seeing the next generation of kids falling in love with pjo, fighting over godly parents, posting shitty headcanons on instagram… feels like passing a torch fr

The fact that all Gwen knows about her variants in other universes is that they're dead is so sad. Like imagine you want to know what happens to you in other dimensions and it turns out that wherever you look you mean nothing, you're so unimportant that there's no bigger role for you other than dying.

And I've seen you guys pointing this out, where she's looking at what looks like her own death and even if it's not this is not just a "love interest" Gwen, this is a superhero who is supposed to mean something, but she doesn't. She's only here to die. And so far this (our) Gwen doesn't have any reason to believe that she won't die very soon just like other Gwens.

I think that one of the main reasons why she's rejecting Miles is not just her trauma and all shit she's been through and the fear of dying like other Gwens when they're involved with Spider-Man, but also because if they start something and she dies this will hurt him too.

It's easy to say "canon events aren't true she shouldn't believe in that" but this isn't just a regular risk, this is her life we're talking about.

serennedy week 2024 valentine’s edition - day 6 - cowboy au

even more cowboy au comicsssss woooooo!

phoenix, did you draw a whole ass cowboy au and not draw a single cowboy hat? yes. yes i did. it’s not my fault the ganados took leon’s hat, ok?

the vague idea is that leon is under the impression that luis is a snake oil salesman. which isn’t an entirely wrong impression to have, but luis’s reasons, as ever, are a little more complicated. you get into debt with some bad people and they ask you to spread some weird tonics around and then bad things happen and you run away and start a new life somewhere, okay? and then maybe somewhere ends up under the influence of a cult! time is a circle. it’s fine. it’s whatever.

anyway sorry if things start looking like i exported them as low quality .jpegs, we are experimenting with anti-ai glazing.

details below

*complaining for no reason again because i am bored* i need more ppl to know that these. are all the same person these are literally canonically all the exact same individual person im begging u

literally almost all the ganondorfs are the exact same individual and almost all the ganons are the exact same individual, almost all the ganondorfs & ganons are the same exact person just in different forms and circumstances. except for FSA and maybe whatever the fuck is going on with TotK ganondorf but i still think it’s weird that he still has golden eyes & rounded ears when even the gerudo in TotK’s ancient past dont, but anyway ashfjsbfjsn

halloween costumes for harry and luna by the marauders and slytherin skittles

reg and pandora: tinkerball and peter pan

james: spider man (of course) and wonder woman

sirius and marlene: ketchup and mustard

lily and remus: winnie the pooh and tigger

mary and peter: jessie and woody (i don't care that toy story wasn't out yet in 80s)

barty and evan: chucky and tiffany

reg and james: minnie mouse and mickey mouse

some of you should not speak on dennis until you've rewatched sunny in full instead of just the macden-centric eps.

i love those specific types of taz fic where it's like, canon divergent where, through any manner of Shenanigans, taako ends up encountering and adopting angus pre-canon, and is generally an unorthodox but surprisingly good dad

but what i would love to dig into in one of those fics is how *merle* handles this. like, dude's got his own kids that he feels guilty about walking out on. and yet his coworker -who does not seem like A Dad- is there with a son of his own, which he brought onto the moon, and is somehow pretty good at caring for. man's gotta be feelin Bad.

good omens 2: hey neil,,, where was my gentle romance? what was that ending?? jfc. i am left ruined. binged heartstopper (twice) as therapy. was still hopeful for ofmd

ofmd s2: wow! this season has been grea— hey what the FUCK?! my fav character dies and i'm in denial (if lucius can survive against all odds + buttons can turn into a fucking bird, then i'll easily stay delusional)... yk what, it's ok I'll watch loki be a chaotic little shit to recover, it's not like my ship will have much traction anyways in canon haha

loki s2: is spoonfed lokius every episode?? and everyone else, even non-shippers, is seeing it too so it's not just me reading into shit?? i'm foaming at the fucking mouth. gods, please let me have a win here

New day, new glasses pics

Earth-0: Also known as "New Earth" home to the main continuity.

thinkin about the animatic trilogy i wanna do with nishki

(fic idea, angst, hurt/no comfort, major character death) When Dream gets imprisoned, when Hob gets stood up, when the White Horse gets torn down, something breaks in Hob, something empty and cold, something like a black void, something like his heart. Life is hard for immortals; he has to move, had to change his name, has to reinvent himself every other decade or so. Technology makes staying under the radar just that much harder; moving his money around has gotten almost impossible; finding a legitimate job is out of the question (he was born before National Insurance Numbers, he’s had to lie about his entire existence to even get housing, much less a way to pay for said housing). It’s exhausting and the prospect of every new move is daunting. It overpowers any joy that life still has for him. So he lets the White Horse get torn down and he doesn’t build a replacement. He holes himself up in his flat for too long, drinks too much, and when his mind gets too loud, when he slowly comes to the realization that there is nothing left for him, not without significant danger to himself, he bites the bullet and calls for Death. And Death, an Endless, bound to her duty, offers her hand and a gentle smile and takes his soul, a soul that is long overdue for her comfort

When Dream escapes, his focus is on his tools, on the retrieval of his power and his wayward creations, on restoring his realm. Only once that is complete does his sister seek him out, to break his moody reverie. Their conversation follows much the same lines, except instead of mentioning how much Dream’s pet project would love to see him, she grows uncharacteristically somber at the mere mention of immortals. She seems to be mourning someone, though Dream can’t guess who. Surely, Mad Hettie hasn’t finally succumbed to his sister’s sweet embrace? When pressed, Death seems shocked that he doesn’t know; she slowly and softly tells him that Hob had asked for her gift.

The world grinds to a halt.

Dream can’t believe it. He refuses to. Hob, his ever-faithful, ever-hopeful, ever-joyful Hob? Asking for Death’s gift? It seems impossible. Yet Death is not one for cruel jokes, and she is deathly serious. There is a grief in her eyes that assures him of the truth; Hob is gone from the mortal realm.

At first, he is angry. How could she grant him that which she had withheld for so long? How could she rob the world of his soul? How could she? How could she? How could she? He collapses with it, right there on the sidewalk, tears made of stars and space dust welling in his eyes and she holds him, holds him together as he falls apart. She tells him that she had no choice; she is bound to her function, just as all of the Endless are. Hob had asked, she had to give.

Then, he is desperate. His Ravens, they had been mortals once, too. Surely, Hob had chosen to stay in the Dreaming. Surely, Hob had not abandoned this universe forever to face the unknown beyond. Surely, Hob would choose to stay, as he had chosen to stay so many times over during the course of his long life. But even as he looks into his sister’s eyes, hopeful beyond hope, pleading for reassurance, he knows it is not true. He is the Dreaming and the Dreaming is him. With Dream gone, there had been no Dreaming for Hob to stay in. He had had no choice; his soul passed on. He was gone, well and truly gone. Hob Gadling had breathed his last.

When it came time for Dream to destroy the vortex, even after discovering his familial connection, even after discovering the ruination that would result from her death, he did not hesitate. The spilling of family blood would be the end of his physical body, but his spirit had died with Hob. There was a numbness in the empty cavity where his heart would be if her were mortal; the Dreaming grew dull and grey; a fog hung low over the landscape, broken only by intense storms that flooded the entire realm for months at a time. And when the Kindly Ones came to claim their revenge for the blood on his hands, he surrendered willingly. This universe held nothing for him anymore. And when he gazed into his sister’s understanding eyes, at the end of it all, he hoped with a hope beyond belief, that Hob Gadling would be waiting for him on the other side

u ever think about how hunter would learn about wolves in the human realm and then have the windows open, hear a familiar, distant sound and go oh! oh! wolves in connecticut! wolves in connecticut! and it's just the siren of an ambulance

New chapter of Not as Strong as You Think is now on ao3. This is my fic exploring Garnet's thoughts and feelings in the aftermath of the Sardonyx arc. The show was already a serious take, this fic looks at possible long-term consequences of the violations on Garnet and how that affects the entire family and team. It is written from Garnet's perspective (3rd person limited). It also explores Garnet's healing from the events of that arc in which she contends with strength and vulnerability, and community and support.

In chapter four:

Garnet gets her thoughts down in the black and white, and must contend with the merits and detriments of "powering through" and the inevitable necessity of vulnerability. Amethyst has some words for Garnet. Garnet may not be ready to talk right now but she does need to listen.

unironically, this is an exchange i can see happening

(This incorrect quote is just so perfect and fitting for Hector and Widdershins, I couldn’t help myself, and made it into a proper drabble)

“Why do I even bother watching television at this time?”

Hector presses the ‘OFF’ button on the remote control, and sets it on the sofa armrest.

He soon hears a loud yawn. Turning his head towards the sound, Hector sees Widdershins, still not change out from his work clothes, looking like he’s ready to pass out.

Widdershins sits beside Hector. Without hesitation, he throws his head onto Hector’s lap.

“Tell me I’m pretty,” mumbles Widdershins.

Hector playfully strokes Widdershins’ hair. It’s fun to do, especially when Widdershins allows it.

“You’re pretty fucking annoying,” says Hector affectionately, “that’s what you are.”

Which era of Archie Sonic did you enjoy more? Pre reboot or post reboot?

Hmmm that's a good question. Idk I think I liked some of the writing post reboot better and I did like the new characters. I also personally think the removal of the love triangles specifically made the comic so much more enjoyable for me and opened up for better characterization for Sally. However, reading post sgw I did miss some of the old charcters (rip all those claimed penders ocs) and their now unresolved storylines, was sad at the loss of certain character struggles (like Rotor who was struggling between his health and wanting to be in the field again), and I missed how pre sgw had just some of the most insane or out of the blue plot developments/world building choices.

In terms of enjoyment, though, I'd have to say post reboot for the following reasons:

1. I enjoyed pre reboot for what it was more often than not, but I had my most fun during Flynn era. I liked how the Penders era moved things to being more serious, but I often felt like he had good and interesting concepts/ideas without the writing to back it up. Meanwhile, while Flynn wasn't perfect either, I felt like he was able to make a lot of those established relationships more believable to me, and while he also made some batshit plot choices he had more of the writing skills to back it up. This is all to say that aside from some stuff at the very beginning of pre reboot, it was a long while before I was able to really enjoy what I was reading instead of just taking things I liked where I could. Post reboot was a lotta Flynn, so despite the loss of characters and plotlines I enjoyed greatly, I at least felt like I could enjoy everything post reboot.

2. It didn't have all of those Sonic based love triangles. I know I know I'm a multishipper I ship Sonic with a lot of people but by god. I just could not take the Sonic/Sally drama anymore. Bunnie/Antoine was fine. Flynn actually made me believe in Julie-Su and Knuckles as decent partners. But by that point (and this is coming from someone who loved Sonic/Sally before reading the comic) everything going on re-Sonic and Sally's romance prospects with the opposite gender and each other was like beating a dead horse. And for Sally specifically, she had been recharacterized so so so many times pre-reboot just for the sake of drama that she often...didn't feel like her own character. So post reboot with the love triangles and the romance with Sonic removed I felt like we could really see who she was as a character and a clear vision of her ambitions/cares. I could feel like who she *is* wouldn't be changed on a whim for the purpose of plot.

3. As they say, people get better with practice. And while I thought some of his pre-reboot stuff was interesting, I felt like by post reboot era, Flynn had grown better at depicting the nuance of living under the eggman empire.

ㅤ

So yeah I guess I'd say, gun to my head? Post reboot. But it's really more complicated than that. I did enjoy both a lot, and especially in the last like 80 issues pre reboot. Pre reboot was wild an interesting in a way that I enjoyed with characters and storylines I loved, but it wasn't always written amazingly and contained much too many ongoing love triangles and mehhh canon relationships to me. Post reboot gave certain characters more time to shine as characters, reverted the pre reboot growth of other characters, delivered some of its nuanced situations better, and was largely written nicely, but you could often feel that the post reboot team was now restricted in a much different way than they were pre reboot (like, pre reboot's struggle was keeping up with existing storylines and relationships and keeping things true to what they have been, but post reboot's struggle feels more like it may have had some of Sega's restrictions we see nowadays).

In the end, though, I miss characters and storylines from both pre and post reboot after the cancelation.