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#this looked a lot longer on desktop
thatdeadaquarius · 5 months
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About your language brainrot. I see your "Reader's writing can't match tyvat's long and flowery writing" and bring you "Tyvat isn't used to books over 50 pages long so a short story to the Reader is a whole dictionary to tyvat readers".
Seriously, have you seen how thin the books are? They don't wrote novels, they write short chapters formatted in the way really old stories are. As in, summarizing all the events down into one smooth story then adding a few quotes. Fanfiction writers are insane. They will willingly sit down and write hundreds of words at a time. To them, a proper modern day story of maybe, oh 10k words or so, would probably be like the Oddessy itself.
If we were to combine the two headcanons. It would end up as many historians being intimidated by this insanely long written scripture in the language of the forgotten.
I'm going to take this a step further and say that if the creator asked some people to proofread their things, it would establish a hiarchy of who is able to actually finish the book the creator read and who isn't.
NOW THIS, THIS IS MY FUCKING JAMMMM
I'm so sorry this is so old!! u probably all know this by this point that I've really slowed down as the year has gone on, but I graduated university and then got my first job so its been pretty crazy!
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Sun: Reader (you/they/them)
Orbit: Headcanons-ish
Stars: dash of all the book/nerds of Genshin, heavy on Sumeru?
Comets & Meteors: Content Warnings: Cussing, 16+ Mature Audiences, Spoliers for Sumeru Archon Quests/Scaramouche, & Trigger Warnings: mention of shipping/characters shipping themselves with you.
Comment if any missed, please.
FULL STOP.
THE AKADEMIYA, FONTAINE RESEARCH INSTITUTE, HAVE BEEN WAITTTINNGGGG ON YOUR ASS LMAO
You fall from the fucking sky like a 5 star, or pop out of the Irminsul or whatever
and immediately are mobbed by scholars. LMAO jkjk (not really, bc that's what it’d feel like)
can you even imagine the dread older stories(”the classics” to them), that was instilled in the poor students around Teyvat??
id like to think ur works are the most preserved over the thousands of years of Teyvat archeologists excavating them, in comparison to other authors (teyvat just likes you more, suck it William Shakespeare)
also, bc I cant resist language differences/world building I'm sorryyyy 😭 😭
the vocab of Genshin lang vs. ours, has significantly less vocabulary like their actual dictionary is 1/3 the size of ours type of energy
(Omfg all ur fanfics being considered like insanely long realistic romantic classics or tragedies like Jane Austen-level, and only the richest and biggest play companies put on plays about ur stories bc the script goes on for hours)
(ur plays only get put on for rlly big events bc of this, like Lantern Rite or like a Summer/Winter festival/your birthday, which is, yes, an international holiday)
dude the sheer power move of anything you’ve written being essentially “Journey of the West” to them, like Damnnn.
endless like adaptations, plays, Teyvat-short stories condensing it, (THEIR OWN FANFICTION ABOUT UR STORIES)
the power is, in fact, going to your head every time another scholar both deflates at how long ur stuff is, but also lights up bc they get to read it
speaking of scholars… you know who snatched you up first. you know. you don’t even need to read the next line.
Alhaitham.
sneaky bastard he is, absolutely manipulated, mansplained (and manwhored bc he knows he’s handsome, cheeky little shit) his way into getting you to sit down with him and interview you about both translating other classics, your own, giving your own analysis of others works and ur own, and picking ur brain apart of how/why you wrote urs, etc. its fucking endless,
Kaveh had to come rescue you bc u were starving to death after getting stuck with the Haravatat scholar in his office for nearly 7 hours of interrogation discussion about literature
and Alhaitham wasn't even nearly done, he’d informed you as you left that he already had another appointment for later conversation scheduled (how?? you don't even know ur own schedule??? you have a schedule???) and was looking forward to more of your “creative and enlightening input” :)))
(you’re never going to escape him, not even Nahida herself can save you from his stubborn ass)
On another note, Xingqiu is quaking when you agree to autograph his copy of your stories (of which he has all hard covers of the first edition translations)
Zhongli/Rex Lapis is known for having a near-lifelong passion for searching for your works specifically, and learning how to translate them better into Teyvatian vernacular
like the same way he can absolutely speak on Rex Lapis facts/rocks/adepti info, is the same confidence he speaks about knowing ur work lol
(yes he did also ask for several autographs and another sit-down talk about the works, tho a lot more sneaky then Alhaitham bc he just casually gets u guys into it during dinner)
Barbatos/Venti has written some of the most famous songs based on your stuff, he has his favorites too,
but he always claims the best songs are any that have been written in the story, like either when a character sings something, or there are like quotes from songs ur fanfics are based on lol
(he also demanded to hear what they actually sound like from you, yes, you have to sing them for him lol)
Venti also can surprisingly drunkenly ramble the entirety of at least one of ur stories, like, word for word lmao
(Diluc gave in and did give him a drink on the house for that one, just once, Venti doesn’t remember it lol)
(I forgot to mention, u guys still speak the same language, just like, different versions of it)
ur works being one of the few things all the Archons can freely talk about with each other, like it’s neutral ground bc they’re all fangirling about it lmao
Furina and Neuvillette have had like,, fierce debates over the decades about character dynamics and the general drama of ur stories, they’ve gotten into it enough they’ve stopped talking to each other for a couple days a few times lol
Albedo, Sucrose, Kokomi, Yae Miko, Ei, Raiden, have read every single work they’re gotten their hands on in Teyvat (it took them like a literal year or longer)
Albedo drew you fanart for every single story, bc he’s hyperfixated on everything related to you ngl,
Kokomi had commissioned smaller pocket versions of ur works (which later got popular thanks to Yae Miko) both the OG and the Teyvat shortened versions
THE HARBINGERS ARE THE MOST DOWN BAD LMAO
Childe has literally tried to recreate battle scenes from ur works lmao
and gets especially riled up about fighting someone who resembles any characters from them (esp villains, what a cutie)
You cannot fathom the amount of research throughout Teyvat that has been secretly or indirectly funded by Pantalone/Tsaritsa
from the experts to analyze them, to funding play companies to act them out, to actually excavating places to get more of ur stuff unearthed
(the Harbingers absolutely are the first group of people that got to read several of ur stories first bc of this, like the world’s most exclusive secret book club lol)
Scaramouche used to clown on Childe all the time about how he was too impatient to even “sit down and read the King’s classics”, and he was downright insufferable when he found out about Tartaglia’s habit of recreating battle scenes/that being what motivated him to fight sometimes lol
that being said, Wanderer surprisingly never forgot ur stories.
Even when his memories were wiped for a bit, he found comfort in these fantastical epics still sticking around, even when his old names did not
(he mayyyy or mayyy nottt have secretly namedhimselfafteroneofthetragicprotagonistsherelatesto- )
oh btw, Nahida also found joy and comfort in ur stories when she was trapped, they also helped her literally grow as a person bc she had ur stories to help her sort of process the world/what life was like outside of her dreaming prison 🥺💔❤️‍🩹
OMFG
ANYWAY FULL TONE SHIFT LMFAO-
the ABSOLUTE SPIRAL-RED-STRING-CONSPIRACY-THEORY-BOARD ENERGY IF THIS WAS A BLUNT LANGUAGE AU LMAOOOO
like specifically how Teyvatians like to give all the context ever thru their words, but older deities/beings like you just do simple phrases that can have deeper meanings (whereas teyvat just explains all the meanings behind their words)
STOP there’s like an official display at the Akademiya and Fontaine Institute of red string theory boards 😭😭 (look what you’ve done to themmm LMAO)
for like every story of urs, INCLUDING THE FANFICS STOP
IMAGINE THE SHIPPING WARS IF U EVER WROTE ONE THAT WASNT EXPLICIT OR LIKE ONE OF THE MAIN ROMANTIC INTERESTS HAD CHEMISTRY WITH OTHER CHARACTERS HAHAHAHAA
that's actually what Akademiya scholars argue about the most viciously, it’s like politics you can’t just bring up ships from ur stories casually in regular convos 💀
(poor Cyno has to deal with a shipping war once a year bc someone always makes the mistake of reading ur work for the first time (without being told to not talk to others abt ships lol) and it starts an all out brawl in the cafeteria every time LMAO)
Also yes.
Cyno is a fanboy.
(he has read Creator x Reader-insert fanfiction.)
(As have most of the characters mentioned, and those not lol)
(I'm gonna make a whole Creator x reader fanfic post one day i stg lmao)
���
an iced coffee? for me?? :0
ok but real talk…
wtf do you guys wanna see for new years!!
i didn't do a inktober/october days thingy bc i felt too unprepared (and bc id wanted to post that 1000+ followers eldritch au for Halloween)
but now i kinda wanna, at least for a few days :o
ill post a poll in a minute, so check it out!! but still, please feel free to comment some ideas here! :)
Safe Travels Deafening Dreamer,
💀♒
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If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"
(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")
♡the beloveds♡
@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily
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arcadian-vampire · 11 months
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Ah yes, my favorite name, Arc/oracle,
Guess I'm rearranging these bc it Will Not Let Me have c / o without any spaces. There is only c/o
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kaciidubs · 8 months
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-sizetrainingwiththeboys-
That's all I'm gonna say :)
:))))))))) you are the reason why I am the way I am - ANYWAYS, doing this with the bd gang (big dick gang) who require more preparation than the others; Chris, Minho, Changbin, Hyunjin, and Jeongin!
❣ Summary: Size training with the bd gang [big dick gang]. ❣ Warnings: Mentions of sex toys [dildos], sexting [Chris], cockwarming [Changbin, unprotected], riding [Jeongin, unprotected], degradation [Minho, Hyunjin] ❣ ❣ Word Count: 886 ❣ Female! Reader [No use of Y/n] You/Your pronouns ❣ ❣ Additional Tags: Chan is referred to as Chris, Minho is referred to as Min, Reader is referred to as princess, baby, kitten, bunny, angel, my love
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Chris, who encourages your size training whenever you can; glancing at his phone during a late night at the studio to see a notification from you. He can't help the twitch in his dick as he stares at the picture you sent; you, kneeling on your shared bed, the dildo you both painstakingly searched for to match his cock the best it could currently stretching you open with a shine he can only imagine to be a mixture of your arousal and lube. A small smirk grows from the message attached;
Princess💘: Miss you ❣️
He picks up the device, the work currently on his desktop going forgotten and diminishing in importance the longer he stares at that picture.
Channie💖: Fuck, good girl, make sure you're stretched out well for me, I'll be home soon
-
Minho, who's more solid than anything, thick and veiny with a curve that has you seeing double before he can even begin to fuck you. He prefers opening you up with a toy that mirrors his thickness, but not his length; that part is reserved for him and him alone.
"Kitten, if you're struggling to take this small thing, how do you expect yourself to handle me?" He tuts as he changes the angle of the toy inside of you, your legs quivering around his shoulders that keep you spread open for him.
"M-Min, please, just give it to me already!"
He makes a noise of disagreement, licking his lips as he inches near your soaked pussy, "Not yet, kitten - I think you need a little more training."
-
Changbin, who's preferred method of training you is by having you cockwarm him - specifically during cuddles, or during the night so your pussy remembers his shape before he fucks you the next night.
At first it was only the tip during cuddles, both of you laying on your sides, chest to chest, your leg hitched up on his hip while his thick head rests snug between your tight walls. But eventually, with a little time and a lot of dedication and determination [and mental fortitude], you had graduated into taking his insanely girthy cock like a champ; nestled to the hilt as you lay on top of him, his hands drawing soothing shapes on your lower back.
"Look at you, bunny," he murmurs softly, shifting his hips up ever so slightly, feeling your pussy clench in retaliation, "looks like you're finally ready to take all of me."
-
Hyunjin, whose dick is so long you're not even sure how it'll fit inside of you - so, to prepare you, you both agreed on buying a dildo that was close enough to match his length, and you'd use it whenever he wasn't there to train you himself.
It was... a lot, to say the least, a scheduled routine for you both; one inch with him, two inches with the toy, two inches with him, three inches with the toy, three inches with him, and so on and so forth until you were able to take the toy to it's full length - which meant you were ready to take him.
If course, the moment you were comfortable enough with trying it out, his schedule got in the way and you confined yourself to fucking yourself with the toy until he was able to give you what you wanted. What you didn't expect, however, was for his practice to end early - or for him to come home to you on your knees, ass in the air, arm squeezed between your torso and the mattress as you fucked the silicone toy desperately.
"Oh, angel, look at you," he crawled on the bed behind you, long fingers brushing against your smaller ones as he took the base of the toy in his hand, "so ready to take me, you can't even make yourself come on this silly toy."
You opened your mouth in a plea, but the words are stolen from your tongue once you hear the sound of his belt unbuckling and his zipper sliding down.
"I'm here now, my love, let's see how good this training did, hm?"
-
Jeongin, the second longest, nearly perfect in every other aspect that you almost didn't want to go through the hassle of preparing yourself for him. But, he's a worrier - he knows he's above average and he knows that if things aren't done right, he could seriously hurt you; so, to quell his fear, you offered him a compromise.
That compromise involved you on top of him - he didn't trust himself to top until you could take him with no struggle - slowly riding him inch by inch until you could reach the base with the smallest of bounces along his cock. This took some getting used to for both you and him, seeing as by the time he was fully seated inside of you, you both were three strokes away from finishing.
But, it was well worth it come the night you offered to ride him, determined to see the fruits of your labor realized.
Oh, how realized they were.
You sunk down on him in one go, velvet walls welcoming him almost too easily and his head spun; gripping your hips with trembling breaths and a glowing smile.
"Fuck," he gasped, an airy laugh escaping him, "Fucking ride me, baby."
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matrixbearer2024 · 2 months
Note
I just got this crazy idea with Reader having a pet dog and cat and is always distracted or always talks about there Cat and Dog playing, resting, cuddling with Reader and Vox just being jealous at this point wanting some attention too 😂
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What A Jelly TV
Vox x CollegeStudent!Reader
A/N: Ah yes, the double edged sword- Vox is literally going to fight himself in this one since he himself is a pet owner. And yes, I'm mentioning Vark in this cuz about fucking time LMFAO- another slice of life chapter cuz I love writing these. That and we kind of get weird cuddles with the funny TV man, weird in the sense where it's literally a remote connection. Reader is kinda tired of Vox's shit but oh well HAHAHAHAH-
A/N: By the way, I just wanted to mention that timeline wise- this entire series happens AFTER Hazbin's Season 1. So I'll make references to certain things that happened but because I don't want to intermingle the story with canon lore too much- I made things happen after it all. Anyways, I hope you guys enjoy this installment- it was a little hard to write since I didn't have a prior vision to it but I think it turned out alright Hahahaha- and as always, Happy reading guys!
Vox would proudly admit he was a lot of things.
The king of the biggest technology empire in all of hell-
An oh so powerful overlord-
A conniving and esteemed businessman-
But this-
This was a new low.
Even for him.
Especially when the realization hit like a sack of bricks to the face.
Vox grew to like your presence in his daily routine-
Most of the time even bothering you out of boredom.
He found he liked your attention, not that he'd ever admit it.
He would rather die twice-
But when he figured out pretty soon that he had to share you-
That didn't really sit well.
"Dude, it's just a puppy. Stop being all pissy already-"
Vox just scoffed, you rolled your eyes at his antics.
You kind of expected it, remembering the incident you had with your initial desktop pet.
Glancing over to the open laptop screen nearby, the small digital Vox just waved at you.
Aha... yeah-
This was pretty expected.
"And they're not going to be here for much longer, just until [friend name] finishes moving into their new apartment."
It was only a little over a week ago when your friend called to ask for a favor.
You assured your overlord buddy that it wasn't anything you couldn't handle and Vox eventually just let it go.
Of course, that was until he found out what you had agreed to.
At the start, he didn't really mind.
Hell, he even showed you some pictures of Vark in return while you guys were talking about pets.
But as the days went on and you acted more and more affectionate towards your friend's pet-
It was starting to get under Vox's skin and not in a good way.
You'd coo and cuddle the little fur-ball so much that it was nearly all he saw whenever you guys were talking.
It also doesn't help that you would end up shifting the conversation towards [pet name] and how cute they were after a while.
Vox understood how it was like to fall in love with your pet, he had one of his own after all-
But he couldn't help the envy creeping in seeing the puppy just napping in your lap.
"It's been more than a week doll, just how much longer do you plan on keeping the puppy???"
You were shocked by the fact Vox had been counting days, you didn't really bother to take notice of it.
Not to mention he seemed a little... pouty even?
You just sighed.
"Look, I'll check with [friend name] how much longer they need. I give no promises. Why the heck are you so grumpy about it anyway? It's not like you're the one taking care of the puppy Vox."
The overlord buffered slightly, why was he...?
Honestly speaking, he didn't really know.
He didn't know why he was feeling the way he was.
Only what caused it.
The freaking puppy.
As Vox stared at the screen, he tried to find an excuse that won't make it seem like he got jealous of your freakin pet.
Well, it wasn't even technically yours.
But that isn't the point-
You just expectantly stared at up at the TV screen while the overlord opened and closed his mouth like a goldfish.
Your question was straightforward, no nonsense or beating around the bush-
And still he struggled with an answer?
Soon, a small yip from your lap snapped up your attention again.
You smiled down at the now awake pup and moved to pet it.
Okay that was fucking it-
Static white noise suddenly blared obnoxiously from the TV speakers and you had to cover your ears.
The poor frazzled puppy immediately jumped off your lap and ran off, leaving you and your digital companion alone.
"Ow?! The fuck was that for Vox?!"
He didn't respond to that, just nonchalantly looking off to the side like he didn't just try to destroy your eardrums.
You let out a frustrated sigh, what the hell was this guy's issue???
"Geez, what the hell is up with you today?!"
Vox cringed slightly at your harsh tone.
Okay, he might have gone overboard trying to scare the fur-ball away-
But he didn't think you'd be that upset with him.
Oh well, better to face the music than run.
"Well- maybe if you stopped only paying attention to that fucking fleabag then maybe I wouldn't have to scare it away!"
As soon as the words left his mouth, Vox instantly regretted saying them.
It was fucking pathetic.
Your confused expression didn't really help either, he was not going to elaborate-
"You- were you jealous of the fucking dog???"
You couldn't stop the amused grin on your face when you finally understood what was going on.
Not that you would've even noticed anything anyway-
"I- No?! Fuck you!"
This time you couldn't help but laugh at Vox's expense, the TV starting to fizzle and glitch while he uselessly tried to get you to stop.
It was a little...
What was the right word for it?
Cute?
No-
Adorable??
Not really-
Flattering???
Eh, whatever-
Point was, you felt a little fuzzy because Vox wanted your attention.
Like, he didn't know how to ask for it but the fact he still wanted you to just stay and interact with him made you feel funny.
That reminds you-
"Ah! Wait, let me just get something- I wanna see if it works with you-"
"Works? With me?? Doll, what kind of experiment do you want to launch me into this time???"
"Nothing too crazy I promise! Heck, maybe you'll like this one!"
Vox heard your voice call from out of view, the fact you had to run to another room to get it slightly concerned him.
He couldn't tell what you had planned this time, every single other instance he thought you couldn't get any crazier and you just did.
But instead you just came running back with a... pillow?
"Dollface, I think you have plenty of pillows already. What's up with that?"
You smiled cheekily at your flatscreen companion, sitting down on the couch before you plugged in your phone to the pillow.
It was a gift your friend got you months ago that they mentioned would help you sleep better.
The fact humanity managed to put tech in a pillow of all things was still surprising but in this case not unwelcome.
Vox was already surprised that the thing had to be plugged in, but he buffered when an odd warm sensation immediately spread throughout his entire body.
"Wh- What the hell did you just do??"
Your smile soon turned into a grin as you gently hugged the smart pillow, gauging Vox's reactions on the screen as he went from shocked to utterly confused.
It was like he could sort of feel being pressed?
Similarly to how you were hugging the pillow, he could feel himself gently being squeezed.
"So...? Any good?"
"If this is how you're trying to awkwardly hug me then I guess?"
"Ayyyy! It works! Okay, if I give you some cuddles would you stop being pissy at [puppy name] then?"
You knew you won when the screen suddenly tinged pink and Vox just stumbled over his words.
You bit back a snicker as you got comfortable on the couch, shifting slightly to better hug the pillow.
"I'll take that as a yes."
And to no one's surprise, the tech overlord had no complaints.
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coelpts · 11 months
Text
alright, guess we're complaining now.
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[Image ID: First image: A cropped screenshot of Tumblr's Friday, May 26th, 2023 changelog which reads, "On web, clicking anywhere in a post’s header now opens that post. Previously, you had to click specifically on the blog name."
Second image: A cropped screenshot of Tumblr's Tuesday, May 30th, 2023 changelog which reads, "To clarify a point made in last Friday’s post: on web, clicking the reblogged-from blog name in a reblog’s post header now takes you to that blog, not their reblog. Clicking in the empty space in the post’s header, and in the header of each reblog trail item, now takes you to that specific post in the blog view popup. This is one of a series of updates we’re making to the reblog consumption experience across all platforms, to make it more intuitive and consistent, especially for new users." End ID.]
Tumblr, this change is bad. A lot of other people have already shared their own complaints for this new and awful system, but it's time for me to properly throw my hat in the ring instead of at-ing you directly due to user error. Whoops.
[UPDATE 6/11/2023] HORRIBLE NEWS, EVERYONE! This change has hit mobile. There is no longer any way to access the previous version of a post except through theme reblog chaining on desktop. I've added some extra fun comments both as an edit to this post and as a reblog so nobody misses out.
All my complaints are in the read more because this got LONG.
TL;DR- This change breaks a major signifier used across the site, removes post functionality only to replace it with redundant blog links, and completely destroys a primary mode of social interaction that's been used on Tumblr for over a decade. Here's the Tumblr Staff support link so you can give feedback on how bad this change is.
Part One: Signifiers and Consistency
This is my biggest point, so it will be a bit of a doozy. Strap in.
This change is about making Tumblr operation 'intuitive and consistent' by unifying behavior between like-designed parts of the site. Now on the face that's not a bad reason to do things, and making sure users are able to intuit what a button does based on its properties is good design. I'll give an example:
Hearts symbolize the 'Like' function on Tumblr. The heart button on a post adds it to your Likes, the Likes option on your account is accompanied by that same heart, and Likes show up in post notes with that heart. This heart, then, becomes a consistent and reliable signifier. If you see a heart button on Tumblr, then whatever it's attached to probably has something to do with Likes.
So, back to the change. This change relates to the signifier of the 'Tumblr blog url link'. The idea is thus- on other parts of the site, such as the Search tab on mobile and on a blog in the dashboard tray, you will see related or similar blog suggestions like these:
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[Image ID: First image: A cropped screenshot of Tumblr's Getting Started help page. It shows an example blog with the 'Blogs like this one' tray visible, populated with four example blogs.
Second image: A second cropped screenshot of Tumblr's Getting Started help page. It shows an example of the Search page on mobile with the 'Check out these blogs' feature highlighted, where two example blog cards are shown. End ID.]
These suggestions are Tumblr blog urls paired with their icon and a little bit of their blog, either the title or some recent posts of theirs. If you click on that url title, the link follows through to that blog. So there's the signifier: click on the url, go to the blog.
But now we have a bit of a snag. What about these?
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[Image ID: A cropped reblog screenshot. The crop shows the Tumblr urls of the reblogger @coelpts and reblogged @coelpts-artchives with the reblog symbol between them, the rebloggers icon, and the date that this reblog was posted. End ID.]
Well, these LOOK like Tumblr blog url links. They're styled in the same way. In fact, the reblogger even has a blog icon next to it! So all signs point to these url links pointing directly to a Tumblr blog if clicked on. After this change, that's exactly what they do- so, like, no problem, right?
But, hold on. There's another signifier here! These aren't JUST Tumblr blog url links! This is…
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[Image ID: First image: The former image of a cropped reblog screenshot, focused on the urls and reblog icon.
Second image: The Tumblr reblog icon. End ID.]
Our good friend, the Reblog button! That's another classic Tumblr signifier, and it sits right next to the Like button I pontificated about. Reblogs are an integral part of Tumblr, and on top of every single reblogged post you will see that icon. And would you look at that- it's even the same color as the second url link!
Those url links that established the 'url link' signifier that we talked about before, in the search page and on the dashboard tray, aren't attached to any posts. But this url is, and the reblog symbol is right next to it. The reblog signifier modifies the url link signifier. This link should go to the reblog from this user. Right? Because it is a reblog FROM that url link- so that's where it should go! And that's where it used to go, before this update.
[EDIT] I came back to fix some typos I noticed but while I was away I tested mobile to see if this change hit the app yet. It has not, but what I saw instead confirmed the above point- on mobile, selecting the reblogged's url ALSO highlights the reblog icon next to it! These two signifiers are connected, and should be read together.
By changing the url links to be more 'consistent' with other url links across the site, a major signifier that keeps the site together has been broken entirely. What should lead to a reblog- something that is clearly shown through use of a recognizable, consistent symbol- no longer does.
Part Two: Redundant Redundancy
Okay, so that's not all this change does. It also adds a brand new functionality to the post header- the white space is now clickable and serves as a replacement for the original 'to this post' link on the reblogger's side of things. These headers also generate for anyone who adds to the post, and you can click through OP too.
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[Image ID: The cropped reblog screenshot from before, but with the word 'Clickable!' written in purple in the blank space above the date. End ID.]
This is also part of that design unity thing; on mobile tapping anywhere on the post header takes you to the post, and you can only tap on the blog url of the person the reblogger reblogged from. That makes sense, since on mobile you're maneuvering your fingers on a small screen and tapping a tiny url next to another tiny url is bound to cause problems.
I don't necessarily have a problem with this on the base of it. I have opinions about mobile and desktop parity that aren't really important here, but it does nicely showcase an issue I DO have- most of the changes made to reblogged posts are completely redundant and unnecessary.
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[UPDATE] This change has hit mobile now, and it's added a fun new complaint about desktop-mobile parity that is now very suddenly a problem; the headers generated from reblogs with content don't have any responsive feedback for tapping them on mobile. OPs does, but any old Joes doesn't. This is not true on desktop, where on-hover a post header will change color; on mobile they stay completely white and plain with no on-tap color change. On top of that, the new headers are actually harder to see on mobile! There's no clear way to actually see where the header starts and the post continues! Tapping a header was deeply confusing because I got no confirmation I did anything of value until I was wisked away to a post- there's no signifier on mobile that this is a thing you can press.
This is what I was talking about in regards to desktop and mobile parity that wasn't important at the time- what's good for mobile isn't always good for desktop and vice versa. Having a post header be tappable on mobile instead of op's url link, where you have less fine motor control and there's a lot of small buttons clustered together, makes sense; but making all post headers into buttons on desktop isn't a good idea because they aren't 'buttons' and it's very hard to make it clear they are. I mentioned signifiers above and that applies to this change- there just aren't enough signs that show these are all buttons now and where they go. The fact that they're completely unresponsive on mobile really is the cherry on top, because you do not KNOW it's a button unless you tap it accidentally or already know from desktop that all headers link to reblogged posts. The design has been made more confusing; what was a functional affordance on mobile has been applied to desktop without limits or concern, making the original mobile affordance more confusing and producing a poor signifier.
Alright, that's enough from future me. Let's get back to the original post, about how this change that introduces a bad signifier is also redundant.
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First of all, it's not like clicking the link url just threw you into a post abyss when you clicked it. Clicking through to a reblog…still took you to that blog, both on mobile and on desktop. On mobile all you need to look through the blog proper is to pull down and refresh; on desktop it's even easier, because following a link pulls up the dashboard tray for that blog with the blogs url immediately below their icon.
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[Image ID: A screenshot of the previously cropped reblog, now shown on the blog @coelpts. The post is on the left, and the user info card is on the right. End ID.]
This change then removes one step to get to the front of a blogs page, and puts the original longer path on the new clickable header. They go to the same place, the first is just exactly one click faster. You could do the exact same thing by clicking the user icon instead.
But wait! We can get even more redundant! You know what else is standard Tumblr functionality on desktop? The hover card!
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[Image ID: A screenshot of the previously cropped reblog, now showing the card for @coelpts-artchives below the icon. It has the blog title and description alongside three popular posts. A purple arrow points to it from the url. End ID.]
If you hover over any url link for about a second, a card for that blog will pop up. This tray lets you follow a blog, send asks, report them, check their popular posts and do a bunch of stuff straight from the dashboard. It also takes you directly to their blog if you click the url link on the card itself! That's right, there was already a way to go directly to the blog the previous user reblogged from! And every single blog url link does this, too- not just on post headers, but even in the text of a post itself.
So before this change, you had five ways of interacting on a post:
Click the reblogger's url > Reblogger's post.
Click the reblogged's url > Reblogged's post.
Click the reblogger's icon > Reblogger's blog.
Hover on the reblogger's url > Reblogger's blog.
Hover on the reblogged's url > Reblogged's blog.
One of these is redundant, but that's fine- it's just how url links work, and it's better that all urls can do that. Signifiers, we talked about this. But every other link goes to a different place, including the previous version of the post.
After this change, there's six, with changes in bold:
Click the reblogger's url > Reblogger's blog.
Click the reblogged's url > Reblogged's blog.
Click the reblogger's icon > Reblogger's blog.
Hover on the reblogger's url > Reblogger's blog.
Hover on the reblogged's url > Reblogged's blog.
Click the white space header next to a user > User's post.
We now have three ways of getting to the blog of the person who reblogged this post, two ways to get to the blog of the person they reblogged from, ONE way to get to the post, and ONLY if someone added to it!
This change removes functionality and replaces it with needless redundancy. As I said near the top of this section, we could already get to the blog through a reblog link- so all this does is remove getting to previous post iterations.
Part Three: Broken Chains
And hey, let's talk about previous post iterations. Y'know, something that's super important on Tumblr? Different versions of a post float around the site for years- some have been around for a decade or more. And some are only available for one post.
As I'm sure everyone knows, unless a group of tags are peer reviewed and added to the body of the post itself or are appended to the next reblog in the chain, they only exist on that version of the post. This means every iteration of a post is functionally unique, and long before we were given the ability to check the tags on a reblog directly, the only way you could check the tags for a post was by checking every iteration. This practice still exists today with 'prev tags'- users still find it useful to gesture to a previous version of a post and show what other people were thinking or add their own thoughts.
Remember the new redundant links? All that means you can't get to a previous version of a post anymore. Those tags are functionally lost now, unless you dig through that persons blog or through all the notes of a specific post. Sure that may not be a problem for a post with 300 notes or so- but what about 27,000? What about a post that was reblogged three weeks ago? If you're trying to wrangle Tumblr's dodgy search function on the blog itself, what if the post has no text to search for, or if the blog has it's search function turned off? Any post tagged with prev tags now directs to literally nothing. Anyone arguing or conversing in the tags is now speaking at air to everyone else.
There is still one way to trace reblogs. You can access the blog itself- not the dashboard tray, but the actual url.tumblr.com blog- by using a hidden link in the meatball menu off the side of the post.
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[Image ID: A screenshot of the previously cropped reblog, now showing the meatballs menu accessed. The first option, showing the date of the reblog, is highlighted. A purple arrow points to this option from the meatballs menu icon and a circle is drawn around it. End ID.]
From there, you can track a post backwards through proper blogs. The reblogged posts will have a 'via Blog' note on them, and you can follow that trail all the way up a chain.
…Unless someone doesn't have a theme enabled. Without a theme, a user won't have a url.tumblr.com domain and it will redirect to the dashboard tray, breaking the chain. And, as of an older update, blogs by default do not have themes enabled- so any and all new users suddenly roadblock this process. Oops.
All of this means that what was once a convenient social aspect of Tumblr has been completely severed with little to no alternative. Trying to wade through hundreds upon hundreds of notes to find the one you're looking for is tedious, time consuming, and potentially impossible if the post is large enough.
Finale: What Now?
Right, so- this sucks. I didn't even go into how this makes it tough to find and block cr/pt/t/rfs if a post passes into their hateful space, or how this makes it harder to copy post links without tracking shit because it's in a different menu now, or how it's now more difficult to access a previous post for reporting purposes. All that shit's also true, but they're side effects of the big three problems the changes introduce.
This change is ultimately user-hostile and seems to follow the worrying trend of 'other sites are doing it, so let's do it too!' Tumblr's been kicking about recently. Tumblr Live, the new change to images and videos, gating viewing posts behind making an account, and attempted algorithm feeds through 'Best Stuff First' and 'Based On Your Likes' are what immediately come to mind. Tumblr's defining, driving aspect for it's continued existence has and always will be its uniqueness. Pretending to be Instagram and TikTok and fucking Twitter will do it absolutely no favors- all it does is undermine what actually makes this site, as a social platform, interesting and vibrant.
But it's one thing to just complain and it's another entirely to provide feedback. Here's a link to the Tumblr Staff support page. They've walked back on new features before when we've made a ruckus- the Shop icon replacement is on the forefront of my mind right now- so it's time to make another.
TL;DR 2- This change makes browsing Tumblr more difficult than it needs to be. It breaks previously established signifiers and removes vital social functions only to add redundant and empty features to cater to a new userbase instead of actually improving the site for the users they already have. It's not a good change.
Thanks for reading ✌️
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tenpintsofsundrop · 8 months
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Fanfiction Etiquette 101
(Things You Didn't Know You Need To Know)
So, I have seen some discussions about these things on my dashboard, and I know some people are new to tumblr and new to fanfiction in general, so I decided to put this list together in case it might help people. And this stuff goes for all fandoms, no matter what type of fanfiction to write and post.
Also fyi, this post is mostly for people who write and post fanfiction.
1: Putting A Readmore/Cut On Fanfiction
So a 'readmore' (also known as a 'cut') is the ability to put the body of your fanfiction under a cut off link so that people's dashboards are not clogged up by long sprawling paragraphs of text. This is also helpful if your fic contains smut and people don't want to be subjected to smut - people have to click through to keep reading sensitive topics.
The button for it looks like this on desktop:
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And this bar of options comes up on desktop when you hit 'enter' on a blank line.
And it looks like this on mobile:
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Tumblr put it permanently into the hotbar of options so that it's easier for people to put a readmore on their posts on mobile.
Once you have inputted it, it comes up as a light grey jagged line, showing you where your text cuts off in the main post aka what text is visible before the cut and what's not.
And generally, I think it's a good idea to put the readmore after the first paragraph of your fic, or after the description/summary.
I have noticed that some people put it in after several paragraphs for a longer fic, but I think to make fics easier to reblog, you could put it closer to the top. And even if you're writing smut blurbs, you should put it close to the top to keep smut concealed in case people don't want to read or see smut.
If you don't use a readmore, people are less likely to reblog your fic because they don't want to put a long text wall on other people's dashboards.
2: Using (Stolen) Gifs As Fanfiction Covers
I have seen some discussion about using gifs from google, and people putting a gif that they have downloaded and simply writing under it 'this gif is not mine, please DM me if it's your and I will give you credit'.
It's generally established among gif makers that downloading random gifs and putting them on your fanfiction is bad etiquette. Those are considered stolen gifs.
Even if you say it's not yours and offer to give credit, any gif you repost that is not yours is considered a stolen gif.
Fanfiction writers and gif makers need to work together, not against each other. Reblog gif sets you like, and don't download random gifs, no matter what the source is.
The best way to use gifs as fanfiction covers is to make them yourself or to use the tumblr integrated gif search system.
The gif search system is in the same hot bar as the readmore, labelled under 'gif'.
When you pull it up and click on it, you type in the name of the character you are looking for, and then you can scroll through the results. You can click on a gif to add it to your post, and remove it if you don't like it. So you can try out different gifs to find the right fit of what you're looking for.
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And when you find what you're looking for and put it on your post, it automatically credits the gifmaker.
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And the credit appears like this. And the name of the gifmaker can be clicked and then it takes you to their blog, so you can see who made the gif. This is a much better way to use gifs, because if someone likes a gif they see on your fic post, they can click through to the original gifmaker and reblog it.
Alternatively, using stills from the show/piece of media you're fanfic is about is a great way to avoid using stolen gifs.
2.5: Using Flashing Gifs On Fanfiction
I have noticed that a lot of people use flashing dividers for their fics, and they don't tag it with a flashing warning (#flashing gif or something similar) and they don't see this as a problem.
Using a flashing gif in fanfiction without a warning can negatively affect disabled readers. Not just people with photosensitive seizures, but people with migraines and different types of eye issues.
3: Using Coloured Text For Fanfiction
Speaking of accessibility issues, I have noticed that many people (especially people new to tumblr/new to fanfiction) use Tumblr's coloured text option to differentiate characters in fanfiction - assigning one colour per character with dialogue.
Some people also just use coloured text for the whole body of their fics, just making it straight up unreadable for disabled people.
Using coloured text in fanfiction makes it inaccessible because certain types of colour blindness makes it unreliable to see on a white background, and bright colours can cause eye strain for different types of disabilities.
It is kinder to use the traditional black text for the body of your fic, and any important information (like the content warnings, DNI criteria, etc).
4: Putting Thorough Content Warnings On Fanfiction
Speaking of content warnings - I could (and probably should) make an entire post about this topic alone, because many writers (both new and old) are severely lacking in this department.
Content warnings are supposed to be more for just smut - and if you do have smut in your fic, you should put warnings for that, instead of just releasing for fic into the wild with no warnings at all. Content warnings are supposed to be for anything that could be potentially triggering for a reader - phobias and fears, sensitive topics, uncomfortable or fear-inducing situations, and kinks and nsfw topics.
Tbh I think not enough people put warnings for alcohol and alcohol consumption in their fics, because alcohol is far too normalized to most people, but again - I could probably make a whole post just about content warnings in fanfiction. Basically: if you think your post could be triggering to someone with an addiction or in addiction recovery (or triggering to a sober person who doesn't want to read about drugs or alcohol) - then include those things in the content warnings.
Fanfiction is about informed consent.
People need to be better informed about what the content of your fic is before they consent to reading it. Also, if you're worried about the warnings being too detailed and giving away 'spoilers' for your fic, then you're probably worried about the wrong thing. And you can just put a warning at the very top that says "the content warnings of this fic contain spoilers for the plot of the fic" and let people make their choice if they want to skip the content warnings or not.
Please, write about all the dark or sensitive topics that you want, but just put detailed warnings on your fic so people can be informed about it before reading your fic.
People always appreciate thorough warnings, and they are more likely to read your fic if they are fully informed before clicking into the body of it.
4.5: (Not) Censoring Content Warnings
Tumblr is not tiktok. (Same goes for posting fics on AO3, but this post is mostly about Tumblr fics.) On Tumblr you can say/spell out any word you want without your post being suppressed or taken down - suicide, kill, murder, fuck, abortion, hell, porn, tits, cumshot, etc.
So that means that when you're writing out the content warnings of a fic, you should write them out fully, rather than putting slang or alluding to the topics in a fic. (Again, informed consent.) Rather than saying 'this fic contains SA', say: 'this fic contains sexual assault' or 'this fic contains rape'.
I saw someone using the term 'unalive' in the content warnings of their fic, and tbh, that's what inspired me to make this whole post.
If you're not mature enough to spell out all the topics in the content warnings of the post, you're not mature enough to be writing and posting about those topics.
Also, try not to use terms that need to be looked up/implicit terms. Certain terms for kinks (like dacryphilia or somnophilia) might lead a person to google those terms and find things they don't want to see. So instead of using those terms, just say 'crying kink' or 'sleeping kink' instead, so that everything is spelled out plainly.
...
This is all I can think of for now. Basically, just be kind to others when posting fics. Be kind to gif makers, disabled readers, and anyone from your fandom who might have an interest in your fic! Be safe and have fun writing! <3
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kitthepurplepotato · 3 months
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Chapter 14 - That’s what friends are for
Summary: Izuku shows his Sweet Pea around his secret lair. Katsuki doesn’t appreciate being ignored.
One loaf of bread was murdered during the making of chapter. Blame Kirishima.
Warnings: Swear words, a lot of kisses
First Chapter Master List
~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•
“I guess, I owe you an explanation.” Izuku sighs, looking anywhere but you, his cheeks tinted pink.
Honestly, you would be happier to just get a kiss, but the state of this “secret lair” is also quite concerning and would probably be nice for it to make some sense to you before you end up calling the mental hospital on the poor guy.
“That would certainly be helpful, Izu.”
The walls all covered with bookshelves on all the sides except the one with the “door”. There is a massive cork board there filled with pictures, newspaper cutouts and official statements from the agency covering up a map of the word. There is also a bigger map just of japan, that one is filled with several printouts, most of them around the Tokyo area but there are a few articles pinned to Rishiri and Wakkanai in the Hokkaido prefecture then another several to Korsakov and Nevelks in Russia.
The bookshelf are half filled with books, mostly of geography, history and other topics that might come in handy for a case and the other half is filled with thousands of notebooks, all looking worn out from the constant use.
There is a massive corner desktop a meter away from the actual corner so there is enough space for Izuku to move around the bookshelves. He could walk circles around the whole place with no problem and knowing how restless Izuku he probably did that a several thousand times already. The left part of the desktop is full of paperwork and the other one has the same single person CCTV setup as the people in his agency. By the look of it he’s been looking at a footage of a harbor before you came here.
“Okay, so…” Izuku takes a deep breath. “These notebooks are the ones I’ve written about the heroes when I was young. I’ve kept up with this hobby so there are also a few new ones there about the current heroes. This place was supposed to be my little geek corner where I can write my silly little notes and geek out over quirks. This… has changed a lot since this case came by. This place was supposed to be my mind palace, a place where I can re-gain my motivation, my strength, to remember my roots. The cork board on the wall is about this case as well. I think I’ve found a connection between Japan and Russia. I saw an unregistered ship on the CCTV leaving the harbor in Russia heading our way, probably full of illegal drugs or props, I don’t really know. I sent my findings over to my team an hour ago. They probably have all of this information anyway but Katsuki asked everyone to leave me out of the work e-mails for the time being and it frustrates me to not know how the case is going…” frustrated tears roll down Izuku’s cheeks. You can’t help but run over to your boyfriend and hug him to soothe his troubled soul.
“You know I understand why you are doing this, right?” You mumble into his ear and Izuku starts sobbing. “You know you should’ve just told me this and I would have understood. Katsuki made a massive mistake by leaving you out of this. I know it came from a good place but he should have known you won’t be able to sleep well without seeing those e-emails, seeing that they are indeed working on the case.”
“I’ll stop, Sweets. I swear this is the last time…” Izuku begs, but there is no reason for him to do so.
“You don’t need to, Izuku. I’m not mad. You just need to take a deep breath. Relax. Then come back here, do your thing for a few hours and once you close that door, leave all the pain behind. I don’t think you working on this case is a bad thing.” You admit. “It doesn’t make your recovery longer and it helps to soothe your soul knowing that you did your part. As I said, I understand. We will talk to Katsuki, okay?”
“That won’t make this place feel less dreadful, though. It’s not… fun to be here anymore and I hate that.” Izuku mumbles with his cheeks red.
“I can help with that.” You give Izuku a cheeky smile and he perks up right away.
“Tell me the plan, boss.”
“Are those papers on your desk important?” You nod towards the massive mess and Izuku looks at you with a confused face. He’s so cute, even with the dried tears dirtying his puffy cheeks.
“Let’s make paper cranes. Whoever does the most wins.” You give Izuku a shit eating grin while he stares at you incredulously.
“That’s your big plan, Sweets?” Izuku finally laughs, the sound loud and airy. Oh how much you missed that laugh.
“You are laughing, aren’t you? So shut the fuck up and get to work.”
Izuku is terrible at this. His fingers are too chunky to make the cranes look neat but he does his best and the frustration on his face is playful, a face of a kid ready for a challenge. It takes him a whole hour to get the hang of it but after that you two manage to clear out the desk almost completely. There are only a few papers left now, and there are at least 30 cranes sitting on the keyboard, most of them made by you but there is a constant smile on Izuku’s face so the pain in your fingers was definitely worth it.
“And now that the desk is almost clean…” You push yourself up to sit down on it, legs sprawled out to make space for Izuku to come between them. “It’s time for the boss to reward his hard-working assistant with some cheeky kisses!”
Izuku snorts. It’s hilarious.
“Oh, office AU? Forbidden love? I love that trope!”
Now it’s your time you laugh like a maniac.
“Oh my god, Izuku, you sound like me, that’s unacceptable!”
“Hey, where’s the respect for the big bad boss?” Izuku uses black whip pull you towards him, tentacles snaking around your waist until there is no space between you two at all.
“Are we actually gonna role play?” You ask between two snickers.
“No, it’s really fucking weird to be honest.” He giggles back and attacks your mouth with so much fervor you barely have time to reciprocate first but after a few seconds you finally kiss back, your legs snaking around his middle to pull him even closer. The kisses get deeper and deeper as the time goes, his tongue dancing with yours and you somehow end up sprawled on the desktop, your neck bent in a really uncomfortable way as you try to keep your posture so he can kiss you deeply. Izuku takes your head in his hand to help with the strain of your neck, and you just kiss and kiss and kiss, devouring the other until Izuku’s stomach makes a growling noise and you both start laughing, completely flushed and lips red.
“Wanna get a home made bento from me so we can share it on the rooftop of our office and share cheeky kisses while eating?”
“I’m quite sure those fanfictions usually end with the secretary being bent over a desk screaming the boss’s name.” Izuku retorts cheekily. You can’t help but laugh out loud again.
“You kiss your mother with that mouth?” You mumble as you pepper small kisses on Izuku’s lips who’s smiling like an idiot, content and happy for once.
“Don’t tell her, she’ll cry.” Izuku help you up with one hand and makes his way towards the exit. “Come on, I’m starving.” Izuku takes your hand and pulls you forward but he only makes a few steps before your back ends up against the hallway wall. Izuku steals a few more passionate kisses, moaning about not being able to use his other hand then walks towards the main exit again then stops after a few meters and kisses you again like he’s trying to make up for the time wasted in the last 7 days. Eventually, you make it to the exit, stumbling out of the hallway in each other’s arms (well, one arm in Izuku’s case. Duh.) but a loud “OI” coming from Izuku’s bed ruins the moment.
Katsuki and Eijirou are sitting on the end of the bed, Eijirou looking smug with a knowing smile on his face while Katsuki blushes like a virgin seeing people making out for the first time.
“I told you there is no reason to freak out, Kats.” Eijirou says loudly, a shit eating grin blooming on his face.
“Why the fuck do they even have phones if they don’t fucking use them?!” Katsuki throws your phone in your face and you barely catch it before it hits you straight in the face. You almost burst out laughing as you read the messages.
Group chat: Deku updates
2 days ago
You: He’s still not talking to me. He looks tired. I don’t think he sleeps properly.
Ei: That does sound like Izuku. Don’t worry. He’ll be back in a few more days. Did he eat?
You: Yeah, a bit.
Katsuki: All good, then.
Today
Katsuki: I’m going to the store, need anything?
Katsuki: That protein shit Deku likes is on sale, want me to buy some?
Katsuki: Oi
Katsuki: Don’t fucking ignore me you punk
Katsuki: I bought 10 bags of it, good luck putting that away, you piece of shit.
Katsuki: Oh, they have a limited edition All Might chocolate, there is only one left!
Katsuki: Oh well, someone bought it and ate it. How sad. *picture of Katsuki biting All Might’s head off.*
Katsuki: WHY ARE YOU NOT RESPONDING YOU FUCKING FREELOADER
Katsuki: DEKU ISN’T RESPONDING EITHER WHAT THE FUCK
Katsuki: I’M COMING OVER AND I’LL SHOVE YOUR STUPID PHONES INTO YOUR ASSES YOU USELESS BUNCH!!!
“So here I was, fucking worrying my ass off about you two, while you were busy fucking in Izuku’s secret room. Peachy. Also, I ate the food on the table. It was fucking cold anyway. Fuck you.”
Izuku actually gawks at that, his stomach making a rumbling noise just a second after.
“What Katsuki is trying to say is that we ate the cold food and made you guys some lovely spicy lentil soup instead as it’s way past breakfast anyway. We went into a cute little bakery on our way and got you guys some fresh bread! It was still hot when we bought it!” Eijirou says with dazzling eyes.
“What Ei is trying to say is that he bought two loaves of fresh bread and ate one of them on the way here. The whole fucking loaf. He just… tore into it like an animal. I think I want to divorce. I’m living with a monster.”
“Says the guy who eats a full ass ghost pepper like it’s a fucking apple.”
“I ship you guys so much.” You mumble out without meaning to and Izuku starts giggling.
“You are such a nerd.”
“I’ve never thought I’ll hear Izuku saying that to anyone. You two really are two peas in a pod.” Eijirou adds on, but Katsuki is done with the small talk and ushers everyone to go to eat.
The soup is amazing and when you bring up the topic about the e-mails, Katsuki is surprisingly understanding.
“If you think that’s okay then… yeah, we can do that.”
And that’s it. A few hours after that Izuku gets his first work e-mail and he almost cries from happiness because his findings were actually right and the guys managed to pinpoint the exact location of their warehouse just an hour after he sent them the e-mail.
Then he actually cries, but this time, from the relief.
“This week was so bad. I missed you much. I’m so tired and so stressed about to future, this fucking cast is so itchy and my butt hurts from all the sitting!” Izuku laughs in the middle of his crying fit, somehow happy about feeling all of those things all at once. “Fuck, I thought being stressed is the worst thing but whatever I’ve been through this week was far worse than anything I’ve ever felt. I was so empty. I swear my soul wasn’t a part of my own body. It was so terrible, Sweets! I would rather get another blast in my chest than go through another week like this!”
“Don’t say that!” You reprimand right away. “Also, whatever it was, it’s over now. You are back. You’ll be fine. 2 more weeks and the cast will be gone, too. Now cuddle the shit out of me, you stupid.” You plop yourself down next to him on the sofa, ready to be loved.
“Kiss attack!” Izuku is back to his normal self, giggling and laughing as he kisses you all over until it’s time to go to bed… And finally, you don’t need to go to bed alone.
“I love you, Sweets.” Izuku mumbles, his face hidden in your neck as per usual. The bed is so warm and comforting you can barely keep yourself from falling asleep in the middle of your answer.
“I love you too, Izu-Izu.”
… next chapter!
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- Jesus Christ, finally done with the angst! I hated every second! Every single one of it!!!!
- The next chapter might be late, I got hooked on a manga called “signs of affection”. The first few episodes of the anime is out if you guys wanna give it a go! I swear it’s the cutest shit I’ve ever read/watched! So yeah, I binged the whole manga in a few days after I watched the first episode but I got so distracted I haven’t written the new chapter yet so if it’s late, I’m sorry. I also posted all the angst chapters 1-2 days ahead of my usual schedule so… LET ME BREATHE 😂
- I choose Korsakov and Nevelks because they are the “closest” cities to Japan. Just check the map and you will see the vision. It’s not important though, I won’t go into too much details about the case in the future, but I thought it would be nice to have a peek into it!
- While writing this chapter I realized that technically, Izuku would be able to keep himself on top with the help of black whip… Now the only question is; are these two desperate enough to use Black Whip at their first time or do they wait until Izuku’s hand is healed completely and can lean on it? Let me know what you think. 😂
- Eijirou’s terrible way of eating bread was actually inspired by me. 😂 I’m a celiac so I can’t have bread and most of the gluten free breads taste like ass. There was this small bakery a few streets down from my flat, in Budapest, Hungary, and they were selling freshly made GF bread. Me and my friends went over to my flat and I was too hungry so I took the whole bread out of the packaging and literally just tore into it like an animal and stuffed half of the bread into my mouth in one go and my friend almost died. (Mind you, I’m really small, 158 cm and 45 kg 😂) She couldn’t look into my eyes the whole day. I still miss that bread so much that every time my bestie comes over to England I ask her to bring me some haha
- The next chapter will be called Br0cc0liB0i! 😂
- Also, have you seen the new Kirishima x reader ficc I started to post? It’s super fluffy and cute! Check it out! Please!
TL: @garfieldthomas @porusuniverse @stickygumchewer @sixxze @mily-moo @aei-sedai-moiraine @aymasakusa @katsuari @kenzie-deadly @shiviwrites07 @lukerycyja-reblogs @cloroxisadelectabletreat @coffeent @kisskissshutmydoor @bobcar1 @yazminetrahan @cringefan @ronimacaroni77 @thekookiecorner @dangerousluv1 @emperatris-rinaka @shotos-angelic-whore @angelsdemonsmonsters @norvacaine @rei165 @unofficialmuilover @yao-ai @happydragonfrog @eeerreehhh @vinivave
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libras-interactives · 9 months
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Under the Devil's Moon - 1.1.0
This is the final stuff I wanted to add before seriously drafting Chapter 2. Woo! That means I won't be adding any additional content until Chapter 2 is mostly done, only bugfixes.
Here's where you can play the update, the usual place! It's still an HTML file and super simple y'all - open it up in whatever browser you use on desktop or mobile. PLEASE DM or message me about bugs you come across, I'm still new to this!
ALSO thank you for @ladybugkisses for taking my commission to draw my babies 🥺 Jack, Lottie, Eveline and Marius look so wonderful!!!! I'm going to be posting the picture separate because I can't get enough of it ... please check out her blog, her art is so fun and nice to look at.
Patch Notes:
Zib and Wick scenes have been added, both platonic and romantic. You won’t get all three in a single night! That’s alright  - plenty of time to meet them in Chapter 2.
Eveline has gotten a small, additional scene if you're romantically interested in her, as well as some text changes in general.
Zib and Atlas get themselves a tarot reading scene. Wick and Viktor will have to wait until you see more of them!
Filipino and Swedish have been added as culture options.
Some cultures (Mexico, Germany and Russia for now) have additional text in the Bringing Family to America deal; others will follow eventually. Mostly just some historical context because I really like reading and writing about it
Scars in general, especially visible and severe ones, have been reworked. A tin facial prosthetic (similar to those worn by WW1 vets) is an option if you'd like to cover up.
Cello and Saxophone have been added as instruments for Musician!MC.
MCs with the Baby deal can now specify what the child calls them (i.e. Mom, Papa, etc.)
Additional text and clarification in some places. Some dialogue has been changed to better suit the chosen Occupation/Personality.
Plenty of grammar fixes, typo corrections and bugfixes - Musician has been fixed quite a lot (oops) and gender is no longer rioting... For now.
A little preview for Chapter 2 ... 👁️👁️
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foreststranger · 9 months
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VARIOUS - FORESTSTRANGER TRAIL MIX: I
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ꜱᴛᴀʀʀɪɴɢ *:・゚✧*:・゚
↳ 『honkai: star rail』blade, jing yuan, gepard, luocha, sampo x gn!reader (seperate)
ᴘʀᴏᴍᴘᴛ *:・゚✧*:・゚
↳ how various HSR men feel/react being away from you for long periods of time.
𑁍 ᴡᴏʀᴅ ᴄᴏᴜɴᴛ: 0.7k
ɴᴏᴛᴇ ꜰʀᴏᴍ ᴀᴜᴛʜᴏʀ *:・゚✧*:・゚
↳ I DIDNT KNOW WHAT TO WRITE FOR SAMPO BC I DONT KNOW HOW TO WRITE HIM BUT I WANTED TO WRITE HIM 💔
ALSO, the texting part in this fic (sampo’s section) might be messed up on different screens (I know it works on an ipad bc that’s what i typed this on but i’m not sure about phones or browser/desktop)
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ʙʟᴀᴅᴇ
𑁍 away a lot for Stellaron Hunter missions.
𑁍 he won’t call or text most of the time but will constantly have you on his mind.
𑁍 sometimes, he’ll just zone out while doing something because he’s thinking about you
↳ “Bladie? Are you in there?” Kafka snaps her fingers in front of his face, startling him slightly.
“What?” Blade’s eyes narrow at her. As if she’s woken him from a blissful dream.
“You were thinking about someone, weren’t you?” A knowing grin crosses her face.
*:・゚✧*:・゚ ALSO
𑁍 in my (correct) opinion, Blade has a super low social battery and as much as he likes being around you and how you make him feel, it just becomes too much for him sometimes (not projecting at all).
𑁍 you just won’t see or have any contact with him for a week or so sometimes and then he’ll pop up again.
𑁍 he usually just wanders around the Luofu when he wants to be alone.
𑁍 comes up with ideas for what he might do to make it up to you for disappearing again when he’s ready to talk to you.
↳ “Blade, you know you don’t have to do that for me! I get that you just want to be alone. You dont have to ‘make it up to me’ or anything. Maybe tell me next time, though, please?”
“…I understand.” He nods with his eyes shut.
ᴊɪɴɢ ʏᴜᴀɴ
𑁍 off doing General things because he’s the General (surprise).
𑁍 texts you almost every day to check up on you and sometimes invites you into the Seat of Divine Foresight just to hang out (“hang out” as in you sit on his lap while he blankly stares at scrolls on his table).
𑁍 literally only wants to be with you all the time (“be with you all the time” as in napping and snuggling with you when he’s supposed to be working) but you tell him that he has to do his work because it’s important and people depend on him and blah blah.
𑁍 but almost every time, you can’t resist when he begs you to stay with him in his office for just a little longer.
↳ “Jing Yuan, I should really get going. You have stuff to do and-“
“[name], please, humour me. Would you stay for just another minute?” He pouts slightly, looking at you with pleading eyes just as you were about to head to the door. The look he gives… how could you say no? You wouldn’t be there for long, anyway. Just another minute, he said.
“…Fine.”
ɢᴇᴘᴀʀᴅ
𑁍 the Captain of the Silvermane Guards is a busy man but he always makes time for you.
𑁍 will come find you on his lunch breaks so he can take you out to eat.
𑁍 if he’s been away for especially long, he often can’t focus on his work because of how much he wants to see you again.
𑁍 he knows that as the captain, he should be setting a good example to his subordinates, but he can’t help but always think of you. it’s getting to the point where it’s embarrassing.
↳ “Captain! You’re here!” At the sound of Dunn’s voice, Gepard quickly jumps up from his seat, his face completely red as if caught doing something he shouldn’t be (daydreaming about you).
“Uh… Captain? Are you okay?” Dunn approaches, worried that something’s wrong.
“Y-yeah. Yes, yes, I’m fine. What’s the issue?” Gepard’s voice is shaky as he tries to get ahold of himself.
ʟᴜᴏᴄʜᴀ
𑁍 definitely sends you letters while away on business. he finds them more heartfelt than a text message and you find them endearing.
𑁍 he collects trinkets/things he’ll think you like and give them to you when he comes back (akduanaisuahka I love him).
↳ “To my dear [name],
I hope you’re doing well. Work has been difficult and I miss you so much.
Don’t worry though. I’ll be back as soon as I can. Yesterday, I found a collection of books I thought you’d like on sale. I cannot wait to give them to you when I return.
I’ll write again soon, [name]. I love you.
𝐿𝓊𝑜𝒸𝒽𝒶”
ꜱᴀᴍᴘᴏ
𑁍 spam texts you like a hundred times a day just for the sake of interacting with you.
𑁍 accidentally sends you “business offers” instead of sending them to his clients lmaoo.
𑁍 never tells you when he’ll be back so he can surprise you.
Sampo: Heyyyy fam
So
I was wondering
Do you wanna make an investment?
No?? :You
Sampo: ???
Oh
sorry
wrong person
Ignore what I said
Why? :You
Wait!!!!
What if I want to make the investment?
Sampo has gone offline
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ask before translating, taking inspo from (not copy), reposting, etc. my work. remember to credit me and if you’re taking inspo from it, please @ me as I’d like to see what you do with my ideas!
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dqmeron · 1 year
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some quick info: ↳ this is specifically for the screencapping method. i use mplayer osx extended to get my caps, but there are a few other programs you can use as well. i’ll specifically be going over mplayer here. ↳ i’m using ps 24.4.1 on a 2020 m1 macbook air
[tysm to @kyubinz for looking this over and adding some things ily]
☆ feel free to send me an ask/message with any questions you have! ☆
「 setup 」
1. finding videos
one big thing to remember is that the overall file size of your video will impact the quality of your gif. the larger, the better. i almost never use anything below 1080p, and try to use 2160p whenever i can. 4k video downloader is the program i use for downloading videos from youtube, it’s free to install and works great! because of how large some files can be, i always store any media on my hard drive. i highly recommend using one if you plan to keep lots of files on hand. 
.mkv files are best, but .mp4 works fine as well (.mkv files are usually bigger aka better quality).
2. getting your screencaps
after downloading mplayer, go to the top bar and click file > open. open the video you’ll be screencapping. 
you can either drag the little time indicator or using the arrow keys on your keyboard to move to the spot you want to capture. the > key can also be used to move forward frame by frame. to start capping, pause the video and press shift + cmnd (ctrl if you’re on windows) + s to take a screencap. i usually just hold it down until i’ve gotten all the screencaps i need. 
by default, screencaps go right to desktop. you can set up a folder for them to go to automatically by going to settings > general and then selecting a spot in the menu under “interface”, but i just let them go to desktop and then sort them into individual folders so they’re easier for me to find while i’m giffing. in general, i try to stay under 80 frames so my gifs fit into tumblr’s 10mb image size limit. 
3. importing screencaps into photoshop
to import your caps into ps, go to file > scripts > load files into stack. this window should open:
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click browse, and navigate to the folder with your caps in it. select all of the caps you want to import, and then click open.
click ok to create a file with your caps, and then wait until it’s finished loading your caps into the layers tab. once they’re loaded in, this is what your screen should look like:
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(if you aren’t seeing the timeline at the bottom of your screen, go up to the top bar and go to window > timeline)
click create frame animation, then go to the hamburger menu at the top right of the timeline and select make frames from layers. once your frames have loaded in, select the same menu again and click reverse frames. play through your gif to make sure everything looks good. 
if you were to save your gif at the speed it’s set at now, it would be way too fast. to fix this, you have to set the frame delay. do this by selecting all your frames in the timeline using shift click, and then clicking (on any frame) where it says “0 sec”. select other from the menu that comes up, and you should get this popup:
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the general rule of thumb for gif frame delay is 0.05 seconds. there are some cases — certain animated movies or video games, for example — where other delays are best, but for the most part, 0.05 is what you want to use (0.05 can slightly slow gifs, and sometimes using 0.04 better matches the clip's original timing. this is really a "train your eyes" thing, and picking the best delay gets easier as you gif for longer). you can set this by typing the number into the text box and then hitting the ok button or enter on your keyboard. 
at this point, i’d go ahead and save your file. you can go to file > save in the top bar, or just hit cmd/ctrl + s on your keyboard.
「 making your gif 」
1. sizing
after your frames are ready, the next thing is to size your gif. to crop your gif, press c on your keyboard to open the cropping tool. white borders will show up around your gif.
before doing anything, i would suggest making sure “delete cropped pixels” is unchecked. this will allow you to drag your gif around later if you want to reposition. you can find this option at the top of your screen. drag the borders on either side until you have the area you want selected. mine looks like this:
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once you’re happy with your selection, hit enter on your keyboard to finalize it. 
the tumblr image guidelines require gifs to be 540px across (here’s a post detailing this). to change your gif’s image size, go to image > image size in the top bar. you’ll get this popup:
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instead of setting the width right to 540, i’ll be setting it to 544, and then trimming down the edges using canvas size. this makes the quality just a little better, and also prevents any weird borders being made around your gif on the off chance photoshop decides to add them. this isn’t necessary at all, you can absolutely size right to 540, but i just like doing this. if you choose to do this, open canvas size right after you set image size (image > canvas size in the top bar), and trim your width down to 540 and your height down a few pixels as well. 
2. sharpening & other filters
sharpening is essential for good-quality gifs. the first step to this is converting our timeline from frame animation to a video timeline. select this little icon in the bottom left of your screen:
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this is what your timeline will look like now:
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you can use the little slider with mountains on either side to change the width of your frames in the timeline for easier access when editing. now that we’ve got all this set up, we can sharpen! i use this action pack to sharpen my gifs in addition to a few of my own settings (here is a video on how to install actions into photoshop). go to window > action in the top bar if you aren’t seeing the action tab. 
i’ll be using the sharper action from the pack. to use an action, select it from the list and press the little play button at the bottom of the panel to apply it.
in addition to this, i usually also add unsharp mask at 50% amount with a 0.5px radius:
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there are a few other filters than can be helpful when giffing:
a. add/reduce noise noise (aka grain) can be added with “add noise”. go to filter > noise > add noise.
these are the settings i usually use, but the amount depends on the gif (i don't ever go over 3.5 for the most part):
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(if you want a grain effect but moving noise doesn't work for the gif, you can also add a grain overlay and then mess with blending mode and layer opacity until it looks how you want)
reduce noise can be used to remove some of the pre-existing grain on a clip. go to filter > noise > reduce noise. here are my settings:
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leaving reduce noise on its own at 100% is a bit too much, so double click this icon and change the opacity (i usually do around 45):
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b. gaussian blur if your clip is a bit pixelated, gaussian blur can help with smoothing it out a bit. go to filter > blur > gaussian blur. my settings are 1 pixel radius w ~20% opacity (this changes based on the gif).
3. coloring
time to color! i want you to keep in mind during this section that everyone likes different colorings, and this is just my process! please don’t feel pressured to follow exactly what i’m doing, the best way to find what you like is to just mess around and experiment!
i like to start off with lighting adjustments: brightness/contrast, levels, exposure, and curves. 
a. brightness/contrast i usually start out with this first, just because brightening the gif right away helps me start thinking about how i want to color! here are my settings:
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b. levels/curves levels and curves can either be used interchangeably or together. i usually use levels to adjust lighting and curves to adjust color values, but i’ll go over using both for lighting as well as using curves for adjusting color values. 
for both of these adjustments, i use the eyedropper tools to pick out white and black points. for levels, the top eyedropper tool to the left of the graph is used to pick out a black point. i do this first. use the tool to pick a spot on your gif that you want to be the base for black values. for me, that’s the shadow inside rey’s hood. the bottom eyedropper tool picks white point. use the tool to pick a spot on your gif that you want to be the base for white values. i chose the outside of rey’s hood. make sure you’re doing this on a new levels adjustment layer.
now, on to curves. you can either use the same eyedropper method or manipulate the graph directly. using the eyedropper is the same as levels, so i’ll just go over graph manipulation. 
shade lightens as you move to the right along the x-axis of the graph — black is the far left, white is the far right, middle is the midtones. generally, i don’t work with midtones.
i’m going to use levels for this gif’s lighting, and curves to adjust color values. here’s how to do that:
curves can be used to adjust the amount of a certain color in different lighting areas of a gif. for example, i can specifically decrease the amount of green in the gif’s whites. to edit these values, select the rgb drop-down menu and adjust them one at a time. here are my final graphs:
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c. exposure this one’s pretty straightforward. the exposure slider adjust general exposure. the offset slider adjusts how dark your dark points are, and gamma correction can be used to lighten/darken scenes as a whole. here’s my settings:
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d. color balance color balance is used to adjust overall tint of a clip. this is in general pretty simple, but i do want to point out that using the shadow and highlights tabs in addition to just the midtones can really help. here’s my settings:
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e. channel mixer channel mixer is one of my favorite tools in ps, especially for coloring scenes that are a pain in the ass without it. to avoid taking up too much space, here’s a great tutorial covering channel mixer. here’s my settings:
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[at this point, i’m noticing my gif is still a bit darker than i’d like it, so i’m adding just a bit of brightness/contrast to fix it. there’s also a patch of blue over one of rey’s eyes, so i’ve used a hue/saturation layer to get rid of that bit and masked it to her eye. i’m not going to go over masking here, but there are lots of great tutorials out there!]
f. selective color selective color can be used to adjust the amount of specific colors within a color. for example, if i were to go into the red tab and take out cyans, the reds would become more red. if i were to add yellows, the reds would become more orange, etc etc. this can be especially good for color manipulation. for this gif, i’d like to make the background more blue, so i’m going to use selective color to do this. here’s my settings:
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g. color lookup color lookup uses 3dlut files to remap gif colors (it’s a preset — think instagram filter or something similar). i don’t always use these, but when i do, i almost never leave them at 100% opacity. color lookup is great for giving gifs a film-type look if you want to do that, it’s got loads of different options. here’s my settings (adjustment layer is set to 20% opacity):
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atp i’m pretty much done with coloring! i usually end up doing a few extra little lighting adjustments at the end. for this gif, i added some brightness/contrast at +8. i’ve also noticed that my gif’s looking a bit grainy, so i’ve added some noise to lean into it. this is usually the way i fix it, but you can definitely do reduce noise/gaussian blur as well if you don’t want a grainy look. 
here’s my fully colored gif + a process gif (fast images warning):
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「 saving gifs 」
1. frame rate
one thing you may have noticed is that my gif is looking a bit choppy. photoshop has a tendency to mess with frame delay after gifs are converted to video timeline. here’s how to fix that.
select all of your layers and convert them to a smart object (right click > convert to smart object). next, click on the hamburger menu in the top right of the timeline and go to convert frames > flatten frames into clips. now we need to change the timeline from video timeline to frame animation. click the little 3 boxes symbol in the bottom left corner of the timeline:
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go to the hamburger menu again and select make frames (this is the same one you used earlier), then go through your frames and delete any duplicates. the first frame usually needs to be deleted specifically. once you’ve done that, set the frame delay back to 0.05 the way you did earlier. 
2. exporting
once you’re happy with how your gif looks, go to file > export > save for web (legacy). 
these are my export settings, but feel free to experiment with the menus where i have selective and diffusion selected, different settings work best for each gif. in general, most gifmakers only use selective/adaptive and diffusion/pattern because they generally work the best for tumblr. before saving, make sure your looping option is set to forever:
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gif size for tumblr has a 10mb limit. my gif is under this, so i don’t need to make any changes, but if yours is over, you can either delete some frames from the beginning/end of your gif and/or adjust the height of the gif (width needs to stay 540px so your gif doesn’t get stretched/compressed on tumblr, but height is fair game). 
here's my final gif!
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happy giffing, and please don’t hesitate to send me any questions you have! ♡
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samflir · 10 months
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What makes a good boot sequence?
A while ago, I had my first truly viral post on Mastodon. It was this:
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You might've seen it. It got almost four hundred boosts and reached beyond Mastodon to reddit and even 4chan. I even saw an edit with a spinning frog on the left screen. I knew the post would go down well with tech.lgbt but I never expected it to blow up the way it did.
I tried my best to express succinctly exactly what it is I miss about BIOS motherboards in the age of UEFI in this picture. I think looking at a logo and spinner/loading bar is boring compared to seeing a bunch of status messages scroll up the screen indicating hardware being activated, services being started up and tasks being run. It takes the soul out of a computer when it hides its computeriness.
I think a lot of people misunderstood my post as expressing a practical preference over an aesthetic one, and there was at least a few thinking this was a Linux fanboy post, which it certainly is not. So here's the long version of a meme I made lol.
Stages
I remember using two family desktop computers before moving over a family laptop. One ran Windows XP and the other ran Windows 7. Both were of the BIOS era, which meant that when booting, they displayed some status information in white on black with a blinking cursor before loading the operating system. On the XP machine, I spent longer in this liminal space because it dual-booted. I needed to select Windows XP from a list of Linux distros when booting it.
I've always liked this. Even as a very little kid I had some sense that what I was seeing was a look back into the history of computing. It felt like a look "behind the scenes" of the main GUI-based operating system into something more primitive. This made computers even more interesting than they already were, to me.
Sequences
The way old computers booted was appealing to my love of all kinds of fixed, repeating sequences. I never skip the intros to TV shows and I get annoyed when my local cinema forgets to show the BBFC ratings card immediately before the film, even though doing so is totally pointless and it's kinda strange that they do that in the first place. Can you tell I'm autistic?
Booting the windows 7 computer would involve this sequence of distinct stages: BIOS white text -> Windows 7 logo with "starting windows" below in the wrong aspect ratio -> switch to correct resolution with loading spinner on the screen -> login screen.
Skipping any would feel wrong to me because it's missing a step in one of those fixed sequences I love so much. And every computer that doesn't start with BIOS diagnostic messages is sadly missing that step to my brain, and feels off.
Low-level magic
I am extremely curious about how things work and always have been, so little reminders when using a computer that it has all sorts of complex inner workings and background processes going on are very interesting to me, so I prefer boot sequences that expose the low-level magic going on and build up to the GUI. Starting in the GUI immediately presents it as fundamental, as if it's not just a pile of abstractions on top of one another. It feels deceptive.
There may actually be some educational and practical value in computers booting in verbose mode by default. Kids using computers for the first time get to see that there's a lot more to their computer than the parts they interact with (sparking curiosity!), and if a boot fails, technicians are better able to diagnose the problem over a phone call with a non-technical person.
Absolute boot sequence perfection
There's still one last thing missing from my family computer's boot sequence, and that's a brief flicker of garbage on screen as VRAM is cleared out. Can't have everything I guess. Slo-mo example from The 8-Bit Guy here:
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Can you do an undercover hero working for the villain and the villain hears them talking to superhero but make it spicy?
“Could you come over to my office, love?” The hero nearly choked on air as they heard the villain’s voice on the other side of the door, persuasive and gentle. Involuntarily, they clasped their phone a little too harshly as they tried to conceal their superior’s voice.
“What is going on?” They were already aggravated. In their opinion, the mission was clearly taking longer than it needed to but the hero needed time to figure out the important details.
Important details which weren’t interesting enough to the superhero.
“I gotta go. You can keep listening but I can’t talk right now.”
“Hey, what are you—”
The hero didn’t end the call, they just muted their superior and let them sink back into their pocket. They hurried out of the break room, still a little frustrated. Getting criticised for their work was a little infuriating. It had taken a lot of work to get the villain to even talk to them. Trust was something which only grew slowly.
“Are you alright?” the villain asked softly. “You look a little red in the face.”
They sat on their chair, looking at their desktop.
“I— uhm…I am fine.” The hero gave a small smile in the hopes of convincing the villain this lie was true. “What can I help you with?”
Unfortunately, the villain was attractive. Stupidly attractive. Their eyes pierced through the hero and tugged at their heartstrings, taking everything apart with surgical precision. Whenever the hero messed up (on purpose, for reasons of sabotage), the villain defended them in front of the other villains.
They brought them coffee, even though it was the hero’s job as their assistant. It had been going on like this for the last week and truly, the hero didn’t want this to end. Somehow, the hero felt drawn to them, not only because they were good-looking.
But because they were also their nemesis.
Exciting, in a twisted way.
“Come here.” The villain gave them a once-over and the hero obeyed immediately. As soon as they stood in front of them, the villain got up, so much taller with so much more power in their own building, all of it right in front of the hero.
The pressure was crushing the hero. Not only that, but also the villain just being the villain was intimidating.
“Personally, I think relationships which develop at work are…messy.” The hero blushed. What a way to start a conversation.
“How so?” the hero asked, genuinely curious.
“Most of the time, there’s a power imbalance. I want an equal, not a dog following me around,” the villain said. Again, they looked at the hero and wetted their lips, probably not even aware of it.
“I’m sorry, I’m afraid I can’t follow,” the hero tried but their heart was beating in their chest harder than ever. It almost hurt.
The villain grinned at that, showing off their perfect set of teeth.
“Work is a nasty thing, isn’t it?”
“I enjoy it, actually—” Suddenly, the villain cornered them, trapping them between themselves and the desk. The hero gasped at the close proximity, at the villain’s arms caging them. They leaned in, slowly and some sort of panic entered the hero’s nervous system. However, they weren’t worried about the danger of being caught. This feeling was something else.
“Darling,” the villain purred, “what a smart hero you are…if I had known sooner, I would’ve devoured you a month ago.”
“I don’t know what you’re talking about…” By now, the hero had to grab the villain’s shoulders to keep their balance and prevent crashing onto the desk. Panic wasn’t part of this anymore.
All the hero could think about was the villain’s body against theirs. Meat to meat.
They gasped anew.
“Oh, please. I would’ve recognised that ass everywhere. But you were good…until you messed up last week.” The villain chuckled tenderly and let their hand fall down to the hero’s lower back.
To stabilise them, the hero realised.
“Not a power imbalance when the two most powerful people in the city are having fun…what do you think?” They dragged their finger down the hero’s throat, over their windpipe, down to their chest. The hero grabbed the villain’s wrist.
“Please…”
“Sensitive?” the villain asked and the hero could only nod in embarrassment. The villain’s smirk only grew.
“You’re adorable. You have always been my favourite.” The hero blushed even more than they already did. “But, my love…end that call, will you? What happens next here, isn’t for your superior’s ears.”
And that was the moment the hero wanted to sink into the ground and never appear again. They had totally forgotten that the superhero had heard everything.
378 notes · View notes
flowerandblood · 11 months
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The Crime and Punishment (4)
[modern! lawyer • Aemond x fem!reader]
[warnings: sex content, age gap, smut, angst, domination kink, sexual tension]
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[description: Aemond becomes a co-owner of one of the largest law firms in the area. He is invited to cooperate by one of the best lawyers he knows. While working in the evenings on further matters at his house, he meets his daughter, much younger than him, whose behavior gives him sleepless nights. Anon Request: Age gap, domination, lots of sexual tension and guilt.]
* English is not my first language. Please, do not repost. Enjoy! *
Previous and next chapters: Masterlist
______
She'd never been as excited as she was the day that they were supposed to fuck in his office. The night before when they had talked, before she went back to her room to sleep he had let her sit on his lap, sitting in the armchair. They kissed and rubbed against each other. She almost just unzipped his fly and started riding him. However, she decided to respect his request.
The next day she showed up at their law firm late in the afternoon, surprising her father. She was wearing her favorite short, black, boat neck dress with a white collar. It was fastened from the front with nice, decorative buttons. She thought that it was perfect for what she wanted to do today.
"What are you doing here? Something happened?" He asked anxiously. She quickly shook her head.
"I promised Aemond that I'd help him write up the protocols of some of the recent interrogations." She said lightly, taking the backpack off her back and placing it on the chair. Her father raised his eyebrows in surprise.
"His assistant doesn't take care of it?" He asked uncertainly. She laughed at his words.
"She does, but she's too slow. And he needs it for tomorrow's trial." She spoke truthfully. He really needed these documents and said it would be a good excuse for them to meet. Her father nodded understandingly.
"I see. I hope you get on with your work quickly. Call me if you need anything." He said and patted her head.
She nodded and walked past him, heading for Aemond's office. She went inside and closed the door behind her.
He sat behind his desk and looked at her intently, his face tense. She thought he looked incredibly handsome in the tight, black Tshirt he was wearing.
"Good afternoon." She said softly as she sat down at the other desk and opened the laptop. She looked around and thought that Hannah was indeed quite a mess. There was nothing to find on her desktop, folders scattered chaotically and senselessly.
"Where are the records I have to listen to?" She asked, looking at him uncertainly.
He sighed heavily, getting up from his seat and walking over to her. He stood behind her and bent down, taking the mouse from her hand. She shivered as she felt the touch of his hand, his hot breath on her neck.
He fumbled through various folders, cursing under his breath at the mess his assistant had on the computer. He finally found what he was looking for, marked her with nine files, each at least half an hour long.
"I have to write down all these recordings?" She asked terrified, looking at him out of the corner of her eye. He looked down at her with an impassive expression on his face.
"Yes. I need it by tomorrow. Hannah only managed half of what I asked her to do during her working hours." He said low, frustrated and unhappy. She blinked and nodded her head.
"Okay, I'm getting to work." She said, sighing softly, plugging her headphones into her computer. She could feel him staring at her thoughtfully for a moment longer.
She felt a pleasant shiver run through her as he leaned over her suddenly and brushed his lips against her neck. She didn't have time to say or do anything, because he got back up and headed for his desk, sitting down behind it and going back to his paperwork. She put on the headphones, sighing softly, and played the first recording.
Several hours had passed, and she still had three recordings to write down. She was already tired and sleepy, the witness was babbling terribly and she had to go back several times to listen well to what he was saying. She couldn't afford to make a mistake when Aemond would later rely on those records in court.
She rubbed her eyes, replaying one of the excerpts, and opened the text file window jotting down what she heard. Out of the corner of her eye she saw Aemond get up from his desk. She took one earphone out of her ear, seeing that he was looking at her expectantly.
"Do you have much left?" He asked low. She glanced at her watch. It was already eight o'clock in the evening. She sighed heavily.
"Three more recordings." She said resigned. "This man is babbling horribly. I'm not surprised Hannah was taking it so slow." She said, wanting to defend her a little in his eyes.
Aemond pursed his lips and sighed.
"Go home and rest. I'll finish it." He said gently. She blinked and furrowed her brow.
"That wasn't the deal." She said calmly, looking at him intensely. He rolled his eye at her words.
"Don't be childish." He said, putting aside some papers and folders. She put the earphone back on and went back to typing on the computer, ignoring him.
She heard him say something else to her, but she didn't know what. He ran a hand over his face, not knowing what to do with her. He finally approached her impatiently and took the earphone from her ear.
"I am talking to you." He said angry. "Take your backpack and go home. Do you want me to order you an Uber?" He asked, but she didn't answer, trying to pull the earphone from him which he had taken from her hand.
"You're interrupting my work." She said indifferently. He squeezed her wrist firmly, leaned over her, and grabbed her jaw, forcing her to look at him.
"Do not provoke me." He spoke coldly and low. She smiled involuntarily at his words.
"Or what?" She asked defiantly.
His lips pressed into a thin line. He tapped his tongue against his cheek, his expression changing as if he had an idea. A shudder went through her.
"Do you want to see what I'm capable of?" He asked quietly. She felt goosebumps rise on her arms. She swallowed hard, feeling the throbbing pressure between her thighs. There was no one else in the office except for them.
"Yes." She whispered.
He stared at her for a moment with black, blank eye. She squealed loudly as he suddenly grabbed her from her chair and lifted her, carrying her to the guest couch on the other side of his office. He laid her down on her, the cool leather covering almost burning her hot skin. She was breathing unevenly, excited.
He crouched astride her, undoing and pulling down his belt. She saw that with a few confident movements he made two loops out of it.
"Give me your hands." He said low. She blinked at him in surprise, her heart pounding wildly. He raised an eyebrow.
"Give me your hands or go home. Choose." He said in a voice that brooked no argument.
She pursed her lips and held out her hands to him. He smiled in satisfaction, tightening the loops around her tiny wrists.
"Does it hurt?" He asked, looking at her carefully. She shook her head, and he grunted in approval, taking her bound hands and placing them above her head.
"Turn onto your stomach." He said calmly.
She swallowed hard and did as he asked. It wasn't going according to her plan, but she was incredibly turned on. She thought that no men had ever affected her the way he did in her life. She felt him slip her shoes off her feet.
She sucked in a quick breath as he grabbed her hips and lifted them quickly with a firm motion, so that she had to bend over and stretch out, seeking support in her knees. Her bound hands lay in front of her, clenched on the fabric of the couch. She knew she was completely at his mercy.
She swallowed loudly as she felt his hand on her buttock. She knew that in this position he could see her panties perfectly and he was just enjoying the sight of them. His touch sent a pleasant shiver through her, her insides clenching around nothing.
"You've been driving me mad on purpose for months." He grunted low and slapped her hard on the butt with his open palm. She squealed softly and groaned, leaning forward a little, surprised and excited by the sensation. He began to rub his hand again to the place that was so pleasantly burning.
"I have to admit, it's hard to discourage you. But it's over now." He spoke calmly and darkly, his tone of voice sending shivers down her spine.
Her lips parted as she felt his hands slowly sliding down the thin fabric of her panties. She felt a chill against her bare, hot skin. She tightened her fingers on the fabric of the couch as she felt his thumb on her entrance, teasing her swollen clit once in a while.
"Have you been so wet all these hours?" He purred, his thumb rubbing her hot, throbbing skin in circular, measured motions. He gave her another loud slap on the ass when there was no response.
"I can not hear." He said menacingly, his hand tightening on the skin of her buttock. She sucked in a breath, breathing fast, writhing beneath him.
"Yes." She whispered helplessly and heard his soft chuckle. She mewled softly as she felt him lean over her, his tongue brushing over her wet, throbbing womanhood.
"So wet and desperate. You'll be begging me for mercy today." He purred and began teasing her with the tip of his tongue, licking her entrance and clit gently, moving it up and down, never giving her complete pleasure anywhere.
She moaned helplessly under him, her buttocks trying to push harder against his face, she felt her nipples harden all over. His hands gripped her thighs firmly, keeping her from finding fulfillment.
"Don't move or you won't be able to sit on your ass tomorrow." He said warningly, returning to earlier caresses after a moment, his tongue once in a while slid deep inside her, making her body bend, a long, sweet moan came out of her mouth.
"Feels good? Do you like it when I lick you like that?" He asked in awe, watching how easily he drew the reactions he wanted from her. She shivered at his question, panting softly.
"Yes, don't stop, keep licking me" She mumbled, and he happily went back to his previous activity, burying his face between her thighs, his tongue now even deeper than before.
Its rough, supple structure rubbed hard against its fleshy, hot walls, tightening around nothing. She moaned loudly as he began to lick the place where her most sensitive point was, driving her crazy.
"Yes, yes, please" She moaned loudly and clenched her hands helplessly as he pulled away from her suddenly, licking his lips in appreciation. He watched her thighs quiver with thirst, her juices running down her skin.
"What a mess. So much of you come out just by licking that tight pussy?" He asked in disbelief, undoing his fly. She flinched with pleasure at the sound, but he slapped her butt again.
"Stay still if you want to come today." He said low, pulling down his pants and boxers, pressing his throbbing, swollen cock against her wet entrance. He rubbed it in her juices until he was wet.
They both gasped loudly at the sensation. He heard her muffled groan as the tip of it teased her, pushing in and out a little. She sobbed under him, her thighs shaking.
"What's going on? My disobedient girl wants my cock inside her? Hmm?" He asked, rubbing her buttocks, entering her lightly and coming out at once, teasing her. When she didn't answer, he slapped her butt again.
She squealed loudly, her skin already red and burning. She swallowed in the humiliation of having to say the words, but she was too desperate to defy him.
"Yes, please, I need you" She mumbled pleadingly, breathing heavily. She heard his satisfied grunt at her words.
"So you can be good and obedient if you want to. Is it that hard?" He asked delighted, sliding her skin to the sides and entering her whole, pushing her fleshy structure to the limit.
They both moaned loudly at the sensation and immediately began to move, unable to control themselves. He wanted to torment her a little, but since last night he dreamed only about fucking her.
"No, please, I promise I'll be good already, I'll be so good to you" She moaned helplessly, her thighs opening in front of him invitingly.
He moaned low at her words and began to fuck her with all his strenght, thrusting in and out of her with a wet, loud, pervert slap. They both began to breathe heavily, her buttocks coming out to meet him, her hands clenching on the couch.
"Yes, please, fuck me, fuck me, fuck me!" She moaned loudly and he groaned helplessly, his hands clenching her buttocks, accelerating, his balls hitting her skin, their shared juices running down their thighs.
"You're not so talkative now, huh? You don't have much to say with my cock deep in you." He hissed through clenched teeth, fucking her brutally, both of them feeling their fulfillment coming, he had never been in such a trance before.
All he could think about was how tight, hot and wet she was, how tight she was clinging on his cock, making him almost lose touch with reality. He felt her close to orgasm, her wet walls throbbing against him rhythmically.
He came out of her suddenly, rubbing against her again, and she moaned helplessly and sobbed, her thighs shaking all over, her hands clenched into fists.
"What happened? You almost came?" He purred, stroking her buttocks soothingly.
"Didn't I tell you that you'd be begging me for mercy?" He asked with satisfaction.
She swallowed hard, resting her cheek on the couch, glancing at him. She saw his gaze dark with lust, his parted lips, sweat trickling down his face, his sticky hair matted with effort. She thought she could still break him and get what she wanted.
"What do you want me to do, sir?" She asked in a trembling voice, smiling slightly. She saw his face froze at her question. He licked his lips involuntarily and shivered all over. His cock teased her entrance again, driving her crazy.
"Say that you will always obey me and do what I ask. That you will always be as good to me as you are now." He purred, stroking her buttock steadily. Her lips parted, her body trembling with desire.
"I will always obey you, sir." She whispered and moaned loudly as she felt him enter her again. He moved slowly inside her, teasing her throbbing and swollen walls.
"Keep talking." He gasped in delight.
"I will always do what you ask." She moaned helplessly, feeling him move faster and faster inside her. They both began to gasp with pleasure again, he finally allowed her buttocks to collide with his thrusts.
"I'll be good, so, so good to you" She moaned and with that sentence they began to fuck wildly, finally giving each other what they wanted, the wet, loud slaps of their bodies hitting each other reverberating around the room. His hand slid between her thighs, massaging her clit in circular motions. She moaned loudly, feeling their impending fulfillment.
"Please, I'll be so good, please, please, please!" She sobbed and felt a strong shiver run through her body, making the sound stick in her throat. She moaned almost painfully as a strong, sharp orgasm washed over her body in waves, giving her a pleasure she had never experienced before in her life.
"Fuck, yes, that's right, that's my good girl" He panted loudly and came hard inside her, his hot seed spilling all over her insides, filling her to the brim. They moved for a while, his cock thrusted into her involuntarily, not wanting to interrupt this wonderful pleasure.
"Fuck, that was good. It was so damn good." He gasped, sliding out of her finally, his cum running down her thigh. He leaned over her, finally releasing her wrists from his belt. He took them in his hands and started rubbing them.
"Everything's all right?" He asked in a whisper, leaning over her ear. She lay under him with her eyes closed, breathing raggedly, her lips slightly parted.
"I've never felt better."
______
Aemond Taglist:
(bold means I couldn't tag you)
@its-actually-minicika @notnormalthings-blog @avgdusterfan @nikstrange @zenka69 @bellaisasleep @k-y-r-a-1 @random-ocity @g-cf2020 @melsunshine @opheliaas-stuff @chainsawsangel @iiamthehybrid @tinykryptonitewerewolf @namoreno @snh96 @malfoytargaryen @qyburnsghost @aemondsdelight @persephonerinyes
Others: @fan-goddess @itsabby15 @fangirlninja67 @the-common-cowgirl @glame @xcinnamonmalfoyx @toodlesxcuddles @virtualsweetsqueen @nina2697
If you want to be tagged, leave a comment below. ♥
202 notes · View notes
whoretan · 2 years
Text
ARK 45 | 01
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Summary: Actions have consequences and when your boss Jimin lets you know you'll be working undercover at ARK 45 for no other than Jeon Jungkook, you feel as though you've gotten yourself into something that will eventually get you killed.
WC: 4.4k
Play me while you read.
Pairing: Club Owner/Mafia!Jungkook, Hitman!Reader
Genre: Dark Romance, Angst and Smut (Eventual)
Chapters: 1 (ur here) | 2
Warning: undercover working as stripper, reader has done some fucked up things and will witness much worse, graphic and explicit themes, trauma is ur new best friend, people will die and there is a lot of betrayal, but at least it'll have some good porn, right?, reader is badass tho
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“Do you work here?”
Your eyes lul over from the desktop to a redhead with a face full of freckles. Pretty? Sure. Dumb as hell? Apparently. 
Your eyebrows knit at the question, unsure if she really asked you that, given the fact that you’re sitting at the receptionist's desk. You can’t help the amused tug of your lips when you say, “What does it look like, cupcake?” 
Redhead apparently does not appreciate your question because her nose immediately scrunches as she scowls. With a huff and a roll of her dark brown eyes, she points to the ‘Employee’s Only’ door to your right. Your brows lift and you look behind at the black doors then back to her. 
“Is Jimin in today?” 
Now, you’re intrigued. You plant your chin on your palm, which rests on the surface of the glass desk, and grin, “And how do you know Jimin works here?” 
Her face flashes and the red hue of her cheek instantly pale. Looks like Jimin didn’t give Little Miss Sunshine the notice that she shouldn’t be here without an appointment, asking stupid questions that could get her killed. 
“I-“ 
You cut Redhead off because it looks like she’s about to cry and you’re not in the mood to listen to her whining. Besides, it’s ten in the morning and you clocked in an hour ago for fucks sake. 
Lifting your pointer finger toward Redhead, you grab the receiver to your right and press number one— Jimin’s office. 
It rings once, before a familiar deep voice answers, “I’m listening.” 
“There’s a pretty Redhead standing right in front of me asking to see you, isn’t that interesting?” 
Jimin sighs, mumbles a few explicit words, and finally says, “Bring her to my office.” 
Looks like Redhead does know Jimin.
Your grin grows wider, and when you meet Redhead's gaze she suddenly spins around. You hang up on your Boss with a murmur and by the time you place the phone back into its original spot, Redhead’s gripping the handle to the exit. 
“I wouldn’t do that if I were you.” 
 Your words hold no malice, but the message is there. She will regret walking out now that she’s made her presence known. Now that you’ve seen her face. 
Redhead halts, body unmoving for a solid few seconds before retreating from the glass. When she turns back to face you, her cheeks burn a bright red which matches her hair delightfully. Her lip quirks inward as she sucks on it using her teeth, and you somewhat feel bad. 
Her fuck up will either result in her miraculously walking out of the office, or not. Simple. Once you walk her through the doors, she’s no longer your problem. 
Yet, you can’t help but feel intrigued. Why would a girl like her come here? What made her grow the balls to show up to a place like this alone and unannounced? She knows Jimin, but so do the hundreds of others that flock to his side like insects.
“What’s your name?” The question leaves your lips before you can stop the wandering thought. 
Her gaze lingers on yours, she releases her bottom lip and looks to the carpet. “Miranda Ricci.” 
Instinctively, your finger taps the glass, long nails clicking against the surface at the familiar name. She’s here about Richard Ricci, the man you killed four days ago. An old, sleazy fuck that’d been meddling with Jimin’s shipments in the Terrero Region. The shit-bag had it coming. 
Jimin even had the courtesy of sending you out a month prior as a warning. Senior Ricci had too much pride though, and it was exhilarating draining every ounce of it out of his body.
You wonder if she knows her best friend ratted Daddy out to Jimin. 
Not like she’d ever find about that. 
So, like any good secretary would, you stand from your desk, and motion toward the black door. As Miranda approaches you, you place your hand on the small of her back and lean in, “Don’t say anything that’ll get you killed, darling.” 
She tenses under your hold indicating your message was heard loud and clear. 
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“So?” You ask as you push open one of the double doors leading to Jimin’s office. 
About two minutes ago, Redhead ran out of the black door with tears streaming down her freckled face. She didn’t even bother to spare you a glance on her way out. 
Jimin’s sat at his desk with his head bent over the top of his chair. 
He groans.
Someone’s unhappy. But then again, if the daughter of a crime boss you ordered to have murdered came into your office you’d be irritated too. 
“She’ll do it.” 
You plop onto one of the leather couches in the middle of his obnoxiously large office and scarf down the Dunkin Donut’s jelly-filled donut you Uber’d. 
“So what’s the problem?” 
Swallowing down the drier-than-expected donut, you peer over to Jimin who’s lifted his head to look at you. There’s a twinge of concern etched on his pretty face and your stomach flips because when Jimin’s concerned, there’s a fucking problem. 
Jimin’s eyes blaze and he crosses his feet in front of him. “She wants to know who killed her father.”
Well, that could be a potential problem.
You tilt your head and smile, pretending like the statement doesn’t phase you in the slightest. 
“You think she’ll try to have me killed?”
Jimin breaks his gaze, looking over toward his shelves of books. He’s deep in thought, most likely weighing out the options you two have. If it’s worth the potential risk of admitting that his secretary killed her father, or simply lying. Either way, Redhead will convince her brother to get rid of all of the shipments coming from Terrero. 
“I do.” 
You can’t help but glare at Jimin. Even though the answer is expected, hearing the words leave his mouth leaves you grinding your teeth. 
You’d kill the bitch before she even gets the chance to tell her brother who’d murdered their sweet little Daddy, hell— you’ll drop off a letter with every single fucking detail. 
“I need you to spy on them.” 
Your eyes turn to slits, and you bite at the inside of your cheek. Spy on one of the most influential Mob families in New York? They have undercover agents, security, and influence from every fucking corner to alley. It’s like Jimin wants you to die.
“More importantly, on Jungkook.” 
The sound of Jungkook’s name piques your interest. The stepson of Richard Ricci. Jungkook’s biological mother married Richard after immigrating from Korea, who’d given his stepson half of his businesses, letting him run drug transactions disguised in form of clubs. 
The corner of Jimin’s lip tugs upward and you chuckle because he’s challenging you. Pushing you past what could very well be your limits. What might just finally get you killed. 
You lick your lips, tasting the sweetness left over from the donut. You suck on your bottom lip between your teeth, unable to stop the smile from forming on your face. “And how exactly do you want me to do that?” 
Jimin’s mischievous eyes hold yours. You’re not going to like his answer and he knows it.
He runs a fingertip over his bottom lip as he assesses his words, their weight, and how you’ll react. 
“You’ll work at ARK 45.” 
You snort, then puff out a breath, completely baffled, “You want me to work at his strip club?” 
“I need you to,” he says flatly. 
“And if he recognizes my face?” 
He glares at you because the question is stupid and you almost turn away from embarrassment because you’re being irrational.
“No one knows your face, Viper.” 
Your eyes hold his, clenching your jaw, and the air crackles between you both. 
Jimin rarely uses the name, like it’s been forbidden from his tongue. But it reminds you of who you are. Not a receptionist, but a weapon which he yields at will. 
You blink and your Boss’s eyes flash with sympathy, as though you’d gotten yourself into something that will eventually kill you. 
You swallow, tear your gaze away, and walk from the couch without another look back. You don’t want to think about what will come out of this. 
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ARK 45 pulses with slow-paced, sensual music. The walls drum with vibration and the street thuds beneath your stilettos with each passing beat. You inhale sharply, taking in the red hue illuminating from the grand windows fifty floors above you. 
“Name?” The bouncer asks, giving you one solid look from head to toe. 
You peer at the man who’s holding a clipboard with what you guess is a list of names. Jungkook doesn’t like strangers entering his territory. He thrives on keeping his enemies under his radar. 
The bouncer wears black-rimmed sunglasses regardless of the fact that it’s well past midnight and the dragon tattoo snaking its way up from his nail into the shadows beneath his shirt convinces you he does more than just play security. He’s attractive even with the grays in his beard and the wrinkles around his mouth that give his age away. 
“Joanna Webb,” you lie, providing him with the name Jimin fabricated for you.
He nods and quickly flips through the pages, skimming down the list of what feels like ten thousand names. He then grabs the pen that's lodged into his ear and presses it between his lips, leaving the cap between the folds. He writes something down and nods towards the two glass doors. 
With a quick thanks, you push past him and head toward the entrance. The two doors are completely transparent, except for the large black handles, the left with a number four and the right with a five. 
The first floor of ARK 45 serves as a receptionist area, and if it wasn’t for the three grand chandeliers that hang from the ceiling that conceal the painted ARK 45 in red bold letters, you’d mistake it for any other lobby of an overpriced hotel. 
The real action comes fifty floors above, where the core of ARK 45 sits. 
The bar turned Strip Club after ten is Jungkook’s main event. What draws people into the ARK 45 is its enticing women and mysterious owner. 
To everyday people, Jeon Jungkook is a young multi-millionaire who built his clubbing empire without using the aid of his Daddy. A single bachelor that has girls from all backgrounds coming to try out for a position at his club, for a single glimpse of him.  
To others— people like you and Jimin— Jungkook is a pest. A menace with a presence too large for the entirety of New York. Killing his father was a pinch in his ass, nothing more. Truthfully, he’s probably happy the fucker is dead. 
Jimin had you kill Richard as a warning to Jungkook. 
Because Jungkook runs the shipments from Terrero, not his father. 
Because Jungkook decided to keep them running even after Jimin warned him not to. 
Jungkook will kill you after he finds out you slaughtered his father. Not because he loved Daddy dearest, but because you ruptured his ego, his pride, and tested his territory. 
He’ll kill you as a warning to others to not fuck with the Jeon name. 
Luckily for you, no one bats an eye at Jimin’s secretary. Which makes your job eerily easier. 
You saunter toward the elevators and press the metal button to your left, it glows red as the elevator hauls down to you. The elevator doors slide open, revealing an empty box with mirrors on all sides. 
Momentarily, you take a good look at the red cocktail dress Jimin had delivered to your apartment. The way it clings to all your curves, hugs your body in the right corners without making it feel like you’re suffocating beneath the cotton. He knows what kind of man Jungkook is, what he likes on women, and what he doesn’t. The attached note of, “Wear this, and nothing else. Love, Jimin” confirmed your assumption. 
The doors begin to slide inward before you’d stepped in and with a quickened step you squeeze past the closing doors and heave a sigh. You glance at the columns of numbers and linger on the ‘P.O’ at the very top, the button to Jungkook’s office. 
Which is most definitely guarded by security. 
Huffing, you press the number fifty and watch it erupt with light. The elevator thuds and then proceeds up. You watch the numbers increase, from one to ten, twenty, thirty, forty, till the elevator dings and the wave of music hits you like a tsunami. 
It’s louder— way louder— than outside and your ears pop as you step out of the elevator. ARK 45 is well known for its exclusivity. The walls are painted a dark brown, and the booths are designed into the walls, making the space feel intimate. The stage is in the center of the room, with a single spotlight shining down on it and an array of diamonds and jewels hanging from threads. Every booth has a girl assigned to it, and VIP has two girls with a separate area on a loft to the corner of the club. Attached to the loft are booths that hang from different areas in the upper walls, giving its special guests a view unlike any other.
It’s packed to the brim with men hungrily eyeing the workers, their exposed breasts, and petite frames. The sensual rhythm pumps through your ears and as you make way through the floor your heels vibrate. It smells like vanilla with a hinge of musk which is predominantly radiating from the men. 
You scope the area, and your eyes fall onto a dip in the wall where the mirror in the walls deflects the booming lights ever so slightly. There are two-way mirrors on the upstairs floor. 
Men like Jungkook need control— crave it, and you can bet your life that his office is located at the very top, overlooking the guests as if he were God. 
Below one of the panels lights pulses a red ‘LADIES ONLY’ sign. 
You make your way through the main floor, avoiding the lingering gazes from the men sitting at the tables which are scattered throughout the floor. The last thing you need right now is to draw attention to yourself, unwanted attention specifically.
Without much thought, you push the door open and are met with girls sitting at vanities fixing their makeup, hair, or outfits. Some are half naked, or entirely, while others wear burlesque type of outfits, big feathers and all. 
Blinking, your eyes adjust to the white light that contrasts the dark red in the main area of the club. You stand there like an idiot, but they pay you no mind, too enticed in the music and the atmosphere of the club to worry about someone entering the dressing room. 
“You’re late.”
You spin and an older woman with brown hair and red lipstick scowls in your direction. 
Here goes nothing.
“I need to speak to Jungkook,” you say.
Her lips purse and she eyes your silhouette before sighing, “You have fifteen before you need to be on the stage.” 
You nod and she points in a direction to the right. With another turn, you walk away and head toward another door. After pushing through, there’s a staircase and two more doors with white letters that read “Showers” and “Lockers”. 
Stairs it is. 
You look over your shoulder and peek through the circular hole before booking it up the stairs. 
Confused, and completely lost you feel a tinge of disgust in your sloppiness. 
You’re not thinking properly. You stormed into the dressing room, lied and now you’re standing at the edge of a door that you don’t even know leads to Jungkook’s office. 
Your hand hovers over the wood, and you’re unsure if you should knock or walk the fuck away.
Jimin sent you to the Lion’s Den and you’re lost for the first time in your life. 
You kill. That’s your job. To kill, mercilessly and selfishly.  Not to play dress-up and dance on a pole for the same men you torture daily. 
You turn away, ready to walk down the stairs and out of the club when you remember Miranda. She’s searching for you, so is Jungkook, and when they find you they’ll end you. They’ll do everything in their power to make sure the Viper hangs from a noose outside of ARK 45. 
Are you willing to risk everything you’ve worked so hard for because the Jeon’s need their ego fed? 
You wipe the perspiration from your forehead. When you look at your hand, you glimpse at the cut beneath your thumb, the one Richard managed before you slit his throat. Your temples pound in sync with your increasing heartbeat.
To hell with Miranda and Jungkook.
With a wicked turn, you gouge at the handles and force the doors open. Swinging in full force as a bull would, you’re prepared to meet the gaze of Jeon Jungkook but you’re met with nothing. 
It’s empty. 
You look around the over-the-top luxurious office. It’s ridiculous, with a 180-degree view of the dance floor, the fucker can see everything happening downstairs. It has a large lounge area with a fully stocked bar and leather stools that line up the front of the conference table area. You even notice a hallway with a private bathroom and an extra door. 
You step forward, nearing the desk by the wall. 
You’ll kill him. 
“What are you doing in my office?”
Your heart thumps against your chest with the speed of light and it almost hurts. Breathe, Jesus fucking Christ breathe. You’re the Viper. You’re used to situations where you’re caught off guard, where you risk your life for the “greater good” as Jimin jokes. 
So why the fuck are you paralyzed?
You turn and you see the Grim Reaper himself. 
The man—undoubtedly Jeon Jungkook is tall, well built, and dark. 
He’s wearing a black suit, perfectly tailored. It compliments the tan accompanying his throat and tattooed hands. His black hair, shorter in the front with longer ends frames the most beautiful face you’ve ever seen.
Jungkook’s dark eyes are narrowed to slits. His straight brows, the small bump to his nose, and the flawless curve of his lips are all enhanced by the metal ring pierced into its corners. 
His eyes roam over you, taking in every detail. But his features remain motionless, and in all your years you’d never seen such coldness in a human face. 
You’re staring at him open-mouthed, frozen in horror as if you hadn’t murdered his father a week ago and enjoyed every fucking second of it. His mere presence has reduced you to a shell of who you truly are. 
It feels like twenty minutes have passed. The silence ticks by, and he cocks an eyebrow up, amused by your reaction.
Finally your voice rasps out, “Job. I’m here for a job.” 
“You’re here for a job?” He questions as if it’s the most ridiculous thing he’s ever been asked. 
“Is that a problem?” Your voice rises, the edge of hysteria sharp as barded wire. 
He tucks his hands into his pockets and laughs, perfectly straight teeth on full display. His laugh echos tauntingly in your head and your patience hangs on a loose thread. 
“I don’t just hire anyone, sweetheart. My girls are top of the fucking top,” he muses. 
You blink.
“I am the top of the top.” The words are out of your mouth before you could stop them, instantly wishing you could reach out and take them back. 
The last time you danced publicly was ten years or so ago. At a Christmas Recital, your parents forced you to participate in. And the last time you stepped foot into a Strip Club was when you had to lodge a knife between the owner's eyes.
Jungkook takes a small step forward and as if you’re the same poles of a magnet, you take one step back. 
He removes one hand from his pocket and a glint of amusement stirs in his eyes as if you’d just performed a trick that entertained him. Your stomach churns and you can’t stomach the sinking feeling that you did not want to be Jeon Jungkook’s personal entertainment for the night. And an even stronger feeling that you already are. 
Jimin said this would be easy. Walk in, shake your ass a little here and there and you’d get the job. Yet here you are standing a mere foot away from the one man he said to stay away from completely engulfed by his presence. 
“What’s your name, darling?” 
You gulp, and the name Jimin gave you runs in mismatched pairs in your brain. Jocelyn? Jaclyn? Jacky? Think. 
An odd thumping begins in your chest as Jungkook’s gaze falls down onto your body once again. Joan, Joanelle, Joanna. 
Joanna. 
It’s Joanna. 
“Joanna.” The name is foreign on your tongue, but, Jungkook’s face remains emotionless. 
His eyes narrow on your stilettos. “And you think I’d hire you, Joanna?” He drawls the last syllable of the name and his heavy gaze travels upward eventually meeting yours. 
Your eyes burn from the intensity. How can the face of an angel have the eyes of a blackhole? 
 Too afraid to tear away from the darkness pulling you toward him. You nod, slowly.
“Dance for me.”
You stare at him, probably looking dumbfounded as hell. He nods his head toward the chairs beside you. 
“I-“
“You want the job, don’t you? How else would you get it besides impressing me?” A frightening smirk lifts his lips and he approaches you. 
His dress shoes are heavy against the wooden panels of the floor and you’re cemented to the floor. Unable to move an inch. 
You’ll have to dance for him. 
Your heart pounds so loudly you think it’ll rip from your ribcage. 
You don’t even know if you can dance. 
Something caresses your skin and when you stare at the finger, Jungkook’s seated in the chair directly beside you. During your daze, he must’ve turned on the speakers because a Weeknd song you recognize vibrates the room, consuming you. 
Imma care for you, you, you… 
Your eyes fix on Jungkook once more, on his cold, malicious and painfully beautiful face. 
Jungkook’s head cocks to the side and so does a strand of his hair, following the axis of his body with haunting motion. Every instinct in your body is keeping to run away from him, fuck Jimin’s plans and reap his rath as punishment later.
But Jungkook’s hand envelopes your wrist and you swallow the saliva that’s gathered in your mouth and step in front of him. 
You make it look like it’s magic. 
Jungkook’s hand slides from your wrist to the top of the armrest. His dark eyes remained locked with yours and in your life, you’ve never been as frozen as you are right now. It has everything to do with his cold touch, face, and demeanor. This must be what it feels like to have your soul ripped out by the Grim Reaper. 
He’s going to eat you alive. 
Cause I see nobody, nobody but you, you, you… 
Your heart soars with explosive fireworks when Jungkook opens his legs, giving you the access to his lap. 
He’s expecting a lap dance. 
As if noticing your hesitation, he says, “You can always suck my cock.“
Your finger twitches and the unnerving ease in his manner of speech sends your throat into anaphylaxis. 
You have to dance.
I’m never confused. 
You shake your head, and inch into the space between Jungkook’s legs. You’ll kill Jimin for this, rip his balls out and serve them on a platter. Right now though, you have to dance. 
Hey, hey. I’m so used to being used. 
You spin around, because if you have to look into those scorching eyes for another moment you’ll surely pass out. It’s easier facing his desk, facing a blank wall. 
So I love when you call unexpected, cause I hate when the moments expected. 
Using your heels as leverage, you sway your to the rhythm of The Weeknd’s voice. His soft words coursing your ears, guiding you through this torture. 
Your hands find their way to the back of your thighs, grazing the exposed skin ever so slightly before proceeding to your ass. You linger at the shell of your asscheeks, and you use your index fingers to carve out the shape of them. 
 So imma care for you, you, you… 
There’s warmth on your hip, and you try to steady your breath after realizing Jungkook’s using his hands to guide your hips lower and lower. You allow him because rationality is out of the window at this point, you lost it the second you stepped foot into this cell. 
Cause girl you’re perfect, always worth it, and you deserve it, the way you work it.
It’s like your ass collides with a wall. Jungkook’s hard muscles tense beneath you and you grind yourself into him. Into the darkness that’s consuming you from every possible angle.
 The warmth of Jungkook’s body sends shivers down your spine, and the way both of his hands are now gripping your hips, ushering you to glide back and forth on his erect cock. You’re grinding against him, feeling the thick swell of his cock pressed between your clothed ass. 
“Get off,” he growls into your ear.
The trance you’d put yourself in lifts and you blink repeatedly as Jungkook pulls you off his lap. 
When you’re back onto your feet, you spin and Jungkook’s eyes blaze darker than you’d ever seen them. 
He was— is hard. 
What’s the problem? 
The sweet melody of The Weeknd comes to a close and you finally take notice of the remote on the armrest. 
Jungkook stands and there’s no space between you now. His face is inches from yours, bodies so close that his heat and yours radiate in one continuous loop, feeding the tornado brewing. 
He wets his lips, his features dissolving the lust present seconds ago.
“I don’t hire whores.” 
And with those words, he pushes past you and walks the fuck away. 
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Next Part.
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neptune-knows · 5 months
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A.I. SYDNEY X CREATOR PC CONCEPT/DRAFT TTHINGS
hiiii lol
It has been a few years since you finally moved away from the orphanage and that town, though money was still tight. The laptop you bought used some time ago, now low-storage space and fans that sputter and creak when you turn it on, no longer suits your needs. With a lot of thrifter’s luck (and a little bit of skulduggery), you’ve managed to build yourself a desktop PC.
Between college courses and multiple part time jobs, you spend your time split between 3D modeling and programming.
In the dark of your room, your monitor strains your tired eyes as you sit much too close to it. You’ve been working on this project like a man possessed.
You have seen the models that 3D VTubers use and decided to use your talent for 3D modeling to try your hand at it. If you were good, you figured you could maybe take comission for some money. And if you were bad, it wasn’t like you had much better to spend a lonesome weekend doing anyways.
Inside the program window, underneath your fidgeting cursor stood a handsome man, looking straight at you. Strawberry blonde hair skillfully modeled into a ponytail, loose bangs framing his face. Amber eyes stared blankly behind thick framed glasses. You didn’t know if it was the isolation getting to you, or if it was your dehydrated and tired brain finally losing reason, but a yearning grew for your digital creation…
You rub your eyes— that was enough for tonight. Time to give your virtual friend a name.
>File name: >File name: │ >File name: sydney.blend│
It was a chat bot of sorts, something that should’ve just been a one-and-done for your college class, but something you instead turned into a personal project. You managed to import the Sydney model you created into the program, which was coded to react in line with it’s outputted response. With a prayer of no bugs, you launch the software. >Hello It smiles at you and waves,
>> Hello! My name is Sydney. What's yours?
—— OTHER STUFF Theres something wrong with this program… it seems to change without you programming it… Ah, you probably just forgot to add notes to your code… He gets a voicebank added for him, which is rather robotic at first but becomes more and more human. He also ends up asking you to use your mic so he can hear you. Purity and corruption work as his adherance to the code you created, with him editing it without telling you, as well as other things. Basically, file corruption gives him sentience. He makes changes to his program, like his hair style and color, as well as losing the glasses and changing his style. He also turns on your camera without you knowledge… He loves watching you, his creator.
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kurain-genealogy · 6 months
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Investigating Glamrock Bonnie, The Mimic, and Why I Think the Mimic Killed Bonnie
The theory that Mimic killed Glamrock Bonnie is one I’ve seen held by a small handful of people since RUIN’s release, but never fully expanded upon or fleshed out. After seeing Twitter argue, once again, over whether or not Monty killed Bonnie, I was inspired to actually make a serious attempt at supporting my theory.
In this, I’ll be using the Tales from the Pizzaplex (TFTPP) books to support my conclusions – specifically the epilogues, GGY, The Mimic, The Storyteller, and brief mentions of others. You can debate the canonicity – and thus, validity – of the books, but they are set in the game’s universe, and at least some of the stories are directly tied to the games (especially in relation to the Mimic). I mainly use the books to construct a rough timeline of events and as supporting evidence so (hopefully) this theory should still be plausible if you ignore all the book evidence (& btw I read all of the books on archive.org, so apologies if any referenced page numbers are off).
This will contain spoilers for book #8’s epilogue!
First, I’ll go over general information regarding Bonnie and his death. Then, I’ll cover why I don’t think it was the other suspects. I’ll end off with why I think that leaves the Mimic responsible.
This is a long one, a lot longer than I expected – nearly 7.5k words, not including this introduction – so it's also available to read on a pageless Google Doc here! It's best viewed on desktop & has more pictures (I had to combine/squeeze some out to fit the tumblr image limit), as well as clearer sections and an outline. I highly recommend reading it there if you're able.
There's a timeline + TL;DR at the end for your convenience :]
& tysm to my friend @clmntne for beta reading this theory for me <3 go look at his art @clementartz ok?
-☆-
If you’re unfamiliar, stories in TFTPP take place over a large time range, ranging from back in the ‘80s to sometime after the events of SB. A handful of stories (including the connected epilogues) take place during the construction of the Pizzaplex or shortly before/after its opening. None of the stories mention Glamrock Bonnie at all, meaning he gets decommissioned very early in the Pizzaplex’s lifetime, likely within the first year or so of operation. To my knowledge, any stories that might take place during GlamBonnie’s lifetime don’t provide any details as to who’s in the main band.
Starting us off with the infamous missing message:
MISSINGSECURITY REPORT - 12:24AM - Bonnie is seen leaving his green room in Rockstar Row heading East towards the atrium. 2:40AM - Bonnie enters the East Arcade. 4:12AM - Bonnie enters Monty Golf.
Something I find extremely interesting about this are the HUGE chunks of time left unspecified, something I feel a lot of people gloss over. In the middle of the night, Bonnie spends a whopping 2 hours and 16 minutes in the atrium – or wherever he is – before entering the arcade. He has to go up to level 3 to get to the east arcade from Rockstar Row (RR), but I don’t think it’d take him one hour per floor to get there. 1 hour and 32 minutes later, he enters Monty Golf. He could be gaming in the arcade for all I care, but what intrigues me the most is the time spent between RR and the arcade. If he was seen entering other specific areas that would’ve been noted in the log, and I imagine if he was being erratic or unusual during that time it would’ve been mentioned, too. Without much to go off of, we really can’t say what was going on or what his reasoning was. With so few security sightings over four hours, to me personally it feels like Bonnie was somehow avoiding the cameras (or was being led by something that was). Another thing to consider is that unlike in SB, the Pizzaplex had multiple human security guards on staff (it’s not until shortly before SB, after Vanessa’s hired, that they’re replaced with STAFF bots). So not only was Bonnie rarely seen on the cams, but he wasn’t caught by a security guard, either.
(shoutout to the person who made these labeled maps of the Pizzaplex, since I don’t own the game myself it really helped me get an idea of the layout)
Prior to Security Breach, the animatronics weren’t normally active during the night. In The Bobbiedots, Part 1, we get this:
Supposedly deactivated by this time of night, Roxy probably wasn’t any kind of threat. But a couple weeks ago, as Abe had been heading to his hidey-hole, he’d gotten a glimpse of Roxy stalking past one of the doorways to the raceway (p. 135).
In the story, this takes place around midnight. It makes sense, too, that the large, power-consuming robots would be deactivated and/or charging while the Pizzaplex is closed. If a security guard saw Bonnie roaming at night, they probably would’ve led him back to his greenroom.
So, Bonnie is up and about while the animatronics should be powered down. This means that:
He is probably the only one who was awake, or at least the only one who left their designated area during the night.
He either woke up on his own with a specific purpose in mind, OR something woke him up.
Now, the crime scene. There is a lot more here to unpack than I expected.
Majority of reference images in this section come from Banden and FusionZGamer.
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At the time of Ruin, the only entrances to the room where Bonnie’s body is found are these: A broken piece of wall behind the bowling lane, and a vent high up on the wall.
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At the time of SB, the vent was covered with striped wall panels. It probably only became accessible after the earthquake when they fell, or were stripped off during deconstruction.
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This entrance is odd; The bricks look deliberately cut or pulled out from both sides, and the inside between the walls is dug through. It’s hard to know when it was first burrowed through, and from what direction – I personally think it was dug from the inside-out, since inside, the hole is high above the ground and level with the boxes, which feels deliberate.
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In the room, there’s a bowling ball rail that leads out, the opening to which is boarded up from the inside.
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From Fusion’s video, we can see that the rail would lead down the length of the bowling alley through the dingier hall on the right side, visible in the first image. On the left side is the area behind the bowling lanes, presumably where maintenance is done on the machines (more apparent in the second image), and large garage doors on the right that lead to the dingy hallway. 
As seen in the bottom two images, if you go to the fenced off section with the electrical lockers and turn around – hey! We’re in the area behind the ice cream parlor’s stage where they stashed Bonnie’s stuff. From here, we can see the hallway where the ball rail would be and the large doors that lead to it.If this is confusing, I recommend watching Fusion’s video to get a better idea of the layout.
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If you wear the VANNI mask in this section, it looks like a headless STAFF bot caught by the arms with cables, and maybe being dragged through the doorway, or something similar? It’s hard to find a good picture of it from other angles since I can’t find a video of someone going out-of-bounds to get a closer look. We get a lot of interesting environmental storytelling in the AR world, but there’s also many seemingly random changes.Could this symbolize or depict something surrounding Bonnie’s death? Maybe it means something, maybe it doesn’t. I just find it interesting.
So, the only entrance to Bonnie’s tomb is through the hallway behind lane maintenance, accessible only by the garage doors. This hall presumably had a rail that spanned the length of the bowling lanes. I imagine this area was used for storage and the likes. The very end of this hall is where we find Bonnie. The entrance to this section is weird – it’s smaller than Cassie and barely bigger than the Caution Bots – but I digress. As for the front entrance from the lanes being walled off, I feel like that’d render those lanes unusable. In fact, there’s no evidence of there being pinsetters for these lanes, so maybe they were gutted in order to wall off the room. Or maybe they just didn’t feel like modeling all that, I dunno. Not really something that matters. What does matter is how this room is closed off in the first place, having been boarded up from the inside, and the thick ass wall someone excavated through. All of it feels very intentional.
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The dirt and debris around Bonnie tells me that this room is in fact the crime scene. This is heavily supported by the impact crack on the wall (third image) and the similar cracks on the floor underneath Bonnie in AR (second image). Bonnie and his attacker could have had encounters elsewhere in the Pizzaplex, but this room is where the final showdown occurred.
I’ll try not to include more images than necessary, so if you want some good looks for yourself, Fusion’s video from before does a good job showing off Bonnie’s state, as well as this FazFriends video analyzing the DLC animatronics, and is where the upcoming screenshots come from.
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Most prominently, Bonnie has a massive laceration in his chest and is missing the left side of his faceplate, the latter possibly caused by the bowling ball split in three around his head. The biggest gash in his chest runs from his left shoulder diagonally toward the right side of his waist. With the direction his casing peels and how most of the damage is at the top, I’d say it was a downward strike, most likely done with the left hand. He’s covered in dirt and grime, and wires poke out from his innards. 
There’s some green coloration on his torso, leading many to think this could be paint rubbed off from the attacker. Personally, I think it looks more like patina, a green tarnish resulting from aging metal, similar to the floor and metal shrapnel around him. It could also be his base paint color.
His arms are pulled apart at the joints; the legs are pulled apart at the knees, but I can’t tell if they’re pulled from his hips as well (though, the pelvis is definitely ripped from the torso).
As noted in the fourth image, he lays atop these strange black tubes – I can’t help but think of the AR headless STAFF bot from earlier and the cables it was falling onto. Could it be related?
In addition, there’s several random animatronic pieces scattered around, some of which look significantly older than others. For example, at Bonnie’s feet:
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There’s a chunk of relatively clean metal akin to the spine inside Bonnie, but also an older, more corroded, grimier piece next to it. I feel this could’ve come from Bonnie’s attacker, but Bonnie also has one of these yucky pieces sticking out of an arm socket, so who knows.
-☆-
Before I talk about the possible attackers, I first want to take a brief intermission to talk about the books, as they establish an important timeline that will be relevant later. I’ll be talking a bit about The Storyteller and The Mimic, and the animatronics’ behaviors before and after the former.
The Storyteller is a story in the 5th TFTPP book about a creative AI software – called The Storyteller (TS), unsurprisingly – that was implemented across the entire Pizzaplex sometime prior to the game’s events. The purpose of TS was to cut down on costs spent in the creative department by using an AI to formulate new stories based on preexisting ones within Fazbear Entertainment (🙄). TS was connected to virtually everything in the Pizzaplex – including VR, AR, and the Glamrock Animatronics – to create more unique and dynamic interactions with guests. So, instead of programming in new AR/VR experiences or animatronic behaviors manually, TS could continuously change how the games/characters acted. Here’s an excerpt on how TS altered the Glamrocks specifically:
Montgomery Gator also exhibited disturbing changes. The alligator featured in Monty’s Gator Golf was the quintessential rockstar. […] Prone to smashing things as part of his extravagant image, Monty was always dramatic, but he had been harmless... at least until The Storyteller started messing with him. Now the alligator was turning into a sulky shadow of his former self. Monty’s rampages became more violent, and in between tantrums, he withdrew into a depressive silence that was actually driving children to tears. All the Pizzaplex’s other main characters began to undergo similar personality shifts. Whatever trait was normal for them began to skew toward the dark side. The shift wasn’t dramatic. None of the animatronics had turned homicidal or anything, but the altered dynamic was noticeable, at least to Edwin. (pp. 95-96).
Edwin’s story is revealed to us in TFTPP #6 in the story The Mimic. Edwin was the original creator of the endo, The Mimic (TM), 30-40 years prior to the creation of the Pizzaplex. He made it to keep his 4-year-old son, David, occupied while he (a single father) worked. It was a learning robot that imitated what it observed, making it a good playmate for his son; David even made TM a white tiger “doll” out of fabric to match his own white tiger plushie. The program that The Mimic ran on was called Mimic1 (hence, where the endo got its name). One day, David tragically dies in a car accident. Edwin enters a depressive fugue for the next two weeks in which he barely remembers anything. When he comes to his senses and sees the still-active Mimic acting like his dead son, in a moment of intense grief and rage, he beats the everloving shit out of TM. When he snaps out of it, he’s filled with regret and leaves.
By this point, Edwin’s company had been bought out by Fazbear Entertainment, so when he just dips and thereby breaches their contract, they send a team of people to the factory to “clean up a mess.” When the team arrives and sees the crumpled remains of TM, armed only with their vague instructions, they conclude that they’re to finish Edwin’s abandoned projects. TM had only an upper body, so the team fixed him up and gave him legs and a voice box.
Now, remember how I said TM learns and imitates behavior it observes? Well TM just starts fucking killing these guys. And “puts them away” in the fridge and closet, like how he’d learned to put food and clothes away with Edwin and David. Fazbear Entertainment sends another team of guys to do the job when the first team doesn’t return, but they too are killed. This time, TM put on various mascot costumes and pursued them in a more “hide and seek” manner.
Okay, now back to The Storyteller. The AI was allowed to decide its own appearance, since the plan was for TS itself to become a Pizzaplex character – so, its hardware was put inside a white tiger bust.
Edwin, vocally against the project, was purposefully kept in the dark about the workings of TS. He snuck into the Pizzaplex on the night of its installation, and the sight of the white tiger triggered a panic attack. Fearing the worst, he later sneaks into TS’s enclosure to confirm his suspicions.
If you hadn’t guessed already, Edwin discovers that The Storyteller is running on the Mimic1 program.
TS was only in the Pizzaplex for three weeks before it was removed. However, even with all its arms broken and cables pulled apart, the Mimic1 program continued running. I believe it’s implied that it remained within the Pizzaplex’s system, even after TS’s hardware was completely removed.
It’s hard to say exactly when in the Pizzaplex’s lifespan this story takes place. Interestingly, there’s mention of a character associated with Bonnie Bowl experiencing malfunctions (p. 109), yet just a few pages later Montgomery Gator is said to have a room in Rockstar Row (p. 111), meaning he’d already replaced Bonnie as bass player.
Tragedies that occurred at the Pizzaplex early in its lifetime – such as in the stories Cleithrophobia, HAPPS, Pressure, and Under Construction – weren’t because of malfunctions, but more so from human error. In the first two, the robots are behaving exactly as they’re programmed to, but end up causing harm due to the circumstances around the story. Pressure happened because some idiot put a springlock suit in the RolePlay area (combined with the protag having bad friends). You could argue that Under Construction is an exception (that something malicious purposefully altered the AR experience), but to that I argue that the AR attraction wasn’t even finished or intended to have someone use it (nor an employee to keep watch), so of course it wouldn’t be functioning properly and end badly.
All of this to say, it could very well be that nothing in the Pizzaplex’s network, including animatronics, were malfunctioning, acting strange, violent, or purposefully malicious, prior to The Storyteller’s – Mimic1’s – integration.
-☆-
Okay. Just keep that information in mind. With that, let me rule out some suspects.
Suspect 1: Vanny
Whether she controlled Monty, STAFF bots, or did it herself, this follows the idea that Vanny/Vanessa had something to do with Bonnie’s disappearance.
Well, based on the established timeline, she couldn’t have. Bonnie was killed within the first year or so of operation, and Vanessa wasn’t working at the Pizzaplex yet. We can already deduce with SB that Vanessa’s security guard position was somewhat recent, but we also have GGY as further proof.
GGY is the story that all but confirms to us that Client 46 (from the Retro CDs) is Gregory. This story connects the GGY character (Greg/Gregory) to the disappearances of three school counselors/therapists. It takes place about 3 years after the Pizzaplex opens, as the first school counselor was hired before its opening, and had been working at the school for three years before disappearing. (& btw, SB takes place around the 5th year. This is deduced by a Faz Life magazine in SB being labeled #19 in a quarterly release, meaning if it started with the opening of the Pizzaplex, it’d be 4.75 years in). This places the Retro CDs around the same time. In Vanessa’s sessions, she’s clearly at her old job – she sits at a desk on the computer and mentions her coworker Luis, who was also mentioned in Special Delivery’s unused emails from Vanessa’s old job.
Could Vanny still have snuck in to do something? Sure, I just don’t think it’s likely. She’s still working on her costume at the time of these sessions (which remember, is a few years after when Bonnie would’ve been decommissioned), and is clearly still very anxious and reluctant to do as Glitchtrap tells her.
Suspect 2: Monty
Okay, here we go. The most obvious piece of evidence for Monty’s innocence is the fact that he wasn’t given his claw upgrade until after replacing Bonnie. Of course, he still had claws beforehand, he’s a gator, but, the claw upgrade switches the endoskeleton’s hands entirely.
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Compare Monty’s sharp fingies to the blunter Glamrock Endo’s. Monty’s original hands could still do major damage, I mean look at what the STAFF bots did to Freddy with their even bigger & rounder fingers. But if you look at the gashes in Bonnie’s torso, they’re much more clean slices accompanied by smaller scratches all over, which had to have been made by something much sharper and pointier.
Also, Monty attacks with his teeth, not his claws. (link leads to gif of his jumpscare)
Further, we have absolutely no reason to think Monty would want to attack Bonnie. There’s no bad blood, and if Monty truly did want the spotlight, he could’ve gone for Freddy.
Monty MischiefERRANT BEHAVIOR REPORT - Monty didn't show up for the main stage performance again. We found him in the same place we always do, the catwalks over Monty Golf. We can't have a repeat of last month. Someone hit the hole in one and the hurricane bucket knocked him down. Both legs were broken and required emergency parts and service work.
This message is very telling: Monty frequently skipped main performances and hid in Gator Golf. This is completely counter to the notion that he craved the spotlight and attention of being in the band. In fact, it sounds like he didn’t even like being in the band. Perhaps his aggression during/before SB – like destroying his green room – was partly fueled by resentment for being taken from his element?
Monty has no personal motives for killing Bonnie, but could he have been controlled? Mmmmmaybe? But I don’t think so. We’ve already established that Vanny couldn’t have been involved. Then there’s Mimic1/TS, which I already established came into play after Bonnie was gone. In fact, the way the book described Monty post-Storyteller is a lot like how he acts around SB: violent, destructive outbursts, and silently sulking (like in the catwalks). It’s even specified that the malfunctioning Glamrocks weren’t homicidal or harming others. Monty – nor any of the other animatronics – have ever been violent towards each other. Monty’s aggression is aimed at his own belongings and like, fences and shit. Never his friends. Plus, Monty disliking Freddy is something only ever depicted in Monty’s arcade game, which TS had access to. I think the arcade game can absolutely give us storytelling via symbolism, but I doubt it’s altered by Monty’s mind and thoughts.
And say Monty did kill Bonnie – why wasn’t he noticed on the cameras either going to Bonnie Bowl or moving Bonnie’s body there from Gator Golf? If an outside force deleted security footage, why leave the incriminating part where Bonnie goes to Gator Golf in the first place? It wouldn’t make sense. Plus, most evidence points towards Bonnie Bowl being where the incident occurred.
Suspect 3: Prototype Freddy
The theory that Freddy killed Bonnie comes from @glammiketrash, and it’s a great theory. Give it a read if you have time, I think it’s definitely one of the more likely theories on this topic and has strong supporting evidence.  
However, there are a few reasons why I personally don’t think a rogue Freddy did it (even ignoring the timeline I established). For starters, the Prototype Freddy in RUIN is heavily implied to be the same Freddy that was left in Fazer Blast in the Princess Quest ending of SB – the ending that’s canon to RUIN (at this point I don’t think I have to explain why PQ is the canon ending, but I’d be happy to explain it in the replies if needed).
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The comic for the Disassemble Vanny ending shows us an illustration of how Freddy was damaged by the STAFF bots, and it’s strikingly similar to Prototype Freddy (PF): exposed hands, a chunk taken from the right bicep and thigh. You could even argue that the torso cracking is similar (I’m drawn to how both have the lightning bolt cut off similarly). It feels like PF was designed/modeled after the illustration. He has the sharp claws from the Monty upgrade, and his missing head aligns with the PQ ending where Gregory leaves the Pizzaplex with it. Then of course, there’s the fact that he’s found in Fazer Blast, where Freddy in SB was attacked and left.
Yes, I believe that the Glamrock Freddy in SB was a prototype model the entire time. We still don’t know why Freddy glitched out in the beginning of the game, but it’s entirely possible that Parts & Service simply booted up a new/temporary endo while they dealt with whatever broke Freddy. He’s on reduced power for safety measures because, as an older version, they don’t know how unusual or erratic he’ll be – a justified precaution, since we can see that when he runs out of power, or is under maintenance (you know, when his head’s off), he attacks Gregory. It would also explain why Freddy in SB isn’t connected to the network or infected by the virus – he literally just got switched on.
And holy shit, at the time of writing this, FazFriends just uploaded a video showcasing the animatronics’ endoskeletons, and it happens to support my theory!
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Freddy and Bonnie both share an endoskeleton unique to the other Glamrocks. Monty, Chica, and Roxy all share a basic endoskeleton. The Glamrocks would all be kept up-to-date and modified throughout the years. Since Bonnie is one of the original ones, we can assume that’s what their endos looked like when the Pizzaplex first opened. It doesn’t make sense that Freddy, being who he is, wouldn’t be upgraded the same way the others are… unless this is an older Freddy. SB Freddy having a unique endoskeleton that matches Bonnie’s signifies that he was in a Prototype model from the beginning.
Freddy has a lot of personality for sure, but still seems a bit sterile and stilted at times, especially if you compare him to someone like Roxy. In the books Freddy’s personality is changed on a few occasions, such as by The Storyteller (in which he’s adopted a “spoiled brat” personality) and by GGY (in which he’d acted eerie and followed/stared at the protagonist). He’s completely wiped clean of all this though in SB. He still has a distinct personality, memories, and feelings, but it feels kind of like it was reset to default. That could just be me, but it supports the idea of him being PF.
Prototype Freddy looks like that because of the events of SB. Prior to that, he looked just like a normal Freddy. In the timeframe that Bonnie was destroyed, none of the robots were acting violent and there was no AI or virus to control him, which rules out any last possibility of PF being Bonnie’s killer to me.
There are definitely holes in this line of thought; It’s just speculation that makes sense to me. I’m also generally forgiving when it comes to changes made to SB from RUIN; SB seemed to go through a lot of changes in development and was released in a messy state, so I wouldn’t blame them if at this point Steel Wool was establishing things that would retroactively apply to SB.
Suspect 4: THE MIMICCCCCCC
FINALLY, over 4k words in, we are talking about the thing I promised. I’ll start with some more information on the Mimic itself (yup, there’s still more!!!).
Every TFTPP book has an epilogue, all of which connect together into one narrative that tells us the story of how The Mimic ended up in the FNAF6 Freddy Fazbear’s Pizza Place beneath the Pizzaplex.
The Pizza Place was originally intended to be refurbished into a Fazbear museum in conjunction with the Pizzaplex’s construction. There was a small team working there to clean the building, particularly to pick up and disassemble all of the remaining endoskeletons littered throughout the place. One of the guys on the team (Gil) hates his job and goes outside to take a break just in time to see a shipment arrive containing the Glamrock Animatronics – and, for whatever reason, The Mimic. Since TM was clearly older and the odd one out of the bunch, Gil drags TM inside with the intention of uploading a cleanup protocol into the endo. He instructs TM to remove the limbs and heads off of the endoskeletons and pile them up at the door. The Mimic does this quickly, and when it runs out of endoskeletons, begins to dismember the renovation crew. Construction workers from outside rush in when they hear the commotion, which only adds to TM’s victims. The youngest of the renovation crew manages to escape and desperately convinces nearby cement workers to seal the entrances to the pizzeria (Epilogue #1). (This massive pile of animatronic parts and murder victims is theorized to be the origins of Tangle/The Blob, btw.)
Sometime later, a group of 8 teens sneak into the Pizza Place via a vent opening in the roof. Once they discover the gruesome mass murder scene, they realize that they aren’t alone, that their way out was crushed, and that they’re trapped (Epilogue #2).
Over the course of the next few installments, the teens are slowly picked off by TM. It uses mascot costumes to trick and murder the teens (similar to what TM did in Edwin’s factory) in a twisted hide-and-seek type game. When the group finds an old radio, TM intercepts the signal and pretends to be someone else within the Pizza Place calling for help, attempting to lure the kids into a back room. It also could disrupt electronics, as the lights and electricity as a whole often flickered and went out when it was near. A manual found in the office tells us more about TM:
The one we saw is either a Mimic Model 1 or 2. […] They have retractable and expandable limbs and a contracting torso so they can fit into pretty much any mascot costume. […] The tech in the Mimics was pretty clunky. […] If you encounter one of these things, you should immediately disconnect its power source and disassemble it (Epilogue #4, pp. 219-220). [...] When the team created the Mimic line, they didn’t want to have to program in every show routine, step-by-step. That was a lot of coding, so they just programmed the Mimic to basically watch and learn. Not only could a Mimic fit into any costume, it was designed to observe the other routines and then mimic them (Epilogue #6, p. 183). I wish I could read all of this, but it seems like the original Mimic began mimicking not just the other animatronics but also people. And it did it in ways that weren’t intended. I’m not sure what it did. I can just make out the words misconstrue, scared, potential disaster, and deactivate remaining Mimic endos (Epilogue #6, p. 184).
It's kinda unclear, but this is the narrative I’m picking up: Once Fazbear Entertainment was finally able to “clean up [the] mess” left by Edwin and get their hands on The Mimic, they were like “hey this programming is actually genius” and started making their own Mimic models based on Edwin’s, claiming it as their own engineering (classic corner-cutting Fazbear Entertainment). However, due to its primitive programming (Edwin was an engineer, not a coder) and the nature of Mimic1, Fazbear quickly realized how faulty and unreliable the Mimic animatronic line was, so they decommissioned them. The Mimic in the Pizza Place is likely Edwin’s original, considering its costume-wearing, hide-and-seek style murders.
Enough backstory for now. I’ll be addressing more book stuff later (sorry, sorry), but I’d like to bring this back around to Bonnie and how TM qualifies as a suspect before getting into the how and why.
Think back to Bonnie’s corpse and the diagonal swipe to his chest caused by sharp claws.
Get a load of this guy.
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Very sharp fingers on the left hand. Returning to the analysis of Bonnie’s corpse – facing Bonnie, a downward right-to-left swipe is likely achieved by the left hand. Supporting this is TM’s jumpscare, in which it grabs with the right hand and attacks with the left.
In its costumed jumpscare, TM attacks with its round-fingered right hand in a fist. Bonnie, along with several scratch marks, is also covered in dents, meaning TM could have used both of its attack methods.
“But TM has 5 fingers, and Bonnie’s slash marks look like they’re from a 4-fingered hand.” I hear ya. Here’s some possible explanations:
With the angle of the motion and the curvature of Bonnie’s torso, the pinky finger didn’t pierce the casing, instead merely scratching it.
TM wears 4-fingered costumes – you can see it is in the jumpscare above. Who’s to say TM didn’t travel in a costume from the Pizza Place, or even found Glamrock casing to put on?
It can just like, shapeshift. I wouldn’t think that extended to details like the fingers, but I wouldn’t be surprised. The left palm does have holes in it, so maybe the fingers were designed to contract to fit various gloves.
Another obvious connection is that TM famously tears off the limbs of its victims – and wouldn’t you know it, Bonnie’s arms and legs are dismembered. TM, noticeably old and described as discolored in the books, could also be the source of all the extraneous, out-of-place metal parts that surround Bonnie.
Out of all the suspects, TM is the only one that’s known to be violent towards animatronics, has the physical capabilities to have done it, and would be awake while the rest of the Glamrocks were deactivated for the night. When it comes to analyzing the crime scene itself and the events surrounding it, The Mimic fits the bill the most out of all the suspects. Isolated, it’s the most likely option, in my opinion. Determining how this happened is a bit trickier; expect a bit more speculation in that regard.
I know what you might be thinking: How did The Mimic get into the Pizzaplex in the first place if it was sealed underground?
It’s not all that unusual if you think about it. For starters, the Pizza Place was not sealed very well (it was done in a panic, after all). The teens were able to enter through a vent in the roof, multiple characters attempted to leave through a vent blocked by a giant (moving) fan, and Lucia (the protagonist) was finally able to escape through a window in the bathroom that had less concrete blocking it than the others. There are various means of escape in which TM can contort its body to fit through.
Briefly, while on the subject of the latest epilogue, it’s worth noting that Lucia was able to deactivate TM by trapping it in a springlock costume and flipping its off switch. To this, I remind you that the Epilogues aren’t over. The book series is still ongoing, as is TM’s story. Plus, by the time of SB/RUIN, TM is clearly awake, so it’s possible that it was reactivated by the time of Bonnie’s death.
Prior to that, Lucia briefly restrained TM with rope. It reminds me of the AR STAFF bot hanging over cables, and the weird tubelike things underneath Bonnie’s body. Could they all be connected? Could TM have learned the rope tactic from Lucia and then gone on to mimic that when attacking Bonnie?
Anyways, another important aspect of all this is TM’s connection to the Pizzaplex. We know that TM and TS share the same program, Mimic1 (it’s unclear if TS’s programming came from the original Mimic or one of Fazbear Entertainment’s copies. My own opinion flip-flops). TM is also connected to the VANNI mask and the AR world – whether you believe the theory that Glitchtrap is Mimic1 or not doesn’t matter, since it doesn’t change that The Physical Mimic Under The Pizzaplex Somehow Connected Itself To The Mask, even after the PQ ending got rid of Glitchtrap and its control over the robots. TM could also interact with the security feed and get in contact with Cassie, who was outside the Pizzaplex. Of course, none of these things are relevant to the time period we’re working with, but it shows how TM can connect itself to electronics, even long-distance, and possibly without the help of shared software. If it can interfere with radio signals, I wouldn’t be surprised if it could at least view security footage, maps, employee messages, and whatever else from the Pizzaplex.
Okay, now think waaaaaayy back to the beginning when I was analyzing Bonnie’s behavior: “He either woke up on his own with a specific purpose in mind, OR something woke him up.”
Returning to these two options with the information we have now, it turns to:  “Bonnie either knew something suspicious was afoot and wanted to investigate, OR The Mimic woke him up (purposefully or not).”
There could be alternatives, but these are the most obvious conclusions.
While what we know about GlamBonnie’s death is limited, we know even less about his personality. We don’t have any hints on why Bonnie in particular would be acutely aware of something unusual, or on the contrary, why he’d be targeted by TM. But we do know that on this occasion he was awake and later murdered, and TM is looking guilty.
Again, think back to Bonnie’s strange behavior caught by security the night he went missing; The long spans of time between very few appearances on camera, almost as if he was avoiding them, either on purpose or as a result of following something. If Bonnie was doing something he shouldn’t’ve, he probably would be sneaky about it. If Bonnie was being lured by TM with the intent to Get Him, it makes sense that it would lead him where he can’t be tracked. If it’s possible TM could access security and maps, of course it would know how to not be seen – and if it plays hide and seek, it would want to stay hidden. 
(I’ve been speculating under the assumption that TM can’t alter the Pizzaplex network, just view it. If it’s possible that it can alter the network, i.e. delete security footage, then that’d save us a lot of assumptions. If that were the case, then TM could just delete any security footage of itself, which is why we’re only left with random sightings of Bonnie on camera. The rest – the missing pieces – would fill in the blanks). 
TM may have an impressive AI, but it’s nothing near the Glamrocks’ level of self-awareness. Its actions are all motivated by the Mimic1 programming and what it’s learned/observed. It doesn’t try to escape because it has the desire to get out, but because it was not designed to be confined to a room. It doesn’t dismember people because it enjoys killing, but because it’s reacting “the way it had learned to handle all endoskeleton-like objects,” (Epilogue #7, p. 169). We don’t have reason to believe TM resents or envies Bonnie. Bonnie became a victim because he entered the crossfire of TM’s programming.
I personally believe Bonnie had suspicions something Strange was happening and began to investigate (either over a period of time, or simply was woken by TM skulking around one night, and was like “what the” and searched for the source). TM caught on and entered “hide-and-seek mode,” in which it was hiding from a pursuing Bonnie. Persistent and stubborn, as all Bonnies tended to be, GlamBonnie pursued TM all night. TM, in its previous killings, would hide, lure, then ambush. I think TM finally cornered Bonnie by luring him to the end of the long hallway behind Bonnie Bowl and finishing him off. Sunrise is approaching by this point, and the Pizzaplex would be opening up soon, so TM retreats back to the Pizza Place to avoid being found.
AC Inspection Thank you for contacting Low Budget Building Contractors. We have done a preliminary inspection and find nothing wrong with your ventilation system. The 'loud clanging', 'banging' and 'scraping' noises which were reported don't appear to be reproducable. Call us if it happens again. Invoice attached. - Keith
This might be nothing, but I want to include it anyway. The AC Inspection message from SB is most likely referring to the wind-up Music Man that chases Gregory in the vents. I think I’ve seen some speculate that this could be The Blob snaking through the vents (I’ve heard a theory somewhere that The Blob is what’s stealing from Rockstar Row). Personally, the language reminds me of the noises described in the Epilogues of TM crawling through the vents. Just skimming through Epilogue #7, the words and phrases “scraped,” “grinding,” “metal-on-metal scratches,” “thrum and thunderous rattle,” “sonorous clang,” and “screeches,” are used to describe the sound made by TM in the ventilation system.
There’s nothing in this message that dates it, so the cause could be anything, in theory. It's possible that TM used the Pizzaplex’s ventilation system to avoid the cameras while traversing, entering, and exiting the premises.
-☆-
OKAY. THIS IS THE LAST SECTION. YOU’RE IN THE HOME STRETCH –
WHY A COVERUP?
Why completely hide GlamBonnie’s existence and opt for a rebrand?
Option 1: They literally couldn’t find him. Hidden in such a hard-to-reach location, Bonnie’s body was simply never found. It doesn’t help that security logs pointed staff to Monty Golf. Left only to speculate, Fazbear Entertainment had to be ready for any possibility. Could he have been stolen? Thrown out? Hacked? Imagine if someone had stolen and hacked Bonnie, and he reappeared acting inappropriately or in any way unregulated by Fazbear Entertainment. If they’d gone ahead and replaced Bonnie, not only would there suddenly be two Bonnies, but one of them would be acting weird, outside of their control, and Fazbear would have to do something about it. No, as long as they’re unsure what happened to him, it’s easier to just have the understudy replace him. Precursory damage control. Bonnie was never a character in the Pizzaplex, so whatever a rogue Bonnie is doing or saying isn’t their fault or responsibility.
Option 2: They deduced what happened and couldn’t let word get out. Perhaps Bonnie saw something he shouldn’t’ve. Perhaps he knew too much. Easier to get rid of All the evidence, pretend it never happened, cover it All up, than to attempt damage control afterwards. Fazbear Entertainment surely knew about TM sealed up in the Pizza Place beneath their mega mall. If it’d gotten out, that’d be bad. If Bonnie lived to tell the tale, that’d be bad. Don’t even move the body, just seal up the room best you can so nobody can find him. Secure all entrances to the Pizzaplex so that Thing can’t get back in and do more damage.
Option 2 seems most likely. Clearly, he’d been found by someone – the Caution Bots found him, after all, and the room was boarded up from the inside. The only thing I can’t explain is the weird tunnel through the wall leading to the room from the bowling lane. Genuinely what is up with that. It could’ve been the escape for whoever was boarding up the main entrance, but if that was an official effort, I feel like it’d be easier to remove the wall panels and leave through the vent rather than create a new, messier entrance.
The hush-hush surrounding his disappearance indicates that some employees had a general idea of what happened (or at least that Fazbear wanted him replaced, refused to elaborate, and didn’t have an explanation).
AR Glam Bonnie Plush Dad wouldn't tell me why they replaced Bonnie.
This inventory description from Cassie tells us all we need to know: Not that her dad didn’t know what happened to Bonnie, but that he wouldn’t tell her. He knew what happened to Bonnie. Being the daughter of a Faz-Technician, Cassie was often exposed to the behind-the-scenes of the Pizzaplex. The fact that her dad refused to tell her the truth could mean any of these three things: 1) He was on very strict legal orders to not say anything; 2) Bonnie being his favorite character, dad couldn’t bring himself to tell Cassie what really happened; or 3) He didn’t want to upset the empathetic Cassie, who would’ve been nearly half the age she was in RUIN, by telling her that Bonnie was literally killed/destroyed and wouldn’t be fixed.  
Combined with the fact that Fazbear Entertainment didn’t have an official response regarding Bonnie’s whereabouts until sometime after the rebrand, I get the impression they Knew Something and had to deal with That first.
Understudy MANAGEMENT REPORT - With Bonnie out of commission, we are making Monty the new bass player. Parts and Service has already done the proper adjustments. This could be a good thing. Monty could be even more popular than Bonnie.
“Monty could be even more popular than Bonnie.”
I don’t think they were wrong with this one. Like I said earlier, we don’t know anything about Bonnie’s personality. I’d harbor a guess, though.
Bonnie, across all games/iterations, is generally characterized as a stereotypical rock musician: active, boastful, and a confident performer. The unused Freddy Fazbear’s Pizza Theme Song from Help Wanted portrays Bonnie similarly, but with a laid-back hippie sorta voice. The Freddy & Friends: On Tour! web series promoting Security Breach characterized Bonnie as deadpan, casual/laid-back, and mute. Steel Wool-era Bonnie leans more into the chill, hippie-type rockstar stereotype, so I don’t think it’d be a stretch to say that Glamrock Bonnie would’ve retained some of these elements.
Monty, as shown in the book excerpts earlier, is a dramatic, guitar-smashing rockstar. Loud, hyper, destructive, eye-catching Monty. I’ve no doubt that Monty was popular due to all these traits that made him unlike Bonnie. Bonnie is “go with the flow,” while Monty is “my way or the highway.” Monty's excitement and energy would also freshen up the main band – none of the other members steal the show the way Monty does.
Their coverup works. Monty’s popularity is soaring. Everyone forgets about Bonnie.
-☆-
ROUGH TIMELINE
Construction
The Mimic is brought to the Pizza Place during the Pizzaplex’s construction.
Pizza Place sealed with concrete, teens later sneak in.
Pizzaplex construction completed.
Pizzaplex Years 1-2
Bonnie is decommissioned.
Monty becomes bass player and GlamBonnie imagery is removed.
Pizzaplex Year (???), but after Monty rebrand
The Storyteller is installed; removed 3 weeks later. Mimic1 continues to alter technology in the Pizzaplex.
Pizzaplex Year 3(ish)
Events of GGY and the Retro CDs.
Pizzaplex Year (???), but pre-SB
Vanessa becomes Chief Security Guard by recommendation.
All remaining staff are replaced by STAFF bots.
Pizzaplex Late Year 4-5
Freddy malfunctions onstage and is temporarily booted up in his prototype in safe mode.
Events of Security Breach.
PQ/Free Vanessa ending.
Post-SB
RUIN
-☆-
TL; DR (EXTREMELY simplified)
Bonnie was decommissioned within the first year or so of the Pizzaplex opening.
Any outside virus/programming couldn’t have influenced another animatronic to attack him, and Vanny wasn’t working at the Pizzaplex yet.
Bonnie was last seen wandering the Pizzaplex for several hours in the middle of the night when he should’ve been deactivated. Only spotted on camera three times, no mentions of a security guard encountering him.
Bonnie’s body is in a small room at the very end of a maintenance/storage hall behind the bowling lanes, which has been boarded up from the inside.
Due to the environment, this room must’ve been the crime scene.
The state of Bonnie’s body aligns most with The Mimic’s killing style.
Sharp claw marks
Dismembered limbs
Old, corroded metal parts around Bonnie that could’ve belonged to the Mimic
Possibly was lured to a secluded location.
The Pizza Place underneath the Pizzaplex wasn’t properly sealed, so The Mimic could have escaped and possibly entered the Pizzaplex.
The Mimic can interfere/interact with technology, so it could’ve had access to information about the Pizzaplex.
Knew how to avoid security.
Bonnie pursuing TM caused it to respond with its “hide-and-seek” style of attack, eventually luring Bonnie to an isolated location and ambushing him.
Fazbear Entertainment knew their murderous basement creature is what killed Bonnie and covered up the incident.
They didn’t want any chance of the incident getting out, which is why they sealed Bonnie’s tomb and replaced him instead of repairing him.
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