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afewproblems · 5 months

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Season Two Halloween AU Part Ten (Final Part)

Part One, Part Two, Part Three, Part Four, Part Five, Part Six Part Seven Part Eight Part Nine

Synopsis: What if Eddie had been at Tina's Halloween Party in Season Two? Featuring Steve!Whump, Stancy Breakup, and Eddie just trying to keep up with all these new revelations about who King-Steve actually is...

Thank you to Jess @strangersteddierthings for your encouragement and kind words, and to all of you that have been following along with this story. Thank you for your patience, I hope you enjoy the final installment!

***

It doesn't take much to get Dustin on board, especially given the little shits ego.

Nancy and Eddie manage to catch him outside during lunch period the following day, next to the bike racks. With Hawkins Middle just a block away from the highschool, it's easy to make their way over.

"Called it, I totally called it," Dustin preens with a wide grin, Eddie holds back the urge to roll his eyes.

Nancy levels Dustin with an unimpressed glare as she crosses her arms.

"It's not too late, we could make this work without him," Nancy says dryly, and Eddie has to bite his cheek to keep from laughing at the way Dustin's mouth drops open as he looks between Nancy and Eddie with a stricken expression.

"No, wait!" Dustin says, his voice pitched high with panic, "I want to help!"

"Steve is a good guy, he helped my mom with the groceries last week because she had to work late," the kid continues, his voice softer now.

"I can tell he's sad, when he thinks you aren't looking at him, mom had the same thing after my dad left".

Dustin looks up at Eddie now, a wary suspicion in his eyes, "he's been like that since the last time I covered for you," he throws long exaggerated finger quotes around the word, 'covered' as he openly glares at Eddie.

"What did you say to him before the tunnels?" Dustin demands fiercely, and even Nancy turns to look at Eddie with a questioning tilt to her head.

Frustration courses through his chest now, hot and bubbling, he has to take a deep breath to keep from yelling.

As if Eddie hasn't been asking himself that very question, as if he hasn't been turning that moment over and over in his mind, trying to find the moment, the words, responsible for Steve's distance.

"Dustin," Nancy says sharply, "this is not the time--"

"What are you talking about," Dustin turns to Nancy, gesturing at Eddie who bristles, "we're making a plan and that should include what not to say this time."

"This was a stupid idea," Eddie bites out, turning on his heel, his ears are warm under his hair and he can feel the angry flush slowly make its way down his neck, he takes three steps before a hand catches his elbow, halting his path.

"Okay Dustin knock it off," Nancy says quietly, her head on a swivel, watching for any lunchtime stragglers lingering around them or teachers on supervision.

Satisfied that no one seems to be watching their conversation, she turns back to Eddie and squeezes his elbow one last time before letting her hand drop away, "and you, calm down, we're all here because we want the same thing".

"Well, some of us more than others," Dustin pipes up, wiggling his eyebrows at Eddie who wants to sink into the concrete.

"Dustin," Nancy bites out between her teeth, "Mike said the Snowball is in two days, think you could get Steve to take you?"

Dustin scrunches his nose as he looks at Nancy, "are you kidding," he scoffs, "all I have to do is tell my mom Steve offered to take me and she'll call him to thank him, he'll have no choice but to agree like it was his idea".

Nancy blinks once at Dustin and Eddie can't help but stare at the little monster's face as he grins up at the two of them. It's honestly a good plan given what Eddie knows of Steve, and even Nancy begins to nod slowly.

"Okay, then your job," Nancy turns to Eddie now, "is to surprise him here when he arrives at the dance, Dustin's right".

Nancy doesn't look at the little twerp as she says it but nearly rolls her eyes at the triumphant laugh that bursts forth from the kid.

"An ambush is probably the best way to catch him, and Eddie," Nancy turns to fully face him and reaches out to squeeze his arm with small hands, "just…be gentle with Steve, as much as you can".

"Are we all clear on the plan then?" She asks, taking a step back towards the sidewalk path leading back to the school.

"Yes mom," Eddie huffs, shooting Dustin a matching grin as Nancy sighs loudly.

"Just be here for seven," she says tightly before turning in her heel and stalking off towards the highschool.

"She's pretty intense hey?" Eddie says, turning back to the kid, he trails off at the scowl Dustin gives him in response.

"Nance is cool and has a gun, I wouldn't mess with her and I wouldn't mess with Steve if I were you," Dustin scoffs, taking a step closer.

Eddie swallows roughly at the sudden proximity, looking around the school yard for any stragglers making their way back to class.

"Keep your voice down you little shit," he hisses, reaching out to pull Dustin farther away from the bike rack and the double front doors. He tries not to let the news of Nancy's weapon cache fluster him but Dustin must see something in Eddie's expression if the sudden smug grin is anything to go by.

"I'm just saying, you're new to the party and we protect each other, so if you're just looking to mess with him--"

"Jesus Christ," Eddie hisses, bringing his hands up to his eyes. He presses his fingers in until his vision explodes in a kaleidoscope of stars and counts to five, breathing deeply through his nose.

"I'm only going to say this one more time, so tell your little party because I ain't doing another shovel talk from someone whose voice hasn't even dropped".

Eddie ignores the squawk Dustin makes as he lowers his hands, "I just want to talk to Steve and see where this goes, I am not getting my hopes up that this is all gonna be 'Happily Ever After' or some shit, and you shouldn't either".

Eddie watches as Dustin frowns skeptically and has to bite the inside of his cheek to keep from rolling his eyes.

"But I swear, I'm not messing with him, okay?"

Dustin stares at Eddie for what feels like an age, saying nothing. His gaze is anything but warm, it feels like he's being analyzed and he wishes that Nancy were still here to absorb some of the strange attention the kid has focused on him.

Eddie is about to tell him to forget it, to storm off back to the highschool when Dustin finally utters a simple, "okay".

It throws Eddie off for a moment, he stands in the patchy November worn grass, shivering in the harsh wind, mouth opening and closing in surprise.

"That's it?" He asks faintly, watching as Dustin swings his backpack off his shoulder and unzips it. He reaches in and pulls out a bright yellow walkie talkie and holds it out to Eddie expectantly.

"The party frequency is 467.5625," Dustin says as Eddie takes the device.

He looks from the walkie in his hands to Dustin and scoffs, "you expect me to remem--"

"Channel eight then, Jesus," the kid huffs out, "don't make me take it back, this is a big deal Munson, you're one of us now".

Eddie holds back a smile but it's a near thing.

It feels strange, the warmth in his chest at the words. It shouldn’t feel as big as it does, but the heavy walkie in his hands feels like acceptance, something Eddie has always insisted that he never needed. He had Wayne, he had Hellfire, and Corroded Coffin, what did it matter if the other teens gave him a wide berth in the halls, or if teachers assumed the worst of him without evidence.

But as Eddie taps the walkie onto the palm of his left hand, that feeling of warmth grows until it travels up his throat into a sudden lump that chokes his words.

Fuck.

Eddie blinks away the burning sting in his eyes once, twice, before lowering himself into a bow to hide the moisture he knows is just a split second from becoming a very evident problem.

Dustin steps back in surprise as Eddie coughs to hide the waver in his voice.

"I uh, humbly accept your invitation and will endeavor to assist with all future quests, even upon pain of death or dismemberment oh noble bard".

Eddie lets a small laugh loose as he stands back up to his full height, grinning at the delighted giggle Dustin makes, even as the kid loudly insists that he's actually an Artificer, duh.

"Could've fooled me with that inspired speech dude," Eddie shakes his head and begins making his way back towards the highschool, letting gravity take him down the small hill towards the trees with heavy steps. He feels lighter now than he has in a while.

Absolutely nothing could go wrong.

"Wait!"

The sound of quick steps and crunching dead leaves announces Dustin before Eddie can even turn to face Hawkins Middle.

He skids to a stop at the bottom of the hill, breathing heavily with a wild grin on his small face.

"I know we have a plan already, but I think I have an even better idea," he breathes out, nearly vibrating in excitement.

"Better than Wheelers?" Eddie says, raising his eyebrow and slowly crossing his arms over his chest, careful not to drop the walkie in the grass.

"It's genius," Dustin insists, "trust me".

***

It was not genius.

It is in fact the stupidest thing that Eddie has ever done.

Including the time he skipped school to climb the tallest tree in Mirkwood on a dare and ended up breaking his collarbone after falling ten feet.

But, Eddie supposes, this is exactly what happens when one listens to a thirteen year old.

Maybe this was how all urban legends started, as unsolicited advice from snarky little pre-teens with more confidence than common sense.

All of a sudden, you end up stowed away in the back of a car trying your damnedest to keep quiet so as not to tip off the driver.

Who you happen to be eavesdropping on. Again.

Fourth time's the charm after all.

Eddie tries to stay as still as he can, crouched down in the back of Steve's Beemer. How the hell did those Urban Legend serial killers make this seem so easy, Eddie thinks as they manage to hit yet another pothole, jostling his position behind Dustin's seat. Eddie's heart beat feels incredibly loud in his ears as he holds his breath between his teeth.

He wonders belatedly just what Hopper would do if he drove past them now and tries to swallow the sudden anxiety that clings to his throat.

"Remember," Steve interrupts Eddie's thoughts with his insistent tone, "you don't care, you're as cool as a cucumber, you let everything roll off your back," Steve says as the sound of the turn signal begins, the rhythmic tick tock keeping pace with his words.

"Like a duck?" Dustin asks from the passenger seat and Eddie has to fight to keep the snort that threatens to break free from his nose.

"Uh, I guess, just, look," Steve sighs as they slow down for a light if the red glow is any indication, "you don't want to come on too strong, what happens when you come on too strong?"

"It blows up in your face," Dustin says quietly as Steve speaks in unison with him, slapping the steering wheel once with the flat of his palm, making Eddie flinch in the back.

God. Is that what Steve thinks he did?

"Exactly, Henderson, you got it! So what are you?"

"Cool as a cucumber," Dustin repeats, this time with more conviction in his voice and Eddie hopes the kid is a better actor than he thought because that is not the lesson he wants him taking away from this evening.

"Because you don't care," Steve says again, tapping the steering wheel with each word for emphasis and Eddie can hear the grin in his voice as he shifts in the driver's seat.

"I don't care," Dustin repeats again, though in a much colder voice than before, and suddenly Eddie knows if Dustin could see him now, he'd be staring daggers at him.

Eddie rolls his eyes, he's not going to take the blame for every single word and feeling coming out of Steve's mouth and it isn't fair of Dustin to heap all of it on Eddie.

"You look like a million bucks, go get em tiger," Steve says gently as the car comes to a gentle halt. There's a fondness in his voice that Eddie hasn't heard before.

He's never had a sibling either, but Eddie imagines that this is exactly how it would feel, witnessing their firsts, cheering them on as they head into the unknown. Being their protector from the things that go bump in the night, even if that thing was as small as a first heartbreak.

God. King Steve just had to be a secret sweetheart didn't he?

Not that it was really much of a secret, Eddie thinks as Dustin opens the passenger door and hops out of the car--

Oh shit.

He had been so engrossed in the conversation he'd been eavesdropping on, yet again, that Eddie had forgotten to sneak out.

He had even kept the back passenger door open, ever so slightly, to avoid the sound of it alerting Steve when he made his escape at the same time as Dustin. Then all they had to do was line up their doors closing at the exact same time and Steve would be none the wiser.

Oh God, he really did it, Eddie really listened to a thirteen year old and expected the plan to work.

And what's worse, he's the one that had fucked it up and now, he's trapped.

Eddie takes a deep breath through his nose and releases it as slowly as he can through his mouth. It feels as though an elephant is seated on his chest and his lungs can't quite keep up with the weight as his ribcage slowly begins to cave in.

He has to get out, he has to run, he has to get out, he can't be caught in here, he can't ruin this again.

He starts at a sudden tapping on the window and holds his breath as Steve leans over from the driver's side towards his passenger door.

"Dustin?" Steve huffs as he moves back into place, his arm stops to rest on the passenger door just above Eddie's legs hidden in the darkness of the back seat.

"Steve! I, uh, forgot something, in the back," Dustin's voice is slightly strangled as he stumbles through the explanation for his sudden reappearance, "uh, my backpack!"s in days with their plan in place.

"Okay," Steve says slowly, drawing out the second syllable as he drops his hand from the passenger seat, "let me look--"

"No!" Dustin barks out, leaning further into the vehicle, from the new angle Eddie can see the panic on his young face.

"Dustin? What--" Steve huffs as the kid climbs back into the front seat, grabbing Steve's arms and forcing him to continue facing forward.

And perhaps it's the absolute ridiculousness of the situation that makes Eddie laugh, the look on Dustin's face, or the confusion in Steve's voice, but he can't help but contain the loud snort that bursts forth from the back seat.

Shit.

Eddie's heart drops into the floor of the vehicle beneath him as Steve and Dustin both freeze.

It's like time stands still for an eternity, though snow begins to slowly fall outside the Beemer and the far off buzzing of music and laughter continues to emanate from the school gymnasium.

Eddie moves first, lifting his hands to cover his face as he slowly sits up. He presses his fingers harshly into his eyes until a kaleidoscope of stars and fireworks appear in the darkness, before lifting them slightly to move into his hair and pulling at the roots. Eddie keeps his eyes closed as he hears a sharp intake of breath and movement from the driver's seat.

"Eds? Dustin, what is going on, what are you doing here?" Steve says, his voice growing louder with each word until Eddie opens his eyes.

Steve is staring at him, his large hazel eyes are wide and his brows have pinched in the middle, cutting creases across his forehead. He looks at Dustin before turning back to Eddie again, the frown on his face slowly morphing into a sneer.

"Figures," Steve breathes out before turning to Dustin once more, "you two planned this?"

Dustin has the decency to at least wince at the accusation, "it's not like that--"

"Just," Steve cuts the kid off, the word harsh, almost a snarl before Steve deflates, sinking back into the driver's seat and letting his head drop back onto the headrest.

He breathes out long and slow through his nose before continuing in a much softer, tired voice, "go to the dance Henderson".

Dustin opens his mouth to rail against the dismissal, to stop whatever train of thought has run through Steve's mind, but Eddie beats him to it.

"Dustin," Eddie sighs, dropping his hands away from his hair to his lap, "let me take my lumps man, go".

Dustin makes a noise that seems to be a cross between a curse and a growl, his expression venomous, before he steps back and closes the passenger door with a loud metalic bang.

Eddie vaguely remembers Dustin and Nancy's threat and the guns she supposedly owns and suppresses a shudder.

One problem at a time.

Eddie hauls himself into the back seat and groans at the rush of pins and needles dotting along his arms as he moves into a normal position once more. He rubs his hands along his arms and legs, wincing at how loud he is in the absolute silence of the car.

Steve isn't looking at him, his face pressed in between his hands at 11 and 1 on the steering wheel.

"So," Steve mutters after a beat, startling Eddie as he sits back up from the wheel, "you were listening to me. Spying. Again."

"Steve," Eddie starts, only for the other man to continue on as though he hasn't heard him.

"The only thing I can't figure out is why?"

Steve turns in his seat to look at Eddie, his face carefully blank now but for the slight downward pull at the left corner of his mouth. The bruises from Billy's recent beatings have faded to a sallow yellow and even the collection of cuts from the shattered ashtray have begun to scab over.

The sight makes Eddie ache.

"Did Tommy put you up to this?" Steve interrupts Eddie's thoughts, his stare unwavering.

"What?" Eddie whispers, horrified, "what are you talking about?"

"You, you keep," Steve's voice rises slightly, a hysterical edge begins to creep in as his breathing quickens, "inserting yourself into my shit, you--I told you that I," Steve swallows heavily and blinks, his hazel eyes shine in the glow of the streetlight.

"Tommy is the only one who knows about me, so--so whatever he's got you doing," Steve sucks in another short breath, it's wet at the edges and Eddie feels his chest tighten as Steve's voice wavers.

"Steve--"

"You know what," Steve hisses as he reaches down to tug the keys out of the ignition, his breathing still slightly erratic, "just don't".

Eddie watches, frozen, as Steve wrenches the driver's door open and throws himself out of the vehicle, slamming the door shut behind him.

Eddie sits in silent shock for a moment, as though his limbs have filled up with sand, holding him in place, before he manages to scramble towards his own door.

"Steve!" He shouts, wincing as he slams the car door behind him, prompting several kids and parents walking into the middle school behind them to look in curiosity.

He catches a glimpse of a maroon sweater darting into the trees.

Gotcha.

Eddie hurries after him, cursing Dustin's insistence that, 'with this plan you won't need a coat, there's no waiting outside at all!'

He tamps down the hot feeling of irritation creeping up his chest and into his throat. It's a ridiculous night, first spent crouched into the back of a car and now traipsing through the woods to what?

Chase after someone who clearly wants nothing to do with him? Who has been purposefully avoiding him since that night in the tunnels.

Nancy and Dustin had it wrong, this was stupid.

What was he thinking going along with their batshit plan --not that Nancy deserved credit for the car thing, that was all Henderson.

Eddie pushes a branch out of his path and steps over a snow covered log, cursing the fact that he can feel the chill creeping into his toes through the thin canvas of his converse sneakers. The shoes also have little traction in the fresh snow that seems to be coming down even harder now as the night goes on.

As if to prove a point Eddie slips on a wet patch of leaves and swears at the sudden pain in his back as he struggles to keep upright.

He's breathing hard, puffs of frozen breath billow out and away from him in the cool night air

'Be gentle with him,' Nancy had said, as if she knew this would happen. As if she knew Steve would run the first chance he could and Eddie would follow.

He shakes his head and takes a deep breath, letting it in and out, allowing the frustration and anger from the last few days flow out with each breath.

"Steve," Eddie shouts as he finally catches a glimpse of maroon and tawny hair through the thicket, "just stop, man!"

Steve halts, halfway over a fallen log, but doesn't turn around.

Eddie ducks under another branch and into the small break in the trees that Steve is in. He can see the way the other man's shoulders rise and fall rapidly in the meager moonlight but whether from panic or exertion, Eddie can't tell.

"Steve," Eddie says as he takes another wary step forward, as though approaching a wild animal.

"You promised we'd talk," Eddie tries to swallow around the sudden lump in his throat, "was that a lie?"

Steve says nothing still, though he turns his face just enough that Eddie can make out his profile in the low light.

Eddie sighs heavily, sliding a shaking hand through his hair, "what would Tommy want with the town freak anyway, he'd be more likely to put sugar in my gas tank than talk to me about anything, Steve".

"So," Eddie breathes out slowly, feeling his heart rate begin to climb as he prepares to take the leap, "rewind a bit, and catch me up on just what is going on in that head of yours sweetheart".

He sees the moment the words register in the way Steve stiffens, the way he slowly turns towards Eddie, his face pale and his eyes wide.

"You…you've called me that before, in the car," Steve says slowly, in fits and starts, "I thought it was a dream".

Eddie takes another step closer, watches as Steve traces his movement with wary eyes.

"I think that was the most scared I have ever been in my life Steve, I thought you were dead, and it made me realize something," he swallows heavily, it feels like glass all the way down.

"I was an idiot," Eddie whispers, his breath floats away in the cold November air as he shivers, "and didn't understand what you were trying to tell me at the Byers".

Steve winces slightly and nods, he opens his mouth to say something but Eddie beats him to it.

"IthinkyourNonnawasontosomethingSteve," the words tumble out in a long nearly unintelligible string, "I want to be in your life, whatever that means, however you'll have me," his lungs stutter slightly as Eddie takes a deep steadying breath.

Steve's head tilts slightly to the left as he regards Eddie with a infuriating black expression, his eyes searching Eddie's own.

"As friends?" Steve says slowly. There's a leading note to his voice that Eddie tries not to wince at.

He can't quite help the way his shoulders drop at the words though. Of course, of course he'd been right the first time. Steve was straight and, despite his better judgment, Eddie had gone ahead and gotten his hopes up for nothing.

"If that's what you want," Eddie agrees, forcing a wane smile that doesn't meet his eyes.

Steve's expression betrays nothing still as he moves through the thicket in two steps, his gaze never wavering from Eddie's own as he crosses his arms over his chest, still guarded despite how close they are.

"And if I wanted something else?" Steve speaks softly now, the words travel in between them through gentle puffs of frozen breath.

They're nearly the same height, Eddie might be a half inch taller or so, but from this close it doesn't matter.

Eddie can see the flecks of green in his eyes, the collection of freckles and moles across his nose and cheeks; if Steve is an Autumnal King in a sunset, he's absolutely otherworldly in the moonlight. The pale snow falling around them almost makes it seem like he's glowing.

"Glowing huh?"

Fuck.

Steve's face splits into a soft smile, his eyes crinkle at the corners, pulling at the yellow bruised skin. He breathes out something resembling a laugh through his nose as he says, "well, you're not so bad yourself Munson".

Eddie takes another step closer, his heart racing at a mile a minute, "s'that right?" he asks, lifting his hands to grip at Steve's arms.

He lets his ungloved hands run up and down, reveling at how soft and warm the sweater Steve's wearing is before settling at his elbow.

Steve's eyes slowly trace over Eddie's face, before his expression morphs into the determined one that Eddie recognizes from that horrible night in the tunnels.

"I'm sorry," Steve swallows roughly before clearing his throat. He takes a deep breath and shakes his head as Eddie opens his mouth to speak, "please, just let me explain first, and then you can," he bites at the inside of his cheek as his hazel eyes move beyond Eddie's gaze into the trees.

"You can, make your decision or whatever".

Eddie hesitates for just a moment, squeezing Steve's arms once more before he lets go.

Steve gives Eddie a tight smile, before closing his eyes, "I've known Tommy since we were like six, sandbox kids right?"

"Our dads were friends, they worked together, so it just made sense, and we were close, we did everything together," Steve opens his eyes but doesn’t look at Eddie, "Tommy knows a lot about me, stuff I've never told anyone, not even Nance".

Steve sighs, kicking roughly at a cluster of leaves and snow on the ground, "not that she hasn't figured a bunch of it out, she's smart like that".

"I remember talking about girls for the first time when we were Dustin's age, Tommy had a crush on Linda Holloway, he liked her red hair," Steve smiles faintly, but it quickly disappears as he finally meets Eddie's eyes once more, "and I didn't think anything of it at the time, I just thought we were sharing who we thought was cute so I--"

He stops speaking, his breath stutters for a moment as he shakes his head once and curls his arms even more tightly around himself.

"Steve--" Eddie tries, reaching out once again with one hand before he curls his fingers away as though afraid to touch him.

Eddie wants to tell Steve that he doesn't need to continue, that he understands, but Steve has regained his voice, soft and unwavering.

"I told him about Mary McKinney, she let me borrow her pencil whenever I needed it and always wore her hair in braids," Steve licks his lips, his eyes flitting between Eddie now and the ground, "and, about Brian Donovan, he was on our little league team and he had the best dimples I'd ever seen".

Steve's lips twist into a shy smile this time as he looks at Eddie, "maybe second best now".

Heat rises in Eddie's cheeks, his heart thrums in his chest and he can't stop the pleased grin from taking over his face at the words.

God, he's so fucked.

Steve continues on, if he notices Eddie's blush in the low twilight he doesn't mention it.

"Tommy said that was weird to think of boys like that, the same way I thought about Mary, and not to talk about it again. That didn't stop him from bringing it up after that," Steve sighs heavily now, "I couldn't so much as make eye contact with another guy at school without Tommy telling me off".

Anger ignites in Eddie's chest, spreading up his throat and curling around his hands which suddenly long to meet Tommy Hagans stupid face.

He'd never cared for the guy. Too far up his own ass over the years with a mean streak a mile wide. Add to that a penchant for making other kids' lives absolutely miserable and you have a recipe for a douchebag that Eddie based nearly half of the Munson Doctrine on.

The other half, well, that had also been influenced by Steve, but if Eddie was being honest, he had no clue who the real Steve Harrington was.

No one did.

Hopefully, in time, Eddie could change that.

"I'm sorry for not trusting you," Steve whispers, his face tipped down to the ground, "I think I've had his voice in my head for so long that I couldn't stop myself from listening to it".

"You want to know the worst part?" Steve asks quietly, he scoffs, not bothering to wait for Eddie to reply, "he acted like he was doing me a fucking favour, like he was protecting me".

He shakes his head, lifting a hand to pinch the bridge of his nose as his voice wavers suddenly, "maybe he was, in his own way--"

"Nope," Eddie barks out, startling them both with the sudden volume filling the trees, "that rat was trying to save his own skin by trying to control you, you owe Tommy nothing".

Steve looks at Eddie with wide shocked eyes. He's standing so still that Eddie wonders if he's stopped breathing.

"Maybe he thought he was doing you a favour," Eddie laughs, it's a cold bitter thing that hangs low amongst the tree roots and plant litter, "and in public sure, I get it, but honestly if he could only be friends with this version of you, then he wasn't really ever your friend, Steve".

"If someone doesn't like you just as you are, then they aren't worth it".

Steve is still staring, he hasn't blinked the entire time that Eddie has been speaking…it's a little unnerving.

"So," Steve asks, hesitantly, halting Eddie's train of thought, "what about you?"

He's even closer now and, when the hell did that happen.

"Me?" Eddie says faintly, his eyes drop once to Steve's lips, they're slightly chapped but have never looked so God Damn kissable.

Eddie takes a deep breath, and smiles softly as he lifts his hands to grip Steve's elbows once again, squeezing gently before sliding them down to take his hands.

They're large and warm in his own, callused along the palms from where the nail bat had sat in his hands. Eddie lets his thumbs run along his knuckles, lingering on the healing scabs from his fight with Billy.

"You weren't what I was expecting," Eddie says, watching as Steve's head tilts again at the nonsequiteur, "especially after the party when I tried to give you back your sunglasses".

"You care, about the kids --even when they are being self destructive little shits, about Nancy even though she broke your heart," he traces his thumbs over the tops of Steves hands when his fingers twitch, "and you care about me, enough to put yourself out there even though you had no idea if I felt the same".

"You are brave, crazy brave to the point where I'm a little worried about why you're so quick to just throw yourself in front of danger, but," Eddie shakes his head as Steve bristles this time, ducking his face away from Eddie's watchful eyes, "we'll unpack that another day".

He takes a deep breath and slowly lets go of one of Steve's hands, shaking as he reaches up to cup Steve's jaw, tipping his face up until his eyes are level with Eddie's once more.

Steve's hazel eyes trace over Eddie's face, wide and glassy in the moonlight. They are close enough that Eddie can feel the shallow puffs of air against his lips as Steve's breathing quickens.

"Did the doctor say anything about your face," Eddie asks, gesturing at his own with his one free hand, "recovery time?"

Steve shakes his head with a confused frown.

"Good," Eddie takes a deep breath, allowing a wide lecherous grin to bloom, "because I like you, Steve Harrington, exactly as you are, and I'm going to kiss you," he lifts his other hand now to cup the other side of Steve's face, "but I only make it hurt if you want me to, big boy".

Eddie freezes as the words he just said register.

Oh Fuck.

Who pulls out Big Boy like five seconds after confessing their feelings?

Eddie groans lowly and shuts his eyes for a beat, only opening them at the tentative sound of Steve's voice.

"Eds," Steve laughs, his face flushed a deep scarlet, giving Eddie a sly smile of his own, "that was really bad, like really bad".

Eddie sighs, embarrassment beginning to curl, hot and heavy, in his chest as he removes his hands from Steve's face, "I know…"

He startles at the feeling of warm fingers wrapping around his own, drawing his hands back to where they had been on Steve's face, "it's a good thing I like you, so you can get more practice".

"Yeah?" Eddie whispers, his voice hoarse as though he can scarcely breathe. He watches as Steve smiles, counting the crinkles at the edges of his eyes and the way his scarlet flush has faded to a soft pink.

He wants to freeze this moment, burn it into his memory so he'll never forget the soft happiness in Steve's eyes.

"Yeah, Eds," Steve breathes against his lips as their noses brush, "exactly as you are".

Eddie's not sure which of them moves first, it's only the faint brush of chapped lips against his own that sets off an unhinged chorus of, 'Kisskissingkisswhatthefuckyou'rekissingSteveHarrington'.

Eddie's fingers tighten against Steve's face before his hands begin to move on their own, one along his jaw until it has wrapped around the back of his head, burying his fingers in thick soft hair. His other hand shifts slightly lower, his thumb presses into Steve's jaw until his head tips back.

The noise Steve makes against his lips as Eddie moves him sends a thrill down his spine. He feels two hands slide up his chest, over his shoulders, and around his neck as Steve presses himself even closer. Eddie's fingers tighten in Steve's hair, almost involuntarily, as the pulse under his thumb climbs even higher. Eddie hums contentedly and smiles into the kiss.

It's…God.

Kissing Steve is everything he's ever wanted. He tastes like peppermint, like the candy canes Dustin had brought Steve as a thank you for the ride to the dance, and Eddie can't help but wonder if the little shit had done so with this in mind?

No, nope. Definitely not thinking about that right now.

He tugs his mind away from the thought and opens his lips more to brush against Steve's with purpose, pulling a sweet moan from the other as he nips at his bottom lip.

He pulls back begrudgingly after another moment, relishing the heat, the softness of Steve pressed against him. They're still standing in the middle of the ravine just a few steps from the middle school and it would probably be best to continue this sort of thing in private.

Eddie shifts away just enough to run the tip of his nose down Steve's own, his heart fit to burst at the soft sigh Steve releases at the touch. His eyes are closed, but from the new blush that has spread from Steve's cheeks, to his ears and all the way down his neck, as well as the soft grin that pulls at his lips, Eddie can tell the feeling is mutual.

Eddie wonders just how many different shades of pink he could make Steve turn?

A thought for another day, Eddie thinks with a mischievous smirk, brushing his thumb along the crest of Steve's cheek.

"We should probably get back sweetheart," Eddie murmurs as he reluctantly removes his hands from Steve's face, "I can think of somewhere warmer we can go to talk".

Steve nods with a snort, knocking his shoulder into Eddie, "talk huh?"

"Is that not what the kids call it these days?"

Eddie drapes his arm around Steve's neck, tugging the other man closer. He comes all too willingly with a pleased grin stretched across his face.

"Besides," Eddie hums as they begin to make their way back the way they came, "my Uncle Wayne's been asking about when he can meet you --well after he weaseled it out of me, what was making me mope so much these last few weeks, he's already making Thanksgiving plans--"

They jerk to a halt, half slipping in the leaves and snow, he turns to Steve to meet his wide fearful eyes.

"You--your uncle knows, about me, about you?" Steve asks, the words stopping and starting as he speaks.

Eddie reaches out only for Steve to take a step back into the trees, "why would you tell him--"

"He doesn't know about you specifically, Steve, I would never do that," Eddie insists, he keeps his voice level now with how close they are to the school again, he can hear the sounds of teens yelling and laughing in the short distance.

"Okay, but he, he doesn't care about…"

Steve trails off, his teeth closing down on his bottom lip and though chewing on what he wants to ask.

Your uncle doesn't care about you being gay, being different?

Eddie sighs, resisting the urge to lift his hands and press his fingers into his eyes, "Uncle Wayne took me in a few years ago when my parents kicked me out for that so, no, it's pretty safe to say he doesn't".

"Oh," Steve says faintly. His arms come up around his chest as he begins to hunch in on himself yet again.

Well shit.

Now, Eddie isn't a hundred percent certain, but based on things that Steve has said, the warning that Nancy gave him, and what happened at the hospital, he knows that the Harrington house hasn't been the happy home he had assumed it to be.

And now, given the stricken look on Steve's face and the pinch in his gut, the doubts are fading even further away.

Eddie takes a deep breath, stepping onto the tightrope between them, he'll have to be careful about how he plays this, or Steve could bolt again. He's seen Steve run track at school, he knows the other man could easily outrun him.

Best not to give him a reason to.

"You know, not all parents, um, deserve to be parents sweetheart," Eddie says slowly, carefully, watching Steve's face as he speaks, "especially if they're never around".

He feels the rope between them wobble as he takes a step closer, holding out his hand.

"Especially if they don't love us for who we are Stevie," Eddie whispers, watching as Steve looks away sharply, his shoulders tense.

Eddie takes another deep breath before taking the leap, hoping that his feet will meet the ground beneath them.

"Wayne isn't like that, he's safe, and he wants to meet the person I've been mooning over for weeks now, if you're up for it".

Steve swallows once, twice, his jaw moves as though grinding what he wants to say between his teeth, his nose begins to redden as his eyes grow damp at the edges.

"Yeah," he manages to choke out, his voice cracks down the center as he draws one hand up to pinch the bridge of his nose, "maybe not, right, right now but --fuck, I'm sorry, I don't know why this keeps happening".

Eddie takes the last step and pulls Steve into his arms again; he stiffens at first before finally relaxing, almost boneless, against Eddie's chest. He feels Steve release a long hitching breath and squeezes him gently, rubbing his cheek against the slight stubble on Steve's own.

"Probably because it's been a really hard couple of weeks sweetheart," Eddie pulls back enough to look into Steve's eyes, they're red rimmed now and his lashes have begun to clump together, but even like this Steve still looks beautiful.

"Yeah," Steve says, he sniffs, wincing at the sound of his stuffy nose, "I think I could use a proper…talk, and a rest, if you're still up for it?"

Eddie feels a smile pulling at his lips as incandescent happiness glows in his chest. He pulls Steve closer once more, relishing the feeling of being able to hold Steve again, without the scent of blood and terror in the air.

"Lead the way then sweetheart," Eddie says softly, knowing he'll follow Steve wherever he goes. There's a lot more for them to talk about, but for now, he'll be there for Steve as his person, for as long as he can.

Forever if he can swing it.

Tag List:

@eriquin @luvinthefreaks @cinnamon-mushroomabomination @goodolefashionedloverboi @ellietheasexylibrarian @bambibiest @sadboislovebeans @howincrediblysapphicofyou @coleys-a-nerd @whycantiuseunderscore @airconditioning123 @xxfiction-is-my-realityxx @corrodedbisexual @starman-jpg @ilovecupcakesandtea @yoriposts @clumsiluni @pelinelin @phantomcat94 @lololol-1234 @anaibis @steveshairspray @hellfireone @eddielives1986 @sunswathe @tentativeghost @robin-not-batman @estrellami-1 @manda-panda-monium @tinyplanet95 @perseus-notjackson @queenie-ofthe-void @rainbowsaw @sp0o0kylights @littlebluejane @hi-im-eff @phantypurple @just-ladyme @thoroughlycollected @justrandomfandomstm @swimmingbirdrunningrock @finntheehumaneater @dynamic-powerm@nightmareglitter @genderless-spoon @zaddipax @thebiblesays @pyrohonk @emly03 @geekymagicalpotato @sidebarre @lemon-astra @cipounette @discreetapple @starlitlakes @saphhicwitchbitch @marvel-ous-m @lingeringmirth @honorarybrit81 @bookbinderbitch @finntheehumaneater @lololol-1234 @eddie-munsons-missing-nipple @monsterloverforhire @gaydrieeen @starlight-archer @homosexual-having-tea @devondespresso @rennnnon @my-hyperfixations-hell-blog @carlprocastinator1000 @0o-queendean-o0 @emly03 @paintsplatteredandimperfect @louismeds @fruitmix

@lizzicleromance @fairy-princette @eddiethehunted

And a few people I think may be intersted!

@steddierthings @steddie-there @stevesbipanic @henderdads @bramble-berries @flowercrowngods

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callipraxia · 1 month

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Further Interview Analysis: the "Ford Plan," and Bill's Blind Spot

I didn’t sleep again the night after the “musical Weirdmageddon” post, and wrote a lot of loopy stuff the next day, and posted none of it. But then I slept, so yay, time for an attempt at some actual analysis! Original interview is, as before, here, with credit and thanks to @fordtato and @hkthatgffan.

"I think that Bill was trying to find Ford, but I think- I always think of Bill as like, this guy who has, like - you know, he’s stirring the pot of soup that is the Ford plan, and he’s got like 900 pots of soup across the universe of different things he’s working on, and at any given moment, he’s so cocksure that it’s all gonna work his way eventually."

Bill’s a trillion years old, so it’s like, Ford disappearing for thirty years is like- [snaps fingers] is like somebody saying they’re ghosting you and then texting you the next weekend, you know what I mean? He’s like- he’s like [handwave] “Ford’s gonna- Ford’s gonna be back. Ohh, [air quotes] we had such a big fight, Ford’s sooo mad at me,” oh, you know, “our will-they-won’t-they-take-over-the-universe relationship, like, he’s gonna- he’s gonna march off in a huff, and he’ll be back, ‘cause we’re- is Ford gonna find anyone else in the multiverse that strokes his ego as well as me?” Is there anybody else in the universe that’s gonna make Ford feel as important as Bill? No, of course not, Ford needs validation, and so Bill knows Ford’s gonna be back eventually.

...so, Bill still had a "Ford plan," did he? Like, some active plan that involved using Ford in some way to escape the Nightmare Dimension? Interesting.

I always interpreted his cliche-villain-gloating routine when Ford confronts him about being a liar as the point where Bill was ready to discard Ford altogether. If he had wanted to - if he could have been bothered - after all, he probably would have had a very high chance of somehow manipulating Ford out of the realization that he'd been played: Ford had been literally worshiping Bill a few days earlier. He was basically a cultist, and he was not only someone who'd spent way too long talking to Bill, he was also someone who could only confront Bill on Bill's turf, so to speak. But Bill didn't even try to turn it all around, because (ran my reasoning) he'd gotten what he really needed: the Portal existed, and you can't close Pandora's box. The technology was there. It would not, from Bill's trillions-of-years perspective, have taken very long to find some way to manipulate someone else into rebuilding the Portal once it existed even given Ford's attempts to hide the plans. Bill was scribbling on the Journal in invisible ink after Ford's last entry, before he buried it but after he wrote all about his plans in some detail, even drawing a map to J2. The Journal separation plan would have been laughably easy for Bill to work around. So at that point, I assumed that the only reason Bill didn't arrange for Ford to - if I may be blunt - kill himself the first time he blacked out was because Bill was basically getting off on the psychological torture and wanted to see how long he could keep it going/enjoy himself until Ford literally died of exhaustion. Ford certainly seems to think he'd have been killed if he had lost the game of 'hide and seek' in the asteroid field. I thought the idea that "Bill used Ford until he used him up, and now he was done with him" was basically canon, and that Bill paid no more attention to him from that point onward than you would pay to a broken Solo cup in the trash until Ford did something unexpected - ie, survived the Multiverse, came back with a death ray, apparently took out a few Henchmaniacs, almost shot Bill himself, and then survived the experience.

But here we have what I suppose amounts of authorial commentary which seems to directly contradict the idea that Bill didn't even regard Ford was worth finding and/or killing. Bill was looking for Ford, all those years - not all that intently, apparently, or really very long from Bill's point of view, of course, but still - and Bill still had a plan for Ford. Bill also, if I'm reading that right, seems to have really just expected Ford to come back, of his own free will, to join him eventually, not to kill him.

Of course, it's possible I'm reading that wrong, and Bill just knew that killing him would also give Ford a massive ego boost and that Ford would have to eventually reenter his orbit in order to attempt to do so. It's also true that Bill just not being able to accept rejection in no way, by itself, implies he wasn't planning to go "hahahaha, no" and kill Ford fifteen seconds after he finished begging Bill for forgiveness. But the 'Ford plan' bit seems to undermine that. Let's assume the hesitations and half-sentences are Hirsch improvising, not Bill actually cutting off a thought he might not like the end of. So was Bill genuinely never planning to kill Ford after he bumbled into the Nightmare Realm back in '82? And if not - what in the world was he planning to do to him once one of the Henchmaniacs caught him, then? And why do I have the feeling that whatever it was would have made murder seem both a) kind and b) not at all disturbing by comparison?

Also gives us, in a way, some insight into Bill. Kinda. We've always known that there's this...level, this very deep, seldom-relevant but very important level, on which Bill doesn't quite understand how people work. We see it primarily in the mistakes that Bill makes with Stan and Mabel. Maybe there was nothing he could have said or done in the situation with Stan to save himself, Stan had reached the point of literally suicidal determination and there's really not much you can do to budge someone at that point and especially not once their consciousness has already caught fire, but with Mabel - in Sock Opera, all Bill needed to do to win was keep his mouth shut for three more seconds. He was clever enough to see how Dipper and Mabel's relationship could be exploited to get Dipper to do what he wanted, but he did the exact opposite of what he should have done to get Mabel to do what he wanted, because for one thing he underestimates Mabel and for another...it comes back to that elusive Thing that Bill can't or won't understand about the deeper levels of humans. Or maybe it's Things, plural, and a distinct one for each person, but there's something there at the bottom of the personality that Bill apparently can't jive with.

With Ford, for instance, he clearly underestimates the power of genuine self-hatred and remorse. Bill may feel bad in some way about what he did to his homeworld, but look at the actual words of the Axolotl's prophecy: he feels that way not because he has realized at some point that what he did was fundamentally wrong, but because he wants to go home and can't. Essentially, his regret is for his own inconvenience. And in a lot of ways, I can see how that could have translated into him feeling he did, in fact, know all he needed to know to push Ford's buttons, because while it's never spelled out for us, it seems, based on his habit of carrying around family photographs on his person apparently since college despite not getting on well at all with his family, that there was maybe some tiny part of Ford that also wanted to "go home," and not just to flip off the town. Ford was also someone who deeply feared the consequences of his actions, if you read between the lines in the Journal - his worries about a 'Close Encounter' with the government, his scrawling that he must not lose his nerve on some early Portal notes, his talking more and more about Fiddleford losing his nerve in a way that starts seeming kind of projection-y - and Bill could certainly understand that fear perfectly well: we see Bill panic outright in the finale when he realizes he's out of options he's going to remotely like. In the unlikely event Stan would or even could save him, Stan obviously wouldn’t have done so so on Bill's own terms: Bill would have been stuck making an honest deal for once, or else left with the options of "die" and "take a one-in-a-million shot and do his invocation of the 'Ancient Power,' possibly putting himself squarely into the hands of an enemy whose full aims he probably does not know." But then, that's Bill's flaw - the things that drove him to become what he did were revenge and the fear of Death, of the ultimate loss of control. His arrogance makes him think he can take most any situation, no matter how disadvantageous it might seem, and twist it around sooner or later, but Death - well, that's it, ain't it? Or, as Horace might say in a really old translation:

When life is o'er, and Minos has rehearsed The grand last doom, Not birth, nor eloquence, nor worth, shall burst Torquatus' tomb.

(Horace, Ode 4.7. The Odes and Carmen Saeculare of Horace. John Conington. trans. London. George Bell and Sons. 1882.)

Bit different from most translations I've read, but close enough and in the public domain I believe, so we'll go with that. It's possible that Bill's...unique...state of existence may actually make dying an even more terrifying prospect for him than it for the rest of us. He became what he was to escape limitations, including mortality - but after all that killing and burning and transformation, he found out that he might not ever die, but that he could still be destroyed. And even when he found his own 'territory', it started decaying around him, which proved that dimensions, too, can die even if nobody is apparently actively trying to destroy them. What happens to him then? That's what he's afraid of, and he cannot quite grasp that others might be able to overcome that fear in service of either another principle or another fear. That's where he keeps running into trouble in the series timeline, too. It never occurred to him that Gideon might have enough humanity to want Mabel to actually care about him, instead of just about possessing her - much less that Gideon could want that enough to risk death for it. It was inconceivable to him that Dipper and Mabel could voluntarily turn their backs on even a blatantly false paradise to willingly walk into a living hell, just because it was the right thing to do. And as for Ford and Stan....

Well, on one level, he's right about Ford. When he met Ford, they did have certain things in common: frustration, ambition, deep and secret regrets, loneliness, and fear of facing the consequences. Ford's desire for respectability and honor from those who had rejected him his whole life may have extended this even further for him than it went for Bill in some ways: he couldn't even admit to himself that what he was doing was totally self-interested, whereas Bill, like Stan, has long since come to terms with his own selfishness. And like Bill, Ford probably didn't even have the ability to see that no matter what he did, it would never be enough, and would never really satisfy him. But death? Ford doesn't fear death. Never really has, as far as I can tell, but he certainly doesn't now. The way he lives his life, the man might as well be courting death - sending it roses every week and buying all its drinks at the bar, so to speak. He and Bill both fear the consequences of their actions, but 'consequences' are a category, and it's just as possible to be afraid to live as it is to be afraid to die. And Stan...Stan is harder to be sure of. Certainly Stan's priority is always for self-preservation. He's probably depressed to some degree, and he will risk life and limb without hesitation when he perceives a threat to that which he loves, but that's something that usually happens in a crisis. He doesn't hesitate because he doesn't think about what he's doing, which is what makes the Final Deal such an incredible gesture for me - he not only had plenty of time to think about what was going to happen, but he had to actively take steps himself to enable it to happen. To me, at least, that seems the hardest thing...but then, the whole situation in the Fearamid is one that brings to mind some of my worst fears, to the point that I find the scene difficult to watch and I almost scrapped an entire 22,000-word story once just because it required me to write about a small part of it. I'm sure Bill risked death, in some fashion, to become what he is, and I'm sure he was afraid of failure every time - but he was less afraid of a bad outcome that might come from leaping at the chance for some semblance of life, any semblance of life, no matter what that might look like or how long the odds might be, than he was of doing what he knew would lead to...wherever even destructible gods go, when they go. This is why the Stans were the thing he couldn't account for, really. He couldn't conceive of having a priority higher than self-preservation, of overcoming his worst fear - and that was what destroyed him. Maybe, anyway.

It's sort of funny, actually - I started writing a completely different post yesterday about how to develop a new character based on some of Hirsch's remarks, and in the course of it, I made the remark that I found it hard to fathom how you could write any of Gravity Falls, at all, without knowing ahead of time that it is the story of (if I can make so bold as to quote my own story's dialogue) "the Faustus of New Jersey and His Knucklehead Brother and the Hazard Sign From Hell," and without at least a fairly good understanding of who those three people are and how they got there. If one looks at the story that way, I suppose you could say the events after their starting situation are also the story of these three being thrown up against the places where their real deepest fears lie, and seeing who has something he really, really will not compromise on...or at least, it did at the start of this paragraph. But did any of them, really? Bill blatantly fails that test, of course - Bill runs, just like he's been, in a way, running for his entire miserable existence. Ford comes close to what might have been a couple of breaking experiences for him - either surrendering to Bill or, had the memory wipe worked the way he thought it would, with living with whatever the fallout of essentially killing his brother would have been - but the universe was kind and stacked the deck just enough to let him cheat his way out of that one, at least for the most part. But what about Stan? He didn't want to die, but we already knew that he'd risk it for the kids, because we've seen him do that before. The way he went about it this time arguably took more courage than the others, when he just went in swinging at an immediate and obvious threat, but it was still an escalation on an established thing. Stan's real worst fear isn’t death - it’s of being alone again, of losing his family. That's the principle that overrides self-preservation for him. What would have happened if he'd been in Ford's shoes - required to take up the role not of the sacrifice, but of the one who performed it, giving up one member of the family to save the others? Could he have done that?

...though that is wandering from the topic I was originally talking about, isn't it. Which was that yeah, Bill is, in his way, as fallible as anyone else despite his immense resources - which is gonna be a fun topic to get into when I get around to the post in this series about writing higher intelligences, but that's also not the point, which was that Ford was never going to go back to Bill the way Bill thought he was, because Bill's inability to understand other people's ability to do things that he can't is a serious blind spot for him. It's the thoughts he can't have that doom him (probably...hopefully, anyway...), fortunately for the rest of us.

#gravity falls #gravity falls characters #ford pines #stan pines #bill cipher #gravity falls analysis #inspired by the Hirsch interview #rambling happened #my ramblings

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chromations · 3 months

Text

The one story that scares me the most away from substance use is Jimmy Page. It's not an easy topic to go by, yet I'm still hesitant to post this.

Finding out the pure severity of Jimmy's health between '75-'83, mainly talking about 1977. This whole topic makes me so sad, but I always keep looking.

More under cut, it's a long post unpacking that year. Feel free to add.

We all know he did heroin, starting in 1975, and that he's always been skinny and underweight. But it started amping up in '76, taking more with a noticeable weight loss.

That man was practically on the brink of death from 1977. Between constant shows, rarely eating save for a liquid diet, rarely sleeping, and his addictions... it's scary. He had a weight goal that'd been just about reached: between 125-130 Ibs at 5'11½". (And while an inaccurate measurement of health for those heavier, this falls into 17 on the BMI chart: severely underweight) He dropped a few waist sizes (men's 29 in '75, down to men's 26) and had refused to talk to Peter Clifton after he'd included wide shots of Jimmy in TSRTS and a single roll of his stomach, as it made his ass "too wide." The black dragon pants didn't fit anymore, and fell off during a show. You can see him in the black dragon suit plus a belt during the Oakland photos. Note that these pants had completely fit him without need of a belt two years prior. He ended up at around a men's 26 waist. He'd stopped eating completely for a few days in a row during some tours.

Safe to say, Jimmy was extremely weight conscious. I think he met the criteria for an eating disorder diagnosis, as well.

There's accounts of him having stage fright and anxiety. He'd show up to '77 tour shows completely exhausted, nodding off constantly. Peter Grant had ended up slapping him awake and giving him coke just so he wouldn't pass out.

Then, there's the Chicago '77 show. Jimmy, sick on stage. His eyes are bloodshot, he's had nothing but orange juice in the past 60 hours, along with no sleep in that time frame. Sick from smack and coke, along with all of the previous factors of being an anxious wreck. It's a wonder he got through the first 7 songs before having to sit down during Ten Years Gone, calling for a 5 minute break, and then canceling the show. He couldn't go on that night, just nearly crumpling to sit. This is the story that scared me the most.

Linked below, the show is recorded up until Robert announces the show is canceled.

https://youtu.be/YVCiBd1oodU?feature=shared

I remember reading this account from Dave Northover (Jones' personal assistant):

This is what shattered my heart, initially reading it. How harshly drugs shattered Jimmy's brain, I wouldn't wish it on anyone. There's also a quote from Jimmy in an interview from the year: "I'm not into solid foods very much. I can't remember when I last had a steak. A few tours ago. It's just that you don't want too much in your stomach when you're playing. And there are some places you can't eat after you come back from the gig." He then notes that the banana daiquiris that he'd been consuming all the time are the answer to any problems, "having that every day and nothing to eat at all."

Additionally, In that interview, Jimmy says that earlier on in Zeppelin, Jimmy "had really been eating" and that he'd tried on the clothes from when he was in school, only for it to be very loose. It worries me more to remember that Jimmy stopped school at the age of 16 and had always been underweight. High metabolism, illness prone, and bouts of glandular fever during his time with The Crusaders (still was a teenager), not improved one bit by his undereating.

It's hurtful to hear how, more often than not, the media will praise a celebrity for their skinny figure, even if they're extremely unhealthy with it. Jimmy Page is no exception, as people praised him for his figure during his age.

Heroin is no joke, and I wouldn't wish the addiction it so easily presents to anyone. Withdrawals and smack sickness is scary to even witness, completely altering the person it grips. People often note how jimmy was an asshole, especially in the late 70s, but when dealing with a heroin addiction, with what is basically an eating disorder, high anxiety, with the goal of living your music, the goal of pleasing the crowd, getting the job done, and most of all, surviving, the way you act isn't at the front of your mind. I'm sure Page was aware he was an asshole, but with what he was dealing with, it's not important. Instant gratification, reward, matters more. Not dying matters more. Getting the next hit matters more. His image mattered more.

No matter how much of an asshole he was, and some of the reprehensible things he'd committed earlier on, I wouldn't wish this upon anyone. You see the light leave his eyes as the years went on, you know that while he recovered, those were the darkest years of his life that we know, and there's a reason he'd rarely talk about it: Who would want to?

I've heard multiple people say that if we hadn't lost Bonham in '80, then within those few years, we would've lost Page. It's a wonder he was able to still go on in the early 80s.

Even comparing photos of him in 73, 75, and 77, you go from a "safer" underweight, to his ribs completely visible.

I'm glad we still have him around. This whole topic is not easy to go by, and while most anti drug campaigns don't sway me much, it's the slow / fast decent into all of this that gives me such a strong reaction.

I don't appreciate seeing the way it's so casually joked about amongst the online zeppelin areas. People do take it seriously, but there's always the insensitive ones.

(Adding on, since I accidentally posted this as a draft)

Many people blame page for the effects of his addiction: Sloppy guitar playing, distancing from the rest of the band, assholery behavior.

You can't fault an addict for falling addicted. You can fault them for starting it, maybe, and you can criticize them for all you want. Still, a heroin addiction isn't just as cigarettes. It's the easiest to fall addicted to, and one of the hardest to quit, especially when a physical dependency is grown. Withdrawal symptoms could start early, and extreme too. Most heroin addicts trying to quit will relapse within the first day or two, it's not easy as that.

Considering how unhelpful the help was at the time, quitting cold turkey at these points would probably worsen his condition for a while, considering how rail thin Jimmy had been. The people around him grew worried, grew mad, and I find myself wondering how he could still pick up the guitar and rail out the LA Forum 1977 show, producing banger shows through 77, yet the shoddiest shows as well.

There could be little done about treatment of eating disorders as well, due to medical knowledge and stigma around it. I'll sympathize with this part, having the experience of one: ED recovery on your own is rough. I don't know how jimmy got out of heroin and an ED, and I don't think the process of that should become business unless necessary.

If you find yourself falling into these vices, seek help. Nothing about this is normal: not the lifestyle, nor the pressures.

Jimmy's case will always haunt me. I'd wish this upon no one.

#tw drugs #jimmy page #led zeppelin #tw disordered eating

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hms-no-fun · 3 months

Note

i just want you to know that i read... i think Most of godfeels and had to stop because i was not enjoying it. but i think its really good and i really respect what you do. i think it's all too easy for people to mix up "this is not my cup of tea" with "this is bad and/or problematic". they dont take the time to see the artistry in it, why it is what it is, what it might be saying beyond their surface level read and the kneejerk reaction to it.

i also wanted to note that ive always been kind of scared of sharing fanworks for fear of writing "out of character" - and ive also even been afraid of it in original works. character isn't real and concrete, so anyone can decide something's out of character. so your exploration of that concept gives me more confidence as a writer. i really appreciate that and everything else you do. :)

thank you so much for this message! i'm glad you tapped out rather than force your way through something you weren't enjoying, that's a very mature response and something i wish more folks would recognize as a perfectly valid option. in fact i think pushing through and reading long after you've given up on the material, so to speak, is a great way to wind up angry at a writer for having "forced" you to endure such a trying experience. as i've said before, an author can't force you to do anything. you can close the book any time you like.

as far as the tension of "in character/out of character" goes, i think a lot of people in fandom struggle with the fact that "character" is very much in the eye of the beholder. sub-groups form within fandoms based on identities, politics, sexual predilections, etc, and typically gather around the fire that is their particular interpretation of a character. but from within that sub-group, it's rarely considered "an interpretation" so much as the obvious intended truth of the text. it's that intoxicating mood of finding people who share a perspective you rarely see elsewhere, like oh my god, you GET it, finally someone GETS it!

in homestuck fandom, for instance, quite a lot of people hate vriska and think she sucks, with a vocal sub-group of that sub-group still actively beating the drum that everything about her arc after [S] Game Over is the worst part of homestuck. but i love vriska, and my corner of the fandom very much organized around a full-throated defense of her. some folks think homestuck did tavros and gamzee dirty and that this is a fatal flaw in the text; when i countenance these people, i am convinced we read two very different comics. who's right and who's wrong? there are degrees. i can pull out any number of quotes from andrew hussie about the importance of vriska and the weenieness of tavros, but then, authors love to say things, and there's plenty of stories i love in ways that directly oppose to the authors' stated intent. the debate can never end because we are only ever talking about the version of a character or story that exists in our heads, based on the things that stuck with us when we read the thing (however long ago that was-- which is important because i find a LOT of people adamantly defending their headcanons haven't read the source text in a number of years. as time passes, your perception of the media you've experienced in the past morphs and distorts. someone who was right five years ago can be wrong today and not even notice the difference).

something i've realized in the last year is how much godfeels emerged from a very specific milieu, not just in terms of how we interpreted certain characters but in our approach to analyzing and talking about the text altogether. i believe most of the important stuff in godfeels is "in character" in most of the ways that matter, but it's built on a very specific meta that centered vrisrezi and transness and radical leftist politics and experimental hypertext. really, it's a post-Epilogues fanwork even despite the fact that godfeels 1 predates their release by a few weeks. and i think to this day a lot of homestuck fans haven't read the epilogues but have read fandom posts about how terrible they are (quite a lot of which will have either been written by teens, by people who already didn't like homestuck very much, or by one of the regressive stalkery weirdos prominent in the homestuck reddit/discord), and that misapprehension keeps them in the dark about just how many amazing tools the epilogues introduce to the homestuck formula that exponentially expand the expressive possibilities of attentive fanworks. and it of course elides the fact that the homestuck epilogues are a story about being in your 30s. i think we'll be getting a big re-appraisal of the epilogues in 5-10 years. it'll be the "twin peaks: fire walk with me" of homestuck, just you wait.

so these readers see my version of dirk being an unhinged murderous dick to a newly-out trans woman and go "he would never do that." then if i point at the epilogues, they'll say "i didn't read them/they're not even canon/that wasn't in character either." at which point there's nothing really to say, because we have two completely different perceptions of the text. who's right and who's wrong is almost always infinitely subjective, a circumstance that humans are notable for being very good at handling in a mature and politely discursive manner.

so i've got an "author's introduction" to godfeels baking in my docs to provide some context about the meta this story is built on, the milieu it came out of, that sort of thing. it won't make much of a difference in practical terms, but it'll at least be something i can point to.

in any event, thanks for this message. all i ever want is for people to give it an honest shot. i hope you can continue harvesting confidence from wherever it can be found. it takes a lot of audacity and backbone to be an artist, especially when you have something worthwhile to say. remember that you're not writing for the haters, you're writing for the kind of person, like you, who wants to see more stories like the thing you're writing. they're the ones who'll get it, they're the ones who'll stick around long after the haters have lost interest.

#sarahposts #in character #out of character #homestuck #godfeels #fanworks #writing advice #headcanon #fandom #long post

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seraphiism · 5 months

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𓆩 ♡ 𓆪 ┊ 𝐃𝐄𝐀𝐓𝐇 , 𝐒𝐄𝐄𝐊𝐈𝐍𝐆

( AT THE END OF THIS STORY, I WALK INTO THE SEA & IT CHOOSES NOT TO DROWN ME. )

chara : scaramouche/wanderer fandom : genshin impact quote cr : jihyun yun a/n : contains scenes of drowning. reader is an angel. not meant to portray a romantic relationship.

ACT I :

A FUNERAL PROCESSION DOESN'T MEAN ANYTHING WHEN IT'S YOURS. THE LOWERING OF THE CASKET / THE DIRT AND DECAY THAT COVERS THE ROOT OF BEING. IT IS VOID IN EXISTENCE, & IN PLACE OF WHERE A HEART RESIDES, THERE IS AN ECHO OF WHAT SHOULD HAVE BEEN HUMAN AND WHAT SHOULD HAVE BEEN HAPPY.

there is supposed to be a grief that accompanies acknowledgement of loss and death, but in the open wounds of mortality, flesh torn asunder in the killing of a body, a puppet feels nothing.

he stares at the funeral, desolate. it is his, yet he does not mourn. the sight before him is somber, but it is filled with deception, he thinks, and so he reminds himself over and over that he is the one that lies in that casket, dead.

it's easy to forget it's your funeral when everyone there is someone you don't know or someone who pretended to care until it was too late. he cannot recognize half of these faces.

if he opened the casket, would he recognize himself?

"you have experienced both life and death, dearest kabukimono. which do you find to be more beautiful?"

his train of thought is disrupted, gaze shifting to the figure beside him. you have always remained at his side for reasons unknown, denied the existence of guardian angels, but he cannot find any other explanation for the everlasting presence of some supposed divinity watching over him. he could laugh, really. even if you were a guardian angel, you were far too cynical, far too perfect a companion for someone like him.

"i have no heart." the words are filled with spite and hatred and devoured by anger, but beneath it, there is a loneliness, and the ache of it all almost makes you feel something. "you can't experience both if you were made to be a vessel of nothing."

you smile, amused. you study the crowd, its mess of black umbrellas and murmurs and cries. you hear the sobs, but you are certain that there are no tears shed.

"are they mourning for you?"

he laughs, bitter.

"no. not with that pathetic acting."

"they must be very selfish, then." you hum, words spoken more to yourself than anything. "it must be tragic, knowing that your funeral is not full of love and grief. i wonder what would have been more painful for you," you glance at him, but he does not dare look at you, "the absence of the mournful or the false pretenses of sorrow from those who never cared."

you stand next to each other, watch as the crowd disperses, until all that's left is a tombstone with a name he will soon rid of.

"desolate wanderer," your voice is soft, somber, "i am sorry for you. would you like me to say a prayer?"

he does not answer.

ACT I , REVERSED :

the scene changes. the black umbrellas blur into nothing. a coldness washes over him, envelops him entirely in something known as terror. suddenly, it is still. the wretched air is quiet, profound. frightening.

he stands in a body of water, the tides calm, the shore distant. he recognizes this feeling. it is not one he can forget, even when he tries. three times he has known this sensation, the creeping dread, the breaking of something deep inside the void in his chest.

you stand before him, watch as the water drips from your fingertips. your gaze is absent, unreadable, but maybe he sees something so incredibly sorrowful in it. he watches your reflections, notes the feathers that were once part of you. how they float on the surface, lonely and listless, and in the muddled waters, the pure white twists into something black.

"do not be afraid." you tell him, and he watches the droplets trail down your skin, descend into the water from which they came, one by one, slowly.

he could laugh at the words. he wants to say it's human nature to be afraid, but he stops himself-- he is not human, after all, so why does he succumb to fear?

"i'm not."

brash words. liar, you think. but that's okay. you tilt your head ever so slightly, lips curved in a subtle smile.

"are you ready?"

he nods. the water is cold, cruel, invades his senses. there's a numbness that sinks into his skin, but maybe that's an absolution, the cleansing, the awakening. you close the little distance between your bodies, hands cupping his face, tender. there is something in your eyes-- pride, maybe, but he denies himself the possibility. who would be proud of a failed creation?

he closes his eyes. the water grows colder, but there's something warm in his chest, and he does not know whether it is fear or hope he feels the most.

"good night, kabukimono." you press a kiss to his forehead. "may you find something greater on the other side."

your hands slide down, delicate in the way they wrap around his throat, fragile, and in meaning of divinity and reincarnations and sacrifice for something better, you pull him into the waves, further and further and further down until his body loses all sensation, until he can no longer hear the violent sea, until his breath is gone and he is no more.

ACT II :

"balladeer. scaramouche. kunikuzushi. harbinger." you mumble the names to yourself, keep track of them by counting with your fingers. "have i missed any? shall i grant you another warm, endearing title?"

the balladeer scowls at you, though you find it amusing. perhaps in a previous life, you would have surely teased him, pushed it a little further. but in this life, there is a different kind of danger in his eyes, a deeper misery. you do not think you care enough to provoke him-- he could not hurt you, after all, even if he dared.

you contemplate the possibility. he could not hurt you-- not because he'd care too much about you to do so, but simply because you carry the blood of a higher being. he would most certainly try if he knew he could harm you, should you push him to the brink.

what a bitter feeling. you smile faintly at the realization and he does not like it.

"why are you here?"

"i am always here. you've just been given the impression that i'm a thorn in your side."

"are you not?"

"in your search for power and vengeance, have i failed you? was this my fault, the twists and turns in your path to greatness? i can only guide you so much, and all this time, i have watched you walk down the road to destruction." you pause, watch his expression darken with a kind of fury, some kind of hurt. "every name you are known as holds your past. you change it, try to cleanse yourself, but the truth is that you'll always carry it, unforgotten."

"so what did the sea do for me, angel? did you kill my spirit for the sake of your enjoyment?"

you tilt your head once more, smile so exhausted and worn.

"i did not kill your spirit, lonely wanderer. you already killed it long ago." your words hold a dreadful venom, bitterness on the tip of your tongue, rust lining your throat. "the sea could not save you, just as i could not."

he does not know how to respond. he hates that faint apathy you always manage to have, even when he knows it's only a facade at times. he hates that not even a higher power can help him -- but it's always been that way, hasn't it? just like everyone else, you've failed him too. that's what he'll tell himself because that's all he knows.

he turns on his heel, feels the razor edges of your brutality sink into his flesh. he walks, and he does not stop.

"we will try again." he states, command deep in his voice. "neither you or the sea are meant to save me."

you close your eyes, bow your head. somewhere in the silence, you say a prayer. you have never been a savior.

he is not meant for the saving.

ACT II , REVERSED :

the scene changes once more. it's the sea again, that familiar coldness that fails to abate. it's that strange fear again, that uncertainty. and then there's you, there's always you, he thinks. he stares at the reflections once more, distorted by the ripples of motion. your feathers look darker, the harbinger notes, and there are far more than before. he rests his hand in the water, watches as one floats into his palm. his grasp is gentle as he examines it, and there's a flicker of white, then black once more. he wonders if he imagined it.

"you didn't crush it." you comment.

"you thought i would?"

"i don't know." you reply. "you are not always made of carnage." and that familiar curve of the lips. "it wouldn't have hurt in the end, but thank you for your kindness."

his eye twitches, and you laugh. he doesn't know if you're being genuine, and he's going to dwell on this moment for a bit too long, he realizes.

the air becomes heavy once more. you wonder if he is certain in this decision. it is the second time, but the fear remains stagnant, unchanging.

"do not be afraid."

there is something you cannot quite decipher in his gaze-- determination? wrath? you are unsure. you don't bother to question it. you do it all over again, this familiarity-- the ripples in the water as you move closer, hands cupping his face once more. you press your forehead against his, close your eyes just as he does.

"good night, kunikuzushi. may you find something greater on the other side."

you open your eyes. your hands trail down, fingers wrapping around his throat in yet another means of reawakening. his hands rests over yours, eyes still shut, and you feel how they tremble ever so slightly.

the sea is cold, unwelcoming. the plunge is gentle, but the sensation still frightens him nonetheless. you are merciful even for an angel, comes the bittersweet thought, and maybe he isn't worth such benevolence. he's always wondered why you chose to stay by his side, anyway.

he feels the fight leave his body, feels the way your grip tightens to end this suffering just a little faster. your hands are warm, the balladeer thinks, and it is the last thing he remembers before it all goes void.

ACT III :

maybe you truly are not a guardian angel. you have not been at his side for a long while. he thought perhaps it was just that he had forgotten, that maybe you were nearby all along. but your absence has been all too noticed, and he does not like it.

it is... lonely, here. to be forgotten by all, to carry the weight of what was.

sumeru is vast. it is beautiful, bright, radiant. all the things he is not accustomed to. he stands on the highest of heights, watches the endless landscape below him. somewhere, he hears familiar footsteps : light, graceful.

"do you remember me?"

he stills. he's not sure if he wants to see your face, see that perplexed expression, see the way you tell him that you do not. no one else does.

you hum, deep in thought, and the sound is beautiful. how he misses it so. it sends an ache in the hollows of his chest, some kind of longing.

"won't you turn around? it's been a long while since i've seen that grumpy face."

you can practically hear him roll his eyes. it is a moment or two of gathering composure and courage before the vagabond finally turns, and of course, you have that same stupid smile on your face. this time, it is more genuine, and he's not sure how to quite process that.

"i remember you." you answer. "you're far too stubborn and annoying to forget."

he almost feels something beat wildly in his chest, but he does not understand the sensation. there is nothing there, no heart, yet some kind of heartache. you speak again.

"what do you call yourself now?"

he has taken many names, few of them significant. he has not granted one to himself-- no need, he thinks, though he knows that he would not rid of it if he had one. he thinks back to the sea, recalls your many conversations.

"wanderer."

you pause, and he notes that small flicker of recognition in your eyes.

"familiar and fitting." you muse. you close the distance just as you always have in the past, but this time, there is no water, no vicious wave to overtake him. "do you wish to see the sea?"

the words are heavy in meaning, but it is different this time. in your voice there is the quiet pondering of are you happy this time? have you found the right path? did you find it, that greatness? and he understands it.

he freezes. inhale, exhale. he stares at the sight before him, recalls when you once stood with him at his funeral. things have changed now. he is the same yet different, a harbor for sorrow and anger, but a home for something virtuous. his gaze shifts to you once more. this is not the outcome he intended, desired, nor expected. but there's forgiveness somewhere out there, and maybe he'll grant it to himself one day.

"no," he answers, and in his visage, there is just the faintest trace of kindness you once remembered from memories past, "i've had enough of you drowning me."

you laugh softly, see his lips curve just the smallest bit.

"i am glad, dearest wanderer."

#genshin impact #genshin impact x reader #favoniuslibrary #scaramouche x reader #wanderer x reader #this was so fun to write idc if it is abstract and doesn't make much sense ' o ' it's been awhile since i've enjoyed writing smth so much #.: writing

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anjuyn · 5 months

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I remembered another interesting thing, so.

Here's how other characters of the game describe Sakuma Rei in the plot and events (well, the ones I remembered):

Hokuto Hidaka said that next to him, he involuntarily relaxes and trusts him, because Rei reminds him of his grandmother (it's both cute and funny heheh)

Midori Takamine mentioned that in the presence of Rei, he feels calmer than usual, and "I have high hopes for you" from Rei does not make Midori feel burdened, but, on the contrary, inspired.

Ogami Koga (do I even need to talk about him lol) considers Rei his main role model, Koga has literally partially adopted his old manner of speech and behavior, carries with him a guitar that Rei gave him once (and will protect it with his life). Despite the disappointment that Koga felt when he saw exhausted Rei in the third year (it was not disappointment, but concern, in fact), he still admires him and looks up to him. And Koga is also afraid of Rei, when Rei in anger. For the most part, none of this was said out loud, but the most important and only idol for Koga is Rei and it will always be so.

Kaoru Hakaze calls Rei strangely helpless in everyday life (and he's right!), but, in addition, he once expressed his concern about the fact that Rei seems to be wasting his limitless abilities to work as an idol, although he could work in absolutely any field and achieve great success everywhere.

Adonis Otogari deeply respects Rei, although he finds that he sometimes does very strange things. Adonis is also grateful to Rei for taking care of him when he was forced to change his place of residence, as well as for the fact that Rei explained many things to him, helped him with the flight, with adaptation to a new place and did not leave him alone.

Aoi twins are very grateful to Rei for staying by their side during their most difficult times and, always smiling, allowing them to be in the music club without demanding anything in return. And Yuta also uses Rei as a reference to describe a "cool" person.

Hibiki Wataru considers Rei his best friend (i'm crying, platonic WataRei rule the world) and deeply admires his abilities. He also resented (jokingly) Rei for always being kind of easy on their competitions, because he often won.

During the War, Eichi Tenshouin said that Rei loves people too much, that he would be "poisoned and killed by love", trying to please and help all the people around. (What he says about Rei at the moment, I can't say, despite the fact that they are roommates. I know this character so poorly, please forgive me ˙◠˙).

Hasumi Keito described Rei as a very charming and beautiful boy (as a child), whose intelligence was able to make adults trust him, that he could easily and easily refute and explain any idea or assumption as if he had known about it for a very long time. It was as if Rei was "nullifying" the abilities of Keito and others, as if Rei shouldn't have lived so long, because he already knew more than any adult since childhood. And also, both as a child and now, Keito cannot fully understand Rei's train of thought, although he tries.

In general, to summarize, a lot of people mentioned that they were grateful to Rei for what he did for them, and also said that at first he created a frightening impression, but later they began to feel very calm and comfortable next to him.

Basically, this is because Rei is interested in the inner world of every person he meets (that's his quote, by the way), he consciously strives to understand and know everyone he talks to and never wants anything bad to anyone, even on a subconscious level. And he is always sincere when he compliments and honestly accepts someone else's gratitude.

Well, as you already understood, this is just another post "love Sakuma Rei, please. He is the kindest, nicest person in the world".

#ensemble stars #enstars #rei sakuma #i love him so so so much #*sobs*#I'm so proud when someone says something nice about him♡#my boy deserves it

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taxkha · 1 year

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would LOVE to hear your klapollo fic recs!! Personally I love anything by cosmicpoet on A03

Oh I have a bunch of cosmicpoets fics in my bookmarks! but okay okay, here we go! And if my wishes could all come true by SeaMint

“‘Our son’ my ass. You’re getting way too into this,” Apollo grumbles, rolling his eyes. “Is this your dream? Do you dream of being divorced and paying alimony, Gavin?” Klavier doesn’t tell him that as far as dreams go, his is to live in a world where a relationship with Apollo, past tense or otherwise, is at all possible. Apollo doesn’t need specifics, or terrible confessions in vet clinics that show how badly Klavier wants to play pretend with him.

Or, Klavier, Apollo, and how cats bring people together in the most convoluted ways possible. Okay so. This one is my favourite Klapollo fanfiction, I literally left a big ass love confession in the comment section because I enjoyed it so much.

Lookin' for a boyfriend (I see that) by SeaMint Five times Apollo tells Klavier about his dates, and the one time Klavier finally gets him to stop. Love this one as well ahh ;_; if it's really me you seek by SeaMint

“Anyway,” Ema keeps going, fully ignoring his sarcasm in favor of staring at a neat corner where the walls meet the ceiling. “I asked if he wanted to go to your party together, but he said he wasn’t going.” “What?” Apollo suddenly finds it very hard to breathe. “Why?” “Hell if I know,” Ema says nonchalantly, but then she turns to him with a smirk. “See if you can figure it out: I believe he told me, and I quote—ahem—'Ach, I would, Fräulein, but I believe Herr Justice would be more comfortable without me there.’”

Or, when Apollo comes home from Khura'in only to learn that Prosecutor Gavin is avoiding him, the last thing he expected was for Gavin to offer to let Apollo stay at his house while he looks for a new apartment. Can you tell that I really like this author shjhsamd Hot for Justice by indirectkissesiniceland

After the events of State v. Misham, Klavier finds himself in a slump, stressed at the prosecutor's office and unable to pen new songs. To his surprise, he finds creative inspiration—and unexpected feelings—spending time with Apollo. Now if only he could release the new tracks without raising any suspicion as to whom his love songs are for. Do...I even need to say anything I think this one is one of the most well known fics, ive seen it in pretty much every fic rec post so far.

just finally say you love me by ahmackalak

“Backpacking through Europe?”

“Ja! I’ve wanted to go for ages – it’s been so long since I’ve been back home, I figure I might as well make it a whole journey.” Klavier’s smile is as easy and agreeable as always, but Apollo isn’t buying it.

Barcelona, Paris, Geneva, Rome, Vienna, Prague, Berlin, Copenhagen.

A trip to Europe with Klavier Gavin...this’ll be fine, right? I like this one a lot too, its very sweet and ahh. Pining. PINING. Stupid Cupid by KrisseyCrystal (IceCreAMS) In which Klavier botches his attempt to confess his feelings to Apollo, and somehow instead sends the entirely wrong message that he's already involved with someone else--a certain brooding and hawkish prosecutor, of all people. Cue the clown music. This is probably one of the funniest fics Ive ever read, I lost it at several instances. Monster Movie Monday by contritecactite

Klavier attends a bad movie marathon at the WAA, gets a boyfriend, and makes peace with Phoenix Wright. Somehow, the last part is the least awkward.

Set sometime post-DD but pre-SOJ. This one is very cute and wholesome, I love the idea of the wright agency kiddos hanging out with Klavier :") Need more of that. love at first sight (and other common misconceptions) by experimentaldragonfire

Klavier's always been certain that when he runs into the person he's going to fall in love with, he'll just know. Apollo believes the exact opposite--that you can't fall in love with someone without getting to know them first.

After a bit of convincing, Klavier's starting to see Apollo's point.

Just read everything by this author, one of my fave authors. 10/10 humor and writing :3c in effigy by experimentaldragonfire

Apollo discovers some scandalous Gavinners merchandise in Klavier's closet. Klavier, having no shame, decides that this is an excellent opportunity to have some fun with it.

or, The One With The Official Gavinners Dildos This ones nsfw which I don't have to mention considering the...summary 8"D morning revelations (to sleep beside you from now on) by experimentaldragonfire

It’s not until he sees Klavier beside him, golden hair strewn over the pillow like some sort of Renaissance heroine, that Apollo Justice realizes he’s in love.

Apollo wakes up next to Klavier and has to come to terms with his feelings for the prosecutor. It's very cute!! This Is What You Do At Sleepovers, Right? by grimsparkblue

“Let me guess,” Phoenix said, one of those lazy, evil smiles he had back when he wore the same hoodie for weeks on end making an appearance, “You two were in the court library and the power went off. The front and back doors were locked because this place is ancient, so you two decided to tough it out until the cavalry arrived. Then the Brokeback Mountain itch hit you.”

Apollo and Klavier get stuck in the courthouse during a blackout. Enjoyed this one a lot, it's funny and sweet, as the summary suggests.

Just a Curiosity by GigglingGrave Klavier is curious about how Apollo can see through lies. So, of course, he tries to figure it out. What he learns, however, is really much better than what he set out for. Apollo is really cool in this one and I love it when my boy gets to be cool. Baggage by u_andcloud

“Herr Forehead!” Klavier is calling out the nickname before he even realizes what he’s doing. Never mind that this is a German airport and people are giving him strange looks.

Apollo reacts immediately, and the instinctive response is gratifying on its own. His brow creases, he turns, and when he catches sight of Klavier, a disbelieving smile spreads across his lips, and Klavier realizes quite suddenly that, even after two years, he has not gotten over Apollo Justice, not even a little. This one is also really sweet. Jamais Vu by spaceburgers Apollo Justice, at 27 years old, is many things: a defense attorney, Khura’in’s Acting Minister of Justice, a mentor, a brother, a friend. And also, apparently, about to enact one of the biggest clichés of all time by sleeping with his ex at his former boss’s wedding. I LOVE THIS ONE, I already loved spaceburgers fics when I was still super into Sylvix, was very excited to see that they also wrote for Klapollo!! This one has nsfw in it! scoop of the century (read all about it!) by experimentaldragonfire

Working at a gossip magazine aimed at teenage girls is just a way for Apollo Justice to pay his law school tuition--until his article rating Klavier Gavin's outfits goes viral.

After that, he's got half the Internet reading his articles, and it's inevitable that Klavier finds out. This one is so funny!!! Also, read the second part of it which I'm not gonna link here now because its linked in the fic anyway, as its a collection. pen to paper, heart to heart by shepherd Written for the tumblr prompt, ‘instead of drawing the model in our art class ive been drawing you instead because i think youre really cute and oh my god all my papers just fell out of my folder and you saw them and oh my god theres hearts on some of them please kill me now’. Listen, I'm a simple gal. And a simple artist. Artist AUs really speak to me and this one spoke to me loudly. Its super sweet!! Loose Lips by judojudo "Please disregard all prior questions and instead just tell me one thing, Apollo," Miles Edgeworth's tone was half-smug and completely mocking and all Apollo wanted to do was melt into a puddle on the floor, never to be seen or heard from again. "Why are you on Klavier Gavin's wikipedia page?" I like fics that make me laugh and this one did, haha. we caught fire like california in july by lady_mab

n his head, Apollo mentally scolds himself for asking such a dumb question. Because of course Klavier likes him, right?

(Right? Being treated differently from a swarm of adoring fans isn’t necessarily a precursor for LIKE liking someone and what the fuck he’s twenty-four why does he sound like a high school girl from a manga trying to figure out if her crush likes her back?)

(Oh, that suddenly puts a lot of things into perspective, actually.)

(in which apollo contemplates the line between boyfriends and boys that are friends that sometimes kiss, and also contemplates turning into a crab)

This one is one of my faves! home is wherever i'm with you by bevioletskies At Athena’s request - or more accurately, her demand - the members of the Wright Anything Agency are spending their week-long winter holiday at a cozy lakeside cabin together for some quality team bonding. Much to Apollo’s dismay, she also invited their closest companions from the prosecutor’s office to tag along. With everything he thought he knew about Klavier and everything he has yet to learn, Apollo finds himself thinking he might have someone to ring in the new year with, after all. It's a bunch of AA characters having holidays together. What more do you want. Bricks, Lockets, and Other Christmas Presents by apolloyoostice Present shopping is always easier with someone you love, even if they do have a terrible sense of humor. This one is super sweet!! fame vs infamy (the price of writing fanfic out of spite) by experimentaldragonfire

In which Apollo Justice becomes the most popular fic-writer in the Gavinners fandom.

(and, along the way, realizes his Big Gay Crush on Klavier Gavin might not be as hopeless as he thought)

Honestly, when I read the summary I wasnt expecting to like it at all because this is usually not the kinda premise I'm into buuut I read it anyway because I liked the authors other works and man I had such a good time and many good laughs. The Main Event by ItsyRoyal Apollo had no idea that the flirty busker outside of his favorite cafe was his boss's brother. To be fair, Apollo also had no idea his boss had a brother. Theres a specific line around the end of the fic that had me wheezing. The rest of the fic is of course really good too!! The Definition Of Home by Hikari_Kaitou All Apollo wanted was to go right home after the legal conference in Seattle, instead of spending the night like his colleagues. He's never been able to sleep well in unfamiliar places. Unfortunately, circumstances beyond his control prevent him from returning to LA as planned, and in desperation he turns to Klavier for help. Klavier generously opens up his hotel room to him, which in turn leads Apollo to opening up his heart. Agh just. read it. Loved it. 13 Hours by Powerpossessor Apollo and Klavier are stuck together in a 13 hour layover. Stupid and hilarious antics ensue. Also, is it normal to slow dance with your friend in a dimly lit airport at 3am? THIS ONE IS SO SWEET AND FUN!!! can i go where you go by parchmints

Apollo Justice has rotten luck: he actually wins the grand prize for a mail-in contest, but It's a couple's getaway to a fancy ski lodge in the mountains and Apollo is aggressively single. With no one to go with, Apollo offers them to Klavier since surely, a rockstar would be able to find a date before then, but Klavier has a better idea—they go together and pretend they're a couple. That way, they both get a vacation, plus free food and wine.

And well, Apollo's never been one to pass up free food. VERY CUTE AND SWEET AND AHH. PINING. I love pining!! sweeping you off your feet by shepherd A short piece for a prompt on tumblr, for the quote "Please put me down, it's just a sprained ankle," featuring clumsy Apollo and his marriage to Klavier. A very sweet short piece!! Things Are As They Are by hechima

Klapollo cabin fic. That's really all this is.

Based on the events of "You Ever Been In Love?", in which Edgeworth gets drunk and rents a romantic cabin for Klavier and Apollo in Joshua Tree. Things go about as well as one could expect.

This is the most recent one in my bookmarks so the list ends here. I have a lot more bookmarked but these are the ones that made the biggest impression on me! Hope you or anyone else on here can find something they havent read yet! x)

#ace attorney #klapollo #klavier gavin #apollo justice #asks #fanfictions

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grandmother-goblin · 2 months

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Okay, I swear I'll be done talking about how I miss EA Wyll for a while after this (not to say I don't love Full Release Wyll! I love him too! I just grew attached to certain aspects of EA Wyll)

One thing that I found really interesting about EA Wyll was his relationship with Mizora. In Early Access, we do not meet Mizora, but it's heavily implied that Wyll and Mizora had an entirely different relationship than the do in the Full Release version of the game. A relationship that I personally thought was really interesting!

Now, I'm drawing from knowledge from MONTHS ago since I don't have EA in front of me, but I did have 500 hours in EA so I like to think I'm not completely misremembering stuff lol (if I am, please kindly let me know!)

Here is what we knew (or was implied) about Wyll's relationship with Mizora in Early Access.

Mizora originally came to Wyll as a human, seemingly seduced him as a human, and it was only after he took her deal did she reveal that she was a devil (which pissed him off).

Mizora was kidnapped and imprisoned on the Mind Flayer ship too! In EA, Wyll wasn't looking for Karlach, he was desperately trying to find Mizora! (In EA, you could find Mizora's pod beneath the bridge leading to the Blighted Village and Wyll would comment on it. The pod is still there in Full Release, but there isn't any interaction with it.)

Wyll was actively in negotiations with Mizora to end his pact! Wyll seemed decently convinced that she was going to wilingly end the pact too!

Mizora actually uses Wyll's Sending Stone eye! This one was easy to miss; you had to have Wyll in the party as you were approaching the Goblin Camp for the first time. As you were walking, you suddenly heard Wyll say something like "Wait... hello??" and then he'd a ! over his head. When you spoke to him (I can't remember the first line exactly, but I believe he just tells you that it was Mizora reaching out) and then the interaction ends with a desperate cry from Wyll saying "Mizora! Where are you?!"

When Wyll calls out to Mizora, it's not angry; it's fearful and desperate. Like he's actually worried about her. I think this points to Wyll and Mizora having a more amicable relationship (but, of course, there are different and equally valid interpretations of this such as Wyll fearing for what might happen to him if something happens to Mizora, etc)

Wyll could potentially torture an innocent man to get information on Mizora's whereabouts. If I remember right, he will do this if you don't step in yourself and let him make the choice.

Lastly, Wyll also says the goblins would be doing him a "great favor" if they killed Mizora, "or so [he] thought on his darkest days" (quotes are approximations, again, I don't have EA in front of me).

I guess I miss the potential complexity of Wyll's relationship with Mizora from EA! In Full Release, it is very clear that Mizora is wicked and Wyll pretty much hates her, but that didn't seem to be the case in EA. There seemed to be a fascinating push and pull to their relationship that I was dying to learn more about!

#bg3 #baldur's gate 3 #grandmother goblin grumbles #wyll ravengard

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chutkiandchotte · 11 days

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On gold-diggers

So if you watch any amount of Indian tv at all, then you are familiar with a common belief in the world of rich people of ITV (and IRL as well of course, this is how audiences think too), that poor women are always on the make, looking to trap rich husbands for a better life, the double edged sword of the term "gold-digger". I uhhhh rambled a bit on this topic.

The idea of the "gold-digger" is so ingrained that we all instantly understand the negative power of it. We may object with horror and anger when the asshole hero, or his backwards family levy this charge against our beloved female lead; but we, the very same audience won't hesitate to turn around and levy the very same charge against the "vamp" character; the girl in tight clothes who drinks alcohol and *gasp* has no sanskaars - like clearly, SHE is in it for the money, otherwise why would she put up with such a toxic boyfriend?

(like of course it cannot be that the vampy girl is sticking around for the same reason that WE the audience are falling for this toxic male lead despite knowing how much he sucks - it cannot be that she finds him hot & values his good qualities & as for the bad qualities, he's just a traumatized lil baby, i can fix him! - no, that can't be it, because then it feels uncomfortably close to relating to the vamp, and that cannot happen, of course!)

no, she, the vamp, only loves his good looks and his money and his hotness, she doesn't love his "true" self at all, she's a GOLD DIGGER!!! we revel in the power of the gold-digger charge, and how it humiliates her.

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what inspired this rant? i had an intense argument with someone on another platform, about Lavanya's character (from IPKKND). this person insisted that Lavanya was a gold-digger who never loved Arnav. But La is rich, I argued. So what, she said. Even if she is rich, she isn't as rich as Arnav. Arnav is 10000 crore guy, Lavanya is just 1000 crore girl. A gold-digger. She just wanted him because he was a "catch" while Khushi wants him for his true inner self. But La put up with his family for his sake, I argued. She did so much to please him. Well, this person said. That's the proof. Lavanya tolerated all of Arnav's and his family's BS without objection, hence, she MUST be a gold-digger. didn't I know? rich men are always targets of "girls like Lavanya". of gold-diggers. she kept using that word over and over again for Lavanya, probably because by then she had realized how much it was pissing me off. (what can I say? i can definitely be an easy target for trolling at times).

internalized misogyny often goes like - most women are sluts/stupid/useless/greedy schemers/<insert other sexist tropes>, but I - I will prove myself worthy of men's affections by being not <sexist trope>, then maybe I won't suffer the negative consequences those other women do!

and yes, I speak from personal experience. what woman HASN'T harboured deeply toxic thoughts borne out of internalized misogyny at least once in her life? we live in society, how do we escape it's influences?

and caught in these confusions, when we read stories, we project.

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there are, of course, real life cases where there are women who (to quote Amy March) look upon marriage as an economic proposition and make matches based on financial gains. the horror!

of course, that its both men and women, who make decisions about marriage/love based on money, doesn't cross often our minds when we think about gold-diggers. that in desi society at least, majority of marriages ARE economic propositions involving heavy financial transactions, is not at all the same topic. because those transactions are done by the elders; by the men in power, and their enablers. those are transactions that keep society running in its status quo. the horror! the gold-digging horror of it comes in, when its a woman by her own volition seeking to better her financial status as easily as she possibly can, without making any sacrifice or compromise! how dare she? how dare! doesn't she know the tax of living for a woman is sacrifice. you can't pass go without it.

and the OTHER much much larger parts of reality definitely don't exist while people are busy labelling women as gold-diggers. the parts where the leading cause of sudden death for women is murder at the hands of an intimate partner, where 3 out of 10 women have been abused by a partner (and this is just reported stats - who knows what the real figure is). And what about the reality where one of the key aspects of an abusive relationship is financial abuse & power imbalance due to the victim having no resources.

in India, especially, the sad, sorry, disturbing TRUTH is, justice is a monetary transaction. the richer you are, the more you can get away, especially in the matter of women, since as a society we are ever-ready to disbelieve women.

this is also why in this reality we live in, many girls families themselves INSIST on paying dowry - on sending more and more gifts even after marriage - because you know what they're buying? no, not merely a "respectable" husband for their daughter. what they are paying for is the safety, respect, and dignity of their daughter in her married family and their own "standing" in society. its a grand and most successful blackmail scheme; because everybody knows, the girl who brings nothing to her husband's house, is fair game for every other type of exploitation. she's got to pay her dues somehow.

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so. when a poor girl marries a rich guy, it might seem like a fairytale on the outside. it might seem like, its every poor girl's dream. but in REALITY, what it is, is the girl signing up for a statistically much higher risk of being abused, raped, and murdered. not a dream so much as a nightmare.

yet, its always the woman's character that is on trial - SHE has to prove that she isn't a greedy schemer out for his money but a pure hearted girl genuinely in love - while all HE has to do, is stand there and be hot and rich; he never has to prove that he won't abuse her. heck, he will provide categorical proof of being a future abuser, and its absolutely no stumble in a romance path. the power of the word gold-digger is always hanging on her head; the hero as well as the audience, her lover and society, ever eagerly searching to judge her for the same; a little slip, and she could be in vamp territory!

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I tend to be...passionate...about my fictional people opinions. I have definitely heard "its just a story" many times in my life. But I disagree.

These conversations we have about fictional characters are reflections of our realities. And these are Indian daily soaps, not grimdark crazy premise sci-fic/fantasy HBO shows. The same court in which we judge fictional characters, also becomes a court in which we judge real people around us. This is the power of stories, the danger of them - they can reiterate the worst that is in us, reinforce our worst selves; or they can open us up to new perspectives and expand our empathy.

i mean we have seen SO MANY iterations of the angry anti-hero young man, embodying every trope of toxic masculinity, and then turning out to be a perfect husband at the end. character development and taming the beast. alls well that ends well. men can be fixed. sometimes love looks like hate. etc.

i long for a story where we see a heroine who IS a "gold digger"; who is practical, realistic, and smart, who has a career and ambitions but maybe has tasted too much of poverty to ever choose it for herself if given an option. who chooses and chases a guy because the thing that matters to her is financial security and an easy life. why does this girl always have to be the villain? if abusers can reform, why not gold-diggers? why can't SHE be hit with a character development stick, in the same general standard of dignity as a corresponding male lead, and learn some lessons and fall in love and become the best version of herself? and if she does get to do all that, why does she HAVE to be humiliated in some evil way, and/or die at the end, why can't she live, learn and have a happily ever after?

why, in fact, do we reserve so much passionate vitriol for the fictional female offenders - the vamps and the career girls and the ex girlfriends - the ones driven by jealousies and insecurities - while keeping infinite reserves of forgiveness for their male equivalents?

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No - Lavanya has to be a gold-digger, a hopeless harlot, for Khushi to be a perfect wife, for Arnav to be absolved of his sins against Lavanya as well as Khushi, for the audience to be in no danger of relating to a woman as evil and out of bounds as Lavanya, for us all to maintain our collective delusions that rich men are victims of those women, as opposed to being their predators.

EVEN in a show like IPKKND which went out of the way to have a different, ground-breaking narrative...there's this reading of the text. There's the cognitive dissonance to judge/hate Lavanya for certain traits while finding Arnav sexy for those same ones.

I don't think it is at all surprising that Indian tv can never seem to get over its madonna/whore complex - because honestly, we the audience, seem to enjoy it too much!

#this is a post inspired by an online argument so yeah its a ramble lol. i was angry but it also made me self-reflect.#when i was younger i have definitely internalized these attitudes #i've reacted from this place #of holding fictional female characters to much higher standards than male ones #because that is just #how we think in reality too #i like a story that challenges these ideas in a fun away #IPKKND was that with regards to Lavanya #IPKKND

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tarabyte3 · 3 months

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The Fear Has Gripped Me, but Here I Go

(13.4k)

Fandom: The Accused (BBC)

Pairing: Liam Black/F!Reader

Summary: It was so easy to develop a crush on Liam Black. He's sweet, handsome, funny, and all of your conversations feel effortless. How could you not? Maybe it was too easy because you're starting to fall a little deeper and you can't stop calling him whenever you need a taxi.

Warnings: Explicit rating, sex, car sex, semi public sex, unprotected sex, adultery, cheating, lying, mutual pinning, romance, angst

A/N: This is a fic about the character Liam Black played by Andy Serkis in the BBC anthology show The Accused. In the show, he breaks into a woman's house, steals from her, stalks her, uses that information to get her to like him, interferes with her life, etc. None of that is shown or stated in this fic, but if you’ve watched the show, you can infer a LOT about their interactions. In the show, he also cheats on his wife and lies to both her and the other woman. That IS in this fic. Unfortunately, Liam Black is one of my poor little meow meows, so this story is also intended to be romantic. I do not condone cheating (obviously). This is fiction. It's just that Liam is a sympathetic creep, but also I want to kiss him. (Andy Serkis has rotted my brain.) | Work title is from “Breezeblocks” by alt-J.

Playlist | AO3

It's distressingly easy to get sucked into the gravity of Liam Black. The way he looks at you—stolen glances in the rearview mirror when he thinks you won't notice—makes you feel special. Beautiful.

Something worth marveling at.

That should be a red flag, but you can't remember the last time someone looked at you like that. It's more than being appreciated for your appearance or checked out by a stranger. It's as if your presence is a bright spot in his day. In the same way he might stop to appreciate the view of a valley brimming with flowers or a sunrise after a particularly long night. His expression, one of awe.

Every bit of conversation between the two of you feels so natural, too. Effortless. Like meeting up with an old friend only to pick up right where you left off years ago. And he makes you laugh in a way you haven't in so long, as if he knows the exact thing to say to get you to smile. Even when you've had a rotten day.

Especially when you've had a rotten day.

So you keep calling him when you need a ride.

After all, Liam gave you his number for that very reason, you tell yourself. It's much easier than arranging a taxi because you deal with him directly. You know it will be him showing up at your door, and he already knows where you live and is familiar with the drive. Why wouldn't you call him?

At least that's how it started. Weeks ago.

Eventually any small excuse became a reason to phone him instead of driving yourself. “Parking will be a nightmare.” “I'd rather not fight with traffic.” “What if I want to have a drink during dinner with my friends?” “I swear my car made a strange noise this morning. I shouldn't drive it until I can get it looked at, and the shop is booked out a week.”

Deep down you know it's because you want that connection. You want his attention on you. You want to catch those blue eyes in the mirror. To see the profile of his nose and warm smile from the backseat. The greying scruff of his beard. The casual flex of his arms on the steering wheel—far more muscular than you would have expected from a driver and deceptively so under his polos because the way the fabric stretches around his biceps is…enticing.

It's just a crush, you tell yourself. Nothing more than a passing fancy. It's nice to have something to indulge in. It's perfectly harmless.

But then one night, you're in Liam’s taxi because you're headed to meet some friends to see a play—your favorite play—only to discover it's his favorite play, too.

So the two of you talk enthusiastically about it the entire drive there, quoting lines and debating character motivations and themes. Once you arrive at the theater, you find that you're very disappointed to be getting out of the car. You were enjoying yourself so much that it went by too fast.

“If you need a ride home afterwards, just let me know, love.” He turns in his seat to smile at you, and the corners of his eyes crinkle in a way that's endearing. Earnest.

“It'll be awfully late.” You can't help but smile back, even as you wave off his suggestion. “I can just flag a taxi.”

“I'll already be out. It's no trouble, really,” he insists while holding up a placating hand. Then his expression softens. “A lovely woman like you shouldn't be waiting that late by yourself anyway. It's dangerous.”

You want to protest further. To say your friends will be there, too, and you'll hardly be alone. That you don't want to be a bother. But, god, he called you lovely and he looks so hopeful. Those blue eyes bore into yours and pierce your defenses. The words die on your lips.

You relent.

You'll text him from the lobby after the show, you agree. He'll come get you then.

You've never texted him before. Somehow that feels more intimate than calling him and hearing the rough timbre of his voice.

The play is wonderful.

Your favorite character was perfectly cast, and his delivery of a line makes you think of Liam—the way he quoted it from the driver's seat a mere hour before, the parody of a serious expression on his face that made you laugh. He smiled at you then, all unmasked adoration, and your heart flutters at the memory.

When it's over, you text him before you've even left your seat.

As you resist the urge to impatiently push your way through the throng of people heading for the lobby, you tell your friends you couldn't possibly go out for drinks afterwards. You're tired and you have an early morning, but you'll take that rain check! Next time, you promise. You'll even buy a round! And that seems to placate them enough that they're on their way without you.

Before they can see you getting into his cab. Before they can look too closely and see what you're trying so desperately to deny to yourself: That you're more excited to see him than you are at the thought of spending time with them.

That you want this thing you shouldn't want.

He must have been close because he's already idling in wait as you exit the building. Your expression brightens at the sight of him waving at you from the driver's window, his face bathed in the marquee lights. The bulbs reflect in his eyes, tiny pin pricks like stars, and it sets your heart racing.

Christ, he's handsome.

You briefly wonder if he stayed in the area just for you. You can't deny you like the thought, even as you try to bury it down. That's something you can dig back up and indulge in later. When you're alone.

“How was the play, love?” He asks back at you once you've settled in and closed the door. The sounds outside become muted, trapping an artificial intimacy in with you.

“Fantastic! Oh, you would have loved it,” you sigh as you buckle yourself in. “You really should get tickets while it's still going.”

“Maybe I should.” He glances one last time out the window at the people still spilling from the front doors before slowly pulling away from the curb. “I might fit in better with the matinee crowd, though.”

Your head snaps up towards him. “What does that mean?”

“Well, I'm just a lowly taxi driver. Not really night at the theater material.”

“Nonsense.” You furrow your brows at him, as though you're offended on his behalf. “You aren't just anything, and there's nothing lowly about being a taxi driver. Plus, there are no requirements for going to see a play. Art is for everyone.”

He smiles to himself, almost amused by your reaction. “It'd still be sad, yeah? A man going to the theater all by himself.”

“Not at all!” You try to ignore the thrill in your chest at the implication that he doesn't have a partner. It's something you've suspected based on past conversations, but refused to ask outright. That would have been too much like showing real interest. “I've gone by myself loads of times.”

“Really?” There's a note of disbelief in his voice, and he glances up at you in the mirror. “A beautiful woman like you, without a date?”

A heat creeps over your cheeks. You bite at your bottom lip and glance out the window to hide it. You're suddenly glad for the late hour so he can't see the bashfulness in your reflection.

“Now you sound like my mother,” you tease, trying to deflect the comment.

His laughter rings out through the car. “Oh god, I take it back!”

“Besides, it's not always easy to get a date last minute, romantic or platonic. Is it?” You raise your eyebrows at him in challenge. “Why don't you take one?”

This is the closest you've come to prying because, now that he's alluded to the fact that he's available, you can't help yourself. You have to know. Whether that's to satisfy some curiosity or because a part of you has a vested interest in his answer, you're not sure.

“If you can't get one last minute, then what hope does a washed up old driver like myself have?”

And now you know. Which actually makes all of this feel so much worse because, under the serene veil of passing street lights and quiet roads, the lines are beginning to blur.

You also want to open your mouth and say something stupid like, “Then they're idiots,” or “You’re far from washed up,” and maybe even “I’d go with you.” But you know the second that you do, it pushes this beyond the bounds of rides and cautious flirting.

You don't even know if Liam would want that. What if he's only being nice? You don't know how he talks to his other passengers. Maybe he finds the flirting fun and harmless, too, and he's not actually interested in anything more. Maybe he enjoys being your friend.

Or maybe you’re only projecting what you want to see because you're lonely and he’s easy to talk to—the first man to really pay attention to you in longer than you’d care to admit. You might just end up embarrassing yourself.

Instead, you scoff and say, “Well, it doesn't matter anyway because it's perfectly acceptable to go alone and have a lovely time.”

Regret pools in your stomach. You can't help but feel you missed an opportunity. It's too late now, though. As he chuckles warmly from the front seat and shifts his attention to the road, you know the moment has passed. Bringing it up again, saying those words out loud, will give you away.

There's a silence after that, which stretches on for several minutes. A few weeks ago it might have been comfortable, but now you can't stand it. You only get a few of these moments with him and you're nearly halfway home already. It might be a while before you see him again after this. You're wasting it!

“God, I wish I had walked the block to get a takeout after the show. I'm suddenly starving,” you blurt out, lacking anything else to say, but desperate for any chance at small talk to close the gap between you.

“Want me to stop off somewhere?” He glances up at you in the mirror.

“No!” You immediately protest, a little embarrassed. You had expected this to turn into a conversation about your favorite kinds of takeout or foods so you could learn more about him. You hadn't expected him to offer anything. “No, it's fine. It was just a terrible attempt at making conversation. I swear I'll live.”

“I can if you’d like.”

“It's already so late. Don't trouble yourself. Really!” You aren't even hungry.

When did this become so difficult? When did you go from enjoying his attention to craving it this much?

“I don't have another ride after this.” His voice lowers, barely audible now over the hum of the engine. “And I've already told you, love. For you it's never any trouble.”

Oh. The uncertainty gives way to a warmth in your chest. It settles deep into your ribs and wraps itself around your heart. How could you possibly say no now?

You also know the answer to your questions then: It became difficult when, somewhere along the way, this stopped being just a simple, harmless crush.

“Okay.” Then you hurry to add, “But only if you're sure!”

“Positive.” His profile shifts as he smiles at the road, pleased you’ve accepted his offer.

“There's Chinese on the way. Over by the old Tesco? The one that closed a few months ago?”

“I know it.”

“It's not the best, but it's open until eleven. I can order it now so you don't have to wait too long.” Then you get an idea. “Do you like noodles? Or maybe fried rice? My treat.” You hold up a finger at him when he opens his mouth to protest. “You’re nice enough to stop when you don't have to, it's the least I can do to say thank you.”

“Alright,” he sighs, his shoulders going slack with acceptance. There's something tender in his expression as his smile widens, which only makes your heart constrict further. “Yeah, I'd love some noodles.”

“Then noodles it is.” You place the order on your phone as a silence settles back over the car.

All that fuss and your attempt at conversation didn't even work.

At least you get to buy him dinner, technically speaking. But you're going to do everything you can not to dwell on that right now. Especially now that you’ve realized how far this has evolved.

A few minutes and a short detour later, and he's pulling alongside the curb once again.

“I'll be right back,” you promise before hurrying out into the night.

You feel oddly self conscious of every step as you cross the street because you can feel his eyes on you the entire way. Watching you.

He probably wants to make sure you don't get mugged or something, you tell yourself. He’s keeping an eye on you. That's all. There's no reason for your pulse to be this high.

And yet, if there's a bit more sway to your hips as you walk in the hopes it draws his gaze lower…that's just more fun, harmless flirting. Isn't it?

You're not sure anymore.

At this hour, so near to closing, the restaurant is empty. There's even someone taking down tables in the dining area. The sight of it makes you feel guilty as you give them a nod of greeting. Your disastrous attempt at small talk probably prevented the kitchen from being in the same half cleaned state as well. Just add it to the list of inconveniences, you think.

It only takes a few more minutes for your order to be finished, much to your relief. You’d hate to keep Liam waiting because it's already fourteen to eleven, and you don't want him to start regretting being nice. It also means you don't have time to stand there and start second guessing yourself either, which is the last thing you need right now.

When you exit the restaurant, you notice the air has shifted. It smells damp now, like it might rain. Even the night sky is quickly growing darker as the stars are swallowed by clouds, all the telltale signs of an encroaching late summer storm. So you jog back towards the cab, clutching the takeout bag and praying it holds off.

But as your fingers brush the door handle, you hesitate.

It's late and there's not another car or soul on the street. It's just the two of you, and you've gotten both of you food. It seems almost silly to sit in the backseat now, or to pretend there's much of a separation anymore. Even as friends.

That's what you tell yourself as you head to the passenger door instead.

Liam doesn't say anything. He just watches you climb into the front seat of his taxi. When you finally meet his eyes, you can see uncertainty on his face, but of what you're not sure.

“Is this okay?” You keep the door held open in doubt, giving yourself the option of escape. “I thought it would be easier...you know, with the food.”

“Yeah.” His voice is quiet, and the wary, low gravel of it matches his expression. He glances down at the steering wheel. “Yeah, it's fine.”

Far too late you wonder if you've made a mistake.

“I'm sorry,” you gasp as you move for the door. “I should have asked first. I can get in back.”

“Wait!” His hand shoots out as if he wants to grab your arm—to keep you there—but he stops just short of touching you, still keeping that distance. He lets it hover for a second, hesitant, before lowering it back to his seat, and you swear you see his fingers twitch. Your skin tingles at the near contact. “Stay. Please.”

You take a moment to study his face, to make sure it's actually what he wants. That he isn't just being polite now that you're already in, despite his own comfort.

The genuine plea you see there makes your heart ache.

“Okay,” you say softly.

You shut the door.

Then it's quiet once again except for the rustling of the bag as you settle it on your lap. Except now there's a tension in the air that's never been there before. It's as if you brought the storm into the cab with you and have just sealed it inside. Maybe you have made a mistake.

This had always been so easy.

When there was the clear separation of a car seat between you, you both knew where you stood. Liam up front, you in back. Driver and passenger. The physical distance kept things safe. Without that, you feel unsteady, too—unsure of how to act and unsure where this is going.

You think about that heavy scent of ozone and warm concrete on the breeze outside—about the possibility of rain—and suddenly you know what you want. You know why you got in front and what your heart has been telling you all night: You want to see your possibility. What this thing between you could be.

Despite your nerves, you want him. All you have to do is continue closing the distance.

You're pretty sure that you can't make things any more awkward than they already are, at the very least. Even if you somehow manage it, you doubt he’ll throw you out of his taxi. Why would he? He’s only ever been sweet to you. So the worst he can say is no, you think, as if that wouldn't break your heart.

“I don't know how you feel about food in your cab, but we could sit here and eat before it gets cold. Together. If you want.” You try to sound casual, but hope bleeds into your voice and betrays the truth of what you're really offering him: you. Something more.

You spent weeks being careful to never cross that line while telling yourself that's what you actually wanted. That you were fine simply having something to indulge in. But now that you've finally done it, you don't know why it took you so long or how you’ve been so blind. Because as you look at him, with his snug polo, trimmed hair and beard, his full lips, and his hooded blue eyes, you wouldn't take it back for anything.

Only…that uncertainty reappears on his face. An internal struggle which deepens the lines on his forehead, pinches his brow, and causes his mouth to thin into a frown. He knows agreeing to this would mean crossing that line with you and moving forward. Except where you have hope, he seems conflicted by the possibility.

You wonder if all the flirting and stolen glances felt harmless to him, too, because he never dreamed you’d want him back. And now that you do…

“You don't need to be getting home? It's late," he says helplessly. Half-heartedly. That's when you realize: he thinks he should tell you no, but he just can't bring himself to say it. So he's offering you an excuse instead, hoping that you’ll do it for him.

Of all the ways you saw this going, you never imagined this—that he would want you and still reject you.

You want so badly to ask why, to understand, but this hurts more than a simple no would, and the fear of what he might say stills your tongue. It could just be self-deprecation on his part, the ingrained belief that he's a washed up old driver…but what if the reason is you? Imagining the pity on his face as he tries to let you down gently turns your stomach.

Despite that, you find you can't say no either. Now that you've finally realized that you want this, how do you let it go? To be the one to end it before it's even begun. You don't have the strength.

You suppose that makes the both of you cowards.

“I've got nowhere to be tomorrow, but if you do, that's alright, Liam,” you offer instead. A lie the two of you can cling to. “I don't want to keep you any longer than I already have.”

He shakes his head. “That's not it.”

Oh.

“Either way, don't worry about it,” you quickly blurt out to stop him from saying anything more. “Forget I said—”

“No!” His voice breaks as he interrupts you, stunning you to silence. “No.”

He struggles for a moment to find the words while searching your face, as if he might find the answer there. As if you might make it easier for him somehow. He must find something because then he's staring at you with the determination of a man who's made a decision, consequences be damned, and you let out a shaky breath you didn't realize you’d been holding.

“There’s nowhere I’d rather be.”

Oh.

Your heart falters for a moment, lurching with violence against your ribcage, before it stutters with renewed hope.

There's a rumble of thunder outside—the sound of possibility shifting into inevitability.

“Me either,” you whisper.

“Then, yeah.” His face softens. And he’s back to looking at you in a way you’re used to, the way he secretly would in his rearview mirror, but something between you has shifted. There's a new intensity to his gaze that takes your breath away. “I’d love to.”

“I’m glad.” Feeling bold at that look in his eyes and desperate to ease some of the lingering tension, you add, “Besides, this is much better than eating reheated takeout alone in my apartment. The company is far better.”

You can tell it works when he relaxes further in his seat.

“Yeah?” A smile tugs at the corner of his mouth as he raises his eyebrows at you.

“Yeah.”

“And I suppose it does smell really good, yeah? Be a shame to waste it.”

“It really does.” You huff out a laugh as you dig into the bag, relieved to have something to do with your hands that isn't clenching them uselessly in your lap. “Plus, now you don't have to listen to my stomach growl for the rest of the drive.”

He laughs along with you, but it quickly turns into a teasing grin. “Well, I’m glad I could save you the embarrassment.”

“My hero,” you say playfully, which finally earns you a full, real smile. The kind that crinkles the corners of his eyes and makes your heart skip a beat. Before you can get distracted staring at him, you pull out the disposable utensils and hold them up between you. “Now, fork or chopsticks?"

He sheepishly takes the fork, and it's your turn to give him a teasing grin.

You fall back into easy conversation as you both tuck into your takeout containers. The tension between you is gone now, having dissipated under the familiar—though it'll be impossible to forget just how close he is or the way he lingers in your field of vision no matter where you look.

You’ve positioned yourself in your seat so you're half facing him, and you notice he's removed his seatbelt and done the same. There's an intimacy to the way both of your knees are turned in towards each other, unable to touch but still seeking one another out.

There it is again, you think. The gravity of him, pulling you in. You bend to him like light.

While you eat, it begins to rain. Or rather, it begins to downpour, the drops thumping and echoing off the metal body of the taxi. They coat the windows in streaks, leaving the world outside blurred—a hazy refraction of streetlights and muted color.

The combination of darkness and being shut inside the car already made it feel like there was a barrier separating the two of you from the outside, but now you feel even more cocooned from the rest of the world. In fact, you’re finding it hard to remember anything else exists beyond the interior of this cab. This moment.

Him.

Another silence settles over you as you eat and listen to the rain, but this one is comforting. As though just existing next to each other is enough. It's easy in a way that makes your heart sing.

He breaks it by clearing his throat.

“Seriously, how do you use those? I’ve never gotten the hang of it.” He gestures to your hand holding the chopsticks.

You pause mid bite, your food frozen in the air as you look up at him. “Do you want me to show you?”

“You can try, but I should warn you, I'm all thumbs when it comes to that,” he laughs and looks away, self-conscious.

You’ve seen that expression on his face a few times now. Glimpses past the easy smiles and the effortless conversations into how he sees himself. You wonder again if that was the reason he hesitated earlier. Suddenly you want to show him the man you see. The one that’s attentive when you speak and makes you feel seen. Who always cheers you up with his presence and went out of his way when you said you were hungry. The man who's never said no to you, even when you’ve called him at the last minute and were certain he was busy.

You wish you could find the way to say all of that out loud.

Instead, you raise an eyebrow and stick the uneaten bite back into the container. “That sounds like a challenge.”

“It's really not,” he says with a helpless laugh, but you're determined now.

You get a fresh set for him. Then you go about demonstrating the placement in your hand and the way you use your fingers to manipulate the utensils to pick up your food. He copies you, though his own movements are stiff and awkward. There's also a vulnerability to the way he keeps glancing up at you to see if he's doing it correctly and looking for approval.

“You’ve almost got it! It just takes practice,” you reassure him. He gives you a small smile in return, his blue eyes full of gratitude. When he tries again, he’s more relaxed and confident, and the chopsticks move with far more ease.

It's a much better look on him, you think.

You also spend the entire time resisting the urge to reach out and shape his fingers around the thin pieces of wood. Because if you touched his hands, god help you, you might not be able to stop. The idea is so tempting, though, and it only gets worse the longer you focus on the curve and press of his thick fingers.

You imagine what it would be like to have them grazing over your cheek and down your neck, or dipping along your inner thigh and dragging against your slit. There's a sudden throb of need between your legs at the thought. Now the air of the cab feels stifling, electric with a different energy, but he's so focused on what he's doing, he doesn't seem to notice the way you squirm in your seat.

Instead, you offer tips to help him get it right—from a distance, where it's safe for the time being and you're less likely to do something brash, like grab him and kiss him.

After some more practice, he makes a few unsuccessful attempts to eat and has to stop to pick dropped noodles off of his shirt and lap with a sigh while you giggle next to him. Until, finally, an entire bite makes it from the takeout container to his mouth without spilling.

“I did it!” He beams proudly at you as he chews, those blue eyes now wide and lit up with excitement. And god, it's adorable…except there's a bit of noodle stuck in his beard. You press your lips together to keep from bursting into laughter at him in his moment of triumph. He catches on anyway, and his face falls slightly in confusion. "What?"

"You've got some noodle. Right here." You point at your own face.

He quickly runs a hand over his mouth to wipe it away, but all that does is push the noodle farther down his chin. "Did I get it?"

"No!" You snort out a sharp laugh at his look of panic. So he sets his takeout carton on the center console near the gearshift for a more serious attempt, but his palm scrapes uselessly at his face again. “It's lower now.”

“Glad you're enjoying this.” He tries to sound offended, but there's a twinkle of amusement in his eyes as he feels around for the elusive bit of food, betraying how much he’s enjoying this, too.

"Here." You set your takeout next to his. And then you don't think before you lean across the center console, your hand stretched out and reaching towards him. "It's right…"

You genuinely meant to help and put him out of his misery, but by the time you realize what you're doing, your fingertips are already brushing through the coarse hair of his beard, the why of it completely forgotten. Now you can no longer help yourself. You’ve finally touched him, and he feels so warm and alive beneath your hand.

Your fingers curl against his chin. Then, almost with a mind of their own, they inch towards his jaw, seeking more. You want to run them over his cheeks. His temple. His smile lines. Along the bridge of his nose. His lips. You want to feel out every bit of his face and commit it to memory.

You don't want to let go.

And you nearly don’t stop until a heavy exhale from him sends you crashing back to reality. The one where you're basically groping him instead of helping. You also notice the noodle bit has long since fallen away and landed somewhere unseen onto his lap.

"Oh my god, I'm so sorry!" You gasp in horror. You start to pull away to search for it because, after that, you're too embarrassed to even look at him. But you’ve barely removed your hand when he grabs your wrist, firmly keeping you in place just inches from his face. Your eyes snap up to meet his.

Neither of you moves. Or speaks.

For several tense seconds, the only sound in the car is the rhythmic patter of rain and your heavy breathing as you stare at each other.

The moment stretches between you like a wire, thick and coiled taut, and you're terrified to pull away. Or push closer. As if doing so might snap the tension and ruin whatever this is. Instead, you sit there, frozen at the way his eyes become half-lidded, barely lessening the now undisguised longing in his gaze.

Just when you think it's become too much and you're going to break under the intensity of it all, his thumb brushes against the delicate skin of your wrist, directly over your pulse, sending a shiver through you. And that small touch alone is enough to make all of this profoundly, achingly, real. Distantly you wonder if he can feel the frantic drumming of your heart. Because by now it's pounding so hard with anticipation, your ribs flex with every beat.

He brings your hand back towards his face and rests it against his cheek. As he does, you're mortified to realize you're trembling in his grasp. He must notice as well because, without a word, he flattens his own hand over yours, anchoring and calming between beard and flesh. His eyes dip nearly closed at the sensation, and he nuzzles into your touch, letting the corner of his mouth graze your palm.

You watch as there's the slightest purse of his lips, a shade of a kiss onto your skin, and you suck in a gasp.

He reaches out for you, then. You think he's going to mimic the gesture and cup your face, but instead his knuckles graze along your cheek. He takes a moment to trace and explore the contour of your cheekbone in awe before continuing on, gliding past the shell of your ear, until he's cupping the back of your neck instead with his thumb resting on your jaw. His hand feels massive as it envelops you, the span of it completely covering your nape, making you feel bird-boned in his grasp. But everything about his touch is so tender, so affectionate, that it never occurs to you to feel vulnerable.

Quite the opposite. Combined with his captivated expression, which is so intense that it borders on grief, he's found a new way to make you feel special.

Wanted.

Gently, he begins to guide you towards him as he leans in and stares at your lips. There's no doubting his intentions.

You go willingly. Lead to him. Pulled to him. Sucked so far into that gravity, you’d still be moving even if he let go.

"Liam," you exhale into the shrinking space between you, finally giving voice to your desire.

His fingers flex against your neck at the sound of his name, but he still doesn't stop or speak. His hand continues to guide you closer. Slow and steady. As if he's giving you plenty of time to put an end to this. To pull away and tell him you don't want it. But you do. You want it so much that you almost forget to breathe.

As his lips ghost against yours, your eyes flutter shut. You instinctively push forward, trying to close the distance between you, but he moves away before you can fully capture his mouth. Then he goes back to brushing his lips over yours, cutting off your protest and taking in your sighs and quivers.

It's almost teasing, the way he's taking his time and savoring every step of this—of you—and there's a confidence to his movements you weren't expecting. As if, now that he's gotten you, he knows exactly what he wants to do with you while you're swept along in his wake.

Except you’ve thought about this moment so many times. Indulged in the fantasy of what it might feel like to have his lips against you as his tongue eagerly explores the heat of your mouth. Now you're so close to getting what you want, too, and the anticipation is building into an agonized yearning every second he’s just out of reach.

You're on the verge of whimpering or pleading when he finally, truly, kisses you.

Any thought you might have had is gone. The pressure of his lips, his mouth slotting against yours, his relieved exhale across your skin—the combination makes you dizzy with need. A moan is torn from your throat.

The sound breaks whatever gentle spell had a hold of him because, just like that, his arms are around you, and he's kissing you hungrily.

At first it's desperate. Nothing more than a messy searching of lips before you find your rhythm. Then every bit of it is better than you imagined—the scrape of his beard, his nose nudging into yours, a brief graze of his tongue along your bottom lip before it retreats, leaving you wanting more. And god, do you want more.

As if he knows what you're thinking—or maybe you've said it out loud—he tightens his hold around you and pulls you towards his seat, his mouth never leaving yours. But you don't have time to admire how strong he is as you scramble blindly to get your legs under you. In your haste, your knee hits one of the takeout containers, which sends it toppling over.

You break the kiss to gasp out, "I think it spilled."

"I don't care," he murmurs and captures your mouth again. This time his tongue lingers at the seam of your lips. As you open up to him and taste him for the first time, you decide you don't care either.

You finish climbing into his lap. Every movement is clumsy in the limited space, all groping hands and fumbling limbs. You have to squeeze past the steering wheel and keep your head low so you don't bump it into the roof of the cab. The position is also a bit awkward as you try to find enough purchase to settle your knees on either side of his hips. You even have to adjust your dress to keep it from getting in the way, which forces the hem mid thigh.

None of that matters once you're finally settled. Because, when you lower your weight into his lap, you find him rock hard beneath you. And the only thing separating your bare sex from that impressive bulge in his pants is a pair of lacy panties. You can almost feel the warmth of his cock radiating through the denim.

"Fuck, Liam," you hiss.

You can't start grinding onto him just yet, though, because he quickly reaches between you to adjust himself over his jeans. It's something so intimate and casual—something he has to do because of you—that it's devastatingly sexy. That alone is enough to make your cheeks and neck burn. But when his hand grips over the tented fabric and slides along his length, for a brief moment it sharpens the outline of his erection in his fist, and it sends heat racing between your thighs, leaving you aching. Your hips shift involuntarily at the sudden pressure.

“Better,” he sighs in relief. Then his hands squeeze around your waist to drag you down as his hips roll up to meet you, and you see stars.

Before you’ve even recovered, he draws you back in for another heated kiss. You're so fixated on his mouth, so ravenous for him, you don't notice when he blindly gropes between the seat and the door. So when the seat tilts back all the way without warning, you barely catch yourself with your hands at the last minute to stop from falling forward and smashing your face into his. The motion is such a jolt that you cry out in surprise against his lips. You feel his curl into a smile.

It doesn't last long. The new angle gives your hips the freedom of movement to slide over the full length of him, and the friction makes your arousal thrum with anticipation. His eyes roll shut with a groan.

While he’s distracted, you take a moment to appreciate him like this—the flutter of his eyelashes, his kiss swollen lips, and the way the rain dappled streetlight bathes over his flushed skin. When he opens his eyes again and catches you staring, his expression softens.

Your breath hitches at the sight. Christ, he’s so fucking handsome.

You suddenly realize you don't have to just look anymore. Despite the heat of this moment, you can finally satisfy the urge to run your fingers over his face. So, without hesitation, you reach out and touch his jaw again. Only this time, you don't stop. You gently map out all of his lines and wrinkles, relish the contrast in softness between his skin and beard, and trace along his lips—all while he stares up at you in half-lidded awe.

“God, you're amazing, love.” His voice is low and gravelly as he nuzzles up against your jaw. “The most amazing woman I’ve ever met in my life.”

Your eyes fall closed with a shiver, letting the vibrations of it wash over you, but you don't respond. How can you? What could you possibly say to that?

His thumb caresses over your cheek.

“Look at me,” he coaxes in a soft tone. You slowly open your eyes again to meet his. When you do, he gives you a gentle smile. “I mean it. I've wanted you from the moment you got into my cab.”

Oh.

“I want you, too, Liam,” you finally admit quietly, your own voice thick with emotion.

“I'm still trying to let that sink in.” He shakes his head. “That someone as incredible as you could want someone like me.”

“Of course I do. How could I not?” You sound defensive, but you can't help it. You feel that familiar need to make him see himself the way you do. “I think you're amazing, too.”

“Jesus.” He lets out a heavy sigh. Then he glances down between you, seemingly overwhelmed by your statement.

“Why do you think I kept calling you?” You chuckle breathlessly. “I’ve been making plans and finding any excuse I could just so I had a reason to see you and be in your cab. You had to have suspected I didn't actually need that many rides.”

“I hoped.” His eyes meet yours again and that intensity is back. The muscle in his jaw clenches, making your heart skip a beat. “God, did I hope.”

“It took me far too long to realize just how much.” You lean in to place a slightly heated kiss onto his lips. Then, in a husky voice, you add, “I should have done this ages ago.”

"I don't deserve this," he groans as his hand tightens with rekindling lust around your waist, “but I could never say no to you.”

"Don't I deserve it?" He sucks in a breath beneath you. You let the tip of your nose brush against his as you lower to a whisper. "No one's ever made me feel the way you do, Liam. So please…make me feel even better."

His arms engulf you to capture your lips, just as you start to move over him again.

You continue to kiss as you ride that bulge in his jeans, the stiffness and friction sending delicious sparks up through your core while desire pools between your legs. Every roll of your hips draws needy sounds from your throat and little grunts from his as he rocks up to meet you.

His hands never stop roaming. Up your thighs, a quick squeeze of your ass, and tracing the curve of your waist. Then flattening to drag across your back, stroking along your ribs, and teasing with uncertainty over the swell of your breasts before cupping your cheeks. He leaves flames in his wake.

Yours never stop either. You want to finally run your fingers through his hair. To feel the thickness of his neck and the way the tendons in his jaw flex as he kisses you before wandering lower. And god, those fucking polos do him no favors because underneath you can feel the hard muscle of his chest and shoulders. They've softened somewhat with age, especially at his belly, but it just makes him feel solid beneath you. Steady. Like something you could hold onto.

Every new part of him you touch only makes you want him more.

All of your heavy breathing is trapped inside the taxi, making the air feel thick with humidity. With nowhere to go, condensation is starting to gather on the windows and settle across any exposed skin. It's stifling. You have to keep reminding yourself that you're in a car to stop from ripping your dress off. A part of you still thinks it's a wonderful idea.

Another part reminds you that you don't need to take it off.

You break the kiss.

"I want you, Liam,” you lean in to whisper in his ear. “Right here. Right now."

He shudders with a groan. Then he gently guides you back by the shoulder so he can look into your face. “Right here? You're sure?”

You nod. “It's dark and I've waited long enough. I want you inside of me.”

“Fuck,” he whimpers, and his cock throbs beneath you. “I told you I could never say no to you.”

You gather the hem of your dress, pulling it back and out of the way so both of you can see the way you're pressed against his straining erection. Your need for him is liquid. It's been pouring from you. By now it's completely drenched your underwear, soaking them through. Only it didn't stop there because there's also a rather large damp spot on his jeans from all of your grinding. He groans helplessly again at the sight of it.

“See?” You purr down to him.

“Christ, love,” he chokes out. “Look at you.”

He grasps your bare thighs, kneading at your flesh before sliding them higher and making you shiver—until those large hands are framing your barely covered sex. He takes a second to admire you further through half-lidded eyes. Then he hooks a thumb into your panties and pulls them aside. When your arousal is exposed, a moan gets strangled in his throat, and his clothed hips buck towards you, desperate to bury himself in you already.

Your hands shoot to the fly of his jeans to fight with the button, eager to uncover him as well…just as a thumb brushes over your slit. Instead, your whole body jerks at the contact and you nearly collapse against him. Your grip goes slack.

His expression turns smug at your reaction. So he does it again—harder this time—and the tip of his thumb slips easily past your folds, making you cry out. Then he teases circles at your entrance, smearing through your slick, and you nearly sob into his shirt.

“You feel so good already.” He sounds distracted now, as though he's more focused on what he's doing than how you’re responding. He presses again, sinking until he's knuckle deep, and his lips part with a gasp, enthralled by the way his thumb vanishes inside of you. And, god, even the thickness of that leaves you breathless and writhing. Then he teases you some more at this depth, testing how your walls flutter greedily around him, before slowly drawing back out and dragging some of your fluids over your clit. Your hips pitch forward into his hand with a moan. “Can't wait to get my cock in you.”

“Please,” you beg. All of his teasing and petting has left you helpless, and your trembling fingers move uselessly over his fly, “I can't…”

That seems to get his attention.

He removes his hand and you whimper at the loss…until he takes over for you, making fast, if a bit fumbled, work of his button and zip. Then you're eager to have something even better buried inside of you. So you quickly make room for him as he lifts up and pushes his pants and underwear down to his knees.

When he settles, you finally get to have a look at what you’ve only felt up to this point, and the sight of him makes you feel weak. Because he’s sitting beneath you in his polo, and his hard cock is resting over the fabric still covering his belly.

He’s thick and uncut and twitching under your gaze, and you just know wrapping your hand around him would make you feel small by comparison. Your fingers itch to find out. You can also see a trail of hair disappearing under the hem of his shirt.

You're fighting with the urge to rip the offending piece of clothing up over his head to see just how far up it goes and whether or not it connects with that greying tuft of curls peeking out of the top when he wraps a hand around himself.

Your mind blanks.

You watch, dumbfound, as he begins stroking—working his length until the foreskin slides back to reveal the head, flushed and swollen and leaking in want of you.

The sudden stab of arousal in your core is dagger sharp, leaving you breathless.

“Fuck,” you rasp out, and it sounds as shaky as you feel, “I need you.”

His hand grasps at the base of his erection, keeping the foreskin drawn back and holding himself steady in invitation. When he meets your eyes, you see months of longing and need on his face. How he’s ached for this—would beg to have it if you asked.

You don't hesitate. You make sure your panties stay pulled to the side as you raise yourself to your knees. You wish you had taken them off, but you're far too impatient to stop now. How could you when he's right there, throbbing in his own fist and practically begging you to take him?

With one hand bunched in the fabric of your dress and one braced on his shoulder, you shift into position over him. His tip nudges against you, effortlessly gliding through your folds until he catches at your entrance. Exactly where you need him.

You lower onto him. There's a brief moment of resistance and adjustment at the unfamiliar angle. Then the head of his cock breeches your opening as you both let out twin gasps.

Slowly, you sink onto his length, your walls stretching around him as he fills you, inch by agonizing inch.

He makes it past the halfway point before his patience runs out. He grabs your hips, fingers and thumbs spearing into flesh, and pulls you the rest of the way down onto his cock.

The sound that leaves your mouth is almost as filthy as the one that leaves his.

He keeps you there, unmoving and fully sheathed while he twitches inside of you, and a sob of relief escapes his throat. His eyes are heavy lidded, those full lips are pouting and parted, and his brows are scrunched together in an expression akin to agony.

You're certain you’ll never forget the sight of him in that moment, undone by your cunt.

You drop the skirt of your dress so you can brace against his chest. The fabric falls back into place, hiding the evidence of where you're joined. It’s not unlike when you were just sitting in his lap, grinding over your clothes. Only this time you’re straddling his bare hips and stretched full of him.

You start to move.

The rain has stopped, but outside the drops still linger, glistening and clinging to every surface. Inside, the condensation is now fully coating the glass from your hot breath coming out in sharp pants as you ride his cock. It leaves the world beyond the cab opaque, only leaking through in the trails left by heavy beads of moisture.

He braces himself by planting his feet on the floor of the cab and leaning back against the headrest, using the pressure as extra leverage. Then he's lifting to meet your hips.

"I’ve dreamed of this," he moans as he ruts into you. He doesn't stop staring up into your face—taking in every expression and quiver and noise you make with those intense, blue eyes. His mouth falls open for a moment before he gasps out, “God, your cunt is so sweet.”

You’ve never felt so seen. Wanted. In that moment, you're so utterly sucked in by the gravity of him that you crash your lips against his, desperate to be closer.

His hands bite into your hips as he forces you to keep rocking onto him. You distantly realize the car is rocking with you—that anyone could see and know what's happening—but you can't bring yourself to care. Not when you have him whimpering and groaning into your mouth with his cock inside of you.

Everything about this is fast and messy, but the buildup alone has left both of you nearly frantic with need. You're not even sure how long you’ve been doing this. It's been hours since he kissed you. It's been minutes since he kissed you.

Your overworked thighs are burning, but you refuse to stop. Pressure is building and intensifying quickly inside your core, driving you on and beckoning you to keep moving until you find your release.

His grasp has gotten so tight that his fingers are nearly digging into bone, and he's no longer holding back every whimper or stutter that works its way to his throat. You know he's close, too.

A hand finds your thigh and disappears under the fabric of your dress. He clasps the bend of your hip, and then that thumb that drove you nearly mad earlier is rubbing circles over your clit. You're gutted by the sudden pleasure.

“Want you to come for me, love,” he murmurs up to you as he moves faster between your legs, his hips and thumb working together to destroy you. “Never wanted anything more.”

“Don't stop!” You gasp. You're trembling now. Your thighs are quivering against his hips and the movement has become hard to control, leaving your pace jerky and uneven as you rock over him. “Please!”

“Could never say no to you.” His voice is hoarse and strained as he struggles to hold himself back until you come undone first.

“Liam!” Your hands clutch at his shirt.

“That’s it. Let me see you.”

That last bit of friction is all you need to send warmth exploding through you, and then you’re coming on his cock. You throw your head back with a wail. It scrapes against the roof of the taxi, but you barely notice. Every part of you is consumed with that numbing relief. The way your stretched walls convulse around him. The sound that spills out of him.

If he wasn't holding you up and forcing you to keep moving out of desperation, you’d dissolve in his hands.

Every muscle in his body is taut, strained as he keeps driving into your still pulsing heat. There's ruin on his face when his hips begin to stutter beneath you. Then he slams you onto his cock with a moan and finally comes inside of you.

The throbbing warmth of it fills you with more than a physical gratification. Your heart skips a beat at the way he lethargically works through his orgasm, rocking deep within you. At how his face is now slackened with pleasure, that contentment only broken by the occasional hiss and a shudder from aftershocks—when the sensation of you becomes too much.

You could get addicted to this feeling.

Once both of you are spent and still, you sit there in his lap, gasping for air. His stomach rises and falls against yours while his thumb draws a mindless pattern near the bend in your hip. His touch is warm, even against the ambient heat of the taxi.

Sweat pools along your hairline and back and runs between your breasts. Your body is covered in it, and his skin is similarly glistening. As you’re watching, a drop rolls past the hollow of his throat before disappearing into that tantalizing mess of chest hair left uncovered by his undone top buttons. You wonder what it would be like to nuzzle into it and inhale the masculine scent of sweat and sex before dragging your tongue along his sternum to taste it.

“You okay?” He pants up at you, pulling you out of your daze.

You huff out a laugh as you nod. “Pretty fantastic, actually.”

“Yeah?” He smiles, still breathless.

“Yeah.”

You want to lay against him, snuggle your head under his chin, and stay like that for hours, relishing in this newfound connection. But now that the high is wearing off, you’re very aware you’ve just had sex in the driver's seat of a car. You didn't even move to the backseat or drive to a secluded parking lot! It's a position that’s not only quite public despite the opaque windows, but would require you to contort your body into an uncomfortable shape to do so. Which, regrettably, isn't very ideal for cuddling.

You hadn't been thinking that far ahead at the time.

You give him one last lingering kiss, reluctant to part from him, even as you know you have to at some point anyway. Then you lift yourself off of his lap while swallowing a whimper at both the loss and the surge of wetness between your legs now getting half caught in your askew underwear.

Climbing back into the passenger seat is a slow process because your legs are weak and wobbly, but he gives you a steady hand to lean into. One that engulfs your smaller hand as it wraps around you. You try not to imagine him holding you like this, fingers laced and palms kissing, or else you might not let go.

You both stop to laugh when you bump your head on the roof of the cab.

As you get settled and somewhat put back together, an awkward silence encompasses the taxi. It's not tense like when you got into the front seat. Rather, it's unsure in a different way. It's as if both of you want to say something, but you can't find the right words. Or maybe, without the haze of arousal, they don't come as easily despite the way they build and sit in the back of your throat.

Instead, you take a moment to survey the damage from your earlier fumbling. Thankfully, the takeout spill was minor with only a few of the noodles escaping the carton. He quickly picks them up, and you toss the containers back into the bag.

He rolls down the windows, letting the rain cooled air in to clear the fogged glass and the heavy musk of sex. It feels heavenly on your skin. You lean back in your seat, basking in the light breeze, the weightlessness in your chest, the burning in your thighs, and, most of all, the ache and damp between your legs.

You both still maintain that quiet the rest of the drive with only the low din of the radio in the background. None of the songs register, though, because your mind is too busy racing with thoughts of what happens next.

There's an unbidden hope blooming inside of you that this was more than just sex. You try to rein it in before it takes over and suffocates you with expectation because some part of you is still terrified you’ll end up heartbroken. But every time you glance over at him—take in the profile of his nose and lips, the strong curve of his jaw, the wisp of his eyelashes—you know it's far too late for that.

Instead, you sit there with your heart pounding, wishing you could read his mind and admiring the way the light dances across his face whenever you pass under a streetlight. You can tell when he catches you because he turns to give you a lopsided smile. One he used to shoot back at you in the reflection of his rearview mirror, and the full force of it makes your cheeks burn and your heart flutter before it's too much and you have to look away.

Each time that hope digs in a little more.

Eventually, he pulls the cab along the curb in front of your building. It's the same spot he’s parked in dozens of times, but it looks almost foreign now from the front seat. Or maybe it just feels that way because everything about this situation is so new.

He shuts off the engine, leaving the space in silence as he glances over at you.

This is where you usually part ways. Where you thank him for the ride and pay. Then you climb out, tell him you hope he has a lovely evening, and you leave.

None of that feels right, though. Not after what’s happened between you. More than that, you don't want to walk away as though nothing's changed. Because for you everything has.

So what do you do now? Do you thank him for the wonderful sex? Ask him to dinner? Do you kiss him goodnight and tell him you'll call him later? It's what you would do with anyone else, but with him it's not enough.

Now that you have him, you don't want to let go.

"Would you…" You trail off, suddenly timid. Even though your underwear and thighs are still smeared with this man's come, you know there's so much left unspoken between you. Things you want to give voice to so that the two of you can continue to move forward towards something more intimate and meaningful than car sex. However, doing so is another opportunity to get hurt if he doesn't feel the same way.

Except now you’ve opened your mouth and he's staring at you expectantly, waiting for you to continue. But more importantly: on his face you see that same look of hope reflected back at you.

He wants this, too.

Your anxiety evaporates.

"Would you like to come in?”

His smile is both relieved and tender. He nods.

That's how you end up in your bed with Liam on top of you, entrenched between your legs, cock buried inside of you, and taking you again.

It's different this time. Slower. While the fever and desperation are gone, there's a heavier need churning in their wake. Something between you that was left unsatisfied before.

Now you're wrapped up in each other—a calf tucked behind his knee, and your thigh gripping his hip where he's bent over you. One of his hands is stroking along your hair, and the other is squeezing your waist, holding you in place as his fingers dig divots into your flesh. Your own palms cradle his jaw, cupping him like water to your parched lips.

Through it all, his forehead is pressed to yours, and he gazes down into your eyes from beneath hungry lids. Even if you wanted to, you can't look away from that blue. You're held there, pinned to the bed from the weight of it because even the physical weight of him is nothing compared to the longing you see in those depths.

In the taxi, your closeness was a given. It was overwhelming in the small space, thick like the humidity of your breath, hanging in the air and pressing back in on you. Now it's suffocating in a different way. In the openness of your bedroom, it clings to you. Needy. Touch starved. Terrified that one of you will vanish at the slightest give.

The two of you are so close, you can feel his heavy breath on your face. You can hear the voiceless sounds he makes whenever he buries himself inside of you at just the right angle, each one right there and so loud in the silence.

It's different in that way, too: Neither of you has said a word since you took his hand and stumbled to your bedroom. No pleas or praise. Not when you tore each other's clothes off and finally saw what was waiting for you underneath—the hard panes and curves of him, tan lines and hair, a freckle on his chest, the way his cock hangs thick between his thighs and twitches in your hand. Not even when his fingers dragged over your still wet folds with a groan. Instead, your voices are replaced with sighs and moans and each slick press into your heat.

You don't think you could speak anyway.

He’s fucking you completely breathless. Not from the effort. Not from the way his core flexes and his back rounds every time he thrusts into you. Each steady plunge, a slide and drag of bodies—his chest hair across your nipples, his stomach against yours, his groin grinding into your clit in a maddening friction. No, it's the unmasked passion of it that leaves your heart pounding and your breath caught in your throat.

He fucks you like he watches you: with a sense of reverence. Like he can't believe he has the privilege.

Maybe fuck isn't the right word, then. Because the way his hand moves to cradle the back of your head, thumb grazing behind your ear, feels more like an act of worship than your desperate coupling in the driver's seat of his cab, takeout spilled across the center console.

You've never had sex like this before. Not even with the few people you've whispered I love yous to. The word for it hovers, nameless and heady in the inch of space between you. He breathes it out over your skin, and then you catch it and inhale it into your lungs. As it passes your lips, you can taste it on the tip of your tongue.

You're so close to figuring it out when he angles your head to the side, baring your neck to him and nuzzling his face into the exposed flesh, and your thoughts evaporate. He takes a moment to nose over your pulse, inhaling your scent and warmth with a moan. Then, finally, he’s placing hungry, open mouthed kisses along the column of your throat. It feels so much like he's trying to devour you, that you brace for a sinking of teeth which never comes.

Instead, the scratch of his beard sends a shiver through you, leaving you quivering and covered in goosebumps beneath him. It's too much—sensation, tension, emotion.

It's not enough.

You roll your hips to meet his rhythm, and he lets out a ragged groan—pain and pleasure spilling from his chest. His next plunge is deeper. Harder. Something sparks inside of you.

“Liam,” you gasp, breaking the silence.

Then he’s kissing you, his tongue chasing the sound of his own name into the wet heat of your mouth. So you offer it to him again, a plea for more.

He relents.

He grabs one of your legs and bends it towards your chest, folding you and opening you further to him. This new angle completely traps your clit in the friction of his thrusts.

You grasp at anything you can reach to ground yourself against the onslaught. One of your hands fists your sheet, bunching the fabric in a tight knuckled grip. The other curls through the trimmed hair at the base of his skull. But there isn't enough there to hold onto, and your fingers claw uselessly at his scalp.

The effect it has on him is immediate.

Your nails drag a moan and a full bodied shudder from him. Suddenly his pace becomes urgent, each thrust now punctuated by the joining of skin on skin and a slight shifting along the mattress.

You can feel how close he is from the way he’s tensing against the pleasure building inside of him. From the way he whimpers and clutches back at you, trying to hold on as well. To keep this going just a little longer.

Knowing that his loss of control, that sense of desperation, is because of you, sends you reeling. It isn't long before your legs are quaking against him and your chest is stuttering from your shallow gasps. Every rock of his hips coaxes you further from your control. You can feel your grasp of it slipping, pulling you off balance as you sink deeper into him.

You arch off the mattress—bending as if drawn to him—while every muscle in your body is locked in that moment between tension and release. Then one more moan from him as he rubs against your clit, and you finally break.

Your orgasm shatters white hot at your core, splintering up to churn in your gut and burn through your chest, before resonating outward along every one of your nerve endings, only to recede and start all over again.

As you come, the only thought in your lust fogged brain is him on top of you. Inside of you. The grip he has on your waist. So when your mouth falls open to suck air into your strangled lungs, on the exhale his name spills from your lips.

He looks wrecked by the sound. He buries himself into your fluttering cunt, needing to feel how your walls tighten and clench around him. You protest the sudden loss of friction before your body instinctively seeks it out. You mindlessly grind your hips up against him, riding out the last of your orgasm on his cock until he can't take it anymore.

He grabs you and fucks you, just as mindlessly grunting and rutting into you as he chases his own release. He stares down between you to where his body is joined with yours, watching the way his cock disappears into your folds, his expression stern with concentration. Under the light of the street lamp leaking through your window, sweat glistens on his forehead.

A deep rumble starts in his chest, something half caught between a growl and a whine. His pace quickly becomes erratic, and every time his hips meet yours, you can feel the way he's trembling. You know he's moments from letting go.

You bring your fingers to his chin and force his attention up until his eyes find yours. And god they're so blue, even unfocused in the dim streetlight. Though you're still dazed, you’ve never seen something so beautiful.

“Look at me, Liam,” you breathe out. “I want to see you.”

That's all it takes. His face crumples in agony, and he comes with a sob of relief. He manages a few final thrusts, shuddering and panting his way through each one, until he's finally spent. All the while, his cock twitches and throbs as he fills you for a second time.

You’ve done this once already tonight, but it was different then. The distance was still there while you untangled yourself from his lap, climbed back into the passenger seat, and adjusted your dress. In the way he quietly righted the container of noodles as you struggled to find the words to fill the silence.

This time you don't part.

Instead, he settles in close, pulls you to him, and lays his head on your shoulder with a sigh. In return, you kiss his hair, taking a moment to savor the scent of him—sweat and shampoo and lingering cigarette smoke—and the softness of the thick waves over your lips, before resting your cheek on the crown of his head.

There's nothing between you now. No car seat, no clothes, no more distance.

This is what was missing before in the taxi. This is what you both wanted—what you should have had instead—because this is so easy. As easy as laughter or smiles shared in his rearview mirror.

And it all feels so right. Even though you’ve made yourself vulnerable in his arms, the way he holds you and caresses your palm with his fingertips keeps any further uncertainty or doubt about what this is between you at bay. You know what this is.

You’ve spent months falling for this man, bit by bit. Every time you called him for a ride. Every glance, every simple gesture, every time he made you laugh or lean forward in your seat to find some way to be closer to him. It all sucked you in a little more each time, pulled you into depths you couldn't fathom—more than a crush or attraction or something as simple as affection—and it took you far too long to notice. Now your eyes and your chest burn with the realization.

As if he can sense what you're thinking, he pulls back to place a trail of feather light kisses along the side of your face. You close your eyes, letting the tenderness of it wash over you.

“Stay.” The wave of emotion chokes your voice to a whisper. It's a plea. A hope.

“There's nowhere I'd rather be, love,” he whispers back against your temple. Then he hugs you tight, and there's nowhere you’d rather be either than there in his arms, lulled to sleep by his steady heartbeat and his even breaths across your skin.

It's when he thinks you're asleep that Liam untangles himself, and then sneaks out of your bed and steps into the hallway, carefully shutting the door behind him.

At first you think he's gone to use the bathroom and doesn't want to wake you. Which is sweet! In fact, you're smiling over just how sweet and considerate he is—how content and blissful he’s made you feel—when you hear his voice from down the hall.

It sounds as if he's having a hushed conversation with someone, but that's impossible. There's no one else here. Is he talking to himself then?

You’ve never heard his voice sound like this before, either. He’s frustrated. Annoyed, almost. Nothing like the man that smiles at you from the front seat and asks about your day.

You nearly sit up and call out to him in confusion when—Oh. Wait. No. He’s on the phone, you realize.

At nearly half one in the morning.

He's being quiet enough that, if you were asleep, you probably would have slept through it. On top of that, his words are muffled by the door. So, even though you strain to listen, you don't catch everything he says.

You still hear plenty.

He makes up a story about driving someone…somewhere outside of the city. A request he couldn't say no to, apparently, but you miss his explanation as to why. It's not a big deal, he insists. It's not.

At the end of the call, he says he'll be home in the morning. That you catch.

Then silence falls over you once again.

None of that is true. Obviously. He’s standing naked in your hall, and he’s going to spend the night in your bed, decidedly not driving anywhere.

Which means he was lying on the phone.

You quickly piece together that means he lied to you, too. And the only reason he would have to lie at all, to keep you a secret, is if he isn't actually single. Which also means—

He made you the other woman.

Suddenly, the way he struggled with all of this makes perfect, horrible sense. It was never about you. He always wanted you. It was about his decision to say yes, to give in to what he wanted, despite the consequences and what it would mean.

You're still letting that sink in when he slips back into the room, and you have no idea what to do about it. You need a minute to fucking think. So you try to appear exactly as he left you: undisturbed, curled on your side, and facing the wall. Asleep.

On the inside, however, your heart is breaking.

It happens slowly. At first you're so numb from the shock, and the ache in your chest is so sharp, that the pain takes a moment to register. Like slicing your palm open with a knife and waiting for the wound to bleed. When it finally does, the agony leaves you breathless. You can feel it twisting in your gut, searing through your fingers, and clawing its way up your throat until you're choking on it. Your eyes sting from the pain.

Through it all, you focus on keeping your breathing deep and even to calm your frantic nerves and the trembling of your bottom lip.

He crawls quietly back into bed behind you, clearly believing you're still asleep and trying not to wake you. You try not to stiffen in response.

You're not even sure why you're faking anymore. Perhaps you're still working to get over the shock from the hurt and betrayal. Maybe you want to believe you misunderstood the conversation, even though you know you didn't. Or maybe you’re still trying to figure out what to even say to him.

He lied to you.

Worse, you thought you found something real and lasting with a man that made you smile and feel special—one you felt a connection to. In retrospect, you should have known it was too good to be true, but you wanted it to be. You wanted that so badly. Wanted him.

You feel like such an idiot.

What was this, then? Did he just use you for sex? Were all of those glances and smiles over the course of months faked just for this? How could he have faked even a moment of what you just experienced? The way he looked into your eyes as he… God, even remembering it causes your heart to flutter and heat to pool in your stomach, despite your emotional anguish. You swallow down a sob.

Instead of tucking back into bed, though, he sits there and watches you sleep. You can feel his heavy gaze on the side of your face and the way it lingers before trailing down the outline of your body under the blanket, oblivious to your inner grief or how you lay there bleeding. It lasts several long minutes—longer than you would have thought was possible to watch someone sleep. But it's as if he’s content at the sight of you.

Just when you're finally ready to open your eyes and confront him, to demand the truth, his hand reaches out to stroke over your temple and your cheek. His touch is delicate. He’s still being careful not to wake you as his fingertips ghost across your skin. Then he sighs and it sounds like your name. You didn't think a single breath could carry so much awe and longing.

You didn't think your name could ever sound like that.

He continues to explore and caress you further, gently mapping out the curve of your jaw and the shell of your ear…all while he thinks you're still sleeping. When you couldn't possibly know what he's doing and there's no need for a performance.

Which means he's doing it because he wants to touch you like this.

And every second of it is far more gentle than his voice was the entire time he was on the phone. The voice he didn't say “I love you” in before he hung up, you realize. You're not sure what it means, but it feels important to note.

Because maybe…maybe he wasn't faking anything. Not about how he feels, at least. Not about you.

As your thoughts race, you realize he never actually said he was single either, just that he couldn't get a date to the play or would have to go alone. Sure, the implication was there, and it was a fair assumption to make, but he never said the words out loud. You also wonder what else that means for the state of his relationship, and whether or not it makes any difference. Assuming he was telling the truth at all. Though something about the way he said it makes you believe that part, at least, wasn't a lie.

What are you doing? You know your mental gymnastics and excuses are pathetic. You should have some self respect! Hell, you should kick him out of your apartment and your life for what he's done! But…you just can't bring yourself to do it.

Despite everything, you're still caught in the gravity of him.

Finally, he lays down in the bed and wraps an arm around you, curling himself against your back. His hand splays across your belly, keeping you held to him as he scoots in closer. He's warm and solid, and you can't help but melt into him, skin on skin, as he snuggles into your neck. You love the way his nose instinctively finds all of the sensitive spots that make you gasp, as if he's done this before. As if he knows you.

You fit together perfectly.

You want to stay there, surrounded by him—to let him alleviate the pain he’s caused you and fall asleep for real. Instead, you roll over in his arms.

Your eyes are open now so you can look at him. After all of this, you need to see him in this new light and face the truth of him. You have to know if you can.

When your eyes meet his, there's an expression of yearning and hope on his face that's so profound, your heart aches again, but for a much different reason.

He’s looking at you as though he's a damned man and you're his salvation.

“Sorry if I woke you, love,” he whispers. He cups your jaw in his hand, and his thumb soothes over your cheek in apology.

It's not the apology you need. Not yet. You’ll get that in the morning. Then, afterwards, you’ll have the talk about where you go from here and how he's going to fix this.

Because, as he leans forward to kiss your forehead, his contented sigh warm on your skin, you realize you’ve already made a decision.

“It's okay, Liam,” you reply in a whisper. “I don't care, just as long as you come back to me.”

A/N: I left the play vague for Reader Insert/Choose Your Own Adventure purposes, but the one I had in mind for ME, because it's my absolute favorite, is The Importance of Being Earnest by Oscar Wilde (it was actually, in a strange way, also one of my inspirations while writing this). Which is about a man that leads a double life and pretends to be someone he isn't, only to discover at the end of the play that he essentially IS the man he's been pretending to be and has been all along without knowing. There are parts of Liam that are real and earnest, he just doesn't believe they're enough. He despises his life and the man he's become so much, is so desperate to escape them, that he can't imagine anyone else not feeling the same way about the real him. Except, in this story with this slightly different version of Liam (who's been removed from the events of the episode), that connection IS real. He never needed to lie to get Reader to laugh and fall for him or see a glimmer of the real him. But Liam is a sad, wet, desperate little shit of a man and does anyway. (He’s lucky he's hot.) Fingers crossed that he, too, learns the vital importance of being earnest. Also Earnest's eyes are blue. 😌

#liam black #liam black x reader #liam black x f!reader #x reader #the fear has gripped me but here i go fic #the accused #the accused (bbc)#andy serkis #fanfiction

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