#the villains were written fantastically
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Ok so I wanna talk about the guy we all know and hate, Abijah Fowler, because there are three scenes that do a fantastic job at characterizing him and speaking to the story’s themes.
*SPOILERS BELOW
The Chapel Scene: Fowler’s whole “prayer not prayer” is so interesting because he presents it as a business deal (which says a lot about how individualistic and apathetic he is). And honestly, that speaks really well to the use of christianity in imperialism, colonization and capitalism. If anyone here is familiar with Antoine Fuqua’s version of The Magnificent Seven (which is based on Seven Samurai), Bogue’s speech in the beginning of the film does a similar thing. In the case of Blue Eye Samurai, Fowler basically says, “we’re not friends but these people are ‘godless’ and if things go my way you’ll have a nation of souls to convert.” And I really liked that wording “a nation of souls” because it shows how imperialism and colonization, in the process of stealing other country’s natural resources, are, by design, meant to pose a threat to the entire culture and livelihood of the people that live there in order to do that. And a major way it’s done is through the spread enforcement of the colonizer’s religion over the ones of the people they invade. Which leads me to…
The Finale Monologue to the Shogun: because Fowler literally spells it out how the process of these systems, how white supremacy, is meant to twist and erase the culture and beliefs of those they invade to the point where they conform and assimilate to the invader’s culture and view them as superior. It also creates the idea of a white race in the first place that has its own ethnic and religious hierarchy that determines what the “best” kind of white is. I really liked the detail where he mentions spreading their shame because so much of white culture and its interpretation of christianity, whether or not it was the dominant form in its country of origin before being enforced on others, thrives on shame and enforcing that on other people (just look at the US). Lastly there’s…
The Famine Monologue: Something I really like about Fowler’s character is how he was written to be Irish rather than some posh English guy. It’s a nuance that adds a whole level of depth to his character and role in the story. Ireland was colonized by the English, which Fowler discusses when he mentions the Tudors. One of the ways that colonization was enforced was by replacing catholicism with protestantism. In this scene though, Fowler talks about the intentional famines that killed his parents and sister. It’s a graphic memory that shows how a victim of colonization will sometimes use the same tools used against them, to gain a sense of autonomy and control at the cost of other people’s livelihoods. This is compounded by the fact that Fowler is able to assimilate into the concept of a white race that was created to justify these systems and the oppression/exploitation of people of color that maintained them. Fowler is fictional but there were plenty of Irish people who took part in Britain’s colonization of other people one way or another. You’ll hear elements of Irish vernacular in places like Barbados for a reason to bring up a small example of the consequences of that. On a side note, this is also an interesting video on how the habitual “be” is used in both AAVE and Celtic languages.
Long story short, Abijah Fowler is a very nuanced and well written villain.
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What No One Tells You About Writing #4 (100 Follower Special!)
Have you got any that deserve to be on these lists? Don’t be shy! Send ‘em over.
Part 1
Part 2
Part 3
*This list contains mentions of assault, #4
1. Zero cursing is better than censored cursing
I made the mistake in the early days of writing a self-censoring character, and every “curse” she said just took the teeth out of the rest of the statement. I’m talking gosh, darn, dang, etc, not world-specific idioms a la “scruffy nerf herder” or “dunderhead” instead of “dumbass”.
Look to any American TV show that so, so badly wants to use f*ck or sh*t but has to appease the sensitive conservatives who still somehow believe strong language is worse than graphic violence and horrifying psychological damage. For shame! Your characters can be angry without expletives, so rework your sentences to include equally damning insults that don’t resort to potty mouths if you’re concerned about ratings.
Or go full-throttle into the idioms of the world or the time period like Pirates of the Caribbean. Or just… don’t. There’s zero modern cursing in the Lord of the Rings adaptation and not a single sentence that censors itself. The dialogue is above vulgarity and feels more *fantastical* that way anyway.
2. “Yeah, you aren’t the target audience.”
It’s kind of hilarious seeing the range of reader reactions to two characters I intend to have a romantic relationship. Some will go “I ship it!” after the first page of them together… and another will go “wait, I thought they were just friends” up until they kiss. Sometimes you might be too subtle, other times it might be better to just accept that you can’t rewrite your entire book to please one naysayer.
When I’m pitched a fantasy adventure book that turns out to be a by-the-numbers romance where no one is allowed to be a peasant and every important character is royalty in some way, with a way cooler fantasy backdrop, I get severely disappointed. That doesn’t mean the book is bad, it just means I’m not the target audience.
3. There is no greater character sin than making them boring
Unless you live in the wacky world we find ourselves in where any flaws whatsoever are apparently harmful depictions of so-and-so and not at all written with things like ~nuance~. I will gush over your heinous villain committing atrocities because he’s *interesting*. I will not remember Bland Love Interest who’s a generic everyman with zero compelling or intriguing traits or flaws.
There’s another tumblr post out there that I cannot find that says something like this, and I believe the post goes “his crimes are fiction, my annoyance is real”. Swap annoyance for boredom and you get what I mean. So, I don’t care what your character does so long as they’re memorable. I will either root for their victory or their doom, but I do need *something* to root for.
4. The line between “gratuitous” and “respectful” is actually very thick
Less what no one tells *you* about writing and more what no one tells screenwriters. Y’all do realize you can write a character who experiences assault without actually writing the assault, right? Fade to black, have them mention it in their backstory, or have the horrific aftermath as they come to terms with it. An abrupt cut to this devastated character when it’s all over and they’re alone with themselves can be incredibly poignant and powerful. This goes with anything sensitive, especially if it’s not coming from experience.
If you want to write it or film it respectfully, romanticizing assault, for instance, is when it’s framed as if either character has earned or “deserves” it. If the narrative in any way argues that it's justified. The victim might have "earned" it for any of the BS reasons we use in the real world, or the perpetrator might've "earned" it because of temptation, desire, pressure to assert dominance, etc. Representation is important, but are you “representing” to shed light on a misunderstood and maligned topic, or are you doing it to satisfy a fetish or bias in yourself?
5. Don’t let your eyes get bigger than your stomach
Fantasy has no limitations, which means you can dig way deeper into the well of your worldbuilding than you realize, until you look up and realize you’re stuck down there. I have never seen a more obvious inevitable disaster looming than the pilot of GoT season 5. Why? Nobody has any plans. They’re all just led around by whatever side quest the writers throw them on, twiddling their thumbs until the writers deign to pull the trigger on the White Walkers.
To the point that what should be a major character can skip an entire season because his arc is meaningless. Everything in the last half of that show was one big “eventually” while the story toiled around in an ever-expanding cast of characters and set pieces (seriously, it’s hilarious how jarring the extended version of the theme music became compared to the pilot episode to fit all these locations).
When you have too many directionless characters, too many plot elements, too many ideas you want to fully mature and get their due spotlight and then somehow combine them all together for a common foe in the end, writing can get tedious and frustrating very quickly. Why, I imagine, the book series remains unfinished. Fantasy is great for being able to create such complex worlds, but don’t be the snake that eats its own tail trying too hard.
6. No one cares about your agenda if you insult them to push it
This deserves its own post but here we go. Peddling an agenda is a paradox: those who agree with you won’t need to be preached to, and those who you want to persuade will instead reject you further because they feel belittle and disrespected. This is why so many recent “strong female characters” fail on both sides of the aisle. Feminists see an annoying caricature of the movement they’re passionate about. Antifeminists see an insufferable, shallow, liberal mouthpiece when they just want to be entertained. You have failed both sides, congrats.
The answer? Write a strong, nuanced, well-developed character. Then make them a woman. I know this has been said before but this BS keeps happening so clearly the screenwriters aren’t listening. Entertain me first. Entertain me so well I don’t even realize I’m learning.
7. Today’s audiences won’t react the same way as tomorrow’s
Sometimes genres or tropes get oversaturated and need a few years to cool off before audiences are receptive to them again—teen dystopia, anyone?—that doesn’t mean your story is inherently bad because it’s unpopular (nor does it mean it’s amazing because it is popular).
You should always write the book you want to read, not the book that chases trends. I can pick up a well-written teen dystopia I’ve never read before and enjoy it. I can continue to ignore Divergent because it has nothing to say. Write the book you want to read, but then accept that you might make no money because no one else wants to read it, not because they think it’s bad. And, who knows? You might get a boom of chatter months or years down the line when readers stumble upon an uncut gem.
8. Your characters don’t age with you
Depending on how long you’ve been working on your world and what age you were when you started, the characters, concepts, morals, and story you set out to tell might no longer reflect who you want to be as an author when all is said and done. Writing can take years, some of which can be incredibly turbulent and life changing. I wrote the first draft of my first original novel in my freshman year of college. Those characters and that draft are now unrecognizable and has left a world I’ve poured my heart and soul into in limbo.
I’ve slowly creeped up my characters’ ages. My writing has matured dramatically. The themes I wanted to explore in the height of the 2016 election are just demoralizing now. That book was my therapeutic outlet and, as consequence, my characters sometimes reflect some awful moods and mindsets that I was in when writing them. But nothing in that world grows without me tending to it. It’s not alive. Despite all the work I’ve done, there’s still more to be done, maybe even restarting the plot from the ground up. When I think of what no one told me about writing, staring at characters designed by someone I’m not anymore is the hardest reality to accept.
—
If you think I missed something, check out parts 1-3 or toss your own hat into the ring. Give me romance tropes. Mystery, thriller, historical fiction, bildungsromans, memoires, children’s books, whatever you want! Give me stuff you wish you’d known before editing, publishing, marketing, and more.
Also, don’t forget to vote in the dialogue poll!
#writing advice#writing resources#writing tips#writing tools#writing a book#writing#writeblr#fantasy#sci fi#character design#what no one tells you about writing
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There’s Something On Your Face
Another day, another dollar, another poorly written news story.
Jaune Arc may have finally landed his dream job at the, Daily Planet. Being able to tell, and explore various stories that help inform people throughout the world. Being able to see, and hear all sort of things. And, being around some of the most talented reporters in the world. It was his dream come true!
But, good gods the people here were illiterate.
Jaune: Haaa… Good lord…
Nora: What’s wrong, Jaune?
Jaune: This place is filled with some of the most talented news reporters in the country, but they all seemingly pose the writing capabilities of an eight grader! Which isn’t all the surprising considering the country’s falling education system…
Nora: Why, what did they spell wrong?
Jaune: Ruby, was writing a report about the ecological damage, Lex Corp has committed in that gas leak we had the other week. And, she wrote: ‘The effects of the ass leak will have unseen effects…’ Ass leak… Good lord…
Nora: Well… it’s where gas leaks emanate from.
Jaune: …
Jaune: You’ve been hanging around, Yang too much. That… that was just horrible.
Nora: She makes worse puns than that, and you know it.
Jaune: True. Speaking of bad puns, where is, Yang?
Nora: I don’t know, maybe she got an exclusive scoop, and had to go report on it again.
Jaune: Yeah, another exclusive scoop…
Jaune turned to look outside, his mind gazing over the familiar high rise landscape before him as a question that had been plaguing him ran amok. That stopped when he saw a green blur fly past followed by a white figure chasing after it.
Jaune: Oh, looks like, Superwoman’s got a dancing partner. Though I don’t think it’s a good dancing partner.
Nora: Wait, what?!
He said this as nonchalantly, and generally uncaring as possible as he saw his coworkers rush to the window to see what was a abuzz.
Jaune had been at the, Daily Planet well before, Superwoman had arrived. He had reported on her first exploits as a hero saving, Metropolis. Had conducted several personal one on one interviews with her. Hell, he had even been saved by her a few times. So seeing her go about doing superhero things like saving the city from an alien invasion, some villain with a massive ego boner, or simply saving some kids kitten stuck in a tree, he had seen it, and written about dozens of times before. It was time that the new blood reported on such stories. Besides, he would know about it all in the end anyway, when he checked up on their atrocious grammar mistakes anyway.
But, as, Jaune looked through the window to see, Superwoman’s white cape billowing in the wind. Her dazzling smile radiating the sky as he blond locks of hair shined seemingly created a halo of light around her. Making her appear like an angel in the sky. He couldn’t help but ask himself the same question he often found himself ask all the time as of later:
Who was it that wore the mask of, Superwoman?
~~~
: Hey, Jaune!
Jaune’s musing from grading more spelling mistakes, and poor grammar was broken when a warm voice freed him from his stupor. He looked up to see violet eyes hidden behind thick black rimmed glasses with a warm welcoming smile he knew all too well.
Jaune: Oh, hello, Yang. Where have you been?
Yang Xiao Long had been working at the, Daily Planet for a few years now, she was a highly skilled reporter with an uncanny ability to always snag the hottest scoop from under your very nose. She also had this odd habit of suddenly disappearing, and reappearing at will. She could have been fired for this if she didn’t keep on bringing such fantastic news stories though.
But, as he looked upon her, her dorky little smile, and her hair tied in its usual ponytail. He could help but wonder how she would look like if she removed those ugly frames of hers, and wore contacts, it was such a shame to hide such a beautiful dace after all.
Yang: Oh catching this juicy story by the docks!
Jaune: The docks? What were you doing around there?
Yang: Oh… I was… I was just out for a jog. That’s all~!
He could help, but quirk an eyebrow at her rather odd remark. They lived in the same building, the docks were on the other side of town from where they lived. And, she found this supposed juicy story on a jog? That didn’t add up.
Jaune: And, the story?
Yang: How, Lex Corp recently bought it, and how a lot of strange items have been coming through. And, an odd amount of stuff like fruit, and vegetables.
Jaune accepted the paper containing, Yang’s story, and put if with pile of stories he need to review. Her brief synopsis sounded ridiculous, but, Lex Corp was a shady place. He was once been given a bag of peanuts by them, and he would swear on his life that whatever he ate that day wasn’t a real peanut.
Jaune: Okay, I’ll give it a look see when I come to it. Need anything else?
Yang: Nope, that’s all.
Jaune: Okay, now if you’ll excuse me, I have to get back to pondering how our education system if failing to teach proper english to people.
Yang: Okay! I’ll be here if you need me.
Jaune watched her, the country girl in the big city seemingly skip her way to her desk to work on what ever new story she had concocted.
She was a nice girl, but she was a little odd. Everyone was a little odd so that wasn’t a huge problem, but their was something especially odd about, Yang. He had several feelings about the girl, he understood, and rationalized them as best he could.
And, yet there was just something he couldn’t pin down about the girl.
~~~
Jaune looked to the clock on the corner of his computer screen, and saw that it had ticked past six o’clock. He looked around the office, and saw that it was only him, and one person left in the office.
He rubbed his eyes as he stood up. He grabbed some paper, and walked over to the last person in the office.
Jaune: Congratulations. You the only person who didn’t piss me off today.
Yang: What?
Yang looked at him confused as he handed her back her news story. She looked at the paper, and the only mark she saw was the stamp that read: ‘Print it.’
Yang: I’m confused.
Jaune: I’ve been reviewing, and fixing everyone’s stories all day, and yours is the only one I didn’t have to fix. To which I thank you.
Yang: Oh, no problem, Jaune! Were there any bad spelling errors you need to fix?
Jaune: Lets see, first off there was, Ruby’s mistake of writing, ‘Ass leak,’ instead of, ‘gas leak.’ Nora got lost on a tangent of talking about pancakes in her story, again. Neptune’s story was supposed to be about the new swimming pool that was built, but he spent most of his time failing to flirt with girls according to, Sun. And, the cherry on top was, Blake’s report on the faunas rights rally. Instead of writing, ‘feline’ she for some reason wrote the worss, ‘peal lime.’
Yang: Pfft-hahahaha!
Yang’s warm laughter was infectious, and brought a smile to his face as he watched her happy smile play across her face.
Jaune: Considering the fact she is a cat faunas she should know what the hell she’s talking about, but nope. Apparently she doesn’t know what she’s talking about.
Yang: ‘Peal lime.’ Ha! That’s a good one.
Jaune: Yeah. So thanks for not giving me more work to do for a change.
Yang: Just doing my job, Jaune. Think nothing of it.
Jaune: It’s always nice to have something to relax to. So let me have this one. Okaaaaaaay…?
Jaune’s words began to slur as his head tipped inquisitively to the side as he looked at, Yang’s face. The action made, Yang nervously fidget as he appeared to be looking for something.
Yang: I-Is there something wrong, Jaune?
Jaune: There’s something on your face. Hold still, I’ll get it.
Yang’s face started to become flushed red as, Jaune leaned down, and moved closer to her face. She started stuttering as his hands came closer to closer, and then the unthinkable happened.
Jaune had pulled off her glasses.
Jaune: Ah ha! I got it, there was a disguise on your face, Yang. Or perhaps I should say… Superwoman~!
And, had swiftly, and effortless unmasked her super hero persona.
Yang: H-How… How did you find out…?
Jaune smiled softly at her as he took a seat in the chair across from her. He handed back her glasses to which she rapidly put back on to hide herself so to speak.
Jaune: I thought you’d put up more of a fight, and deny you were, Superwoman. But, to answer your question, I’ve had several reasons to suspect it was you. The fact that when one of you is present, the other has seemingly disappeared. That you seeming always have the scoop, then Superwoman deals with it before the authorities could possibly deal with it. Before we even have the oppression to publish the story. You seemingly have insane reflexes that no normal human with years of experience could develop. And, i know you have super hearing; how else could you have heard where, Mrs. Schnee’s wedding ring fell. You had her back to her, and it fell upon a carpet, I couldn’t hear that, and yet you did. These are all speculative reasonings though, easily can be construed as drawing conclusions. But, do you really want to know how I knew you were, Superwoman?
Yang: H-How…?
Yang was sacred, for the first time since she had dawned on the cape, she was genuinely scared. She knew, Jaune could be highly analytically minded when he wanted to, and that he had this terrifying habit on picking up on the smallest of details. And, if he seduced her secretly identity just by noticing the small details others would pass over, what else had he discovered about her?
Jaune: Your eyes.
Yang: What…?!
Jaune: Your eyes… People may share the same shade of blue, brown, yellow, what ever colour there is. But, they don’t look that same. I remember staring into those violet eyes for the first time, and being mesmerized by how soft of a warm violet they were. Then, I remember when, Superwoman saved me from that weird, Toy Master fellow, I couldn’t help, but notice how beautiful her eyes were. But, I knew this was the first time I saw them, I couldn’t help but shake the feeling that I’ve seen them before. And, I finally answered that lingering question that plagued the back of my mind. So, does that answer your question, Superwoman?
Yang: …
Yang: I-I’m not in my costume… Y-Yang’s just fine… And, yeah… that answers my question… Well at least some of them, but yeah…
Yang looked away nervously before starting, Jaune down with a worried expression etched across her face.
Yang: So you know my secret identity… N-Now what…? Are you going to tell the world that, Yang Xiao Long is, Superwoman?
Jaune: No, no I won’t tell anyone.
Yang breathed a sigh of relief that washed away all the fear she had been building up.
Jaune: However, you have to do one thing for me.
And, suddenly all that fear, and dread came rushing back like a tidal wave.
Yang: A-Are you blackmailing me?!
Jaune: Mmm… Kinda, yeah.
Yang was shocked, she saw, Jaune as such a sweet, and caring person, was he really going to blackmail her?!
And, what would he make her do? Steal a vault, break a bridge, kill someone?! What could he possibly…
Jaune: Perchino’s, tomorrow, say five o’clock?
Yang: Eh…?
Yang looked towards this goofballs smiling face as she was utter lost in thought at what he just said. So lost that she honestly took a minute to go from her fear to being blackmailed to realizing what he had just said.
Yang: P-Perchino’s… a-at five…?
Jaune: Does six work better?
Yang: Waitwaitwait! Are you asking me out on a date?!
Jaune: Surprised?
Yang: Honestly, yes. Yes I am… I thought you would tell me to rob a bank for you, or something like that. Not ask me out… o-on a date…
Jaune: Well, if it makes you feel better I’m asking you because I’ve been meaning to for a while now.
Yang: Y-You have?
Jaune: Yeah, it’s just every time I try you’re suddenly gone. But, now I know why. So, since I have you here; Does five, or six o’clock work for you?
Yang: …
Yang: F-Five o’clock…
Jaune: Awesome! Well, it’s late, and I need to get some sleep. I’ll see you tomorrow, Yang. Don’t stay up too late saving the city! Bye.
And, with that, Jaune was gone, leaving a bewildered, Yang behind.
In the space of five minutes, Jaune Arc had turned her world upside down. He unmasked her effortlessly, twice. He had her quaking her her boots when he said he was going to blackmail her into committing a crime. And, he had asked her out on a date instead.
He had asked her out on a date.
Yang was asked out on a date.
Yang: I have a date tomorrow…
Yang: …
Yang: I have a date tomorrow…?
Yang: …
Yang: I have a date tomorrow!~!
Yang squealed in glee as she realized that her crush had asked her out on a date. This was unbelievable, unforgettable, highly unpredictable, highly…
(Shatter!)
Yang’s exuberance was cut short as she saw that several of the offices windows had been shattered from the high pitch her joyous squeal had made. She looked about the office, before looking back at the window in shock.
Yang: …
Yang: Oh shit…
///
I had a thought the other day: It’s called the Kryptonian AU, who says, Jaune has to be the Kryptonian.
#rwby#jaune arc#yang xiao long#blake belladonna#nora valkyrie#ruby rose#willow schnee#jaune x yang#yang x jaune#rwby dragonslayer#neptune vasilias#sun wukong
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Hii, i think a good idea for a one shot could be that there's a canon event where the spiderperson!reader have to do the iconic Spiderman kiss in their universe, like Spiderman 3 (toby's one) with Gwen stacy or whoever you want, but they are in a relationship with Miguel LMAOOO btw im sorry if there's something wrong with the grammar, english is not my first language <3
Rewrite the Stars
((Miguel O’Hara x Female! Reader))
A/N: A non Sunny x Miggy post? How odd for me lol. I’m so sorry this is super late and to everyone whose requested, I’m working slowly but surely on y’all’s stuff. If you wanna read some stuff in the meantime, here’s the Masterlist and feel free to join my discord.
A/N: I tried doing the you/yours pronoun thing because this isn’t a Sunny fanfic but I really don’t like it lol.
Warnings: Jealous Miguel?, Unrequited/Forbidden? Love, Female Reader/Female Pronouns, Barely use of Y/N, and no Spanish this time ((I’m trying to find a new translator and hopefully an editor))
The universe.
One of life’s greatest mysteries. A mass of stars and galaxies that housed so many lives within its many pockets. The lives of so many people whose lives were already written within its cloudy arms and their ends cemented in its pools of nothingness.
A beautiful cycle of cruelty and destiny.
A cycle that was the reason for your utter misery as you sat at a bar listening to your dimension’s Ben Riley blabber on about some football game you cared nothing about.
His oblivious brown eyes sparkled at the fascination with the game as his dimpled smile accentuates his sharp jawline. The warm lights from above caused a healthy glow to bounce off of his shaggy blonde hair, almost making him look like an angel. You can see why Spiderverse assigned him as your love interest.
In your earth’s canon, you were a typical woman who had gotten bit by a radioactive spider during a high school field trip and you spent your entire high school experience thrashing goons instead of chasing boys. Even helped take down some aliens with the Fantastic Four and the Avengers at times before college finals. Spiderwoman was New York’s beloved hero and the cockiness of being its one and only SpiderWoman quickly got into her head.
That was until six months ago.
Six months ago, you were fighting the Vulture over the Empire State Building when another, more mutated version of the same villain appeared. They both decided in your state of delirium over the doubles that you would be a good plaything.
~~~~~~~~~~
“Hey, I didn’t ask for a combo with my chicken!” A feminine spider’s voice screeches as she avoids the hooked talons of the erratic variant.
The two villains took turns flying menacingly around the scope of buildings to throw the hero off of their location while the other swooped in and tries to rip her throat out.
As she attempts to escape the feathered monster, its companion would come and slice away the web of salvation, continuing the vicious cycle.
Blood blinded her vision as the loud ringing at the base of her skull grew louder. The causes of that annoying alarm grasp their razor claws into her shoulders before sweeping her exhausted body into the air with a victorious snarl.
‘I guess this is the end…’
As the heavens draw closer to her doom, her life hanging up by the slicing of her muscles and bones, a glimmer of fate happens. The warmth of a flash barely registers as the first ache disappears with a startled squeak and a burly force. The sudden change in feeling takes her breath away as she suddenly begins to plummet below.
Her eyes quickly adjusting to the suffocating drop, she can see that one of the Vultures was now fighting an even more prominent blue figure, his howls of pain and unintelligible cursing heard from the stumbling brawl.
As the flash from her familiar foe reaches around the building, she shoots her web at him and used him as a glider.
“Time to ground you, birdie!” She yells as she throws the villain through a window. Catching her grip on the building, she looks at her new foe in the sky and the wind is knocked out of her from the sight.
The man who saved her was in a futuristic spider suit with his mask now off. His dark hair flutters in the wind as the setting sun makes his tanned skin glow. His red eyes glare at the wiggling mutant as his full lips pull back into a snarl. His jaws open revealing a set of large fans before he plunged them into the mutant.
Who the hell is that?
~~~~~~~~~
“(Y/N)?…” Ben frowns as he realizes his date was lost in her thoughts.
You snapped out of your head and fake an apologetic smile. “Sorry, I was remembering something….”
That wasn’t a complete lie. You remembered the day you met Miguel O’Hara. The Spiderman of the year 2099 and the leader of the inter-dimensional Spider Society. The anomaly that had come into your world had brought the two together and you were recruited due to your stubbornness, much to Miguel’s annoyance.
~~~~~~~~~
“No.” His annoyance dripped from these words as he glares down at you. You were caught in wonder at the idea of there being other Spidermen and that they worked together to stop the collapse of the entire universe. The thought seemed too good to be true that you just had to ask if you could join until those red eyes shot your dream through the heart.
“What do you mean ‘No’?” You ask in disbelief. Your own eyes glared deep into his soul as your hands balled into fists. “I’m a Spiderman just like you! How could you-!”
“You are not like me.” He coldly snaps at you, your ranting briefly interrupted as the man towers over you. His clawed hand grasps your face as his glare sets a spark of fury down in your chest.
“You will never be like me and you will never-!” “Is that our new recruit?” A smooth British accent appears behind Miguel as a spiked-headed Spiderman peeks around his bulking figure.
“No, she’s-” The tall punk pulls you away from Miguel with a mischievous laugh as he introduces himself. “Ello, love, my name is Hobie. Hobie Brown.” He leans down with a sly smirk as his mischievous attitude infests your being like a plague. “Just play along, mate. Let’s riffle this wanker’s undies.” He whispers as you giggle.
“Nice to meet you, Hobie.” I allow a sly smirk to slide onto my face as I look back at the now very annoyed Miguel. “My name is (Y/N) and I’m happy to join.”
~~~~~~~~
The distant sound of screams filters through the bar as the distinct sound of a car being tossed into another building.
Looking at my gizmo disguised as a watch, you realized that the canon event was starting.
~~~~~~~~
“You did well today,” Miguel admits under his breath. Looking at him in shock, you realize that he wasn’t scowling like he normally was. He had a softer expression, his eyes shining with approval as his lips quirked into a mimic of a smile.
The mission had almost gone rouge with the escape of a prowler and him hiding low in a crowded dimension. Despite the obvious danger, Miguel opted to go alone like usual, but his lack of spider sense caused him to get caught up in a trap. Talons and Fangs don’t really help if you can’t exactly move around to use them, so he ended up taking serious blows.
Luckily, you managed to get there and tumble with the villain long enough for the others to rescue Miguel, and the team managed to recapture the prowler. Of course all of them looked pretty bad injuries wise, but the look Miguel had as you sat there bandaging up his wounds made it worth it for some odd reason.
“Thanks Boss.”
~~~~~~~~
June 27th : SpiderWoman of Earth 648 will rescue love interest, Ben Riley, from an attack against The Rhino….
The roaring of the mechanical beast fills the panicked screams of the patrons as the sinking feeling falls in your chest. Ben is quick to play the hero like any guy would as he grabs your arm and drags you out towards the emergency exit. Just like the timeline said it would.
You use the chaos to your advantage as you pretend to trip and get lost in the crowd of people struggling to escape from the emergency exit.
~~~~~~~~~
“What do you mean by that?!” I snapped at an irritated Miguel.
Lyla was surprisingly quiet as she watched the duo argue. Miguel whips around at you as his ruby eyes scorched into yours. His talons point at you accusingly as he reiterates your next canon event.
“On June 27th, you are going to be out on a date with Ben Riley. The Rhino is gonna attack that street and you’re gonna save everyone, and afterwards you’re gonna have to kiss him.” His frustration evident as his permanent frown creases.
You stare into his eyes in defiance as you coldly utter, “No. I’m not gonna kiss Ben Riley.”
“And why not? He’s your love interest!” Miguel exclaims, obviously more furious than before. “You’re the Peter to his MJ. You gotta kiss him because you’re destined to be.”
“I don’t love him! I don’t even like his whiny ass!” You snap as you felt your frustrated tears roll down your face.
It’s true. Before you joined this team, you would have been thrilled that you were destined to be with Campus Hunk Ben Riley. He was everything you could ever want from a guy. He was good looking, sensitive, athletic, and social able. The all around good guy you would be proud to bring home to your folks.
But…
Sharp grasp on your shoulder alerts your attention back to Miguel as he slams you back against the desk. His eyes burning embers as he glares down at you.
~~~~~~~~~~
Changing into your spidersuit, you began to fight The Rhino with a distracted daze in your movements.
The memory from a week prior burning in your mind as you sloppily avoided cars and harsh blows. After a few well timed flips and back kicks, the brute decides to throw a large street cleaning truck towards the alleyway. Just like Lyla predicted when she handed you the file.
The Rhino is gonna throw a street cleaner towards the alleyway where Ben is. SpiderWoman will stop the truck before impact and sling it back towards The Rhino ending the fight.
~~~~~~~
“And why is it that you are being so difficult?!” He snaps as his fangs glimmer from his scowl. A cute trait you used to love about him until it was pointed at you. “You are no better than a spoiled child with how you are acting so you better have a good fucking reason!”
You growl back at him with a tear rolling down your enraged face.
He had no right to argue with you about your life, not when he’s the one making it difficult.
~~~~~~~
Shooting a web out towards the buildings, you catapulted yourself into the air and landed in front of the truck. Quickly reusing the web with some enforcements, the truck was bounced back to the The Rhino. The enormous foe gets trampled by the machinery as the crowd cheers for SpiderWoman’s dreaded victory.
“Way to go SpiderWoman!!” A familiar voice joins the crowd as I see Ben on the ground, obviously he either tripped or fell back to avoid the truck. You offer a hand towards him as you thank him softly.
“Thank you.” I faked the smile in my voice as the crowd disappears, leaving the two of you in the alley way.
~~~~~
Finally snapping at him, you yell out in fury,
“BECAUSE HE’S NOT YOU!”
With a frustrated slap to Miguel’s face, you run past him and escaped back to your dimension, heartbroken over how the events to come and what just happened that despite everything you couldn’t change fate.
No matter how many times you fell asleep during long nights talking on his observation deck. No matter how many playful sparring matches turn into flirty comments. Not even the little gestures of bringing the grumpy spider his coffee and him bringing you some sweets during meetings could change that the star already written your path.
You fell in love with a man who isn’t meant to be yours.
~~~~~
It’s been a week since that fight and you still haven’t seen or heard from him. It hurt to know that your confession was brushed aside while you had to continue the continuity. You half at least expected him to be here to make sure you at least followed through with the canon event.
“Would you like a swing home?” I offer just like I’m supposed to. The moment that was meant to be a nervous beginning to a love story felt like the beginning of heartache as I watched a blush form on his face.
“Sure,” he answered before a flash of realization that his date was suddenly not with him. Another trait you wouldn’t have noticed if you were as in love with him as you were suppose to be.
“Hey my date isn’t here…I think she got hurt or lost during the panic.” His concern caused a pang of guilt to stab her in the chest.
Recovering quickly, you shoot out some webbing and playfully hang upside down infront of him. “Well I guess that swinging date will have to be postponed.”
“Wait it was gonna be a-!”
Quickly, you pulled down the mask enough to deliver a quick peck to his rambling mouth. You force out a giggle as he stood looking at you flabbergasted.
“See ya, Riley.” You swing off as the man bumbled to even ask how you knew his name.
Lyla just said it was a kiss, not a what kind of kiss.
With a heavy heart, you swing back home as you tried to remember that this was all for the sake of the canon. That Miguel didn’t care for you the way you did for him. You tried your hardest to tell your aching heart that those past few months were you just making too much out of nothing.
You mournfully entered your apartment through the bathroom window you normally kept unlocked . You stripped away the skin tight fabric before wrapping yourself in the familiar comfort of your robe as you exited the room into a dim lit living room.
You heart stick in your chest as you see Miguel standing there in your living room in his bright blue spider suit and a beautiful spring lily in his hand.
“Miguel? What are you doing here?…” You ask as yoy warily approach him, scared he’s gonna do something to you.
He shakes his head, refusing to answer as he hands you the flower. It’s soft white petals shining in the pale moonlight as you smile fondly at it. They were your favorite flower. Something you told Miguel a million times before.
Before you could thank him for the kind gesture, a soft thump above you alrets you to look up. A spindle of glowing webbing cascaded down the ceiling with the large spiderman now suspended upside down from it. His free hand caresses the side of your face as his eyes stared softly into yours.
“I can’t change the canon, mi amor…” he whispers sadly before mischief lights up his molten gaze. “But we certainly can try to rewrite the stars for us.”
An excited nod from you causes his chest to rumble as he pulls you into a slow passionate kiss.
You were glad this is a canon event for spider men despite it not going as planned.
#miguel o’hara x reader#spiderman 2099#spiderman#spiderman across the spiderverse#spiderman 2099 x reader#spiderman into the spiderverse#miguel ohara#miguel o’hara#across the spiderverse#fanfic
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PRELIMINARY ROUND - DC COMICS
PROPAGANDA
Cassandra Cain
1.) essentially her character premise is that shes more or less an unbeatable martial artist due to the way she was raised. in the comics, she's the second batgirl and had a very popular solo series from 2000-2006. However, essentially DC editorial really didn't like that a teenage chinese girl was a better hand-to-hand fighter than batman, and so mandated that she be turned into a extremely random (also remarkably racist, as she was more or less turned in a 'dragon lady' stereotype) villain, which completely derailed and destabilized her character enough for her to almost entirely disappear from comics for the next decade. this is a far more detailed write up if wanted: https://www.reddit.com/r/HobbyDrama/comments/pdue0e/american_comicsdc_comics_the_saga_of_cassandra/
2.) Following the events of One Year Later, Cass was turned into a homicidal villain who led her own league of assassins and wanted to force Tim Drake into murdering people. This was later retconned as her being drugged, brainwashed, and manipulated by deathstroke.
3.) Literally canonically a better fighter than Batman and probably most of the DC universe. Killed one person once and because of the way she grew up (never taught to speak, learned to communicate by reading body language, in order to make her the ultimate weapon), saw what he experienced as he died and then refused to ever kill again. Had an awesome initial run… And then got hit with "evil mind control" that made her go completely OOC, depopularizing her character so much that a lot of people don't even know she exists.
Barbara Gordon
1.) Was shot as angst value for Bruce and her dad, implied to be sexually assaulted in The Killing Joke with absolutely no respect for her long career as Batgirl. When Alan Moore asked if he could, the editor said "cripple the bitch." She became paralyzed from the waist down. THankfully, an actually good writer picked her up from there and then wrote one of the best stories ever written (Oracle Year One: Born from Hope). Was one of the most iconic disabled characters in comic book history, hell, as Oracle, she was definitely up there as one of the most iconic disabled characters ever as well as a fantastic character, period. There were a few moments where people kept trying to make things out of her disability and had her be shitty to other women for no reason but for the most part, she was awesome. During her time In 2011, Dan Didio and some other misogynistic/ableist comic book writers were responsible for "curing" her disability and forcing her back into Batgirl, despite her having shown absolutely no desire to do so, as part of the New 52. They also made it an editorial mandate that she couldn't have glasses, a cool secret base, and her time as Oracle couldn't be referenced. This was because those writers were nostalgic for the 60s Batman show where Babs was played by an actress they all had the hots for and couldn't accept she'd grown up and moved on. That was bad enough, but over time, she's been increasingly deaged and reduced even further to just Dick Grayson's on and off again girlfriend and a generic girlboss. Batgirl of Burnsides burn in hell.
2.) Famously fridged in 1988, which was so popular with misogynists it became canon. After almost 2 decades of being one of the only disabled characters, was rebooted to a younger, more fun version of herself whose only history is that she was fridged but not disabled by it.
3.) The Killing Joke is one of the biggest comic examples of a female character getting hurt to motivate male characters. Also tbe way different cannons will trade off who her romantic intrest is out of Batfamily is pretty disturbing ranging from Bruce Wayne in Batman the Animated series universe (ew) to Tim Drake in the Arkham games (ew). Not to mention DC now is not letting her grow out of being Batgirl taking away her legacy of other young female heroes taking up her mantle and her getting to mentor them instead forcing her into a Batgirl cycle of purgatory when she was always better as Oracle (Its a little more complicated in the new Batgirl book but its still not solving the issues in a way that feels meaningful enough to make up the damage).
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I feel like Dick is good at making everyone view him as an equal, even when it’s not in his best interest. It’s not because he can’t reach their level or bring them up to his ofc (it’s one of his strengths!), but it leaves people looking for him in roles he shouldn’t necessarily be in. For instance, Bruce relied on a literal child to balance out his weaknesses because Dick went out of his way to be seen as a partner and friend, someone he could open up to, and that got in the way of his own needs. Then people like Deathstroke and other criminals look for him as an accomplice because he knows how to appear sympathetic while simultaneously making his skill set appeal to them, and while having their potential interest can be advantageous (like making team ups, deals, and truces easier), it’s also proven to be a pain with how their villainous disputes get personal. Obviously they’re already on opposing sides, but Dick doing what he set out to do suddenly stings if he doesn’t make the move to smooth things over. Making himself into an equal is a VERY good quality of his that I adore, but I thought it’d be fun to share some of the repercussions to it and make you think!
og post in reference
Anon, sorry for the wait, but you had me speechless.
This is such a brilliantly written speech about Dick's relationships and the impacts that I was frankly stunned by the beauty of it.
As you said, everyone relies on Dick to do everything for them. As Robin, it was mainly Bruce, the Titans, and a little Slade.
But a negative side effect of a child forced to become the equal to genius adults and metas is it results in massive insecurities and frustrations when those adults take away those responsibilities. The reason Dick wanted to quit being Robin in his later years is because he felt overwhelmingly like Bruce was treating him like a child. He had spent a decade by Bruce's side doing the exact same things. At 15 he was driving a batplane by himself while Bruce was canoodling in the back with someone. It's not even just meeting expectations, he was talking a guardianship role and responsibilities.
"Then people like Deathstroke and other criminals look for him as an accomplice because he knows how to appear sympathetic while simultaneously making his skill set appeal to them, and while having their potential interest can be advantageous (like making team ups, deals, and truces easier), it’s also proven to be a pain with how their villainous disputes get personal."
fantastic
Robin: Year One Issue #4
Because that is exactly what Dick does. He runs away from Bruce and goes undercover in Shrike's academy, an League of Assassins Instructor and he becomes the star pupil.
Robin: Year One Issue #4
The betrayal Shrike feels, it enrages him. He would've paved the entire way for him, praised him to the heavens, done everything for his pupil because he was so amazed, impressed, with Dick. He's never had another student like him.
But Dick was never really on his side
Robin: Year One Issue #4
The crying boy is Boone, the next Shrike and the one who gets defeated easily time and time again by Dick as Nightwing.
But putting his aside, the original Shrike feels the same was as Deathstroke does.
Dick's skillset is so good he easily impresses meta being and assassins but on top of which he has the emotional range to play them like a fiddle. When the villains finally realize, they're hurt and betrayed and outrages because they fell so hard for his charms and talents they never saw the betrayal coming.
Just like Slade never thought Dick would turn Rose on him.
He just has a special kind of talent that lets him do that. That's why like you said all his fights are so personal. Because his enemies know him but he knows them too and they both know what he did.
Obviously they’re already on opposing sides, but Dick doing what he set out to do suddenly stings if he doesn’t make the move to smooth things over.
That's right because betrayal isn't betrayal if they were always on your side. So when he doesn't reach out, it hurts and angers them because they fell for him and he didn't fall for them and for egotistical maniacs and people at the top of their game who don't believe in someone greater, that's unacceptable.
#dick grayson#robin dick grayson#nightwing#bruce wayne#batman#slade wilson#deathstroke#the shrike#cl anon asks#thanks for the ask!
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In GTA V, you can find a book entitled "Red Dead," written by a J. Marston. This has been used as proof that Jack Marston (son of Red Dead Redemption protagonist John Marston) wrote "Red Dead" in the universe of GTA.
But I want to take it one step further - I think that Jack also wrote Red Dead Redemption II in the same universe when he was an older, more experienced author, and that both of them act as historical fiction in honor of his father, with the supernatural elements added in by Jack.
Red Dead Redemption shows John Marston as a great guy - smart, clever, caring for his family, and well-meaning in general, who sets out on a quest to destroy the remnants of the Van Der Linde gang in order to save his family before being gunned down in an impossible last stand. He is an uncritical depiction of Jack's father.
Red Dead Redemption II features a more complicated protagonist in Arthur Morgan, a more morally grey character, in the final months of his life, as he's dying from TB (the result of his own actions). His last act is to save the Marstons, and the epilogues show John telling Jack stories about Arthur, almost certainly in a heroic light. I think that an older Jack decides to track down as many people who would have interacted with Arthur in order to get a more critical look at Arthur as a person, including his former lover and the family of the man Arthur kicked the shit out of, resulting in Arthur developing TB.
Dutch Van Der Linde's portrayal as almost cartoonishly stupid and evil in Red Dead Redemption II is explained by this idea. The only surviving people who knew Dutch would've seen him as a villain - Sadie, Rains Falls, etc - and Arthur as a flawed hero, and Jack would've already talked to these people about his father. That, combined with watching Dutch abandon John a number of times (and Arthur bailing John out), would've cemented Dutch as a major villain in Jack's life as well.
As I said before, this theory also explains the more...fantastical elements of the games - vampires, time travel, robots, etc. I don't think that John or Arthur actually, in-universe, encountered those things, nor would they have claimed to. In Red Dead Redemption II, Jack is seen reading about King Arthur, much to his father's approval, and John seems to be supportive of Jack's dreams of being a novelist, so I don't doubt that in the year between the two Redemption games, John would have spent a good amount of money buying books for his son, loving father that he is. Thus, as part of the homage to his father that I believe these in-universe novels were, Jack would've put in those elements of science fiction and fantasy he read about with his father's approval.
Tl;dr - The Red Dead Redemption games (I and II) are historical fiction novels in the universe of GTA, written by Jack Marston, and the supernatural elements are additions made by Jack to honor his father's support of his reading habit.
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Hey I hope your doing well! I just wanted to say that I loved how you wrote my Request, and I’d like to show the boy some more love so can I Request First Date for Lego Monkie Kid Macaque? Have a fantastic day btwsss👋🏼👋🏼✨
First Date: Macaque.
Word Count: 2494.
Rating: Fluff.
Content/Trigger Warnings: N/A.
Authors Notes: Say.less. This came out way longer than I expected yet left rushed? Hope you enjoy it!
____________________________________________________________________
“You're here early,” the voice scared you… it felt like a déjà vu moment, but you shook it off and focused on him.
“I didn't wanna be late,” you looked at the emo monkey boy in human form and smiled a bit.
He wore his usual puppet master outfit, but something about it this time seemed more… well-kept? Groomed, even? Right now, he had the hood down. Like last time, he looked a bit weird to you since you were more used to seeing the emo monkey boy and not emo human boy. He was handsome nonetheless, though.
“You look gorgeous,” he said as he got a look at you and you to him.
“So do you,” you said without thinking and smiled nervously. “I mean, handsome, you-”
“It’s okay,” he cut you off with a chuckle. “Thank you.”
“R-right… so, what do you have in store for me tonight?” you smiled up at him. He just stared at you with a small smile of his own before his mind finally caught up to him.
“Right, well,” he chuckled nervously and rubbed the back of his head sheepishly. “Well, you said that you wanted it to be a shadow play… so, I, um…” he cleared his throat. “I made one for you.”
“You… made one for me? Like from scratch?” you asked in both shock and curiosity.
Your entire face felt hot from the blush that took over when he said that. You’d never expect that he or anyone would make something like a play script just for you, granted this would be the second time he did. It was definitely unexpected and most flattering if you were being completely honest.
“May I?” he asked. You looked at his hand he held out for you, that charming yet mischievous smile made your heart race as you placed your hand in his.
“You may,” you replied with a small smile.
“Are you scared, (Y/n)?” he mused a bit.
“Me? Scared? Pft- don't be ridiculous,” you waved him off, which made him chuckle as he led you inside.
“Date never killed anyone,” he chuckled.
“You haven't watched enough horror movies,” you teased him.
The theatre room was empty as he led you to and sat you down front and centre. Before you could question him on whether or not he rented out the room for just you two, he put his hood up and the lights dimmed a bit.
“Ladies and gentlemen… tonight, you're all in for a treat,” you looked at him in question before you noticed there were people in the room; you were the only one in the front. You were sure it was empty before, though, but you shook it off and zeroed in on Macaque.
“This story was made for the gorgeous creature in the front row,” he gestured to you with a grin, which made you shift a bit as people watched you. You gave him the ‘I'll kill you later’ eyes, but his grin only grew wider as his head lowered to cover his face except his mouth.
This story had everything you loved: action, mystery, tragedy, romance. It felt unlike him, but at the same time, how he told the story was breathtaking and had many on the edge of their seats. The main character was a heroine who fell in love with the villain and changed him… only for the villain to lose his life while saving her.
The story had ended with the heroine marrying the villain who had actually faked his death in order to keep her safe from his enemies. It was an entire rollercoaster of emotions and maybe because it was written for you that you were more invested in the story than you normally would be. He took your breath away and his smile when he saw how much you were enjoying it shone brighter than Wukong.
“Did you like it?” was the first thing he asked once everyone left, and he walked over to you.
“I loved it,” you smiled up at him. “I never would have thought that the Six Eared Macaque would be this good at writing,” you teased, which successfully made him all bashful and shy.
“I'm glad you liked it,” he chuckled a bit and sat to your left as he shifted back to his emo monkey form. “To be honest… I kinda made up the last part.”
“You mean you killed off the villain?!” you gasped dramatically and nudged him playfully with your shoulder. “You monster… how could you,” you said dramatically, which made him laugh a bit.
“But I saved him, don't hit me for that,” he chuckled as he put his hands up in mock surrender.
“It was still pretty good, though,” you smiled, looking ahead at the stage. “You must really enjoy doing these.”
“It’s just a hobby,” he shrugged a bit.
“Don't think you can try to be all indifferent now,” you looked at him with a smile and nudged him.
“Fine, fine… it's a hobby that I really like,” he admitted. “Especially now that I have a fan,” he looked at you with a small smirk.
“Oh really? And who said anything about me being your fan, hm?” you teased as you folded your arms.
“I had a pretty good hunch,” he said confidently. “You wouldn't have suggested our date be a shadow play if you didn't really like it… so you're obviously a fan of mine.”
“Fine, maybe I think that your shadows are pretty cool,” you smiled a bit to yourself. “I really like how well you use them to tell your stories.”
“I appreciate that,” he looked at you.
Your smiles never seemed to disappear when you were around each other. Neither of you had ever smiled so much at anyone, especially Macaque. Yet, being with you like he was now… it brought him an odd sense of peace and made his insides and outsides feel warm and fuzzy, I mean, forgetting that he is fuzzy.
“What do you wanna do now?” you asked without even thinking.
“Well, I could show off a bit more,” he said as he let a shadow clone appear on your right, which scared you at first.
“Do you get cold easily?” you asked.
“I'm covered in fur, (Y/n),” he mused.
“Touché,” you shrugged as you stood up.
You tried to ignore how cool you thought the clone was so as to not fill up his ego by letting him know how cool you thought it was. Sure, you'd seen Wukong’s clones a lot before, but that never meant that you always thought it was amazing every single time! I mean… they made clones! Yes, you have abilities too, but this wasn't about you.
“Did you want to go somewhere?” his voice brought you back to reality.
“We can go for a walk to the park, there was a full moon out,”
“Do you like the moon?” he asked with a small smile. You were too adorable for words.
“A lot,” you grinned a bit.
“Let's go for a walk, then,” he made his clone disappear into the dark void before he stood up and opened his hand again for yours. “(Y/n),”
“Yes?” you asked softly.
“Can I hold your hand while we walk?” he asked in a gentle tone that made your heart want to explode.
“Mhm,” you nodded.
That was all you could get out as he took your hand and led you out through the back exit. Your insides were on fire, but he wasn't any different. He didn't know where that courage came from, but he was glad that he asked. Your hand was small, but it felt so warm and though it wasn't very soft. It was between smooth and rough, which showed you were a hard worker and he loved that about you.
The walk down the alley to the streets was as quiet as the night before when you waited for the others to arrive… which they never did, by the way.
“Be honest with me, Macaque,” you glanced up at him.
“Sure,” he gave a nod, curious of what you wanted his honesty on.
“Did you do something to MK and the others to make them not show up yesterday?” you raised a brow. He laughed a bit and lifted your hand he was holding to kiss the back of it.
“Guilty,” he confessed, which made you laugh a bit, not minding the hand kiss even though your heart never seemed to slow down.
“What’d you do?” you asked in amusement.
“Let's just say… I called in a few favours,” he grinned at you.
“You didn't!” you laughed. “No wonder Wukong was so pissed off.”
“Well, when I heard you were coming too, I wanted to take the chance to talk to you in private,” he confessed as he looked at you. “Of course, you know that if our buddy Wukong was there, he’d have made sure I was in another theatre entirely.”
“Point taken,” you smiled a bit. “Were you really that desperate to get me alone?” you teased.
“Talking to you in person is way better than talking on the phone or texting,” he stated.
“I guess,” you chuckled and shook your head. “Such a trickster.”
“Guilty again,” he chuckled as he let go of your hand and instead wrapped his arm around your shoulders to pull you closer. “This okay?”
“Y-Yeah… it’s fine,” you said softly, face bright from all the blood rushing to your full cheeks. He smelled so good, like pinewood and some amazing cologne. His body was so warm and the fur on his wrist tickled the skin of your arm.
“You were shivering a bit,”
“No I wasn't,” you looked up at him with a smile.
“Guess my eyes aren't what they used to be,” he joked.
“Real smooth, emo boy,”
“Emo boy?” he mused.
“Yeah, emo boy,” you looked at him with a slight grin.
“If you're calling me that, then I'm freely calling you plum,” he shot back.
“Macaque,” you said, which made him chuckle.
“Nah, I'm still calling you plum,” he stated with a slight shrug before he pulled you closer to him.
“Fine,” you sighed softly. If he was anything like Wukong, he wasn't going to stop calling you that.
“Wasn't as long as I thought,” he smirked, referring to when you told him having nickname rights would take a long, long time.
“Hey, look,” he leaned down to whisper in your ear. “It really is a full moon,” he said and pointed to the empty sky.
You didn't know when you got to the park, mostly distracted by Macaque and his voice and his body close to yours. The view of the night sky from the park was breathtaking, you mentally thanked yourself for suggesting it.
The rest of the night was spent with his arms wrapped securely around you to ‘keep you warm’ even though it wasn't exactly cold out. You didn't want it to end, but he didn't want to keep you outside too late.
“I don't think I can teleport…” you glanced away with a small pout. Macaque smiled a bit at your adorable behaviour.
“Oh really?” he mused. “Do you want me to teleport you, then?”
“Yes, please,” you looked at him with an eager grin and a childish glint in your eyes.
“I don't know, plum…” he tried to play hard to get. “It might be dangerous~”
“Danger is my middle name!” you declared, which made him laugh.
“Alright, alright, I won't make you beg,” he chuckled. “But, this transportation isn't free,”
“Oh, really?” you mused as you folded your arms. “What's the fee?”
“One kiss for one portal,” he said as he looked down at you with a small smirk.
“W-What?” you stuttered slightly, not expecting it but not surprised either.
“What? I'm sure a beautiful woman such as yourself has kissed someone before,”
“Of course I have! But that isn't the problem,” you said defensively. Sure you've kissed people in your long life… but this felt different for some reason.
“What is the problem?” he raised a brow, his smile never wavered.
“Well…” you trailed off, not really knowing what to say.
“How about… since it’s our first official date, I give you a small kiss,” he suggested. “Sound good?”
“Okay,” you nodded, you were sure you hadn't stopped blushing since he asked to hold your hand back at the theatre.
“Great…” he held that same hand while his other hand held your chin. “Can I kiss you, (Y/n)?”
“Yes…” your voice was soft, your eyes locked onto each other like you were the only beings in the universe.
“Alright,” he smiled a bit before he leaned in close, placing a kiss on your forehead before he pulled back and let your hand go. You were… flabbergasted. You never expected that…
That tease! You thought to yourself as you looked at him as he stretched and cracked his knuckles.
“It’s really late,” he looked at you with that cocky smirk. “I’ll need your address.”
“Oh… right,” you nodded and gave it to him, you were surprised that he knew the area.
“If you're scared, I can go with you,”
“Nope,” you shook your head as he opened the portal. Your heart was beating too fast all night for you to think about him being in your home… Alone with you.
“Suit yourself,” he struggled with a chuckle. “If you're scared, you can close your eyes and jump in,”
“Okay…” you nodded… only for him to move it below you. “Jerk!” you yelled before you fell in and, thankfully, landed on your couch. You stared ahead and cupped your heated cheeks. “Stupid emo monkey,” you puffed your cheeks a bit before your left hand moved to touch where he kissed…
That dork… you smiled a bit to yourself.
He teleported you to your place with a smile, but when the portal closed, he frowned. He held up the hand that held onto yours most of the walk and narrowed his eyes at it. It felt cold now, his body felt cold, and he hated it. He mostly hated himself for opening his big mouth and sending you home. He hated himself for being this hung up on you… but he would never trade the feeling you gave him for the world. He wanted to be selfish and let you stay with him till the sun came up…
His fingers lifted to touch his lips and a small smirk formed. The warm touch of your skin still felt tingly against his lips, he wished he’d kissed your lips, but that was for another time. You were so nervous, and he didn't want to do something that would make you uncomfortable. He had to be patient with this and go slow… thankfully, he was a very patient emo monkey.
Silly plum… he mused to himself.
#request#x reader#lmk#lmk x reader#lego monkie kid#lmk x reader lmk macaque x reader#lmk macaque#lmk six eared macaque#macaque lmk#six eared macaque#lego monkie kid macaque#monkie kid macaque#macaque#lego: monkey king
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Choose your favorite!
Vote in the other polls!
What fans say:
Spirit: Stallion of the Cimarron:
I was a Horse Girl TM, so I watched this movie a million times as a kid. It's honestly the best horse animation I've ever seen, all the backgrounds are gorgeous, and the soundtrack is incredible. Also the plot is anti-colonial/anti "taming of the west". Genuinely cannot pick a favorite scene, but I love the scene where Spirit commits many acts of violence against the US military <3
horsie :) I love how they use actual horse body language instead of just turning them into a dog. Also enjoy how the protags are easily understandable with just body language and neighs. Also the 2d and 3d animation blend seamless.
I cannot begin to tell you what makes this movie so good. It's a corner stone of animated media. The societal commentary. The incredible emotion of not only the story but the animation. The songs. Sound the Bugle makes me cry every time.
This movie was a key part of my childhood and “Sound the Bugle” still makes me tear up.
This is like the greatest horse movie of all time and I will not change my mind. I watched this movie so many times as a kid that both the VHS and first cd I had for it got ruined and we had to replace it with another cd LOL. I once convinced my teacher to let us watch it in class because it had a few scenes with Native Americans and we were learning about them at the time(It's about the old west and the expansion of the United States westward so it has some Native American characters but def not enough to make it a Native American film, but it does have positive representation I think?) The main character is the horse Spirit, a lead stallion for a herd of mustangs. His thoughts are narrated but he doesn't actively talk and the horse behaviors are pretty realistic, also the ART of it all, James Baxter was one of the lead animators for this film and his work is incredible, and hand done. Some of the behind the scenes stuff in the extras makes the animation look 3d its so good, and the camera work is also insane. As a horse obsessed child this movie was a staple for me, and I prefer it even over live action movies with actual horses. ALSO THE SOUNDTRACK OH MY GODDD how can I almost forget, the soundtrack for this movie goes so hard, I used to use some of the songs as hype music not even lying.
The Mitchells vs. the Machines:
It’s in its core about family, how we can drift and argue. Not because of one true fault, but because we are different. It shows how being weird and different don’t make you less of a family while not demonizing people who do have more stereotypical ‘perfect’ families. I think it portrays our humanity and the way we bond and what we do for those we love, what we sacrifice, so well. It’s so funny and so sweet.
It's funny and the family is neurodivergent and it's just really nice v good time it looks like anti technology at first but its clearly more of a criticism on capitalism I just really like that movie its pretty to look at.
It's funky!!! hang on, bullet point list time: - has such a unique and expressive animation style - has a lot of pop culture references that don't really feel overbearing - has honestly one of the best family dynamics in a movie I've seen???? - realistic characters!!! with realistic and interesting character arcs!!! - absolutely hilarious. makes me laugh every time i watch it :) - comedic villain! gotta love me one of those. also she's badass for a smartphone so - tHERE ARE FURBIES - basically it's very chaotic but also heartwarming, and it's honestly my favourite movie :D
Heartwarming story about family! Also kickass animation
Very good stylized animation. Well written and designed characters. Super funny and sooo heart warming. Fucking rad action scenes (again the animation is fantastic). The story comes together well, it's just quite well written. + Protective dad character who's not annoying as hell (that's rare!). I love every part of when they're at the dinosaur museum thing.
#Spirit: Stallion of the Cimarron#Spirit#The Mitchells vs. the Machines#best animated movie#round 2#tournament poll#tumblr's favorite
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Children's media can absolutely and does radicalize kids when written correctly,it's just that shitty bigoted adults in fandoms deliberately misenterpret their messages and trick them into believing they're canon and that's how we got here.Bleach had Ichigo be a goth punk dude who's a fantastic older brother and choose his female love interest because she's his best friend and he finds her weirdgirlness to be enchanting which is good rep for us because being punk is about nonconformity and so is the fact that he never joined the military system his species was largely a part of because he didn't give two shits about them but over half the fandom is convinced the mangaka is a 'sellout' and 'pandering' for not making him essentially a paranormal cop for the sake of pairing him up with the fem mc that he has a familial and queerplatonic relathionship with as confirmed by the aformentioned mangaka
Pjo had Percy hate the gods as much as Luke does and act on it too but directly TO them instead of grooming younger halfbloods to work for him as soldiers and in fact he basically adopted every one of them he came across as his siblings and pseudo-kids and this is explicitly framed as why he's a hero and Luke's evil but you see nonstop erasure of his anti-corruption and anti-authority mentality and direct action despite being his core character traits to make him more palpable as an 'average fantasy protagonist' when the point of him is that he's not normal in any way
The Owl House had 3/5 of it's mcs be poc with the two white ones being an autistic and ocd lesbian and the other a disabled boy with zero conventionally physical traits that're never made out to be ugly and the protag is an inmigrant afrolatina girl while the big villain is a puritan colonizer and every single ship on the show is queer including the m/f one and the token white boy has almost all the important characters to his arc being black and the only one who isn't is a fat asian girl who's also disabled but the HUGE amount of positive rep in the show is deliberately taken out of context for bad faith critisism by a bunch of 20/30/even 40 year olds who've never written actual good stories themselves and this includes them adoring and gushing over the colonizer guy while dismissing the poc and women in the cast as irrelevant
Across the Spiderverse had an EXTREMELY black in every way character literally named SpiderPUNK who makes his beliefs clear in every single one of his lines and isn't all talk for a single second but he's reduced down to 'annoying edgy older brother figure' and made to listen to Taylor Swift and go to Hot Topic and called 'obviously a skater boy' and every other poser punk trope in the books
Atla had Aang and Katara be a gnc boy of a lesser known type of asian race and Katara a brownskin native girl that reclaims femininity for herself with their character drives being to save the world with Zuko's arc hammering it in again and again that while he always had good in him,he WAS evil,he DOES have a lot of bad traits and that made him do a lot of bad things and THAT'S why he needed a redemption arc to be a hero but Aang gets called racist for following the buddhist belief that in-universe he was sole remaining follower of that killing humans is bad,Katara gets adultified and stripped of her actual personality to make her just 'hashtag relatable teen gurl' and Zuko gets infantalized and upholded as the least problematic character in the whole show
And my last and not quite like the rest example is Harry Potter,including the spinoffs and fanon.Everything in it is neoliberal bs and the fandom just made it worse-Oh,the house that's a metaphor for fascism and white supremacy legacies?They're just misunderstood little babies and every minority-coded🥺The lower class family who canonically were Jkr's best attempt at good people that still flopped?Awful homophobic bastards😡All the female characters?Perfect slay 'You can't sit with us' girlboss,precious little baby angel who can't tie her shoes without her reverse harem's help or manipulative self-obsessed hyperfemme pick me,those are the only three categories they can ever fall in.Marauder's Era not only existing but being very,VERY popular is nothing but whiteness-What is there for you to be attached to there exactly?With the canon cast i can least see why you'd have nostalgia but M Era is literally nothing.You just CHOOSE to pick a franchise that's violently bigoted towards basically everyone and who's creator actively influences and helps caused that hurt irl oppressed groups instead of making ocs since you're already building them from scratch anyway
It's not the fault of actual good creators and especially not kids in fandom that grown ass bootlickers couldn't accept that their precious 'escapist comfort media' isn't apolitical at all instead of absorving it's messages like they should have since they have no care for other people despite insisting how kind and unproblematic they are
#kidcore tag#ichigo kurosaki#ichihime#percy jackson#anti luke castellan#tyson pjo#bianca di angelo#nico di angelo#hazel levesque#luz noceda#willow park#gus porter#hunter noceda-deamonne#huntlow#hobie brown#atsv#spiderman#punkflower#aang#katara#kataang#zuko#anti zutara#anti harry potter#pastel punk tag#bleach#pjo#toh#atla geekery#summerposting
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Remarried Empress - By Alphatart (9.5/10)
I've waited a long, long time for this. I'm not sure if this review will offend anyone, but here I go. I am not insinuating that Remarried Empress is a traditional yandere story. Obsession is not the focus. Especially not during the first season, but longtime readers know the drama eventually boils over. Delusion, denial, and love all clash during the fabulous finale. The line between villain and hero blurs in a beautiful way halfway through the story.
Spoilers for everything (I mean it) ahead!!!
Remarried Empress is well known for its seamless magic integration. Fantasy webtoons are infamous for clunky, wordy spellcasting systems and magic schools with zero charm.
That is not the case here.
Magic is a plot point that has little to no relevance during the first quarter of the story. We get hints. The issue grows. We get drama from the very beginning, from the perspective of a powerful woman trapped in a toxic marriage. The woman in question is the Empress, Navier, who has no magic whatsoever. Magic is an important political power tool. It doesn't magically make you more important. Lots of badly written stories love to give their protagonists fantastical magical powers, as if that power gives you the ability to rule.
This is not the case here.
Navier gains magical powers at the very end of the story. It is part of her happy ending. It is not the reason why she is successful in her political endeavors. Navier loves ruling. She was raised for it, and uprooting corruption gives her joy. Drama and sparkles are not her source of power. She is a borne and true politician who recognizes that the nobility cannot prosper without happy, healthy common people. She receives magic when her duplicitous and extremely loving husband decides she is worthy of it. It's sort of a wedding gift. Yes, it's a very morally dubious part of the story. The magic imbuing process starts without her permission.
(I won't spoil all the details. Don't be too mad at Heinrey.)
Navier is from the Trovi family. Her family line has produced multiple Eastern Empire ex-Empresses. Magic is on the decline. The Eastern Empire has less active wizards than ever before, and they can't figure out why. Luckily the nation has a steady Empress and Emperor to rely on. Naiver and Sovieshu have a good relationship. She loves him more than he loves her. They mostly live separate lives. They don't even eat together every day, because they are both so busy, but Navier trusts Sovieshu. They were raised together as children. The priest who married them thought they would be different. A rare, happy royal couple.
Souvieshu ruins that lifelong relationship when we brings in a runaway slave. The lovely young woman, Rashta, got caught in one of the Emperors animal traps! How awful! He takes responsibility for the terrible accident. He carries her to the doctor on horseback the way any decent man would.
He almost immediately makes her his Official Mistress. There is a formal title, as mistresses are common for Emperors. Naiver has to go through a humiliating process. She has to welcome, and give a spending allowance to, the woman her beloved husband is sleeping with. She even has to throw parties for the woman her husband is currently spoiling instead of her.
Ouch.
(Yes. You are correct. It is revealed later that the accident was no accident. Rashta jumped in harms way in a desperate attempt to escape her shackles as a slave. A slave who had a bastard child with her owners son. When said son decided he didn't want to lower himself and marry her Rashta dolled herself up. She ran into the royal woods looking gorgeous on purpose. She would have been a cool protagonist, in another life, but she's just not tough enough to survive royal intrigue. In her desperation she loses everything. It does sound tragic, until you get to know her. Rashta is a child abusing, bloodthirsty, narcissistic tattle-tale by the end of her story. I'm sure you can guess how it ends.)
Throughout season one we see how integral the Empress is to the East. At first it seems like everyone favors the Emperor, but things are not what they seem. Empress Navier runs a tight ship. She doesn't need to be babied like Souvieshu. A gap slowly begins to grow between them. His incompetence starts to shine bright when he lashes out at his Empress. He blames her for every little problem his Mistress encounters. Including the problems Rashta makes up to cause unnecessary drama. Rashta makes little mistakes that pile up over time. Her allies aren't very strong, and she is never honest with anyone. She talks like a cute idiot on purpose, but that backfires when she can't find a teacher willing to put up with her as a result. She can't catch up to Navier. A genius couldn't. Navier has been privy to national secrets since her youth. Trying to catch up on that much reading...just isn't possible for a regular, but gorgeous, slave. Also, Rashta is desperately hiding her slave status. Rashta starts to copy Navier in obvious ways, and Navier is refreshingly human about it. She hates it. She tells Rashta to learn on her own, and she isn't always diplomatic about it. Her complaints push her into an intimate but platonic friendship with the Prince of the Western Kingdom, Heinrey.
Heinrey has a special kind of magic. He can turn into a bird. He uses his bird form as an excuse to stick close to Navier, because he's carrying a MASSIVE torch for her. It is not just a crush. He's bitter about being younger than her. If they were the same age he would have gotten the chance to woo her, but Souvieshu was the most convenient and familiar choice for her family. Navier was a couple years out of his reach. He thought he would have to sulk about losing the chance to have her forever, but then Souvieshu stirs the pot. Sidenote Souvieshu is very insecure. He expects his Empress to love him over everything. He got upset when Navier...you know...did her job well. He wanted his wife to be drooling over him constantly or something. It's weird. He is also quite sexist. This becomes more obvious as the story goes on. He treats Rashta like an object, and he loses interest in her after less than a year. That's suspiciously fast. He is only using Rashta to satisfy his craving for cute attention. It's quite pathetic. They both are.
Anyway moving on.
Heinrey "visits on diplomatic business", but in reality he's planning to take over the East. Yeah. That's something. The writing is really on another level. I had no clue whatsoever until later on. He also stole the magic by the way. Yeah. Heinrey is the reason why their magicians just can't cast anymore. An adorable young student despairs before the Empress about her crushed dreams in tears. All while Heinrey is just standing there, in the background, completely aware of the fact that he is the cause of her suffering.
He's a pretty scary guy.
Navier eventually agrees to flee the country and marry him.
Rashta's lies leave no other choice for her. Rashta falls pregnant. Navier has never been pregnant. As the woman, she has always received the blame. Cough. Sexism. Cough. Souvieshu is actually infertile due to a childhood accident. He, of course, is completely convinced that Navier is the infertile one. Rashta is carrying another baby that belongs to her masters son. She is willing to put an illegitimate child on the throne to get power, because she doesn't know any better. There are certain things peasants just don't know. A magical paternity test exists. It involves droplets of blood and a mixture of special water. After Rashta gives birth to a child that looks nothing like Souvieshu he gets wise. Souvieshu makes Rashta Empress (temporarily) for the sake of "his" child. He always intended to remove Rashta from the Empress seat, as soon as "his" child was seen as legitimate by the court of law. His callous attitude is what convinces Navier to leave. She has always loved her husband. She loved him more than she thought she did. She put up with real pain to support him, but he decided to remove her from her Empress seat. She didn't know he graciously planned to take her back after the divorce, but it doesn't matter.
The incident proves he never respected her, so she leaves with Heinrey to become the Western Queen.
The West isn't really as powerful as an Empire yet, but oh! Wait! As soon as Navier is crowned and by his side Heinrey proclaims that the Kingdom is an Empire now.
How convenient!
Heinrey is pretty and morally grey, but he is a good husband. He worships the ground Navier walks on. When rumors about her infertility start spreading he does not give a crap. He has ways to fix the issue if it's true, and if she's actually not the infertile one he's ready to kill whoever started the story. His bird form is cute enough to be a marketable plushy. It's shitty that he lied about being a bird for the entire first season, but Navier needed comfort. He provided it how he could. As a pet. Yes I know it's weird. Navier wasn't willing to befriend him at first though. He had to use his adorable bird body to bring her guard down!
Wait.
That makes him sound worse...
He's a good husband though.
I swear...
This is Christa. The young dowager Queen of the newly formed Western Empire. Heinrey's sick brother kicked the bucket. Now Heinrey is Emperor and he's brought a foreign Empress home. Slight problem. Christa is in love with Heinrey. She uses a spiked love potion, and a man who is madly in love with Naiver, in an attempt to seduce him and destroy the couple. Christa is pathetic, like Rashta, but she's a little smarter. Her love for Heinrey is the weakness that brings her down. She kills herself after she boldly claims that Heinrey slept with her, in an attempt to become his Mistress. Heinrey produces proof that the affair doesn't exist...and Christa doesn't recover mentally.
Fair warning.
Remarried Empress gets darker and darker until the ending.
Heinrey throws a party, to celebrate Navier's pregnancy, right after her death.
Suddenly I don't think Heinrey is cute anymore...
This is Grand Duke Kaufman. He falls in love with Navier. He accidentally used a love potion he was experimenting with. It turns out that the potion effects are extra strong when you already have a crush. Kaufman never intended to act on his feelings, but the potion eventually turns him into a madman.
His story ends after he attacks the Empress.
I think you already know how that ending looks.
Rashta ties everything together really well as a villain. She looks like an idiot, but for a commoner who didn't even know how to write she does pretty well. Her idiotic copycat act is a distraction. It cleverly hides the mastermind behind the scenes. Heinrey. Navier had no clue Heinrey was in love with her when she accepted his proposal. She accepted it because she was desperate to rule. She didn’t want to watch Rashta take her place, and Heinrey took advantage of that.
He sweeps her off her feet. They live happily ever after, but the pile of bodies behind them is quite steep.
(Souvieshu realizes he made a mistake as soon as Navier marries Heinrey. He starts drinking heavily. He travels to the West again and again to beg her to take him back. He quietly goes insane and he eventually loses his memories. He lives on thinking Navier is still his fiance, and everything is the way it used to be. Navier will always love him. That's his drunken dream. When his memories return he begs yet again and he says he'll accept Heinrey's children as his own, because they have her blood. Her goes seriously insane in six different ways. He also basically forgets Rashta ever existed.)
#yandere#male yandere#yandere male#yandere boy#recommendations#recs#rec#recommended#webtoon#fantasy novel#light novel#Remarried Empress
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Round 2
Propaganda Under Cut
Elizabeth Midford
She started as just a cutie fiancée trying her best, turns out she's also a swordfighting genius, very under pressure to perform feminity in the Victorian Rose type of way. Fandom crucifies her bc she's Ciel's fiancée and they want him to be with his butler, Sebastian, the demon he sold his soul to for revenge
anime was a shitty canon divergent adaptation that butchered her character down to her "cutesy silly girly" persona, which obviously made the 2008 anime fans hate her with a passion (nothing wrong w being girly I'm just saying the adaptation made her super one dimensional) anyways fujoshis used to treat her as a villain because she's the fiance of Ciel,, who as u might know already was HEAVILY shipped with his butler, Sebastian back then (now it's kinda looked badly upon, nice tbh that ship sucks ass xD) She's a bit similar to Misa Amane from death note in the way she was treated. (Like an obstacle the yaoi ship must overcome rather than a person)
she's my silly little rabbit! i could gush about her character but i'll keep it short and just say that she's really well written and one of the best characters in the series. anyways she's ciel's fiance and she's like, rightfully annoying as any other 13 yr old girl would be but the fanbase fucking crucified her for even existing. she gets demonized for being 'annoying', but then ciel gets yaoishipped with an even more annoying guy. there is 100% an argument that lizzie/ciel is weird bc they're cousins (i personally don't ship it) but that falls flat when her detractors then ship the 13 yr old ciel with an eons old demon who Canonically looks like his father. the anime also never reached her main character development until years after its peak and that was only in a movie, so she really got the bad end of the stick here. not me though i had a giant crush on her when i was 12
Katara
Katara is constantly mistreated by the fans in favor of the Zukka ship (Zuko × Sokka.) They make her out to be mean, homophobic, and completely out of character just to add drama to the Zukka ship. In reality, Katara is very compassionate, and would never act that way toward anyone.
Zutara was a popular ship but when zukka got popular over covid during the atla renaissance there were a million posts about how zutara was problematic while zukka was perfect usually for racist reasons. Meanwhile katara and sokka are siblings so it didn't even make sense. They did not have to be so illogically rude to her to ship zukka and it was weird
Katara is FANTASTIC I fucking love her to pieces she is so cool and yet the entirety of the ATLA fandom treats her like garbage because she “talks about her mom dying too much” (even though she BARELY does & also was parentified from a young age due to her mother’s death) and, of course, because she’s a more feminine women when compared to her counterparts. Even in the show itself she’s mistreated: she’s ALWAYS shown cooking for the rest of the gaang, doing their laundry, any ‘womanly’ task. She ends up with the guy who kissed her twice without her consent & who she never showed any real attraction to and apparently (despite being a badass warrior-doctor!!!) after the show ended she just… settled down in the South Pole and had a bunch of kids and never did anything else. She didn’t even get a statue :( Anyways during the ATLA renaissance, despite Zutara actually not being canon, people felt that Katara threatened the sanctity of the new almost entirely baseless yaoi ship, Zukka. Unfortunately for them, due to the fact that Katara and Sokka are siblings, the usual anti-Zutara arguments didn’t work as well. So they resorted to just… slaughtering her character. If she was lucky, they’d just make Katara a background character, wingwoman, &or throw her together with her canon love interest. If she was unlucky they’d do anything from make her homophobic (??) to killing her off! Fuck’s sake, she never even got a token spare-the-pairs wlw ship! Sorry for getting so heated, that whole debacle made me FUMING MAD.
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I love WoF!! I love Darkstalker!! I love the dragonet characters such as Mink and Cliff amd Peacemaker!!
I see a lot of hate on this book series and while I do acknowledge that there are flaws, it's really mostly a great concept of a world with interesting characters and fascinating lore. I don't think it got bad after book 10. I don't think the DoD are overhyped. I don't think the plot devices are lazy.
When I say that I love Darkstalker, I do not mean to excuse his crimes. I think his motivation is honestly about 60% being born pure evil, and I'm okay with that. He's a great villain who serves to drive the plot forward on many levels, and I loved his book. I acknowledge that he is a genocidal maniac and a borderline pedophile and a horrible dragon, but that doesn't make him uninteresting! I see a lot of Darkstalker hate simply because he did bad things or was written poorly at times. I personally thing Tui did a pretty good job writing him, and the books he was in were very enjoyable.
There's a lot of content out there hating on the children of WoF purely for existing. Mink is fun and naive and would make a fantastic MC because of her connection to Queen Snowfall and Queen Glacier. Cliff is adorable and brave and is a vital part of Queen Ruby's story. Dusky is traumatized and heroic and would give us a great insight into the Leaf/Silk Kingdom. Auklet will be Queen of the Seawings one day. Bumblebee would make a great sidekick to a main character - I can see her being funny and loyal. And Peacemaker. Oh, Peacemaker. Darkstalker's demise, in my opinion, was well written and has a good conclusion. Peacemaker is not annoying. He is not stupid or a cop-out. He is a child. And the child that Hope deserves. Peacemaker has room to be a really interesting character! Maybe he has visions of the old Nightwing kingdom falling. Maybe he has memories of massive black wings and moving things with his mind. Maybe he's what the Nightwings need to fully accept the Rainwings as their equals. I personally think he should grow up to be a royal advisor. Imagine, if you will, a dragon who was once Darkstalker, actually having power in a throne room. Imagine how much he would hate being a hybrid. Imagine how interesting it would be to see a mostly grown-up Peacemaker having visions of Darkstalker hating his life. In any case, he's exciting, and seeing people hate on him for not being Darkstalker and not being nothing just makes me sad.
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I'm still loving Gotham Nocturne and I wish it was getting the love/respect/attention is deserves. I've spoken several people who haven't been reading the current Detective Comics run because they're Batmanned Out (good lord, do I get it) and they see it as just another attempt at some kind of "ultimate Batman story with Batman fighting the ultimate evil," which I strongly disagree with.
THAT SAID... as time has gone on, and the story seems to be reaching its finale, there are a few things that stand out of me as problems with this epic storyline.
1.) It's one of the most egregious examples of "writing for the trade paperback." This simply isn't a story that's meant to be read month-to-month. It's too slow, with too little "happening," at least on the superficial level. Paradoxically, it's NOT a story that should be binged! The best comparison that comes to mind is Better Call Saul, since that's the only other example of serialized media that's meticulously slow-paced yet INCREDIBLY RICH for those willing to engage with it on its level rather than expecting it to be Breaking Bad (or in Nocturne's case, a typical Batman story.) Ram V is capable of writing super-engaging monthly issues, as the fantastic Rare Flavours proves, but that brings us to...
2.) The story is sprawling. Maybe even TOO sprawling. When it comes to people who are sick of Batman, I try to sell them on the fact that this story is about GOTHAM AS A WHOLE, right down to the villains who call it home, and how everyone there is as intrinsically a part of Gotham as Batman is. But ensemble stories like that are tricky, and it makes the focus feel all over the place at times, with alternately too much and too little attention being paid to the main players, Batman included. It's a balance that was handled beautifully with Batman: The Audio Adventures, but it seems a bit more awkward here. Again, it's hard to pull off!
Like, we have characters pop up and then vanishing without explanation. We got Azrael back in the AzBats armor for the first time in decades, like, holy shit! That should be a HUGE development! And then, poof, he vanished! There's simply no time to explore Jean-Paul's character because there's so many other things the narrative needs to explore.
This feels like it would have really benefited from a companion series, something to focus on the characters the way the backup stories have done, but just more so. I think about how Peter Tomasi would write companion books to the main big storylines written by Geoff Johns, Grant Morrison, and Scott Snyder, and how he'd focus on character, which always enriched the greater "big important storyline." Which, in turn, also brings me to...
3.) The backup stories have really lost a lot of their punch since they stopped being written by Si Spurrier and were taken over by Dan Watters. Watters is incredibly capable, make no mistake, and his Cheshire/Lian Harper story is one of my favorite parts of this entire saga. But by and large, his tales focus more on the spooky and weird sides of what's happening with Nocturne, whereas Spurrier's stories were more focused on characters navigating the weirdness of the events. As a result, Spurrier gave us what I consider to be some of the very best stories about Jim Gordon, Harvey Dent, and Victor Fries ever written. I really miss those, and how they enriched Ram V's (possibly overly-ambitious) narrative.
Ultimately, Gotham Nocturne feels like the Batman equivalent to an arthouse film, which means it's going to be appreciated by a handful of nerds while leaving most other fans cold, and I can't really blame them. If anything makes me sad about all this, it's how all this incredible character work with Bruce, Harvey, Victor, Talia, and others is going to be ignored. Hell, it already is, given the complete lack of acknowledgement we've seen in other Bat-books for what's going on in Nocturne.
At this point, I just hope it sticks the landing in the finale, because I want to be able to have a complete, satisfying epic to recommend to people who want something a bit richer than the typical "guy in Bat costume punches clown" stories we usually get.
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i really did want to like this season going in but ugh. like hearing oh it's written by burnie directed by matt, the seasons i don't like got entirely retconned (petty. i know. no shade to people who like the shisno trilogy i was just eh on it), clearly meant to be a return to reconstruction-era format in some way. all sounds fantastic. unfortunately
basically everything from sarge's death onward felt entirely un-earned and un-genuine. this is probably my biggest sticking point with it all. rvb has been extremely good at making these incredibly silly characters do emotional moments well in a way that feels true to the characters- the finale to season 13, for example, is one of the best bits in the show, imo. and that's a really delicate balance! because fundamentally, these characters are built on comedy, and often being mean to each other, and making genuine interpersonal moments between them can be a really tricky business. the emotional moments in restoration, for me, leaned way too far into the sappy side and as such felt entirely un-genuine, starting with sarge's speech and continuing for the .. most of the rest of it.
now, some other bits would have felt really good if it weren't for their surrounding stuff, if that makes sense? like. after sarge's death, simmons becoming first-in-command and immediately discharging grif. that's really good. that's REALLY GOOD it feels true to their characters and earnest in a way they would be. but the surrounding problems that i mentioned already made it land a looot softer than it should have.
the whole retcon thing was...really unclear, frankly. like, it was sort-of-stated in the trailer, but when the season opened with dylan, as well as the reveal of wash in the hospital, carolina doc and donut being gone, i'd figured that oh, the retcon implied in the trailer HADN'T actually happened, church's simulations just included the stuff that happened. (and also, you should be able to tell what's going on in a piece of media without having watched the trailers..) but no, the retcon was apparently real, this season took place directly after the chorus trilogy. just not communicated well.
where were carolina and donut. like, we know doc'd died but, like. where are those two. donut just ISN'T there (only just mentioned by dr. grey at one point and simmons at another), and carolina is. missing, for some reason, until she's needed for the final fight. given carolina's absence for most of the thing, her moments with tex also felt very underbaked.
the "doc's been dead the whole time!" twist was stupid i'm sorry. i feel like it could have been done well if the rest of the season was better but as it is it just feels cliche. i think i get what they were going for- we never saw the final climactic fight of season 13 because church never saw it, now coming back after however-many-months, we as the audience weren't filled in on how that battle happened, making a surprise "actually, x died!" thing narratively interesting. it just wasn't done well, imo
the meta as a villain was .. just strange as it was played out. the idea of meta!tucker? tucker stuck in his own body while being puppeted by the epsilon-fragments-as-meta? or even, like what epsilon thought was going on, tucker straight up heel-turn? that fucking rules. i am SO into that idea. but i really didn't like how it was done. epsilon-meta was just..goofy. their lines all sounded like a cartoon villain. so much threatening and so much..talking? like, compare to alpha-meta- silent save for the interconnected whispers of the ai, focused, driven, not having long protracted villain speeches. not that villain monologues are BAD, they just don't feel right for the fucking meta! it made them as a villain feel weird and, again, pretty cliche. also, like, the bit where they held the sword to simmons' face and started monologuing threateningly at him? just didn't fit with what we know about the meta at all. the meta would have fucking stabbed him without hesitation that was some felix-type shit
(now, maybe this was the influence of the "host" between either version of the meta. like, maine is silent, so maine-meta is silent. tucker is super chatty, therefore so is tucker-meta. that would have worked if a) tucker was actually the meta rather than just A Meat Puppet and b) the dialogue actually had any resemblance to how tucker talks rather than Stock Villain)
jumping off the topic of epsilon/tucker!meta. tucker was so stiffed this season. the meta could have been piloting a robot body and it would have made 0 difference. the torture scene didn't land and had basically no actual purpose. as others have pointed out, an ACTUAL villain!tucker could have been pretty fucking cool if done right, and would have been a really interesting twist on the meta. i think meat-puppet-tucker could also have been done interestingly, if we saw more of tucker and his conflicts with the ai, or, like, even what happened leading up to the meta Happening after the end of s13. but tucker, one of the imo most interesting and best characters in the entire show, just had almost no influence, purpose, no character development, nothing.
perhaps most damningly of all, it just. wasn't funny. there were a couple little jokes here and there that got a laugh out of me, but there was no sustained comedic energy throughout the thing, and a lot of the bits (church's youtube exposition, the zoom bit) dragged on for WAY too long. i cant believe they did the "ehh.......it's right behind me isn't it" bit entirely straight.
overall, i felt this season is overall underbaked. there were some very cool concepts, bits, and ideas, but all together just did not work.
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PROPAGANDA
KATHERINA MINOLA (THE TAMING OF THE SHREW) (CW: Domestic Abuse)
1.) We had to read this for English my senior year. I got so mad at the way she's treated. She's the titular "shrew" of the play. She has to be married off before her younger sister can get married, because that makes sense.
Then the most dogshit man imaginable comes along, and everybody thinks they're perfect. He literally gaslights her and denies her food and water.
Fuck Petruchio and Katherine Minola deserved better!
2.) Literally the whole play is about how she is so awful that the main guy needs to change her entire personality, which he does as a challenge not because he likes her, and then proceeds to her abuse her for the rest of the play. Yet, he is portrayed as the hero, not a villain and she is shown to have "improved" at the end. People will say, oh it's open to interpretation, it can be played different ways, it's satire, but i don't find abuse funny and there is a distinct lack of commentary in the play to count as satire imo. Taming of the Shrew is a tragedy not a comedy, I will die on this hill. Kate deserves better!
3.) The title isn’t joking, ya’ll. She literally gets broken like a rebellious feral animal and it’s treated as a happy ending.
BARBARARA GORDON (DC COMICS) (CW: Ableism)
1.) Famously fridged in 1988, which was so popular with misogynists it became canon. After almost 2 decades of being one of the only disabled characters, was rebooted to a younger, more fun version of herself whose only history is that she was fridged but not disabled by it.
2.) The Killing Joke is one of the biggest comic examples of a female character getting hurt to motivate male characters. Also tbe way different cannons will trade off who her romantic intrest is out of Batfamily is pretty disturbing ranging from Bruce Wayne in Batman the Animated series universe (ew) to Tim Drake in the Arkham games (ew). Not to mention DC now is not letting her grow out of being Batgirl taking away her legacy of other young female heroes taking up her mantle and her getting to mentor them instead forcing her into a Batgirl cycle of purgatory when she was always better as Oracle (Its a little more complicated in the new Batgirl book but its still not solving the issues in a way that feels meaningful enough to make up the damage).
3.) Was shot as angst value for Bruce and her dad, implied to be sexually assaulted in The Killing Joke with absolutely no respect for her long career as Batgirl. When Alan Moore asked if he could, the editor said "cripple the bitch." She became paralyzed from the waist down. THankfully, an actually good writer picked her up from there and then wrote one of the best stories ever written (Oracle Year One: Born from Hope). Was one of the most iconic disabled characters in comic book history, hell, as Oracle, she was definitely up there as one of the most iconic disabled characters ever as well as a fantastic character, period. There were a few moments where people kept trying to make things out of her disability and had her be shitty to other women for no reason but for the most part, she was awesome. During her time In 2011, Dan Didio and some other misogynistic/ableist comic book writers were responsible for "curing" her disability and forcing her back into Batgirl, despite her having shown absolutely no desire to do so, as part of the New 52. They also made it an editorial mandate that she couldn't have glasses, a cool secret base, and her time as Oracle couldn't be referenced. This was because those writers were nostalgic for the 60s Batman show where Babs was played by an actress they all had the hots for and couldn't accept she'd grown up and moved on. That was bad enough, but over time, she's been increasingly deaged and reduced even further to just Dick Grayson's on and off again girlfriend and a generic girlboss. Batgirl of Burnsides burn in hell.
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