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#please write more fanfic about it
juiceicicles · 7 months
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I am a firm believer that Steve can sing. Joe Keery can, and therefore Steve can.
Thing is, Steve doesn’t really know how well he can sing. He’s not a musician, he’s not singing frequently around others. He’s singing in the shower and in his car and occasionally singing under his breath when a song is really stuck in his head and he just needs it out.
So he’s doing his thing, cooking for the party or getting them snacks for dnd or smth, and he starts singing along to whatever songs on the radio.
He’s not really aware of anyone watching him, the party being caught up in their own conversations a moment before. It’s not until the song ends and the radio host starts speaking that he realizes everyone has gone silent.
He wanders out of the kitchen to see everybody staring at him.
Steve Harrington has the voice of an Angel, and now everybody knows. Robin is incredibly peeved she didn’t know this - she’s only ever heard him sing poorly as a Tammy Thompson impersonation - and demands an explanation, Eddie has just fallen in love, Nancy is the only one who’s not confused because she’s heard him sing before.
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theonlymadmanonmars · 3 months
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Hi hello hi. As an AroAce individual in a QPR who has no desire for a romantic or sexual relationship, I think shipping Alastor in QPRs is so so fun and people should do it more. I also think it works for a good amount if not all of the ships I've seen him in.
Alastor and Rosie: Hell yeah. They're already great friends and every interaction we've seen between them has been pure and adorable. Rosie Gently guiding Alastor through his identity because he isn't exactly up with the slang. Them going out for tea and human flesh Sunday afternoons. Them giving each other forehead kisses and holding hands platonically.
Alastor and Angle dust: Mhmm. Angle not really wanting Sex or romance after all he's been through. Angle respecting Alastor's identity and not pushing for anything more than friendship. Alastor not really liking Angle at first because of their differences, But tolerating him regardles. Alastor explaining to Angle that Romantic relationships don't have to involve Sex (I'm an Asexual Angle truther.) Angle offering Alastor a hug that Alastor reluctantly accepts. Them cuddling at night with a pinky Promise of nothing more.
Alastor and Vox: Go ahead. A fic about Alastor trying to Navigate exactly how he feels about Vox, Because when he died the term AroAce didn't exist, so he thinks it's romantic attraction, Maybe they kiss and Alastor is like "Ha! No!" Maybe that's why they had their falling out? Who knows.
Alastor and Lucifer: So So SO much Yes. (This is my personal favorite) The two of them hating each other, but putting up for each other for Charlie's sake. Slowly growing to actually tolerate and maybe even like being around the other. Exchanging snarky remarks in a more playful way. Alastor finding Lucifer sitting in a pile of ducks and despair and offering his hand to help him up and take him to the hotel. Never letting go of his hand. Fuck Enemies to Friends to Lovers I want an Enemies to Friends to Qpr arc goddamnit.
I do think it's okay to ship Alastor even outside of QPR's, BUT. If you do, don't just ignore Alastor's identity. AroAce people get far less representation than the rest of the LGBTQ+ community. I can think of one other canon Character off the top of my head. So it's not okay to erase the little rep we do get. In the end I think it's important to listen to what AroAce people have to say on the matter, it is our representation after all.
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unrelatedghosts · 3 months
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These shits own my brain, one of them more than the other.
Looking at you Augustine. Get out of my head. /j
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starry-bi-sky · 13 days
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Childhood Friends Danny and Jason: Ch2 Remastered
-------------------------------------------------------------- late at night when the stars don't look quite right -------------------------------------------------------------- there's something burning in the empty room inside of my head fill it up with doubt let it in, let it spread
Jason nearly falls flat on his face when he sees the photo of Danny. He’s in a warehouse, finishing up with a gang selling drugs on his turf. The guys he’s got tied up are cursing up a storm at him, throwing every insult under the sun his way that he’s all heard before. His eyes drag over to them, and silently Jason adjusts his jacket to reveal the guns strapped to his thighs, his hand hovering over the handle of one. 
They all fall silent, and Jason moves his hand away. His phone in his other hand, texting Oracle to alert the police. Jason hates that he has to; these guys will be out of their cells in a matter of months, and nothing will change. 
But he’ll play nice. 
And then his phone buzzes, and when Jason looks down he sees a banner from Tim. A message he planned on ignoring, but his eyes skim over the text on instinct, and suddenly the air is stolen right from his lungs, and his thumb is hitting the screen before he can really think it through.
[Hey Jason, your best friend just appeared in Gotham for the first time since your funeral.]
Impossible. He thinks, yanking his phone close to his nose, as if that will make it any less real or fake. Danny hasn’t been in Gotham in years, Jason checked. But then the image loads, and then he’s staring Danny Fenton in the face. And then he’s greedily tracing every minute, new detail he can find. The gang left half-forgotten in his mind.
Danny’s got an undercut, it looks self-done. It looks good. He looks taller. He’s got piercings in his ears, gold and jewels lining up the sides like a magpie’s find. He’s got an eyebrow piercing. 
Something old, something new; Danny is smiling and it still looks just as Jason remembers it. Crooked, lopsided, warm like the sun and belying the mischief underneath it. He remembers to breathe in that moment, and the sound comes in sharp. Danny’s eyes are as blue as they’ve ever been. 
(“I don’ get why books talk so much about peoples’ eyes.” Danny complains to him one day when he’s visiting the manor, his legs thrown over Jason’s back like an anchor tied to its ship. They’re sunk into the mattress of Jason’s bed, sunlight peering through the windows. “They’re just eyes! I don’t need t’know that they’re ‘as blue as the sky,’ or- or the ocean, or whatever blue thing in the world there is.”) 
(Jason’s smile comes to him like breathing, and he twists around to lay on his back. His arms trap Danny’s legs to his stomach. “Pretty sure it’s jus’ for emphasis on how much they’re noticing the person’s face.”)
(Danny’s face scrunches up, and Jason’s smile splits into a grin, heart swelling three sizes on instinct. “I think it’s stupid, s’just some fuckin’ eyes.”)
(“Eyes are windows to the soul, Dan.” Jason retorts, barking out a laugh when Danny gives him a deadpan look. His hands creep for a pillow, one of the soft downy ones wrapped in silk, and he throws it at Danny’s face. “And besides, speak for yourself! Your eyes are the bluest thing I’ve ever seen.”) 
But most importantly, Danny looks tired. 
Hiding is something that comes free with the purchase of living in Gotham, and Danny’s good at hiding things, he always has, but Jason knows him like the palm of his hands. He looks tired, and Jason wants to reach through the screen and ask him why. There’s an age-worn look there, catching in the flint of his iris, where his smile doesn’t quite reach his eyes. 
Jason gets the ETA from Oracle, then leaves as fast as his legs can carry him and his grappling hook can zip through the air. He needs to see Danny with his own eyes, to confirm himself that Danny was here, and that it wasn’t his mind playing tricks on him. Or that it was Tim playing a cruel joke on him — and if it was, he’ll have to rethink his whole killing thing. 
Gotham’s air is warm and suffocating, but her winds bite at him as he soars through it.
It’s second nature for him to find the west end balcony, and Jason finds himself with his feet locked in place on the building beside it. Grappling hook in hand, and a balloon in his lungs, all swelled up and squishing the air out of him. 
It’s just his luck —with whatever he has left— that Danny is there as well. In the same spot he’s always been, with a cigarette caught between his teeth. He’s stuck halfway, head tilting, eyes closed, with the shadows of Gotham on his back and the light of the gala at his front. 
For a moment, for a fleeting, terrifying moment, Jason thinks Danny’s going to tilt himself back off the side.The thought has him blindly tilting himself forward with his heart in his throat. Hands reaching for his grappling hook, swinging down to drop down beside him.
Danny is staring at him before his feet even hit the ground, face nigh unreadable beyond the small, wary furrow of his brows. Danny’s never looked at him like that before, it feels like  stumbling on the last step of the stairs. 
Then, like fire to black powder something flashes and ignites in Danny’s eyes. Mouth curling, eyes burning, for a moment, just a moment, they’re kids again, getting into fights and turning soft hands punch-rough. Danny looks at Jason like he’s going to tear him to shreds.
Jason’s mouth runs dry like a desert in the summer, but his blood chills in fear cold in his veins. Why are you looking at me like that? His mouth opens, but his tongue is leaden in his throat, and no sound comes out. It’s me. Don’t you recognize me?  
Danny yanks the cigarette from his mouth like it burns him, his free hand gripping onto the railing like it’s the tether to a leash, nails threatening to turn into talons. “Red Hood.” He says, voice low and timbre, smoke dripping from his lips like dragon’s breath.  
Oh.
That’s right. Jason suffocates on his heart as it sinks and soars with relief. Danny doesn’t know it’s him. In his tunnel vision, he forgot that simple, easy fact. It’s not because it’s Jason that he’s angry. It still doesn’t explain, though, why Danny looks at him like he ought to sink his teeth into his throat and rip him open. 
He’s half-distracted by that, and then distracted by the need to drink in the sight of Danny again. A photo is one thing; the real person is another, and with his fear subsiding, Jason rakes his eyes over his best friend and swallows him whole. His eyes are bluer in person, his memory and Tim’s photo doesn’t do them justice, and Danny inherited his dad’s height. He’s gotten so tall. They both have. They both used to be such scrawny kids. 
So distracted is he, that he forgets to respond to Danny, to say anything. Not until Danny tries to dismiss himself, and Jason kickstarts into gear. White hot panic fills in his lungs, burning him up like magma. No, no, no, he’s moving without thinking, always when he’s with him, and he nearly latches onto Danny. Nearly wraps his hands around his arm to hold him in place. Don’t leave. You’re finally here; don’t go. 
Danny stays, but he stares at Jason’s reaching hands like he’ll bite them off, stares at Jason with his eyes burning, watchful. Jason’s excuse is lousy and he knows it, but he wants, wants, wants to stay and figure out every new thing about Danny. 
And he feels like he’s losing something. Time bleeds together beside him and Jason feels trapped behind a glass wall of his own making. Something old, something new. The distance of which Danny keeps him at is foreign to him. He hates it. 
Tell me everything, he thinks, because he can’t find the words to say it. He hands Danny a cigarette instead, and hopes that it’s enough. Tell me everything and more, tell me what I’ve missed. 
In the end, he still feels like he’s losing something, but he also feels like he’s missing something. Answers that are water, and that water is slipping through his fingers. Danny leaves him with more questions than answers; something that’s never happened before, and Jason watches him walk back inside with a spinning mind. 
What do you mean you spoke to my ghost?
I told you that the Joker killed me?
Have I told you anything else? Have I already told you everything I’ve wanted to?
What happened while I was gone? 
Is that why you’re scarred?
Because Jason isn’t blind, he’s never been. Not in Crime Alley, not as Robin, not now. And not when it comes to his best friend. He sees the silver lightning scars ripped jagged up Danny’s arm, sees that they disappear under his sleeves. He saw, faded as they were, invisible until the light hit right, as they spread like tree roots up his throat and across the side of his face.
Scars that Danny’s never had before. Scars he didn’t have when Jason was alive the first time. Scars he didn’t have the last time Jason saw him. Or — what he remembers to be the last time he saw him, because apparently he saw him as a ghost. He sees the curve of his ears and how they point more than a human’s should, he saw the glint of his canines, sharper than they should be; sharper than he remembers. Metaphorical fangs turned real.   
Jason should’ve asked where he got them from, should’ve taken Danny by the front of his collar and stopped him from leaving. Who did this to you? He should have said, a fire burning in his chest and wrapping around his throat, pulling his voice into a snarl. He should have said, his guns weighing heavy on his sides; Who did it. I’ll take care of it. Just tell me who. Tell me everything. 
Instead, something crawled into his mouth and died, and his tongue is glued to the roof of it. And he doesn’t say anything, because saying something means telling his best friend who he is. It means having to take off his helmet and mask. It means telling his best friend that he’s alive, that he has been. That despite being two halves of a whole, Jason spent five years letting him think he was dead. 
He can’t tell him, not when he’s in too deep already. Not when Jason is so unrecognizable to who he used to be that if he told him, Danny would hate him.
And Danny is still grieving him. So plain as day mourning, still angry over his death. Angry enough that he wants the Joker dead, angry enough that he wants to hang the noose and kick the chair out himself. 
Jason wishes he told him that he looks tired. 
Instead he’s standing alone on the balcony, trying to get his thoughts in order as music blares muffled through the gold-light door. He’s left staring at the crushed cigarette laying on the ground, Gotham’s ambience at his back and a poem hanging in the air that he has no words for. It’s already there. Like stars on a painted ceiling.
And there are so many questions he needs answers for. 
Like his ghost. His ghost.
What did Danny mean by his ghost? 
Does he really want to kill the Joker himself? Was it just the grief talking? Jason knows — or thinks he knows — Danny like the palm of his hands. He’s been through everything with him, he’s seen him say something and then immediately follow through with it. He knows when he’s being serious, he knows when he’s not. 
Danny wants to kill the Joker. Stealing is one thing; murder is another. And Danny wore a look on his face that looked like he meant it when he told Red Hood that he wanted to kill Joker. But saying and doing are two different things. Jason doesn’t know what to think.  
Something old, something new. Danny is still the same, and yet he’s changed so much. 
What did Danny mean by his ghost? 
Jason doesn’t ever remember being a ghost. But Danny knows the Joker killed him. He knows how he killed him. Danny’s parents are ghost scientists, and Jason remembers the letter he got one day telling him about the portal they were building in the basement. 
He remembers thinking about telling Bruce — this was something beyond the glowing green samples stored in the fridge, giving life to the food inside. This was beyond the weapons, the inventions they made that only saw the light of day when the Drs. Fenton brought them up to showcase them.
And he didn’t, because if he hadn’t told Bruce about everything before, he wasn’t going to start. He admits, it was part fear that Bruce might intervene and prevent him from seeing Danny that he didn’t.  
Neither of them had expected it to work — but it sounds like it did. 
(Jason has avoided Amity Park for a reason. He knows he wouldn’t be able to stop himself from going there if he didn’t. But now, he just might have to look into it. He’s missed too much.) 
And Danny wants to kill the Joker, and Jason isn’t sure if he means it or not. Because the look on his face when he said it is oh-so familiar. It’s the one he wore when he needed Jason to distract the clerk while he snuck behind the counter to steal cigarettes from the shelves. It was the one he wore when an older kid cornered them near one of Gotham’s many alleys, threatening them over something Jason can no longer remember clearly. 
(He remembers puffing himself up, rearing for a fight. Danny, with glass in his teeth and blood between his fingers, lands a square kick to the spot between the kid’s legs. His knees hit the ground, and Danny’s hand found Jason’s to drag them both out of there.)
It’s the look of a boy, Gotham-touched grime in his soul, soft fingers turned calloused and scarred, about to do something he’s not going to regret. It’s the look of a boy that has set his mind to something and is going to do it. Some might call it the eyes of a cornered animal, but Danny’s never been cornered, not when Jason’s been with him. 
(But Jason hasn’t been with him. Not for the last five years. So can he really say it wasn’t the eyes of a cornered animal?...Yes.) 
Jason gets off the balcony before he can be seen, and he shouldn’t, but he loiters. He should get back to patrol, the night is never over. Not in Gotham. But he stays, hidden atop the roof nearby.
—---------------
An hour later, Danny walks out the doors with a man Jason recognizes as Vlad Masters — another new mystery for him to uncover. The paparazzi have long since left. Gotham’s nights are dangerous and everyone knows that, not even the vultures would stick around for a scoop, not unless there was something worth seeing. 
A black limousine pulls up beside them, and Masters walks around the back to reach the other side. He’s bristled like an angry cat. “I thought I told you not to embarrass me.” He hisses, eyes snake-narrowed.
Danny, for the most part, just looks unbothered, his hands shoved into his pockets without a care. But he narrows his eyes right back, an expression made of stone. “You have a pretty low bar for what you think is embarrassing.” 
Masters just scowls, “I don’t understand you, I would have thought you’d spend the whole time mingling with the Waynes, badger.” He says. Danny ruffles at the nickname, lips curling into a snarl. Jason finds himself unconsciously mimicking him. “And yet, I find you sequestered away in the corner like a little fly on the wall. Were they not up to your standards?”  
‘Sequestered’ Danny mouths mockingly, eyes burning like he was going to claw his hand down Masters’ face. Instead, his hands dig into his arms. “I did talk to them, that’s more than I can say for you. You couldn’t even keep Mister Wayne’s attention for more than a minute.”  
Jason frowns, and Masters scoffs, puffing up like an owl with its ego bruised. “Regardless, I am not the one losing here. Or did you forget what you promised me?” 
Jason’s frown deepens. Danny doesn’t promise anything. At least, he doesn’t promise with just anyone. He deals; he repays; he indebts. But he does not promise. Promises were power, with only one side benefiting. It was trust to promise someone something. Danny doesn’t trust easily, neither of them do.
Something that hasn’t changed. Danny rears up angrily, mouth twisting, teeth baring, snarling out a fury sound. A wire cut live and sparking. He grabs the door handle and yanks it open harshly. “I didn’t promise you anything, Vlad.” He hisses, Jason strains to hear him. “I offered and you agreed. Do not fucking twist my words.” 
There it is. Jason should’ve known better, guilt string-plucking in his chest for his doubt. Danny doesn’t promise things; not to people like this Masters guy, at least. 
Danny grabs something from the car and throws himself back. “Don’t wait up.” He snarls, a wild thing just as Jason is, and yanks on a red hoodie over his arms. It zips up, and hangs off him, smothering the vest and button-up beneath. “I’ll meet you back at the hotel.” 
Then he slams the door shut, shoulders hunched and with a scowl carved into his face. They’re both made of broken glass; independence — disobedience — and rebellion cut into them from every broken beer bottle shattered on the streets.
(Jason makes a mental note to look into Vlad Masters — Danny’s never told him about him, so they must have met after he died. The man leaves a rot in Jason’s mouth, and there is a greed festering inside him that Jason knows has left him in decay.)
(He doesn’t like how close Masters acts with him, doesn’t like the affiliations between them both. Masters reminds him of Luthor and every other rich socialite with their hands in something dirty. He hates even more that Danny is making deals with him. What has he missed?)  
Jason follows after Danny, partially concerned that Danny is wandering Gotham alone. Regardless of what he can do, Gotham is still dangerous. It is bone-rotting, lung-choking and unforgiving. Danny knows this, Jason knows he does. He’s partially curious to know just where he’s going, and whether or not it was important enough to visit in the dead of Gotham’s bloody nights.
Danny surprises him — slipping between alleyways, sticking close to the shadows. Someone taught him how to be stealthy — or, at least, refined what stealth Danny already had. More new things that Jason needs to learn. More things he will never get to know. 
Who taught you that? 
Just what, exactly, have I missed?
I want to know everything. 
Five years is a long, long time to be away from someone. If a caterpillar can become a butterfly in two weeks, then what can five years do to a human? It’s a long time to change, to become something else entirely. Jason’s become someone new, and he thinks, so has Danny. 
Dread pools in his ribs, into his lungs, and weighs heavy on his heartstrings. The urge to drop down in front of Danny, to grab him by the arms and ask him to tell him everything, returns with a vengeance. This is why he avoided Amity Park. 
Will I still know you like I used to? Jason trails behind Danny from the rooftops, like a ghost. Do you still love the stars? Do you still take tea over coffee? Will you tell me, if I ask? 
And if he doesn’t? If he doesn’t ask, like he isn’t right now? 
If he doesn’t ask about his ghost — something that still boggles his mind, because it means the Fentons were right and that portal might have worked, and Danny found Jason’s ghost? If he doesn’t ask what his ghost told him, if he told him anything else? Did his ghost tell you that he was Robin, like he always wanted to?  
He will just have to keep his questions to himself. He will just have to tuck them into a folder in his mind, and file it under all of his other regrets.  
He feels like he’s Robin again; keeping secrets and hiding things from his best friend because it simply wasn’t safe enough for him to know. It’s maddening.  
Why has nothing changed since he died? Why has nothing changed, now that he was alive?
—---------------
Danny leads him to the Gotham Cemetery. Jason freezes outside the gates. Oh, he thinks.
Oh.
He thinks back to what he thought earlier. 
What could possibly be so important that he’d go to it in the dead of Gotham’s night? The cemetery. Of course. Something old, something new, something bittersweet sets over his tongue that he swallows down. 
Jason forces himself to follow. 
“Hey.” Danny says as Jason settles behind a tree, voice gentle in foreign familiarity. He’s standing at Jason’s grave, his hands shoved into his pockets. The light is low but it doesn’t stop Jason from seeing the starlight-soft look in Danny’s eyes and his half-tilted smile, the smile that Jason is more familiar with than the wary scowls. “Sorry I’m late.”
Guiltish misery wraps its hands around Jason’s lungs. Pin-prickingly, stabbing at his heartstrings, Jason’s mouth moves on its own; “It’s okay.” but no sound comes out. Danny doesn’t hear him, and neither does Jason himself.  
Danny sits down before Jason’s tombstone, groaning low and tiredly as his legs fold beneath him. He’s older than Jason, and immediately his mind switches over to all the jokes he used to lob him with. 
(“Need help crossing the street, old man?” Jason, eight years old, asks with a grin so wide and painful across his face; giggles in his chest. He hooks his elbow with Danny, and keeps him tight against his ribs. “You’ll need all the help you can get in your ancient age.”)
(“I’m not that old.” Danny says, glaring at him before they scurry across the street with the light still green. Traffic laws are a joke in Crime Alley, it’s like a game of frogger as the sound of honking horns and screeching tires follows their heels. “We’re six months apart!”)
(“Six months and four days, actually.” Jason corrects when they reach the other side, snickering as they race down the sidewalk. Drivers lean out their windows and curse them out as they get away, Danny dodges an empty soda can thrown at his head. “Can’t forget the four days.”)
“I would’ve come sooner.” Danny tells him, pulling him from child-fuzzy memories and back into reality. Jason peers around the tree to see him running a hand through his hair, head ducked down. His palm splaying against his neck. “Sorry I didn’t. I got scared.” 
Scared? Jason blinks, he leans against the bark and bumps his helmet against the wood. The thunk is loud in his ears, but Danny makes no indication that he heard. Of what? 
But Danny doesn’t say what, he drops his hand and glances off to the side. He sits like a man who isn’t quite sure what to do, his mouth pressed into a thin line, his eyes scrunched. Grief carves into the lines of his face like a sculptor carving into marble. 
“I was gonna get you flowers on my way here.” Danny continues. His voice cracks, begins to wobble, and Jason sees Danny’s jaw tighten and his eyes close for a moment. When they open, there’s a wobbling sheen on his bottom lashes; tears threatening to bleed.   
Danny flicks at the tears with the nail of his thumb, it does nothing. It just makes his breath hitch. “Um, but they- uh, didn’t have any open on the way here.” He says, giving Jason’s grave a tremulous smile. “Sorry, I’ll make sure to pick some up on my next visit.”   
Next visit. Jason’s heart squeezes uncomfortably, before he reels at the words. Danny’s going to be visiting again, after five years of being out of Gotham? Next visit, why are you visiting again? Was this the reason he came to Bruce’s little charity ball with Vlad Masters? So that he could come visit Jason’s grave?
It couldn’t have been. There are other ways to get to Gotham that don’t require making deals with shady rich men. Danny’s smart, smarter than Danny himself gives him credit for. He’s brilliant. Why did he need Masters’ help to get him to Gotham?
There had to be another reason why.
God, there were so many questions that Jason wants the answers to. He’ll find them, one way or another. 
But, he focuses in again. Danny is only here for the night. One night, and he doesn’t know when he’ll be back again. Jason wants to commit every detail of his best friend to memory before he leaves. 
“You like zinnias, right?” Danny pets the grass at his side absently, and yes. Yes, Jason does, and Danny remembers. Even five years from his death, he remembers. Of course he does. 
“Yeah, you do. You used to pick the petals up off the sidewalk from those uh, fuck — the vendors. The Victorian flower language too, I think. Got a book on that somewhere. I’ll get you red an’ yellow ones.” 
Grief traps in Jason’s chest, and he barely tamps down the bitter laugh forcing itself out of the chokehold of his throat. You fucking sap, you big fuckin’ sap.
Red zinnias. Steadfast beating of the heart. The irony. It’s got double the meaning now, now that he’s alive. But Danny doesn’t know that, so the heart that’s beating could only belong to him. But even with Jason alive, he’s hiding. Between the both of them, the only one here with a beating heart is Danny.
(Between the two of them, the only heart here is one that's made between the two of them.)
Yellow zinnias. Daily remembrance. Of course. That doesn’t need any explanation, the writing is right there on the wall. Raised, so that even the blind may read it. It doesn’t need to be said what that means, Jason can hear it on the wind, in the grass, in the trees. His heart crumpling like a rag being twisted out to drain the dirty water soaking in it. 
I miss you.
I miss you. 
I miss you. 
I’m right here. Is what Jason wants to say. It’s what he should say. He should step out from behind the tree; should speak up and say something. To announce his presence. To do something to let Danny know that he’s speaking to someone who is more than a ghost (who feels like one anyways) and a corpse in the ground. 
Here I am. Here I am. HERE I AM.
His feet are gravebound to the dirt, his tongue cut out of his mouth and shoved into a jar. He feels, in some way, like he’s clawing out of his own grave again, but the dirt keeps falling and his arms are burning. His lungs are filled with more soil than air. He’s not getting out. 
Shame burns cigarette smoke in the back of his throat, shriveling up what little remains of his tar-filled heart. It should be his lungs, and it’s got that too. His feet are grave-bound to the floor.
Danny’s begun to cry, much to Jason’s horror. It should be more incentive for Jason to step out. He doesn’t. His best friend sniffles and scrubs at his face, soaking tears into his hoodie’s sleeve. “I’m sorry for not visitin’ sooner,” he says, voice spiraling with grief, “I don’t have an excuse. I should’ve come sooner. I’m sorry. I’m so sorry.” 
Don’t be, Jason thinks. Finds himself surprised by the truth of it. He should be upset. Five years and not a single visit. He abandoned him like everyone else. Except he didn’t. 
He’s not upset, he can’t be. Not when Danny’s finally here. Not when he’s still crying over him five years after the fact. Not when he’s going to put flowers on his grave that means he thinks of him daily. Not when Danny knows who killed him and wants him dead. 
Jason isn’t sure of what to think of that still. He wants Bruce to kill the Joker. More importantly he wants change in Gotham. He wants something to be done. He doesn’t know if Danny is being honest or not — and honesty doesn’t mean anything if someone doesn’t act on it.  
Danny continues talking to his grave, his voice full with sorrow. He talks about the gala, about running into Bruce and talking to him again. 
Jason listens in dutiful silence, soaking in Danny’s voice like a sponge. This is what he was expecting on the balcony; this easy conversation. Except it’s not a conversation, Danny is talking and not expecting a response. Jason feels like a stranger imposing on his own grave.He should slink away, let Danny have his peace on his own.
He refuses to move. He can’t bring himself to.
If he closes his eyes, he can pretend that he's sitting in front of him. He can pretend he’s thirteen again, with him and Danny crawled under the bed at the manor and trading all the stories they couldn’t fit in their letters. Danny tells him about another fight he had with Dash Baxter, eyes rolling but smug teeth flashing in a stifled smile. Then he tells him about something Sam and Tucker did; about one of Sam’s protests she led against the biology lab, and Tucker coding his PDA to play Doom. Easy, stupid middle schooler shit.
They’d sneak out to the balcony for their vices, Danny clutching a carton of cheap cigarettes in hand. Alfred always finds the ones Jason hides, so they usually share whenever Danny comes to visit. Jason tells him about Gotham Academy, about the people there and the classes. Prep school is another beast entirely, he likes seeing Danny’s reactions to the politics that goes on inside. 
Or, further back, they’re eight again, climbing a rickety fire escape to the rooftop and hanging their feet over the edge to find Batman and Robin. Danny was in the lead before he left for Amity Park. Jason remembers it clearly; they’d spent all night outside on that rooftop. 
Jason doesn’t close his eyes.
Jazz decided to change career goals; psychology’s become more of a hobby for her, and she’s going to go to med school instead. She’s thinking of doing an internship in Metropolis. Danny says he’s glad that it’s not Gotham, and when he told Jazz this, she laughed at him and told him that she was going to save that for later. 
She’s Gotham-touched too, she knows it’s blood just as much as Danny does. She wants to help the people there, but knows what Gotham’s like. She knows what she can and cannot do. Determination doesn’t equate skill, it just means the willingness to learn. 
Sam is staying in Amity Park and doing online classes for college, but Tucker got a full ride scholarship in software engineering. Danny’s thick with pride as he tells Jason’s headstone. Jason’s happy for him — they weren’t close, not like he and Danny were, but they were still friends. 
Jason soaks it all in; tell him more. He wants to know everything. 
"I don't know what I want to do." Danny says when he’s finally done talking about everyone else, his chin laying on his knees. “S’not like I can be an astronaut anymore, but there’s not anything I can see myself doing.”
The corner of his mouth coils, sardonic. “I’ve had five years to come up with somethin’ new, and I’ve come up with nothin’ at all.” He huffs. It’s a rough, bitter sound. Gotham has been steadily seeping back into his voice since he arrived in the graveyard, and now it comes out thick, like it never left. 
Danny’s face falls slack, like a puppet losing its strings, and he sinks into himself. “I guess I…” He exhales slow. “I’ve just been distracted.” A faraway glaze eclipses his eyes, and before they close, tears begin to bleed onto his eyelids. Again, grief mars the lines of his skin, settling into the curve of his mouth and threading between his brows like second nature.
Fuck, it’d be so easy for Jason to just step out. Move. His best friend is grieving. He could save him the pain of it and tell him now. Move, move, move. 
He doesn’t move.
For a while, there’s nothing but silence, just Jason hiding in his shame; a rat on the street would be bolder than him. Danny’s eyes don’t open. Eventually, his head tilts and slumps into his knees, Jason almost thinks, somehow, that he’s fallen asleep — but Danny’s hand threads into the hair on the back of his head, his finger beginning to tap an invisible beat into his skull. 
It’s the perfect opportunity for him to slip away. Danny’s distracted; lost in his thoughts. He won’t notice if Jason slinks off now. He could go and hide away on a roof nearby, ensuring that Danny gets his rightful privacy without leaving him to the teeth of the streets.  
Jason still doesn’t move. 
Danny begins to hum. It’s a low, breathy sound, and it shakes unevenly. There’s no discernible melody, but a breeze picks it up and travels it through the air anyway, rooting Jason to his spot. His throat swells, and his back sinks into the bark behind him. 
For a full minute, maybe two, Danny just hums. It’s a simple tune, but it fills the graveyard with the sound. When it goes up, he sharpens, when he goes down again, it flats, and sometimes it wobbles.  
When he lifts his head, when he finally opens his eyes, he’s still humming. Soon it dies down, and the next time Danny exhales, it comes out tumultuous and slow. His hand slips heavy from his head and drops into the grass. 
“Where’d you go, Jay?” Danny mutters, and despite his voice coming flat, he still sounds so tired. Danny’s eyes flick up, lifting off the grass to burn into the headstone. He’s not even looking at him, and yet Jason still freezes up, he still feels pinned under the weight of his stare. “I know you’re still out there, somewhere. I know it.” 
Jason breathes in shakily, a sting deep in the back of his throat. He gives no answer; guilt is an animal with claws, and it burrows deep into Jason’s heart to make itself a home between the tendons. He’s right here. 
Silence falls over them again, and this time it’s only the sound of the city around them that bleeds into the air. Danny stares at Jason’s grave, staring like he’s expecting an answer. He doesn’t get one. 
Danny sighs out low, and stands. His knees tremble slightly, and he rubs his sleeve into his eyes, catching the stray tears falling from his lashes. Like breaking a spell, Jason jolts from the fog of sorrow hanging in the air. 
“I’ll see you later, an’ I’ll make sure to bring you those flowers you like.” He tells him, and miraculously, a shadow of a smile flits over Danny’s mouth. “Y’better be here when I get back, alright? I’ll kick y’fucking ass if you’re not.” 
Jason bites back a huff, his mouth upturning in a wobble. I will, he thinks, and watches Danny trail out of the graveyard with his hands in his pockets. He waits until he’s disappeared behind the gate before following.   
Guilt is a thing with claws, and Jason leaves the cemetery with it eating his tongue. But he makes sure Danny gets back to his hotel safe before he slinks back to Crime Alley; he might not be a ghost anymore, but he can still trail behind Danny like he is. 
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ayy i finally got chapter 2 of CFAU/TMWS edited/redone! It had to get rewritten because a lot of stuff became obsolete in the wake of the new chapter 1. and also it just kinda. fucking sucked imo lmao
(you can also read it here on my ao3!)
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st-eve-barnes · 4 months
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Unpopular opinion: if you don't use capital letters in your fanfic I blatantly refuse to read it, I don't care how many notes or how popular it is.
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poopypeepyp · 1 month
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jean-paul and tim fighting in the batcave is what fandom thinks happened between jason and tim
it's so funny to me that fanfiction version of titans tower incident (teen titans 2003 #29) is basically what canonically happened during knightquest the crusade (tec #668 and robin #1)
tim is actually 14 years old so it was a fight between an actual kid and adult instead of two teenagers
tim is beaten up in his safe place by an ally who he used to have positive feelings about (i mean it was tim who broke in and sneaked around the batcave so i don't blame jpv for self-defense!)
tim is annoyed that he worked so hard to become robin only to be shut down by jean-paul and now having to prove himself to him (didn't go well)
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(detective comics #668/showcase '93 #11)
tim sasses jean-paul
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(detective comics #668/bloodbath special #1)
jean-paul strangles tim lol
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(detective comics #668/robin 1993 #1)
jean-paul intends to kill tim? probably? not really? i mean he kind of threatens to later in knightsend but he is in a silly goofy mood
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(detective comics #677)
jean-paul immediately regrets attacking tim and is very sorry and sad wet cat (tim is not buying it (angsty))
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(robin 1993 #1)
jean-paul is not in full control of himself because of The System
The System is "lazarus pit rage" except it's a religious programming and instead of seeing green jean-paul hallucinates a templar knight telling him to be batman or something
the strangling incident has lasting consequences not only on their relationship but the plot too (tim can't shut up about it)
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(batman #506/#507/#508)
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(catwoman 1993 #31)
tim and dick become closer after that (also dick hates jp's guts lol)
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(showcase '93 #11/#12/detective comics #681)
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(batman: gotham knights #14 the issue is called sibling rivalry btw. you know)
also in his azbats era jean-paul thinks he is so much better and effective than bruceman (while he is actually having a mental breakdown) and bruce feels very responsible for how he fucked up jp's psyche and deems him one of his biggest mistakes (jp and batman angst real)
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(azrael 1995 #1/#2/#36 look at him he's so sad)
after knightsend jean-paul feels very guilty and becomes a better person while struggling with mental health and The System (and fights evil cult that manipulated him with his new friends)
also i personally believe none of this would have happened if tim didn't give jean-paul a bad haircut
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(batman #491)
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magicpiano · 1 year
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I often see people making posts looking for beta readers and getting no responses, and I think I think a big reason for that is just not providing enough information. So here is some advice of things you should mention in your post:
The rating (and maybe why it has that rating)
Any relevant content warnings
The main pairings, relationships, or characters
The (estimated) length! Committing to betaing a 5k work is very different from committing to a 20k one
If you have a deadline you need to work posted by (like if the story is for an event or a holiday, ect.)
What type of help you are looking for. Do you just want a spelling/grammar check, or are you looking for someone to brainstorm with and point out plot holes?
Maybe just a small summary of what the work is about. It doesn't need to be the fleshed out thing you put in ao3, but a short "coffee shop AU" or "season 2 ending fix it" goes a long way in letting a potential beta know what they are signing up for.
I understand the desire to keep your wips a secret till they are posted, but if you can't find a beta, this is probably why. Many times someone would be willing to beta, but doesn't want to offer because they don't know the above and would feel weird backing out after agreeing, so they just don't say anything.
Finally, remember the person on the other side of the screen is a human being. You are not owed help, they are doing you a favor so be polite.
(Please feel free to add more advice!)
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slicznymartwy · 8 months
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I’m not sure if your comfortable with it, but if it’s alright, can I request Billy Lenz and the reader (established relationship) having some sort of conversation on his past and the reader comforting him?
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this one is rlly sad im sorry :(( this is mostly hc since i've only ever watched the original 1974 film, so idk if this lines up with the canon from the other movies. from what i know about it, i think it's similar. no mention of agnes in this warning: sa of a minor mention, please do not read if that bothers you. also, reader insert was abused/beaten by their mom. very sad take care of yourselves please
☾⋆⁺₊ billy lenz x gn!reader
Night fills your bedroom and coats itself on the floors and walls, except for where the yellow streetlamp spills in past your curtains. Sparing a glance to the alarm clock on your bedside table, you see the time is so late it could already be considered early. 
Still, you can’t think about sleep; not when Billy is laying beside you and the house is blissfully empty, two things so rare that it almost seems serendipitous. You’re not one to look a gift horse in the mouth, so you keep staring at the ceiling and let the warmth of his body radiate into yours.
“Billy,” you whisper into the quiet room. “Are you asleep?”
You can hear him grunt and squirm beside you, and you feel bad for waking him. It wasn’t often he got a full night’s rest on a bed, and you knew for a fact that there was no mattress in the attic. There were only so many chances to have Billy and the house all to yourself, though, and you don’t want to squander it.
“Billy,” you say again, nudging him with your foot.
He grunts again, but it sounds more cognisant than before. He reaches over himself to pat your arm, almost like he’s quieting down a noisy cat, and you can feel his hand trail down to your own. His palm covers the back of your hand, and he threads his fingers in between yours, curling them down together. 
It’s a gesture so sweet that you’re tempted to let him fall back asleep. There’s no helping your addiction to him, though, and you tighten your fingers on top of his.
“I’m not tired,” you say with a pout. “I wanna talk.”
This time, Billy groans, low and long. You think it might be out of annoyance, but you can feel him stretching out beside you, straightening his long legs underneath the covers. He huffs when he’s done, eyes blinking open.
You love his pretty eyes, an orangey amber that you were always getting lost in, no matter how unsettling they could be. It always felt like he was staring into you, like he could see the marrow in your bones.
You loved his intensity. It made you feel alive when the rest of the world was tired and grey.
“Hi,” you say, reaching over with you unoccupied hand to touch his jaw. “I didn’t ask before. How was your day?”
He’s quiet for a long time, and you wonder if he can fall asleep with his eyes open, but then he says, “Bad.” 
The word hangs in the air. Billy’s face gives up nothing, a blank page with no words of his own to say. You frown and pull your hand back from his face to rest on your own chest. The other stays in his hold, neither of you willing to let go.
“I’m sorry. Do you want to talk about it?” you ask, although it doesn’t surprise you when Billy shakes his head against your pillow.
“Okay.” You squeeze against his fingers again, pulling gently on his arm so that it rested more heavily on top of you. The bedroom air is quiet, but your mind continues to race. It’ll be good for him to get it off his chest, you tell yourself.
“Is it something old or something new?”
He thinks about your words for a while, but then you hear him mutter, “Old.”
“Bad memories?” you ask, looking back at him. He blinks at you, then nods.
“I get bad memories, too.” You lean against him slightly, and glance up at the ceiling. “From when you were a kid?”
This time, Billy shrugs. You know you shouldn’t push him, but your heart aches to see him hurt and to not have the rememdy.
You turn around and let go of him for only a moment. You search for his hand again, this time with the opposite one to press your hands together, palm to palm. Your fingers entwine so easily, so naturally, that it makes your heart ache.
Maybe he just needs to know he’s not alone in whatever bullshit he’s had to endure in his life. Maybe it will help to know that you have bad memories too.
“My mom used to hit me,” you admit quietly. You stare at the way your hands mesh together, with your nails polished and Billy’s own chewed up. “She used to take my stepdad’s belt and hit me with it. Used to just be the leather part, but then she would swing the buckle at me too. She broke a tooth, but it was just a baby one. My adult teeth grew in alright.”
You keep your voice casual as you speak, because facts are facts, and there’s no reason to get upset about something you can’t change anymore. Besides, you reminesce about your childhood so infrequently that it feels like it all happened to another person. 
You remember the beatings like you’re watching it happen to someone else – something else, because you don’t feel bad for them when they can’t sit at school because of the welts on their ass. You don’t bat an eye when their mom has to take them to the doctor to reset their broken nose.
“Bitch,” Billy spits out from beside you, and you have to laugh at the venom dripping in his voice.
“I don’t talk to her anymore,” you tell him, smiling sadly. You glance at him, but it’s hard to look at the mean look on his face. It probably isn’t for you, but your mind is traitorous and too sensitive.
Even worse, Billy could be mad on your behalf. No, you can’t think about that either, not when you’ve spent so long pretending that it didn’t really happen.
“Anyways. All that to say, I know what it’s like, having bad memories. You don’t have to tell me, just… I’m here for you,” you say, running your thumb along his hand where they’re still locked together.
“Want to,” he mutters, voice croaking unnaturally as he speaks in his own voice.
Quietly, you release his hand and instead wrap yourself around him, laying partially on top. He lets out a heavy sigh as you settle, with your arm coming up to rest by his head and your same-side leg resting over his hips. He watches the ceiling, and you watch his face from where you lay your ear to his chest
“Bad billy. Disgusting,” he mutters, and you pet his cheek with the back of your hand.
“I don’t think so.” You keep your voice careful and quiet, but he sighs and its agitated. Pent up memories start to overfill, and you can see it on his face.
“Mommy,” he starts, but his voice breaks and he coughs to clear his throat. “Mom. Fucking hate her. I hate her. Stupid fucking slut. She’s disgusting. Not me. Not Billy.”
You take your hand away from his face, watching how his expression continues to contort, mixing between anger and disgust and fear. It wrenches your heart in your chest.
“You’ve been so good, Billy. You’re not disgusting.”
“I hate her. I hate her,” he chants again. “Oh, Billy! Shut up!”
When he says his own name, it sounds like a feminine moan. You almost don’t understand, but the implication dawns on you only a moment later. It’s not difficult to piece it all together: his rage, the names he calls himself, the moan. You feel sick.
“Hey, we can stop,” you try gently, but Billy either doesn’t hear you or doesn’t want to stop.
“No one needs to know, Billy. Be a good boy.” You can’t look at his face anymore, the ugly way it scrunches up hurts you down to you core. Guilt claws at you from inside, and you wish you knew the right thing to say but you don’t. The truth, you decide, is enough for now.
“I hate her, too,” you tell him, and it sounds a little wet. You don’t let yourself cry, but your heart breaks for a younger Billy, afraid and confused. 
“That’s my mom,” he says. You don’t know what he’s trying to convey when he says that – if he wants you to pity her, or if he’s sharing his betrayal with you. He whines, a painfully soft noise that gets trapped in his throat.
Gently, carefully, you card your fingers through his hair where you can reach, and you kiss his shoulder.
“She’s gone. She can’t hurt you anymore,” you tell him, although you don’t know if it’s true. You do know that, as long as you’re by his side, there’s no way you’ll let that woman touch him again.
“I wish I could kill her,” he says through clenched teeth. His voice is thick, like he might be crying. You can’t bare to look. Billy’s grief melts into you like it’s thermodynamics, heat into cold, and you can only hope that you can take some of his and ease his mind.
“How would you do it?” you whisper, pressing your hand over his hammering chest.
“Cut… cut her head off. Smash it like a pumpkin. Oh, Billy! Good boy, Billy. Shut up!” His voice breaks when he shouts. He coughs, then gasps for air, his breath shaking as he fights against the tightenness in his throat. “I’ll turn her teeth into pumpkin seeds,” he snarls.
Without warning, you move yourself to lay completely on top of him, pressing against his body with your body weight. He groans, and you’re sure you must be squishing him, but he doesn’t complain. In fact, his arms come up around you, hooked under your arms and pressing you against him with his hands at your shoulders.
“I’ve got you,” you tell him, pressing your face against his neck. “You’re okay now. It’s just us in here. Just me and you.”
“I hate her,” he whimpers again. “I hate her. I hate her.”
You don’t say anything, because you don’t think there are any words that could possible take away his hurt without also being a complete lie. Underneath your body, you can feel Billy start to relax, grounded back to reality from the rotten memories playing in his head.
“I’m sorry today was a bad day. We can have a good one tomorrow,” you say. It’s an impossible thing to promise, but you mean it like one. You’ll make sure Billy has a good day, whether fate wants it or not.
“Okay,” he murmurs. “I’ll kill your mom too.”
“Thank you,” you say. You kiss his temple, and he leans into your lips.
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© slicznymartwy 2023, please do not repost or copy.
a/n: reblogs and replies are really appreciated
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transmascutena · 1 month
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(a very quick and unpolished thing i wrote on the bus home today)
Utena, Anthy, and a conversation about love. Around 500 words.
---
“I loved him,” Utena says. She feels vulnerable admitting it, staring at the ceiling rather than at Anthy curled up at her side. “Not… not in the way he tried to convince me I did. But…” she sighs at the feeling of Anthy's fingers moving gently up and down her arm. “But I did love him.”
Anthy is quiet, and Utena can tell she’s waiting for her to say the next thing, the logical conclusion to this line of thought. It’s the hardest part to admit to herself, let alone to someone else. Let alone to Anthy.
She takes a breath. “Sometimes I feel like I still do.” Anthy exhales against her shoulder.
“Love is,” Anthy starts, then stops. Utena feels her shake her head. “It’s not… enough, on its own. I loved him too. I still do. I think I always will.”
Utena squeezes Anthy’s hand in the dark, and for a while they simply listen to each other breathe. “I’m not sure I even know what love is,” Utena says. “I definitely didn’t, growing up. But I wanted it, more than anything. He knew that. He offered it to me, and he knew I would do anything to keep it.”
“Family,” Anthy whispers, her mouth still pressed against Utena’s shoulder.
“Yeah. Family.”
They’re both quiet for a while, aware of the weight of the conversation. The entirety of what used to be their world, all contained in that single word.
“Do you think…” Utena starts to ask, but hesitates. She doesn’t want to say the words, and doesn't want to hear Anthy’s answer.
“What is it?”
She shakes her head. “Nevermind. It doesn’t matter.”
“Everything matters,” Anthy says simply, but in a tone that tells Utena that she doesn’t have to say if she doesn’t want to.
She sighs. “I just mean, it doesn't change anything. It doesn’t make what he did… better. But I just wonder,” and she has wondered for years now, “I wonder if he loved us too. If any of it was real.”
Anthy wraps an arm Utena’s middle and touches her scar lightly. “He did,” Anthy says, confidently enough that Utena doesn’t question it. “It was as real as anything was in that place. But like I said, love is… It’s not an inherent good.”
“No,” Utena mumbles. “And he hurt us in spite of it.”
Anthy catches Utena’s eye for the first time since the conversation started. “He hurt us because of it, Utena.”
“Oh,” Utena breathes, turning her eyes back to the ceiling. She lets that revelation settle in her chest, but doesn’t know how to feel about it. She was right that it doesn’t make any of it better. She’s not sure whether or not it makes it worse.
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dontpercievemeplease · 3 months
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Jashers it’s happened.
Silly Writing with Silly Guys by Foxy is now on ao3!!!
No more having to deal with large google docs :)
Please show Foxy some love!!
Go read it’s so good!!!! They’re brothers your honor I swear-
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Tower of Dormont ISaT AU
Had a weird dream I figured would make a great ISaT AU if anyone wants to take a swing at it so umm, general idea:
Instead of the House being taken over by the King, instead the Favor Tree is warped into an evergrowing tower reaching up, up, up into the heavens.
Instead of the King's Curse slowly making its way across the land and Mirabelle being the 'Chosen One' to collect the orbs to stop it, it's time freezing Sadnesses raining down from the top of the Tower all over Vaugarde and surrounding countries, with heroes from all over (Euphie, Claude, various Defenders, people from other countries, etc) heading into the Tower to figure out what is happening only to never return...
And well. It looks like the end for Vaugarde, Mirabelle (having finally hit the 'I know what Euphrasie said but I've got to do something' point) has recruited Isa, Odile and Bonnie for a last ditch effort to try and stop the world from ending by Tower and...
Within the first few floors (which keep changing but kind of look like... The House of Dormont? No, that bit there looks like Odile's family home, and that room there is just like Nille's???) they find an unlocked bedroom and in that room an exhausted, terrified and near hopeless Siffrin who can barely remember anything from his life before being imprisoned here (even takes a bit to recall his name over the now despised 'Bright One') but after a bit of coaxing they admit they know a LOT about the floors ahead and might be willing to help the party reach the top of the Tower where they can put a stop to the madness going on outside but in return they must not let the King catch them (not again not again not again)...
Party are actually pretty cool with this (you know, aside from general 'is this person legit or actually an enemy?' concerns) but well, it's hard not to notice as their guide goes from barely able to fight beyond weak scissors craft and buffs to healing and every craft type under the sun. From claiming they don't know what's behind a certain door or above the next floor to explaining in detail that the prisoners in cages on the next floor are all Sadnesses, or that 'the King is coming, he hasn't realised I've left the room yet but I need something, anything, to mask my scent' (and later gets everyone to leave false trails down halls via jars of sugar and honey they picked up a few rooms previous). From claiming that the party are the only other people they've ever seen here to having near breakdowns over finding books or paintings with imagery and words that seem eerily familiar (think a book that reads like 'Claude wonders why Euphrasie and their amnesiac guide are so fussed about the walls here apparently being covered in stars? Why do stars matter anyway?'), etc.
Oh and they glow more and more with each floor which er, is probably going to make hiding from the King (who is VERY DEFINITELY after them judging from all the "Bright One, you know you are not supposed to leave you room. You do not want me angry again do you Bright One?" roaring) increasingly difficult.
...
And yeah. I don't actually know what is going on in this story beyond cool imagery due to the whole 'Literally woke up with this in my head because dream' but...
Been thinking it's kinda like an 'end game Persona series' situation where a chance friendly meeting/talk between Sif and the King right before the King's rampage would've started, led to the King to realizing he could use his Wish Craft to force the people of Vaugarde to 'wish with him' (see: escalating brainwashing madness), forcing a terrified Sif to go along with it (no brainwashing for the Bright One no, not when they were clearly sent by the Universe to be the King's guide ignore the Bright One's screams that this is wrong, that they want nothing to do with this; clearly oracles only relay the Universe's intent not share it themselves), and the current 'raining time freezing Sadnesses/Sif clearly being stuck in some weird looping variant' stuff being the result of Sif's 'Please protect Vaugarde and restore our home' wish said at the King's orders being heard by the Universe as "please Universe do whatever you can to stop all of Vaugarde- No, the world from falling under the King's control! + Someone, anyone save me! + 'immense amounts of self loathing and a desire to known and held accountable for inadvertently sparking a man made apocalypse' + Universe I wish I had people who actually cared about me/who would never only use me as a tool to save the world" and er well. The Universe had a way to 'protect everyone from the King' that would also kind of fit the King's wishes, a whole heap of power from all the brainwashed people the King was leading plus the 'meant to be repurposed' freezing all of Vaugarde in time ritual the King crafted to work from Dormont and... Yeah. Add to that people all over Vaugarde and possibly other countries 'adding' to the 'please save us' wish bank after Sif had already accidently centered it all around himself and basically both Sif's loops and the Sadness hell storm are being powered up by everyone everywhere in one huge ball of 'Hmm, I wonder if this all ends with the King getting killed or is there gonna be a big old morality question thingy post King killing at the end where Sif, upon remembering that "this is all my fault" tries to get the others to kill him which other heroes may have done (and thus triggering the loop, sending Sif back to the start possibly missing memories of them to hide away in shame/terror/etc) whereas Mira, Isa, Odile and Bonnie have gotten far too attached to this tragic, self sacrificing idiot and were willing to let the rest of the world be fully frozen for the rest of Sif's natural lifespan if it meant he could finally be free (not happy about it mind you, but like, just the 5 of them living in a quiet world until everyone else is safely freed after Sif's natural death is better than murdering someone who went through an eternity of horrors to protect a world they couldn't even remember and who's death might not even be the true answer anyway)'.
Oh and the King should basically be treated like a yandere version of the Reaper or something throughout the story (dream had way too many 'and then the King was suddenly there killing someone until Sif slashes their throat -no tears to use in this Tower alas- and from the party's perspective basically has a 'vision of the future' and/or freakout for seemingly no reason in the middle of Snack Time), while each of the many many floors of the Tower are basically due to being altered to match the minds of everyone (frozen or not) in the Tower, kinda like a Palace or P4 dungeon, due to well, Sif unconsciously wanting to learn more about them, wanting to remember/forget, possibly on some level wanting the King to how horrible this all actually is IDK (snack rooms, like the bedroom Sif was in are basically P5 saferooms but less 'area weak in cognition' and more 'Sif wishes for there to be places safe from the King and all the Sadness so there are some even if he knows he can't stay in them forever least they become prisons for him'). ...Might be nightmare floors as well? To represent Sif's terror of bad things happening to anyone he becomes attached to and wanting to be able to protect them so basically, they are accidentally making their own opposition (possibly based off of what they hear the others being afraid of/the desire to be useful to them) and I think Slay the Princess might make for great inspiration there if you need an idea of how crazy that might go~ XD
...So. Yeah. If anyone wants to use any of this for any fanfic ideas, please go ahead as I kind of would like to focus on my Selkie Au and fics for other fandoms more than this weird dream that basically took over my brain and said SHARE in caps so loud I've been stuck thinking about it ever since.
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ingravinoveritas · 4 months
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It has just been brought to my attention--and why I have never seen this mentioned anywhere else before now, I cannot possibly fathom--that David actually takes his shirt off during this production of Macbeth. Specifically, this moment:
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As we know, Michael attended a performance of Macbeth in December, on press night. Which means Michael saw that moment happen. From the second row. And was likely staring at David without a shirt on. Which suddenly gives entirely new dimension to Michael and David making eye contact with each other at the end of the show:
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Do I think this was the first time Michael saw David shirtless? No (especially not if we take them filming two seasons of GO together into account). Do I think Michael outwardly* displayed anything other than complete respect and admiration for David's artistry and performance? Also no. Do I think that there are potentially a massive number of implications for Michael and David looking at each other like that right after Michael has just seen David shirtless on stage? Fucking hell, I don't know how there could not be.
Because the idea of Michael staring at David shirtless in a theatre full of people--unabashedly, unreservedly--is somehow quiet and incredibly brazen at the same time. The very epitome of "saying a lot by saying very little," which is a tag I have used for both Michael and David on multiple occasions. And David looking right back at him conveys just as much meaning, as if to say he knows he has to bare his flesh to audiences night after night, but Michael is the only person in that room to whom he can bare his soul. The person David has been vulnerable with in a way he hasn't with anyone else.
It's truly remarkable to contemplate. To think that the biggest, loudest statement Michael and David could make was done without saying a word. And that we all had the chance to see it thanks to one beautiful, timeless photograph...
(*Note: This does not mean Michael wasn't making loud AWOOGA noises on the inside, because he totally was...) **UPDATE: I have just been made aware that David is not actually fully shirtless in the play, but has a vest on underneath the shirt seen in the above photo. Apologies for inadvertently spreading any misinformation. But at least we can be satisfied knowing Michael has likely seen David shirtless in other contexts...
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I need help from fic writers. Especially long fic writers. I need advice.
How do you write a long fic? What's your process compared to writing short ones? (More questions in the tags below).
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stinkypeanutbutter · 17 days
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honestly about the new fastpass , Chase did go a little extreme . Yes he’s mad yada yada but he still shouldn’t have said the really maybe a little too silly stuff like that . Same with buddy , he shouldn’t have done what he did too , even if it was out of blind rage . Both suck , both need to kiss and make up , both need chocolate bars :3
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grimgummies · 22 days
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Not going to lie, I’m surprised the fandom isn’t eating up the new tone shift and characters’ struggles in ep5. Maybe I’m not looking in the right spaces but fandoms usually love that stuff.
I KNOW I mean the amount of angst art that was made prior to the episode really made me think people were gonna take everything from the new ep and run with it. Though that's not to say people didn't. I've seen plenty of people discuss what happened in the episode (especially regarding John and his daughter/his family in general,, people were going insane over that and I get it like we're getting deeper into what happened to him and his family which I'm also super interested in. Plus seeing his photos in Ignacio's house really got people discussing his connections/past with the cult and how there's such a specific focus on John).
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st-el-la-luna · 1 month
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School is almost done for the year... which means more time for writing... And yet... where is my motivation?
if only someone would come scream at me about my fics or even their own ideas... If only there were an online community of people who could share what they like about what I'm doing so I know what to do more of... If only there were people to share the brain rot with...
if only people would take advantage of my open ask box with anon enabled...
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