I posted my first(!!! published!) fic a few weeks ago. And like. It’s obviously not gone massive, I didn’t expect it to.
But like.
It’s gotten almost a thousand hits. It’s gotten almost 40 kudos and 13 bookmarks and like, that’s a lot of people who have read and liked my silly little fic!
And I dunno. I just think it’s real neat that a thing I made up in my brain can be entertaining and beamed directly into these readers heads
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nami's here to collect your debt! don't remember her too harshly, she keeps this family afloat.
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If you are still taking requests, may I please inquire if I could have a drawing of Jason and Tim working together as a team, please?
this probably isnt exactly what you had in mind, but i think that red robin and batboy from that one death in the family movie ending are so precious
the cowl in question:
bonus:
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It's so funny that Cass worked past her suicidal ideation by actually dying, allowing herself to be murdered, and then being brought back, so she could be like "Hmm. Disappointing" and move on with her life satisfied. All for the sake of being the most badass she could possibly be. Like. On one hand, she achieved her goal and did indeed get more badass afterward. But on the other hand. Therapy exists. She probably didn't need to do that.
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aang and sokka have by far the most underrated dynamic in atla. they’re very cute and silly together, but they’re also insane. like, aang’s central tension concerns refusing to let his values be shaped by war and the imperialist logic of his oppressors, whereas sokka’s entire value system has been defined by war, by his experience as a colonized subject. in many ways, the ultimate tragedy of aang’s character, that he may become too cynical to appreciate his cultural values of joy, friendship, freedom, harmony, and peace, is the tragedy that he might someday become what sokka already is.
if aang is a force for good in sokka’s life, showing him how to play, to appreciate living in the moment and connecting with others, then sokka is quite literally a corrupting influence. “there, that’s how it’s done,” he says, and you know he’s not just posturing, because you’ve already seen him kill people before without remorse. sokka is aang’s big brother, his friend, his protector. he plays his games, makes him laugh, shows him kindness and undying loyalty. but he is also everything that aang must constantly strive to never become. he is a ruthless tactician, a hyperlogical cynic, a killer.
sokka would do anything to survive and protect his loved ones against the cruelty of the world. so he chastises aang for refusing to kill, for being soft and idealistic. he in fact almost kills aang after he accidentally hurts katara. while aang can never let himself sink into despair, to adopt the colonial mindset of his oppressors, to close off his heart to hope and feeling, sokka already has. yes, aang shows him joy and friendship and the potential for freedom, but in truth, it’s too late for him. and perhaps if katara cannot retrieve her brother’s humanity, his very soul, from the hollow shell of who he has since become, she has a second chance now, with aang.
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