux is as bad as Hot Sauce x Cytherea the First is as bad as Camilla x Juno Zeta is as bad as Silas x Every Asht Brother (actually, I wrote the Asht brothers in an unrelated piece that’ll never see the light of day and imo they’ve suffered enough, but). 
I was in the Kingdom Hearts fandom briefly. We shipped people with Goofy. Actually, let’s go with that. Naberius Tern x Goofy. On second thought, please don’t go with that. Goofy had a happy marriage and would know better.
This question has sparked some debate among the editorial team here because we absolutely can’t agree on one. Do you have a favorite character?
Yes. As of twenty seconds ago, it’s Naberius because I can’t enthuse enough over how he and Goofy’s relationship would break down because Babs spends so much money on silk pillowcases to avoid hair frizz. He only needs two, max, but has twenty. I hope Goofy goes on longer and longer adventures with Sora and Donald to try to ignore how his love life is breaking down over Naberius leaving the wedding they were just attending because he saw some other dude wearing the same shirt. Leave him, Goofy!!!
If Nona had a Tumblr, what would it be called, and what would she post?
It would just be a single text post with ‘hi,’ and she didn’t even write it. She dictated to Camilla, then ran out of ideas. Her profile just says ‘nona,’ and it’s a default layout. Nona just wouldn’t see the point of Tumblr, even if you told her there were pictures of dogs: why would you want to see a picture of a dog when you could be near a dog in real life? (I told you Nona was scary.)
Which house would you belong to, and do you see yourself more as an adept or cavalier?
I belong to No House. I’ve never been able to belong to a House. I’ve never been able to sort myself into anything really; I’ve tried, and nothing sticks. I can’t be an adept or a cavalier either, I’m just sitting in the corner glumly eating hot dogs. I guess I’m Hot Dog House.
The Locked Tomb fanart is strong here on Tumblr. Do you have a favorite piece you’ve seen recently?
Every piece I have seen recently is my most favorite piece! I was just in Spain for the Celsius convention, and the most intensely wonderful thing was that I came away with fan art that the fans have done. I don’t know what they’re feeding them there in Spain, but pretty much every fan was just nonchalantly like, ‘I drew this,’ and presented me with the goddamn Sistine Chapel. Someone had, while they were waiting in a queue, just filled a sketchbook with the most incredible work on the fly. Special shout-out to a marvelous flipbook I got where Harrow and Gideon are ducks.
The plan was for Alecto the Ninth to be the third and last book. Here we are with Nona the Ninth and Alecto still set to appear (we are not complaining). How has that process been?
AWFUL!!!!
It took me a long time to let go of the fact that it wasn’t going to be a trilogy; it was four books. I want the story to be done now! For one thing, because I’m really excited about the ending, and for another thing, the longer this goes on, the more of a terrible gremlin I become. The Locked Tomb is very special to me, but also I have five million other stories to write and only so long in a lifetime. I’ve been with this world since 2018, and I am wildly excited to get to all the other places. My editor and I will, I think, shed a sentimental tear on the final page, but also, you haven’t even met Teresa Santos yet, who has kept every gun she has ever loved.
What kind of writer are you? A plotter? A pantser? Do you have any morning rituals that set you up for a day of writing?
Plotter. I envy pantsers and gardeners. This is why Nona being unexpected got to me so much. I don’t actually have any rituals or exercises or anything—it’s important for me to have a specific writing space and a good breakfast. But every book is different. Like, what helped with Harrow was breaking every so often to die in Donkey Kong Country.
Do you have any writing or publishing or life advice for any budding queer sci-fi writers reading this?
I see so many writers—and this may also have something to do with being a queer writer—giving themselves SUCH a goddamned hard time. If I could give any advice to them, it would be to stop beating themselves up so much. I’m really dubious at how there’s this perceived glamorous youthquake to writing— like, that if you haven’t been published by 25 and don’t have BookTok at your feet, you’re a failure—it is so much more important to live your life. I’m so grateful I lived in an era where I could write fanfiction, for instance, and not have the sense that it ought to be my side hustle. You don’t have to have published the world’s most important and meaningful queer SFF story by the time you are 29. You don’t need to have done jack shit. 
I do have one piece of practical life advice because if I have any regrets, it is that for a large portion of my early twenties, I used to consume like six cans of Mountain Dew a day. I don’t think this sparked queer joy. I think it stripped away all my tooth enamel. You will LOVE having tooth enamel in your old age, so stop.
The Locked Tomb is seriously good and gloriously queer, and its continued success will hopefully encourage more publishers to publish more queer sci-fi, all of the time. Do you have any queer sci-fi reading recs to tide us over while we await Alecto? 
Some Desperate Glory by Emily Tesh is coming soon. It should really be called Problematic Gays I Have Loved (this is why they don’t let me title things).
Thank you so much to Tamsyn for taking the time to answer our questions! We’re so excited to see everyone’s reactions to Nona the Ninth when she arrives on September 13!! In the meantime, head over to the #the locked tomb tag for fan theories, fics, and art (remember to filter for spoilers)!
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